M O S C O W Interview with Leonid Shishkin - Passport magazine
M O S C O W Interview with Leonid Shishkin - Passport magazine
M O S C O W Interview with Leonid Shishkin - Passport magazine
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Previews<br />
The French<br />
Connection<br />
Elena Rubinova<br />
For three months, French modern art will be all the rage in Moscow,<br />
St. Petersburg, Nizhny Novgorod, Ekaterinburg, and other<br />
Russian cities. The public will be able to see the best works by Bernard<br />
Lavier, Claude Leveque and Annette Messager, the crème de<br />
la crème of French contemporary art.<br />
At the turn of the 20 th century, to think of modern art was<br />
to think Paris, Montparnasse, post-impressionism or the early<br />
days of cubism. It was, some say, French art that defined the art<br />
process for at least half a century before the center of contemporary<br />
art drifted to New York and later to London. Nevertheless,<br />
at the beginning of the 21 st century, French modern art is<br />
strongly felt on the international art scene. Artists selected for<br />
the Moscow exhibitions fully represent this tendency.<br />
From 21 May to 4 July, TSUM Art Foundation ( www.tsum.ru, ul<br />
Petrovka, 2) is mounting an exhibition of Bertrand Lavier’s work.<br />
M Lavier is one of the most respected contemporary French artists<br />
of the older generation (born in 1949). The exhibition presents<br />
13 works of different genres covering the artist’s creative<br />
work from the early 1980s. Painted objects, murals, video-art<br />
outline the whole landscape of Lavier’s works displayed in 2000<br />
square metres of exhibition area.<br />
“It took us a long time to make a decision what would be the<br />
best site for the future exhibition. Lavier came to Moscow several<br />
times to absorb the atmosphere of this city. He selected very<br />
provocative and unusual works for his Moscow show”, says Maria<br />
Kravtsova, curator of the exhibition.<br />
Lavier often works <strong>with</strong> the signs and symbols of mass culture<br />
transforming them into something unrecognizable. He<br />
reacts to contemporary consumer fashions, but everything he<br />
does has a rare touch of intelligence and wit. Lavier inhabits the<br />
border between art and reality, finding his personal distinction<br />
between fine art and popular art. He is one of the few artists<br />
whom critics define as being both an intellectual and a popular<br />
artist at the same time. Lavier considers that his art brings<br />
together incompatible elements to create hybrids, and says he<br />
was influenced by his educational background in horticulture.<br />
“If you combine an orange <strong>with</strong> a mandarin, you get a tangerine.<br />
Similarly, when I paint a piano or put a fridge on a safe,<br />
the result seems to float between two separate things. Under<br />
the layers of paint is the real piano, but you can also concentrate<br />
on the paint as paint. One could say that my works are<br />
like tangerines”, said Lavier in an interview.<br />
His famous pieces about Walt Disney, created back in the<br />
1980s or a Lips Sofa, which was produced on the basis of<br />
sketches by Salvador Dali, are considered iconic images of<br />
modern art. During his long and successful carrier, Lavier has<br />
exhibited at numerous international venues, including New<br />
York’s Museum of Modern Art, the Tate Gallery in London, the<br />
Pompidou Centre in Paris, and the Venice Bienniale.<br />
10 June 2010<br />
B.Lavier Walt Disney<br />
Pacific Blue Picasso<br />
2004 Ligne blanche