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Transactions of the Philological Society Volume 109:3 (2011) 307–326<br />

EXPERIENTIAL METAPHORS IN LATIN: FEELINGS WERE CONTAINERS,<br />

MOVEMENTS AND THINGS POSSESSED 1<br />

By CHIARA FEDRIANI<br />

University of Pavia<br />

ABSTRACT<br />

This paper is concerned with three metaphorical schemas frequently used <strong>in</strong> Lat<strong>in</strong> to<br />

encode experiential situations: EXPERIENCES ARE THINGS POSSESSED, STATES ARE CONTAIN-<br />

ERS, and EVENTS ARE MOVEMENTS. Besides describ<strong>in</strong>g these metaphorical mapp<strong>in</strong>gs, this<br />

paper also provides corpus-based evidence for conceiv<strong>in</strong>g of metaphorical constructions<br />

not as sporadic forms motivated by communicative demands but rather as consistent<br />

parts of semantically-related networks of concepts. Therefore, one of the results of the<br />

present work is a description of the regularities and extensions, as well as the relative<br />

frequency and the diachronic productivity, of different metaphorical options <strong>in</strong> Lat<strong>in</strong>,<br />

together with some comparison with parallel structures <strong>in</strong> other Indo-European<br />

languages.<br />

1. INTRODUCTION<br />

In this paper I follow a cognitivist approach to <strong>metaphors</strong>. This approach was worked out <strong>in</strong><br />

the 1980s by George Lakoff and Ronald Langacker, pav<strong>in</strong>g the way for a great number of<br />

subsequent studies (for a comprehensive survey of the cognitivist view of emotion <strong>metaphors</strong>,<br />

see Ko¨ vecses 2000: ch. 2; for a wide-rang<strong>in</strong>g sample of current approaches to metaphor <strong>in</strong><br />

Cognitive L<strong>in</strong>guistics, see also the papers collected <strong>in</strong> Gibbs & Steen 1999).<br />

With<strong>in</strong> this approach, <strong>metaphors</strong> are conceived as conventionalized cognitive items which<br />

presuppose a mapp<strong>in</strong>g l<strong>in</strong>k from a source doma<strong>in</strong> (which is literal and concrete) to a target<br />

doma<strong>in</strong> that we try to understand (which, <strong>in</strong> turn, is more abstract). As is well known, this<br />

k<strong>in</strong>d of mapp<strong>in</strong>g is usually unidirectional: a basic and concrete event frame which occurs <strong>in</strong><br />

everyday life can constitute the semantic scenario of a more abstract situation, and this is<br />

particularly true <strong>in</strong> the case of mental experiences, which are much less clearly del<strong>in</strong>eated than<br />

our bodily functions. As Lakoff & Johnson (1980: 25) write,<br />

When th<strong>in</strong>gs are not clearly discrete or bounded, we still categorize them as such. […] Our<br />

experience with physical objects (especially our own bodies) provide the basis for an<br />

extraord<strong>in</strong>arily wide variety of ontological <strong>metaphors</strong>, that is, ways of view<strong>in</strong>g events,<br />

activities, emotions, ideas, etc., as entities and substances.<br />

In general, the Lakovian view of <strong>metaphors</strong> has received widespread cross-l<strong>in</strong>guistic<br />

support, and a variety of scholars have worked <strong>in</strong> this tradition focus<strong>in</strong>g on a wide range of<br />

emotional fields (see e.g. the relevant papers <strong>in</strong> Niemeier & Dirven 1997; Athanasiadou &<br />

1 I would like to thank Jo´ hanna Barðdal, Eyste<strong>in</strong> Dahl, Anna Giacalone Ramat, Silvia Luraghi, Michele Prandi and<br />

Paolo Ramat for comment<strong>in</strong>g on an earlier version of this paper and for stimulat<strong>in</strong>g discussions at different stages. I<br />

also thank Paul Rowlett, the editors of this issue as well as two anonymous reviewers for helpful and <strong>in</strong>sightful<br />

remarks. Of course, any rema<strong>in</strong><strong>in</strong>g errors are my responsibility.<br />

Ó The authors 2011. Transactions of the Philological Society Ó The Philological Society 2011. Published by Blackwell Publish<strong>in</strong>g,<br />

9600 Gars<strong>in</strong>gton Road, Oxford OX4 2DQ and 350 Ma<strong>in</strong> Street, Malden, MA 02148, USA.


308<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

Tabaskowska 1998). However, it might be asked whether there have emerged regular and<br />

preferred paths of mapp<strong>in</strong>g from the concrete world of objects and actions to the abstract,<br />

psychological world. The answer, of course, is yes. This paper aims to provide evidence for<br />

such regularities, with special regard to Lat<strong>in</strong> experiential <strong>metaphors</strong>, and <strong>in</strong> some cases<br />

tak<strong>in</strong>g a comparative look at other ancient and modern Indo-European languages.<br />

What is dist<strong>in</strong>ctive about the cognitive-functional constructional approach advocated here<br />

is that constructions are taken to be form–function pair<strong>in</strong>gs l<strong>in</strong>ked to each other via semantic<br />

and conceptual networks: the grammar of a language is thus conceived of as a structured<br />

<strong>in</strong>ventory of conventional l<strong>in</strong>guistic units (e.g. Langacker 1987: 57; Goldberg 1995; Croft<br />

2001). The notion of structured <strong>in</strong>ventory entails certa<strong>in</strong> logical, semantic and conceptual<br />

relationships among l<strong>in</strong>guistic items with<strong>in</strong> constructional schemas. Hence, l<strong>in</strong>guistic<br />

knowledge is seen as an <strong>in</strong>terconnected network of l<strong>in</strong>guistic units (Da˛browska 2004: 210).<br />

Goldberg compares lexical polysemy with the semantic similarity hold<strong>in</strong>g between<br />

constructions and families of constructions: ‘Several constructions can be shown to be<br />

associated with a family of dist<strong>in</strong>ct but related senses, much like the polysemy recognized<br />

<strong>in</strong> lexical items. Moreover, these constructions themselves are shown to be <strong>in</strong>terrelated’<br />

(1995: 4).<br />

Given that metaphorization is analogical <strong>in</strong> essence and operates ‘between doma<strong>in</strong>s’<br />

(Sweetser 1990, quoted <strong>in</strong> Traugott & Dasher 2002: §1.3), constructional projections,<br />

overlapp<strong>in</strong>g, borrow<strong>in</strong>gs and extensions among structural doma<strong>in</strong>s are only to be expected,<br />

thus yield<strong>in</strong>g an <strong>in</strong>crease <strong>in</strong> the semantic scope of schemas extended across different<br />

constructional fields. For example, the ABSTRACT POSSESSION construction is motivated by the<br />

fact that experienc<strong>in</strong>g a sensation can be conceived of as hav<strong>in</strong>g someth<strong>in</strong>g, and therefore<br />

the Experiencer can <strong>in</strong> many languages be syntactically expressed as a possessor of<br />

properties (see Næss 2007: ch. 6, and §3 below). In the course of discussion we will see that<br />

metaphorical mapp<strong>in</strong>gs are not sporadic forms motivated by communicative urges but<br />

rather consistent parts of a multidimensional and <strong>in</strong>terconnected structured network aris<strong>in</strong>g<br />

naturally from experience (Lakoff & Johnson 1980: 85), and their regularity rests on<br />

conceptually motivated paths of comparison of sources and targets across semantic<br />

doma<strong>in</strong>s.<br />

For a better understand<strong>in</strong>g of the Lat<strong>in</strong> data, some theoretical and methodological<br />

considerations are <strong>in</strong> order. They will be provided <strong>in</strong> the next section.<br />

2. THEORETICAL AND METHODOLOGICAL REMARKS<br />

In this section I provide a brief overview of relevant key concepts regard<strong>in</strong>g the notion of<br />

productivity applied to metaphorical schemas. I take productivity to be the ability of a<br />

syntactic pattern to be extended to other (semantically related) types and constructions (see<br />

Barðdal 2008 for discussion). Draw<strong>in</strong>g on the general assumptions presented <strong>in</strong> the previous<br />

section, I go on to argue that a productivity study of constructional schemas can be suggested<br />

us<strong>in</strong>g Lat<strong>in</strong> data. More specifically, along the l<strong>in</strong>es of Clausner & Croft (1997), I compare<br />

some Lat<strong>in</strong> metaphorical schemas and argue for different degrees of schematicity and<br />

productivity <strong>in</strong> <strong>metaphors</strong>, given the fact that ‘semantic productivity can be characterized <strong>in</strong><br />

the same way as morphological productivity, suggest<strong>in</strong>g that form and mean<strong>in</strong>g are organized<br />

by the same pr<strong>in</strong>ciples’ (Clausner & Croft 1997: 247; cf. also Langacker 1987: §2.2). Therefore,<br />

this article explores possible extensions of constructional schemas <strong>in</strong> Lat<strong>in</strong>, and shows how<br />

constructional schemas can be used to assemble new experiential <strong>metaphors</strong>. More<br />

specifically, I suggest that productivity <strong>in</strong> <strong>metaphors</strong> is determ<strong>in</strong>ed by three parameters (see<br />

e.g. Croft & Cruse 2004):


• schematicity: a measure of the schema’s generality, i.e. the relationship between a<br />

superord<strong>in</strong>ate schema and a subord<strong>in</strong>ate <strong>in</strong>stantiation;<br />

• entrenchment: a measure of the <strong>in</strong>dependent storage of a l<strong>in</strong>guistic unit <strong>in</strong> the m<strong>in</strong>d of<br />

speakers;<br />

• lexical exploitation: a measure of the actual <strong>in</strong>stantiation of expressions with regard to<br />

the potential range of forms semantically compatible with the schema.<br />

Productivity is gradient (see Barðdal 2008: esp. §2.5), and metaphorical schemas vary <strong>in</strong><br />

productivity: ‘metaphor productivity may be def<strong>in</strong>ed <strong>in</strong> terms of the number of roughly<br />

synonymous expressions which manifest this range of metaphorical concepts’ (Clausner &<br />

