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M O S C O W Interview with Leonid Shishkin - Passport magazine

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The French<br />

Connection<br />

Elena Rubinova<br />

For three months, French modern art will be all the rage in Moscow,<br />

St. Petersburg, Nizhny Novgorod, Ekaterinburg, and other<br />

Russian cities. The public will be able to see the best works by Bernard<br />

Lavier, Claude Leveque and Annette Messager, the crème de<br />

la crème of French contemporary art.<br />

At the turn of the 20 th century, to think of modern art was<br />

to think Paris, Montparnasse, post-impressionism or the early<br />

days of cubism. It was, some say, French art that defined the art<br />

process for at least half a century before the center of contemporary<br />

art drifted to New York and later to London. Nevertheless,<br />

at the beginning of the 21 st century, French modern art is<br />

strongly felt on the international art scene. Artists selected for<br />

the Moscow exhibitions fully represent this tendency.<br />

From 21 May to 4 July, TSUM Art Foundation ( www.tsum.ru, ul<br />

Petrovka, 2) is mounting an exhibition of Bertrand Lavier’s work.<br />

M Lavier is one of the most respected contemporary French artists<br />

of the older generation (born in 1949). The exhibition presents<br />

13 works of different genres covering the artist’s creative<br />

work from the early 1980s. Painted objects, murals, video-art<br />

outline the whole landscape of Lavier’s works displayed in 2000<br />

square metres of exhibition area.<br />

“It took us a long time to make a decision what would be the<br />

best site for the future exhibition. Lavier came to Moscow several<br />

times to absorb the atmosphere of this city. He selected very<br />

provocative and unusual works for his Moscow show”, says Maria<br />

Kravtsova, curator of the exhibition.<br />

Lavier often works <strong>with</strong> the signs and symbols of mass culture<br />

transforming them into something unrecognizable. He<br />

reacts to contemporary consumer fashions, but everything he<br />

does has a rare touch of intelligence and wit. Lavier inhabits the<br />

border between art and reality, finding his personal distinction<br />

between fine art and popular art. He is one of the few artists<br />

whom critics define as being both an intellectual and a popular<br />

artist at the same time. Lavier considers that his art brings<br />

together incompatible elements to create hybrids, and says he<br />

was influenced by his educational background in horticulture.<br />

“If you combine an orange <strong>with</strong> a mandarin, you get a tangerine.<br />

Similarly, when I paint a piano or put a fridge on a safe,<br />

the result seems to float between two separate things. Under<br />

the layers of paint is the real piano, but you can also concentrate<br />

on the paint as paint. One could say that my works are<br />

like tangerines”, said Lavier in an interview.<br />

His famous pieces about Walt Disney, created back in the<br />

1980s or a Lips Sofa, which was produced on the basis of<br />

sketches by Salvador Dali, are considered iconic images of<br />

modern art. During his long and successful carrier, Lavier has<br />

exhibited at numerous international venues, including New<br />

York’s Museum of Modern Art, the Tate Gallery in London, the<br />

Pompidou Centre in Paris, and the Venice Bienniale.<br />

10 June 2010<br />

B.Lavier Walt Disney<br />

Pacific Blue Picasso<br />

2004 Ligne blanche

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