05.08.2013 Views

Glossary of Terms Related to the Archiving of Audiovisual ... - Unesco

Glossary of Terms Related to the Archiving of Audiovisual ... - Unesco

Glossary of Terms Related to the Archiving of Audiovisual ... - Unesco

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Glossary</strong> <strong>of</strong> <strong>Terms</strong> <strong>Related</strong><br />

<strong>to</strong> <strong>the</strong><br />

<strong>Archiving</strong> <strong>of</strong> <strong>Audiovisual</strong> Materials<br />

Prepared by a working group from <strong>the</strong> Round Table on <strong>Audiovisual</strong> Records<br />

Gerald Gibson, General Compiler and Edi<strong>to</strong>r<br />

Sven Aller strand, Transla<strong>to</strong>r Coordina<strong>to</strong>r<br />

© UNESCO<br />

NOTE:<br />

Pending <strong>the</strong> publication <strong>of</strong> <strong>the</strong> <strong>Glossary</strong>, this preliminary version is made prepared for<br />

consultation. An updated version should be released by year end.<br />

Joie Springer<br />

Information Society Division<br />

UNESCO<br />

29 August 2001


a ---<br />

a and b wind printing {E} * A motion picture film technique<br />

for printing more than one roll <strong>of</strong> edited camera film on a<br />

single roll <strong>of</strong> raw s<strong>to</strong>ck. Scenes are alternated on separate<br />

rolls and are spaced with opaque leader: scene one on roll<br />

a, <strong>the</strong> first roll, scene two on roll b, <strong>the</strong> second roll. This<br />

technique produces splice free prints and can be<br />

expanded <strong>to</strong> o<strong>the</strong>r special application rolls for soundtracks<br />

and special effects; also known as chequer-boarding. {D=<br />

?; Es= impresión bobinada A y B; F= tirage a et b}.<br />

a/b rolls {E} * A TV production process <strong>of</strong> assembling two<br />

reels <strong>of</strong> film or tape which are rolled synchronously,<br />

whe<strong>the</strong>r through a video switcher or optical printer;<br />

dissolves are accomplished by going from one roll <strong>to</strong> <strong>the</strong><br />

o<strong>the</strong>r. {D= ?; Es= bobinas A/B; F= bobines A/B}.<br />

a/b Test {D} * see a-b test {E}.<br />

a la manera de los cómics {Es} * see comic mode {E}.<br />

A {E} * acronym for ampere, amp.<br />

A reel {E} * A TV production technique in which <strong>the</strong> main<br />

source <strong>of</strong> video or film is designated as <strong>the</strong> "A" reel; see<br />

A/B roll; B reel. {D= ?; Es= bobina A; F= bobine A}.<br />

A/V Round Table {E} * see Round Table on <strong>Audiovisual</strong><br />

Records; Round Table on <strong>Audiovisual</strong> Media.<br />

à balayage lent {F} * see slow-scan {E}.<br />

à gain élevé {F} * see high-gain screen {E}.<br />

à l'endroit {F} * see heads out {E}.<br />

à l'envers (pieds dehors) {F} * see tails out {D;E}.<br />

à mise au point au<strong>to</strong>matique {F} * see au<strong>to</strong> focus {E}.<br />

à virgule flottante {F} * see floating point {E}.<br />

A-D {D;E;Es;F} * acronym for analogue-<strong>to</strong>-digital converter<br />

{E}; also known as AD.<br />

a-wind picture {E} * A manner <strong>of</strong> winding film or tape on<strong>to</strong><br />

a hub so that <strong>the</strong> coated surface faces <strong>to</strong>wards <strong>the</strong> hub. In<br />

film media <strong>the</strong> image reads properly when viewed through<br />

<strong>the</strong> emulsion and projects properly with <strong>the</strong> base facing <strong>the</strong><br />

screen. A-wind prints are <strong>the</strong> result <strong>of</strong> contact printing from<br />

b-wind pre print. Used primarily in narrow-gauge original<br />

materials; see also b-wind picture. {D= ?; Es= filme de<br />

enrollado tipo a; F= film avec enroulement intérieur; type<br />

a}.<br />

a-wind printing {E} * see a and b wind printing.<br />

a-wind raw s<strong>to</strong>ck {E} * A manner <strong>of</strong> winding a 16 mm roll <strong>of</strong><br />

raw s<strong>to</strong>ck, perforated along only one edge, so that when<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> film leaves <strong>the</strong> roll at <strong>the</strong> <strong>to</strong>p and <strong>to</strong> <strong>the</strong> right<br />

<strong>the</strong> perforations are <strong>to</strong>wards <strong>the</strong> observer. Such film is<br />

used for making contact prints and is not intended for use<br />

in <strong>the</strong> camera; see also b-wind raw s<strong>to</strong>ck.(09.) {D= ?; Es=<br />

filme virgen de enrollado tipo a; F= film vierge avec<br />

enroulement intérieur}.<br />

AAD {D;E} * acronym for analogue-analogue-digital; see<br />

also SPARS code.<br />

AB-test {E} * Direct quality control comparison <strong>of</strong> a signal<br />

accomplished by switching from one <strong>to</strong> ano<strong>the</strong>r track<br />

and/or set/piece <strong>of</strong> equipment.(50.) {D= A/B Test; Es=<br />

prueba [ensayo] AB; F= test AB}.<br />

ábaco {Es} * see nomograph {E;F}.<br />

abarquillado de la película {Es} * see buckle {E}.<br />

2<br />

abarquillamien<strong>to</strong> {Es} * see cockle/cockling {E}.<br />

abarquillamien<strong>to</strong> {Es} * see edge curl {E}.<br />

abaxial {E;Es} * Those parallel rays <strong>of</strong> light that are far<strong>the</strong>st<br />

from <strong>the</strong> optical axis <strong>of</strong> a lens; see also paraxial; spherical<br />

aberration. {D= ?; F= axial}.<br />

Abblende {D} * see fade {E}.<br />

abblenden {D} * see iris-in/iris-out {E}.<br />

abendfüllender film {D} * see feature {E}.<br />

aberración cromática {Es} * see chromatic aberration {E}.<br />

aberración esférica {Es} * see spherical aberration {E}.<br />

aberration {E} * 1) An optical defect that prevents all <strong>of</strong> <strong>the</strong><br />

light rays processed by <strong>the</strong> lens from being brought <strong>to</strong> <strong>the</strong><br />

same focal plane. 2) A defect in a cathode-ray tube, in<br />

which <strong>the</strong> focus field does not bring <strong>the</strong> electron beam <strong>to</strong><br />

<strong>the</strong> same point <strong>of</strong> sharp focus at all points on <strong>the</strong> screen<br />

{D;Es;F}.<br />

aberration chromatique {F} * see chromatic aberration {E}.<br />

aberration en barillet {F} * see barrel dis<strong>to</strong>rtion {E}.<br />

aberration sphérique {F} * see spherical aberration {E}.<br />

abertura de máscara {Es} * see aperture (2)(3) {E}.<br />

abertura de objetivo {Es} * see aperture (1) {E}.<br />

abertura en iris {Es} * see iris-in/iris-out {E}.<br />

abertura mecánica {Es} * see numerical aperture (NA) {E}.<br />

Abfärben {D} * see bleed {E}.<br />

Abgabe {D} * see transfer {E}.<br />

Abgabepflicht {D} * see legal deposit {E}.<br />

Abhör-kontroll-lautsprecher {D} * see moni<strong>to</strong>r speaker {E}.<br />

Abhör-lautsprecher {D} * see moni<strong>to</strong>r speaker {E}.<br />

abkappen {D} * see truncate {E}.<br />

Ablage {D} * see file; flat-filing {E}.<br />

Ablieferung {D} * see transfer {E}.<br />

abraquillado de película {Es} * see buckle {E}.<br />

abrasion marks {E} * Visible spots or fine black streaks on<br />

<strong>the</strong> support side or <strong>the</strong> emulsion surface <strong>of</strong> still and<br />

moving- image film that becomes evident in a negative<br />

after developing; usually caused by friction, rubs, pressure,<br />

or mishandling. {D= ?; Es= marcas de abrasión; F=<br />

marques d'abrasion; éraflure; rayure}.<br />

abrasiones {Es} * see abrasions {E;F}.<br />

abrasions {E;F} * 1) In film, a fine surface defect on<br />

processed film which does not penetrate <strong>to</strong> <strong>the</strong> film base;<br />

in magnetic tape materials, a fine surface defect <strong>of</strong> <strong>the</strong><br />

emulsion which does not penetrate <strong>to</strong> <strong>the</strong> base. Abrasion<br />

generally results from moving contact with ano<strong>the</strong>r surface<br />

and does not fully remove <strong>the</strong> recording surface.(01.) 2)<br />

The material removed from film or tape as a result <strong>of</strong><br />

moving contact with ano<strong>the</strong>r surface. {D= Schrammen;<br />

Es= abrasiones}.<br />

abrasiveness {E} * A relative measure <strong>of</strong> <strong>the</strong> roughness<br />

and its effect on <strong>the</strong> wearing <strong>of</strong> equipment (i.e., magnetic


tape and its effect on <strong>the</strong> wearing <strong>of</strong> a magnetic tape<br />

recorder head.)(04.) {D= abreibend; abrieb verursachend;<br />

Es= abrasividad; F= abrasivité}.<br />

abrasividad {Es} * see abrasiveness {E}.<br />

abrasivité {F} * see abrasiveness {E}.<br />

abreibend {D} * see abrasiveness {E}.<br />

Abrieb {D} * see loose debris {E}.<br />

Abrieb ablegerungen {D} * see buildup {E}.<br />

Abrieb verursachend {D} * see abrasiveness {E}.<br />

Abschrift {D} * see copy {E}.<br />

abschwächen {D} * see attenuate {E}.<br />

Abschwächung {D} * see attenuation {E}.<br />

absolute humidity {E} * A number which describes <strong>the</strong><br />

actual amount <strong>of</strong> water vapour present in a unit weight<br />

volume <strong>of</strong> dry air. It is usually expressed as fractional<br />

kilograms/pounds <strong>of</strong> water vapour per kilogram/pound <strong>of</strong><br />

dry air; see also relative humidity.33. {D= absolute<br />

Luftfeuchtigkeit; Es= humedad absoluta; F= humidité<br />

absolue}.<br />

absolute Luftfeuchtigkeit {D} * see absolute humidity {E}.<br />

Abstandsdämpfung {D} * see separation loss {E}.<br />

Absteckmarken {D} * see paper marks {E}.<br />

Abtasten {D} * see sampling {E}.<br />

Abtastfrequenz {D} * see aststrahl {D} * see scanning<br />

beam {E}.<br />

Abtast<strong>the</strong>orem {D} * see sampling <strong>the</strong>orem (Nyquist) {E}.<br />

Abweichung {D} * see uniformity {E}.<br />

Abwickelspule {D} * see feed reel {E}.<br />

Abzug {D} * see print {E}.<br />

acabado mate {Es} * see flat finish {E}.<br />

acabado plano {Es} * see flat finish {E}.<br />

Academy aperture {E} * The standard motion picture frame<br />

mask, an aspect ratio <strong>of</strong> 4:3 or 1.33:1, established by <strong>the</strong><br />

Academy <strong>of</strong> Motion Picture Arts and Sciences; see also<br />

wide screen.(30.) {D= ?; Es= apertura de la Academia (de<br />

artes escénicas de los EEUU); F= fenêtre standard (1,37<br />

ou 1,33)}.<br />

Academy leader {E} * Standard 11-second 'countdown'<br />

leader placed at <strong>the</strong> beginning <strong>of</strong> each separate reel <strong>of</strong><br />

motion picture film. Descending numbers, beginning with<br />

'11' and ending with '3', are spaced 1 foot apart with 3 feet<br />

<strong>of</strong> black leader following <strong>the</strong> '3' and preceding <strong>the</strong> first<br />

frame <strong>of</strong> image, established by <strong>the</strong> Academy <strong>of</strong> Motion<br />

Picture Arts and Sciences; see also changeover cue. {D=<br />

?; Es= guía [cabo] de entrada de la Academia (de artes<br />

escénicas de los EEUU); F= amorce "Academy"; amorce<br />

de départ standard; amorce normalisée}.<br />

Academy <strong>of</strong> Motion Picture Arts and Sciences {D;E;Es;F}<br />

* The U.S. group which, beginning in 1928, has awarded<br />

<strong>the</strong> Oscars, promoted <strong>the</strong> film industry within <strong>the</strong> United<br />

States, and supported film libraries and awards.10.<br />

acanaladura {Es} * see fluting {E}.<br />

3<br />

accelerated ageing {E} * A method <strong>of</strong> speeding up <strong>the</strong><br />

deterioration <strong>of</strong> materials <strong>to</strong> estimate <strong>the</strong>ir life expectancy<br />

and use characteristics. The specimen is usually exposed<br />

<strong>to</strong> controlled elevated temperature/s and humidity/ies.(07.)<br />

{D= beschleunigte Alterung; künstliche Alterung; Es=<br />

envejecimien<strong>to</strong> acelerado; F= vieillissement accéléré}.<br />

accelerated motion {E} * see fast motion.<br />

accélérateur {F} * see accelera<strong>to</strong>r {E}.<br />

accélération du mouvement {F} * see fast motion<br />

(accelerated motion) {E}.<br />

accélération du mouvement {F} see fast motion<br />

(accelerated motion) {E}.<br />

accelera<strong>to</strong>r {E} * The alkali in a film developing solution<br />

that speeds development by making <strong>the</strong> gelatin porous in<br />

<strong>the</strong> emulsified mixture <strong>of</strong> gelatin and silver salts. {D= ?;<br />

Es= acelerador; F= accélérateur}.<br />

accéléré {F} * see fast forward {E}.<br />

accentuateur d'image {F} * see image enhancer {E}.<br />

accentuation {F} * see emphasis {E}.<br />

accentuation d'image {F} * see image enhancement {E}.<br />

accès {F} * see access {E}.<br />

accès à distance {F} * see remote access (computer files)<br />

{E}.<br />

accès aléa<strong>to</strong>ire {F} * see random access {E}.<br />

accès direct {F} * see direct access (computer files){E}.<br />

accès libre {F} * see unobstructed access {E}.<br />

accès par dérogation {F} * see clearance {E}.<br />

accesibilidad {Es} * see access {E}.<br />

accesibilidad {Es} * see access (1) {E}.<br />

acceso {Es} * see access {E}.<br />

acceso alea<strong>to</strong>rio {Es} * see random access {E}.<br />

acceso direc<strong>to</strong> (archivos de un ordenador) {Es} * see direct<br />

access (computer files) {E}.<br />

acceso libre {Es} * see unobstructed access {E}.<br />

access {E} * 1) A way or means <strong>of</strong> approach.51. 2) In<br />

broadcasting, <strong>the</strong> ability or right <strong>to</strong> use cable systems,<br />

usually <strong>to</strong> originate programming. 3) In general archival<br />

practice <strong>the</strong> availability <strong>of</strong> records/archives for consultation<br />

as a result both <strong>of</strong> legal authorization and <strong>the</strong> existence <strong>of</strong><br />

finding aids. 4) In au<strong>to</strong>matic or computer data, <strong>the</strong> method<br />

<strong>of</strong> placin; communicabilité; D= Zutrittsberechtigung; 1)<br />

Benutzbarkeit; 2) Zugriff; Es= 1) accesibilidad; 2) acceso;<br />

derecho de utilizar sistemas de cable; 3) disponibilidad de<br />

archivos}.<br />

access point {E} * A name, term, code, etc., under which<br />

a bibliographic record may be searched and identified; see<br />

also heading.03.12. {D= ?; Es= pun<strong>to</strong> de acceso; F= point<br />

d'accès}.<br />

access time {E} * The time interval for <strong>the</strong> pickup <strong>of</strong> a<br />

s<strong>to</strong>rage device <strong>to</strong> locate and begin reading data from any<br />

point on <strong>the</strong> medium.(39.)deletion <strong>of</strong> an already recorded<br />

signal.(04.) 2) The demagnetization <strong>of</strong> an already recorded<br />

magnetic medium through accidental means, causing loss<br />

or degradation <strong>of</strong> <strong>the</strong> recorded signal. This is usually<br />

brought about by mistakenly recording over a magnetized<br />

surface which had previously been recorded. It can, also,


e brought about by bringing an external magnetic field<br />

(dynamic microphones, headphones, loudspeakers, etc.)<br />

in<strong>to</strong> <strong>to</strong>o close contact with s<strong>to</strong>red magnetic media.(04.) {D=<br />

unabsichtlich Löschung; Es= borrado accidental; F=<br />

effacement accidentel}.<br />

acción {Es} * see shaving {E}.<br />

acción de mezclar {Es} * see mixing, mixage {E}.<br />

accionador de doble eje {Es} * see two-axis actua<strong>to</strong>r {E}.<br />

accompanying material {E} * Materials o<strong>the</strong>r than <strong>the</strong><br />

principal form <strong>of</strong> <strong>the</strong> item which are available with <strong>the</strong> item<br />

in hand and/or are intended <strong>to</strong> be used with it (e.g. <strong>the</strong> liner<br />

notes <strong>of</strong> a sound recording).(12.) {D= Begleitmaterial; Es=<br />

materiales concomitantes [de acompañamien<strong>to</strong>]; F=<br />

matériel d'accompagnement}.<br />

accrochage {F} * see echo {E}.<br />

accrochage {F} * see echo {E}.<br />

acelerado {Es} * see accelera<strong>to</strong>r; time-lapse pho<strong>to</strong>graphy<br />

{E}.<br />

acentuación de graves {Es} * see bass boost {E}.<br />

acentuación de las bajas frecuencias {Es} * see bass<br />

boost {E}.<br />

aceso a distancia (archivos de ordenador) {Es} * see<br />

remote access (computer files) {E}.<br />

acetate {E} * 1) A salt formed by <strong>the</strong> combination <strong>of</strong> acetic<br />

acid with an alkaline, earthy, or metallic base. 2) A<br />

commonly used synonym in <strong>the</strong> U.S. for a lacquer disc;<br />

see also cellulose acetate.51. {D= Azetat; Es= aceta<strong>to</strong>; F=<br />

acétate}.<br />

acetate base {E} * A generic name for <strong>the</strong> group <strong>of</strong><br />

materials which are <strong>the</strong> more common supports <strong>of</strong><br />

magnetic and film media <strong>to</strong> which various recording<br />

surfaces are attached. Most commonly used <strong>of</strong> this group<br />

were/are cellulose diacetate and cellulose triacetate.<br />

Cellulose triacetate, generally used for magnetic tape<br />

recordings prior <strong>to</strong> <strong>the</strong> wide acceptance <strong>of</strong> polyester, tends<br />

<strong>to</strong> break ra<strong>the</strong>r than stretch when subjected <strong>to</strong> excessive<br />

stress. Since breaks can be mended easily and cleanly,<br />

acetate backing <strong>of</strong>fers some insurance against<br />

mishandling, such as stretching. Mylar, a polyester,<br />

however, has superior qualities as a backing, and acetate<br />

is no longer used. In still pho<strong>to</strong>graphy and motion picture<br />

films, a base composed principally <strong>of</strong> cellulose diacetate<br />

or cellulose triacetate have been widely used for safety<br />

film.(07.) {D= Azetatträger; Azetatträgerbasis; Es= soporte<br />

de aceta<strong>to</strong>; F= support acétate}.<br />

acetate disc {E} * see lacquer disc {E}.<br />

acetate film {E} * A generic term used for safety film.07.<br />

{D= Azetatfilm; Sicherheitsfilm; Es= película de aceta<strong>to</strong>; F=<br />

film acétate; film d'acétate; pellicule acétate; film non<br />

flam}.<br />

acétate {F} * see acetate {E}.<br />

acétate de cellulose {F} * see cellulose acetate {E}.<br />

acétate de polyvynile {F} * see polyvinyl acetate (PVA) {E}.<br />

aceta<strong>to</strong> {Es} * see acetate {E}.<br />

aceta<strong>to</strong> de celulosa {Es} * see cellulose; cellulose acetate<br />

{E}.<br />

acetic acid {E} * 1) A chemical substance used by film<br />

labora<strong>to</strong>ries during <strong>the</strong> film developing and fixing process;<br />

also used for bleaching, acetic acid is colourless and<br />

4<br />

smells like vinegar. Mixing readily with water, <strong>the</strong> corrosive<br />

liquid in its pure form becomes a solid at temperatures<br />

below 62°F. {D= Essigsäure; Es= ácido acético; F= acide<br />

acétique}.<br />

ace<strong>to</strong>na {Es} * see ace<strong>to</strong>ne {E}.<br />

ace<strong>to</strong>ne {E} * A highly flammable colourless solvent used<br />

as a thinner in film processing solutions that contain<br />

substances which do not dissolve readily when mixed with<br />

water. It is also used for thinning <strong>the</strong> film cement that is<br />

used in splicing motion picture film. {D= Aze<strong>to</strong>n; Es=<br />

ace<strong>to</strong>na; F= acé<strong>to</strong>ne}.<br />

acé<strong>to</strong>ne {F} * see ace<strong>to</strong>ne {E}.<br />

achromatic lens {E} * A lens made by combining elements<br />

made <strong>of</strong> crown glass and flint glass in order <strong>to</strong> reduce<br />

chromatic aberration.10. {D= achromatisch (lens); Es=<br />

acromático (lens); objetivo acromático; F= achromatique<br />

/(lens); objectif achromatique; lentille achromatique}.<br />

achromatisch (lens) {D} * see achromatic lens {E}.<br />

acid migration {E} * The transfer <strong>of</strong> acid from an acid<br />

material <strong>to</strong> one <strong>of</strong> less acidity when <strong>the</strong> two are s<strong>to</strong>red in<br />

contact with one ano<strong>the</strong>r.24. {D= Säurewanderung; Es=<br />

acidez por contagio; acidez por contagio; F= acidification<br />

par contact; migration d'acide}.<br />

acide acétique {F} * see acetic acid {E}.<br />

acide borique {F} * see boracic acid {E}.<br />

acide citrique {F} * see citric acid {E}.<br />

acide méthacrylique {F} * see methacrylic acid {E}.<br />

acide pyrogallique {F} * see pyrogallic acid 1:2:3 {E}.<br />

acidez {Es} * see acidity {E}.<br />

acidez por contagio {Es} * see acid migration {E}.<br />

acidificatioe acidity {E}.<br />

acidity {E} * A condition in which <strong>the</strong> concentration <strong>of</strong><br />

hydrogen ions in an aqueous solution exceeds that <strong>of</strong><br />

hydroxyl ions as determined by <strong>the</strong> pH value.24. {D=<br />

Säure; Säuregehalt; Es= acidez; F= acidité}.<br />

ácido acético {Es} * see acetic acid {E}.<br />

ácido bórico {Es} * see boracic acid {E}.<br />

ácido cítrico {Es} * see citric acid {E}.<br />

ácido metacrílico {Es} * see methacrylic acid {E}.<br />

ácido pirogálico {Es} * see pyrogallic acid 1:2:3 {E}.<br />

acondicionamien<strong>to</strong> (de señales) {Es} * see proc amp {E}.<br />

acondicionamien<strong>to</strong> {Es} * see arrangement (2);<br />

conditioning {E}.<br />

acoplado al sistema {Es} * see on-line {E}.<br />

acoplador {Es} * see coupler {E}.<br />

acoustic feedback {E} * see feedback.<br />

acoustic recording {E} * see acoustical recording.<br />

acoustical recording {E} * 1) The earliest commercially<br />

practical method <strong>of</strong> recording by causing sound waves fed<br />

<strong>to</strong> a recorder via a recording horn, <strong>to</strong> actuate a stylus<br />

attached <strong>to</strong> a diaphragm; used until replaced by electrical<br />

recording in <strong>the</strong> 1920s. The stylus bears on <strong>the</strong> recording


medium and mechanically engraves or embosses a<br />

soundtrack mimicking <strong>the</strong> sound waves; also called<br />

mechanical recording. 2) The artifact, usually a disc or<br />

cylinder, produced through this method.(04.) {D=<br />

akustische Aufnahme; Es= grabación acústica; F=<br />

enregistrement acoustique}.<br />

ACR {D;E;Es;F} * acronym for Au<strong>to</strong>matic Cassette<br />

Recorder.<br />

acrílico {Es} * see acrylic {E}.<br />

Acromático [lens] {Es} * see achromatic lens {E}.<br />

acrylic {E} * 1) Relating <strong>to</strong> acrylic acid or its derivatives. 2)<br />

A paint in which <strong>the</strong> carrier is an acrylic resin. 3) A painting<br />

done with acrylic paints. {D= ?; Es= acrílico; F= acrylique}.<br />

acrylic resin {E} * A <strong>the</strong>rmoplastic made by polymerizing<br />

acrylic or methacrylic acid, or a derivative <strong>of</strong> same, and<br />

used for moulding, as adhesives, or as coatings and<br />

carriers for acrylic paints. {D= ?; Es= resina acrílica; F=<br />

résine acrylique}.<br />

acrylique {F} * see acrylic {E}.<br />

acteur (face à la caméra) {F} * see talent {E}.<br />

acteur {F} * see player {E}.<br />

activar {Es} * see sensitize {E}.<br />

activité {F} * see access {E}.<br />

actuación original {Es} * see original performance {E}.<br />

actual sound {E} * In moving-image productions, sound<br />

whose source is an object or person in <strong>the</strong> scene; see also<br />

commentative sound.(30.) {D= ?; Es= sonido natural; F=<br />

son naturel}.<br />

actualités {F} * see newsreel {E}.<br />

actualités filmées {F} * see newsreel {E}.<br />

actuateur deux axes (pho<strong>to</strong>) {F} * see two-axis actua<strong>to</strong>r<br />

{E}.<br />

acumulación de óxido {Es} * see oxide build-up {E}.<br />

acumulación de partículas magnéticas {Es} * see buildup<br />

(2) {E}.<br />

AD {D;E;Es;F} * acronym for analogue-<strong>to</strong>-digital converter<br />

{E}; also known as A-D {D;E;Es;F}.<br />

adaptación {Es} * see treatment {E}.<br />

adaptación cinema<strong>to</strong>gráfica de una novela o guión {Es} *<br />

see screenplay {E}.<br />

adaptar {Es} * see conform {E}.<br />

adaptation{F} * see treatment {E}.<br />

adaptive delta modulation (ADM) {D;E} * A variation <strong>of</strong><br />

delta modulation in which <strong>the</strong> step size may vary from<br />

sample <strong>to</strong> sample.39. {D= adaptive delta Modulation; Es=<br />

modulación delta adaptable; F= modulation par codage<br />

delta adaptative}.<br />

adaptive delta pulse code modulation (ADPCM) {D;E} * A<br />

hybrid encoding technique that correlates successive data<br />

samples <strong>to</strong> adapt <strong>to</strong> changes in <strong>the</strong> signal.39. {Es=<br />

modulación de impulsos codificados delta adaptables; F=<br />

modulation par impulsion et codage différentiel adptative}.<br />

ADC {E} * acronym for analogue-<strong>to</strong>-digital converter {E}.<br />

5<br />

ADD {E} * acronym for analogue-digital-digital; see SPARS<br />

code {E}.<br />

added entry {E} * An access point in addition <strong>to</strong> <strong>the</strong> main<br />

entry by which an item is represented in a catalogue.(12.)<br />

{D= ?; Es= pun<strong>to</strong> de acceso adicional; F= point d'accès<br />

secondaire}.<br />

additif {F} * see additive {E}.<br />

additif au sénario sur pages bleues {F} * see blues {E}.<br />

additive {E} * Any material added <strong>to</strong> <strong>the</strong> coating <strong>of</strong><br />

magnetic tapes, still or motion picture film, or discs o<strong>the</strong>r<br />

than <strong>the</strong> oxide and <strong>the</strong> binder resins; such additives are<br />

intended <strong>to</strong> foster specific desired effects, such as<br />

lessening friction or plasticizing <strong>the</strong> binder, retarding fungal<br />

growth, or making <strong>the</strong> coating conductive; see also<br />

plasticizer.(04.) {D= Zusatz; Bearbeitung; Es= aditivo; F=<br />

additif}.<br />

additive colour {E} * In film production, colour mixture by<br />

<strong>the</strong> addition <strong>of</strong> light <strong>of</strong> <strong>the</strong> three primaries, red, green, and<br />

blue.09. {D= Farbadition; Bearbeitung (colour); Es= aditivo<br />

(colour); color aditivo; F= couleurs primaires additives;<br />

synthèse additive (couleur); primaires additives; additif}.<br />

additive colour primaries {E} * The luminance <strong>of</strong> <strong>the</strong><br />

additive primary colours Red, Green, & Blue and <strong>the</strong>ir<br />

electrical analogue values are <strong>the</strong> basic parameters <strong>of</strong><br />

colour television. A consequence <strong>of</strong> <strong>the</strong> trichromatic <strong>the</strong>ory<br />

<strong>of</strong> colour is that <strong>the</strong> hue and saturation <strong>of</strong> most colours can<br />

be duplicated by combining three primary colours in <strong>the</strong><br />

proper ratio. {D= ?; Es= colores primarios aditivos; F=<br />

couleurs primaires additives}.<br />

additive colour process {E} * see additive printing.<br />

additive printing {E} * A method <strong>of</strong> printing in colour motion<br />

-picture film processing in which three separate light<br />

sources are combined <strong>to</strong> form <strong>the</strong> light source which<br />

exposes <strong>the</strong> film. Modern additive printers separate white<br />

light from a tungsten-halogen bulb in<strong>to</strong> its red, green, and<br />

blue components by using a set <strong>of</strong> dichroic mirrors (i.e.,<br />

mirrors which can be made <strong>to</strong> give sharp cut<strong>of</strong>fs at<br />

specified wavelengths and high efficiency in regions <strong>of</strong> <strong>the</strong><br />

spectrum <strong>the</strong>y are intended <strong>to</strong> reflect) and filters <strong>to</strong> give <strong>the</strong><br />

required spectral bands. The red, green, and blue beams<br />

are recombined and focused at <strong>the</strong> printing aperture; also<br />

called additive colour printing and additive process; see<br />

also subtractive printing.(09.) {D= additives Farbverfahren;<br />

Es= procedimen<strong>to</strong> de colores por síntesis aditiva; F= tirage<br />

additif; développement des couleurs par synthèse additive;<br />

procédé de couleurs par synthèse additive}.<br />

additive process {E} * see additive printing.<br />

additives Farbverfahren {D} * see additive printing {E}.<br />

address {E;F} * 1) A location indica<strong>to</strong>r, such as a label,<br />

number, or name, that designates a particular location <strong>of</strong><br />

an item or a piece <strong>of</strong> information. 2) In computer data,<br />

coded representation <strong>of</strong> <strong>the</strong> origin or destination <strong>of</strong><br />

data.(46.39.) 3) With Time Code, each video frame is<br />

identified with a unique number called its address. {D=<br />

Lagersignatur; Es= dirección; F= location; adresse}.<br />

adhérence (bande magnétique) {F} * see sticktion {E}.<br />

adhérence {F} * see anchorage {E}.<br />

adhérence couche à couche {F} * see layer-<strong>to</strong>-layer<br />

adhesion {E}.<br />

adhérence de spires {F} * see laminate adhesion {E}.<br />

adherencia (cinta magnética) {Es} * see sticktion {E}.<br />

adherencia entre vueltas (consecutivas) {Es} * see layer-


<strong>to</strong>-layer adhesion {E}.<br />

adhésif {F} * see adhesive {E}.<br />

adhésifs acétate de polyvynile {F} * see polyvinyl acetate<br />

adhesives {E}.<br />

adhesive {E} * A general term for several different<br />

substances capable <strong>of</strong> bonding materials <strong>to</strong> each o<strong>the</strong>r by<br />

chemical or mechanical action, or both, and which may be<br />

activated by water, nonaqueous solvents, pressure, heat,<br />

cold, or o<strong>the</strong>r means. The various groups <strong>of</strong> this family<br />

may be classified by temperature (hot, cold, intermediate,<br />

room temperature setting, etc.), by type <strong>of</strong> solvent (water,<br />

alcohol, etc.), type <strong>of</strong> application (brush, roller, spray, etc.),<br />

or by origin (animal, vegetable, or syn<strong>the</strong>tic). They may be<br />

fur<strong>the</strong>r classified as syn<strong>the</strong>tic (resin) or natural; see also<br />

animal glue; cold-setting adhesive; glue; hot-melt<br />

adhesive; methyl cellulose; polyvinyl acetate adhesive;<br />

starch paste.(45.) {D= Klebst<strong>of</strong>f; Es= adhesivo; F=<br />

adhésif}.<br />

adhesive splice {E} * see butt splice.<br />

adhesive tape {E} * see pressure sensitive tape.<br />

adhesivo {Es} * see adhesive; binder {E}.<br />

adhesivo de endurecimien<strong>to</strong> en frío {Es} * see cold-setting<br />

adhesive {E}.<br />

adhesivos de aceta<strong>to</strong> polivinílico {Es} * see polyvinyl<br />

acetate adhesives {E}.<br />

adhesivos de fusión en caliente {Es} * see hot-melt<br />

adhesives {E}.<br />

adición de música y efec<strong>to</strong>s de sonido a una grabación<br />

{Es} * see sweetening {E}.<br />

aditivo (colour) {Es} * see additive colour {E}.<br />

aditivo {Es} * see additive {E}.<br />

ADMTH {E} * acronym for adaptive delta modulation.<br />

adovelamien<strong>to</strong> {Es} * see keys<strong>to</strong>ning {E}.<br />

ADPCM {E} * acronym for adaptive delta pulse code<br />

modulation.<br />

adresse {F} * see address {E;F}.<br />

AEG Kern {D} * see DIN hub {E}.<br />

aerial pho<strong>to</strong>graph {E} * 1) Pho<strong>to</strong>graphy made from a<br />

predetermined altitude and in accordance with a plan and<br />

scale.22. 2) A still or moving-image shot taken from<br />

overhead, such as from a helicopter, plane, or crane; see<br />

also crane shot. {D= Luftaufnahme; Es= fo<strong>to</strong>grafía aérea;<br />

F= pho<strong>to</strong>graphie aérienne}.<br />

AES {E} * acronym for Audio Engineering Society.<br />

AES/EBU digital interface {E} * An electronic bridge<br />

between data recorded as specified by standards from <strong>the</strong><br />

Audio Engineering Society and <strong>the</strong> European Broadcasters<br />

Union. {D= AES/EBU digitale Schnittstelle; AES/EBU<br />

Schnittstelle; Es= interfaz digital AES/EBU; F= interface<br />

numérique AES/UER}.<br />

AES/EBU digitale schnittstelle {D} * see AES/EBU digital<br />

interface {E}.<br />

AES/EBU schnittstelle {D} * see AES/EBU digital interface<br />

{E}.<br />

AFC {E;Es;F} * acronym for au<strong>to</strong>matic frequency control.<br />

6<br />

{D= ?; Es= ?}.<br />

afeitado {Es} * see shaving {E}.<br />

affaiblissement {F} * see attenuation; droop {E}.<br />

affaiblissement des hautes fréquences {F} * see high<br />

frequency roll-<strong>of</strong>f {E}.<br />

affichage à cristaux liquides (LCD) {F} * see liquid crystal<br />

display (LCD) {E}.<br />

affiche {F} * see poster {E}.<br />

afterimage {E} * see also tail {E}.<br />

AGC {E;Es;F} * acronym for au<strong>to</strong>matic gain control. {D= ?;<br />

Es= ?}.<br />

ageing {E} * The natural degradation <strong>of</strong> materials. Ageing<br />

is influenced by <strong>the</strong> environment in which materials are<br />

s<strong>to</strong>red and, also, by <strong>the</strong> quality <strong>of</strong> <strong>the</strong> respective materials<br />

and/or <strong>of</strong> <strong>the</strong>ir raw components.(24.) {D= Alterung;<br />

näturliche Alterung; Es= envejecimien<strong>to</strong>; F=<br />

vieillissement}.<br />

agence de catalogue {F} * see cataloguing agency {E}.<br />

agencia de catalogación {Es} * see cataloguing agency<br />

{E}.<br />

agent antifongique {F} * see antifungus agent {E}.<br />

agent antipoudrette {F} * see antibloom agent {E}.<br />

agent réducteur {F} * see reducer {E}.<br />

agente antipolvo {Es} * see antibloom agent {E}.<br />

agente reduc<strong>to</strong>r {Es} * see reducer {E}.<br />

agente tensoactivo {Es} * see surfactant {E}.<br />

agitación {Es} * see agitation {E;F}.<br />

agitation {E;F} * The action which keeps <strong>the</strong> developer,<br />

s<strong>to</strong>p bath, or fixer in motion while processing film, thus<br />

helping <strong>to</strong> speed and achieve even solution action and<br />

prevent mottle, spotting, or staining on <strong>the</strong> finished<br />

product.(01.) {D= ?; Es= agitación}.<br />

aglomerante {Es} * see binder {E}.<br />

agrandissement {F} * see blow-up; enlargement; enlarging<br />

paper; magnification {E}.<br />

agrandissement d'image {F} * see image expansion {E}.<br />

aguatinta {Es} * see aquatint {E}.<br />

aguja de lectura ( discos fonográficos) {Es} * see stylus<br />

{E}.<br />

agujero {Es} * see hole {E}.<br />

agujero negro {Es} * see black hole {E}.<br />

agujeros de arrastre {Es} * see drive holes {E}.<br />

AIE {F} * see EIA {E}.<br />

AIIM {E} * acronym for Association for Information and<br />

Image Management {E}.<br />

aimant mobile {F} * see moving-image materials; moving<br />

magnet {E}.<br />

air bells {E} * Undeveloped spots on pho<strong>to</strong>graphic


materials (negatives or positives) caused by air bubbles<br />

formed because <strong>of</strong> poor agitation during <strong>the</strong> working cycle<br />

in film processing. The bubbles prevent good contact<br />

between <strong>the</strong> developer and <strong>the</strong> pho<strong>to</strong>graphic material.01.<br />