Croft 1997: 263). However, I argue that the expressions created through a metaphorical schema<br />

are not necessarily synonymous. Rather, they are expected to share the same k<strong>in</strong>d of tropical<br />

mapp<strong>in</strong>g from the source doma<strong>in</strong> to the target doma<strong>in</strong>, thus display<strong>in</strong>g the same conceptual<br />

shift <strong>in</strong> encod<strong>in</strong>g even slightly different experiences. For example, Lat<strong>in</strong> <strong>metaphors</strong> like<br />

<strong>in</strong> memoriam redeo ‘I recollect’, lit. ‘I come back to memory’ and <strong>in</strong> dubium venio ‘I come to<br />

doubt’ are comparable and perta<strong>in</strong> to the same tropical pattern, because they both <strong>in</strong>stantiate<br />

the schema INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS (§5). The<br />

three ma<strong>in</strong> types of metaphorical schemas <strong>in</strong>vestigated <strong>in</strong> this paper are:<br />

STATES ARE CONTAINERS<br />

EVENTS ARE MOVEMENTS<br />

EXPERIENCES ARE THINGS POSSESSED<br />

FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 309<br />

I describe each metaphor <strong>in</strong> more detail <strong>in</strong> the follow<strong>in</strong>g sections, giv<strong>in</strong>g an overview of its<br />

general semantics, its use <strong>in</strong> Lat<strong>in</strong>, and a discussion of its level of schematicity, lexical<br />

exploitation and entrenchment, with a view to compar<strong>in</strong>g their degrees of productivity.<br />

Moreover, I show that <strong>in</strong> some cases a metaphorical schema (e.g. EVENTS ARE MOVEMENTS)is<br />

too generic and covers a conceptual range which is too wide to account for the productivity of<br />

<strong>metaphors</strong> <strong>in</strong> the experiential doma<strong>in</strong>. Therefore, such general <strong>metaphors</strong> have to be<br />

semantically redef<strong>in</strong>ed. Only when cast at a proper level of schematicity is the schema capable<br />

of account<strong>in</strong>g for the attested range of compatible <strong>metaphors</strong> (Clausner & Croft 1997: §2.2;<br />

and §5 below).<br />

This <strong>in</strong>vestigation is based on the Antiquitas section of the Bibliotheca Teubneriana Lat<strong>in</strong>a<br />

corpus, which conta<strong>in</strong>s approximately 5.7 million words and takes <strong>in</strong>to account texts from the<br />

orig<strong>in</strong>s up to the second century CE. 2 One of the aims of the present paper is to show that a<br />

corpus-based approach to <strong>metaphors</strong> enables one to deal with a broader range of data, to<br />

constra<strong>in</strong>t and account for their systematic variation and to avoid generalizations drawn on<br />

the basis of personal <strong>in</strong>trospection (cf. Deignan 2005: ch. 4; Stefanowitsch 2006a). In order to<br />

identify experiential <strong>metaphors</strong> <strong>in</strong> my Lat<strong>in</strong> corpus, I have adopted a target-oriented<br />

methodology. I have thus selected and searched for lexical items express<strong>in</strong>g target concepts,<br />

i.e. emotions, and subsequently verified whether the retrieved elements occurred with<strong>in</strong><br />

metaphorical schemas. 3<br />

2 Bibliotheca Teubneriana Lat<strong>in</strong>a (BTL) Onl<strong>in</strong>e, Berl<strong>in</strong>: de Gruyter, 2009, accessed between May and October 2010.<br />

For a complete list of the Greek and Lat<strong>in</strong> titles published <strong>in</strong> the BT series, see http: ⁄⁄www.degruyter.com ⁄<br />

cont ⁄ pr<strong>in</strong>t ⁄ serial.cfm?rc=36366&l=En&type=ser. The distribution of the relevant authors across different centuries<br />

is as follows: 27 (17%) lived <strong>in</strong> the 2nd century BCE, 74 (46%) <strong>in</strong> the 1st century BCE, 36 (23%) <strong>in</strong> the 1st century CE,<br />

and 22 (14%) <strong>in</strong> the 2nd century CE. The corpus conta<strong>in</strong>s 416 different works: 194 (47%) poetry texts and 222 (53%)<br />

prose texts.<br />

3 It should be remarked that I have limited my analysis to a unique constructional pattern type which exhibits a<br />

nom<strong>in</strong>ative Experiencer. Therefore, I did not take <strong>in</strong>to account several metaphorical schemas show<strong>in</strong>g different<br />

structural features, e.g. those express<strong>in</strong>g stimuli or body parts as subjects, which may entail other types of<br />

conceptualisation of the experience itself.


310<br />

The rema<strong>in</strong>der of this article is organised as follows. Section 3 provides an analysis of<br />

the metaphorical schema EXPERIENCES ARE THINGS POSSESSED, while section 4 is particularly<br />

concerned with <strong>in</strong>vestigat<strong>in</strong>g the STATES ARE CONTAINERS patterns. Section 5 looks at the<br />

EVENTS ARE MOVEMENTS metaphor. I close the paper with a summary of its ma<strong>in</strong> po<strong>in</strong>ts<br />

and conclusions, with a view to provid<strong>in</strong>g some <strong>in</strong>sights <strong>in</strong>to the fruitful relation<br />

between cognitive l<strong>in</strong>guistics, a corpus-based approach to <strong>metaphors</strong>, and classical<br />

philology (§6).<br />

3. THE POSSESSIVE CONSTRUCTION: A CASE OF DIACHRONIC GROWTH IN PRODUCTIVITY<br />

‘It is widely appreciated that the l<strong>in</strong>guistic category of possession does not reduce to any<br />

s<strong>in</strong>gle, familiar value, such as ownership. A moment’s thought reveals the extraord<strong>in</strong>ary<br />

variety of the relationships coded by possessive constructions’ (Langacker 1991: 169). This<br />

po<strong>in</strong>t is simple but worth stress<strong>in</strong>g: experienc<strong>in</strong>g someth<strong>in</strong>g can be conceived through the<br />

basic event schema of possess<strong>in</strong>g someth<strong>in</strong>g (Nikiforidou 1991: §3.2; Stolz et al. 2008:<br />

108). What we have is a situation of typological variation, <strong>in</strong> the sense that languages<br />

extend the possessive construction type <strong>in</strong>to neighbour<strong>in</strong>g semantic doma<strong>in</strong>s to vary<strong>in</strong>g<br />

degrees.<br />

However, possess<strong>in</strong>g an experience is someth<strong>in</strong>g different from possess<strong>in</strong>g, let us say, a<br />

bicycle. In prototypical possession, the possessor is by def<strong>in</strong>ition animate, the possessum is<br />

concrete and the possessor can use the possessum. In hav<strong>in</strong>g an experience, the only<br />

feature which is ma<strong>in</strong>ta<strong>in</strong>ed concerns the animacy of the possessor (i.e. the Experiencer),<br />

all other th<strong>in</strong>gs be<strong>in</strong>g altered (He<strong>in</strong>e 1997). Given the impalpable essence of experiential<br />

objects, l<strong>in</strong>guists have usually ma<strong>in</strong>ta<strong>in</strong>ed the general label of Abstract Possession to refer<br />

to this peculiar construction to <strong>in</strong>dicate that it lacks most of the semantic features that<br />

tend to show up <strong>in</strong> the case of prototypical possession (Ko¨ nig & Haspelmath 1998;<br />

Stassen 2009). The Abstract Possession construction <strong>in</strong>teracts transitively with the IDEAS<br />

ARE OBJECTS METAPHOR (Ko¨ vecses 2000: 89), where the m<strong>in</strong>d is conceptualized as someth<strong>in</strong>g<br />

that looks like a conta<strong>in</strong>er, while ideas, feel<strong>in</strong>gs and beliefs are conceived of as objects<br />

kept <strong>in</strong> it. As Seiler po<strong>in</strong>ts out, ‘after all, abstract nouns perta<strong>in</strong> to a l<strong>in</strong>guistic technique<br />

that allows actions and processes to be treated as if they were th<strong>in</strong>gs’ (Seiler 1983: 52), as<br />

<strong>in</strong> the follow<strong>in</strong>g examples from English:<br />

We share our ideas.<br />

I gave the idea to my mother.<br />

I have an idea.<br />

I took the idea from John.<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

As is well known, <strong>in</strong> Lat<strong>in</strong> two different strategies are used to encode possession: the Dative<br />

possession copular construction (e.g. liber mihi est ‘I have a book’, lit. ‘a book me.DAT is’)<br />

and the transitive construction with the verb habeo ‘I have’. In the former type, the Dativemarked<br />

possessor is ascribed a possessum: this is a very ancient option <strong>in</strong> Indo-European and<br />

displays several parallel structures <strong>in</strong> many other Indo-European languages (Ernout &<br />

Thomas 1972 [1951]: 73; Benveniste 1960: 223; on the two compet<strong>in</strong>g strategies <strong>in</strong> Lat<strong>in</strong>, see<br />

Magni 1999; Baldi & Nuti 2010: esp. §2). As we see below, the ‘have’-possessive construction<br />

started out as more concrete, preferably used to denote temporary possession, subsequently<br />

develop<strong>in</strong>g more abstract senses such as experienc<strong>in</strong>g physical feel<strong>in</strong>gs and emotions (cf. e.g.<br />

Lo¨ fstedt 1963; see also Baldi 2002).<br />

Lat<strong>in</strong> <strong>Experiential</strong> constructions featur<strong>in</strong>g either or both the possessive schemas are listed<br />

below:


FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 311<br />

Table 1. The Abstract Possession constructions <strong>in</strong> Lat<strong>in</strong><br />

Dative possessive construction ‘Have’-possessive construction<br />

mihi fames est, ‘I have hunger’ famem habeo<br />

mihi morbus est, ‘I have sickness’ morbum habeo<br />

mihi <strong>in</strong>sania est, ‘I have madness’ <strong>in</strong>saniam habeo<br />

mihi metus est, ‘I have fear’ metus habeo<br />

mihi ira est, ‘I have anger’ iram habeo<br />

mihi dolor est, ‘I have pa<strong>in</strong>’ dolorem habeo<br />

mihi verecundia est, ‘I have shame’ verecundiam habeo<br />

mihi pudor est, ‘I have shame’ pudorem habeo<br />

mihi dubium est, ‘I have a doubt’ dubium habeo<br />

mihi febris est, ‘I have fever’ febrim habeo<br />

mihi odium est, ‘I have hate’<br />

mihi sitis est, ‘I have thirst’<br />

mihi aegritudo est, ‘I have illness’<br />

mihi laetitia est, ‘I have happ<strong>in</strong>ess’<br />

mihi gaudium est, ‘I have joy’<br />

mihi fastidium est, ‘I have nausea’<br />

odium habeo<br />

It is worth not<strong>in</strong>g that there is a strong correlation between the range of stimuli fill<strong>in</strong>g the<br />

two different constructions. More precisely, if a stimulus can be expressed through the habeo<br />

pattern, it is also expressed through the construction with the Dative-marked possessor, while<br />

the opposite implication does not hold. I would suggest that we are look<strong>in</strong>g at a process of<br />

constructional substitution: the Dative possessive construction constituted the most ancient<br />

option <strong>in</strong> Indo-European, and <strong>in</strong> Lat<strong>in</strong> it coexisted <strong>in</strong> synchrony with the habeo construction,<br />

which must also be regarded as an ancient structure <strong>in</strong> Indo-European (Stassen 2009: 564).<br />

However, <strong>in</strong> Early Romance languages only the latter survived. In the historical period we are<br />

deal<strong>in</strong>g with here, the strategy of us<strong>in</strong>g the habeo construction to express Abstract Possession<br />

was not fully established yet. While Lo¨ fstedt (1963: 76–8) ma<strong>in</strong>ta<strong>in</strong>s that it was only from the<br />

beg<strong>in</strong>n<strong>in</strong>g of the Christian era that the ‘have’-possessive started to be used <strong>in</strong> the encod<strong>in</strong>g of<br />

Abstract Possession, I found that already <strong>in</strong> Early Lat<strong>in</strong> this schema was employed to cover<br />

expressions denot<strong>in</strong>g impalpable possessed th<strong>in</strong>gs. Consider the follow<strong>in</strong>g example, <strong>in</strong> which<br />

even concrete entities such os and l<strong>in</strong>gua metaphorically denote abstract concepts: 4<br />

(1) Os habet, l<strong>in</strong>guam, perfidiam, malitiam<br />

impudence.ACC has tongue.ACC perfidiousness.ACC malice.ACC<br />

atque audaciam<br />

and boldness.ACC<br />

‘(she) has impudence, read<strong>in</strong>ess <strong>in</strong> speech, perfidiousness, malice and boldness’<br />

(Plautus, Miles 189a)<br />

Probably this use of habere began after that the verb came to express <strong>in</strong>alienable possession of<br />

the body-part and k<strong>in</strong>ship type (He<strong>in</strong>e 1997: 109), accord<strong>in</strong>g to the follow<strong>in</strong>g hierarchy:<br />

alienable and concrete > <strong>in</strong>alienable concrete ⁄ abstract > abstract<br />

A word of caution must be <strong>in</strong>serted at this po<strong>in</strong>t: most of the stimuli occur with the<br />

‘have’-possessive construction from Classical Lat<strong>in</strong> onwards, while <strong>in</strong> an earlier period the<br />

4 The follow<strong>in</strong>g abbreviations are used: ABL = ablative; ACC = accusative; DAT = dative; FUT = future;<br />

GEN = genitive; IMP = imperative; IMPF = imperfect; INF = <strong>in</strong>f<strong>in</strong>itive; PERF = perfect; PP = past participle;<br />

PPF = pluperfect; REL = relative; SUBJ = subjunctive; VOC = vocative.


312<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

Dative possessive option is preferred. The follow<strong>in</strong>g examples illustrate this trend: the most<br />

ancient pattern, which is the one usually employed by Plautus, is the Dative possessive<br />

(sentences <strong>in</strong> (2a)); the counterpart with habeo beg<strong>in</strong>s to be widely used dur<strong>in</strong>g the first<br />

century BCE or later (sentences <strong>in</strong> (2b)):<br />

(2) a. Et eum morbum mi esse, ut qui me opus<br />

and that.ACC malady.ACC I.DAT be.INF that I.ACC need.NOM<br />

sit <strong>in</strong>sputarier?<br />

be.SUBJ.PRES spit.upon.SUBJ.PASS<br />

‘And that I have that malady, that it’s necessary for me to be spat upon?’<br />

(Plautus, Captivi 553)<br />

b. quicquid est ubicumque est ⁄ quodcumque agit renidet hunc<br />

whatever is whenever is whatever does smiles this.ACC<br />

habet morbum<br />

has disease.ACC<br />

‘whatever is, whenever is ⁄ whatever he does, he smiles: he has this disease’<br />

(Catullus, Carm<strong>in</strong>a 39 <strong>in</strong>cipit)<br />

(3) a. si ei forte fuisset febris<br />

if he.DAT by chance has been.SUBJ.PPF fever<br />

‘if by chance he has had a fever’ (Plautus, Miles 720)<br />

b. si cui venae sic moventur, is habet febrim<br />

if REL ve<strong>in</strong>s so tremble he has fever.ACC<br />

‘and if his ve<strong>in</strong>s tremble <strong>in</strong> this way, he has a fever’ (Cicero, De fato 15)<br />

(4) a. Credam, pudor si quoiquam lenoni siet<br />

I will believe shame if any pimp.DAT is<br />

‘I will believe it, if any pimp is ashamed (lit. ‘has shame’)’ (Plautus, Curculio 58)<br />

b. Si pudorem haberes, ultimam mihi pensionem remississes<br />

If shame.ACC have last I.DAT payment send back.SUBJ.PPF<br />

‘If you were ashamed (lit.: had shame), you would send me back the last payment’<br />

(Seneca, De Beneficiis 29.10)<br />

My claim is <strong>in</strong> keep<strong>in</strong>g with Baldi & Nuti’s study on the relationship hold<strong>in</strong>g between the<br />

habeo and the mihi est strategies <strong>in</strong> the doma<strong>in</strong> of experience: their data show that<br />

<strong>in</strong> spite of the higher frequency of habeo x [<strong>in</strong> Early Lat<strong>in</strong>], <strong>in</strong> Plautus we counted only<br />

seven occurrences where the subject of the verb is a human participant that can somehow<br />

be related to the semantic role of experiencer. This contrasts with 35 examples of this k<strong>in</strong>d<br />

with mihi est x. Such an <strong>in</strong>version of the ratio suggests that the expression of an<br />

experiencer relation, although not <strong>in</strong>consistent with habeo, is a m<strong>in</strong>or function of this<br />

verb and is a primary function of the dative construction <strong>in</strong> an early author like Plautus.<br />

(Baldi & Nuti 2010: 260–61)<br />

It is likely that the ‘have’-possessive construction gradually began to be regarded as the<br />

more expressive option. Evidence comes for <strong>in</strong>stance from Donatus’ commentary of<br />

Terentius’ work Andria, where we f<strong>in</strong>d a valuable annotation which give us a precise idea<br />

about the greater expressiveness (plus dixit) of the metaphor <strong>in</strong> animo habeo compared to the<br />

simple verb scio: Plus dixit ‘<strong>in</strong> memoria habeo’, quam si dixisset ‘scio’, ‘‘‘I have <strong>in</strong> memory’’<br />

means more than if one says ‘‘I know’’’ (Commentum Terentii: Andria, 40). The <strong>in</strong>congruity of<br />

possess<strong>in</strong>g someth<strong>in</strong>g abstract (e.g. a temperature) is clearly stressed by Seneca (Ep. 119.12):


FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 313<br />

[…] sic divitias habent quomodo habere dicimus febrem, cum illa nos habeat. E contrario<br />

dicere solemus ‘febris illum tenet’: eodem modo dicendum est ‘divitiae illum tenent’.<br />

‘(these <strong>in</strong>dividuals) have riches just as we say that ‘‘we have a fever’’, when really the fever<br />

has us. Conversely, we are accustomed to say: ‘‘A fever grips him’’. And <strong>in</strong> the same way<br />

we should say: ‘‘Riches grip him’’.’<br />

Besides its be<strong>in</strong>g perceived as more expressive, it is likely that the motivation beh<strong>in</strong>d the high<br />

productivity of this construction depends partially on syntactic factors: the habeo pattern<br />

models the possessive situation by accommodat<strong>in</strong>g it to the syntax of two-participant events<br />

that work on the basis of subject = Nom<strong>in</strong>ative and object = Accusative. Crucially, the<br />

transitive pattern is the most ord<strong>in</strong>ary and productive <strong>in</strong> Lat<strong>in</strong>, and this is why this basic<br />

transitive schema came to cover other, different types of two-participant situations (like<br />

possessive ones), gradually supplant<strong>in</strong>g the Dative possessive alternative option.<br />

