20.07.2013 Views

Analog Science Fiction and Fact - June 2013

Analog Science Fiction and Fact - June 2013

Analog Science Fiction and Fact - June 2013

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

een broken by an ill-timed surprise attack by<br />

Nihon itself.<br />

There is more. Much more. These finds will<br />

do more than repair my reputation; they will<br />

make my name.<br />

But as exciting as the artifacts are, the matrix<br />

in which they are embedded is equally recalcitrant—a<br />

hard, fibrous mass that must be<br />

painstakingly chipped <strong>and</strong> scraped from each<br />

new find. This is the ship’s representation of a<br />

powerful noise source that requires significant<br />

computation to separate from the desired<br />

signal.<br />

I’m spending far too much time removing<br />

the same encrusted junk from artifact after artifact.<br />

I decide to take a moment to analyze it,<br />

in hopes of determining its source <strong>and</strong> factoring<br />

it out of the data at a low level.<br />

Usually this type of interference comes<br />

from a nearby pulsar or black hole. But as I examine<br />

the noise I find it is too hard-edged, too<br />

gritty, for any natural source.<br />

How can this be? I’m thous<strong>and</strong>s of years<br />

from the nearest inhabited world. I look more<br />

closely, run a correlation with a database of artificial<br />

noise sources.<br />

The result comes back quickly, but it takes<br />

me a long moment to underst<strong>and</strong> it. When I<br />

do, I feel a disorienting rush of vertigo—as<br />

though I’ve been staring out the window at a<br />

craggy l<strong>and</strong>scape <strong>and</strong> suddenly realize it’s a<br />

micrograph of human skin.<br />

My own skin.<br />

For the source of the interfering signal is<br />

myself.<br />

I laugh out loud at the realization, the sound<br />

echoing harsh <strong>and</strong> moist within my helmet.<br />

I have placed myself at the single point of<br />

intersection between the gr<strong>and</strong> exp<strong>and</strong>ing<br />

sphere of human history <strong>and</strong> a tiny bubble a<br />

mere eight years in radius: the wavefront of<br />

the weeks I <strong>and</strong> my partner-lover Aleá studied,<br />

coupled, <strong>and</strong> fought together while digging in<br />

this exact same electromagnetic midden eight<br />

years earlier. Although my earlier ship was<br />

well-shielded by the st<strong>and</strong>ards of the time,<br />

even the tiny amount of electromagnetic radiation<br />

that leaked out is inescapable to the new<br />

detector at this close remove.<br />

I consider moving the ship to avoid the interference<br />

from my earlier self, but a quick regional<br />

scan reveals the futility of such an<br />

action. The spherical wavefront of noise from<br />

WAVEFRONTS OF HISTORY AND MEMORY<br />

JUNE <strong>2013</strong><br />

my earlier ship, though minuscule by comparison<br />

with the sphere of history, is exp<strong>and</strong>ing<br />

at the same rate of one light-year per year;<br />

from now on, any attempt to study this point<br />

in Earth history from this area of clear seeing<br />

will find the ancient signal entangled with this<br />

later, stronger one. And eight years of searching<br />

have failed to find a better location.<br />

I have no alternative but to find a way to filter<br />

it out.<br />

From a little-used drawer in the ship’s mind<br />

I pull other tools, hard <strong>and</strong> shiny, better suited<br />

to the fine jittery signals of the modern world.<br />

I step back to a higher level of abstraction <strong>and</strong><br />

apply the tools to the direct feed from the new<br />

detector, seeking to identify <strong>and</strong> eliminate all<br />

signs of my previous self.<br />

The low hum of the engines <strong>and</strong> the whirr<br />

of the navigational sensors are the first, most<br />

obvious targets, <strong>and</strong> I begin by adjusting the<br />

antenna parameters to filter them out. These<br />

adjustments are as familiar as my own breathing;<br />

I used to have to do this every time the engine<br />

was serviced.<br />

As I work, I remember the self I was then.<br />

Excited, driven, full of ideas, yes. But also arrogant,<br />

conceited, too convinced of my own<br />

genius. It was Aleá who kept me sane, helped<br />

me focus my energies on the work <strong>and</strong> not on<br />

self-aggr<strong>and</strong>izement.<br />

Beautiful, compassionate, brilliant Aleá. It’s<br />

true we spent nine hours in bed together on<br />

the day we met. But it was always more than<br />

just sex—she was the other half of my heart,<br />

the completion of my mind. The papers we<br />

wrote together were far more than the sum of<br />

our skills; they were the product, the exponent,<br />

of two fine minds operating in perfect<br />

harmony. After she left I couldn’t work at all<br />

for six months, then spent two years more in<br />

an angry, wasteful thrash. It’s only in the past<br />

year that I’ve been able to do productive work<br />

again.<br />

And now this. She—<strong>and</strong> the previous me—<br />

are getting in my way again.<br />

Distracted, I manage to mess up the compensator<br />

settings. I have to reset, start over.<br />

Beneath the helmet I feel my teeth grind.<br />

Our work, like our loving, had always been<br />

full of violent passion. Whenever we worked<br />

a site together we would argue vehemently,<br />

screaming <strong>and</strong> throwing things before reuniting<br />

in a mad rush of intellectual <strong>and</strong> sexual en-<br />

35

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!