{D= ?; Es= burbujas de aire; F= bulles}.<br />

air check {E} * A sound recording made from a radio<br />

broadcast by means <strong>of</strong> a radio receiver.04. {D= ?; Es=<br />

prueba de emisión (por radio); F= enregistrement témoin;<br />

test aérien}.<br />

air drying {E} * The drying <strong>of</strong> moist materials in a current <strong>of</strong><br />

air at room or elevated temperatures, as distinguished<br />

from drying by contact with heat. Air drying reduces<br />

stresses on some materials, such as paper, o<strong>the</strong>rwise<br />

imposed while drying.(24.) {D= Lufttrocknung; Es= oreo;<br />

F= séchage par jet d'air; séchage par ventilation}.<br />

air-layer effect {E} * In video production, a problem that is<br />

encountered at extremely fast shuttle speeds in which <strong>the</strong><br />

video tape is moving so fast that a thin layer <strong>of</strong> air lifts <strong>the</strong><br />

tape <strong>of</strong>f <strong>the</strong> heads, causing <strong>the</strong> Time Code Reader <strong>to</strong><br />

receive false information. {D= ?; Es= efec<strong>to</strong> de la capa de<br />

aire; F= effet de coussin d'air}.<br />

aire couverte {F} * see footprint {E}.<br />

aisle {E} * A subsidiary passage between rows <strong>of</strong> shelving<br />

leading <strong>to</strong> a gangway and affording access <strong>to</strong> <strong>the</strong><br />

shelves.22. {D= Gang; Nebengang; Es= pasillo lateral; F=<br />

allée; allée de desserte}.<br />

ajuste cenital (zenith) {Es} * see zenith adjustment {E}.<br />

ajuste de fase {Es} * see phasing {E}.<br />

ajuste de volumen {Es} * see volume set {E}.<br />

ajuste del control de entrada {Es} * see ride {E}.<br />

ajuste exac<strong>to</strong> {Es} * see tracking (1) {D;E}.<br />

ajustement de la distance focale {F} * see focus pull {E}.<br />

ajustement zénith {F} * see zenith adjustment {E}.<br />

Akklimatisierung {D} * see conditioning {E}.<br />

Aktenband {D} * see file; folder {E}.<br />

Aktendeckel {D} * see folder {E}.<br />

Aktengruppe {D} * see file {E}.<br />

Aktenheft {D} * see file; folder {E}.<br />

Aktenserie {D} * see file {E}.<br />

Aktenvernichtung {D} * see destruction {E}.<br />

akustische aufnahme {D} * see acoustical recording {E}.<br />

Akzentuierung {D} * see pre-emphasis (pre-equalization)<br />

{D;E}.<br />

al amoníaco {Es} * see ammonia process {E}.<br />

ala {Es} * see flange {E}.<br />

alabeo {Es} * see warp {E}.<br />

alabeo en forma de silla de montar (discos fonográficos)<br />

{Es} * see saddle warp {E}.<br />

alargamien<strong>to</strong> {Es} * see stretch (2) {E}.<br />

alargamien<strong>to</strong> permanente {Es} * see permanent elongation<br />

{E}.<br />

7<br />

album {E;Es;F} * 1) for sound recordings, a container for<br />

records, or a container with one or more records. Prior <strong>to</strong><br />

long-playing (Lp) microgroove records in 1948, recordings<br />

containing multiple discs sets were frequently sold in booklike<br />

containers albums with sleeves or envelopes for each<br />

individual record. Empty albums <strong>of</strong> varying numbers <strong>of</strong><br />

sleeves and <strong>of</strong> differing sizes were also sold <strong>to</strong> afford<br />

better appearance and protection for individual records,<br />

which were generally sold in comparatively flimsy paper<br />

sleeves. Some early long-playing, multiple record sets<br />

were issued in albums, but most such sets have been<br />

issued in various types <strong>of</strong> inner sleeves inserted in boxes<br />

or slipcases. Starting around 1950 <strong>the</strong> word 'album' has<br />

increasingly come <strong>to</strong> be used for multiple-disc sets.(04.) 2)<br />

For still-images, a container for mounting pho<strong>to</strong>graphs <strong>to</strong><br />

afford protection and better organization. {D=<br />

Plattenumschlag; Album}.<br />

album {F} * see set {E}.<br />

album/boîte original {F} * see original album/box (or o<strong>the</strong>r<br />

container) {E}.<br />

album number {E} * The manufacturer's/producer's issue-,<br />

catalogue-, order-number for most multiple disc sets.<br />

Though most generally associated with 78-RPM era<br />

multiple disc sets, <strong>the</strong> term is also used for post-78-RPM<br />

single and multiple disc packages. For multiple-disc sets,<br />

<strong>the</strong> album number is used instead <strong>of</strong> <strong>the</strong> individual record<br />

issue numbers for ordering purposes in most but by no<br />

means all cases. Also, during <strong>the</strong> 78-RPM era, particularly<br />

in Europe, even major manufacturers did not always<br />

assign album/set numbers <strong>to</strong> multiple records or use <strong>the</strong>m<br />

in albums; see also issue number.(04.) {D=<br />

Albumnummer; Es= número del catálogo del album ; F=<br />

numéro de catalogue de l'album}.<br />

Album {D} * see album {E}.<br />

álbum original {Es} * see original album/box (or o<strong>the</strong>r<br />

container) {E}.<br />

albumen emulsion {E} * A still-image carrier consisting <strong>of</strong><br />

a coated, light-sensitive layer in which <strong>the</strong> medium is a<br />

complex protein (egg white). Examples include prin<strong>to</strong>ut<br />

paper, lantern slides, and glass plate negatives.(42.) {D=<br />

?; Es= emulsión de albúmina; F= émulsion d'albumen}.<br />

Albumnummer {D} * see album number {E}.<br />

álcali {Es} * see alkali {E}.<br />

álcali {Es} * see alkali {E}.<br />

alcalin {F} * see alkaline; buffering {E}.<br />

alcalino (-a) {Es} * see alkaline {E}.<br />

alcance {Es} * see extent {E}.<br />

alcance visual {Es} * see visual range {E}.<br />

alcohol spot-test {E} * A test using a swab <strong>to</strong> apply a drop<br />

<strong>of</strong> ethyl alcohol <strong>to</strong> a pho<strong>to</strong>graphic emulsion. The outcome<br />

<strong>of</strong> <strong>the</strong> test is one means <strong>of</strong> determining <strong>the</strong> type <strong>of</strong><br />

emulsion; see also water spot-test.42. {D= ?; Es= prueba<br />

sobre una superficie con alcohol; F= test de contact à<br />

l'alcool}.<br />

alea<strong>to</strong>ry filming {E} * Moving-image production technique<br />

which utilizes chance conditions and probability. images<br />

are not planned in advance; <strong>the</strong> cameraman must<br />

compose on <strong>the</strong> spot.(30.) {D= ?; Es= filmación alea<strong>to</strong>ria;<br />

F= <strong>to</strong>urnage aléa<strong>to</strong>ire; prise de vues aléa<strong>to</strong>ires}.<br />

aleteo {Es} * see flagging, flag-waving {E}.<br />

alfa {Es} * see alpha {E}.


alfa-celulosa {Es} * see alpha-cellulose {E}.<br />

alfiler (de contac<strong>to</strong>) {Es} * see pin {E}.<br />

algorithm {E} * A sequence <strong>of</strong> steps needed <strong>to</strong> perform a<br />

given task.(39.) {D= Algorithmus; Es= al<strong>to</strong>ritmo; F=<br />

algorithme}.<br />

algorithmes de compression/décompression {F} * see<br />

compression/decompression algorithms {E}.<br />

Algorithmus {D} * see algorithm {E}.<br />

algoritmo {Es} * see algorithm {E}.<br />

algoritmos de compresión-descompresión {Es} * see<br />

compression/decompression algorithms {E}.<br />

alias {E;Es;F} * Something o<strong>the</strong>r than what it appears <strong>to</strong><br />

be. Stairsteps on what should be a smooth diagonal line<br />

are an example <strong>of</strong> a spatial alias; wagon wheels appearing<br />

<strong>to</strong> move backwards are an example <strong>of</strong> a temporal alias.<br />

Aliases are caused by inadequate sampling rates and can<br />

be reduced or eliminated by ei<strong>the</strong>r increasing <strong>the</strong> sampling<br />

rate or by prefiltering, with <strong>the</strong> latter possibly producing<br />

what, in visual documents, appears as a blur.(07.) {D= ?;<br />

F= autrement dit; fréquence de repliement}.<br />

aliasing {D;E} * 1) In digital audio recording, unwanted<br />

frequencies created when sampling a signal <strong>of</strong> a frequency<br />

higher than half <strong>the</strong> sampling rate; see also Nyquist<br />

frequency.(39.) 2) The formation <strong>of</strong> spurious signals as <strong>the</strong><br />

result <strong>of</strong> a beat between <strong>the</strong> sampling rate and signal<br />

frequency components; also referred <strong>to</strong> as 'moire'. {D= ?;<br />

Es= 1) creación de frecuencias no deseadas; 2)<br />

solapamien<strong>to</strong>; F= repliement; crénelage}.<br />

alignement (faisceaux d'électrons) {F} * see registration<br />

{E}.<br />

alignement (images animées) {F} * see registration {E}.<br />

alignement {F} * see alignment; tracking {D;E}.<br />

alignement des têtes {F} * see head alignment {E}.<br />

aligner {F} * see register {E}.<br />

alignment {E} * For tape recorders, <strong>the</strong> correct adjustment<br />

<strong>of</strong> <strong>the</strong> tape head position with respect <strong>to</strong> <strong>the</strong> magnetic<br />

tape's path, and also adjustment <strong>of</strong> <strong>the</strong> recorder's<br />

electronics for <strong>the</strong> best frequency response.04. {D=<br />

Einmessung; Es= alineación; F= alignement; réglage}.<br />

alignment tape {E} * A special tape recording used in<br />

aligning and calibrating tape recorders. The alignment tape<br />

contains test <strong>to</strong>nes at specified frequencies; also known as<br />

test or calibration tape.(04.) {D= Testband; Meßband;<br />

Bezugsband; Es= cinta de alineación; F= bande<br />

d'alignement; bande de réglage}.<br />

alimentation électrique {F} * see power supply {E}.<br />

alimentation en courant {F} * see power supply {E}.<br />

alineación {Es} * see alignment {E}.<br />

alineación de la cabeza {Es} * see head alignment {E}.<br />

alineamien<strong>to</strong> azimutal {Es} * see azimuth adjustment {E}.<br />

alkali {D;E;F} * Any base substance with a pH above 7.0<br />

and capable <strong>of</strong> neutralizing Acids.44. Alkalies are used in<br />

adhesives, and in deacidifying and buffering paper<br />

products. The most common buffers are magnesium<br />

carbonate and calcium carbonate; see also alkalarch {Es=<br />

álcali}.<br />

alkaline {E} * A designation <strong>of</strong> <strong>the</strong> acid content <strong>of</strong> a<br />

8<br />

substance using <strong>the</strong> pH scale <strong>of</strong> 0 <strong>to</strong> 17. The neutral point<br />

is 7.0. Paper with a pH above 7.0 is alkaline. Most paper<br />

products used in alkaline-buffered paper conservation<br />

contain an alkaline buffer <strong>to</strong> guard against future acid<br />

formation by absorption <strong>of</strong> air pollutants.32. {D= alkalisch;<br />

Es= alcalino (-a); F= alcalin}.<br />

alkalisch {D} * see alkaline {E}.<br />

Alkalische {D} * see alkaline reserve {E}.<br />

allée {F} * see aisle {E}.<br />

allée de desserte {F} * see aisle {E}.<br />

allongement étirement{F} * see stretch {E}.<br />

allongement résiduel {F} * see permanent elongation {E}.<br />

almacén {Es} * see magazine {E;Es;F}; s<strong>to</strong>rage; vault {E}.<br />

almacenador de imagen {Es} * see image s<strong>to</strong>rage {E}.<br />

almacenamien<strong>to</strong> {Es} * see s<strong>to</strong>rage {E}.<br />

almacenamien<strong>to</strong> óptico borrable {Es} * see erasable<br />

optical s<strong>to</strong>rage {E}.<br />

almohadilla de montaje {Es} * see edit block {E}.<br />

almohadilla para prensar {Es} * see pressure pad {E}.<br />

almohadilla prensadora {Es} * see pressure pad {E}.<br />

alpha (enroulement alpha) {F} * see alpha {E}.<br />

alpha {E} * A descriptive term for a videotape format in<br />

which <strong>the</strong> magnetic tape wraps around <strong>the</strong> spinning head<br />

drum in a way that approximates <strong>the</strong> Greek letter alpha.<br />

The o<strong>the</strong>r methods <strong>of</strong> tape wrap are Omega, field per<br />

scan, or segmented scan. {D= ?; Es= alfa; F= alpha<br />

(enroulement alpha)}.<br />

alpha-cellulose {E} * A form <strong>of</strong> cellulose derived from<br />

cot<strong>to</strong>n. Alpha-cellulose consists principally <strong>of</strong> cellulose.<br />

Since <strong>the</strong> permanence <strong>of</strong> cellulose materials depends<br />

somewhat on <strong>the</strong> absence <strong>of</strong> non-cellulosic impurities, <strong>the</strong><br />

presence <strong>of</strong> alpha-cellulose in paper or board is an<br />

indication <strong>of</strong> its stability and permanence.45. {D= ?; Es=<br />

alfa-celulosa; F= cellulose alpha}.<br />

alta frecuencia {Es} * see high frequency (HF) {E}.<br />

alta resolución {Es} * see high resolution {E}.<br />

altavoz {Es} * see loudspeaker; loudspeaker; speaker (1)<br />

{E}.<br />

altavoz de agudos {Es} * see tweeter {E}.<br />

altavoz en forma de trompa (gramófonos) {Es} * see<br />

reproducing horn {E}.<br />

altavoz moni<strong>to</strong>r {Es} * see moni<strong>to</strong>r speaker {E}.<br />

altavoz para graves {Es} * see wo<strong>of</strong>er {E}.<br />

altavoz reflec<strong>to</strong>r de bajos {Es} * see bass reflex speaker<br />

enclosure {E}.<br />

alternative title {E} * The second part <strong>of</strong> a title proper that<br />

consists <strong>of</strong> two parts, each <strong>of</strong> which is a title. The parts are<br />

joined by <strong>the</strong> word 'or' or its equivalent; see also variant<br />

title.(12.) {D= ?; Es= título alternativo; F= titre altérnatif}.<br />

alterung {D} * see ageing {E}.<br />

al<strong>to</strong> {Es} * see s<strong>to</strong>p {D;E}.


al<strong>to</strong> contraste {Es} * see high contrast {E}.<br />

al<strong>to</strong>ritmo {Es} * see algorithm {E}.<br />

altura (de un sonido) {Es} * see pitch (3) {E}.<br />

alum {E} * see ammonium alum; chrome alum; potash<br />

alum.<br />

alum d'ammonium {F} * see ammonium alum {E}.<br />

alumbrado del estudio {Es} * see set light {E}.<br />

alumbre amónico {Es} * see ammonium alum {E}.<br />

alumbre de cromo {Es} * see chrome alum {E}.<br />

aluminio potásico {Es} * see potash alum {E}.<br />

aluminium disc {E} * An uncoated instantaneous audio<br />

recording in which <strong>the</strong> grooves containing <strong>the</strong> signal are<br />

cut directly in<strong>to</strong> <strong>the</strong> metal base. Recording is accomplished<br />

by indentation recording, not engraving, <strong>of</strong> <strong>the</strong> analogue<br />

signal in<strong>to</strong> <strong>the</strong> precut grooves; playback is usually<br />

accomplished with shaved wood, fibre or cactus needles.<br />

Aluminium discs were frequently used in recording before<br />

<strong>the</strong> development <strong>of</strong> acetate discs and magnetic tape; see<br />

also indentation recording.(04.) {D= Aluminumplatte; Es=<br />

disco de aluminio; F= disque aluminium}.<br />

aluminium screen {E} * A highly reflective motion picture<br />

screen originally designed for een reappeared with <strong>the</strong><br />

advent <strong>of</strong> 3d projections. This type <strong>of</strong> screen, usually<br />

coated with aluminium flakes, gives sharp definition and<br />

good colour separation as it effectively reflects polarized<br />

light from each projec<strong>to</strong>r in a definite direction. They<br />

cannot be used successfully in wide <strong>the</strong>atres where much<br />

<strong>of</strong> <strong>the</strong> audience may be seated at a position that is more<br />

than 30 degrees from <strong>the</strong> projection axis. {D= ?; Es=<br />

pantalla de aluminio; F= écran aluminium}.<br />

Aluminumplatte {D} * see aluminium disc {E}.<br />

AM {E} * acronym for amplitude modulation.<br />

Amberol Cylinder {D;E;Es;F} * The trade name for a<br />

standard size, moulded black wax cylinder sound<br />

recording with 200 TPI with a maximum playing time <strong>of</strong> 4<br />

minutes 45 sec Company from Oc<strong>to</strong>ber 1908 in<strong>to</strong> 1913.<br />

They overlap with <strong>the</strong>ir replacement, <strong>the</strong> Blue Amberol<br />

cylinder, from 1912 in<strong>to</strong> 1913. The title end <strong>of</strong> <strong>the</strong> cylinder<br />

was flat, with identification in white lettering --or yellow or<br />

blue for celebrity artists-- stamped in<strong>to</strong> it. When introduced<br />

this cylinder was generally acknowledged <strong>to</strong> have <strong>the</strong><br />

longest playing time <strong>of</strong> any sound recording on <strong>the</strong> market;<br />

<strong>to</strong> play <strong>the</strong> Amberol cylinder required ei<strong>the</strong>r special<br />

equipment, including a sapphire reproducer, or special<br />

modification, called a combination attachment, for <strong>the</strong><br />

regular equipment <strong>of</strong> <strong>the</strong> day. Amberol cylinders were<br />

originally packed in individual felt-lined green boxes, or<br />

blue or maroon boxes for <strong>the</strong> celebrity series.(14.)<br />

ambiance {F} * see ambience {E}.<br />

ambience {E} * 1) In audio, <strong>the</strong> acoustical characteristics<br />

<strong>of</strong> an environment; room that lack ambience are said <strong>to</strong> be<br />

dead.(04.39.) 2) In images, <strong>the</strong> characteristics <strong>of</strong> <strong>the</strong> light;<br />

see ambient light.(35.) {D= ?; Es= ambiente; F=<br />

ambiance}.<br />

ambient light {E} * 1) The surrounding light or <strong>the</strong> light<br />

normally present in a room. 2) In pho<strong>to</strong>graphy, <strong>the</strong> general<br />

level <strong>of</strong> illumination surrounding an object or available in a<br />

location.01. {D= ?; Es= iluminación ambiental; F= lumière<br />

ambiant; lumière d'ambiance}.<br />

ambient noise {E} * The average amount <strong>of</strong> noise in an<br />

environment, measured in deciBels.04. {D=<br />

9<br />

Umgebungslärm; Es= ruido ambiente; F= bruit ambiant}.<br />

ambient temperature {E} * The temperature <strong>of</strong> <strong>the</strong> medium<br />

(air, water, etc.) that surrounds and contacts an object. {D=<br />

?; Es= temperatura ambiental; F= température ambiante}.<br />

ambiente {Es} * see ambience {E}.<br />

ambiente operativo {Es} * see operating environment {E}.<br />

amélioration {F} * see sweetening {E}.<br />

American Film Institute (AFI) {D;E;Es;F} * A U.S. society<br />

concerned with moving-images.<br />

American Library Association (ALA) {D;E;Es;F} * A U.S.<br />

pr<strong>of</strong>essional society concerned with libraries.<br />

American Standard Code for Information Interchange<br />

(ASCII) {D;E;Es;F} * A standard data transmission code<br />

consisting <strong>of</strong> seven information bits and one parity bit.<br />

(ASCII is pronounced as-kee).39.<br />

Amertape {D;E;Es;F} * The trade name for sound<br />

recordings made by embossing fine grooves on<strong>to</strong> 50 foot<br />

belts <strong>of</strong> clear 35 mm acetate film; used by <strong>the</strong> U.S. military<br />

from 1945 <strong>to</strong> 1950 for field recordings.(04.)<br />

amidol {E;Es;F} * A colourless crystalline powder used<br />

chiefly as a pho<strong>to</strong>graphic developer. Soluble in water, <strong>the</strong><br />

powder should be s<strong>to</strong>red in airtight containers as it turns<br />

brown when exposed <strong>to</strong> air. The solution is unstable and<br />

should be mixed just before it is used. {D= ?}.<br />

ammonia process {E} * A dry process for <strong>the</strong> development<br />

<strong>of</strong> diazo pho<strong>to</strong>graphic materials by immersion <strong>of</strong> <strong>the</strong><br />

exposed pho<strong>to</strong>graphic material in a concentrated<br />

atmosphere <strong>of</strong> ammonia.(13.) {D= ?; Es= proceso amónico<br />

[al amoníaco]; F= procès ammoniaque; traitement à<br />

l'ammoniaque}.<br />

ammonium alum {E} * A white crystalline salt used by film<br />

labora<strong>to</strong>ries in fixing baths for <strong>the</strong> purpose <strong>of</strong> hardening<br />

and clearing <strong>the</strong> film emulsion. It dissolves rapidly in water<br />

and can be used in place <strong>of</strong> potash alum in fixing baths.<br />

{D= ?; Es= alumbre amónico ; F= alum ammoniaque; alum<br />

d'ammonium}.<br />

ammonium bromide {E} * A white crystalline powder that is<br />

used as a warm <strong>to</strong>ne developer retainer in film<br />

labora<strong>to</strong>ries; readily soluble in water, this hygroscopic<br />

chemical can also be used as a restrainer for paper<br />

emulsions. {D= Ammoniumbromid; Es= bromuro amónico;<br />

F= bromure ammoniaque; bromure d'ammonium}.<br />

ammonium chloride {E} * A chemical used with or as a<br />

replacement for hypo in rapid fixing baths for film<br />

development. The white crystalline powder dissolves<br />

quickly in water and can also be used as a bleaching<br />

agent. {D= Ammoniumchlorid; Salmiak; Es= cloruro<br />

amónico; F= chlorure ammoniaque; chlorure ammonium}.<br />

Ammoniumbromid {D} * see ammonium bromide {E}.<br />

Ammoniumchlorid {D} * see ammonium chloride {E}.<br />

amorçage/sortie {F} * see lead-in/lead-out {E}.<br />

amorce {F} * see leader; squib {E}.<br />

amorce Academy {F} * see Academy leader {E}.<br />

amorce de compensation {F} * see buildup {E}.<br />

amorce de début/amorce de fin {F} * see lead-in/lead-out<br />

{E}.<br />

amorce de départ standard {F} * see Academy leader {E}.


amorce de fin {F} * see tail {E}.<br />

amorce de fin de bobine {F} * see trailer {D;E}.<br />

amorce de synchronisation {F} * see sync leader {E}.<br />

amorce normalisée {F} * see Academy leader {E}.<br />

amortiguación de ruido {Es} * see noise reduction {E}.<br />

amp {E} * abbreviation for ampere; amplification; amplifier;<br />

amplitude {E}.<br />

ampere (A) {E;Es} * A unit <strong>of</strong> electrical current equal <strong>to</strong> <strong>the</strong><br />

flow <strong>of</strong> one volt across a resistance <strong>of</strong> one ohm; named<br />

after Andre M. Ampere.(10.) {D= Ampere; F= ampère}.<br />

Ampere {D} * see ampere (A) {E;Es}.<br />

ampère {F} * see ampere (A) {E;Es}.<br />

ampificador de vídeo frecuencia {Es} * see processing<br />

amplifier {E}.<br />

ampliación {Es} * see enlargement; magnification {E}.<br />

ampliación de imagen {Es} * see blow-up {E}.<br />

amplificación {Es} * see amplify; magnification {E}.<br />

amplificador {Es} * see amplifier {E}.<br />

amplificador de potencia {Es} * see power amplifier {E}.<br />

amplificador de procesamien<strong>to</strong> (de señales) {Es} * see<br />

proc amp {E}.<br />

amplificador de refuerzo {Es} * see booster {E}.<br />

amplificador operacional {Es} * see operational amplifier<br />

{E}.<br />

amplificador sonoro {Es} * see sound magnifier {E}.<br />

amplificar {Es} * see amplify {E}.<br />

amplificateur {F} * see amplifier; booster; extender {E}.<br />

amplificateur de puissance {F} * see power amplifier {E}.<br />

amplificateur de traitement {F} * see proc amp; processing<br />

amplifier {E}.<br />

amplificateur opérationnel {F} * see operational amplifier<br />

{E}.<br />

amplificateur sonore {F} * see sound magnifier {E}.<br />

amplification {F} * see amplify {E}.<br />

amplifier {E} * An electronic device, consisting <strong>of</strong><br />

components used generally, but not always, <strong>to</strong> increase<br />

<strong>the</strong> power, voltage or current <strong>of</strong> a signal.(04.07.) {D=<br />

Verstärker; Es= amplificador; F= amplificateur}.<br />

amplify {E} * In audio, <strong>to</strong> increase levels, or <strong>to</strong> streng<strong>the</strong>n<br />

a given electrical signal by increasing its amplitude, or<br />

raising its level; <strong>the</strong> opposite <strong>of</strong> attenuate.(16.50.) {D=<br />

verstärken; Es= amplificación; amplificar; F= amplification}.<br />

amplitud {Es} * see amplitude {E;F}.<br />

amplitud irregular {Es} * see amplitude non-uniformity {E}.<br />

amplitude {E;F} * Ano<strong>the</strong>r term for level or volume <strong>of</strong> an<br />

electrical or acoustical signal; <strong>the</strong> intensity <strong>of</strong> an audio or<br />

o<strong>the</strong>r signal; a measurement <strong>of</strong> <strong>the</strong> height <strong>of</strong> a<br />

waveform.(04.) {D= Amplitude; Es= amplitud}.<br />

amplitude dis<strong>to</strong>rtion {E} * see harmonic dis<strong>to</strong>rtion {E}.<br />

10<br />

amplitude modulation (am) {E} * A form <strong>of</strong> modulation<br />

where <strong>the</strong> amplitude <strong>of</strong> a carrier frequency is modulated by<br />

<strong>the</strong> signal.(07.) {D= Amplitudenmodulation ?; Es=<br />

modulación por amplitud; F= modulation d'amplitude}.<br />

amplitude non-uniformity {E} * A term used in connection<br />

with magnetic tape testing that refers <strong>to</strong> <strong>the</strong> reproduced<br />

peak-<strong>to</strong>-peak voltage and its variation from recorded<br />

values.46. {D= Amplitudeninstabilität; Es= amplitud<br />

irregular; F= irrégularité d'amplitude}.<br />

Amplitude {D} * see amplitude {E;F}.<br />

amplitude-frequency response {E} * see frequency<br />

response {E}.<br />

Amplitudeninstabilität {D} * see amplitude non-uniformity<br />

{E}.<br />

Amplitudenmodulation {D} * see amplitude modulation<br />

(AM) {E}.<br />

AMVSB {E} * acronym for amplitude modulation with<br />

vestigial sideband {E}.<br />

anaglyphic process {E} * A method producing 3dimensional<br />

motion pictures by having an audience view<br />

two superimposed projected pictures by wearing glasses<br />

with two different coloured lenses (usually red and green).<br />

{D= ?; Es= proceso anaglífico; F= anaglyphe; process<br />

anaglyphe; système anaglyphe}.<br />

análisis volumétrico {Es} * see titration {E}.<br />

analog {E/US} * see analogue {E;F}.<br />

Analog {D} * see analogue {E;F}.<br />

Analog-digital wandler {D} * see analogue <strong>to</strong> digital<br />

converter (AD)(ADC) {E}.<br />

Analogaufnahme {D} * see analogue recording {E}.<br />

analoges aufzeichnungsverfahren {D} * see analogue<br />

recording {E}.<br />

Analógico a Digital {Es} * see DA {E}.<br />

análogo {Es} * see analogue {E;F}.<br />

analogue {E;F} * 1) A signal that is an analogy <strong>of</strong> a<br />

physical process and is continuously variable, ra<strong>the</strong>r than<br />

discrete; see also digitization.07. 2) The representation <strong>of</strong><br />

a smoothly changing physical variable (temperature, for<br />

example) by ano<strong>the</strong>r physical variable (such as <strong>the</strong> height<br />

<strong>of</strong> a column <strong>of</strong> mercury).07. {D= analog; Es= análogo}.<br />

analogue compression {E} * Dis<strong>to</strong>rtion which occurs when<br />

portions <strong>of</strong> a video signal exceed <strong>the</strong> parameters <strong>of</strong> an<br />

amplifier, i.e., white level compression (clipping) results<br />

when <strong>the</strong> peak white level exceeds a predetermined limit.<br />

Correspondingly, black level compression (crushing)<br />

results when <strong>the</strong> negative portions <strong>of</strong> <strong>the</strong> video signal<br />

attempt <strong>to</strong> exceed <strong>the</strong> reference black level. {D= ?; Es=<br />

compresión analógica; F= compression analogique}.<br />

analogue recording {E} * 1) In <strong>the</strong> broadest sense, a<br />

method <strong>of</strong> recording in which some characteristic <strong>of</strong> <strong>the</strong><br />

record current, such as amplitude or frequency, is<br />

continuously varied in a manner analogous <strong>to</strong> <strong>the</strong><br />

variations <strong>of</strong> <strong>the</strong> original signal.46. 2) A logging <strong>of</strong> an event<br />

by one <strong>of</strong> various methods <strong>of</strong> capturing and s<strong>to</strong>ring a<br />

continuous replica <strong>of</strong> <strong>the</strong> source sound pattern by tracing<br />

an analogous pattern in<strong>to</strong> ano<strong>the</strong>r medium. The most<br />

commonly used s<strong>to</strong>rage methods have been engraved or<br />

embossed modulated grooves in a disc, magnetic particle<br />

patterns in tape, and optical patterns in film.(04.) {D=<br />

Analogaufnahme; analoges Aufzeichnungsverfahren; Es=<br />

grabación analógica; F= enregistrement analogique;


disque analogue}.<br />

analogue <strong>to</strong> digital converter (ad)(adc) {E} * An electronic<br />

device used at <strong>the</strong> input <strong>of</strong> digital equipment <strong>to</strong> convert<br />

analogue signals <strong>to</strong> digital values or 'words' represented as<br />

a binary number, with such numbers representing <strong>the</strong> ae<br />

interval sampling, contained in <strong>the</strong> original analogue<br />

signal.(04.39.) {D= Analog-digital Wandler; Es=<br />

convertidor de da<strong>to</strong>s analógicos en da<strong>to</strong>s numéricos; F=<br />

convertisseur analogique numérique}.<br />

analyseur {F} * see pickup tube; scanner {E}.<br />

analyseur à balayage {F} * see flying spot scanner {E}.<br />

analyseur à spot mobile {F} * see flying spot scanner {E}.<br />

analyseur d'images Farnsworth {F} * see Farnsworth<br />

image dissec<strong>to</strong>r {E}.<br />

analytical entry {E} * An entry in a bibliographic citation or<br />

listing for which a comprehensive entry is also made.(03.)<br />

{D= ?; Es= anotación analítica; F= entrée analytique}.<br />

analytical note {E} * The statement in an analytical entry<br />

relating <strong>the</strong> part being analyzed <strong>to</strong> <strong>the</strong> item <strong>of</strong> which is a<br />

part.03. {D= ?; Es= apunte [nota] analítico (-a); F= note<br />

analytique}.<br />

anamorfoscopio {Es} * see Anamorphoscope {F}.<br />

anamorphic lens {E} * A motion picture film camera lens<br />

designed for wide-screen pho<strong>to</strong>graphy and projection. A<br />

lens that produces a 'squeezed' image on film in <strong>the</strong><br />

camera and, which, when projected using an appropriate<br />

lens <strong>to</strong> reverse <strong>the</strong> effect, <strong>the</strong> image spreads out <strong>to</strong> lifelike<br />

proportions.(09.30.) {D= ?; Es= objetivo [lente] anamórfica;<br />

F= objectif anamorphoseur}.<br />

anamorphic processes {E} * Any <strong>of</strong> <strong>the</strong> several processes<br />

(Anamorphoscope, CinemaScope, etc.) which compress<br />

a wide-screen motion picture <strong>to</strong> fit on standard 35 mm film.<br />

{D= ?; Es= proceso anamórfico; F= procédé<br />

d'anamorphos}.<br />

anamorphic squeeze {E} * In motion picture production, a<br />

change in picture geometry <strong>to</strong> compress one direction<br />

(usually <strong>the</strong> horizontal) more than <strong>the</strong> o<strong>the</strong>r. Occasionally,<br />

when wide-screen movies are transferred <strong>to</strong> video, an<br />

anamorphic squeeze will be used (usually only in Credits)<br />

<strong>to</strong> allow <strong>the</strong> smaller aspect ratio <strong>of</strong> television <strong>to</strong><br />

accommodate <strong>the</strong> larger movie aspect ratio. An<br />

anamorphic squeeze can be performed ei<strong>the</strong>r optically or<br />

electronically.(07.) {D= ?; Es= compresión anamórfica; F=<br />

coefficient d'anamorphose}.<br />

Anamorphoscope {E;F} * An anamorphic projection<br />

process developed in France in <strong>the</strong> 1920s that, upon<br />

renaming, became CinemaScope.10. {D= ?; Es=<br />

anamorfoscopio}.<br />

anaquel {Es} * see shelf {E}.<br />

anastigmatic lens {E} * A pho<strong>to</strong>graphic lens that is used <strong>to</strong><br />

correct <strong>the</strong> effects <strong>of</strong> astigmatism. The front surface <strong>of</strong> this<br />

type <strong>of</strong> lens corrects for spherical aberration while <strong>the</strong> rear<br />

surface <strong>of</strong> <strong>the</strong> lens eliminates astigmatism in <strong>the</strong> outer<br />

areas <strong>of</strong> <strong>the</strong> field. {D= ?; Es= lente [objetivo]<br />

anastigmática; F= objectif anastigmatique}.<br />

ancho de banda {Es} * see bandwidth {E}.<br />

anchorage {E} * The degree <strong>to</strong> which a coating, i.e. oxide,<br />

acetate, etc., adheres <strong>to</strong> <strong>the</strong> base, measurable by<br />

checking how easily <strong>the</strong> coating can be lifted from <strong>the</strong><br />

backing with adhesive tape or a specially designed<br />

knife.(04.46.) {D= ?; Es= anclaje; F= adhérence}.<br />

anchura de película {Es} * see film gauge {E}.<br />

11<br />

anclaje {Es} * see anchorage {E}.<br />

AND gate {E} * A digital circuit in which all input signals are<br />

a -1- state in order <strong>to</strong> produce a -1- state in its output. The<br />

inverse <strong>of</strong> <strong>the</strong> AND gate is <strong>the</strong> NAND gate. {D= ?; Es=<br />

compuerta Y; puerta lógica Y; compuerta por conjunción;<br />

F= porte Et}.<br />

Andruckfilz {D} * see pressure pad {E}.<br />

Andruckrolle {D} * see pinch roller {E}.<br />

Anfahl der spuren {D} * see track numbers {E}.<br />

angle d'enveloppement {F} * see wraparound {E}.<br />

angle de champ {F} * see angle <strong>of</strong> view {E}.<br />

angle de déflexion {F} * see warping angle {E}.<br />

angle de prise de vue {F} * see camera angle {E}.<br />

angle de réflexivité {F} * see angle <strong>of</strong> reflectivity {E}.<br />

angle de vue {F} * see angle <strong>of</strong> view {E}.<br />

angle des flancs du sillon {F} * see groove pitch {E}.<br />

angle <strong>of</strong> reflectivity {E} * The widest angle from which a<br />

bright image can be seen on a projection screen. {D= ?;<br />

Es= ángulo de reflexión [reflectividad]; F= angle<br />

d'réflectivité; angle de réflexivité}.<br />

angle <strong>of</strong> view {E} * In <strong>the</strong> pho<strong>to</strong>graphic process, <strong>the</strong> angle<br />

subtended by <strong>the</strong> lens. Wide-angle lenses have roomy<br />

angles <strong>of</strong> view; telepho<strong>to</strong> lenses have very narrow angles<br />