Evidence for the <strong>in</strong>creas<strong>in</strong>g generality of the ‘have’-possessive construction comes from<br />

some modern Romance languages, which select this option <strong>in</strong> order to encode a multifaceted<br />

range of experiences and feel<strong>in</strong>gs (sentences 5a,b) as well as other abstract and nonprototypical<br />

objects (sentence 5c; for a detailed discussion of this construction and its areal<br />

distribution <strong>in</strong> European languages and beyond, see Bossong 1998; Haspelmath 2001;<br />

Manzelli, Ramat & Roma 2002; Stolz et al. 2008: §2.3):<br />

(5) a. French<br />

J’ai faim<br />

I have hunger<br />

‘I am hungry’, lit. ‘I have hunger’<br />

b. Portuguese<br />

Tenho frio<br />

I have cold<br />

‘I am cold’, lit. ‘I have cold’<br />

c. Italian<br />

Ho fretta, sonno<br />

I have hurry, sleep<br />

‘I am <strong>in</strong> a hurry, I am sleepy’, lit. ‘I have hurry, sleep’<br />

The high productivity of the abstract ‘have’-construction <strong>in</strong> modern Romance languages may<br />

be understood as a consequence of the loss of the Dative possession copular construction<br />

between Late Lat<strong>in</strong> and Early Romance. The ‘have’-construction describes a situation from<br />

the po<strong>in</strong>t of view of the possessor and is thus more consistent with depict<strong>in</strong>g an Experienceroriented<br />

perspective: it is the Experiencer, <strong>in</strong>stead of the stimulus, who is syntactically realized<br />

as subject.<br />

Before draw<strong>in</strong>g some conclusions, let us briefly touch on the issue of a parallel Possessive<br />

construction which may have played a significant role <strong>in</strong> the spread of the Abstract Possession<br />

construction. The verb habeo, jo<strong>in</strong>tly with a Prepositional Phrase metaphorically denot<strong>in</strong>g a<br />

cognitive entity as a conta<strong>in</strong>er, was used <strong>in</strong> Lat<strong>in</strong> also to express the semantic field of<br />

remember<strong>in</strong>g. This pattern was <strong>in</strong> use already from the second century BCE, with the<br />

mean<strong>in</strong>g of ‘remember’ (6) as well as ‘have <strong>in</strong> one’s m<strong>in</strong>d’, also with the dynamic implication<br />

of ‘recall’ (7):<br />

(6) In memoria habeo<br />

In memory I have<br />

‘I have <strong>in</strong> memory’ (Terentius, Andria 40)


314<br />

(7) Patrue, facito <strong>in</strong> memoria habeas, tuam maiorem filiam<br />

Father.VOC do.IMP <strong>in</strong> memory have your older.ACC daughter.ACC<br />

mihi te despondisse<br />

I.DAT you.ACC promise.<strong>in</strong>.marriage.INF<br />

‘Uncle, see you remember that you have promised me your older daughter’<br />

(Plautus, Poenulus 1278)<br />

Example (8) below shows further figurative use with<strong>in</strong> the metaphorical schema <strong>in</strong> animo<br />

habere. In this case, the concrete referent aquam ‘water’ is also metaphorically thought of as<br />

an abstract entity:<br />

(8) aquam te <strong>in</strong> animo habere<br />

water you.ACC <strong>in</strong> m<strong>in</strong>d have.INF<br />

‘you have water <strong>in</strong> your m<strong>in</strong>d’ (Lucilius, Sat. Fragm. 764)<br />

To sum up, <strong>in</strong> animo habeo and <strong>in</strong> memoria habeo are frequently attested <strong>in</strong> my corpus (45 and<br />

6 tokens respectively). Conceivably, this construction may have <strong>in</strong>itially established the<br />

abstract <strong>in</strong>terpretation of the verb habeo with non-prototypical locations and ⁄ or objects,<br />

subsequently giv<strong>in</strong>g rise to other metaphorical exploitations.<br />

4. STATES ARE CONTAINERS: A FULLY PRODUCTIVE SCHEMA IN LATIN<br />

With<strong>in</strong> this metaphor, abstract mental states are <strong>in</strong>terpreted as situations placed <strong>in</strong> reality: thus,<br />

the psychological world as experienced and conceptualized by sentient humans is figuratively<br />

expressed <strong>in</strong> terms of concrete entities as they exist <strong>in</strong> the physical environment. In this case, the<br />

source doma<strong>in</strong> is a conta<strong>in</strong>er and the target doma<strong>in</strong>, metaphorically actualized <strong>in</strong> concrete<br />

places, can <strong>in</strong>volve several k<strong>in</strong>ds of psychological states. Consider some English examples:<br />

He is <strong>in</strong> love.<br />

She is <strong>in</strong> a rage.<br />

My uncle is <strong>in</strong> despair.<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

As can be noted, these <strong>metaphors</strong> are based on complex structures made up of a stative verb<br />

and a figurative prepositional phrase which has a spatial orig<strong>in</strong>.<br />

This metaphorical mapp<strong>in</strong>g is well exploited <strong>in</strong> Lat<strong>in</strong>. Several figurative schemas featur<strong>in</strong>g<br />

the conta<strong>in</strong>er image are <strong>in</strong> fact attested (I provide <strong>in</strong> brackets their token frequency <strong>in</strong> my<br />

corpus):<br />

<strong>in</strong> dubio sum ‘I am <strong>in</strong> doubt’ (3 tokens)<br />

<strong>in</strong> dubio haereo ‘I am stuck <strong>in</strong> doubt’ (1)<br />

<strong>in</strong> dubio iaceo ‘I lie <strong>in</strong> doubt’ (1)<br />

<strong>in</strong> dubio sto ‘I stand <strong>in</strong> doubt’ (1)<br />

<strong>in</strong> morbo sum ‘I am <strong>in</strong> disease’ (6)<br />

<strong>in</strong> morbo cubo ‘I lie <strong>in</strong> sickness’ (1)<br />

<strong>in</strong> timore sum ‘I am <strong>in</strong> fear’ (4)<br />

<strong>in</strong> terrore sum ‘I am <strong>in</strong> fear’ (1)<br />

<strong>in</strong> metu sum ‘I am <strong>in</strong> fear’ (11)<br />

<strong>in</strong> aegritud<strong>in</strong>e sum ‘I am <strong>in</strong> sickness’ (4)<br />

<strong>in</strong> gaudio sum ‘I am <strong>in</strong> joy’ (1)


<strong>in</strong> <strong>in</strong>vidia sum ‘I am <strong>in</strong> envy’ (4)<br />

<strong>in</strong> desiderio sum ‘I am <strong>in</strong> long<strong>in</strong>g’ (3)<br />

<strong>in</strong> maerore iaceo ‘I lie <strong>in</strong> sorrow’ (1)<br />

<strong>in</strong> maestitia sum ‘I am <strong>in</strong> grief’ (1)<br />

<strong>in</strong> frigore maneo ‘I rema<strong>in</strong> <strong>in</strong> coldness’ (1)<br />

<strong>in</strong> dolore sum ‘I am <strong>in</strong> pa<strong>in</strong>’ (3)<br />

FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 315<br />

These constructional schemas display considerable semantic variation: first of all, several<br />

stative verbs are employed to express the locative source (esse, haerere, iacere, stare, cubare<br />

and manere); moreover, this schema is filled up with a wide range of stimuli perta<strong>in</strong><strong>in</strong>g to the<br />

emotional field (maestitia, maeror, <strong>in</strong>vidia, gaudium, timor, terror and metus), to bodily<br />

sensations (aegritudo, frigor and dolor) and to the cognitive doma<strong>in</strong> (dubium, desiderium).<br />

A particularly well-exploited lexical subdoma<strong>in</strong> is that of fear: three different stimuli enter<br />

the schema as psychological locations, and the construction is already attested <strong>in</strong> Early<br />

Lat<strong>in</strong>:<br />

(9) a. ita tota sum misera <strong>in</strong> metu<br />

so all am pitiable <strong>in</strong> fear.ABL<br />

‘Oh dear me, I’m scared through and through!’ (Plautus, Cistellaria 535)<br />

b. nescis quo <strong>in</strong> metu et ⁄ quanto <strong>in</strong> periclo simus<br />

do not know REL <strong>in</strong> fear and great <strong>in</strong> trial are<br />

‘You don’t realize the worry and the danger we face.’ (Terence, Phormio 57)<br />

Such expressions gave rise to further metaphorical exploitations. For example, Seneca<br />

describes the situation of <strong>in</strong> metu vivere ‘liv<strong>in</strong>g <strong>in</strong> fear’ (De constantia sapientis 9.2).<br />

Conversely, cognitive states expressed as locations are attested only later. In desiderio esse<br />

‘to be <strong>in</strong> a state of long<strong>in</strong>g’ is found <strong>in</strong> Cicero:<br />

(10) non essem tam diu <strong>in</strong> desiderio rerum mihi carissimarum<br />

not have been so long <strong>in</strong> long<strong>in</strong>g.ABL th<strong>in</strong>gs.GEN I.DAT beloved.GEN<br />

‘if I had not so long been cut off from all that is dearest to me’<br />

(Cicero, Ep. ad Fam. 2, 12, 3)<br />

In dubio sum ‘I am <strong>in</strong> doubt, <strong>in</strong> danger’ may have paved the way for analogical extensions<br />

such as <strong>in</strong> dubio haereo, <strong>in</strong> dubio iaceo and <strong>in</strong> dubio sto (‘I am stuck, I lie, I stand <strong>in</strong> doubt’,<br />

respectively). All of them are attested only once <strong>in</strong> Lat<strong>in</strong>, <strong>in</strong> the first century CE. In examples<br />

(11) and (12), the Experiencer is metonymically expressed as a cognitive entity:<br />

(11) conscientia (…) haeret <strong>in</strong> dubio<br />

conscience is stuck <strong>in</strong> doubt.ABL<br />

‘conscience (…) is stuck <strong>in</strong> a state of doubt’ (Qu<strong>in</strong>t., Decl. XIX maiores 9, 19)<br />

