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Caloian Cezarina - Universitatea de Arte "George Enescu"

Caloian Cezarina - Universitatea de Arte "George Enescu"

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CONTENTS:<br />

SUMMARY.....................…………………………………………………………………..3<br />

CHAP. I. ILLUSTRATION, NARRATIVE AND SYMBOL...……………………….......7<br />

I.1. Book illustration, general presentation.…………………………………………….7<br />

I.2. Narativity and symbol – general consi<strong>de</strong>rations..……………………………….....10<br />

I.3. Image-text relations, semiotic perspective...……………………………………….13<br />

CHAP. II. HISTORY OF BOOK ILLUSTRATION.………………………..…………….17<br />

II.1. The illuminated manuscript from Antiquity to Middles Ages.……………………17<br />

II. 1. 1 Characteristics...…………………………………………………………...22<br />

II.2. Introduction of the printing press – essential moment in the evolution of the book<br />

and in spreading the culture.....................................................................................35<br />

II.2.1. Incunabula. The 15th century.....……………………………………………35<br />

II.2.2. The art of book <strong>de</strong>coration in the 16th – 17th centuries....……………….....40<br />

II.3. The book in the 18th century......…………………………………………………..45<br />

II.4. Book graphics in the 19th-21st centuries....…………………………………….....54<br />

II.5. Book graphics in Romania....………………………………………...……………92<br />

CHAP. III. GRAPHICS FOR CHILDREN’S BOOKS.…………………………………...105<br />

III.1. General consi<strong>de</strong>rations.………………………………………………………......105<br />

III.2. The stages of book illustration...…………………………………………………107<br />

III.3. The narrative illustration.....…………………………………………………..….109<br />

III.4. The visual perception of children..……………………………………………….111<br />

CAP. IV. CHARACTERISTICS OF BOOK ILLUSTRATION. ....……………………...116<br />

IV.1. Building the support surface.................……………………………………….....116<br />

IV.2. The significance of figuring......…………………………………………….…....124<br />

IV.2.1. The human image – typologies.……………………………………….....125<br />

IV.2.2. The humanized animals. The fantastic animals .………………………...126<br />

IV.3. Setting and clothing..........……………………………………………………….129<br />

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