<strong>of</strong> view. Not <strong>to</strong> be confused with camera angle.(30.) {D= ?;<br />

Es= ángulo de visión; F= angle de champ; angle de vue}.<br />

ángulo de alabeo {Es} * see warping angle {E}.<br />

ángulo de cámara {Es} * see camera angle {E}.<br />

ángulo de curvatura {Es} * see warping angle {E}.<br />

ángulo de orientación {Es} * see orientation direction {E}.<br />

ángulo de reflectividad {Es} * see angle <strong>of</strong> reflectivity {E}.<br />

ángulo de reflexión {Es} * see angle <strong>of</strong> reflectivity {E}.<br />

ángulo de surco {Es} * see groove pitch {E}.<br />

ángulo de visión {Es} * see angle <strong>of</strong> view {E}.<br />

Anhebung {D} * see emphasis {E}.<br />

animación {Es} * see animation {E;F}.<br />

animación por imágenes {Es} * see moving-image<br />

materials {E}.<br />

animación por pixel {Es} * see pixillation {E}.<br />

animal glue {E} * A paste consisting <strong>of</strong> proteins derived<br />

from cooking animal materials such as hides and bone.<br />

Warmed animal glue dissolved in water is tacky and<br />

viscous and forms a strong bond when it dries. Animal glue<br />

will deteriorate over time, becoming hard and brittle and<br />

losing its adhesive qualities; see also cold-setting<br />

adhesive; glue; hot-melt adhesive; polyvinyl acetate<br />

adhesive; starch paste.32. {D= tierischer Leim; Es= cola<br />

animal; F= colle d'origine animale; colle forte}.<br />

animation {E;F} * The technique <strong>of</strong> syn<strong>the</strong>sizing apparent<br />

mobility from inanimate objects or drawings through <strong>the</strong><br />

medium <strong>of</strong> cinema<strong>to</strong>graphy. The term is also used for <strong>the</strong><br />

sequence <strong>of</strong> drawings made <strong>to</strong> create <strong>the</strong> movement, and


for <strong>the</strong> movement itself when seen on <strong>the</strong> screen.09. {D=<br />

figürlicher Trick; Es= animación}.<br />

animation camera {E} * A motion picture camera with<br />

special capability for animation work; usually includes<br />

frame and footage counters; <strong>the</strong> ability <strong>to</strong> expose a single<br />

frame at a time, reverse-filming capability, and parallaxfree<br />

viewing.(09.) {D= ?; Es= cámara de animación; F=<br />

caméra d'animation; caméra image par image}.<br />

anisotropía {Es} * see anisotropy {E}.<br />

anisotropie {F} * see anisotropy {E}.<br />

anisotropy {E} * Directional dependence <strong>of</strong> magnetic<br />

properties leading <strong>to</strong> <strong>the</strong> existence <strong>of</strong> easy, or preferred,<br />

directions <strong>of</strong> magnetization. Shape anisotropy is <strong>the</strong><br />

dominant form in acicular particles.46. {D= ?; Es=<br />

anisotropía; F= anisotropie}.<br />

annonce {F} * see radio promo; slate {E}.<br />

annonce d'utilité publique .{F} * see PSA .{E}.<br />

annonce de service public {F} * see public service<br />

announcement (PSA) {E}.<br />

annonce programme {F} * see television promo {E}.<br />

anónimo {Es} * see anonymous {E}.<br />

anonyme {F} * see anonymous {E}.<br />

anonymous {E} * A work or works <strong>of</strong> unknown<br />

authorship.(03.) {D= ?; Es= anónimo; F= anonyme}.<br />

anotación analítica {Es} * see analytical entry {E}.<br />

ANRS {D;E;Es;F} * acronym for Audio Noise Reduction<br />

System {D;E;Es;F}.<br />

Ansichtskopie {D} * see hardcopy; service copy; viewing<br />

copy {E}.<br />

answer print {E} * A timed motion picture print submitted by<br />

<strong>the</strong> film labora<strong>to</strong>ry for approval by <strong>the</strong> cus<strong>to</strong>mer <strong>of</strong><br />

labora<strong>to</strong>ry functions, such as timing, developing, and<br />

sound synchronization. If approved, it becomes <strong>the</strong> guide<br />

for subsequent release prints. It is usually studied carefully<br />

<strong>to</strong> determine whe<strong>the</strong>r changes are required prior <strong>to</strong> printing<br />

<strong>the</strong> balance <strong>of</strong> <strong>the</strong> order. Synonymous with trial print.(09.)<br />

{D= Nullkopie; erste Kopie; Es= copia de montaje; primera<br />

copia; F= copie zéro (copie étalon); copie d'étalonnage;<br />

première copie}.<br />

antenna {E} * The purpose <strong>of</strong> a transmitting antenna is <strong>to</strong><br />

couple <strong>the</strong> signal from <strong>the</strong> transmitter <strong>to</strong> space by<br />

converting its electrical output energy <strong>to</strong> electromagnetic<br />

radiation. The receiving antenna does <strong>the</strong> reverse process.<br />

{D= ?; Es= antena; F= antenne}.<br />

Anti-skating-vorrichtung {D} * see antiskating<br />

compensation {E}.<br />

antialiasing filter {D;E} * 1) A low-pass screen used at <strong>the</strong><br />

input <strong>of</strong> digital audio recorders <strong>to</strong> attenuate frequencies<br />

above <strong>the</strong> half-sampling frequency <strong>to</strong> prevent aliasing.(39.)<br />

2) A screen <strong>to</strong> reduce <strong>the</strong> generation <strong>of</strong> spurious signals in<br />

video. {D= ?; Es= filtro atenuante; filtro reduc<strong>to</strong>r; F= filtre<br />

antirepliement; filtre anticrénelage}.<br />

antibloom agent {E} * An additive that prevents <strong>the</strong><br />

magnetic coating <strong>of</strong> tape from shedding excess powdery<br />

residue.04. {D= ?; Es= agente antipolvo; F= agent<br />

antipoudrette}.<br />

antifungus agent {E} * An agent, such as orthophenyl<br />

phenol, added in manufactured materials, such as <strong>the</strong><br />

12<br />

coating compositions <strong>of</strong> discs and tapes, <strong>to</strong> retard <strong>the</strong><br />

growth <strong>of</strong> fungus.(04.) {D= Fungizid; Es= fungicida; F=<br />

agent antifongique}.<br />

antihalation backing {E} * see antihalation coating {E}.<br />

antihalation coating {E} * 1) A layer <strong>of</strong> dye applied <strong>to</strong> <strong>the</strong><br />

base <strong>of</strong> motion picture film, usually during manufacture, <strong>to</strong><br />

absorb light passing through <strong>the</strong> emulsion layer, striking<br />

<strong>the</strong> acetate base, and reflecting back <strong>to</strong> <strong>the</strong> sensitive<br />

emulsion <strong>to</strong> cause halation <strong>of</strong> light flares around bright<br />

areas; film with a dye backing on <strong>the</strong> base side (opposite<br />

<strong>the</strong> emulsion side) is called dye-back film; film with a dyetinted<br />

base is called blue-base film. 2) The process <strong>of</strong><br />

treating a film base with a light-absorbing substance <strong>to</strong><br />

prevent refraction <strong>of</strong> light from <strong>the</strong> rear <strong>of</strong> <strong>the</strong> film. One<br />

method is <strong>to</strong> introduce a layer <strong>of</strong> light-absorbing dye<br />

between <strong>the</strong> emulsion and <strong>the</strong> film base; this is referred <strong>to</strong><br />

as antihalation backing; see also halation.(09.) {D= ?; Es=<br />

revestimien<strong>to</strong> antihalo; F= enduit antihalo}.<br />

antihalation dyes {E} * see antihalation coating {E}.<br />

antihalation undercoat {E} * see antihalation coating {E}.<br />

antiimaging filter {E} * A low-pass screen used at <strong>the</strong><br />

output <strong>of</strong> digital audio reproducers <strong>to</strong> attenuate<br />

frequencies above <strong>the</strong> half-sampling frequency <strong>to</strong><br />

eliminate image spectra present at multiples <strong>of</strong> <strong>the</strong><br />

sampling frequency.39. {D= ?; Es= filtro antiimagen; F=<br />

filtre anti-images}.<br />

antinodal {Es;F} * see antinode {E}.<br />

antinode {E} * The point <strong>of</strong> maximum amplitude <strong>of</strong> vibration<br />

on a stationary wave.39. {D= ?; Es= antinodal; F=<br />

antinodal}.<br />

antiskating compensation {E} * A method <strong>of</strong> centring <strong>the</strong><br />

stylus in a groove during playback <strong>of</strong> a disc by applying a<br />

force against its natural inclination <strong>to</strong> ride inward against<br />

<strong>the</strong> inner groove wall. This prevents <strong>the</strong> pickup and stylus<br />

from skating, e.g., climbing over or riding on <strong>the</strong> <strong>to</strong>p <strong>of</strong> <strong>the</strong><br />

groove walls, and not tracking in <strong>the</strong> grooves.(04.) {D=<br />

Anti-skating-Vorrichtung; Es= compensación del empuje<br />

lateral (<strong>to</strong>cadiscos); F= compensation de poussée latérale<br />

"antiskating"}.<br />

antistatic element {E} * A material, usually carbon black,<br />

used <strong>to</strong> make <strong>the</strong> coating <strong>of</strong> a disc or tape recording<br />

(blank, master or mass produced) conductive in order <strong>to</strong><br />

prevent <strong>the</strong> buildup <strong>of</strong> electrical charges (due <strong>to</strong> friction)<br />

which lead <strong>to</strong> static (dis<strong>to</strong>rtion in playback).(04.) {D=<br />

Antistatisches Mittel; Es= sustancia antiestática; F=<br />

élément antistatique}.<br />

Antistatisches mittel {D} * see antistatic element {E}.<br />

anunciante {Es} * see sponsor {E}.<br />

anuncio {Es} * see commercial {E;F}; radio promo {E}.<br />

anuncio televisivo {Es} * see television promo {E}.<br />

Anuncio de Servicio de Utilidad Pública {Es} * see PSA<br />

{E}.<br />

Anzeigegerät {D} * see metre {E}.<br />

Anzeigelgerät {D} * see meter {E}.<br />

añadir sonido, música, etc {Es} * see dub (2) {E}.<br />

apara<strong>to</strong> de registro {Es} * see recorder {E}.<br />

apara<strong>to</strong> lec<strong>to</strong>r-impresor {Es} * see reader/printer {E}.<br />

apara<strong>to</strong>r lec<strong>to</strong>r {Es} * see micr<strong>of</strong>orm reader {E}.


apara<strong>to</strong>r lec<strong>to</strong>r de micr<strong>of</strong>ormas {Es} * see micr<strong>of</strong>orm<br />

reader {E}.<br />

apertura de la Academia (de artes escénicas de los<br />

EEUU) {Es} * see Academy aperture {E}.<br />

apertura de una ventana en un cartón {Es} * see window<br />

opening {E}.<br />

apertura iris {Es} * see iris {E}.<br />

aperture {E} * l) Lens: <strong>the</strong> orifice, usually an adjustable iris,<br />

which limits <strong>the</strong> amount <strong>of</strong> light passing through a lens. 2)<br />

Camera: in motion picture cameras, <strong>the</strong> mask opening that<br />

defines <strong>the</strong> area <strong>of</strong> each frame exposed. 3) Projec<strong>to</strong>r: in<br />

motion picture projec<strong>to</strong>rs, <strong>the</strong> mask opening that defines<br />

<strong>the</strong> area <strong>of</strong> each frame projected.09. Also called iris or fs<strong>to</strong>p.<br />

4) As applied <strong>to</strong> ATV, <strong>the</strong> finite size and shape <strong>of</strong> <strong>the</strong><br />

point <strong>of</strong> <strong>the</strong> electron beam in a camera or picture tube.<br />

Since <strong>the</strong> beam does not come <strong>to</strong> an infinitesimal point, it<br />

affects <strong>the</strong> area around it, reducing resolution.07. {D=<br />

Bildfenster; Es= ventanilla; 1) abertura de objetivo; 2 y 3)<br />

abertura de máscara; 4) pun<strong>to</strong> del haz de electrones; F=<br />

couloir; ouverture; orifice}.<br />

aperture card {E} * A stiff piece <strong>of</strong> pasteboard, usually<br />

punched and <strong>of</strong> a size and shape suitable for use in data<br />

processing systems, with one or more rectangular holes<br />

designed <strong>to</strong> hold a frame or frames <strong>of</strong> micr<strong>of</strong>ilm.(22.23.)<br />

{D= Filmlochkarte; Fensterkarte; Es= ficha de ventana;<br />

tarjeta de abertura {Es; F= gabarit d'ouverture; carte à<br />

fenêtre (micr<strong>of</strong>ilm); carte à fenêtre; carte d'ouverture}.<br />

aperture circuit {E} * In digital <strong>to</strong> analogue conversion, <strong>the</strong><br />

sample-and-hold circuit used <strong>to</strong> buffer instability in <strong>the</strong><br />

analogue signal and correct for high-frequency roll-<strong>of</strong>f<br />

following <strong>the</strong> d/a converter.39. {D= ?; Es= circui<strong>to</strong> de<br />

abertura; F= circuit de maintien}.<br />

aperture correction {E} * 1) Signal processing that<br />

compensates for a loss <strong>of</strong> detail caused by <strong>the</strong><br />

aperture.07. 2) An electronic technique in which a video<br />

signal is enhanced <strong>to</strong> increase its image sharpness as<br />

compensation for a loss <strong>of</strong> detail. {D= ?; Es= 1) corrección<br />

de abertura; 2) aumen<strong>to</strong> de la señal de vídeo ; F=<br />

correction de con<strong>to</strong>ur; correction d'ouverture}.<br />

aperture error {E} * In digital <strong>to</strong> analogue conversion, <strong>the</strong><br />

high frequency roll-<strong>of</strong>f occurring during de-sampling.39.<br />

{D= ?; Es= error de abertura; F= erreur d'ouverture}.<br />

aperture mask {E} * A metal plate with precisely formed<br />

holes, placed close behind <strong>the</strong> phosphor-dot faceplate in<br />

a tricolour picture tube which insures that each <strong>of</strong> <strong>the</strong> three<br />

electron beams excites only <strong>the</strong> desired phosphor dot; also<br />

called a shadow mask. {D= ?; Es= máscara de abertura;<br />

máscara perforada; F= masque d'écran}.<br />

aperture plate {E} * A coating or covering, usually metal, in<br />

<strong>the</strong> film camera or projec<strong>to</strong>r which has a rectangular hole<br />

through which <strong>the</strong> film is exposed or projected, governing<br />

<strong>the</strong> aspect ratio <strong>of</strong> <strong>the</strong> film. {D= Bildfensterplatte; Es= placa<br />

de la ventanilla (de proyección); F= plaque de couloir;<br />

plaque d'ouverture; plaque de couloir; cache de fenêtre}.<br />

APEX system {E} * acronym for au<strong>to</strong>matic precision<br />

exposure system {E}.<br />

aplicación de la emulsión {Es} * see coating {E}.<br />

aplicación de recubrimien<strong>to</strong> (CD) {Es} * see spin coating<br />

{E}.<br />

appareil de mesure des ultraviolets {F} * see UV moni<strong>to</strong>r<br />

{E}.<br />

appareil de mesure UV Crawford type 760 {F} * see<br />

Crawford UV moni<strong>to</strong>r type 760 {E}.<br />

13<br />

appareil de prise de vue {F} * see camera {E}.<br />

appareil de reproduction semi-flottant {F} * see semifloating<br />

reproducer {E}.<br />

appareil pho<strong>to</strong> {F} * see camera {E}.<br />

apparent thickness {E} * The thickness <strong>of</strong> an object as<br />

measured by optical means. The apparent thickness<br />

equals <strong>the</strong> physical thickness divided by <strong>the</strong> index <strong>of</strong><br />

refraction <strong>of</strong> <strong>the</strong> object being measured; see also<br />

thickness.46. {D= ?; Es= espesor aparente; F= épaisseur<br />

apparente}.<br />

appéciation {F} * see evaluation {E}.<br />

application d'un revêtement (par procédé de <strong>to</strong>urnoiement)<br />

{F} * see spin coating {E}.<br />

application programme {E} * A programme that processes<br />

<strong>the</strong> contents <strong>of</strong> a file, and may also process selected<br />

attribute data relating <strong>to</strong> <strong>the</strong> file or <strong>to</strong> <strong>the</strong> volume/s on<br />

which <strong>the</strong> file is recorded. NB An application programme<br />

is a specific class <strong>of</strong> user, as defined in ISO 9660:1988<br />

(e).20. {D= ?; Es= programa de aplicación; F= programme<br />

d'application}.<br />

apuntador (obje<strong>to</strong>) {Es} * see flash card {E}.<br />

apuntador de tex<strong>to</strong> {Es} * see prompter {E}.<br />

apunte {Es} * see cue {E}.<br />

apunte analítico (-a) {Es} * see analytical note {E}.<br />

apunte de contenido {Es} * see contents note {E}.<br />

aquatint {E} * In still-imaging, 1) a method <strong>of</strong> etching a<br />

printing plate so that an image similar <strong>to</strong> a watercolour can<br />

be reproduced, and 2) <strong>the</strong> print resulting form such a<br />

technique.(24.) {D= Aquatinta; Es= aguatinta; F=<br />

aquatinte}.<br />

Aquatinta {D} * see aquatint {E}.<br />

aquatinte {F} * see aquatint {E}.<br />

aqueous solvent {E} * Water or watery substance used <strong>to</strong><br />

dissolve chemicals.53. {D= wässrige Lösung; Es=<br />

disolvente acuoso; F= solvent aqueux}.<br />

arañazo {Es} * see scrape; scratch {E}.<br />

arañazo pr<strong>of</strong>undo {Es} * see gouge {E}.<br />

Arbeitskopie {D} * see service copy; service duplicate;<br />

work print {E}.<br />

arc électrique {F} * see arc light {E}.<br />

arc lamp {E} * A type <strong>of</strong> illumination, used in film<br />

projec<strong>to</strong>rs, produced by a bridge <strong>of</strong> incandescent particles<br />

which carries electric current from positive <strong>to</strong> negative<br />

electrodes. {D= Bogenlampe; Es= lámpara de arco; F=<br />

lampe à arc; projecteur à arc; lanterne à arc}.<br />

arc light {E} * A specialized illumination source used on<br />

moving-image production sets where two pieces <strong>of</strong> carbon<br />

are brought close enough <strong>to</strong>ge<strong>the</strong>r so that an electric<br />

current can arc across <strong>the</strong> gap. Such lights are now being<br />

replaced, due <strong>to</strong> <strong>the</strong>ir great expense, by more conventional<br />

lights. Arc lights are also used in projec<strong>to</strong>rs.(30.) {D= ?;<br />

Es= luz [lámpara] de arco; F= arc électrique; lampe à arc;<br />

lumière d'arc}.<br />

architectural rendering {E} * A pic<strong>to</strong>rial representation <strong>of</strong> a<br />

building intended <strong>to</strong> show, before it has been built, how <strong>the</strong><br />

building will look when completed; see also technical


drawing.(03.) {D= ?; Es= ?eproducción arquitectónica; F=<br />

projet architectural}.<br />

architecture étendue pour mémoire morte programmable<br />

sur disque compact {F} * see compact disc-programmable<br />

read only memory (CD-PROM) {D;E}.<br />

Archiv {D} * see archive {E}.<br />

archival {E} * NB most archivists prefer not <strong>to</strong> apply this<br />

term in <strong>the</strong>ir work. 1) A nonspecific term suggesting that a<br />

material or product is permanent, durable or chemically<br />

stable and thus suitable for preservation purposes. There<br />

are no standards describing how long an archival material<br />

will last, although many agree that <strong>the</strong> intention is<br />

forever.17. 2) A subjective term sometimes used <strong>to</strong><br />

describe <strong>the</strong> content <strong>of</strong> an item as worthy <strong>of</strong> continued<br />

s<strong>to</strong>rage and preservation, or used as a modifier <strong>to</strong><br />

describe <strong>the</strong> conditions necessary for <strong>the</strong> optimal s<strong>to</strong>rage<br />

<strong>of</strong> materials; see life expectancy. {D= archivalisch;<br />

archivarisch; archivisch; archivtauglich; Es= archivístico;<br />

F= archivistique}.<br />

archival agency {E/US} * see archive {E}.<br />

archival cataloguing {E} * see cataloguing {E}.<br />

archival deposi<strong>to</strong>ry {E} * see archive {E}.<br />

archival film {E} * 1) A pho<strong>to</strong>graphic film that is suitable for<br />

<strong>the</strong> preservation <strong>of</strong> records having permanent value when<br />

<strong>the</strong> film is properly processed and s<strong>to</strong>red under archival<br />

s<strong>to</strong>rage conditions, provided <strong>the</strong> original images are <strong>of</strong><br />

suitable quality; see also archival; archival permanence;<br />

archival quality; archival s<strong>to</strong>rage conditions; long-term film;<br />

medium term film; short-term film; preservation master<br />

negative.40. 2) Film <strong>of</strong> value for record purposes that will<br />

be kept in permanent s<strong>to</strong>rage.34. {D= Archivfilm;<br />

archivtauglicher Film; Es= película de (calidad de) archivo;<br />

F= film d'archivage; film d'archives}.<br />

archival heritage {E} * The <strong>to</strong>tality <strong>of</strong> archives preserved in<br />

a given area or on a given <strong>to</strong>pic, forming an essential part<br />

<strong>of</strong> its administrative, cultural, and/or his<strong>to</strong>rical<br />

heritage.(22.) {D= archivalisches Erbe; Es= patrimoni<br />

histórico; patrimoni archivístico; F= patrimoine<br />

archivistique}.<br />

archival integrity {E} * A basic standard derived from <strong>the</strong><br />

principle <strong>of</strong> provenance and <strong>the</strong> registry principle which<br />

requires that an archive/record group shall be preserved in<br />

its entirety without division, mutilation, alienation,<br />

unauthorized destruction or addition, except by accrual or<br />

replevin, in order <strong>to</strong> ensure its full evidential and<br />

informational value.22.23. {D= Unverletzlichkeit (eines<br />

provenienzmässigen Archivbe-stands); Es= integridad de<br />

un fondo; F= intégrité du fonds d'archives; integrité des<br />

fonds}.<br />

archival jurisdiction {E} * The jurisdiction, as defined by law<br />

or regulation, exercised by archives (1) over <strong>the</strong><br />

preservation, transfer, use, and disposal <strong>of</strong> records (2) and<br />

archives.22.23. {D= archivische Zuständigkeit; Es=<br />

competencia archivística; jurisdición archivística; F=<br />

juridiction archivistique; compétence légale des archives}.<br />

archival legislation {E} * The body <strong>of</strong> laws and regulations<br />

governing <strong>the</strong> preservation, accessibility and protection <strong>of</strong><br />

archives and <strong>the</strong> organization <strong>of</strong> archives in a country or<br />

region.22. {D= Archivgesetzgebung; Archivrecht; Es=<br />

legislación sobre archivos; F= législation archivistique}.<br />

archival permanence {E} * The degree <strong>to</strong> which an item<br />

retains its original characteristics and resists deterioration<br />

for a lengthy, specified period <strong>of</strong> time. documents that do<br />

not undergo significant physical change for such a period<br />

<strong>of</strong> time are said <strong>to</strong> be <strong>of</strong> archival quality. For some<br />

documents <strong>the</strong> time period can be considered <strong>to</strong> range<br />

14<br />

from one hundred years <strong>to</strong> forever. In most cases,<br />

controlled s<strong>to</strong>rage and use are necessary <strong>to</strong> achieve<br />

archival permanence; see also archival quality.01. {D=<br />

archivalische Haltbarkeit; archivalische Dauerhaftigkeit;<br />

Es= permanencia (calidad de los materiales de archivo);<br />

F= permanence archivistique}.<br />

archival positive {E} * A film image, ei<strong>the</strong>r a print or a fine<br />

grain master, with or without a soundtrack, used only for<br />

<strong>the</strong> purpose <strong>of</strong> manufacturing a single preservation copy.<br />

{D= ?; Es= positivo para copia de archivo; F= film positif<br />

d'archive}.<br />

archival processing {E} * 1) Procedure/s for preparation<br />

and/or treatment <strong>of</strong> items or information which results in<br />

<strong>the</strong>ir maximum permanence and stability; may involve<br />

ei<strong>the</strong>r conversion <strong>to</strong> ano<strong>the</strong>r medium or physical treatment<br />

<strong>of</strong> <strong>the</strong> original item. This is accomplished in a variety <strong>of</strong><br />

ways, dependent upon <strong>the</strong> object. In order <strong>to</strong> ensure<br />

archival quality, adherence <strong>to</strong> <strong>the</strong> appropriate packaging,<br />

s<strong>to</strong>rage and handling procedures is a is accomplished<br />

through a series <strong>of</strong> precise fixing, washing, and <strong>to</strong>ning<br />

baths, and differs from ordinary processing by careful<br />

control <strong>of</strong> <strong>the</strong> fixing time and, thus, <strong>the</strong> retention <strong>of</strong> residual<br />

chemicals. After a thorough washing, pho<strong>to</strong>graphs are<br />

treated with a gold solution or a <strong>to</strong>ner, such as selenium.<br />

Archival processing requires <strong>the</strong> use <strong>of</strong> fibre-based ra<strong>the</strong>r<br />

than resin-coated papers.(43.) {D= 1) Archivierung; Es=<br />

procesado para obtener una copia de calidad de archivo;<br />

F= traitement d'archive}.<br />

archival quality {E} * 1) The material properties inherent in<br />

any documentary medium permitting it indefinite<br />

preservation under controlled conditions.22. 2) A term,<br />

<strong>of</strong>ten misused, pertaining <strong>to</strong> materials that carry <strong>the</strong><br />

connotation <strong>of</strong> permanence and high quality. When used<br />

in vendor's catalogues and/or manufacturer's claims, etc.,<br />

<strong>the</strong> term must be backed up with precise life span,<br />

chemical, and physical specifications. {D= Archivfähigkeit<br />

(materielle Eignung zu dauernder archivischer<br />

Verwahrung); Archivqualität (alterungsbe-ständiges<br />

Material); Es= cualidad de archivo; F= qualité d'archivage;<br />

qualité de conservation}.<br />

archival rack {E} * As specified in <strong>the</strong> NFPA 40, shelving<br />

devices intended for use in archival vaults for <strong>the</strong> s<strong>to</strong>rage<br />

<strong>of</strong> high-value or permanent cellulose nitrate based motion<br />

picture film. Such racks are constructed so that individual<br />

rolls or groups <strong>of</strong> two rolls are placed in isolated, insulated<br />

compartments. In certain cases, a maximum <strong>of</strong> three rolls<br />

in a single container may be placed in such<br />

compartments.(34.) {D= Archivregal; Es= estantería de<br />

archivo; F= étagère d'archivage}.<br />

archival standards {E} * The standards that must be met by<br />

a given type <strong>of</strong> recording material or process for this<br />

material <strong>to</strong> retain specified characteristics; see also<br />

archival quality.40. {D= archivalischer Standard;<br />

Archivstandard; Es= normas de archivo (calidad de los<br />

materiales); F= normes d'archivage}.<br />

archival s<strong>to</strong>rage conditions {E} * Conditions suitable for <strong>the</strong><br />

long term s<strong>to</strong>rage <strong>of</strong> materials. {D=<br />

Archivlagerbedingungen; Es= condiciones de<br />

almacenamien<strong>to</strong> (normas) en archivos; F= condition de<br />

s<strong>to</strong>ckage des archives}.<br />

archival succession {E} * The sequence <strong>of</strong> legal jurisdiction<br />

over archives as <strong>the</strong> result <strong>of</strong> changes in terri<strong>to</strong>rial<br />

sovereignty, or administrative competence.22.23. {D=<br />

Archivfolge; Es= sucesión en la propiedad de un archivo;<br />

F= juridiction en matière de succession des archives}.<br />

archival value {E} * 1) The determination that items or data<br />

are worthy <strong>of</strong> indefinite or permanent preservation by an<br />

archival agency. Sometimes referred <strong>to</strong> as his<strong>to</strong>rical,<br />

continuing, or enduring value.(07.) 2) Those values, ei<strong>the</strong>r<br />

administrative, fiscal, legal, evidential and/or informational,


which justify <strong>the</strong> indefinite or permanent retention <strong>of</strong><br />

records/archives.22.23. {D= archivalischer Wert;<br />

Archivwert; Archivwürdigkeit; Es= valor archivístico; valor<br />

permanente; valor histórico; F= critère d'archivage; valeur<br />

archivistique}.<br />

archival wash {E} * The act <strong>of</strong> repeating <strong>the</strong> standard<br />

washing <strong>of</strong> film <strong>to</strong> remove developer or fixer from film until<br />

<strong>the</strong> pH is at an acceptable level. {D= ?; Es= lavado de<br />

película con calidad de archivo; F= rinçage de la pellicule<br />

d'archivage}.<br />

archivalisch {D} * see archival {E}.<br />

archivalische dauerhaftigkeit {D} * see archival<br />

permanence {E}.<br />

archivalische haltbarkeit {D} * see archival permanence<br />

{E}.<br />

archivalischer standard {D} * see archival standards {E}.<br />

archivalischer wert {D} * see archival value {E}.<br />

archivalisches erbe {D} * see archival heritage {E}.<br />

Archivar {D} * se<br />

Archivaufnahme {D} * see s<strong>to</strong>ck shot {E}.<br />

Archivbestand {D} * see archive group {E}.<br />

Archivduplikat {D} * see preservation duplicate {E}.<br />

archive {E} * 1) Non-current records preserved, with or<br />

without selection, by those responsible for <strong>the</strong>ir creation or<br />

by <strong>the</strong>ir successors in function for <strong>the</strong>ir own use or by an<br />

appropriate archives because <strong>of</strong> <strong>the</strong>ir archival value. 2) An<br />

institution responsible for <strong>the</strong> acquisition, preservation, and<br />

communication <strong>of</strong> archives; also called archival agency<br />

{E/US}; archive/s service; record <strong>of</strong>fice. Archives 1) and 2)<br />

are, also, called after <strong>the</strong> type <strong>of</strong> institution whose records<br />

<strong>the</strong>y acquire, e.g. national, college/university, etc. 3) The<br />

building or part <strong>of</strong> a building in which archives 1) are<br />

preserved and made available for consultation; also called<br />

archive/s reposi<strong>to</strong>ry; archival deposi<strong>to</strong>ry.(22.23.) {D= 1)<br />

Archiv; Archivgut; 2) Archiv; 3) Archiv; Archivgebäude; Es=<br />

1) archivo/s histórico/s; 2) archivo; 3) archivo; F=<br />

archives}.<br />

archive conservation {E} * The discipline dedicated <strong>to</strong> <strong>the</strong><br />

preservation and res<strong>to</strong>ration <strong>of</strong> archival materials.(24.) {D=<br />