(12) mens stetit <strong>in</strong> dubio<br />

m<strong>in</strong>d stood <strong>in</strong> doubt.ABL<br />

‘(his) m<strong>in</strong>d hesitated, lit. stood <strong>in</strong> doubt’ (Lucanus, Pharsalia 7, 247)<br />

(13) <strong>in</strong> dubio vitae lassa Cor<strong>in</strong>na iacet<br />

<strong>in</strong> danger.ABL life.GEN languished Cor<strong>in</strong>na lies<br />

‘Cor<strong>in</strong>na lies languish<strong>in</strong>g <strong>in</strong> danger of life’ (Ovidius, Amores 2, 13, 1)


316<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

Figure 1. The STATES ARE LOCATIONS metaphor <strong>in</strong> Lat<strong>in</strong><br />

The employment of this metaphor with different verbs provides evidence for the productivity<br />

of the schema.<br />

A model for represent<strong>in</strong>g schematicity and productivity <strong>in</strong> <strong>metaphors</strong> has been worked out<br />

by Clausner & Croft (1997). Follow<strong>in</strong>g this model, I suggest the graphic representation shown<br />

<strong>in</strong> Fig. 1, to show the possible levels of schematicity and entrenchment of the STATES ARE<br />

LOCATIONS metaphor <strong>in</strong> Lat<strong>in</strong> and its subord<strong>in</strong>ate <strong>in</strong>stantiations. This metaphor is highly<br />

productive, because the most schematic level, where we f<strong>in</strong>d what I label a ‘Basic Event Type<br />

Metaphor’, is itself productive, as the boxes <strong>in</strong> bold show. Hence, the schematic metaphor<br />

placed at the highest level of generality is capable of extend<strong>in</strong>g its syntactic pattern (and its<br />

conceptual counterpart) to other, semantically related schema-specific <strong>metaphors</strong>. Some of<br />

them are productive also, and give rise to a number of low-level metaphor <strong>in</strong>stantiations (cf.<br />

<strong>in</strong> dubio sum fi <strong>in</strong> dubio haereo, <strong>in</strong> dubio iaceo, <strong>in</strong> dubio sto). The bold l<strong>in</strong>es symbolize these<br />

productive relations by means of which the general schema is actualised by different<br />

constructions at lower-level degrees of schematicity.<br />

It is worth not<strong>in</strong>g that the locative schema shows productive trends also at lower levels of<br />

schematicity. In the first case, the stimulus holds steady while the verb changes: for example,<br />

the <strong>in</strong> dubio sum schema extends its partially lexically filled pattern to other verb types, and<br />

one could take the fact that they share the same stative Aktionsart as an <strong>in</strong>dication that this<br />

case of metaphorical extension is basically motivated by aspectual factors. In another case, a<br />

metaphorical schema characterized by low schematicity s<strong>in</strong>gles out synonymous constructions<br />

by substitut<strong>in</strong>g the stimulus and ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g the basic verb esse. These novel forms are<br />

structurally and semantically similar, not to say identical, to the more schematic model, as <strong>in</strong><br />

the case of <strong>in</strong> timore esse <strong>in</strong> terrore esse. However, if the modelled item turns out to be a<br />

hapax, as <strong>in</strong> the case of <strong>in</strong> terrore esse, <strong>in</strong> maerore iacere, the relation which the<br />

superord<strong>in</strong>ate schema yields is only partially productive, and this situation is symbolised by<br />

dashed l<strong>in</strong>es.<br />

5. EVENTS ARE MOVEMENTS: AN EXAMPLE OF SEMI-PRODUCTIVITY IN LATIN METAPHORS<br />

The EVENTS ARE MOVEMENTS schema constitutes a specific <strong>in</strong>stantiation of the Event Structure<br />

Metaphor, which has been suggested by Lakoff and his associates <strong>in</strong> several works and<br />

subsequently studied <strong>in</strong> a number of languages, at least with<strong>in</strong> the cognitivist approach (see<br />

e.g. Lakoff 1993; Emanatian 1992; Boers 1996; Radden 1998). The po<strong>in</strong>t of studies such as<br />

Lakoff (1993) is that ‘various aspects of event structure, <strong>in</strong>clud<strong>in</strong>g notions such as states,<br />

changes, processes, actions, causes, purposes and means, are characterized cognitively via


FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 317<br />

metaphor <strong>in</strong> terms of space, motion, and force’ (p. 219). In a nutshell, both events and<br />

movements are mobile extensions: while tak<strong>in</strong>g place, they usually occupy both space and<br />

time.<br />

The EVENTS ARE MOVEMENTS schema is a very general and schematic metaphor whose source<br />

doma<strong>in</strong> is semantically rich and with only few details filled <strong>in</strong> (<strong>in</strong>itial location, movement and<br />

f<strong>in</strong>al location): therefore, it can be actualised <strong>in</strong> many different ways and used to represent a<br />

wide range of processes and situations (Ko¨ vecses 2002: 33). One of the ma<strong>in</strong> consequences of<br />

the semantic generality of this schema is that, arguably, it can be applied to a wide range of<br />

doma<strong>in</strong>s other than that of experience. As an example, one can quote the Lat<strong>in</strong> expression<br />

tempus fugit (‘time flies’, lit. ‘escapes’), which, though metaphorically enter<strong>in</strong>g a motion<br />

schema, does not describe an experiential situation or process, but rather may be labelled as<br />

an <strong>in</strong>stance of the sub-schema TIME PASSING IS MOTION OF AN OBJECT (see Ko¨ vecses 2002: 33),<br />

which also perta<strong>in</strong>s to the general mapp<strong>in</strong>g EVENTS ARE MOVEMENTS and represents a more<br />

specific – and thus less schematic – <strong>in</strong>stantiation of it. To sum up, it is clear that the degree of<br />

semantic generality of the schema EVENTS ARE MOVEMENTS is <strong>in</strong>herently too high for our<br />

purposes and needs to be further specified. In particular, I argue that Lat<strong>in</strong> experiential<br />

constructions featur<strong>in</strong>g a motion schema can be described as two less schematic <strong>metaphors</strong>,<br />

which I label:<br />

CONTRACTING A DISEASE IS A FALLING<br />

INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS<br />

Semantically constra<strong>in</strong>ed <strong>in</strong> this way, the two subord<strong>in</strong>ate patterns are cast at their proper<br />

degree of schematicity and can account for the Lat<strong>in</strong> data. For <strong>in</strong>stance, the metaphorical<br />

schema INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS imposes more<br />

constra<strong>in</strong>ts on the general schema, because INCEPTIONS OF PSYCHOLOGICAL STATES is a particular<br />

subtype of EVENT, and ENDPOINTS OF TELIC MOVEMENTS constitute a specific subclass of the<br />

broader category MOVEMENTS which cast light on a unique semantic feature of the motion<br />

process, i.e. its last segment. Thus, generic metaphorical schemas differ from specific ones with<br />

regard to the degree of semantic generality (i.e. the number of details that could be filled <strong>in</strong>),<br />

the degree of schematicity (i.e. the number of subord<strong>in</strong>ate <strong>in</strong>stantiations the schema may be<br />

applied to) and what Ko¨ vecses (2000) called the SCOPE OF METAPHOR (i.e. the conceptual range<br />

with<strong>in</strong> which the metaphor can be applied and exploited).<br />

The first sub-schema is CONTRACTING A DISEASE IS A FALLING. Typically, this pattern<br />

comb<strong>in</strong>es a motion event and the entrance <strong>in</strong>to a conta<strong>in</strong>er, which expresses the specific<br />

psychological state and the f<strong>in</strong>al goal of the movement itself. Thus, this schema is meant to<br />

jo<strong>in</strong> two different <strong>metaphors</strong>: specifically, DISEASES ARE CONTAINERS and CONTRACTING A DISEASE<br />

IS A FALLING. It is <strong>in</strong>stantiated by six different nouns denot<strong>in</strong>g disease which comb<strong>in</strong>e with two<br />

verbs, cado ‘I fall’ and <strong>in</strong>cido ‘I fall <strong>in</strong>to’, which are structurally related:<br />

<strong>in</strong> morbum cado ⁄ <strong>in</strong>cido ‘I fall <strong>in</strong>to disease’ (10 tokens)<br />

<strong>in</strong> febrim <strong>in</strong>cido ‘I fall <strong>in</strong>to a temperature’ (1)<br />

<strong>in</strong> aegritud<strong>in</strong>em <strong>in</strong>cido ‘I fall <strong>in</strong>to sickness’ (1)<br />

<strong>in</strong> <strong>in</strong>saniam <strong>in</strong>cido ‘I fall <strong>in</strong>to madness’ (1)<br />

<strong>in</strong> dementiam <strong>in</strong>cido ‘I fall <strong>in</strong>to (mental) <strong>in</strong>sanity’ (1)<br />

<strong>in</strong> iram <strong>in</strong>cido ‘I fall <strong>in</strong>to anger’ (3)<br />

‘Fall<strong>in</strong>g <strong>in</strong>to disease’ is the most frequent (and, probably, entrenched) schema, and therefore it<br />

is likely to have paved the way for further extensions to other specific, semantically related<br />

types of stimuli, be<strong>in</strong>g extended to quasi-synonymic, but more specific, expressions (febris


318<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

‘temperature’ and aegritudo ‘sickness, distress’). In addition, anger, psychological <strong>in</strong>sanity and<br />

madness may be conceived of as mental diseases, which alter one’s cognitive skills and make<br />

one (mentally) ill. It is worth not<strong>in</strong>g that this schema constitutes a specific <strong>in</strong>stantiation of the<br />

orientational metaphor BAD IS DOWN (Lakoff & Johnson 1980): all the stimuli are oriented<br />

towards a negative pole, and one can fall only <strong>in</strong>to bad states ⁄ conta<strong>in</strong>ers. 5<br />

