Conference Booklet - Music - National University of Ireland, Maynooth

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9.00 Opening Address Schubert and Concepts of Late Style Friday, 21 October 2011 New Music Room Bewerunge Room O’Callaghan Room Session 1.1 SCHUBERT AND SYPHILIS 9.30–11.00 Chair: Paul Higgins Desmond O‘Neill Maturity, Illness and Creativity Jean Walker Syphilis and Society in Vienna 1800–1830 Morning coffee 11.00–11.30 Session 2.1 Text and Meaning in the Sacred Works 11.30–1.30 Chair: Gerard Gillen James Sobaskie Schubert’s Late Church Music and the Pursuit of Redemption David Rees and Alon Schab A Rediscovered Source for Psalm XCII (D953) Eftychia Papanikolaou Session 1.2 SCHUBERT’S UNFINISHED SYMPHONIES 9.30–11.00 Chair: Wolfgang Marx Glenn Stanley ‘Thanatos as Muse’: Visions of Death in the ‘Unfinished’ Symphony Andrea Lind mayr-Brand l The Myth of the ‘Unfinished’ Session 2.2 Chamber Music and the Symphonic 1 11.30–1.00 Chair: Benjamin Korstvedt Xavier Hascher Detours, Wrong Tracks, and Dead Ends: the 'Wanderer' in the Labyrinth of Schubert's String Quintet Lauri Suurpää Session 1.3 SCHUBERT, BEETHOVEN AND CONCEPTS OF EXPRESSION 9.30–11.00 Chair: Scott Burnham John Gingerich ‘Classical’ Music and Viennese Resistance to Schubert’s Beethoven Project Walter Kreyszig Franz Schubert’s Innovative Thinking: the ‘Trockne Blumen’ Variations, D802 in the Context of Johann Nikolaus Forkel’s Interpretation of Music as a Language of Empfindungen Benjamin Korstvedt Schubert’s Epic Mode: Thoughts on the Expressive World of the Late Works Session 2.3 Chamber Music and the Symphonic 2 11.30–1.00 Chair: Patrick Devine Srđan Atanosovski Schubert’s Last String Chamber Works: Searching for the Symphonic Muse Adam Cullen Schubert’s Chamber Music as a Road towards a ‘Grand’ Symphony Greg Marion
Teleiosis without Telos in Schubert’s Mass in E flat Lunch (Pugin Hall) 1.30–2.30 Recital of Schubert’s Sacred Music in Maynooth College Chapel: 2.30 Afternoon tea (Pugin Hall) 5.00-5.30 Reception (Pugin Hall) 6.30 The Second Movement of the ‘Great’ C-Major Symphony: Longing for the Unattainable Plenary Session 3.1 (Renehan Hall): Late Style and Popular Reception 3.00–5.00 Chair: Jan Smaczny Leon Plantinga Schubert, Popular Music, and Melancholy Harry White Death and the Maiden: Woody Allen and the Late Schubert Scott Messing What Late Style? Schubert’s Marche militaire and the Lure of Reception Keynote 1(Renehan Hall) 5.30–6.30 Chair: Julian Horton Robert Hatten Schubert’s Alchemy: Transformative Surfaces, Transfiguring Depths (Re)Generating Expectation: Whence the Great Moves in Schubert’s Symphony IX:I
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Page 7 and 8: Lunch (Pugin Hall) 1.00 -2.00 After
Page 9 and 10: Lunch (Pugin Hall) 1.00-2.15 Sessio
Page 11 and 12: By presenting the historian‘s vie
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Page 15 and 16: Eftychia Papanikolaou (Bowling Gree
Page 17 and 18: Adam Cullen (National University of
Page 19 and 20: Harry White (University College Dub
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Page 29 and 30: Beethovenian sonata concept, becaus
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Page 35 and 36: Session 8.2 GENRE AND THE PIANO DUE
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Page 41 and 42: paper will close with a discussion
Page 43 and 44: Session 10.3 LIEDER: RECEPTION AND
Page 45 and 46: Or we could single out Schubert‘s
Page 47 and 48: Graham Johnson Masterclass Saturday
Page 49 and 50: Conference Delegates Name Affiliati
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Places to Eat Maynooth Restaurants/
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For pedestrian access to the train
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Conference Booklet - Music - National University of Ireland, Maynooth

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