Konservierung; Restaurierung; Es= conservación de [en]<br />

archivo (normas); F= conservation; conservation des<br />

archives}<br />

archive group {E} * The primary division in <strong>the</strong><br />

arrangement <strong>of</strong> archives at <strong>the</strong> level <strong>of</strong> <strong>the</strong> independent<br />

originating unit or agency.22.23. {D= Archivserie;<br />

Archivbestand; Es= archivo; fondo; sección; F= fonds<br />

d'archives; fonds; série}.<br />

archive pho<strong>to</strong>graphique {F} * see pho<strong>to</strong>graphic<br />

records/archives {E}.<br />

archive reposi<strong>to</strong>ry {E} * see archive {E}.<br />

archive res<strong>to</strong>ration {E} * The process <strong>of</strong> improving <strong>the</strong><br />

condition <strong>of</strong> a damaged item as far as possible; ranges<br />

from simple repair <strong>of</strong> a <strong>to</strong>rn object or splicing <strong>of</strong> a broken<br />

tape or film <strong>to</strong> full res<strong>to</strong>ration <strong>of</strong> an object <strong>to</strong> its perceived<br />

original state.(24.) {D= ?; Es= restauración de materiales<br />

de archivo (normas); F= restauration des archives;<br />

restauration}<br />

archive service {E} * see archive {E}.<br />

archivero (-a) {Es} * see archivist {E}.<br />

15<br />

archivero {Es} * see archivist {E}.<br />

archives {F} * see archive {E}.<br />

archives administration {E} * 1) The <strong>the</strong>oretical and<br />

practical study <strong>of</strong> policies, procedures and problems<br />

relating <strong>to</strong> archival functions. 2) The direction and<br />

management <strong>of</strong> archives.(22.23.) {D= 1)<br />

Archivverwaltungslehre; 2) Archivverwaltung; Es= 1)<br />

archivística; archivología; archivonomía; F= archivistique}.<br />

archives audiovisuelles {F} * see audiovisual<br />

archives/records data; audiovisual archives {E}.<br />

archives box/container {E} * A s<strong>to</strong>rage box for archives<br />

materials <strong>of</strong> pressed cardboard, ei<strong>the</strong>r in letter or legal<br />

size, and usually with a capacity <strong>of</strong> about one-third cubic<br />

foot; see also document case; records centre<br />

container/car<strong>to</strong>n.11. {D= Archivkar<strong>to</strong>n; Es= caja;<br />

contenedor de archivo ; F= boîte d'archives}.<br />

archives courantes {F} * see current records {E}.<br />

archives de données informatiques {F} * see data archive<br />

{E}.<br />

archives iconographiques {F} * see iconographic archives<br />

{E}.<br />

archives littéraires {F} * see literary archives/records {E}.<br />

archives orales {F} * see oral his<strong>to</strong>ry {E}.<br />

archives sonores {F} * see audio archives {E}.<br />

archives textuelles {F} * see textual records {E}.<br />

archives video {F} * see video archives {E}.<br />

Archivfähigkeit (materielle Eignung zu dauernder<br />

archivischer verwahrung) {D} * see archival quality {E}.<br />

Archivfilm {D} * see archival film {E}.<br />

Archivfolge {D} * see archival succession {E}.<br />

Archivgebäude {D} * see archive {E}.<br />

Archivgesetzgebung {D} * see archival legislation {E}.<br />

Archivgut {D} * see archive; audiovisual archives/records<br />

data {E}.<br />

Archivierung {D} * see archival processing; transfer {E}.<br />

archivisch {D} * see archival {E}.<br />

archivische zuständigkeit {D} * see archival jurisdiction {E}.<br />

archivische zuständigkeits- und eigentumskonflikte {D} *<br />

see conflicting archival claims {E}.<br />

archivist {E} * A person pr<strong>of</strong>essionally occupied in <strong>the</strong><br />

administration <strong>of</strong> archives and/or <strong>the</strong> management <strong>of</strong><br />

archives.22.23. {D= Archivar; Es= archivero (-a); F=<br />

archiviste}.<br />

archiviste {F} * see archivist {E}.<br />

archivística {Es} * see archives administration<br />

archivístico {Es} * see archival (1)(2) {E}.<br />

archivistique {F} * see archival; archives administration {E}.<br />

Archivkar<strong>to</strong>n {D} * see archives box/container {E}.<br />

Archivkopie {D} * see preservation copy; preservation


master; preservation transfer copy {E}.<br />

Archivlagerbedingungen {D} * see archival s<strong>to</strong>rage<br />

conditions {E}.<br />

Archivmaster {D} * see preservation master {E}.<br />

archivo {Es} * see archive; archive group; record (1);<br />

register {E}.<br />

archivo fo<strong>to</strong>gráfico {Es} * see pho<strong>to</strong>graphic<br />

records/archives {E}.<br />

archivo literario {Es} * see literary archives/records {E}.<br />

archivo oral {Es} * see oral his<strong>to</strong>ry {E}.<br />

archivo/s histórico/s {Es} * see archive; literary<br />

archives/records {E}.<br />

archivo/s oral/es {Es} * see oral his<strong>to</strong>ry {E}.<br />

archivo sonoro {Es} * see audio archives {E}.<br />

archivología {Es} * see archives administration {E}.<br />

archivonomía {Es} * see archives administration {E}.<br />

archivos {Es} * see machine-readable<br />

archivos audiovisuales {Es} * see audiovisual archives {E}.<br />

archivos cinema<strong>to</strong>gráficos {Es} * see film archives {E}.<br />

archivos iconográficos {Es} * see iconographic archives<br />

{E}.<br />

archivos textuales {Es} * see textual records {E}.<br />

Archivqualität (alterungsbe- ständiges material) {D} * see<br />

archival quality {E}.<br />

Archivrecht {D} * see archival legislation {E}.<br />

Archivregal {D} * see archival rack {E}.<br />

Archivserie {D} * see archive group {E}.<br />

Archivspeicher {D} * see stacks {E}.<br />

Archivsperre {D} * see restricted access {E}.<br />

Archivstandard {D} * see archival standards {E}.<br />

archivtauglich {D} * see archival {E}.<br />

archivtauglicher film {D} * see archival film {E}.<br />

Archivverwaltung {D} * see archives administration {E}.<br />

Archivverwaltungslehre {D} * see archives administration<br />

{E}.<br />

Archivwert {D} * see archival value {E}.<br />

Archivwürdigkeit {D} * see archival value {E}.<br />

arco de carbón {Es} * see carbon-arc lamps {E}.<br />

area {E} * A major section <strong>of</strong> a bibliographic description,<br />

comprising data <strong>of</strong> a particular category or set <strong>of</strong><br />

categories.12. {D= ?; Es= área; sección principal de la<br />

descripción bibliográfica; F= zone de description<br />

bibliographique}.<br />

área {Es} * see area<br />

argenture à sec {F} * see wet silvering {E}.<br />

16<br />

ARL {E} * acronym for Association <strong>of</strong> Research Libraries.<br />

armario {Es} * see cabinet (2) {E}.<br />

armario de secado {Es} * see drying cabinet {E}.<br />

armario metálico {Es} * see rack (1) {E}.<br />

armazón {Es} * see chassis {E}.<br />

armoire de séchage {F} * see drying cabinet {E}.<br />

armónicas (componentes) {Es} * see harmonics {E}.<br />

arrangement {E} * 1) The intellectual operations involved<br />

in <strong>the</strong> organization <strong>of</strong> records/archives based upon <strong>the</strong><br />

principle <strong>of</strong> provenance, reflecting <strong>the</strong> administrative<br />

structure and/or competence or function <strong>of</strong> <strong>the</strong> originating<br />

agency. If this is impossible <strong>the</strong>n an organization based<br />

upon o<strong>the</strong>r criteria adapted <strong>to</strong> <strong>the</strong> physical type or form or<br />

content <strong>of</strong> <strong>the</strong> documents, such as an alphabetical,<br />

chronological, geographical, or subject order, may be<br />

used. 2) The physical operations complementary <strong>to</strong> 1),<br />

above, such as numbering, boxing, and shelving.(22.23.)<br />

{D= 1&2) Ordnung; Ordnungsarbeit; Es= 1) clasificatión y<br />

ordenación; 2) acondicionamien<strong>to</strong>; F= arrangement;<br />

arrangement musical; rangement; classement}.<br />

arrangement musical {F} * see arrangement {E}.<br />

arrastre (TV) {Es} * see trailer {D;E}.<br />

arrastre {Es} * see drag {E}.<br />

arrastre de la cinta {Es} * see tape transport {E}.<br />

arreglo {Es} * see disposal {E}.<br />

arrêt (bain d'arrêt) {F} * see s<strong>to</strong>p {E}.<br />

arrêt au<strong>to</strong>matique {F} * see au<strong>to</strong>matic shut<strong>of</strong>f {E}.<br />

arrêt sur image {F} * see freeze frame; still frame {E}.<br />

arrugas {Es} * see cockle/cockling; crease {E}.<br />

ARSC {D;E;Es;F} * acronym for Association for Recorded<br />

Sound Collections {E}.<br />

ARSC/AAA {D;E;Es;F} * acronym for Association for<br />

Recorded Sound Collections' Associated Audio Archives<br />

{E}.<br />

art direc<strong>to</strong>r {E} * In moving-image production <strong>the</strong> person in<br />

charge, generally, <strong>of</strong> sets and costumes.(30.) {D=<br />

Artdirek<strong>to</strong>r; Film-Architekt; Es= decorado; escenografía;<br />

direc<strong>to</strong>r de escena [escenografía, decorado].\; F=<br />

décorateur; chef décorateur; directeur artistique}.<br />

art original {E} * An original two- or three-dimensional work<br />

<strong>of</strong> art (o<strong>the</strong>r than an art print or a pho<strong>to</strong>graph) created by<br />

an artist (e.g., a painting, drawing, or sculpture, as<br />

contrasted <strong>to</strong> a reproduction <strong>of</strong> a painting, drawing, or<br />

sculpture).(03.) {D= ?; Es= obra de arte original (en<br />

contraposición a una reproducción); F= oeuvre originale<br />

(non reproduite)}.<br />

art print {E} * An engraving, etching, lithograph, woodcut,<br />

etc., printed from <strong>the</strong> plate prepared by <strong>the</strong> artist.03. {D=<br />

?; Es= arte impreso; impresión artística; F= oeuvre<br />

reproduite}.<br />

art reproduction {E} * A mechanically reproduced copy <strong>of</strong><br />

a work <strong>of</strong> art, generally as one <strong>of</strong> commercial edition.03.<br />

{D= ?; Es= reproducción de una obra de arte ; F=<br />

reproduction de l'oeuvre artistique}.<br />

Artdirek<strong>to</strong>r {D} * see art direc<strong>to</strong>r {E}.


arte impreso {Es} * see art print {E}.<br />

artefact {E;F} * see artifact {E}.<br />

artefac<strong>to</strong> {Es} * see artifact (1) {E}.<br />

article {F} * see item {E}.<br />

article multimedia multisupport {F} * see multipath {E}.<br />

article multimedia multisupport{F} * see multimedia item<br />

{E}.<br />

artifact {E} * 1) Any object made or modified by one or<br />

more persons.03. 2) In pho<strong>to</strong>graphy, <strong>the</strong> product resulting<br />

from <strong>the</strong> reaction <strong>of</strong> light on a light-sensitive emulsion <strong>to</strong><br />

produce an image. The term excludes images resulting<br />

from a pho<strong>to</strong>mechanical process.42. 3) A spurious signal<br />

produced artificially; generally considered a dis<strong>to</strong>rtion. {D=<br />

Bildeindruck; Es= aspec<strong>to</strong> de la imágen; 1) obje<strong>to</strong><br />

[artefac<strong>to</strong>]; 2) imagen resultado de la incidencia de la luz<br />

sobre una emulsión; 3) señal adulterada producida<br />

artificialmente {Es; F= représentation; artifice; artefact;<br />

aspect de l'image}.<br />

artifactual value {E} * The physical worth <strong>of</strong> an object in<br />

addition <strong>to</strong> (or ra<strong>the</strong>r than) its importance for <strong>the</strong><br />

information it contains. For example, an ordinary edition <strong>of</strong><br />

<strong>the</strong> Bible may have artifactual value because <strong>of</strong> its unique<br />

binding; a film because it belonged <strong>to</strong> <strong>the</strong> star <strong>of</strong> <strong>the</strong> film;<br />

a recording because it was signed by, or belonged <strong>to</strong>, a<br />

major performer.(37.) {D= ?; Es= valor como obje<strong>to</strong>; F=<br />

valeur artefactuelle}.<br />

artifice {F} * see artifact {E}.<br />

artificio de ventilación para escape de gases {Es} * see<br />

decomposition vent {E}.<br />

artista {Es} * see performer {E}.<br />

artiste {F} * see performer; talent {E}.<br />

ar<strong>to</strong>type {E} * see collotype.<br />

ASA {E} * acronym for American Standards Association<br />

{E}.<br />

ASA speed rating {E} * An internationally recognized<br />

system <strong>of</strong> <strong>the</strong> ASA for specifying <strong>the</strong> sensitivity or speed <strong>of</strong><br />

still pho<strong>to</strong>graphic materials. The standard is also used as<br />

a practical guide for motion picture film cinema<strong>to</strong>graphers.<br />

{D= ?; Es= ?; F= ?}.<br />

ASCII {E} * acronym for American Standard Code for<br />

Information Interchange. {E}.<br />

ASI {E} * acronym for American Standards Institute. {E}.<br />

Asien<strong>to</strong> {Es} * see entry; registration {E}.<br />

asincrónico {Es} * see asynchronous {E}.<br />

Asociación Internacional de Archivos Sonoros {Es} * see<br />

International Association <strong>of</strong> Sound Archives {E} *<br />

Asociación Internacional de Archivos Sonoros {Es} *see<br />

International Association <strong>of</strong> Sound and <strong>Audiovisual</strong><br />

Archives (IASA) {E}.<br />

aspect ratio {E} * 1) In film, <strong>the</strong> width <strong>of</strong> a screen image in<br />

relation <strong>to</strong> its height. 'Standard' academy aperture is<br />

1.33:1. Standard wide-screen ratios vary from 1.66 <strong>to</strong> 1.85;<br />

anamorphic processes such as CinemaScope and<br />

Panavision are even wider, 2.35 <strong>to</strong> 2.55; see also<br />

Vistavision.(09.) 2) In video, <strong>the</strong> NTSC system ratio is 4:3,<br />

image width <strong>to</strong> its height; it is proposed that HDTV have<br />

16:9 aspect ratio. {D= Bildeindruck; Es= aspec<strong>to</strong> de la<br />

imágen; forma<strong>to</strong> (TV y cine); proporción dimensional; F=<br />

17<br />

format d'image; aspect de l'image; rapport hauteur/largeur<br />

de l'image}.<br />

aspec<strong>to</strong> de la imágen {Es} * see aspect ratio; artifact {E}.<br />

aspec<strong>to</strong> de muro de ladrillo {Es} * see brickwall {E}.<br />

aspec<strong>to</strong> grisáceo {Es} * see greying {E}.<br />

asperezas {Es} * see asperities {E}.<br />

aspérités {F} * see asperities {E}.<br />

asperities {E} * Small projecting or rough imperfections on<br />

<strong>the</strong> surface <strong>of</strong> <strong>the</strong> coating <strong>of</strong> magnetic tape that limit and<br />

cause variations in head-<strong>to</strong>-tape contact.(07.) {D= ?; Es=<br />

asperezas; F= montage par assemblage; bruit d'aspérités;<br />

aspérités}.<br />

asperity noise {E} * 1) Roughness noise. 2) Hiss, caused<br />

by minute imperfections on magnetic tape.(04.07.) {D=<br />

Modulationsrauschen; Es= ruido producido por asperezas;<br />

F= bruit d'aspérités; montage par assemblage}.<br />

assemblage {F} * see mix {E}.<br />

assemblage d'édition {F} * see assemble edit {E}.<br />

assemble edit {E} * 1) To record one segment <strong>of</strong> a<br />

production after ano<strong>the</strong>r in chronological order until <strong>the</strong><br />

production is completed.(35.) 2) A video edit in which a<br />

new control track signal is recorded in phase with <strong>the</strong><br />

original signal already on <strong>the</strong> videotape. Assembly editing<br />

is <strong>the</strong> inverse <strong>of</strong> insert editing where <strong>the</strong> original control<br />

track signal is retained throughout <strong>the</strong> editing process. {D=<br />

?; Es= grabación de una señal sobre la original;<br />

ensamblaje en orden cronológico; F= assemblage<br />

d'édition}.<br />

asservissement {F} * see tracking {D;E}.<br />

asservissement d'un générateur {F} * see gen-lock {E}.<br />

association des industries électroniques du Japon {F} *<br />

see EIAJ {E}.<br />

Association for Information and Image Management (AIIM)<br />

{E} * A U.S. pr<strong>of</strong>essional society concerned with<br />

micrographics, formerly <strong>the</strong> National Micrographics<br />

Association.<br />

Association for Recorded Sound Collections (ARSC) {E} *<br />

A U.S. based association <strong>of</strong> audio dealers, collec<strong>to</strong>rs,<br />

librarians, and archivists.<br />

Association for Recorded Sound Collections' Associated<br />

Audio Archives (ARSC/AAA) {E} * A special committee <strong>of</strong><br />

<strong>the</strong> Association for Recorded Sound Collections consisting<br />

<strong>of</strong> representatives <strong>of</strong> sound archives who have chosen <strong>to</strong><br />

work <strong>to</strong>ge<strong>the</strong>r in a highly cooperative manner <strong>to</strong><br />

accomplish specific goals and objectives which are set by<br />

<strong>the</strong> group.<br />

Association Internationale d'Archives Sonores {F} * see<br />

International Association <strong>of</strong> Sound Archives (IASA) {E}.<br />

Association Internationale d'Archives Sonores et<br />

Audiovisuelles {F} * see International Association <strong>of</strong><br />

Sound and <strong>Audiovisual</strong> Archives (IASA) {E}.<br />

astigmatic lens {E} * One which causes light rays <strong>to</strong><br />

converge unequally, thus resulting in imperfect images.<br />

The image produced by such a lens may be sharp in some<br />

areas and out <strong>of</strong> focus in o<strong>the</strong>rs. {D= ?; Es= lente [objetivo]<br />

astigmática; F= objectif astigmatique}.<br />

astigmatism {E;F} * The dis<strong>to</strong>rting property <strong>of</strong> certain<br />

lenses used in some optical pickups <strong>to</strong> generate a focus


signal.39. An <strong>of</strong>f-axis aberration in a lens that causes light<br />

rays <strong>to</strong> converge unequally, thus resulting in imperfect<br />

images. It is a defect from which all vertical and horizontal<br />

lines near <strong>the</strong> margin <strong>of</strong> <strong>the</strong> field cannot both be accurately<br />

focused at <strong>the</strong> same time. In effect it prevents sharp<br />

definition <strong>of</strong> perpendicular lines at <strong>the</strong> same focal distance;<br />

see astigmatic lens. {D= ?; Es= astigmatismo}.<br />

astigmatismo {Es} * see astigmatism {E;F}.<br />

ASTM {E} * acronym for American Society for Testing<br />

and Materials.<br />

asynchrone {F} * see asynchronous {E}.<br />

asynchronous {E} * A descriptive term illustrating that two<br />

or more electronic signals do no coincide in <strong>the</strong>ir timing<br />

relationships; <strong>the</strong> inverse <strong>of</strong> synchronous. {D= ?; Es=<br />

asincrónico; F= asynchrone; objectif astigmatique; non<br />

synchrone; objectif astigmatique}.<br />

asynchronous sound {E} * Somewhat like commentative<br />

sound, whose source is not visible in <strong>the</strong> moving-image<br />

scene, <strong>of</strong>ten used in counterpoint <strong>to</strong> <strong>the</strong> action on <strong>the</strong><br />

screen. The opposite <strong>of</strong> actual sound; see also<br />

synchronous sound.(30.) {D= ?; Es= sonido asincrónico;<br />

F= son asynchrone}.<br />

Ateliersekretärin {D} * see script girl {D;E;F}.<br />

atenuación de ruido {Es} * see noise reduction {E}.<br />

atenuacíon {Es} * see attenuate; attenuation {E}.<br />

atenuador {Es} * see fader {E}.<br />

atenuante {Es} * see attenua<strong>to</strong>r {E}.<br />

atenuar {Es} * see attenuate {E}.<br />

atmen {D} * see breathing {E}.<br />

ATR {E} * acronym for audio tape recorder. {D= ?; Es=<br />

Grabador de Cinta y Audio (magnetófono); F=<br />

magné<strong>to</strong>phone}.<br />

atrapa (dispositivo) iones {Es} * see ion trap {E}.<br />

atribu<strong>to</strong> {Es} * see attribute {E}.<br />

attenuate {E} * To weaken a given electrical signal, such<br />

as volume level, by reducing its level by means <strong>of</strong> a<br />

volume or loudness control.(50.16.) {D= abschwächen;<br />

dämpfen; ausblenden; Es= atenuacíon; atenuar; F=<br />

atténuer}.<br />

atténuateur {F} * see attenua<strong>to</strong>r {E}.<br />

attenuation {E} * The decrease <strong>of</strong> signal strength as it<br />

progresses from source <strong>to</strong> receiver.(07.) {D=<br />

Abschwächung; Dämpfung; Es= atenuación; F=<br />

affaiblissement; atténuation}.<br />

atténuation {F} * see attenuation {E}.<br />

attenua<strong>to</strong>r {E} * Electronic circuitry which weakens a given<br />

electrical signal by reducing its level; may be a volume or<br />

loudness control. {D= ?; Es= atenuante; F= atténuateur}.<br />

atténuer {F} * see attenuate {E}.<br />

attribut {F} * see attribute {E}.<br />

attribute {E} * 1) A feature <strong>of</strong> a mechanical device. 2) A<br />

characteristic type <strong>of</strong> data (e.g. type, structure, element <strong>of</strong><br />

a model, or system). 3) A word that describes <strong>the</strong> manner<br />

in which a variable is handled by a computer. {D= ?; Es=<br />

atribu<strong>to</strong>; F= attribut}.<br />

18<br />

audible frequencies {E} * see audible <strong>to</strong>nes.<br />

audible <strong>to</strong>nes {E} * Sounds with wave frequencies which<br />

<strong>the</strong> average human can hear and which range from 16 <strong>to</strong><br />

20,000 Hz; also known as audible frequencies.16. {D=<br />

Hörbereich; ?; Es= <strong>to</strong>nos audibles; F= <strong>to</strong>ns perceptibles;<br />

fréquence perceptibles; fréquences audibles}.<br />

audio {E;F} * 1) From <strong>the</strong> Latin meaning <strong>to</strong> hear. 2) In<br />

moving-image production, an all inclusive term used <strong>to</strong><br />

describe <strong>the</strong> recording, transmission, reproduction, and<br />

reception <strong>of</strong> sound. 3) The equipment used for <strong>the</strong><br />

recording and reproduction <strong>of</strong> sound. 4) The audio portion<br />

<strong>of</strong> <strong>the</strong> spectrum; see also sound recording. {D= Audio; Es=<br />

producción sonora; sonido; señal de sonido; F= son}.<br />

audio archives {E} * 1) Archives which collect sound<br />

recordings with related documents (i.e., pic<strong>to</strong>rial, textual,<br />

etc.). 2) An institution responsible for <strong>the</strong> acquisition,<br />

preservation, and communication <strong>of</strong> sound recordings and<br />

related materials irrespective <strong>of</strong> <strong>the</strong>ir provenance and/or<br />

archival character; also known as sound archives; see also<br />

archives. (23.){D= Schallarchiv; Tonarchive; Es= archivo<br />

sonoro; F= archives sonores}.<br />

audio digital {Es} * see digital audio {E}.<br />

audio disc {E} * A sound recording on a thin, flat circular<br />

object, usually made <strong>of</strong> ei<strong>the</strong>r shellac, vinyl, or various<br />

laminates. The signal may be ei<strong>the</strong>r analogue or digital,<br />

and recorded/played using acoustical, electrical, magnetic,<br />

or optical technology. The most common speeds <strong>of</strong><br />

acoustical or electrical recordings are 78-, 45-, 33a-, and<br />

16b-RPM. Synonymous with phonodisc and phonograph<br />

record. The analogue disc, <strong>to</strong>ge<strong>the</strong>r with audio cylinders,<br />

belongs <strong>to</strong> <strong>the</strong> category <strong>of</strong> mechanical sound carriers. The<br />

disc usually carries <strong>the</strong> signal in a laterally, sometimes<br />

vertically modulated spiral. With <strong>the</strong> acoustic or electrical<br />

analogue disc a stylus on <strong>the</strong> playback device follows <strong>the</strong><br />

groove as <strong>the</strong> disc revolves; <strong>the</strong> modulations in <strong>the</strong> groove<br />

cause <strong>the</strong> stylus <strong>to</strong> vibrate; and <strong>the</strong> vibrations are<br />

converted by <strong>the</strong> playback system in<strong>to</strong> equivalent<br />

analogue signals. The first worldwide accepted standard<br />

<strong>of</strong> <strong>the</strong> audio disc was developed by Emile Berliner.<br />

Generally <strong>the</strong> audio disc is unders<strong>to</strong>od <strong>to</strong> be a system for<br />

<strong>the</strong> mass production <strong>of</strong> a given recording, whereby a<br />

master (record) is galvanoplastically processed <strong>to</strong> produce<br />

durable stampers for <strong>the</strong> pressing <strong>of</strong> <strong>the</strong> actual discs <strong>to</strong> be<br />

mass distributed. However, before <strong>the</strong> availability <strong>of</strong> tape<br />

recording, discs <strong>of</strong> certain materials were used for making<br />

and playing back instantaneous recordings. Since 1983<br />

analogue discs are being replaced by digital audio discs,<br />

specifically compact discs; see also coarse groove disc;<br />

compact disc; fa<strong>the</strong>r; master; matrix; metal parts;<br />

microgroove disc; mo<strong>the</strong>r; shellac record; vinyl disc. {D=<br />

Schallplatte; Es= audiodisco; F= disque audio; disque}.<br />

audio frame synchronizer {E} * see audio synchronizer {E}.<br />

audio frequencies {E} * Frequencies that can be heard by<br />

<strong>the</strong> human ear, approximately 20 <strong>to</strong> 20,000 hertz.39. {D=<br />

Hörfrequenzen; Hörbereich; Es= audi<strong>of</strong>recuencias; F=<br />

audi<strong>of</strong>réquences; fréquences audio}.<br />

audio frequency modulation (AFM) {E} * A method <strong>of</strong><br />

recording audio in <strong>the</strong> video area <strong>of</strong> a video recording<br />

yielding a higher quality signal than <strong>the</strong> standard<br />

longitudinal tracks. These tracks can only be recorded<br />

along with video and cannot be recorded separately. {D=<br />

?; Es= modulación de audi<strong>of</strong>recuencias; F= modulation de<br />

fréquence audio (fm)}.<br />

audio reel {E} * An open reel holding audio tape which is<br />

<strong>to</strong> be recorded or played reel <strong>to</strong> reel; synonymous with<br />

audio tape reel, sound tape reel, and sound tape<br />

spool.(01.) {D= Tonbandspule; Es= cinta magnet<strong>of</strong>ónica;<br />

F= bande audio à bobines libres; bobine d'audio}.


audio spectrum {E} * The range <strong>of</strong> <strong>the</strong> electromagnetic<br />

wave spectrum audible <strong>to</strong> humans that ranges<br />

approximately from 15 Hz <strong>to</strong> 20,000 Hz; see also audio<br />

frequencies.(04.07.) {D= Tonband; Es= audioespectro; F=<br />

spectre audio}.<br />

audio synchronizer {E} * Electronic device which controls<br />

<strong>the</strong> time relationship between audio and its associated<br />

video. In video production, this device became necessary<br />

when excessive video processing caused <strong>the</strong> audio <strong>to</strong> be<br />

out-<strong>of</strong>-sync with <strong>the</strong> video; also known as audio frame<br />

synchronizer. {D= ?; Es= sincronizador de audio; F=<br />

synchroniseur son}.<br />

audio tape {E} * A magnetic band, belt or strip, composed<br />

<strong>of</strong> three parts base, binder or adhesive, and recording<br />

surface intended for <strong>the</strong> recording/playing <strong>of</strong> sound<br />

recordings. Made usually with a base material <strong>of</strong> polyester,<br />

but can be with paper or cellulose acetate. The recording<br />

surface is attached <strong>to</strong> <strong>the</strong> base with a binder or adhesive.<br />

The tape is pulled over a record or playback head <strong>to</strong><br />

record/play a magnetic signal ei<strong>the</strong>r analogue or digital.<br />

The most common speeds <strong>of</strong> audio tapes are 15-, 7½-,<br />

3¾-, and 1#-IPS; see also cassettes; cartridges; magnetic<br />

tape; phonotape. {D= Tonband; Es= cinta de audio; F=<br />

bande magnétique audio; bande son}.<br />

Audio {D} * see audio {E}.<br />

Audio Engineering Society (AES) {E} * An international<br />

pr<strong>of</strong>essional engineering society that, among o<strong>the</strong>r<br />

activities, helps establish standards related <strong>to</strong> <strong>the</strong> audio<br />

field.<br />

Audio Noise Reduction System (ANRS) {D;E;Es;F} * The<br />

Japanese Vic<strong>to</strong>r Co.'s noise reduction system, very similar<br />

<strong>to</strong> Dolby B.<br />

audiodisco {Es} * see audio disc {E}.<br />

audioespectro {Es} * see audio spectrum {E}.<br />

audi<strong>of</strong>recuencias {Es} * see audio frequencies {E}.<br />

audi<strong>of</strong>réquences {F} * see audio frequencies {E}.<br />

audiography {E} * see discography.<br />

audionumérique {F} * see digital audio {E}.<br />

audiovisual {E;Es} * A term normally applied <strong>to</strong> modify or<br />

qualify non-book collections <strong>of</strong> audio and moving- and stillimages,<br />

as well as such carriers as micr<strong>of</strong>ilm -fiche,<br />

pho<strong>to</strong>graphs, prints, etc. {D= audiovisuell; F= audiovisuel}.<br />

audiovisual archives {E} * Archives in pic<strong>to</strong>rial and/or aural<br />

form, regardless <strong>of</strong> format, including related textual<br />

documents; see also audio archives; film archives;<br />

iconographic archives; pho<strong>to</strong>graphic archives; video<br />

archives.(22.) {D= audiovisuelle Archive; Es= documen<strong>to</strong>s<br />

audiovisuales; archivos audiovisuales; F= archives<br />

audiovisuelles}.<br />

audiovisual archives/records data {E} * Records/archives<br />

in pic<strong>to</strong>rial and/or aural form, regardless <strong>of</strong> format,<br />

including related materials in o<strong>the</strong>r formats.22.23. {D=<br />

Bilddokumentation; Filmdokumentation;<br />

Tondokumentation; Bildarchivgut; Filmarchivgut;<br />

Tonarchivgut; Dokumentation; Archivgut; Es= documen<strong>to</strong>s<br />

audiovisuales; F= archives audiovisuelles}.<br />

audiovisuel {F} * see audiovisual {E;Es}.<br />

audiovisuell {D} * see audiovisual {E}.<br />

audiovisuelle Archive {D} * see audiovisual archives {E}.<br />

Aufbewahrung {D} * see preservation {E;F}.<br />

19<br />

Auflage {D} * see pressing {E}.<br />

Auflagekraft {D} * see stylus force {E}.<br />

Auflösung {D} * see definition {E}.<br />

Aufnahme {D} * see record; shot {E}.<br />

Aufnahme-bildröhre {D} * see camera tube {E}.<br />

Aufnahmegerät {D} * see recorder {E}.<br />

Aufnahmegruppe {D} * see direct positive {E}.<br />

Aufnahmekopf {D} * see recording head {E}.<br />

aufnahmen {D} * see record {E}.<br />

Aufnahmeplatte {D} * see instantaneous disc {E}.<br />

Aufnahmeschicht {D} * see recording layer {E}.<br />

Aufnahmesitzung {D} * see recording session {E}.<br />

Aufnahmetrichter {D} * see recording horn {E}.<br />

Aufnahmewachs {D} * see wax disc {E}.<br />

Aufwickelbandzug {D} * see take-up tension {E}.<br />

Aufwickelspule {D} * see take-up reel {E}.<br />

augmentation de la densité pendant le tirage<br />

pho<strong>to</strong>graphique {F} * see buildup {E}.<br />

augmented channel system {E} * A way <strong>of</strong> gaining more<br />

VHF channel capacity on a conventional single cable<br />

system through <strong>the</strong> installation <strong>of</strong> subscriber set-<strong>to</strong>p<br />

conver<strong>to</strong>rs. {D= ?; Es= sistema de transmisión multicanal<br />

por cable; F= système de transmission multicanaux par<br />

câble}.<br />

aumentador (químico o electrónico) {Es} * see extender<br />

{E}.<br />

aumen<strong>to</strong> {Es} * see magnification {E}.<br />

aumen<strong>to</strong> de la señal de vídeo {Es} * see aperture<br />

correction (1, 2) {E}.<br />

aumen<strong>to</strong>, dilatación de la emulsión {Es} * see swelling <strong>of</strong><br />

<strong>the</strong> emulsion {E}.<br />

aumen<strong>to</strong> en la densidad debido a la liberación de plata<br />

metálica {Es} * see buildup (4) {E}.<br />

aureola {Es} * see halation {E}.<br />

auriculares {Es} * see can (2){E}; headphones {E}.<br />

ausblenden {D} * see attenuate; fade; iris-in/iris-out {E}.<br />

Außenaufnahme {D} * see field recording {E}.<br />

Außenhülle {D} * see cover {E}.<br />

Ausgabe {D} * see issue {E}.<br />

Ausgang {D} * see output {E}.<br />

Ausgangssignal {D} * see output {E}.<br />

Auslaufserie {D} * see chronological file {E}.<br />

Ausleihe {D} * see loan {E}.<br />

Ausleuchtung {D} * see lighting {E}.


Auslösung {D} * see resolution {E}.<br />

Ausnahmegenehmigung {D} * see clearance {E}.<br />

Ausrichtung {D} * see orientation direction {E}.<br />

Aussenstelle {D} * see branch reposi<strong>to</strong>ry {E}.<br />

Aussonderung {D} * see disposal {E}.<br />

Ausstellung {D} * see exhibition {E}.<br />

Ausstellungsvitrine {D} * see display case {E}.<br />

ausstrahlen {D} * see broadcast {E;F}.<br />

Auswertung {D} * see evaluation {E}.<br />

Auszug {D} * see excerpt {E}.<br />

autenticación {Es} * see au<strong>the</strong>ntication {E}.<br />

autentificar {Es} * see au<strong>the</strong>ntication {E}.<br />

auteur {E;F} * In moving-image production, a <strong>the</strong>ory which<br />

postulates that one person has <strong>the</strong> artistic responsibility for<br />

a film, usually <strong>the</strong> direc<strong>to</strong>r. Therefore, films can be studied<br />

like novels and paintings; see also cahiers du cinema;<br />

metteur en scene; politique des auteurs.(30.) {D= ?; Es=<br />

(cine) teoría que defiende la responsabilidad artística del<br />

direc<strong>to</strong>r}.<br />

au<strong>the</strong>ntication {E} * The determination that a document or<br />

a reproduction <strong>of</strong> a document is what it purports <strong>to</strong><br />

be.22.23. {D= Ech<strong>the</strong>itsbestätigung; Es= autenticación;<br />

autentificar {Es; F= au<strong>the</strong>ntification}.<br />

au<strong>the</strong>ntification {F} * see au<strong>the</strong>ntication {E}.<br />

authoring system {E} * Programmes and equipment which<br />

enable non-programmers <strong>to</strong> write inter-active and o<strong>the</strong>r<br />

programmes, espe-cially for CD-I.39. {D= ?; Es= sistema<br />

protegido; F= système protégé}.<br />

authority file {E} * The data, ei<strong>the</strong>r manual or au<strong>to</strong>mated,<br />

in which cataloguers document <strong>the</strong> accepted form <strong>of</strong><br />

names, titles, subjects, and genres which are acceptable<br />

in a given catalogue or file. {D= ?; Es= ficha de au<strong>to</strong>ridad;<br />

F= fichier d'au<strong>to</strong>rité}.<br />

au<strong>to</strong> démagnétisation {F} * see self-demagnetization {E}.<br />

au<strong>to</strong> effacement {F} * see self erasure {E}.<br />

au<strong>to</strong> focus {E} * 1) For pitted optical digital media <strong>the</strong><br />

method used <strong>to</strong> maintain <strong>the</strong> focus <strong>of</strong> <strong>the</strong> objective lens on<br />

<strong>the</strong> pit surface.(39.) 2) The process on some cameras by<br />

which <strong>the</strong> focus is au<strong>to</strong>matic. {D= ?; Es= 1) enfoque<br />

au<strong>to</strong>mático; 2) mantenimien<strong>to</strong> de enfoque; F= aut<strong>of</strong>ocus;<br />

à mise au point au<strong>to</strong>matique}.<br />

au<strong>to</strong> framing {E} * A feature in video production which<br />

causes <strong>the</strong> <strong>to</strong>p horizontal line <strong>of</strong> <strong>the</strong> incoming video and<br />

<strong>the</strong> playback signal <strong>to</strong> be in <strong>the</strong> same field. {D= ?; Es=<br />

convergencia au<strong>to</strong>mática; F= tramage au<strong>to</strong>matique}.<br />

au<strong>to</strong> tracking {E} * For optical digital media <strong>the</strong> method<br />

used <strong>to</strong> maintain tracking <strong>of</strong> <strong>the</strong> LASER spot on <strong>the</strong> pit<br />

track.(39.) {D= ?; Es= seguimien<strong>to</strong> [tracking] au<strong>to</strong>mático;<br />

F= suivi de piste; pistage}.<br />

au<strong>to</strong>borrado {Es} * see self erasure {E}.<br />

au<strong>to</strong>catalítico {Es} * see au<strong>to</strong>catalytic {E}.<br />

au<strong>to</strong>catalytic {E} * A self-sustaining decomposition process<br />

<strong>of</strong> a chemical compound, <strong>of</strong>ten accompanied by a very<br />

rapid release <strong>of</strong> energy.53. {D= au<strong>to</strong>katalytisch; Es=<br />

20<br />

au<strong>to</strong>catalítico; F= au<strong>to</strong>catalytique}.<br />

au<strong>to</strong>catalytique {F} * see au<strong>to</strong>catalytic {E}.<br />

au<strong>to</strong>desmagnetización {Es} * see self-demagnetization {E}.<br />

au<strong>to</strong>exposición {Es} * see au<strong>to</strong>matic exposure {E}.<br />

aut<strong>of</strong>ocus {F} * see au<strong>to</strong> focus {E}.<br />

au<strong>to</strong>katalytisch {D} * see au<strong>to</strong>catalytic {E}.<br />

au<strong>to</strong>matic data processing (ADP) {E} * 1) Au<strong>to</strong>matic<br />

operations, ei<strong>the</strong>r by mechanical or electronic equipment,<br />

permitting <strong>the</strong> rapid exploitation <strong>of</strong> large quantities <strong>of</strong><br />

data.22. 2 ) The preparing <strong>of</strong> information with <strong>the</strong> aid or<br />

use <strong>of</strong> machines or computers. {D= Au<strong>to</strong>matisierte<br />

Datenverarbeitung (ADV); Elektronische<br />

Datenverarbeiteung (EDV); Es= proceso de da<strong>to</strong>s; proceso<br />

de da<strong>to</strong>s au<strong>to</strong>mático; F= traitement au<strong>to</strong>matique des<br />

donnés; traitement au<strong>to</strong>matique informatique}.<br />

au<strong>to</strong>matic exposure {E} * In pho<strong>to</strong>graphic processes,<br />

exposure control by pho<strong>to</strong>electric means for maintaining<br />

substantially constant exposure in <strong>the</strong> focal plane for a<br />

range <strong>of</strong> field lumi-nance.(40.) {D= ?; Es= au<strong>to</strong>exposición;<br />

F= exposition au<strong>to</strong>matique}.<br />

au<strong>to</strong>matic frequency control (AFC) {E} * Electronic circuitry<br />

which au<strong>to</strong>matically controls <strong>the</strong> frequency <strong>of</strong> an oscilla<strong>to</strong>r.<br />

{D= ?; Es= control au<strong>to</strong>mático de frecuencia; F= contrôle<br />

au<strong>to</strong>matique de fréquence}.<br />

au<strong>to</strong>matic gain control (AGC) {E} * The electronic circuit<br />

which alters and adjusts <strong>the</strong> volume <strong>of</strong> <strong>the</strong> sound and/or<br />

<strong>the</strong> brightness <strong>of</strong> a recorded picture <strong>to</strong> predetermined<br />

levels.(35.) {D= au<strong>to</strong>matische Aussteuerung: Es= control<br />

au<strong>to</strong>mático de ganancia; F= contrôle au<strong>to</strong>matique de<br />

gain}.<br />

au<strong>to</strong>matic precision exposure system (apex system) {E} *<br />

A method <strong>of</strong> pho<strong>to</strong>graphic exposure rating. {D= ?; Es=<br />

sistema preciso de exposición au<strong>to</strong>mática; F= système<br />

d'exposition au<strong>to</strong>matique de précision (système APEX)}.<br />

au<strong>to</strong>matic scan tracking {E} * An au<strong>to</strong>matic means <strong>of</strong><br />

causing a video playback head <strong>to</strong> track <strong>the</strong> recorded<br />

signals on tape. {D= ?; Es= barrido de seguimien<strong>to</strong><br />

au<strong>to</strong>mático; F= balayage de piste}.<br />

au<strong>to</strong>matic shut<strong>of</strong>f {E} * A special switch which<br />

au<strong>to</strong>matically s<strong>to</strong>ps equipment when a particular event<br />

occurs (i.e., when <strong>the</strong> tape <strong>of</strong> a tape recording breaks or<br />

runs out; when <strong>the</strong> temperature and/or relative humidity<br />

reach a predetermined level).(50.) {D= ?; Es= desconexión<br />

au<strong>to</strong>mática; F= arrêt au<strong>to</strong>matique}.<br />

au<strong>to</strong>matic target control {E} * Electronic circuitry in which<br />