This metaphor is quite productive: it gave rise to novel forms which are basically extensions<br />

of the orig<strong>in</strong>al conceptual association. This fact can be regarded as a semantic specialization<br />

process; notably, the six constructions share the semantic common ground of describ<strong>in</strong>g an<br />

entrance <strong>in</strong>to a state of mental or physical damage as if it were a fall <strong>in</strong>to a bounded area or,<br />

rather, <strong>in</strong>to a conta<strong>in</strong>er, as the follow<strong>in</strong>g examples show:<br />

(14) Nam mihi et scriptum et nuntiatum est te <strong>in</strong> febrim<br />

<strong>in</strong>deed I.DAT and written.PP and foretold.PP is you.ACC <strong>in</strong> fever.ACC<br />

subito <strong>in</strong>cidisse<br />

suddenly fell.INF.PERF.<br />

‘for I have been told both by letter and word of mouth that you have suddenly fallen<br />

<strong>in</strong>to a fever’ (Cicero, Ep. ad Fam. 14, 8, 1)<br />

(15) <strong>in</strong> morbum gravem periculosumque <strong>in</strong>cidit<br />

<strong>in</strong> disease.ACC serious.ACC dangerous.ACC-and fell<br />

‘(he) fell seriously and dangerously ill’ (Cicero, Pro Cluentio par. 198)<br />

Interest<strong>in</strong>gly, with the filler aegritudo both schemas are allowed: the stimulus can be realized<br />

both as a conta<strong>in</strong>er, as <strong>in</strong> sentence (16a), and as a fall<strong>in</strong>g subject hitt<strong>in</strong>g someone on the head,<br />

as <strong>in</strong> sentence (16b) (this pattern occurs eight times <strong>in</strong> Cicero, and once <strong>in</strong> Seneca, with a<br />

slightly different mean<strong>in</strong>g, i.e. ‘to apply to’, ‘to be predicable of ’):<br />

(16) a. si sapiens <strong>in</strong> aegritud<strong>in</strong>em <strong>in</strong>cidere posse<br />

if wise.NOM <strong>in</strong> distress.ACC fall.INF can.INF<br />

‘if the wise man could be capable of fall<strong>in</strong>g <strong>in</strong>to distress’ (Cicero, Tusc. 3.9.20)<br />

b. non cadet ergo <strong>in</strong> sapientem aegritudo<br />

not applies.FUT thus <strong>in</strong> wise.ACC distress.NOM<br />

‘thus the wise man will not be susceptible of distress’ (Cicero, Tusc. 3.7.14)<br />

A similar construction, <strong>in</strong> which the stimulus is conceptualized as an object fall<strong>in</strong>g onto the<br />

Experiencer, is also attested twice <strong>in</strong> Terence and once <strong>in</strong> Cicero: aliquid mihi <strong>in</strong>cidit <strong>in</strong><br />

mentem ‘someth<strong>in</strong>g falls <strong>in</strong>to my m<strong>in</strong>d’, probably an alternative lexical variant of the most<br />

frequently attested construction, aliquid mihi <strong>in</strong> mentem venit ‘someth<strong>in</strong>g comes to my<br />

m<strong>in</strong>d’:<br />

(17) a. mihi venit <strong>in</strong> mentem M. Catonis<br />

I.DAT came <strong>in</strong> m<strong>in</strong>d.ACC M. Cato<br />

‘M. Cato came <strong>in</strong>to my m<strong>in</strong>d’ (lit. ‘to me came <strong>in</strong> m<strong>in</strong>d of M.C.’)<br />

Cicero, In Verrem 2. 6.180)<br />

5 This generalisation my seem too strong at first glance. Doubters might claim e.g. that <strong>in</strong> English neutral or positive<br />

‘fall<strong>in</strong>g’ <strong>metaphors</strong> are also attested: beside fall<strong>in</strong>g ill one can also fall asleep or even fall <strong>in</strong> love. However, such<br />

<strong>in</strong>stances can be understood <strong>in</strong> the light of the RATIONAL IS UP; EMOTIONAL IS DOWN schema, derived from the more<br />

general image CONTROL IS UP (and UNCONTROLLED IS DOWN; see Lakoff & Johnson 1980: 17).


FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 319<br />

b. quodquomque est, quom ei <strong>in</strong>ciderit <strong>in</strong> mentem<br />

whatever is that he.DAT fell <strong>in</strong> m<strong>in</strong>d.ACC<br />

‘whatever it is, that fell <strong>in</strong>to his m<strong>in</strong>d’ (Terence, Heaut. 484)<br />

Interest<strong>in</strong>gly, the CONTRACTING A DISEASE IS A FALLING metaphor is also attested <strong>in</strong> Greek (10a),<br />

<strong>in</strong> French (10b), and <strong>in</strong> some Italian varieties (10c) with reference to illness:<br />

(18) a. pı´ pte<strong>in</strong> es no´ son<br />

fall.INF to sickness.ACC<br />

‘to fall ill’ (Aeschylus, Prometheus 478)<br />

b. tomber malade<br />

fall ill<br />

‘to fall ill’<br />

c. cadere malato<br />

fall ill<br />

‘to fall ill’<br />

This comparison shows us that, although the conceptualization and the l<strong>in</strong>guistic expression<br />

of emotions can vary cross-culturally (see Wierzbicka 1992; 1999; Ko¨ vecses 2000: ch. 9),<br />

speakers of Lat<strong>in</strong>, like speakers of Greek and English, presumably used the same fall<strong>in</strong>g<br />

metaphoric schema to encode the processes of contract<strong>in</strong>g physical diseases. In some way,<br />

they shared the same conceptual scenario.<br />

We now turn to an account of the second specific <strong>in</strong>stantiation of the EVENTS ARE<br />

MOVEMENTS schematic metaphor, namely INCEPTIONS OF PSYCHOLOGICAL STATES ARE<br />

ENDPOINTS OF TELIC MOVEMENTS. In this case, the configuration of the event presupposes<br />

a focus on the f<strong>in</strong>al location of the motion process and the consequent reach<strong>in</strong>g of the<br />

goal. The experiential metaphoric constructions belong<strong>in</strong>g to this second subord<strong>in</strong>ate<br />

schema are the follow<strong>in</strong>g:<br />

<strong>in</strong> memoriam redigo ⁄ redeo ⁄ regredior ⁄ reduco (14 tokens)<br />

‘I come back to memory’<br />

<strong>in</strong> dubium venio ‘I come to doubt’ (3)<br />

<strong>in</strong> <strong>in</strong>vidiam venio ‘I come to envy’ (3)<br />

<strong>in</strong> rabiem verto ‘I turn to anger’ (1)<br />

<strong>in</strong> <strong>in</strong>saniam pervenio ‘I arrive at madness’ (2)<br />

venio <strong>in</strong> odium ‘I arrive at hate’ (4)<br />

<strong>in</strong> fame subvenio ad famem venio ‘I come to hunger’ (2)<br />

<strong>in</strong>curro <strong>in</strong> morbos ‘I run <strong>in</strong>to diseases’ (1)<br />

As is readily apparent, the semantic scope of this metaphor is wider than that of ‘fall<strong>in</strong>g’: it<br />

applies to different categories of stimuli, namely physiological feel<strong>in</strong>gs (hunger, sickness),<br />

emotions (envy, fear, hate), anger as a k<strong>in</strong>d of mental illness and, f<strong>in</strong>ally, cognitive processes<br />

(recall<strong>in</strong>g someth<strong>in</strong>g, be<strong>in</strong>g doubtful). Moreover, the schema is attested with different verb<br />

types: most frequently with venio ‘I come’, but also with more specific verbs like verto ‘I turn’,<br />

ago ‘I move towards, I make my way to’, <strong>in</strong>curro ‘I run <strong>in</strong>to, I rush at’ and redigo ⁄ redeo<br />

‘I return to’.<br />

It is worth not<strong>in</strong>g that we have morphological evidence to argue for a lexical aspectual<br />

shade of this metaphorical schema. Notably, some verbs featur<strong>in</strong>g this pattern are formed<br />

with a telicis<strong>in</strong>g preverb, like <strong>in</strong>-, per- and re- (<strong>in</strong> the verbs <strong>in</strong>curro, pervenio, redigo and redeo,


320<br />

TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

respectively). These preverbs have a perfective value, which adds to the verb a momentary<br />

aspect, yield<strong>in</strong>g an opposition with the bare lexical semantics of the simple counterpart: venio<br />

‘I come’ vs. advenio ⁄ pervenio ‘I reach, I arrive at’ (on perfectivis<strong>in</strong>g preverbs <strong>in</strong> Lat<strong>in</strong>, see e.g.<br />

Garcı´ a Herna´ ndez 1989; Haverl<strong>in</strong>g 2000; and the relevant papers collected <strong>in</strong> Moussy 2005).<br />

With simple verbs, the most used prepositions are <strong>in</strong> ‘to’ and ad ‘to, towards’, mean<strong>in</strong>g <strong>in</strong><br />

these constructions ‘reach<strong>in</strong>g of, atta<strong>in</strong><strong>in</strong>g to or be<strong>in</strong>g near the endpo<strong>in</strong>t’ and focus<strong>in</strong>g on the<br />

accomplishment of the goal.<br />

This aspectual specification ties <strong>in</strong> <strong>in</strong>herently with the claim that the subord<strong>in</strong>ate schema<br />

under scrut<strong>in</strong>y, INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS,<br />

semantically casts light on a particular segment of the motion process, i.e. the reach<strong>in</strong>g of the<br />

f<strong>in</strong>al goal, figuratively encod<strong>in</strong>g a psychological state. Crucially, psychological states are<br />

metaphorically thought of as locations (§3 above). This means that we are deal<strong>in</strong>g with a<br />

complex schema which can be further analysed as illustrated <strong>in</strong> Fig. 2.<br />