<strong>the</strong> target voltage <strong>of</strong> a video vidicon tube is au<strong>to</strong>matically<br />

adjusted as a function <strong>of</strong> <strong>the</strong> scene brightness. {D= ?; Es=<br />

control au<strong>to</strong>mático de la tensión [voltaje] del blanco; F=<br />

contrôle au<strong>to</strong>matique de tension de la cible}.<br />

Au<strong>to</strong>matic Cassette Recorder {D;E;Es;F} * A video tape<br />

recorder made by Ampex which utilized a 2" quadruplex<br />

videotape housed in a cassette for rapid play and cue.<br />

RCA competed in this market with its own TCR cassette<br />

which is not interchangeable.<br />

au<strong>to</strong>matische aussteuerung {D} * see au<strong>to</strong>matic gain<br />

control (AGC) {E}.<br />

au<strong>to</strong>matisierte Datenverarbeitung (adv) {D} * see<br />

au<strong>to</strong>matic data processing (ADP) {E}.<br />

au<strong>to</strong>rización de consulta {Es} * see a field {E} * In CD-ROM<br />

mode 1, a 288 byte field used for extended EDC/EDU. In<br />

CD-OM mode 2, a 280 byte field <strong>of</strong> user data.(39.) {D= ?;<br />

Es= campo de da<strong>to</strong>s auxiliar; F= champ de données


auxiliaires}.<br />

available-light pho<strong>to</strong>graphy {E} * A camera technique<br />

which uses no extra, artificial illumination beyond that<br />

present in <strong>the</strong> scene being pho<strong>to</strong>graphed.(30.) {D= ?; Es=<br />

fo<strong>to</strong>grafía con la luz ambiental disponible; F= pho<strong>to</strong>graphie<br />

à la lumière naturelle}.<br />

avance (cine) {Es} * see trailer {D;E}.<br />

avance {Es} * see trailer {D;E}.<br />

avance de sincronización {Es} * see sync advance {E}.<br />

avance rapide {F} * see fast forward {E}.<br />

avance rápido {Es} * see fast forward {E}.<br />

avance son {F} * see sync advance {E}.<br />

avant tître {E;F} * In library usage, o<strong>the</strong>r title information<br />

introducing <strong>the</strong> title proper and occurring above <strong>the</strong> item's<br />

title proper on <strong>the</strong> prescribed source <strong>of</strong> information for <strong>the</strong><br />

title and statement <strong>of</strong> responsibility.12. {D= ?; Es= forma<strong>to</strong><br />

de títulos}.<br />

avant-garde {E;F} * 1) Something which employs new,<br />

original techniques and experimental approaches. 2) In<br />

motion pictures, <strong>the</strong> first experimental movement which<br />

began in Europe around 1920. {D= ?; Es= nueva ola}.<br />

average gradient {E} * A measure <strong>of</strong> contrast <strong>of</strong> a pho<strong>to</strong>graphic<br />

image, representing <strong>the</strong> slope <strong>of</strong> a portion <strong>of</strong> a<br />

characteristic curve.09. {D= ?; Es= gradiente medio; F=<br />

gradient moyen}.<br />

aviso {Es} * see cue {E}.<br />

axe {F} * see axis; spindle {E}.<br />

axe d'entraînement {F} * see straight edge {E}.<br />

axial {F} * see abaxial {E}.<br />

axis {E;Es} * In optics, an imaginary horizontal line passing<br />

through <strong>the</strong> centre <strong>of</strong> every component part <strong>of</strong> an optical<br />

system. {D= ?; F= axe}.<br />

ayant droit {F} * see claimant {E}.<br />

ayants droit {F} * see claimant {E}.<br />

ayudante del realizador {Es} * see script girl {D;E;F}.<br />

Azetat {D} * see acetate {E}.<br />

Azetatfilm {D} * see acetate film {E}.<br />

Azetatplatte {D} * see lacquer disc {E}.<br />

Azetatträger {D} * see acetate base {E}.<br />

Azetatträgerbasis {D} * see acetate base {E}.<br />

Aze<strong>to</strong>n {D} * see ace<strong>to</strong>ne {E}.<br />

azimuth adjustment {E} * The adjustment <strong>of</strong> magnetic<br />

record and/or reproducing head/s for exact alignment <strong>of</strong><br />

<strong>the</strong> head gap with a correctly recorded magnetic pattern.<br />

Such adjustments are <strong>of</strong> prime importance for optimum<br />

high frequency (for short wave length) performance and<br />

recorder-<strong>to</strong>-recorder compatibility. The angle <strong>of</strong> <strong>the</strong> head<br />

gap is so set <strong>to</strong> obtain optimum high frequency response<br />

since misalignment <strong>of</strong> <strong>the</strong> gaps causes a loss in output at<br />

short wavelengths. In analogue magnetic tape recording<br />

<strong>the</strong> angle <strong>of</strong> <strong>the</strong> head gap is at right angles <strong>to</strong> <strong>the</strong> direction<br />

<strong>of</strong> <strong>the</strong> tape travel. In several helical-scan video formats, as<br />

well as in R-DAT, azimuth angles <strong>of</strong> adjacent track differ<br />

(e.g., +/- 15°); see also head alignment.(04.07.16.46.50.)<br />

21<br />

{D= Spalteinstellung; Es= alineamien<strong>to</strong> azimutal; F=<br />

réglage d'azimut; ajustement azimuth}.<br />

azo dye {E} * A moderately transparent light-sensitive dye<br />

used in diazo film.01. {D= ?; Es= colorante azoíco; F=<br />

colorant azo}.<br />

azul {Es} * see blue {E}.<br />

azul de metileno {Es} * see methylene blue {E}.<br />

b ---<br />

b {E} * Abbreviation <strong>of</strong> Bel.<br />

b picture {E} * When double feature motion pictures were<br />

<strong>the</strong> rule, quick, cheap pictures were made <strong>to</strong> fill <strong>the</strong> double<br />

bill. The equivalent <strong>to</strong>day is <strong>the</strong> made-for-tv film.30. {D= ?;<br />

Es= películas de serie B; F= image b}.<br />

B reel {E} * TV production technique in which <strong>the</strong> main<br />

source <strong>of</strong> video or film is designated as <strong>the</strong> "A" reel while<br />

<strong>the</strong> secondary source is <strong>the</strong> "B" reel; see A-B roll. {D= ?;<br />

Es= bobina B; F= source secondaire; bobine B}.<br />

b-wind picture {E} * A manner <strong>of</strong> winding film or tape on<strong>to</strong><br />

a hub so that <strong>the</strong> coated surface faces away from <strong>the</strong> hub.<br />

The image reads properly when viewed through <strong>the</strong> base<br />

and projects properly with <strong>the</strong> emulsion <strong>to</strong>wards <strong>the</strong><br />

screen, b-wind pictures are produced from normal<br />

exposures in <strong>the</strong> camera on negative or reversal film; see<br />

also a-wind picture. {D= ?; Es= filme de enrollado tipo b;<br />

F= film avec enroulement extérieur; type b}.<br />

b-wind printing {E} * see a and b wind printing.<br />

b-wind raw s<strong>to</strong>ck {E} * A manner <strong>of</strong> winding a 16 mm roll <strong>of</strong><br />

raw s<strong>to</strong>ck, perforated along only one edge, so that when<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> film leaves <strong>the</strong> roll at <strong>the</strong> <strong>to</strong>p and <strong>to</strong> <strong>the</strong> right<br />

<strong>the</strong> perforations are away from <strong>the</strong> observer. Such film is<br />

used for camera film, for making optical prints, and on bidirect-ional<br />

printers; see also a-wind {raw s<strong>to</strong>ck}.(09.) {D=<br />

?; Es= filme (material virgen) de enrollado tipo b; F= film<br />

vierge avec enroulement extérieur}.<br />

baby spot {E} * A low wattage spotlight, usually 400 watts<br />

or less. {D= ?; Es= iluminación proyectada de baja<br />

intensidad; F= (500 ou 750W); petit projecteur; projecteur<br />

spot}.<br />

bac {F} * see bin {E}.<br />

bac à films {F} * see bin {E}.<br />

back coating {E} * A thin conductive coating applied <strong>to</strong> <strong>the</strong><br />

magnetic side <strong>of</strong> magnetic tape <strong>to</strong> improve winding<br />

qualities.(06.) {D= Rückseitenbeschichtung;<br />

Rückseitenmattierung; Beschichtung; Es= revestimen<strong>to</strong><br />

dorsal; F= couche dorsale; revêtement dorsal}.<br />

-back film {E} * see anti-halation coating.<br />

back porch {E} * The portion <strong>of</strong> <strong>the</strong> video signal during<br />

horizontal blanking that follows <strong>the</strong> horizontal sync pulse<br />

and continues <strong>to</strong> <strong>the</strong> beginning <strong>of</strong> active video. {D= ?; Es=<br />

señal de vídeo; F= balayage re<strong>to</strong>ur}.<br />

back projection {E} * Also called 'rear projection'. A<br />

process in which a scene is projected from behind on<strong>to</strong> a<br />

screen behind <strong>the</strong> ac<strong>to</strong>rs so that it appears that <strong>the</strong> ac<strong>to</strong>rs<br />

are in a different setting. Back projection can save time<br />

and money but is <strong>of</strong>ten rejected at present in favour <strong>of</strong><br />

front projection, a much more effective system.30. {D=<br />

Hintergrund-Projektion; Es= proyección por transparencia;<br />

F= projection arrière; projection par transparence}.<br />

back rod (guide rod) {E} * A piece <strong>of</strong> equipment on <strong>the</strong>


ack side <strong>of</strong> several early cylinder machines on which <strong>the</strong><br />

recorder and/or reproducer apparatus pivoted. When<br />

situated below or forward <strong>of</strong> <strong>the</strong> mandrel <strong>the</strong> back rod was<br />

called <strong>the</strong> guide rod and, on later Edison machines, had an<br />

oil groove cut in<strong>to</strong> it. {D= ?; Es= varilla guía ; F= barre<br />

guide}.<br />

back-light {E} * Illumination <strong>of</strong> <strong>the</strong> subject from behind <strong>to</strong><br />

produce a highlight along its edge in a video production.<br />

{D= ?; Es= iluminación a contraluz ; F= éclairage en<br />

contre-jour}.<br />

back-space edi<strong>to</strong>r {E} * A video edit controller that<br />

generally controls two machines, a player and a recorder.<br />

The back-space edi<strong>to</strong>r cues both machines ahead <strong>of</strong> an<br />

edit point, rolls <strong>the</strong> machines <strong>to</strong>ge<strong>the</strong>r, and performs an<br />

edit at a specified point. The accuracy <strong>of</strong> <strong>the</strong> back-space<br />

edi<strong>to</strong>r is determined by ei<strong>the</strong>r clock time, control track, or<br />

time code signals. {D= ?; Es= controlador de edi<strong>to</strong>r de<br />

vídeo; F= ?}.<br />

back-<strong>to</strong>-back row/shelving {E} * Two rows or ranges <strong>of</strong><br />

shelving immediately adjacent <strong>to</strong> each o<strong>the</strong>r along <strong>the</strong>ir<br />

long axis.22.23. {D= Doppelregal; Doppelreihen; Es=<br />

estantería doble faz; F= épi double}.<br />

background density {E} * The opacity <strong>of</strong> <strong>the</strong> noninformation<br />

area <strong>of</strong> a micr<strong>of</strong>orm; see also density.40. {D=<br />

?; Es= densidad de fondo; F= densité de fond}.<br />

backing {E} * 1) For magnetic recordings, <strong>the</strong> base on<br />

which <strong>the</strong> magnetic oxide coating is carried. It gives<br />

strength and permits flexibility, and its thickness ensures<br />

that <strong>the</strong> physical separation <strong>of</strong> successive layers <strong>of</strong> <strong>the</strong><br />

magnetic coating in magnetic tape is sufficient <strong>to</strong> hinder<br />

print-through. Common materials are acetate, polyvinyl<br />

chloride, and polyester; paper was used in <strong>the</strong> early days<br />

<strong>of</strong> tape. The base <strong>of</strong> a laminated disc is known as <strong>the</strong><br />

core.(04.16.) 2) For laminated disc recordings this backing<br />

or base is known as <strong>the</strong> core, made usually <strong>of</strong> metal,<br />

glass, or cardboard. 3) In pho<strong>to</strong>graphy, a) a dark layer<br />

affixed <strong>to</strong> a film base in order <strong>to</strong> reduce halation or <strong>to</strong><br />

improve daylight loading characteristics <strong>of</strong> <strong>the</strong> film;<br />

synonymous with antihalation coating, or b) <strong>the</strong> flexible<br />

material, usually polyester or cellulose acetate, which is<br />

used as <strong>the</strong> carrier for <strong>the</strong> emulsion; see also base<br />

support. (01.16.){D= Träger; Trägerschicht; Es= soporte de<br />

refuerzo; F= couche anti-halo; enduit; renforcement;<br />

support (ruban)}.<br />

backing removal {E} * Elimination, usually during<br />

processing, <strong>of</strong> <strong>the</strong> antihalation backing coated on <strong>the</strong> base<br />

side <strong>of</strong> many types <strong>of</strong> motion picture film. {D= ?; Es=<br />

eliminación de la capa antihalo; eliminación del soporte de<br />

refuerzo; F= élimination de la couche anti-halo;<br />

enlèvement de reforcement}.<br />

backlighting {E} * A pho<strong>to</strong>graphic and moving-image<br />

technique where <strong>the</strong> main source <strong>of</strong> light is behind <strong>the</strong><br />

subject, silhouetting it, directed <strong>to</strong>wards <strong>the</strong> camera; see<br />

also keylight; filler light.(30.) {D= Gegenlicht; Hintergrund-<br />

Ausleuchtung; Es= contraluz; illuminación de contraluz; F=<br />

contre-jour; décrochage; éclairage de fond; éclairage en<br />

contre-jour}.<br />

backup copy {E} * In broadcasting, a transmission quality<br />

duplicate used as a safety copy in case <strong>of</strong> failure during<br />

transmission; also known as stand by copy.(06.) {D=<br />

Sicherheitskopie; Es= copia de seguridad; F= de<br />

sauvegarde; de securité}.<br />

Bad {D} * see bath {E}.<br />

baffle {E;F} * The panel on which most audio sound<br />

system speakers are mounted, usually <strong>the</strong> front panel <strong>of</strong><br />

an enclosure.50. {D= ?; Es= pantalla acústica; F= écran<br />

acoustique}.<br />

22<br />

bafle reflec<strong>to</strong>r de bajos {Es} * see bass reflex speaker<br />

enclosure {E}.<br />

baie {F} * see bay {E}.<br />

bain {F} * see bath {E}.<br />

bain d'arrêt {F} * see s<strong>to</strong>p bath {E}.<br />

baja frecuencia {Es} * see low frequency {E}.<br />

baja resolución {Es} * see low resolution {E}.<br />

bajo contraste {Es} * see low contrast {E}.<br />

Bakelite {D;E;Es;F} * A syn<strong>the</strong>tic resin developed in <strong>the</strong><br />

early part <strong>of</strong> this century and widely used as a substitute<br />

for hard rubber or celluloid. It was used in <strong>the</strong> production<br />

<strong>of</strong> some phonograph records, and is almost identical <strong>to</strong><br />

Condensite used by Edison in <strong>the</strong> coating <strong>of</strong> his Diamond<br />

Discs.04.<br />

balance {Es} * see <strong>of</strong>fset {E}.<br />

balance de couleur {F} * see colour balance {E}.<br />

balance stripe {E} * The narrow strip <strong>of</strong> magnetic material<br />

running lengthwise along <strong>the</strong> opposite edge from <strong>the</strong><br />

soundtrack on a piece <strong>of</strong> magnetic stripe motion picture<br />

film. The purpose <strong>of</strong> such a band is <strong>to</strong> ensure that <strong>the</strong> film<br />

is <strong>the</strong> same thickness at both edges so that it winds evenly<br />

on<strong>to</strong> <strong>the</strong> reel. It is sometimes used <strong>to</strong> record half <strong>of</strong> a<br />

stereo soundtrack. {D= ?; Es= pista de balance<br />

[compensación]; F= piste de compensation}.<br />

balayage de piste {F} * see au<strong>to</strong>matic scan tracking {E}.<br />

balayage de trame {F} * see field per scan {E}.<br />

balayage entrelacé {F} * see interlace scanning; interlaced<br />

scan {E}.<br />

balayage grande vitesse {F} * see high-speed scanning<br />

{E}.<br />

balayage mécanique {F} * see mechanical scanning {E}.<br />

balayage segmenté {F} * see segmented scan {E}.<br />

balayage vertical {F} * see field per scan {E}.<br />

balda {Es} * see shelf {E}.<br />

ball chart {E} * A video test chart used <strong>to</strong> adjust picture<br />

linearity. Also called a linearity chart. {D= ?; Es= carta de<br />

linealidad; F= charte d'étalonnage}.<br />

balourd {F} * see imbalance {E}.<br />

banco de da<strong>to</strong>s {Es} * see data bank {E}.<br />

band {E} * see cut {E}.<br />

Band {D} * see magnetic tape; track; volume {E;F}.<br />

Band mit geringem kopiereffekt- {D} * see low print tape<br />

{E}.<br />

Band mit hoher lopierdämpfung {D} * see low print tape<br />

{E}.<br />

Band-kopf-kontakt {D} * see head <strong>to</strong> tape contact {E}.<br />

Band-kopf-kontaktprobleme {D} * see tape-<strong>to</strong>-head<br />

separation changes {E}.<br />

band-pass filter {D;E} * An electronic screen with a<br />

characteristic <strong>to</strong> allow all frequencies between two


specified roll-<strong>of</strong>f frequencies <strong>to</strong> pass and attenuate all<br />

frequencies below and above. {Es= filtro de paso de<br />

banda; F= filtre passe-bande}.<br />

banda {Es} * see track {E}.<br />

banda baja {Es} * see lowband (LB) {D;E}.<br />

banda base {Es} * see baseband {E}.<br />

banda de imagen {Es} * see visuals {E}.<br />

banda de mezcla parcial {Es} * see mix-minus {E}.<br />

banda de mezcla parcial realizada entre varias emisoras<br />

de radio o TV locales (en EEUU) {Es} * see mix-minus-plus<br />

{E}.<br />

banda de música y efec<strong>to</strong>s {Es} * music and effects track<br />

{E}.<br />

banda de música y efec<strong>to</strong>s * see music and effects track<br />

{E}.<br />

banda de protección {Es} * see guard band {E}.<br />

banda específica {Es} * see bandlimited {E}.<br />

banda internacional de sonido {Es} * see music and effects<br />

track {E}.<br />

banda limitada {Es} * see bandlimited {E}.<br />

banda magnética (específicamente) {Es} * see magnetic<br />

tape {E}.<br />

banda magnética (genéricamente) {Es} * see magnetic<br />

tape base {E}.<br />

banda magnética {Es} * see magnetic tape {E}.<br />

banda simple {Es} * see single track {E}.<br />

banda sonora {Es} * see phonotape; soundtrack {E}.<br />

banda sonora bilateral {Es} * see bilateral soundtrack {E}.<br />

banda sonora de área variable {Es} * see variable-area<br />

soundtrack {E}.<br />

banda sonora de densidad fija {Es} * see variable-area<br />

soundtrack; variable-density soundtrack {E}.<br />

banda sonora internacional {Es} * see music and effects<br />

track {E}.<br />

Bandabhebung {D} * see tape lifter {E}.<br />

Bandabrieb {D} * see loose debris {E}.<br />

bandas (horizontales) por micr<strong>of</strong>onía {Es} * see<br />

microphonic bars {E}.<br />

bandas {Es} * see bands {E}.<br />

bandas de título {Es} * see intertitle rolls/title bands {E}.<br />

Bandbegrenzt {D} * see bandlimited {E}.<br />

Bandbreite {D} * see bandwidth {E}.<br />

Banddeformation {D} * see crease {E}.<br />

Banddicke {D} * see <strong>to</strong>tal thickness {E}.<br />

bande {F} * see track {E}.<br />

bande à particules métalliques {F} * see metal particle tape<br />

(MP) {E}.<br />

23<br />

bande amorce {F} * see leader; leader tape {E}.<br />

bande annonce {F} * see preview; trailer {D;E}.<br />

bande audio à bobines libres {F} * see audio reel {E}.<br />

bande audionumérique {F} * see digital audio tape (DAT)<br />

{E}.<br />

bande certifiée {F} * see certified tape {E}.<br />

bande d'actualités {F} * see news film {E}.<br />

bande d'alignement {F} * see alignment tape {E}.<br />

bande de base {F} * see baseband {E}.<br />

bande de micr<strong>of</strong>ilm {F} * see micr<strong>of</strong>ilm strip; unitized film<br />

{E}.<br />

bande de mixage partielle {F} * see mix-minus {E}.<br />

bande de net<strong>to</strong>yage {F} * see green tape {E}.<br />

bande de référence d'amplitude normalisée {F} * see<br />

standard amplitude reference tape {E}.<br />

bande de référence normalisée {F} * see standard<br />

reference tape {E}.<br />

bande de réglage {F} * see alignment tape {E}.<br />

bande faible bruit {F} * see low noise tape {E}.<br />

bande faible effet de copie {F} * see low print tape {E}.<br />

bande/film de net<strong>to</strong>yage {F} * see cleaning film/tape {E}.<br />

bande fréquentielle {F} * see frequency range {E}.<br />

bande image {F} * see visuals {E}.<br />

bande limitée {F} * see bandlimited {E}.<br />

bande longue durée {F} * see extra play tape {E}.<br />

bande magnétique {F} * see magnetic tape {E}.<br />

bande magnétique audio {F} * see audio tape {E}.<br />

bande magnétique numérique {F} * see DCT {E}.<br />

bande master {F} * see master tape {E}.<br />

bande mère {F} * see master {E}.<br />

bande métal à évaporation {F} * see metal evaporated<br />

tape (ME) {E}.<br />

bande musique et effets sonores {F} * see music and<br />

effects track {E}.<br />

bande passante {F} * see bandwidth {E}.<br />

bande perforée {F} * see punched paper tape {E}.<br />

bande préenregistrée {F} * see pre-recorded tape {E}.<br />

bande son {F} * see audio tape; phonotape; soundtrack;<br />

track {E}.<br />

bande son de mixage {F} * see music and effects track {E}.<br />

bande témoin {F} * see control strip {E}.<br />

bande video {F} * see videotape {E}.<br />

bande vidéo de première génération {F} * see firstgeneration<br />

videotape {E}.


ande vidéo master éditée {F} * see edited master<br />

videotape {E}.<br />

bande vidéo originale {F} * see camera original videotape<br />

{E}.<br />

bande vierge {F} * see blank tape {E}.<br />

Bande numérique composante {F} * see Digital<br />

Component Tape {E}.<br />

bandeaux {F} * see bands {E}.<br />

Bandende {D} * see tail {E}.<br />

bandera {Es} * see flag; gobo (2) {E}.<br />

bandera {Es} * see gobo {E}.<br />

Bandfehler {D} * see bands {E}.<br />

Bandführung {D} * see flange {E}.<br />

Bandführungen {D} * see tape guides {E}.<br />

Bandgeschwindigkeit {D} * see tape speed {E}.<br />

banding {E} * A video aberration which results from<br />

improper adjustment <strong>of</strong> a 2 inch quadruplex videotape<br />

machine. It appears as wide horizontal bands in <strong>the</strong><br />

picture. {D= ?; Es= efec<strong>to</strong> persiana; F= effet de persienne;<br />

effet de bande}.<br />

Bandklebemaschine {D} * see tape splicer {E}.<br />

Bandkopf {D} * see head {E}.<br />

Bandkräuseln {D} * see edge curl {E}.<br />

bandlimited {E} * A signal occupying a defined and finite<br />

frequency band.39. {D= bandbegrenzt; Es= banda<br />

específica; banda limitada; F= bande limitée}.<br />

Bandrauschen {D} * see hiss {E}.<br />

bands {E} * Stresses in tape and film materials that are<br />

parallel <strong>to</strong> <strong>the</strong> edge <strong>of</strong> and run <strong>the</strong> full length <strong>of</strong> tape/film.<br />

An item with this problem may have multiple bands across<br />

its width; not a problem with helical tape recordings.(06.)<br />

{D= Bandfehler; Es= bandas; F= bandeaux;<br />

longitudinales}.<br />

Bandspieler {D} * see tape player {E}.<br />

Bandteller {D} * see platter {E}.<br />

Bandträgermaterial {D} * see magnetic tape base {E}.<br />

Bandtransport {D} * see tape transport {E}.<br />

Bandwickel {D} * see tape pack {E}.<br />

bandwidth {E} * 1) The range between lower and upper<br />

limiting frequencies; <strong>the</strong> width <strong>of</strong> a band <strong>of</strong> fre-quencies.<br />

Also, <strong>the</strong> maximum amount <strong>of</strong> information (e.g., Bits)<br />

needed for transmission or s<strong>to</strong>rage.39. {D= Bandbreite;<br />

Es= ancho de banda; F= bande passante; largeur de<br />

bande de fréquences}.<br />

Bandzählwerk {D} * see tape index counter {E}.<br />

Bandzugmeßgerät {D} * see tentelometer {E}.<br />

Bandzugwaage {D} * see tentelometer {E}.<br />

banque de données {F} * see data bank {E}.<br />

baño {Es} * see bath {E}.<br />

24<br />

baño de eliminación {Es} * see strip (2) {E}.<br />

baño de paro {Es} * see s<strong>to</strong>p bath {E}.<br />

baño de plata en seco {Es} * see wet silvering {E}.<br />

baril à titres .{F}. see drum .{E}.<br />

baril à titres {F} * see drum {E}.<br />

barn doors {E} * 1) In pho<strong>to</strong>graphy and moving-image<br />

production, 'blinders' placed on lights <strong>to</strong> direct <strong>the</strong> flow <strong>of</strong><br />

<strong>the</strong> light in a certain direction.30. 2) In video production,<br />

black hinged panels or shutters (which open and close like<br />

barn doors) attached <strong>to</strong> <strong>the</strong> front <strong>of</strong> a lamp fixture <strong>to</strong> control<br />

<strong>the</strong> spread <strong>of</strong> <strong>the</strong> light beam. Barn doors come in both 2<br />

door and 4 door configurations. Also referred <strong>to</strong> as snoots<br />

(or snouts). barrel dis<strong>to</strong>rtion. A video aberration that makes<br />

<strong>the</strong> image appear <strong>to</strong> bulge outward on all sides like a<br />

barrel. {D= Scheinwerfer<strong>to</strong>r; Es= paneles articulados;<br />

doble pantalla opaca; F= coupe-flux; volets réglables;<br />

volets articulés; défaut vidéo (snouts; snoots); écran<br />

opaque}.<br />

barnizado de cobal<strong>to</strong> {Es} * see cobalt doping {E}.<br />

barra roscada {Es} * see feed screw {E}.<br />

barras de color {Es} * see colour bars {E}.<br />

barre {F} * see crease {E}.<br />

barrel dis<strong>to</strong>rtion {E} * image misrepresentation in any <strong>of</strong> <strong>the</strong><br />

pho<strong>to</strong>graphic or video processes caused by uncorrected<br />

lenses or because <strong>of</strong> <strong>the</strong> relationship between <strong>the</strong><br />

diaphragm and lens elements. With <strong>the</strong> diaphragm<br />

positioned in front <strong>of</strong> <strong>the</strong> lens, <strong>the</strong> lines form a rectangular<br />

bulge outward. Positioned behind <strong>the</strong> lens, <strong>the</strong> same lines<br />

lean <strong>to</strong>wards <strong>the</strong> centre <strong>of</strong> <strong>the</strong> rectangle. A square appears<br />

barrel shaped, compressed <strong>to</strong>wards <strong>the</strong> corners. {D= ?;<br />

Es= dis<strong>to</strong>rsión en <strong>to</strong>nel; F= aberration en barillet; effet<br />

<strong>to</strong>nneau?}.<br />

barrel markings {E} * Imprints on lens mountings that<br />

indicate <strong>the</strong> focal length <strong>of</strong> <strong>the</strong> lens, as well as its serial<br />

number and <strong>the</strong> name <strong>of</strong> its manufacturer. {D= ?; Es=<br />

impresión que lleva la montura del objetivo; F= marquage<br />

sur le barillet}.<br />

barrel organ cylinder {E} * A mechanical sound carrier in<br />

<strong>the</strong> form <strong>of</strong> a cylinder studded with pegs which, when<br />

revolved, triggers a series <strong>of</strong> valves that admit air from a<br />

bellows <strong>to</strong> a series <strong>of</strong> pipes. {D= ?; Es= ?; F= orgue à<br />

cylindre}.<br />

barres de ronflement {F} * see hum bars {E}.<br />

barres horizontales {F} * see horizontal (hum) bars {E}.<br />

barres microphoniques {F} * see microphonics {E}.<br />

barrette {F} * see strip {E}.<br />

barrido de seguimien<strong>to</strong> au<strong>to</strong>mático {Es} * see au<strong>to</strong>matic<br />

scan tracking {E}.<br />

barrido vertical {Es} * see vertical blanking {E}.<br />

base {E;Es;F} * 1) The carrier upon which something is<br />

mounted or built. 2) A wooden or metal block upon which<br />

a printing plate is mounted. 3) In film, <strong>the</strong> transparent<br />

support, generally ei<strong>the</strong>r cellulose nitrate, cellulose<br />

acetate, or polyester, on which <strong>the</strong> pho<strong>to</strong>graphic emulsion<br />

<strong>of</strong> a film is coated.(09.) 4) In magnetic tape and disc, <strong>the</strong><br />

backing on which <strong>the</strong> magnetic oxide coating is carried.<br />

Common base materials are cellulose acetate, polyvinyl<br />

chloride, and polyester.(04.) 5) In laminated disc<br />

recordings, <strong>the</strong> backing upon which <strong>the</strong> laminate or


ecording surface is carried, most <strong>of</strong>ten metal, glass,<br />

paper, or pressed wood flour; see also backing; base<br />

support; radix; film base. {D= Trägerschicht; Schichtträger;<br />

Es= soporte; F= support}.<br />

base {Es} * see pedestal; radix {E}.<br />

base {F} * see <strong>to</strong>e {E}.<br />

base case {E} * The minimum system that may bear <strong>the</strong><br />

CD-I name; those systems containing specifications<br />

beyond <strong>the</strong> current CD-I specifications are known as CD-<br />

IX.(39.10.) {D= ?; Es= mínimo sistema que puede llamarse<br />

CD-I; F=}.<br />

base de da<strong>to</strong>s {Es} * see data base {E}.<br />

base de données {F} * see data base {E}.<br />

base density {E} * see fog level.<br />

base film backing (in recording tape) {E} * see backing.<br />

base plus fog {E} * see minimum density.<br />

base support {E} * see base.<br />

base-light {E} * Uniform, diffuse illumination used <strong>to</strong><br />

establish a sufficient ambient level <strong>of</strong> light for quality type<br />

television and film pickups. {D= ?; Es= iluminación base<br />

[básica]; F= éclairage de base}.<br />

baseband {E} * 1) An aural transmitter input signal<br />

between 0 and 120 kHz. 2)The band <strong>of</strong> frequencies <strong>to</strong> be<br />

superimposed (modulated) upon a carrier wave. 3) The<br />

frequencies used for local area network (LAN)<br />

transmission in <strong>the</strong> U.S.10. {D= ?; Es= banda base; F=<br />

bande de base}.<br />

baseline reflectivity {E} * The reflectivity <strong>of</strong> unwritten, ungrooved<br />

optical media.46. {D= ?; Es= reflectancia del nivel<br />

de base; F= réflexivité du disque vierge}.<br />

basic input/output system {E} * In some computer<br />

operating systems <strong>the</strong> part <strong>of</strong> <strong>the</strong> programm that<br />

cus<strong>to</strong>mizes <strong>the</strong> system <strong>to</strong> a specific computer. {D= ?; Es=<br />

sistema de entrada-salida base; F= système entrée/sortie<br />

de base}.<br />

básica {Es} * see base-light {E}.<br />

Baßlautsprecher {D} * see wo<strong>of</strong>er {E}.<br />

bass boost {E;F} * An accentuation <strong>of</strong> lower audio<br />

frequencies in audio recording or rerecording, normally<br />

provided by an equalizer or <strong>to</strong>ne control. This is a<br />

questionable practice in archival rerecording.04. {D=<br />

Bassanhebung; Es= acentuación de graves; acentuación<br />

de las bajas frecuencias; F= système de renforcement des<br />

basses}.<br />

bass reflex speaker enclosure {E} * Type <strong>of</strong> extension<br />

loudspeaker cabinet whose design employs a 'port' or<br />

opening which greatly reinforces <strong>the</strong> bass, yet requires a<br />

relatively small cabinet.(16.) {D= Bassreflexgehäuse; Es=<br />

altavoz [bafle] reflec<strong>to</strong>r de bajos; F= enceinte bass-reflex}.<br />

Bassanhebung {D} * see bass boost {E}.<br />

basse fréquence ? (vidéo quadruplex) {F} * see lowband<br />

(LB) {D;E}.<br />

basse fréquence {F} * see low frequency {E}.<br />

basse résolution {F} * see low resolution {E}.<br />

Bassreflexgehäuse {D} * see bass reflex speaker<br />

enclosure {E}.<br />

25<br />

bassy {E} * see boomy.<br />

bastidor {Es} * see chassis; rack {E}.<br />

bastidor en el que se monta la gasa difusora {Es} * see<br />

scrim frame {E}.<br />

batch {E} * Materials (e.g., film, magnetic tape, etc.)<br />

manufac-tured at <strong>the</strong> same time and stamped with <strong>the</strong><br />

same control marks (numbers, etc.), if <strong>the</strong> manufacturer<br />

uses such identifications, <strong>to</strong> indicate that each item has <strong>the</strong><br />

same physical characteristics (e.g., tensile strength,<br />

colour, weight, thickness, light sensitivi-ty, etc.). {D=<br />

Charge; Es= materiales fabricados a la misma vez; F= lot}.<br />

bath {E} * Generic term for a solution in which film is<br />

immersed during <strong>the</strong> several stages <strong>of</strong> processing, e.g.,<br />

developing, fixing, bleaching, washing. {D= Bad; Es= baño;<br />

F= bain}.<br />

batiente {Es} * see batten {E}.<br />

battement {F} * see flicker {E}.<br />

batten {E} * Horizontal pipe on which luminaries or scenery<br />

can be hung in a film or video production studio. {D= ?;<br />

Es= batiente; F= herse.}.<br />

battery operated psychrometer {E} * A psychrometer which<br />

includes a built-in battery operated fan and mo<strong>to</strong>r. It works<br />

on <strong>the</strong> same principle as <strong>the</strong> sling psychrometer, except<br />

that a small electric mo<strong>to</strong>r and fan produces <strong>the</strong> required<br />

airflow across <strong>the</strong> two bulbs. It is more accurate than <strong>the</strong><br />

manually operated sling psychrometer.(07.) {D= ?; Es=<br />

psicrómetro de pilas ; F= psychromètre au<strong>to</strong>nome}.<br />

baud {E;Es;F} * A unit used <strong>to</strong> measure <strong>the</strong> number <strong>of</strong><br />

binary units <strong>of</strong> information transmitted per second.10. {D=<br />