Figure 2. The INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS<br />

construction<br />

The telic aspect of the schema is sometimes lexically strengthened: for example, madness<br />

can be conceptualised as the f<strong>in</strong>al (ultimam) stage of a degenerative process, imag<strong>in</strong>ed as a fast<br />

path (via) lead<strong>in</strong>g to mental illness, as <strong>in</strong> the follow<strong>in</strong>g sentences:<br />

(19) a. tunc illi dirus animi morbus ad <strong>in</strong>saniam pervenit ultimam<br />

thus that.GEN dread m<strong>in</strong>d.GEN disease to madness.ACC reached last.ACC<br />

‘thus the dread disease of that man’s m<strong>in</strong>d reached the furthest limit of madness’<br />

(Seneca, De clementia 1.25.2)<br />

b. nulla celerior ad <strong>in</strong>saniam via est<br />

None quicker to madness.ACC road is<br />

‘there is no quicker road to madness’ (Seneca, De ira 2.36.4)<br />

As I have briefly mentioned above, a variety of stimuli can work as fillers of this metaphor. A<br />

particularly <strong>in</strong>terest<strong>in</strong>g case is that of bodily sensations such as hunger:<br />

(20) cum <strong>in</strong> ipsa fame subvenissent<br />

as <strong>in</strong> itself.ABL hunger.ABL arrived.SUBJ.PPF<br />

‘as they arrived <strong>in</strong> a state of actual fam<strong>in</strong>e’ (Cicero, De domo sua 11)<br />

(21) Alexander... <strong>in</strong>opia frumenti quoque prope ad famem ventum erat<br />

AlexanderNOM lack.ABL gra<strong>in</strong>.GEN also close to starvation.ACC come.PP was<br />

‘Alexander had almost come close to starvation through lack of gra<strong>in</strong>’<br />

(Curtius Rufus, Hist. Alex. 7.4.22)<br />

In Italian a reverse conceptualisation is also attested, <strong>in</strong> which hunger ‘comes’ to the<br />

Experiencer:


(22) mi è venuta fame<br />

I.DAT is come.PP hunger<br />

‘hunger has come to me’<br />

FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 321<br />

This double-faceted realization of the motion process is also attested with ira: as Seneca<br />

writes,<br />

(23) Saepe ad nos ira venit, saepius nos ad illam<br />

often to us.ACC anger comes more often we to that.ACC.F<br />

‘Anger often comes to us, but more often we go to it’ (Seneca, De ira 3.12.1)<br />

Another semantic field <strong>in</strong>volved <strong>in</strong> this schema is that of cognition. First, memory as<br />

a cognitive location can figuratively denote the process of remember<strong>in</strong>g, and therefore<br />

‘to come back to memory’ means ‘to recall’. Interest<strong>in</strong>gly, <strong>in</strong> the follow<strong>in</strong>g excerpt<br />

the ‘com<strong>in</strong>g back’ pattern is repeated with two near-synonymous verbs, redeo and<br />

regredior:<br />

(24) Nunc demum <strong>in</strong> memoriam redeo, quom mecum cogito.<br />

Now <strong>in</strong>deed <strong>in</strong> memory.ACC come back when I.ABL-with th<strong>in</strong>k hard<br />

Nunc edepol demum <strong>in</strong> memoriam regredior audisse<br />

Now by Pollux <strong>in</strong>deed <strong>in</strong> memory.ACC come back hear.INF.PERF.<br />

‘And now I come back <strong>in</strong>to memory, when I th<strong>in</strong>k hard to myself; And now I come<br />

back <strong>in</strong>to memory to have heard ...’ (Plautus, Captivi 1022-3)<br />

The other situation depicted through the motion schema is that of becom<strong>in</strong>g doubtful about<br />

someth<strong>in</strong>g (de civitate, de sorte):<br />

(25) a. homo timidus <strong>in</strong>peritus que(...) ut de civitate <strong>in</strong> dubium veniret<br />

Man shy <strong>in</strong>experienced and CONJ about city.ABL <strong>in</strong> doubt.ACC comes<br />

‘a shy and <strong>in</strong>experienced man (…) com<strong>in</strong>g <strong>in</strong>to doubt about the city’<br />

(Cicero, Pro A. Caec<strong>in</strong>a oratio par. 18)<br />

b. Ei mihi, etiam de sorte nunc venio <strong>in</strong> dubium miser?<br />

Alas I.DAT also about fate.ABL now come <strong>in</strong> doubt.ACC poor<br />

‘Alas! Poor me, now I also come <strong>in</strong>to doubt about fate?’ (Terentius, Adelphoe 242)<br />

This construction also allows structural variation. In (26), the Experiencer is encoded with the<br />

Dative case and what triggers the dubious reaction, i.e. the stimulus, is expressed as the<br />

syntactic subject. It is likely that the mihi venit <strong>in</strong> mentem (lit. ‘me.DAT comes <strong>in</strong> m<strong>in</strong>d’)<br />

construction has once aga<strong>in</strong> played the role of general prototype, be<strong>in</strong>g able to extend its<br />

syntactic structure to other, semantically related construction types (recall also the abovementioned<br />

case of mihi <strong>in</strong>cidit <strong>in</strong> mentem):<br />

(26) mihi veniat <strong>in</strong> dubium tua fides et constantia<br />

I.DAT may come <strong>in</strong> doubt.ACC your faith and firmness<br />

‘to me your faith and firmness may come <strong>in</strong>to doubt’<br />

(Cicero, Pro P. Qu<strong>in</strong>ctio Oratio par. 5)<br />

This last example shows how constructional schemas are <strong>in</strong>terconnected and <strong>in</strong>fluence each<br />

other from both a semantic and a structural perspective. Of course, structural shap<strong>in</strong>g exerted<br />

by one construction on another is expected if the two are conceptually l<strong>in</strong>ked <strong>in</strong> some way.


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TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

This is the case with the above-mentioned examples: both share the semantics of an <strong>in</strong>com<strong>in</strong>g<br />

psychological state. Structural variation is highly important <strong>in</strong> verify<strong>in</strong>g a metaphorical<br />

schema’s productivity because it constitutes further evidence for the functional and formal<br />

openness of a given pattern.<br />

To sum up, the schema has shown itself to be flexible and open enough to be subsequently<br />

exploited and semantically ref<strong>in</strong>ed <strong>in</strong> different ways. Hence, it came to express quite diverse<br />

mean<strong>in</strong>gs perta<strong>in</strong><strong>in</strong>g to different experiential subfields, as Fig. 3 shows.<br />

Figure 3. The EVENTS ARE MOVEMENTS metaphor <strong>in</strong> Lat<strong>in</strong><br />

At the highest level of schematicity we f<strong>in</strong>d the ‘Basic Event Type Metaphor’, i.e. EVENTS<br />

ARE MOVEMENTS. At a lower level we have the two schema-specific <strong>metaphors</strong> CONTRACTING A<br />

DISEASE IS A FALLING and INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC<br />

MOVEMENTS, which are <strong>in</strong> bold boxes as they are more frequent, and were probably entrenched<br />

<strong>in</strong> the m<strong>in</strong>ds of speakers (token frequency determ<strong>in</strong>es the degree of entrenchment of a s<strong>in</strong>gle<br />

word or construction: Croft & Cruse 2004: 308; see §11.3.1 for a detailed overview).<br />

Compell<strong>in</strong>g evidence for this comes from the fact that they may give rise to novel,<br />

semantically related low-level metaphor <strong>in</strong>stantiations and they partially admit formal<br />

variation. Bold l<strong>in</strong>es <strong>in</strong>dicate that these superord<strong>in</strong>ate and more schematic constructions<br />

entail a productive relation with regard to less frequent and less entrenched schemas.<br />

The data presented <strong>in</strong> this section po<strong>in</strong>t towards some generalizations. First, high token<br />

frequency of a metaphorical schema may promote a higher level of entrenchment. Second,<br />

high token frequency facilitates analogy (Barðdal 2008: 89ff.), here understood as the ability<br />

of a metaphorical schema compatible with very few verbs to extend its syntactic pattern to<br />

other <strong>metaphors</strong>, <strong>in</strong> view of the lexical similarity shared by the fillers of the model and<br />

the target constructions, respectively (e.g. they both trigger emotional states). Third, <strong>in</strong><br />

order to be productive, a metaphorical schema needs to be cast at its proper degree of<br />

schematicity. In this case, the relation hold<strong>in</strong>g between the constructions <strong>in</strong> the bold boxes<br />

and the general metaphorical schema EVENTS ARE MOVEMENTS is one of different levels of<br />

schematicity: the specific experiential subord<strong>in</strong>ate schemas are relatively less schematic than<br />

the generic metaphor because they apply to a relatively narrow range of lexical<br />

constructions, all restricted to the doma<strong>in</strong> of experience. Therefore, this schema seems to<br />

be semi-productive with regard to Lat<strong>in</strong> experiential <strong>metaphors</strong>, as it <strong>in</strong>stantiates only two<br />

productive patterns and does not fully exploit the potential range of forms <strong>in</strong> relation to the<br />

wide semantic doma<strong>in</strong> that it actually covers, i.e. movements. Insofar as ‘productivity is the<br />

degree to which a schema is more entrenched than its <strong>in</strong>stantiations’ (Clausner and Croft<br />

1997: 255), I suggest that this is not the case as the <strong>in</strong>termediate <strong>in</strong>stantiations of the general


schema, i.e. the two schema-specific <strong>metaphors</strong> CONTRACTING A DISEASE IS A FALLING and<br />