Baud}.<br />

baud rate {D;E;Es;F} * The transmitted data rate in bits per<br />

second (baud).39.<br />

Baud {D} * see baud {E;Es;F}.<br />

bavures {F} * see bleed {E}.<br />

bay {E} * A unit <strong>of</strong> shelving, single or double-sided,<br />

consisting <strong>of</strong> horizontal shelves between standards,<br />

uprights or upright frames; also called a<br />

compartment.22.23. {D= Regaleinheit; Regal; Stange; Es=<br />

estante; F= travée; baie}.<br />

BBC en 1955) {F} * see VERA {E}.<br />

BCD {E;F} * acronym for binary-coded decimal numbers.<br />

{D= ?; Es= ?}.<br />

beaded screen {E} * A white plastic or canvas screen used<br />

for projection. The surface has tiny glass beads or globes<br />

embedded in it. Highly directional, this type <strong>of</strong> screen<br />

provides a relatively brilliant image for <strong>the</strong> viewer seated at<br />

an angle <strong>of</strong> approximately 15 degrees from <strong>the</strong> screen's<br />

center. Beaded screens are particularly effective in narrow<br />

rooms and are <strong>of</strong> great value for narrow gauge film<br />

projection when <strong>the</strong> light source is weak. {D= ?; Es=<br />

pantalla cristalizada [perlada]; F= écran perlé; nacré}.<br />

beam {E} * 1) A ray, or group <strong>of</strong> parallel rays, <strong>of</strong> light or<br />

o<strong>the</strong>r radiation. 2) The LASER light used in an optical<br />

system <strong>to</strong> write and/or read <strong>to</strong>/from an optical s<strong>to</strong>rage<br />

device and <strong>to</strong> provide for focusing and tracking.(39.) {D=<br />

Strahl; Lichtbahn; Es= rayo de luz; haz de luz; F= faisceau;<br />

rayon}.<br />

beam splitter {E} * The arrangement <strong>of</strong> prisms in cameras,<br />

optical printers, and projection systems that make it<br />

possible <strong>to</strong> divide or split a beam <strong>of</strong> light. {D= ?; Es=


divisor [separador] de haz; F= lame semi-transparente;<br />

bloc séparateur de faisceaux lumineux}.<br />

Bearbeitung {colour} {D} * see additive colour {E}.<br />

Bearbeitung {D} * see additive {E}.<br />

beater mechanism {E} * The pull-down mechanism used<br />

in simple, narrow gauge motion picture film projec<strong>to</strong>rs. {D=<br />

?; Es= dispositivo proyec<strong>to</strong>r de películas sencillo; F= ?}.<br />

becule (de la película) {Es} * see loop {E}.<br />

Befeuchter {D} * see humidifier {E}.<br />

Befeuchtung {D} * see humidification {E}.<br />

Begasung {D} * see fumigation {E}.<br />

Begleitmaterial {D} * see accompanying material {E}.<br />

Behälter {D} * see box {E}.<br />

Beiheft {D} * see booklet {E}.<br />

Bel (b) {D;E;Es;F} * A unit <strong>of</strong> energy for measuring <strong>the</strong><br />

relative volume <strong>of</strong> sound. It is equal <strong>to</strong> 10 deciBels. The<br />

unit <strong>of</strong> measurement was named after Alexander Graham<br />

Bell.<br />

Beleuchtung {D} * see lighting {E}.<br />

Belichtung {D} * see exposure {E}.<br />

Belichtungsmesser {D} * see exposure meter {E}.<br />

Belichtungsschleier {D} * see fog {E}.<br />

Bell & Howell perforation {E} * A particular design <strong>of</strong><br />

perforation on 35 mm motion picture film that has flat <strong>to</strong>p<br />

and bot<strong>to</strong>m and curved sides and is usually used for 35<br />

mm negative and duplicating materials only not for release<br />

prints. {D= ?; Es= perforaciones Bell & Howell; F=<br />

perforations arrondies; (perforations Bell & Howell)}.<br />

belop {E;F} * A video production process in which 3"x5"<br />

pho<strong>to</strong>graphs and opaque art cards were transferred <strong>to</strong><br />

video through a video camera. Some belop machines<br />

inclose 2 banks and a mechanism <strong>to</strong> produce a video<br />

dissolve. Also referred <strong>to</strong> as a belop machine. Some<br />

belops incorporates a metal strip for transport <strong>of</strong> <strong>the</strong><br />

materials while o<strong>the</strong>rs used a wire frame. {D= ?; Es=<br />

transferencia de fo<strong>to</strong>grafías a vídeo}.<br />

belt {E} * A narrow, pliable, endless band used <strong>to</strong> transfer<br />

motion from one wheel <strong>to</strong> ano<strong>the</strong>r. {D= ?; Es= transmisión<br />

por correa; F= courroie de transmission}.<br />

Benützbarkeit {D} * see access {E}.<br />

Benützer {D} * see reader; user {E}.<br />

benützerfreundlich {D} * see user friendly {E}.<br />

Benützung-sverfilmung {D} * see reference micr<strong>of</strong>ilming<br />

{E}.<br />

Benützungsbeschränkung {D} * see restricted access {E}.<br />

berceau (fixation des micr<strong>of</strong>ilms) {F} * see cradle {E}.<br />

Bericht {D} * see record {E}.<br />

Berlinerschrift {D} * see lateral cut {E}.<br />

Berlinerschrift-Aufnahme {D} * see lateral recording {E}.<br />

Beschädigung {D} * see deterioration {E}.<br />

26<br />

Beschichtung {D} * see back coating; coating {E}.<br />

beschleunigte Alterung {D} * see accelerated ageing {E}.<br />

bespielter Tonträger {D} * see pre-recorded tape {E}.<br />

bespietes Band {D} * see pre-recorded tape {E}.<br />

Bestellschein {D} * see production ticket {E}.<br />

Bestellzettel {D} * see production ticket {E}.<br />

beta cellulose {E} * see hemicellulose.<br />

Betacam {F} * see BetaCam {D;E;Es;F}.<br />

Betacam SP {F} * see BetaCam SP {D;E;Es;F}.<br />

BetaCam SP {D;E;Es;F} * Identical <strong>to</strong> BetaCam with <strong>the</strong><br />

addition <strong>of</strong> utilizing SP metal videotape for improved<br />

performance. {F= BétaCam SP}.<br />

Bétacam numérique {F} * see digital BetaCam {E}.<br />

BetaCam {D;E;Es;F} * A Sony ½" helical cassette<br />

videotape format which was originally designed for EFP<br />

(Electronic Field production) work. Became widely adopted<br />

for production and broadcast use. BetaCam is a<br />

component analogue process which separates <strong>the</strong> colour<br />

information in<strong>to</strong> R-Y and B-Y signals. It uses separate<br />

luminance and chrominance tracks. BetaCam record<br />

decks accept input analogue signals internally. They will<br />

output ei<strong>the</strong>r component or composite analogue. There are<br />

four audio channels; two longitudinal on <strong>the</strong> edge <strong>of</strong> <strong>the</strong><br />

videotape. Two AFM (Audio Frequency Modulation) tracks<br />

are recorded with <strong>the</strong> video in <strong>the</strong> center <strong>of</strong> <strong>the</strong> videotape.<br />

Time code is recorded as a separate longitudinal track. An<br />

upgrade <strong>of</strong> BetaCam is <strong>the</strong> BetaCam SP format. {D= ?;<br />

Es= ?; F= ?}.<br />

BetaCam digital {Es} * see digital BetaCam {E}.<br />

BetaCam SP {D;E;Es;F} * A pr<strong>of</strong>essional analogue video<br />

recording format using component coding whose recording<br />

medium is a cassette housed ½-inch oxide tape.(10.06.)<br />

{F= Bétacam SP}.<br />

BetaCart {D;E;Es;F} * A videocassette that is designed<br />

for use in a Sony Betacam system.(10.).<br />

Betamax {F} * see BetaMax {D;E;Es}.<br />

BetaMax {D;E;Es;F} * Sony's entry in<strong>to</strong> <strong>the</strong> ½-inch<br />

consumer videocassette market that produced better<br />

quality video with stereo audio. The small cassettes could<br />

record over five hours at <strong>the</strong>ir slowest speed. However, <strong>the</strong><br />

format was eclipsed in <strong>the</strong> consumer market by <strong>the</strong> VHS<br />

format. However, <strong>the</strong> BetaMax format proved <strong>to</strong> be a<br />

testing ground for several technical innovations in <strong>the</strong><br />

pr<strong>of</strong>essional market. It was improved upon and ultimately<br />

lead <strong>to</strong> <strong>the</strong> BetaCam format.<br />

Betriebsbedingungen {D} * see operating environment {E}.<br />

Beweiswert {D} * see evidential value {E}.<br />

Bewerter {D} * see evalua<strong>to</strong>r {E}.<br />

bewertete Rauschspannung {D} * see weighted noise {E}.<br />

Bewertung {D} * see evaluation {E}.<br />

Bewertungskurve {D} * see weighting characteristic {E}.<br />

Bezug- {D} * see reference {E}.<br />

Bezugfläche {D} * see reference plane {E}.


Bezugsband {D} * see alignment tape; standard amplitude<br />

reference tape; standard reference tape {E}.<br />

Bezugsebene {D} * see reference plane {E}.<br />

Bezugsquelle {D} * see reference source {E}.<br />

bi-piste {F} * see two track; two track recording {E}.<br />

bias {E} * A high frequency signal or current, several times<br />

that <strong>of</strong> <strong>the</strong> highest frequency <strong>to</strong> be recorded, added<br />

intentionally during recording <strong>of</strong> analogue magnetic<br />

recordings <strong>to</strong> compensate for <strong>the</strong> inherent nonlinearity <strong>of</strong><br />

magnetic systems; essential <strong>to</strong> optimize recording quality<br />

and <strong>to</strong> minimize dis<strong>to</strong>rtion; results in a signal <strong>of</strong> low<br />

dis<strong>to</strong>rtion and a considerable increase in <strong>the</strong> signal-<strong>to</strong>noise<br />

ratio. Mostly vanishes from <strong>the</strong> tape soon after<br />

recording by a process <strong>of</strong> self-demagnetization.(04.16.)<br />

{D= Hochfrequenzvormagnetisierung; Vormagnetisierung;<br />

Es= ?; F= prémagnétisation; polarisation}.<br />

biauditivo {Es} * see binaural {E}.<br />

biauricular {Es} * see binaural {E}.<br />

bibliographic description {E} * A set <strong>of</strong> bibliographic data<br />

recording and identifying an item.12. {D= ?; Es=<br />

descripción bibliográfica; F= description bibliographique}.<br />

biblioteca de planos (de fo<strong>to</strong>s) {Es} * see library shot {E}.<br />

bicarbonate de magnésium {F} * see magnesium<br />

bicarbonate {E}.<br />

bicarbona<strong>to</strong> magnésico .{Es} * see magnesium<br />

bicarbonate .{E}.<br />

bicarbona<strong>to</strong> magnésico {Es} * see magnesium bicarbonate<br />

{E}.<br />

bilateral soundtrack {E} * A symmetrical, variable-area<br />

optical soundtrack on motion picture film. The central axis<br />

and surrounding modulated area are transparent in <strong>the</strong><br />

print, whereas in <strong>the</strong> equally common duplex track <strong>the</strong>y are<br />

opaque. {D= ?; Es= banda sonora bilateral; F= piste<br />

sonore à densité fixe}.<br />

Bild {D} * see frame; image {E;F}.<br />

Bild-Negativ {D} * see picture negative {E}.<br />

Bildarchivgut {D} * see audiovisual archives/records data;<br />

iconographic archives {E}.<br />

Bildband {D} * see filmstrip {E}.<br />

Bildbühneneinstellung {D} * see framing {E}.<br />

Bilddokumentation {D} * see audiovisual archives/records<br />

data {E}.<br />

Bilddokumente {D} * see iconographic archives {E}.<br />

Bilddokumentenarchiv/es {D} * see iconographic archives<br />

{E}.<br />

Bildeindruck {D} * see artifact; aspect ratio {E}.<br />

Bilder je Sekunde {D} * see frames per second (FPS) {E}.<br />

Bildfeld {D} * see framing {E}.<br />

Bildfenster {D} * see aperture; frame {E}.<br />

Bildfensterplatte {D} * see aperture plate {E}.<br />

Bildkopie {D} * see visuals {E}.<br />

27<br />

Bildkorrektur {D} * see image enhancement {E}.<br />

Bildmuster {D} * see rushes {E;F}.<br />

Bildplatte {D} * see optical disc {E}.<br />

Bildpunkt {D} * see picture element (PIXEL) {E}.<br />

Bildröhre {D} * see picture tube {E}.<br />

Bildstricheinstellung {D} * see framing {E}.<br />

billboard {E} * A moving-image industry term for credits.<br />

{D= ?; Es= cartelera; F= panneau d'affichage}.<br />

bin {E} * 1) A container for loose motion picture film,<br />

placed in cutting rooms and o<strong>the</strong>r rooms where film is<br />

handled. Frequently constructed <strong>of</strong> metal with a canvas<br />

insert. 2) One portion <strong>of</strong> a video carrousel in a<br />

cassette/carrousel videotape playback machine. {D= ?;<br />

Es= recipiente; porción de una vídeocinta; F= bac;<br />

panneau d'affichag; chutier; bac à films; casier de<br />

rangement; réservoir}.<br />

binaire {F} * see binary {E}.<br />

binär {D} * see binary {E}.<br />

binario {Es} * see binary {E}.<br />

binary {E} * A condition in which <strong>the</strong>re are two possible<br />

states, for example, <strong>the</strong> binary number system (base 2)<br />

using <strong>the</strong> digits 0 (i.e., zero) and 1 (i.e., one).(38.) {D=<br />

binär; Es= binario; F= binaire}.<br />

binary digit (BIT) {E} * 1) A unit <strong>of</strong> information. 2) The<br />

smallest amount <strong>of</strong> digital information which can be s<strong>to</strong>red;<br />

can be only one <strong>of</strong> two pieces <strong>of</strong> data: a 0 or a 1. 3) As<br />

applied <strong>to</strong> magnetic recording it represents one recorded<br />

information cell.(04.10.46.) {D= ?; Es= dígi<strong>to</strong> binario; F=<br />

bit; chiffre binaire}.<br />

Binary-Coded Decimal numbers (BCD) {E} * A computer<br />

term referring, in a time code editing system, <strong>to</strong> <strong>the</strong> means<br />

by which time code is transferred from one part <strong>of</strong> <strong>the</strong><br />

system <strong>to</strong> ano<strong>the</strong>r. {D= ?; Es= dígi<strong>to</strong> decimal codificado<br />

binariamente; números de dígi<strong>to</strong>s decimales codificados<br />

binariamente; F= nombres décimaux codés binaires;<br />

(BCD)}.<br />

binaural {E;F} * In sound recording, a sound system<br />

consisting <strong>of</strong> two microphones at <strong>the</strong> point <strong>of</strong> sound<br />

pickup, placed in <strong>the</strong> same relationship <strong>to</strong> each o<strong>the</strong>r as<br />

<strong>the</strong> ears <strong>of</strong> a listener. The microphones are connected <strong>to</strong><br />

separate amplifiers and transmit <strong>the</strong> sound <strong>to</strong> <strong>the</strong> listener<br />

through headphones. Each headphone is connected <strong>to</strong> its<br />

own amplifier. True binaural sound cannot be achieved<br />

with loudspeakers, only headphones. When loudspeakers<br />

are used it is two-channel stereophonic sound.(04.) {D=<br />

kopfbezogene Stereophonie; Es= biauricular; biauditivo}.<br />

binaural recording {E} * see binaural.<br />

Bindemittel {D} * see binder {E}.<br />

binder {E} * 1) A material used <strong>to</strong> cause o<strong>the</strong>r materials <strong>to</strong><br />

bond, or adhere, such as <strong>to</strong> cause <strong>the</strong> cellulose acetate<br />

surface <strong>of</strong> acetate/lacquer discs <strong>to</strong> adhere <strong>to</strong> <strong>the</strong>ir base. 2)<br />

An adhesive substance, usually liquid or molten in form,<br />

used <strong>to</strong> create adhesion between aggregates, globules,<br />

etc. It is distinguished from an adhesive in that it performs<br />

an internal adhesive function ra<strong>the</strong>r than a surface<br />

adhesion function.(04.45.) 3) In magnetic tape recording,<br />

a compound consisting <strong>of</strong> organic resins used <strong>to</strong> bond <strong>the</strong><br />

oxide particles <strong>to</strong> <strong>the</strong> base material. The actual<br />

composition <strong>of</strong> <strong>the</strong> binder is considered proprietary<br />

information by each magnetic tape manufacturer. Such a<br />

binder is required <strong>to</strong> be flexible and still maintain <strong>the</strong> ability<br />

<strong>to</strong> resist flaking or shedding binder material during<br />

extended wear passes.(46.) 4) An enclosure used <strong>to</strong> hold


pages <strong>to</strong>ge<strong>the</strong>r. {D= Bindemittel; Es= adhesivo;<br />

aglomerante; F= liant}.<br />

binloop {E} * A four-track audio tape loop used in <strong>the</strong> highpeed<br />

duplication <strong>of</strong> audio tape recordings. {D=<br />

Endlosschleife; Es= lazo de cinta magnet<strong>of</strong>ónica; F= ?}.<br />

BIOS {E} * acronym for basic input/output system.<br />

bipack {E;Es} * 1) The use <strong>of</strong> two films in a camera at <strong>the</strong><br />

same time so as <strong>to</strong> expose both simultaneously. 2) A<br />

contact printing technique for film materials wherein an<br />

already processed film is printed on<strong>to</strong> a fresh roll <strong>of</strong> film. 3)<br />

The combining <strong>of</strong> an already processed film with animation<br />

art work <strong>to</strong> produce a composite without <strong>the</strong> use <strong>of</strong> an<br />

optical printer.10. {D= ?; Es= película bicapa [de dos<br />

capas]; F= châssis double (pho<strong>to</strong>); duplication par contact<br />

(film); film bipack; surimpression}.<br />

bit {E;Es;F} * 1) Abbreviation for binary digit. see also byte;<br />

binary digit (BIT) {E}. 2) A brief apperance by a<br />

performer.10 * {D= ?; Es= F= 1) élément binaire; bit 2)<br />

petit rôle; rôle secondaire}<br />

bit density {E} * see packing density.<br />

bit error rate (BER) {E} * 1) In high-density digital<br />

recording, <strong>the</strong> number <strong>of</strong> mistakes a specific item may<br />

contain; expressed in error per data bit, such as one in ten,<br />

or one error in one million data bits; see also error.(46.) 2)<br />

The number <strong>of</strong> bits processed before an erroneous bit is<br />

found or <strong>the</strong> frequency <strong>of</strong> erroneous bits.(39.) {D=<br />

Bitfehlerrate; Es= proporción de errores en los bits;<br />

frecuencia de errores; F= taux d'erreurs sur les bits}.<br />

bit le moins significatif {F} * see least significant bit (LSB)<br />

{E}.<br />

bit le plus significatif {F} * see most significant bit (MSB)<br />

{E}.<br />

bit más significativo {Es} * see most significant bit (MSB)<br />

{E}.<br />

bit menos significativo {Es} * see least significant bit (LSB)<br />

{E}.<br />

bit rate {E} * The rate <strong>of</strong> frequency at which bits appear in<br />

a bit stream.(39.) {D= Bitrate; Es= velocidad de<br />

(transferencia) de bits ; F= débit (numérique)}.<br />

bit stream {E} * A binary signal without regard <strong>to</strong><br />

grouping.39. {D= ?; Es= corriente de (transferencia) de<br />

bits; F= flux de bits}.<br />

Bit {D} * see bit {E}.<br />

bites de usuario {Es} * see user bits {E}.<br />

Bitfehlerrate {D} * see bit error rate (BER) {E}.<br />

Bitrate {D} * see bit rate {E}.<br />

bits par seconde {F} * see bits per second {D;E}.<br />

bits per second {D;E} * The number <strong>of</strong> bits transmitted in<br />

one second. {Es= bits por segundo; F= bits par seconde}.<br />

bits por segundo {Es} * see bits per second {D;E}.<br />

bits utilisateur {F} * see user bits; user friendly {E}.<br />

black and white {E} * Monochromatic film, television or<br />

video. {D= ?; Es= blanco y negro; monocromo; F= noir et<br />

blanc; monochrome}.<br />

black and white film {E} * Pho<strong>to</strong>graphic film with an<br />

emulsion layer that is incapable <strong>of</strong> reproducing colour<br />

28<br />

values. Brightness values are reproduced as whites,<br />

blacks and intermediate shades <strong>of</strong> grey. {D= ?; Es=<br />

película en blanco y negro [monocroma]; F= film achrome;<br />

film noir et blanc; pellicule monochrome; noir et blanc}.<br />

black burst {E} * A composite signal th a black video<br />

signal. It is also known as Colour Black. {D= ?; Es=<br />

estallido negro; color negro; F= noir codé}.<br />

black compression {E} * The reduction in gain applied <strong>to</strong> a<br />

video signal at a level corresponding <strong>to</strong> <strong>the</strong> dark areas in<br />

a picture. The visual effect on a video moni<strong>to</strong>r is reduced<br />

contrast and loss <strong>of</strong> details in <strong>the</strong> low light portions <strong>of</strong> <strong>the</strong><br />

picture. {D= ?; Es= compresión del negro; F= compression<br />

sur le noir}.<br />

black hole {E} * A segment <strong>of</strong> a videotape where <strong>the</strong> video<br />

signal has been purposefully omitted. The hole is created<br />

for <strong>the</strong> later inclusion <strong>of</strong> material not currently available. An<br />

example is a timed black hole in<strong>to</strong> which a video<br />

commercial will be inserted after all o<strong>the</strong>r production is<br />

complete. Also referred <strong>to</strong> as a hole. {D= ?; Es= agujero<br />

negro; F= espace réservé}.<br />

black level {E} * The level <strong>of</strong> a video signal which<br />

corresponds <strong>to</strong> <strong>the</strong> maximum limit <strong>of</strong> <strong>the</strong> black signal. {D=<br />

?; Es= nivel del negro; F= niveau du noir}.<br />

black level compression {E} * see analogue compression<br />

{E}.<br />

black light {E} * Nei<strong>the</strong>r black nor light, but radiation<br />

invisible <strong>to</strong> human eyesight, such as ultraviolet. The name<br />

is applicable since it is possible <strong>to</strong> see objects in <strong>the</strong> dark<br />

by coating <strong>the</strong>m with dyes which fluoresce when exposed<br />

<strong>to</strong> this invisible radiation. Some manufacturers <strong>of</strong> cellulose<br />

nitrate have marked <strong>the</strong>ir film with dyes visible under black<br />

light, but it is an inconclusive test, since not all nitrate<br />

based film is so marked. {D= ?; Es= luz negra; F= lumière<br />

noire}.<br />

black wax cylinder {E} * A currently applied term <strong>to</strong> identify<br />

most moulded wax cylinders; see also Amberol cylinder;<br />

Standard Record; Gold Molded {sic!}cylinder. (14.)[F=<br />

cylindre de cire noire; D= Schwarzer Wachszylinder; Es=<br />

cilindro de cera negra}.<br />

black-video-black (BVB) {E} * A video preview mode <strong>of</strong> a<br />

computer edi<strong>to</strong>r which displays black, <strong>the</strong> new video, and<br />

<strong>the</strong>n black. Also referred <strong>to</strong> VVV and VBV. {D= ?; Es=<br />

BVB; F= noir-vidéo-noir (NVN)}.<br />

blanc {F} * see blank {E}.<br />

blanc maximal {F} * see peak white {E}.<br />

blanchiment {F} * see bleaching {E}.<br />

blanco {Es} * see mire {F}.<br />

blanco y negro {Es} * see black and white {E}.<br />

blank {E} * 1) Clear processed motion picture film on<strong>to</strong><br />

which colour images are transferred in <strong>the</strong> imbibition<br />

process; <strong>the</strong> blank usually carries a soundtrack image in<br />

black and white. 2) A disc or cylinder with its intended<br />

playing surface clear <strong>of</strong> recorded signals. {D= Blank; Es=<br />

1) película virgen; 2) disco virgen; F= vierge; blanc; vide;<br />

inutilisé}.<br />

blank groove {E} * A groove made in a recordings<br />

(cylinder, disc, film, et al.) with no signal applied <strong>to</strong> <strong>the</strong><br />

cutter, hence it has no sound content; also known as<br />

unmodulated groove.(04.) {D= Leerrille; Es= surco virgen;<br />

F= sillon vierge; non modulé}.<br />

blank tape {E} * Magnetic tape with no magnetization


applied, hence no signal, <strong>to</strong> be used for making a tape<br />

recording.(04.) {D= Leerband; Es= cinta virgen; F= bande<br />

vierge}.<br />

Blank {D} * see blank {E}.<br />

blanking {E} * A series <strong>of</strong> recurrent pulses <strong>of</strong> a video signal<br />

which suppress <strong>the</strong> video display and allows <strong>the</strong> retrace <strong>of</strong><br />

<strong>the</strong> signal <strong>to</strong> occur unobserved. {D= ?; Es= borrado; F=<br />

suppression; blocage; effacement}.<br />

blanking level {E} * The level <strong>of</strong> a video which separates it<br />

from <strong>the</strong> synchronizing pulse. {D= ?; Es= nivel de<br />

supresión (del haz); nivel de borrado; F= niveau de<br />

suppression; impulsions de synchro}.<br />

blanking shutter {E} * In motion picture printing equipment,<br />

an opaque device which can be introduced <strong>to</strong> <strong>the</strong> path <strong>of</strong><br />

<strong>the</strong> illumina-tion so as <strong>to</strong> cut <strong>of</strong>f practically instantaneously<br />

<strong>the</strong> exposure <strong>of</strong> <strong>the</strong> film being printed. {D= ?; Es=<br />

obturador de borrado [cancelación]; F= cut par<br />

éblouissement}.<br />

blanqueado {Es} * see bleaching {E}.<br />

blanqueo {Es} * see bleaching {E}.<br />

blaugrün {D} * see cyan {E}.<br />

bleaching {E} * A labora<strong>to</strong>ry process in which a developed<br />

silver image is converted in<strong>to</strong> a silver salt. Bleaching<br />

lightens an image and prepares it for <strong>the</strong> labora<strong>to</strong>ry<br />

processes that follow. It initiates many <strong>of</strong> <strong>the</strong> <strong>to</strong>ning<br />

processes in those film types where metal compounds are<br />

needed <strong>to</strong> bring out <strong>the</strong> colour values <strong>of</strong> <strong>the</strong> image. The<br />

process is also used <strong>to</strong> produce matrices that are used for<br />

making colour prints. {D= Bleichen; Es= blanqueado<br />

[blanqueo]; F= blanchiment; décoloration}.<br />

bleed {E} * An effect, generally undesirable, caused by <strong>the</strong><br />

seepage <strong>of</strong> dyes <strong>to</strong> areas beyond those intended for <strong>the</strong>m.<br />

Where bleeding occurs, separation lines between colours<br />

are usually s<strong>of</strong>t, untrue with respect <strong>to</strong> colour, and, in o<strong>the</strong>r<br />

ways, distracting and objection-able. {D= Abfärben; Es=<br />

corrimien<strong>to</strong> de colour; F= bavures; franges {F; taches<br />

colorées sur un document en papier; bavures; franges}.<br />

bleed through {E} * The transparency <strong>of</strong> a superimposed<br />

television picture.(10.) {D= ?; Es= sobreimpresión de<br />

imagen; superposición transparente; F= bleed flou;<br />

trouble; filage; au sénario sur pages bleues; d'images TV;<br />

surimpression d'images TV}.<br />

bleeding white {E} * A video aberration in which <strong>the</strong> white<br />

areas <strong>of</strong> <strong>the</strong> picture flow irregularly in<strong>to</strong> <strong>the</strong> black areas.<br />

{D= ?; Es= franja del blanco; F= franges des zones<br />

blanches de l'image vidéo; traînage des blancs}<br />

blemish {E} * microscopically small reddish or yellowish<br />

spots which may occur on silver-gelatin film during<br />

s<strong>to</strong>rage. Redox (oxidation reduction) blemishes are caused<br />

by local oxidation <strong>of</strong> image silver resulting in <strong>the</strong> formation<br />

<strong>of</strong> <strong>the</strong> minute deposits <strong>of</strong> coloured colloidal silver. It is<br />

generally believed that such flaws are caused by<br />

deterioration <strong>of</strong> <strong>the</strong> film container.(07.) {D= ?; Es= mancha;<br />

defec<strong>to</strong>; F= tache}.<br />

Blende {D} * see diaphragm {E}.<br />

BLER {E} * see block error rate {E}.<br />

bleu {F} * see blue {E}.<br />

bleu de méthylène {F} * see methylene blue {E}.<br />

blimp {E} * 1) A semi-permanent sound pro<strong>of</strong>ing cover for<br />

a moving--image camera. Many cameras are now selfblimped:<br />

in o<strong>the</strong>r words, <strong>the</strong>y are constructed <strong>of</strong> materials<br />

which damp <strong>the</strong> sound <strong>of</strong> <strong>the</strong> camera mechanism.(30.) *(.<br />

29<br />

2) In a video field production, <strong>the</strong> acoustical sound<br />

pro<strong>of</strong>ing portion <strong>of</strong> a power genera<strong>to</strong>r. {D= Blimp; Es=<br />

cabina insonorizada; caja insonorizada; blindye acústico;<br />

F= caisson d'insonorisation}.<br />

Blimp {D} * see blimp {E}.<br />

blindage {F} * see shield front {E}.<br />

blindaje {Es} * see shield front {E}.<br />

blindaje acústico {Es} * see blimp {E}.<br />

blindye acústico {Es} * see blimp {E}.<br />

blink {E} * A term describing a defect in film-<strong>to</strong>-film<br />

copying, meaning a pulsing <strong>of</strong> all or part/s <strong>of</strong> <strong>of</strong> <strong>the</strong> image<br />

<strong>of</strong> <strong>the</strong> copy, generally caused by a malfunction <strong>of</strong> <strong>the</strong> film<br />

transport mechanism. {D= ?; Es= parapadeo; centelleo; F=<br />

clignotements; fonction de clignotement}.<br />

bloc {F} * see block {E}.<br />

bloc de montage {F} * see edit block {E}.<br />

bloc de montage collage{F} * see splicing block {E}.<br />

bloc de tête (optique) {F} * see sled {E}.<br />

bloc logique {F} * see logical block {E}.<br />

bloc séparateur de faisceaux lumineux {F} * see beam<br />

splitter {E}.<br />

bloc-notes {F} * see note {E}.<br />

blocage {F} * see blanking; jam {E}.<br />

blocage par adhérence des spires {F} * see blocking {E}.<br />

block {E} * data that is addressed or moved as a single<br />

unit. A data block is composed <strong>of</strong> sets <strong>of</strong> words <strong>to</strong><br />

generate a data format. A typical block consists <strong>of</strong> data<br />

words, parity words, subcode, and synchronization and<br />

error correction words.39. {D= Blockfehlerrate; Es= bloque;<br />

F= bloc}.<br />

block error rate (BLER) {E} * The number <strong>of</strong> blocks at <strong>the</strong><br />

cl de-coder with one or more errors.39. {D= ?; Es=<br />

proporción de errores en los bloques; F= taux d'erreur sur<br />

les blocs}.<br />

blocked pack {E} * Deformation <strong>of</strong> a circular form <strong>of</strong> a<br />

magnetic tape pack in which <strong>the</strong> pack periphery feels<br />

lumpy by <strong>to</strong>uch. Can be caused by an edge curled tape<br />

wound <strong>to</strong>o loose; also known as wavy pack.(06.) {D=<br />

Wicklungsschaden; Es= ondulado (cintas); F= déformation<br />

de l'enroulement; due a l'enroulement}.<br />

Blocken {D} * see blocking {E}.<br />

Blockfehlerrate {D} * see block {E}.<br />

blocking {E} * 1) An undesirable condition in which a dry<br />

adhesive film is reactivated by heat, pressure, moisture,<br />

etc., and adheres <strong>to</strong> a material in contact with it.45. Also<br />

can occur in adjacent layers <strong>of</strong> materials in rolls or sheets.<br />

2) The tendency for adjacent layers <strong>of</strong> film and/or tape on<br />

a reel <strong>to</strong> stick <strong>to</strong>ge<strong>the</strong>r, usually due <strong>to</strong> long-term s<strong>to</strong>rage<br />

under high humidity and temperature conditions.(04.) {D=<br />

Schaden durch Schichtverklebung; Blocken; Es=<br />

desprendimien<strong>to</strong> de oxido por presion; pegamien<strong>to</strong>; F=<br />

blocage par adhérence des spires; par serrage; surcharge<br />

de colle}.<br />

bloom {E} * 1) A thin coating <strong>of</strong> transparent substance<br />

applied <strong>to</strong> a glass surface <strong>to</strong> reduce <strong>the</strong> reflection <strong>of</strong> light<br />

at <strong>the</strong> surface. A bloomed surface may reflect less than 1


percent <strong>of</strong> <strong>the</strong> incident light. Using bloomed surfaces in an<br />

optical system diminishes reflected light from reaching <strong>the</strong><br />

image and reduces image contrast, ghost images or flare.<br />

2) The excess powdery residue which may be shed from<br />

magnetic tape coating. 3) Glare caused by reflection <strong>of</strong><br />

light in<strong>to</strong> a camera lens. 4) The physical <strong>to</strong> <strong>the</strong> naked eye<br />

appearance <strong>of</strong> mould and/or fungus. 5) Video malfunction<br />

in which <strong>the</strong> picture tube image is horizontally and<br />

vertically dis<strong>to</strong>rted in size when extremely bright highlights<br />

<strong>of</strong> <strong>the</strong> scene are displayed. It appears that <strong>the</strong> white<br />

images are de-focused. {D= ?; Es= 1) revestimien<strong>to</strong> para<br />

reducir reflejos superficiales; 2) residuos de polvo de cinta<br />

magnética; 3) reflejo de la luz que entra en un objetivo; 4)<br />

florecimien<strong>to</strong> fúngico; 5) mal funcionamien<strong>to</strong> del tubopantalla<br />

debido a una luz muy brillante; F= éclat; effet<br />

d'éblouissament; 1) revêtement antireflet; 2) poudrette 3)<br />

saturation de l'image vidéo 4); flou d'image vidéo; 5) éclat;<br />

effet d'éblouissament; antireflet}.<br />

bloop {E} * A small patch placed over a splice on <strong>the</strong><br />

soundtrack <strong>of</strong> a motion picture film <strong>to</strong> cover <strong>the</strong> noise <strong>of</strong><br />

<strong>the</strong> splice.(30.) {D= Tonblubbern; Es= empalme sonoro<br />

defectuoso; F= bruit de collure; cloc de collage; zapon<br />

(pour positif); poinçon (pour négatif); sonore défectueux}.<br />

blooper {E} * see blooping hole.<br />

blooping hole {E} * A perforation punched in a negative film<br />

optical soundtrack in order <strong>to</strong> reduce <strong>the</strong> noise created by<br />

a splice; sometimes called a blooper. {D= ?; Es=<br />

perforación de la película con la banda sonora; F=<br />

encoche; poinçon sur le film son négatif anti bruit de<br />

collure}.<br />

blooping ink {E} * Opaque liquid used on <strong>the</strong> section <strong>of</strong> a<br />

posi-tive motion picture film splice in a soundtrack in order<br />

<strong>to</strong> reduce <strong>the</strong> noise created as <strong>the</strong> splice passes over <strong>the</strong><br />

projec<strong>to</strong>r sound head. {D= ?; Es= líquido opaco; F=<br />

zapon}.<br />

blooping machine {E} * A piece <strong>of</strong> equipment designed <strong>to</strong><br />

punch out a blooping hole in a negative optical soundtrack,<br />

or <strong>to</strong> apply a blooping patch on a positive track <strong>to</strong> silence<br />

<strong>the</strong> passage <strong>of</strong> splices through an optical motion picture<br />

film reproducing machine. {D= ?; Es= máquina perforadora<br />

de la película con la banda sonora; F= machine à perforer<br />

pour éliminer le bruit de collure}.<br />

bloque {Es} * see block {E}.<br />

bloque de empalme {Es} * see splicing block {E}.<br />

bloque de montaje {Es} * see splicing block {E}.<br />

bloque lógico {Es} * see logical block {E}.<br />

bloque metálico de montaje {Es} * see edit block {E}.<br />

bloqueo {Es} * see interlock<br />

blow-up {E} * In transferring an image by means <strong>of</strong> an<br />

optical printer, it is possible <strong>to</strong> enlarge a properly<br />

proportioned frac-tion <strong>of</strong> <strong>the</strong> original image <strong>to</strong> full frame<br />

size in <strong>the</strong> copy.(09.) {D= Einzelbildvergrösserung; Es=<br />

ampliación de imagen; F= agrandissement; tirage optique<br />

par agrandissement; ("gonflage" : 16 mm --> 35 mm)}.<br />

blue {E} * l) Colloquial term for a certain duplicating<br />

positive film <strong>of</strong> medium fine grain coated on a bluish-grey<br />

coloured support; also called a lavender. 2) Used <strong>to</strong><br />

describe materials that are sexually explicit in content. {D=<br />

?; Es= azul; F= bleu}.<br />

blue backing {E} * A background used for producing <strong>the</strong><br />

mattes needed for special-effects pho<strong>to</strong>graphy. Used with<br />

colour-blind or nonsensitive film, an object may be<br />

pho<strong>to</strong>graphed in front <strong>of</strong> this type <strong>of</strong> background for<br />

subsequent super imposition over live-action scenes; see<br />

also blue screen process. {D= ?; Es= fondo azul; F= fond<br />

30<br />

bleu}.<br />

blue screen process {E} * A system <strong>of</strong> travelling matte<br />

preparation in which <strong>the</strong> foreground action is pho<strong>to</strong>graphed<br />

against a uniformly illuminated blue background using<br />

colour negative film in <strong>the</strong> camera. Light from <strong>the</strong> backing<br />

thus exposes only <strong>the</strong> blue-sensitive layer <strong>of</strong> <strong>the</strong> film while<br />