INCEPTIONS OF PSYCHOLOGICAL STATES ARE ENDPOINTS OF TELIC MOVEMENTS are more productive<br />

than the superord<strong>in</strong>ate and schematic metaphor EVENTS ARE MOVEMENTS <strong>in</strong> the doma<strong>in</strong> of<br />

experience.<br />

6. THE INTERPLAY OF STATE, MOTION AND POSSESSION SCHEMAS: SOME CONCLUDING REMARKS<br />

In this paper I have po<strong>in</strong>ted out that three different conceptual schemas compete <strong>in</strong> Lat<strong>in</strong> <strong>in</strong><br />

encod<strong>in</strong>g and fram<strong>in</strong>g physical and psychological feel<strong>in</strong>gs. Each schema displays different<br />

degrees of schematicity and productivity; they also differ from each other <strong>in</strong> terms of their<br />

<strong>in</strong>ner structure and diachronic developments. The possessive schema does not show structural<br />

complexity from a synchronic perspective, but is <strong>in</strong>stead subject to a process of constructional<br />

substitution between Lat<strong>in</strong> and Romance languages (the loss of the Dative possessive<br />

construction and the subsequent substitution by the highly frequent ‘have’-possessive), thus<br />

provid<strong>in</strong>g compell<strong>in</strong>g evidence of its high degree of productivity. The locative schema turns<br />

out to be also very productive: besides be<strong>in</strong>g cont<strong>in</strong>ued <strong>in</strong> modern Romance languages, it<br />

provides several examples of constructional extensions at low levels of schematicity, thus<br />

giv<strong>in</strong>g rise to novel <strong>metaphors</strong> shaped by substitut<strong>in</strong>g either the noun or the verb of the model<br />

item, and reveal<strong>in</strong>g itself to be capable of accommodat<strong>in</strong>g new mean<strong>in</strong>gs and new<br />

circumstances of use. Last, the EVENTS ARE MOVEMENTS schema is only partially productive,<br />

because, after be<strong>in</strong>g cast at its proper level of schematicity, it <strong>in</strong>stantiates two productive<br />

patterns only, namely CONTRACTING A DISEASE IS A FALLING and INCEPTIONS OF PSYCHOLOGICAL<br />

STATES ARE ENDPOINTS OF TELIC MOVEMENTS, and does not fully exploit the potential range of<br />

forms and functions of the semantic doma<strong>in</strong> of motion events.<br />

One way of gett<strong>in</strong>g at the nature of these quite diverse results is to take <strong>in</strong>to account<br />

differences <strong>in</strong> Aktionsart. This is of major concern here: while locative and possessive schemas<br />

are basically states, motion schemas represent <strong>in</strong>choative options and depict dynamic<br />

processes, which, however, may be considered from their endpo<strong>in</strong>t, so that a dynamic process<br />

may produce a f<strong>in</strong>al, atelic state. Given that feel<strong>in</strong>gs are basically states (see e.g. Voorst 1992),<br />

the greater productivity of stative schemas is only to be expected.<br />

This conclusion is supported by the fact that a comparison between the range of stimuli<br />

fill<strong>in</strong>g the three different <strong>metaphors</strong> reveals <strong>in</strong>sightful correlations. More precisely, it may be<br />

remarked that, generally speak<strong>in</strong>g, if a stimulus is realized with a pattern of motion, then it<br />

also shows up with a stative option, while the opposite correlation does not occur (Table 2<br />

below).<br />

Arguably, the above-mentioned correlation may be understood <strong>in</strong> terms of the follow<strong>in</strong>g<br />

implicational hierarchy:<br />

STATES > MOTION<br />

FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 323<br />

This hierarchy acknowledges the fact that if a stimulus enters a motion schema, then it enters<br />

a stative schema too. Readers may have noted that while there is much truth <strong>in</strong> this view,<br />

three stimuli, namely dementia ‘madness’, rabies ‘anger’ and memoria ‘memory’ only occur<br />

with motion verbs. A reason why the motion schema is particularly <strong>in</strong>vited by memoria may<br />

be that recall<strong>in</strong>g someth<strong>in</strong>g is by def<strong>in</strong>ition an <strong>in</strong>choative process: basically, memory comes<br />

and goes.<br />

To sum up, the hierarchy above helps us ga<strong>in</strong> some understand<strong>in</strong>g of the general distribution<br />

of most of the attested stimuli on the basis of an aspectually based dichotomy. The basic<br />

organiz<strong>in</strong>g pr<strong>in</strong>ciple we shall see at work <strong>in</strong> encod<strong>in</strong>g this functional doma<strong>in</strong> is that, while<br />

states constitute the basic option, motion schemas represent a quite frequently exploited


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TRANSACTIONS OF THE PHILOLOGICAL SOCIETY 109, 2011<br />

Table 2. Possible fillers <strong>in</strong> Motion, Location and Possession <strong>metaphors</strong><br />

Motion Location Possession<br />

morbus morbus morbus<br />

<strong>in</strong>vidia <strong>in</strong>vidia <strong>in</strong>vidia<br />

aegritudo aegritudo aegritudo<br />

dubium dubium dubium<br />

febris febris<br />

<strong>in</strong>sania <strong>in</strong>sania<br />

ira ira<br />

odium odium<br />

fames fames<br />

dementiam<br />

rabiem<br />

memoria<br />

metus metus<br />

gaudium gaudium<br />

desiderium desiderium<br />

dolor dolor<br />

timor<br />

terror<br />

maestitia<br />

maeror<br />

frigus<br />

fastidium<br />

sitis<br />

pudor<br />

verecundia<br />

laetitia<br />

alternative to express <strong>in</strong>choative processes and a valid strategy for impos<strong>in</strong>g a dynamic<br />

perspective on stative feel<strong>in</strong>gs. After all, this alternation <strong>in</strong> cod<strong>in</strong>g strategies is to be expected <strong>in</strong><br />

semantic fields concern<strong>in</strong>g experience, because the Experiencer–Stimulus relations show a wide<br />

variation of argument l<strong>in</strong>k<strong>in</strong>g patterns and alternative metaphorical ways of conceptualiz<strong>in</strong>g<br />

the same experience (e.g. Bossong 1998; Croft 1998; Verhoeven 2007). Usually, languages do<br />

not limit themselves to a s<strong>in</strong>gle syntactic option to conceptualise a situation with a one-to-one<br />

mapp<strong>in</strong>g between function and form, but <strong>in</strong>stead display a wide <strong>in</strong>ventory of lexical and<br />

syntactic strategies that allow a given situation to be portrayed <strong>in</strong> alternative ways (see<br />

Langacker 1991: 330). Conceivably, limits to variation do exist: <strong>in</strong> our case, for <strong>in</strong>stance, the<br />

fact that timor ‘fear’, terror ‘fright’, pavor ‘fear’ and frigor ‘cold’ only occur with the Location<br />

schema tells us that fear and cold were preferably conceived of as conta<strong>in</strong>ers ‘placed’ <strong>in</strong> the real<br />

world. Thus, the aspectual focus was cast on their stativity, durativity and atelicity, apparently<br />

exclud<strong>in</strong>g any type of <strong>in</strong>choative read<strong>in</strong>g. This shows that, generally speak<strong>in</strong>g, experiential<br />

<strong>metaphors</strong> and grammatical constructions tend to be associated along preferred paths.<br />

In conclusion, <strong>in</strong> this article I have shown that tools provided by the cognitivist framework<br />

can shed considerable light on the synchronic and diachronic organization of a specific<br />

metaphorical doma<strong>in</strong>, even for a ‘dead’ language such as Lat<strong>in</strong>. From a theoretical<br />

perspective, the present cognitivist corpus-based study has allowed (i) to cover a wider range of<br />

data; (ii) to shed light on a patterned variation <strong>in</strong> Lat<strong>in</strong> experiential <strong>metaphors</strong>, and to show<br />

that this variation is not randomly but rather conceptually motivated; (iii) to systematically<br />

describe some metaphoric networks <strong>in</strong> terms of productivity and schematicity, and to<br />

<strong>in</strong>dividuate which patterns worked as models for further extensions; (iv) to identify semantic<br />

and aspectual constra<strong>in</strong>ts <strong>in</strong> the applicability of different sources to different target doma<strong>in</strong>s,<br />

i.e. to highlight emotion-specific <strong>metaphors</strong> (cf. Stefanowitsch 2005b); and (v) to provide<br />

evidence for the cross-cultural reality of metaphorical mapp<strong>in</strong>gs, which suggested that an<br />

experience can be metaphorically conceptualised <strong>in</strong> the same way across both space and time.


The challenge was to check whether apply<strong>in</strong>g (psycho)l<strong>in</strong>guistic notions such as frequency,<br />

schematicity and entrenchment could be useful <strong>in</strong> order to adequately describe a structured<br />

<strong>in</strong>ventory of <strong>metaphors</strong> from a dead language, and I hope to have shown that this theoretical<br />

question has a positive answer.<br />

Dipartimento di L<strong>in</strong>guistica teorica e applicata<br />

Universita` di Pavia<br />

Corso Strada Nuova 65<br />

I-27100 Pavia, Italy<br />

Email: chiara.fedriani@unipv.it<br />

FEDRIANI – EXPERIENTIAL METAPHORS IN LATIN 325<br />

References<br />

ATHANASIADOU, ANGELIKI & TABAKOWSKA, ELZBIETA (eds), 1998. Speak<strong>in</strong>g of Emotions: Conceptualisation and<br />

Expression, Berl<strong>in</strong>: Mouton de Gruyter.<br />

BALDI,PHILIP, 2002. ‘Where does Lat<strong>in</strong> habeo come from?’, <strong>in</strong> Fabrice Cavoto (ed.), A Festschrift for Alexis Manaster-<br />

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