<strong>the</strong> foreground objects are recorded normally. By printing<br />

from this negative with colour filters and combining <strong>the</strong><br />

resultant images, <strong>the</strong> required silhouette masks, or mattes,<br />

are prepared which allow a dupe negative <strong>to</strong> be printed in<br />

which <strong>the</strong> foreground action is combined with a normal<br />

background scene. see also blue backing. {D= ?; Es=<br />

proceso del fondo azul; F= cache contre-cache {F} see<br />

fond bleu.; procédé fond bleu}.<br />

blue wool light fastness standards {E} * Specially dyed<br />

textiles are made in such a way that <strong>the</strong> more sensitive<br />

standard textile will achieve just 'appreciable fading' in half<br />

<strong>the</strong> time needed for <strong>the</strong> next most sensitive standard <strong>to</strong> do<br />

so, and so on. The blue wool standards have been<br />

adopted as an ISO standard. Eight specially prepared blue<br />

dyed wool samples are supplied on a card. They are<br />

chosen so that standard number 2 takes roughly twice as<br />

long <strong>to</strong> be perceptibly faded as standard 1, standard 3<br />

roughly twice as long as standard 2, and so on through <strong>to</strong><br />

standard 8. The measurement cannot give a good idea <strong>of</strong><br />

how much exposure <strong>to</strong> light <strong>the</strong> item <strong>to</strong> be tested will stand<br />

in any given situation; see also light damage slide rule.53.<br />

{D= ?; Es= pruebas de estabilidad de la lana azul<br />

expuesta a la luz; F= normes de teinture bleue}.<br />

Blue Amberol cylinder {D;E;Es;F} * The trade name for<br />

a standard size, moulded, blue dyed celluloid (ranging<br />

from navy <strong>to</strong> sky blue), 4 minute cylinder sound recording<br />

with a plaster filler <strong>to</strong> grip <strong>the</strong> mandrel. Manufactured by<br />

<strong>the</strong> Edison Company from Oc<strong>to</strong>ber 1912 until <strong>the</strong> company<br />

ceased record production in 1929, such cylinders had <strong>the</strong><br />

identifying information printed in white, with some celebrity<br />

records having gold or yellow lettering. The title end <strong>of</strong><br />

<strong>the</strong>se cylinder was originally flat, since <strong>the</strong>y were made<br />

from <strong>the</strong> Amberol cylinder moulds, but this evolved <strong>to</strong> a<br />

slightly rounded bevel. Information slips were announced<br />

as being issued with each Blue Amberol, but <strong>the</strong>y are<br />

known <strong>to</strong> exist only for <strong>the</strong> first two years <strong>of</strong> production.<br />

Some are <strong>of</strong> <strong>the</strong> opinion that <strong>the</strong> Blue Amberols with issue<br />

numbers from about 5500 <strong>to</strong> <strong>the</strong> last allocated number<br />

5732 are dubs from electrical recorded Diamond Discs;<br />

see also Amberol.(14.)<br />

Blue Book {D;E;Es;F} * A U.S.A. broadcasting program by<br />

<strong>the</strong> U.S.A.'s Federal Communication Commission (FCC)<br />

entitled Public Service Responsibility <strong>of</strong> Broadcast<br />

Licencees; cats cover.(10.)<br />

blues {E} * Added pages <strong>to</strong> a screenplay rewrite that are<br />

indicated by being printed on light blue paper. {D= ?; Es=<br />

papel de color azul claro; F= additif au sénario sur pages<br />

bleues}.<br />

blur {E} * In both still and moving-iamge work, and<br />

indistinct image caused by vibration, poor focus, or any<br />

unplanned movement <strong>of</strong> <strong>the</strong> camera, printer, or projec<strong>to</strong>r<br />

or any <strong>of</strong> <strong>the</strong>ir parts, or by inconsistent alignment in <strong>the</strong><br />

printer gate <strong>of</strong> preprint and raw s<strong>to</strong>ck. {D= ?; Es=<br />

desenfocado; flou; desenfocado de la imagen; F= flou;<br />

trouble; filage}.<br />

BNC connec<strong>to</strong>r{E} * acronym for Bayonet-Neill-<br />

Concelman; <strong>the</strong> identifier <strong>of</strong> a pr<strong>of</strong>essional connec<strong>to</strong>r used<br />

<strong>to</strong> connect coaxial cable <strong>to</strong> electronic video equipment.<br />

{D= ?; Es= conec<strong>to</strong>r BNC ; F= connecteur BNC}.<br />

Bobby {D} * see core; hub {E}.<br />

bobina {Es} * see roll (1); spool {E}.<br />

bobina {Es} * see spool {E}.


obina a bobina {Es} * see reel <strong>to</strong> reel {E}.<br />

bobina A {Es} * see A reel {E}.<br />

bobina abier<strong>to</strong> {Es} * see open reel {E}.<br />

bobina arrollamien<strong>to</strong> {Es} * see take-up reel {E}.<br />

bobina B {Es} * see B reel {E}.<br />

bobina chata {Es} * see pancake {E}.<br />

bobina de inductancia {Es} * see induc<strong>to</strong>r {E}.<br />

bobina de inductancia {F} * see induc<strong>to</strong>r {E;Es}.<br />

bobina de pellizco {Es} * see pinch roller {E}.<br />

bobina de presión {Es} * see pinch roller {E}.<br />

bobina de recogida {Es} * see take-up reel {E}.<br />

bobina de sincronización {Es} * see sync roll {E}.<br />

bobina estándar {Es} * see standard roll {E}.<br />

bobina móvil {Es} * see moving coil {E}.<br />

bobina plana {Es} * see pancake {E}.<br />

bobina recep<strong>to</strong>ra {Es} * see take-up reel {E}.<br />

bobina tipo A {Es} * see type A reel {E}.<br />

bobina tipo B {Es} * see type B reel {E}.<br />

bobinado {Es} * see reel pack; reeling; wind {E}.<br />

bobinado flojo {Es} * see loose pack {E}.<br />

bobinado libre {Es} * see reel <strong>to</strong> reel {E}.<br />

bobinado rápido {Es} * see fast wind {E}.<br />

bobinage {F} * see reel pack; reeling {E}.<br />

bobinage à moment constant {F} * see constant <strong>to</strong>rque<br />

wind {E}.<br />

bobinage à tension constante {F} * see constant tension<br />

wind {E}.<br />

bobinage/enroulement à moment constant {F} * see<br />

constant <strong>to</strong>rque winding/spooling {E}.<br />

bobinage rapide {F} * see fast wind {E}.<br />

bobinas A/B {Es} * see A/B rolls {E}.<br />

bobinas de producción {Es} * see production rolls {E}.<br />

bobine {F} * see reel; roll; spool {E}.<br />

bobine A {F} * see A reel {E}.<br />

bobine B {F} * see B reel {E}.<br />

bobine débitrice {F} * see feed reel {E}.<br />

bobine démontable {F} * see flange {E}.<br />

bobine démontable {F} * see flange {E}.<br />

bobine enrouleuse {F} * see take-up reel {E}.<br />

bobine libre {F} * see open reel; reel <strong>to</strong> reel {E}.<br />

bobine mobile {F} * see moving coil {E}.<br />

31<br />

bobine réceptrice {F} * see take-up reel {E}.<br />

bobine standard {F} * see standard roll {E}.<br />

bobine sur noyau {F} * see pancake {E}.<br />

bobine type A {F} * see type A reel {E}.<br />

bobine type B {F} * see type B reel {E}.<br />

bobines A/B {F} * see A/B rolls {E}.<br />

bobines de production {F} * see production rolls {E}.<br />

bobines ouvertes {F} * see open reel {E}.<br />

boblaje {Es} * see dubbing {E}.<br />

bocina {Es} * see horn {E}.<br />

bocina de registro {Es} * see recording horn {E}.<br />

body <strong>of</strong> <strong>the</strong> entry {E} * The portion <strong>of</strong> a catalogue record<br />

which begins with <strong>the</strong> title (area 1) and ends with <strong>the</strong><br />

production, distribution, etc., area (area 4).12. {D= ?; Es=<br />

cuerpo de entrada (catálogo); F= catalogue d'édition<br />

discographique}.<br />

Bogenlampe {D} * see arc lamp {E}.<br />

boîte (pour film) {F} * see can {E}.<br />

boîte {F} * see box; container; slitting {E}.<br />

boîte à lumière {F} * see light box {E}.<br />

boîte/car<strong>to</strong>n de s<strong>to</strong>ckage de disques {F} * see records<br />

centre container/car<strong>to</strong>n {E}.<br />

boîte d'archives {F} * see archives box/container {E}.<br />

boîte pochette {F} * see slipcase {E}.<br />

boîtier .{F} * see enclosure .{E}.<br />

boîtier {F} * see case; container; enclosure; shell {E}.<br />

bol {F} * see scoop {E}.<br />

bolsa {Es} * see pocket {E}.<br />

bolsillo {Es} * see pocket {E}.<br />

bomba de sumidero {Es} * see sump pump {E}.<br />

bombo {Es} * see magazine (1) {E;Es;F}.<br />

bon de commande {F} * see production ticket {E}.<br />

bone (<strong>the</strong> action <strong>of</strong> boning) {E} * To remove air bubbles,<br />

and/or <strong>to</strong> smooth, flatten, and ensure adhesion between<br />

two materials by rubbing with a flat <strong>to</strong>ol made <strong>of</strong> bone or<br />

plastic.(32.) {{F= livret; D= Beiheft; Es= ; F= lismall book,<br />

usually a few pages with a paper cover}.<br />

booklet {E} * A small book; usually a few pages with a<br />

paper cover. {D= ?; Es= folle<strong>to</strong>; F= livret}.<br />

boom {E} * l) The jib <strong>of</strong> a mobile camera mount which may<br />

be raised above a set and projected out over it. 2) A<br />

mobile, crane-like device <strong>to</strong> which <strong>the</strong> microphone is<br />

attached during <strong>the</strong> moving-image production process.<br />

Mounted on wheels, <strong>the</strong> boom can be moved from one<br />

part <strong>of</strong> <strong>the</strong> set <strong>to</strong> ano<strong>the</strong>r in order <strong>to</strong> follow <strong>the</strong> sound and<br />

action <strong>of</strong> <strong>the</strong> scene.(09.30.) {D= Mikr<strong>of</strong>onkran; Es= brazo<br />

de grúa; jirafa; pértiga; F= girafe; perche; grue}.<br />

boomy {E} * Subjective description <strong>of</strong> a sound quality


which has resonances in <strong>the</strong> low frequencies; terms with<br />

similar shades <strong>of</strong> meaning are tubby, bassy.(04.) {D= ?;<br />

Es= calidad de sonido; F= son sourd; grondement;<br />

bourdonnement; grave; caverneux; ?}.<br />

booster {E} * In pho<strong>to</strong>graphic processing, a popular term<br />

for a replenisher solution in film processing, usually <strong>of</strong><br />

greater concentration than <strong>the</strong> circulating bath <strong>to</strong> which it<br />

is added. {D= ?; Es= amplificador de refuerzo; F=<br />

amplificateur; survolteur; suramplificateur; ?}.<br />

bootleg {E;F} * The unauthorized recording, ei<strong>the</strong>r audio,<br />

still or moving-image, <strong>of</strong> a performance or session, ei<strong>the</strong>r<br />

on radio, television, studio, or live. Bootlegs do not usually<br />

include such things as would make it a counterfeit (i.e.,<br />

associated art work, label, trademark, or packaging <strong>of</strong> a<br />

legitimate production); see also piracy. {D= Bootleg; Es=<br />

grabación pirata}.<br />

Bootleg {D} * see bootleg {E;F}.<br />

boracic acid {E} * A chemical compound, soluble in water,<br />

that is used by film labora<strong>to</strong>ries in fine-grain developers<br />

and in fixing baths; also known as boric acid; <strong>the</strong><br />

crystalline powder is white and can be used <strong>to</strong> extend <strong>the</strong><br />

life <strong>of</strong> fixers which contain potash alum. {D= Borsäure; Es=<br />

ácido bórico; F= acid boracique}.<br />

borax {E;Es;F} * A crystalline powder used in fine-grain film<br />

developers. This comparatively weak alkali dissolves<br />

readily when mixed in hot water. {D= Borax}.<br />

Borax {D} * see borax {E}.<br />

bord {F} * see edge {E}.<br />

bord émoussé {F} * see edge roll/lift {E}.<br />

borde de guía de sincronización {Es} * see leading edge <strong>of</strong><br />

sync {E}.<br />

borde de una cinta magnética {Es} * see edge (3) {E}.<br />

borde rec<strong>to</strong> {Es} * see straight edge {E}.<br />

bordereau {F} * see checklist {E}.<br />

bords recourbés {F} * see edge curl {E}.<br />

boric acid {E} * see boracic acid.<br />

borrado {Es} * see blanking; erasing; wipe {E}.<br />

borrado accidental {Es} * see accidental erasure {E}.<br />

borrado espontáneo {Es} * see self erasure {E}.<br />

borrado horizontal {Es} * see horizontal blanking {E}.<br />

borrado selectivo {Es} * see selective erasure {E}.<br />

borrador {Es} * see draft (1) {E}.<br />

borrador instantáneo de rollos {Es} * see bulk eraser {E}.<br />

borrar {Es} * see erase {E}.<br />

Borsäure {D} * see boracic acid {E}.<br />

BOT {E} * acronym for beginning <strong>of</strong> tape {E}.<br />

boubier .{F} * see mire .{E}.<br />

boucle de distribution {F} * see loop {E}.<br />

boucle de masse {F} * see ground loop {E}.<br />

boucle locale {F} * see local loop {E}.<br />

32<br />

boum {F} * see bump {E}.<br />

bounce light {E} * Illumination that is reflected <strong>of</strong>f ceilings<br />

and walls <strong>to</strong> illuminate <strong>the</strong> subject indirectly.09. {D= ?; Es=<br />

luz reflejada; F= lumière réfléchie; lumière indirecte; ?}.<br />

bourdonnement {F} * see boomy; buzz; hum {E}.<br />

bourrage {F} * see buckle; jam {E}.<br />

bout-à-bout {F} * see rough cut {E}.<br />

box {E} * 1) A container for various materials. 2) A<br />

container that may be open at one end or completely<br />

closed. 3) A multiple-disc set <strong>of</strong> audio or video<br />

recordings.(04.07.) {D= Box; Kar<strong>to</strong>n; Schachtel; Behälter;<br />

Köfferchen; Es= caja; cajita; 1) caja; 2) caja con abertura<br />

en uno de sus extremos; 3) juego de discos múltiple; F=<br />

boîte; car<strong>to</strong>n; c<strong>of</strong>fret}.<br />

Box {D} * see box {E}.<br />

boxy {E} * Subjective description <strong>of</strong> sound quality which<br />

fails <strong>to</strong> create an impression <strong>of</strong> <strong>the</strong> space and ambience <strong>of</strong><br />

<strong>the</strong> original sound source and its environment; usually<br />

applied <strong>to</strong> particularly small, ineffective speaker systems<br />

with poor bass and <strong>of</strong>f-axis response.(04.) {D= ?; Es=<br />

descripción de la calidad de sonido; F= son "maîgre"}.<br />

BPI {E} * acronym for bits per inch.<br />

BPMM {E} * acronym for bits per millimetre.<br />

br {D;E} * The chemical symbol <strong>of</strong> bromine. {Es= bromo;<br />

F= Br; brome}.<br />

Br {F} * see br {D;E}.<br />

branch reposi<strong>to</strong>ry {E} * A subdivision or section <strong>of</strong><br />

archives, physically separate, responsible for <strong>the</strong><br />

acquisition, preservation, and communication <strong>of</strong> specified<br />

archives.22.23. {D= Zweigarchiv; Aussenstelle; Filialarchiv;<br />

Es= depósi<strong>to</strong> complementario; depósi<strong>to</strong> anejo; F= dépôt<br />

annexe}.<br />

Brandschutztüre {D} * see fire door {E}.<br />

bras acoustique {F} * see <strong>to</strong>ne arm {E}.<br />

bras avec cellule {F} * see pickup {E}.<br />

bras de lecture {F} * see pickup arm {E}.<br />

bras de phonocapteur {F} * see pickup arm {E}.<br />

bras de pickup {F} * see pickup arm {E}.<br />

bras linéaire {F} * see straight line tracking {E}.<br />

brauner Wachszylinder {D} * see brown wax cylinder {E}.<br />

brayer {E} * A small roller used for applying pressure <strong>to</strong> an<br />

encapsulated document in order <strong>to</strong> expel <strong>the</strong> entrapped air<br />

and <strong>to</strong> seal <strong>the</strong> <strong>to</strong>p and bot<strong>to</strong>m sheets, usually polyester,<br />

<strong>of</strong> <strong>the</strong> encapsu-lating container.(07.) {D= ?; Es= rodillo; F=<br />

roulette; presseur}.<br />

brazo de grúa {Es} * see boom {E}.<br />

brazo de la aguja de un <strong>to</strong>cadiscos {Es} * see stylus bar<br />

{E}.<br />

brazo de <strong>to</strong>cadiscos o fonógrafo {Es} * see <strong>to</strong>ne arm {E}.<br />

brazo del fonocap<strong>to</strong>r {Es} * see pickup arm {E}.<br />

brazo del <strong>to</strong>cadiscos {Es} * see pickup arm {E}.


azo fonocap<strong>to</strong>r {Es} * see <strong>to</strong>ne arm {E}.<br />

brazo portador {Es} * see carrier-arm {E}.<br />

break up {E} * Any loss <strong>of</strong> sync which causes <strong>the</strong> video<br />

picture <strong>to</strong> become unstable. {D= ?; Es= pérdida de<br />

sincronización; F= instabilité; perte de synchronisation}.<br />

breaking strength {E} * The breaking load or force,<br />

expressed in kilograms/pounds per centimetre/inch,<br />

required <strong>to</strong> rupture a material; see also tensile<br />

strength.(45.) {D= Reißlast; Bruchlast; Es= prueba de<br />

rotura por tracción; F= charge de rupture}.<br />

breathing {E} * Slight movement <strong>of</strong> a motion picture film<br />

along <strong>the</strong> optical axis during printing or projection, resulting<br />

in variations in <strong>the</strong> sharpness <strong>of</strong> <strong>the</strong> image; see also<br />

buckle. {D= atmen; Es= desenfoque momentáneo; F=<br />

pompage}.<br />

breezeway {E} * A portion <strong>of</strong> <strong>the</strong> horizontial blanking period<br />

that goes from <strong>the</strong> end <strong>of</strong> <strong>the</strong> horizontal sync pulse <strong>to</strong> <strong>the</strong><br />

beginning <strong>of</strong> <strong>the</strong> colour burst signal in composite video.<br />

{D= ?; Es= re<strong>to</strong>rno de línea; F= re<strong>to</strong>ur ligne}.<br />

Breitwand {D} * see widescreen {E}.<br />

Brennenbene {D} * see focal plane {E}.<br />

Brett {D} * see shelf {E}.<br />

brickwall {E} * In referring <strong>to</strong> <strong>the</strong> slope <strong>of</strong> a filter, one which<br />

has a steep attenuation. Some anti-aliasing and antiimaging<br />

filters have brickwall characteristics.(39.) {D= ?;<br />

Es= aspec<strong>to</strong> de muro de ladrillo; F= effet en "mur de<br />

brique"}.<br />

bridge {E} * A narrow platform suspended over <strong>the</strong><br />

production stage. Luminaries and projection devices<br />

mounted on <strong>the</strong> bridge are accessible during performance.<br />

2) An audio track laid in<strong>to</strong> a videotape which is intended <strong>to</strong><br />

join two sound cuts and is usually covered with video. {D=<br />

?; Es= 1) pasarela; 2) unión de dos cortes de sonido; F=<br />

passerelle; pont}.<br />

bridging shot {E} * In a moving-image production, a shot<br />

used <strong>to</strong> cover a jump in time or place or o<strong>the</strong>r<br />

discontinuity, such as falling calendar pages or railroad<br />

wheels.(30.) {D= ?; Es= hacer una unión puente con<br />

<strong>to</strong>mas de tiempos, lugares, etc. distin<strong>to</strong>s; F= ?}.<br />

bright {E} * A subjective expression that usually describes<br />

a large amount <strong>of</strong> high frequency energy in an audio<br />

recording or playback system or a sound reinforcement<br />

system; sound which is <strong>to</strong>o bright is considered <strong>to</strong> be<br />

shrill.(04.) {D= ?; Es= brillante; F= lumineux; brillant}.<br />

brightness {E} * A subjective term that indicates <strong>the</strong><br />

magnitude <strong>of</strong> <strong>the</strong> visual sensation produced by a source <strong>of</strong><br />

light. Contrast is <strong>the</strong> ratio <strong>of</strong> brightness between <strong>the</strong><br />

darkest and lightest sections <strong>of</strong> <strong>the</strong> image. {D= ?; Es=<br />

luminosidad; F= luminosité; brillance}.<br />

brightness range {E} * The relationship or ratio between<br />

<strong>the</strong> lightest and darkest areas in a frame <strong>of</strong> processed film.<br />

{D= ?; Es= nivel de luminosidad; F= rapport de brillance}.<br />

brillance {F} * see brightness; brilliant {E}.<br />

brillant {F} * see bright; brilliant {E}.<br />

brillante {Es} * see bright; brilliant {E}.<br />

brillanz {D} * see brilliant {E}.<br />

brilliant {E} * A processed print, rich in quality. In prints<br />

referred <strong>to</strong> as brilliant, <strong>the</strong> colours in <strong>the</strong> original subject<br />

matter are faithfully reproduced, and detail is evident in<br />

both dark and light areas. {D= brillanz; Es= brillo; brillante;<br />

F= brillance; brillant; clair}.<br />

33<br />

brillo {Es} * see brilliant {E}.<br />

brillo de pantalla {Es} * see screen brightness {E}.<br />

brillo fo<strong>to</strong>métrico {Es} * see luminance {E}.<br />

brittle {E} * A condition <strong>of</strong> materials indicating a very low<br />

fold endurance prior <strong>to</strong> breaking. {D= brüchig; spröd; Es=<br />

frágil; quebradizo; F= fragile; cassant}.<br />

brittleness {E} * That property <strong>of</strong> a material that causes it<br />

<strong>to</strong> break or crack when deformed by bending.40. {D=<br />

Brüchigkeit; Sprödheit Es= friabilidad; F= fragilité}.<br />

broad light {E} * S<strong>of</strong>t, floodlight-type <strong>of</strong> illumination unit:<br />

usually not focusable.09. {D= ?; Es= luz ambiente;<br />

iluminación difuminada; F= projecteur d'ambiance; fragilit;<br />

lumière diffuse}.<br />

broadcast {E;F} * To transmit via an electronic signal via<br />

radio or television; also known as radiocast for radio and<br />

telecast for television.(12.) {D= Rundfunksendung; senden;<br />

ausstrahlen; Funk; Funkübertragung; Es= emisión;<br />

difusión; F= émission; diffusion; radiodiffusion}.<br />

broadcast date {E} * The day, month, year, and, optionally,<br />

also <strong>the</strong> time at which a radio or television programme was<br />

broadcast in <strong>the</strong> country <strong>of</strong> origin.12. {D= Sendedatum;<br />

Es= fecha de emisión; F= date de première diffusion dans<br />

le pays d'origine}.<br />

broadcast station {E} * 1) A complete assemblage <strong>of</strong> radio<br />

or television equipment for transmitting or receiving. 2) The<br />

name <strong>of</strong> a place where such a complete assemblage is<br />

located. {D= Sender; Sendestation; Es= 1) emisora; 2)<br />

nombre de su ubicación; F= station de radiodiffusion ou de<br />

télédiffusion; émetteur; station émettrice}.<br />

broadcast video U-matic {E} (BVU) * see U-matic h.<br />

Brom {D} * see bromine (BR) {E}.<br />

brome (Br) {F} * see bromine (BR) {E}.<br />

brome {F} * see br {D;E}.<br />

Bromid {D} * see bromide {E}.<br />

bromide {E} * 1) A compound <strong>of</strong> bromine with ano<strong>the</strong>r<br />

element or radical. 2) Any <strong>of</strong> <strong>the</strong> salts used for<br />

pho<strong>to</strong>graphic purposes, potassium bromide or silver<br />

bromide, for example. Bromides are made from bromine,<br />

a brownish red, nonmetallic element. {D= Bromid; Es= 1)<br />

bromuro; 2) cualquiera de sus sales; F= bromure}.<br />

bromide drag {E} * A colloquial term that describes <strong>the</strong><br />

residue <strong>of</strong> bromides from <strong>the</strong> developing fluid left on film<br />

after processing which can cause streaking. {D= ?; Es=<br />

residuos de bromuro; F= dépôt; résidu de bromures}.<br />

bromide film {E} * Sensitized pho<strong>to</strong>graphic film with an<br />

emulsion <strong>of</strong> silver bromide suspended in gelatin.01. {D= ?;<br />

Es= película de bromuro; F= film au bromure; bromure}.<br />

bromide paper {E} * Sensitized pho<strong>to</strong>graphic paper with an<br />

emulsion <strong>of</strong> silver bromide suspended in gelatin.01. {D= ?;<br />

Es= papel al bromuro; F= papier au bromure; au gélatine<br />

bromure}.<br />

bromiding {E} * see bromide drag.<br />

bromine (BR) {E} * A chemical element, usually a reddishbrown<br />

corrosive liquid. {D= Brom; Es= bromo; F= brome<br />

(Br)}.<br />

bromo {Es} * see br {D;E}; bromine (BR) {E}.<br />

bromochlorodifluormethane {E} * see halon 1211.


omotrifluoromethane {E} * see halon 1301.<br />

bromure {F} * see bromide {E}.<br />

bromure d'ammonium {F} * see ammonium bromide {E}.<br />

bromure d'argent {F} * see silver bromide {E}.<br />

bromure de potassium {F} * see potassium bromide (K)<br />

{E}.<br />

bromuro {Es} * see bromide (1) {E}.<br />

bromuro amónico {Es} * see ammonium bromide {E}.<br />

bromuro de plata {Es} * see silver bromide {E}.<br />

bromuro potásico {Es} * see potassium bromide (K) {E}.<br />

bronceado (aspec<strong>to</strong> de bronce) {Es} * see bronzing {E}.<br />

bronzing {E} * The change <strong>to</strong> a purple-brown (bronze) <strong>to</strong>ne<br />

sometimes undergone by <strong>the</strong> blacks <strong>of</strong> bromide paper<br />

prints due <strong>to</strong> inappropriate processing or faulty paper; also<br />

known as pluming.05. {D= ?; Es= bronceado (aspec<strong>to</strong> de<br />

bronce); F= brunissage}.<br />

brosse à copeaux {F} * see chip brush {E}.<br />

brouillon {F} * see draft {E}.<br />

broutage {F} * see chatter {E}.<br />

brown stain {E} * In magnetic recording, a discolouration <strong>of</strong><br />

<strong>the</strong> head <strong>to</strong>p surface, usually a chemical reaction between<br />

<strong>the</strong> head surface materials and ei<strong>the</strong>r <strong>the</strong> tape binder, tape<br />

lubricant, or head bonding materials. Its origin is not well<br />

unders<strong>to</strong>od but is known <strong>to</strong> occur in <strong>the</strong> presence <strong>of</strong> low<br />

humidity.46. {D= ?; Es= mancha de color marrón; F=<br />

décoloration (de la tête magnétique)}.<br />

brown wax cylinder {E} * The descriptive designation given<br />

<strong>to</strong> a standard size, needle cut, brown coloured (ranging in<br />

shades from deep brown, almost black, <strong>to</strong> light shades <strong>of</strong><br />

tan) wax 2 minute cylinder sound recording manufactured<br />

by <strong>the</strong> Edison Company from 1889-1890 until <strong>the</strong> methods<br />

<strong>of</strong> moulding cylinders was adopted in 1930. Edison<br />

Concert Cylinders are not known <strong>to</strong> have appeared in a<br />

form o<strong>the</strong>r than brown wax. Most <strong>of</strong> <strong>the</strong> brown wax<br />

cylinders did not have any identification included as part <strong>of</strong><br />

<strong>the</strong> manufacturing process, but some are known <strong>to</strong> have<br />

included paper bands or rings with such information. The<br />

general brown wax cylinder was made <strong>of</strong> a combination <strong>of</strong><br />

metallic soaps with added wax and inorganic<br />

stabilizers.(14.) {D= brauner Wachszylinder; Es= cilindro<br />

de cera de color marrón; F= cylindre de cire brun}.<br />

brüchig {D} * see brittle {E}.<br />

Brüchigkeit {D} * see brittleness {E}.<br />

Bruchlast {D} * see breaking strength; bursting strength<br />

{E}.<br />

bruit (de fond) d'ambiance {F} * see room noise {E}.<br />

bruit {F} * see dynamic range; noise {E}.<br />

bruit aléa<strong>to</strong>ire {F} * see random noise {E}.<br />

bruit ambiant {F} * see ambient noise {E}.<br />

bruit au repos {F} * see quiescent noise {E}.<br />

bruit blanc {F} * see white noise {E}.<br />

bruit d'ambiance {F} * see presence {E}.<br />

34<br />

bruit d'aspérités {F} * see asperity noise {E}.<br />

bruit d'interférence {F} * see mo<strong>to</strong>rboating {E}.<br />

bruit de collure {F} * see bloop {E}.<br />

bruit de fond {F} * see noise floor {E}.<br />

bruit de fond {F} * see random noise {E}.<br />

bruit de granulation {F} * see granulation noise {E}.<br />

bruit de salle {F} * see room noise; room sound {E}.<br />

bruit de surface {F} * see surface noise {E}.<br />

bruit de tremblotement {F} * see di<strong>the</strong>r {D;E}.<br />

bruit de tremblotement {F} * see di<strong>the</strong>r {D;E}.<br />

bruit du système {F} * see system noise {E}.<br />

bruit pondéré {F} * see weighted noise {E}.<br />

bruitage {F} * see sound effects {E}.<br />

bruitages {F} * see effects {E}.<br />

bruitages {F} * see effects {E}.<br />

brûlure d'écran {F} * see burned-in {E}.<br />

Brumm {D} * see hum {E}.<br />

brunissage {F} * see bronzing {E}.<br />

Brut {D} * see vermin {E}.<br />

BSI {E} * acronym for British Standards Institute.<br />

BSI speeds {E} * The standards set by <strong>the</strong> British<br />

Standards Institute for rating <strong>the</strong> speed <strong>of</strong> a pho<strong>to</strong>graphic<br />

emulsion; numerically similar <strong>to</strong> <strong>the</strong> ASA standards. {D= ?;<br />

Es= velocidad BSI; F= vitesse BSI}.<br />

bubble {E} * Commonly used defect term for disc<br />

recordings; most <strong>of</strong>ten <strong>the</strong> result <strong>of</strong> faulty pressing.(04.)<br />

{D= ?; Es= burbuja; F= bulle; cloque}.<br />

Büchse {D} * see can {E}.<br />

buckle {E} * 1) A curvature <strong>of</strong> film or magnetic tape due <strong>to</strong><br />

shrinkage <strong>of</strong> <strong>the</strong> edges while <strong>the</strong> material is rolled, usually<br />

caused by s<strong>to</strong>rage at improper humidity. Temporary buckle<br />

results from loss <strong>of</strong> moisture from <strong>the</strong> edges <strong>of</strong> <strong>the</strong> film or<br />

tape when s<strong>to</strong>red under dry air conditions; permanent<br />

buckle is caused by loss <strong>of</strong> solvent from <strong>the</strong> edges <strong>of</strong> <strong>the</strong><br />

film or tape when s<strong>to</strong>red under moist conditions. 2) Piling<br />

up <strong>of</strong> film or tape in a camera, cassette, jacket or<br />

magazine due <strong>to</strong> a transport malfunction.13. 3) In<br />

magnetic tape, <strong>the</strong> deformation <strong>of</strong> <strong>the</strong> circular form <strong>of</strong> a<br />

tape pack that may be caused by a combination <strong>of</strong><br />

improper winding tension, adverse s<strong>to</strong>rage conditions,<br />

and/or poor reel and/or hub configuration.46. {D=<br />

Filmschleife; krümmen; knicken; Verformung; Es= bucla<br />

para la sincronización; abraquillado de película;<br />

abarquillado de la película; F= bourrage; film déformé;<br />

recourbé; en boucle; gaufrer}.<br />

buckling {E} * Deformation <strong>of</strong> <strong>the</strong> circular form <strong>of</strong> a roll <strong>of</strong><br />

magnetic tape or film caused generally by a combination<br />

<strong>of</strong> adverse s<strong>to</strong>rage conditions or improper winding tension.<br />

Such deformation has a serious detrimental effect on <strong>the</strong><br />

quality <strong>of</strong> <strong>the</strong> signal during playback.(04.) {D= ?; Es=<br />

deformación de la cinta magnética; F= gauchissement;<br />

déformation circulaire}.<br />

bucla para la sincronización {Es} * see buckle {E}.


ucle (de la película) {Es} * see loop {E}.<br />

bucle para la sincronización {Es} * see buckle {E}.<br />

buffer {E} * 1) In digital data, a memory used <strong>to</strong> provide<br />

consistent rate <strong>of</strong> data flow, such as from an inconsistent<br />

source. A crystal-clocked buffer virtually eliminates wow<br />

and flutter in digital audio systems. 2) A substance capable<br />

in solution <strong>of</strong> neutralizing both acids and alkalies and<br />

<strong>the</strong>reby maintaining <strong>the</strong> original acidity or alkalinity <strong>of</strong> <strong>the</strong><br />

solution. 3) In film processing, a salt, sodium carbonate,<br />

for example, which is used <strong>to</strong> keep a developing solution<br />

at its proper degree <strong>of</strong> alkalinity. {D= 1) Pufferspeicher; 2)<br />

Puffer; Es= 1) memoria intermedia; 2) sustancia<br />

neutralizante; 3) produc<strong>to</strong> para alcalinizar; F= 1) mémoire<br />

tampon 2) substance neutralisante; 2) ?}.<br />

buffering {E} * In <strong>the</strong> context <strong>of</strong> alkaline paper making, an<br />

acid absorber or alkaline reserve, almost always calcium<br />

carbonate; see also alkaline.02. see also alkaline.02. {D=<br />

puffern; Es= reserva alcalina; F= alcalin}.<br />

Bühne {D} * see set {E}.<br />

buildup {E} * 1) In motion picture film editing, sections <strong>of</strong><br />

leader which are used <strong>to</strong> replace missing pieces <strong>of</strong> picture<br />

and soundtrack during <strong>the</strong> editing process. The purpose <strong>of</strong><br />

such leader is <strong>to</strong> maintain synchronism or <strong>to</strong> keep a shot<br />

at its correct length for subsequent negative cutting. 2) In<br />

magnetic recording, <strong>the</strong> accumulation <strong>of</strong> debris and<br />

magnetic particles deposited by magnetic tape on <strong>the</strong><br />

heads <strong>of</strong> a tape recorder, causing head/tape separation<br />

and an increase in friction. Solvent cleaning <strong>of</strong> <strong>the</strong> tape<br />

recorder heads will usually remove such buildup.(04.) 3) In<br />

film projection, accumulated scrapings <strong>of</strong> emulsion and dirt<br />

on <strong>the</strong> motion picture film gate. 4) In <strong>the</strong> film labora<strong>to</strong>ry, a<br />

term indicating increases in density caused by <strong>the</strong> release<br />

<strong>of</strong> metallic silver in negative or print material during<br />

processing. {D= 1) ?; 2) Abrieb ablegerungen; 3) ?; 4) ?;<br />

Es= 1) empalmes; 2) acumulación de partículas<br />

magnéticas; 3) raspaduras de emulsión y mugre; 4)<br />

aumen<strong>to</strong> en la densidad debido a la liberación de plata<br />

metálica; F= 1) amorce de compensation 2) poudrette 3)<br />

salissure 4) (augmentation de la densité pendant le tirage<br />

pho<strong>to</strong>graphique)}.<br />

bujía (unidad fo<strong>to</strong>métrica) {Es} * see candlepower {E}.<br />

bujía-metro {Es} * see candle metre {E}.<br />

bujía-pie {Es} * see footcandle (FC) {E}.<br />

bujías por pie cuadrado {Es} * see candles per square foot<br />

{E}.<br />

bulk eraser {E} * 1) A strong alternating electromagnetic<br />

device used <strong>to</strong> erase <strong>the</strong> magnetic patterns on tape while<br />

still wound on a reel, or in bulk form.(50.) 2) also known as<br />

a degausser; a machine which removes virtually all traces<br />

<strong>of</strong> previously recorded magnetic signals from <strong>the</strong> magnetic<br />

emulsion and leaves it in a demagnetized state, important<br />

in order <strong>to</strong> minimize both noise and dis<strong>to</strong>rtion when reusing<br />

tape. Erasures made using a bulk eraser generally result<br />

in a greater signal-<strong>to</strong>-noise ratio than those erased on a<br />

tape recorder through <strong>the</strong> erase head; see also<br />

demagnetization.(04.) {D= Löschgerät; Es= borrador<br />

instantáneo de rollos; F= démagnétiseur; effaceur <strong>to</strong>tal;<br />

tête d'effacement <strong>to</strong>tal}.<br />

bulle {F} * see bubble {E}.<br />

bulles {F} * see air bells {E}.<br />

bulletin de demande {F} * see production ticket {E}.<br />

bump {E} * Commonly used defect term for disc and<br />

cylinder recordings, implying a raised surface on a portion<br />

<strong>of</strong> <strong>the</strong> playing area <strong>of</strong> <strong>the</strong> carrier which could cause sonic<br />

35<br />

dis<strong>to</strong>rtion or groove jumping by <strong>the</strong> stylus.(04.) {D=<br />

Höhenschlag; Es= ruido de baja frecuencia producido<br />

durante la reproducción y debida a alguna irregularidad en<br />

la pista sonora de la película; F= cloc; "boum"; rugosité}.<br />

burbuja {Es} * see bubble {E}.<br />

burbujas de aire {Es} * see air bells {E}.<br />

burn-in {E} * 1) The pho<strong>to</strong>graphic double exposure <strong>of</strong> a title<br />

or o<strong>the</strong>r subject matter over previously exposed film.09. 2)<br />

A permanent dark scar or afterimage left on a video<br />

camera tube when <strong>the</strong> camera is aimed at something <strong>to</strong>o<br />

bright for <strong>to</strong>o long a period <strong>of</strong> time. Aiming most video<br />

cameras at <strong>the</strong> sun will produce such a scar.(35.) {D= ?;<br />

Es= incrustar; cicatriz oscura ; F= 1) incruster 2)<br />

éblouissement; trainées de lumière}.<br />

burned-in {E} * When <strong>the</strong> time code signal becomes a part<br />

<strong>of</strong> <strong>the</strong> visual image in a video display. 2) A visual<br />

aberration which results from an exceptionally bright object<br />

is focused on an image pickup tube. 3) A period when an<br />

equipment manufacturer will operate an electronic device<br />

prior <strong>to</strong> its delivery in order <strong>to</strong> reveal possible early<br />

component failures. {D= ?; Es= superposición; F= 1) réexposition<br />

2) brûlure d'écran}.<br />

burst {E} * The portion <strong>of</strong> a video NTSC signal that<br />

synchronizes <strong>the</strong> correct colour hue in a TV receiver set or<br />

a playback videotape machine. {D= ?; Es= estallido; señal<br />

de sincronización (TV); F= éclater; impulsions de<br />

synchronisation; salve d'identification}.<br />

burst error {D;E} * A large number <strong>of</strong> data bits lost on <strong>the</strong><br />

medium because <strong>of</strong> excessive damage <strong>to</strong> or obstruction on<br />

<strong>the</strong> medium.39. {Es= pérdida de bits; F= erreurs en salves;<br />

train d'erreurs}.<br />

burst fac<strong>to</strong>r {E} * The bursting strength <strong>of</strong> an item in grams<br />

per square centimetre divided by <strong>the</strong> basis weight <strong>of</strong> <strong>the</strong><br />

item in grams per square metre, which also gives <strong>the</strong> burst<br />

fac<strong>to</strong>r as a numerical value; see also burst ratio.(45.) {D=<br />

?; Es= fac<strong>to</strong>r de estallido; F= facteur d'éclatement}.<br />

burst ratio {E} * The bursting strength <strong>of</strong> a material in<br />

points per pound; see also burst fac<strong>to</strong>r.45. {D= ?; Es=<br />

razón de estallido; F= taux d'éclatement}.<br />

bursting strength {E} * A measure <strong>of</strong> <strong>the</strong> ability <strong>of</strong> an item<br />

<strong>to</strong> resist rupture when pressure is applied <strong>to</strong> one <strong>of</strong> its<br />

sides by a specified instrument, under specified conditions.<br />

Testing for <strong>the</strong> bursting strength <strong>of</strong> paper, for example, is<br />

a very common procedure, although its value in<br />

determining <strong>the</strong> potential permanence or durability is<br />

suspect; see also breaking strength; burst fac<strong>to</strong>r; points<br />

per pound.(45.) {D= Reißlast; Bruchlast; Es= resistencia al<br />

estallido; F= résistance à l'éclatement}.<br />

bus {E;F} * A row <strong>of</strong> but<strong>to</strong>ns on a video switcher. Generally<br />

a switcher will be made up <strong>of</strong> at least two buses, an A Bus<br />

and a B Bus. A pair <strong>of</strong> buses makes up a mix/effects bus,<br />

and many switchers have multiple M/E buses. {D= ?; Es=<br />

fila de bo<strong>to</strong>nes; F= rangée de commutateurs}.<br />

búsqueda selectiva {Es} * see retrieval {E}.<br />

butt splice {E} * A special type <strong>of</strong> very accurate motion<br />

picture film splice in which <strong>the</strong>re is no overlap <strong>to</strong> cause<br />

frames <strong>to</strong> go out <strong>of</strong> focus, and no frame loss <strong>to</strong> cause<br />

double-system soundtracks out <strong>of</strong> sync; butt splices are<br />

held <strong>to</strong>ge<strong>the</strong>r by welding (heat splices) or with adhesive<br />

splicing tape; not <strong>to</strong> be confused with lap splice. {D= ?;<br />

Es= tipo de empalme de películas; F= collure bout-à-bout;<br />

collure bord à bord}.<br />

butt splicer {E} * Equipment designed for making a butt<br />

splice. {D= ?; Es= máquina para empalmar [empalmadora]<br />

película; F= presse à collures; colleuse bout-à-bout}.


uzz {E} * A rasping noise heard in <strong>the</strong> background <strong>of</strong> a<br />

sound recording that is generally caused by hum or noise<br />

in <strong>the</strong> playback system. In grooved recordings it can be<br />

caused by imperfect or discontinuous contact <strong>of</strong> <strong>the</strong><br />

playback stylus in <strong>the</strong> groove.(04.) {D= ?; Es= ruido<br />

áspero; zumbido; F= bourdonnement}.<br />

buzz track {E} * A soundtrack that is used for testing <strong>the</strong><br />

alignment <strong>of</strong> <strong>the</strong> sound head in projection and recording<br />

equipment. The soundtrack contains two frequencies 300<br />

cycles per second on one side <strong>of</strong> <strong>the</strong> track and 1,000<br />

cycles per second on <strong>the</strong> o<strong>the</strong>r side. If <strong>the</strong> scanning beam<br />

is lined up properly, no sound is heard. If <strong>the</strong> sound head<br />

is not in its precise position, one <strong>of</strong> <strong>the</strong> frequencies will<br />

produce a buzzing sound. {D= ?; Es= pista sonora de<br />

ruido; F= piste de localisation; piste d'essais de bruit}.<br />

BVB {E;Es} * acronym for black-video-black. {D= ?; F=<br />

NVN}.<br />

BVU {E} * acronym for broadcast video U-matic; see Umatic<br />

{E}.<br />

byte {E} * A group <strong>of</strong> bits operating <strong>to</strong>ge<strong>the</strong>r, usually<br />

consisting <strong>of</strong> eight bits.39. {D= Byte; Es= bit; número<br />

arbitrario de bits que comprende una unidad operacional<br />

de información; octe<strong>to</strong>; F= octet}<br />

Byte {D} * see byte {E}.<br />

c ---<br />

c {E} * abbreviation for <strong>the</strong> speed <strong>of</strong> sound in air.<br />

C signal {E} * The video chrominance signal in NTSC. {D=<br />

?; Es= señal C; F= signal C}.<br />

cabestan {F} * see capstan {E}.<br />

cabez borradora de lectura y escritura {Es} * see readwrite-erase<br />

head {E}.<br />

cabeza {Es} * see tail (1) {E}.<br />

cabeza borradora {Es} * see erase head {E}.<br />

cabeza borradora volante {Es} * see flying erase head {E}.<br />

cabeza de barrido <strong>to</strong>tal {Es} * see master erase head {E}.<br />

cabeza de borrado {Es} * see erase head {E}.<br />

cabeza de sincronización {Es} * see sync head {E}.<br />

cabeza grabadora {Es} * see recording head {E}.<br />

cabeza lec<strong>to</strong>ra (de reproducción) {Es} * see playback head<br />

{E}.<br />

cabeza moni<strong>to</strong>ra {Es} * see moni<strong>to</strong>r head {E}.<br />

cabeza registradora {Es} * see recording head {E}.<br />

cabeza y cola {Es} * see head and tail {E}.<br />

cabeza y principo y fin {Es} * see head and tail {E}.<br />

cabezada {Es} * see tail (1) {E}.<br />

cabezal óptico {Es} * see optical pickup {E}.<br />

cabezas alineadas verticalmente {Es} * see in-line heads<br />

{E}.<br />

cabina insonorizada {Es} * see blimp {E}.<br />

cabinet {E} * 1) A housing for electronic equipment.(10.) 2)<br />

36<br />

In nitrate based motion picture film parlance, a nitrate film<br />

s<strong>to</strong>rage enclosure which is constructed and equipped in<br />

accordance with section 42 or 44 <strong>of</strong> NFPA 40.34. {D= ?;<br />

Es= 1) cubierta; 2) armario; F= 1) housse; 2) casier;<br />

casemate (film nitrate)}.<br />

cabinet model {E} * see enclosed horn<br />

phonograph/gramophone.<br />

câble d'alimentation {F} * see power cord {E}.<br />

cabo de entrada de la Academia (de artes escénicas de<br />

los EEUU) {Es} * see Academy leader {E}.<br />

cabrestante (de arrastre) {Es} * see capstan {E}.<br />

caché {Es} * see mask {E}.<br />

cache ? (ciné) {F} * see window board {E}.<br />

cache {F} * see cucolouris {E}.<br />

cache {F} * see cucolouris; mask; mat (matte); vignette {E}.<br />

cache contre-cache {F} * see blue screen process {E}.<br />

cache de découpe {F} * see gobo {E}.<br />

cache de fenêtre {F} * see aperture plate {E}.<br />

Cache {D} * see mask {E}.<br />

caches perforés à projeter {F} * see cukes {E}.<br />

cadena {Es} * see network; series (1) {E}.<br />

cadence {F} * see clock rate {E}.<br />

cadence de projection {F} * see film speed {E}.<br />

cadencia del reloj {Es} * see clock rate {E}.<br />

cadrage {F} * see framing {E}.<br />

cadre {F} * see frame; mat board; slide mount {E}.<br />

cadre-presseur {F} * see pressure pad {E}.<br />

cadreur {F} * see lighting cameraman {E}.<br />

caída de señal {Es} * see dropout {E}.<br />

caisson d'insonorisation {F} * see blimp {E}.<br />

caja {Es} * see archives box/container; box (1); can;<br />

slipcase {E}.<br />

caja con abertura en uno de sus extremos {Es} * see box<br />

(2) {E}.<br />

caja de almacenamien<strong>to</strong> de grabaciones (discos/cintas)<br />

{Es} * see records centre container/car<strong>to</strong>n {E}.<br />

caja de luz para película {Es} * see light box {E}.<br />

caja insonorizada {Es} * see blimp {E}.<br />

caja original {Es} * see original album/box (or o<strong>the</strong>r<br />

container) {E}.<br />

caja protec<strong>to</strong>ra {Es} * see shell {E}.<br />

cajita {Es} * see box {E}.<br />

cálculo de la caída de desprendimien<strong>to</strong> {Es} * see dropout<br />

count {E}.<br />

cálculo de la caída de señal {Es} * see dropout count {E}.


calibrar {Es} * see calibrate (1) {E}.<br />

calibrate {E} * 1) To adjust equipment for example, a<br />

console and a tape recorder <strong>to</strong> a pre-agreed standard so<br />

that <strong>the</strong>ir measurements are similar. Usually refers <strong>to</strong> <strong>the</strong><br />

technique <strong>of</strong> adjusting <strong>the</strong> V/U-meters on two pieces <strong>of</strong><br />

equipment, for instance, a tape recorder and a control<br />

board, so that <strong>the</strong>y will respond identically <strong>to</strong> given signal<br />

at a given voltage, or <strong>to</strong> <strong>the</strong> loudest portion <strong>of</strong> a recording<br />

<strong>to</strong> be dubbed.(04.07.) 2) In video, <strong>the</strong> process <strong>of</strong><br />

standardizing a reference <strong>to</strong>ol, such as a vec<strong>to</strong>rscope or<br />

waveform moni<strong>to</strong>r, so that any signal information that is<br />

displayed can be measured accurately. {D= Kalibrieren;<br />

Es= 1) calibrar; 2) normalización de moni<strong>to</strong>res; F= calibrer;<br />

étalonner; graduer}.<br />

calibration tape {E} * see alignment tape.<br />

calibre {Es} * see gauge {E}.<br />

calibrer {F} * see calibrate {E}.<br />

calidad de archivo {Es} * see archival quality {E}.<br />

calidad de sonido {Es} * see boomy {E}.<br />

Callier effect {E} * Effect <strong>of</strong> light scatter in optical systems,<br />

first studied by Andre Callier in 1909. {D= ?; Es= efec<strong>to</strong><br />

Callier; F= effet Callier}.<br />

calotype {F} * see collotype; gelatin print {E}.<br />

cam {E} * A revolving device <strong>of</strong>ten used inside <strong>the</strong> shuttle<br />

framework <strong>of</strong> a camera or projec<strong>to</strong>r <strong>to</strong> actuate <strong>the</strong> claws in<br />

an intermittent movement. {D= ?; Es= leva; excéntrica; F=<br />

came; excentrique}.<br />

camafeo (un tipo de iluminación en producciones de<br />

televisión) {Es} * see cameo {E}.<br />

cámara {Es} * see camera {E}.<br />

cámara de alta velocidad {Es} * see high-speed camera<br />

{E}.<br />

cámara de animación {Es} * see animation camera {E}.<br />

cámara de micr<strong>of</strong>ichas {Es} * see step-and-repeat camera<br />

{E}.<br />

cámara de micr<strong>of</strong>ilm {Es} * see micr<strong>of</strong>ilm camera {E;F}.<br />

cámara de procesado {Es} * see process camera {E}.<br />

cámara de seguridad {Es} * see vault {E}.<br />

cámara estilográfica {Es} * see caméra stylo (i.e., camerapen)<br />

{E}.<br />

cámara lenta {Es} * see Slo-mo; slow motion; stretch (1)<br />

{E}.<br />

cámara oscura {Es} * see camera obscura {E}.<br />

cámara planetaria {Es} * see planetary camera {E}.<br />

cámara reflex {Es} * see reflex camera {E}.<br />

cámara rota<strong>to</strong>ria {Es} * see rotary camera {E}.<br />

cámara subjetiva (<strong>to</strong>ma desde el pun<strong>to</strong> de visión del<br />

personaje) {Es} * see subjective camera {E}.<br />

cambiador de discos {Es} * see record changer {E}.<br />

cambio {Es} * see interchange {E}.<br />

cambio de densidad {Es} * see density change {E}.<br />

cambio de imágenes {Es} * see cut (4){E}.<br />

37<br />

cambio de secuencias {Es} * see cut (4){E}.<br />

cambio rápido del plano focal {Es} * see rack focusing {E}.<br />

cambios de color durante el positivado {Es} * see colour<br />

balance (1, 2) {E}.<br />

cambios en la separación entre cabeza y cinta {Es} * see<br />

tape-<strong>to</strong>-head separation changes {E}.<br />

camcorder {E;Es} * A composite <strong>of</strong> <strong>the</strong> words 'camera' and<br />

'recorder'; a small, portable video camera and recorder<br />

combined in<strong>to</strong> one unit.10. {D= Camcorder; F=<br />

camescope}<br />

Camcorder {D} * see camcorder {E}.<br />

came {F} * see cam {E}.<br />

cameo {E} * A light situation in TV production when only<br />

<strong>the</strong> foreground is illuminated. The background is black and<br />

unlighted. Also refer <strong>to</strong> limbo. {D= ?; Es= camafeo (un tipo<br />

de iluminación en producciones de televisión); F=<br />

éclairage avant (limbo)}.<br />

camera {E} * 1) In still and moving-image pho<strong>to</strong>graphy, a<br />

closed box containing, or intending <strong>to</strong> contain, a sensitized<br />

plate or film on which an image is formed when light enters<br />

through a lens. 2) In video, <strong>the</strong> device that receives <strong>the</strong><br />

image via <strong>the</strong> lens and transforms it in<strong>to</strong> an electronic<br />

signal; see also camera obscura. {D= Kamera; Es=<br />

cámara; F= appareil de prise de vue; appareil pho<strong>to</strong>;<br />

appareil de prises de vues}.<br />

camera angle {E} * The position at which <strong>the</strong> camera is<br />

pointed at <strong>the</strong> subject: low, high or tilt; see also angle <strong>of</strong><br />

view, which is different.30. {D= ?; Es= ángulo de cámara;<br />

F= angle de prise de vue}.<br />

camera chain {E} * All <strong>the</strong> principal components <strong>of</strong> a video<br />

camera such as camera control unit, video moni<strong>to</strong>r,<br />

waveform moni<strong>to</strong>r, associated equipment, and connecting<br />

cables. camera primaries {E} * The video camera primary<br />

signals are <strong>the</strong> electrical analogies <strong>of</strong> <strong>the</strong> red, green, and<br />

blue visual components <strong>of</strong> <strong>the</strong> scene. {D= ?; Es=<br />

componentes de una cámara; F= chaîne vidéo}.<br />

camera film {E} * 1) Pho<strong>to</strong>graphic film which is used in <strong>the</strong><br />

camera <strong>to</strong> record <strong>the</strong> original scene; <strong>the</strong>re are numerous<br />

different types <strong>of</strong> such film available for <strong>the</strong> many<br />

conditions under which subjects <strong>of</strong>ten must be filmed, for<br />

<strong>the</strong> special effects that <strong>the</strong> cinema<strong>to</strong>gra-pher wants <strong>to</strong><br />

produce, and for <strong>the</strong> processing and projection<br />

requirements <strong>of</strong> <strong>the</strong> job; see also master film; preservation<br />

master negative; camera negative.(09.) {D= ?; Es=<br />

película para cámara; F= film original}.<br />

camera micr<strong>of</strong>ilm {E} * First generation micr<strong>of</strong>ilm; see also<br />

camera film; master film; preservation master negative.19.<br />

{D= ?; Es= micr<strong>of</strong>ilme para cámara; F= micr<strong>of</strong>ilm original}.<br />

camera negative {E} * The negative film exposed in <strong>the</strong><br />

camera; see also camera film; master film; preservation<br />

master negative.40. {D= ?; Es= negativo para cámara; F=<br />

film négatif original}.<br />

camera obscura {E;F} * A device, developed by Leonardo<br />

Da Vinci in <strong>the</strong> 16th century, which established <strong>the</strong> basic<br />

principal <strong>of</strong> pho<strong>to</strong>graphic reproduction. The camera<br />

obscura (i.e., darkroom) allowed a small ray <strong>of</strong> light <strong>to</strong> pass<br />

through a hole in<strong>to</strong> a <strong>to</strong>tally dark room (hence <strong>the</strong> name).<br />

An inverted and laterally reversed image <strong>of</strong> <strong>the</strong> outside<br />

scene appeared on <strong>the</strong> darkened room's rear wall, thus<br />

producing <strong>the</strong> earliest form <strong>of</strong> a 'camera'. Da Vinci's image<br />

could be traced by <strong>the</strong> artist <strong>to</strong> achieve greater realism in<br />

artistic renderings. With <strong>the</strong> development <strong>of</strong> a<br />

pho<strong>to</strong>graphic plate by Nicephore Niepce and Louis J.M.<br />

Daguerre in <strong>the</strong> 1830s which mechanically/chemically


captured <strong>the</strong> inverted image, still pho<strong>to</strong>graphy became<br />

possible. {D= Cameraobscura; Es= cámara oscura}.<br />

camera pen {E} * see caméra stylo.<br />

camera speed {E} * The speed at which motion picture film<br />

runs through a motion picture camera, usually noted in<br />

frames per second (FPS). The standard speed for sound<br />

motion pictures is 24 FPS; speeds for silent motion<br />

pictures can range from 14 FPS <strong>to</strong> 23 FPS. {D= ?; Es=<br />

velocidad de cámara; F= vitesse de prise de vues}.<br />

camera tube {E} * The electron beam tube in television<br />

used <strong>to</strong> convert light rays in<strong>to</strong> electrical signals.10. {D=<br />

Aufnahme-ildröhre; Es= tubo <strong>to</strong>mavistas; tubo analizador<br />

(de TV); F= tube analyseur; tube de caméra}.<br />

caméra (à vidée) réflex {F} * see reflex camera {E}.<br />

caméra cinétique {F} * see rotary camera {E}.<br />

caméra d'animation {F} * see animation camera {E}.<br />

caméra grande vitesse {F} * see high-speed camera {E}.<br />

caméra image par image {F} * see animation camera {E}.<br />

caméra isolée {F} * see isolated camera {E}.<br />

caméra obscura {F} * see camera obscura {E}.<br />

camera original protection dupe videotape {E} * A first<br />

generation copy <strong>of</strong> <strong>the</strong> camera original videotape. {D= ?;<br />

Es= copia de primera generación (cinta de vídeo); F=<br />

copie de première génération; bande vidéo originale}.<br />

caméra pas à pas ? {F} * see planetary camera {E}.<br />

caméra pour micr<strong>of</strong>iches {F} * see step-and-repeat camera<br />

{E}.<br />

caméra prenant la place de la personne {F} * see<br />

subjective camera {E}.<br />

caméra statique {F} * see planetary camera {E}.<br />

caméra stylo (i.e., camera-pen) {E;F} * The phrase used by<br />

Alexandre Astruc <strong>to</strong> suggest that <strong>the</strong> art <strong>of</strong> film was <strong>the</strong><br />

equal <strong>of</strong> <strong>the</strong> novel and essay in flexibility and range.30.<br />

{D= ?; Es= cámara estilográfica}.<br />

caméra subjective {F} * see subjective camera {E}.<br />

caméra ultra rapide {F} * see high-speed camera {E}.<br />

cámera de micr<strong>of</strong>ichas {Es} * see step-and-repeat camera<br />

{E}.<br />

cámera de seguridad {Es} * see vault {E}.<br />

cámera esática {Es} * see planetary camera {E}.<br />

cámera rota<strong>to</strong>ria {Es} * see rotary camera {E}.<br />

Cameraobscura {D} * see camera obscura {E}.<br />

camescope {F} * see camcorder {E}.<br />

camino cerrado de tierra {Es} * see ground loop {E}.<br />

camisa {Es} * see folder {E}.<br />

campo de acción {Es} * see domain {E}.<br />

campo de conmutación {Es} * see patch field {E}.<br />

campo de da<strong>to</strong>s auxiliar {Es} * see auxiliary data field {E}.<br />

campo de da<strong>to</strong>s de un sec<strong>to</strong>r {Es} * see data field <strong>of</strong> a<br />

38<br />

sec<strong>to</strong>r {E}.<br />

campo de sincronización {Es} * see synchronization field<br />

{E}.<br />

campo de televisión {Es} * see field (2) {E}.<br />

campo del cabezal (estanco) {Es} * see header field {E}.<br />

campo electrónico {Es} * see field (1) {E}.<br />

can {E} * l) A metal or plastic container for film. 2) A studio<br />

term for <strong>the</strong> headphones worn by technicians during<br />

motion picture filming; <strong>the</strong>y serve as an intercom system<br />

between <strong>the</strong> direc<strong>to</strong>r and <strong>the</strong> control room. 3) A 1000-watt<br />

lamp in a housing mounted on a stand or pedestal. {D=<br />

Dose; Büchse; Es= lata; caja; 1) contenedor, 2)<br />

auriculares; 3) lámpara de 1000 vatios montada sobre un<br />

pedestal; F= 1) boîte (pour film) 2) casques son de studio}.<br />

canal {Es} * see channel {E}.<br />

canal {F} * see channel {E}.<br />

canal électronique {F} * see electronics <strong>to</strong> electronics (E-E)<br />

{E}.<br />

canal p {Es;F} * see p-channel {E}.<br />

canal q {Es;F} * see q channel {E}.<br />

canal Q {Es;F} * see Q channel {E}.<br />

canal r {Es;F} * see r channel {E}.<br />

canal s {Es;F} * see s channel {E}.<br />

canal sonoro {Es} * see channel {E}.<br />

canal t {Es} * see t channel {E}.<br />

canal u {Es;F} * see u channel {E}.<br />

canal v {Es;F} * see v channel {E}.<br />

canal w {Es;F} * see w channel {E}.<br />

canaux p-w {Es;F} * see p-w channels {E}.<br />

cancelación {Es} * see blanking shutter {E}.<br />

candela (CD) {E;Es;F} * The international standard unit<br />

used <strong>to</strong> measure <strong>the</strong> strength (luminous intensity) <strong>of</strong> a light<br />

source. One candela is <strong>the</strong> intensity <strong>of</strong> <strong>the</strong> light given <strong>of</strong>f by<br />

1/60 <strong>of</strong> a square centimetre <strong>of</strong> projected area <strong>of</strong> a perfectly<br />

radiating object heated <strong>to</strong> <strong>the</strong> temperature <strong>of</strong> freezing<br />

platinum, 3222°F, 1772°C, or 2045°K. One candela is<br />

slightly less than 1 candle. One candela is equal <strong>to</strong> one<br />

lumen per square foot or 10.764 lux. The unit <strong>of</strong><br />

measurement, <strong>the</strong> lumen, is based on this type <strong>of</strong><br />

measurement. The candela has replaced <strong>the</strong> standard<br />

candle or lamp as a unit <strong>of</strong> luminous intensity in<br />

calculations involving artificial lighting and is sometimes<br />

called <strong>the</strong> 'new candle'; see also candle; footcandle;<br />

illuminance; lumen; lux. {D= Candela}.<br />

Candela {D} * see candela (CD) {E;Es;F}.<br />

candéla mètre {F} * see candle metre {E}.<br />

candéla mètre {F} * see candlepower {E}.<br />

candéla par pied carré {F} * see candles per square foot<br />

{E}.<br />

candle metre {E} * also known as lux; a unit <strong>of</strong> illumination<br />

equal <strong>to</strong> <strong>the</strong> amount <strong>of</strong> light falling on a surface one metre<br />

away from a one candlepower. {D= ?; Es= bujía-metro; F=<br />

candéla mètre}.


candlepower {E} * The maximum footcandles times <strong>the</strong><br />

fixture distance squared. The candlepower law is valid only<br />

for distances greater than 20 times <strong>the</strong> diametre <strong>of</strong> <strong>the</strong><br />

fixture reflec<strong>to</strong>r or lens, with a few exceptions. Knowing <strong>the</strong><br />

candlepower <strong>of</strong> any particular fixture, one can determine<br />

<strong>the</strong> maximum footcandles that same fixture will produce at<br />

any given distance. Divide <strong>the</strong> candlepower figure by <strong>the</strong><br />

distance squared, <strong>to</strong> obtain maximum footcandles.<br />

Example: if a fixture is rated at one million candlepower<br />

and it is necessary <strong>to</strong> know <strong>the</strong> maximum intensity <strong>of</strong> that<br />

particular fixture at 50 feet, divide one million by 50<br />

squared or 2500, which is equal <strong>to</strong> 400. That particular<br />

fixture will produce 400 maximum footcandles at a 50-foot<br />

distance; see also footcandles. {D= ?; Es= bujía (unidad<br />

fo<strong>to</strong>métrica); F= flux lumineux}.<br />

candles per square foot {E} * The brightness <strong>of</strong> an<br />

illuminated area is measured in terms <strong>of</strong> light intensity per<br />

unit area, normally candles per square foot. One candle<br />

per square foot is equal <strong>to</strong> 0.09290304 candle per square<br />

metre. {D= ?; Es= bujías por pie cuadrado; F= candéla par<br />

pied carré}.<br />

cannelures {F} * see fluting {E}.<br />

canoa (aguja curvada para vídeocinta) {Es} * see canoe<br />

{E}.<br />

canoe {E} * The curved, air suction guide <strong>of</strong> a quadruplex<br />

videotape machine which holds <strong>the</strong> tape as it is scanned<br />

by <strong>the</strong> video head tips. {D= ?; Es= canoa (aguja curvada<br />

para vídeocinta); F= guide (bande vidéo quadruplex)}.<br />

canon à électrons {F} * see electron gun {E}.<br />

capa anti-halo {Es} * see rem jet {E}.<br />

capa de emulsión {Es} * see emulsion layer {E}.<br />

capa de registro {Es} * see recording layer {E}.<br />

capa interna de transferencia {Es} * see interlayer transfer<br />

{E}.<br />

capa magnética {Es} * see coating {E}.<br />

capacidad {Es} * see output {E}.<br />

capacitance electronic disc (CED) {E} * One <strong>of</strong> two popular<br />

videodisc systems, <strong>the</strong> o<strong>the</strong>r being a LASER disc. The<br />

CED uses a needle in a groove <strong>to</strong> sense <strong>the</strong> picture.(35.)<br />

{D= ?; Es= disco electrónico capacitivo; F= disque à<br />

capacitance}.<br />

capas conductivas {Es} * see conductive coatings {E}.<br />

capas conductivas {Es} * see conductive coatings {E}.<br />

difrac<strong>to</strong>ra {Es} * see diffraction grating {E}.<br />

capot {F} * see <strong>to</strong>p plate {E}.<br />

capstan {E} * The spindle or shaft sometimes <strong>the</strong> mo<strong>to</strong>r<br />

shaft itself connected <strong>to</strong> <strong>the</strong> mo<strong>to</strong>r <strong>of</strong> a tape recorder that<br />

moves <strong>the</strong> tape at constant speed across <strong>the</strong> heads, or a<br />

film camera/projec<strong>to</strong>r that moves <strong>the</strong> film at constant<br />

speed past <strong>the</strong> lens.(04.16.) {D= Tonwelle; Es=<br />

cabrestante (de arrastre); eje mo<strong>to</strong>r (vídeo); F= cabestan}.<br />

capstan idler {E} * see pressure roller.<br />

cápsula (del <strong>to</strong>cadiscos) {Es} * see pickup cartridge {E}.<br />

cápsula (<strong>to</strong>cadiscos) {Es} * see head shell {E}.<br />

caption {E} * see subtitle.<br />

caption {E} * The process <strong>of</strong> encoding and decoding text<br />

on<strong>to</strong> a video display. {D= ?; Es= subtítulo; F= sous-titre}.<br />

39<br />

cap<strong>to</strong>r {Es} * see pickup (1, 2) {E}.<br />

cara de entrada {Es} * see entry face {E}.<br />

caracter confidencial {Es} * see confidentiality {E}.<br />

carácter {Es} * see character {E}.<br />

carácter confidencial {Es} * see confidentiality {E}.<br />

característica de ponderación {Es} * see weighting<br />

characteristic {E}.<br />

características mecánicas {Es} * see mechanical<br />

specifications {E}.<br />

caractéristique (pho<strong>to</strong>) {F} * see d log h curve {E}.<br />

caractéristique de la luminance {F} * see gain inequality<br />

{E}.<br />

caracterización {Es} * see character {E}.<br />

caráter {Es} * see character {E}.<br />

carbon black {E} * An inert filler used 1) <strong>to</strong> protect <strong>the</strong><br />

basic resin in a disc sound recording compound from <strong>the</strong><br />

action <strong>of</strong> light by absorbing radiant energy, 2) as an antistatic<br />

element in back coatings for magnetic tape, and 3)<br />

as a colouring agent in archival containers for film and<br />

magnetic tape.(04.) {D= ?; Es= negro de humo; F=<br />

carbone noir; noir de carbone}.<br />

carbon tetrachloride {E} * A dangerous, <strong>to</strong>xic chemical<br />

used as a film and equipment cleaning agent.(10.) {D= ?;<br />

Es= tetracloruro de carbono; F= tétrachlorure de carbone}.<br />

carbon-arc lamps {E} * A lighting source which utilizes an<br />

ac or dc arc source in which <strong>the</strong> arc is formed in air<br />

between a pair <strong>of</strong> frequently carbon with additives<br />

electrodes.(10.) {D= Lampenkohle; Es= arco de carbón;<br />

F= charbon d'arc; projecteur à arc de carbone}.<br />

carbonate de magnésium .{F} * see magnesium<br />

bicarbonate .{E}.<br />

carbonate de magnésium {F} * see magnesium carbonate<br />

{E}.<br />

carbona<strong>to</strong> magnésico {Es} * see magnesium carbonate<br />

{E}.<br />

carga (electrostática) {Es} * see charge {E}.<br />

carga electrostática {Es} * see electrostatic charge {E}.<br />

carga máxima que puede soportar un suelo {Es} * see<br />

floor load {E}.<br />

cargador {Es} * see magazine {E;Es;F}.<br />

cargar (la película {Es} * see load {E}.<br />

cargar (la película; da<strong>to</strong>s) {Es} * see load {E}.<br />

cargas {Es} * see filler {E}.<br />

carpeta (discos fonográficos) {Es} * see sleeve {E}.<br />

carpeta {Es} * see slipcase {E}.<br />

carpetilla {Es} * see folder {E}.<br />

carret {Es} * see reel {E}.<br />

carrete {Es} * see reel (1); spool {E}.<br />

carrete abier<strong>to</strong> {Es} * see open reel {E}.


carrete con la cinta colocada {Es} * see feed reel {E}.<br />

carrier {E} * 1) The physical package (i.e., disc, film, paper)<br />

in or on which <strong>the</strong> audiovisual data or signal is fixed or<br />

recorded. 2) The RMS level in dB in a specified bandwidth<br />

signal centered at <strong>the</strong> fundamental (carrier frequency) <strong>of</strong><br />

a mono<strong>to</strong>ne recording. The input is a 50% duty cycle<br />

square waveform.(46.) {D= Träger; Es= soporte; portador;<br />

F= porteuse (onde)}.<br />

carrier-arm {E} * That part <strong>of</strong> a audio cylinder machine that<br />

traversed <strong>the</strong> cylinder and carried a reproducer or<br />

recorder.14. {D= ?; Es= brazo portador; F= mandrin<br />

(platine cylindres)}.<br />

carrier-<strong>to</strong>-noise ratio (CNR) {D;E} * The ratio <strong>of</strong> <strong>the</strong> carrier<br />

magnitude <strong>to</strong> <strong>the</strong> noise level <strong>of</strong> a signal, generally<br />

expressed in dB.(46.10.) {Es= relación portadora-ruido; F=<br />

rapport (amplitude onde) porteuse sur bruit}.<br />

carri<strong>to</strong> móvil portacámara {Es} * see dolly {E;Es}.<br />

carri<strong>to</strong> portacámara {Es} * see dolly {E;Es}.<br />

carta de concordancias {Es} * see concordance {E}.<br />

carta de la prueba neutra [o del neutro] {Es} * see neutral<br />

test card {E}.<br />

carta de linealidad {Es} * see ball chart {E}.<br />

carte à fenêtre (micr<strong>of</strong>ilm) {F} * see aperture card {E}.<br />

carte perforée {F} * see punched card {E}.<br />

carte test neutre {F} * see neutral test card {E}.<br />

cartel {Es} * see poster {E}.<br />

cartela {Es} * see target (1)(2) {E}.<br />

cartelera {Es} * see billboard {E}.<br />

car<strong>to</strong>n de montage {F} * see mount {E}.<br />

cartón de montaje {Es} * see mat board {E}.<br />

car<strong>to</strong>ns volants (titres) {F} * see flip cards {E}.<br />

car<strong>to</strong>uche {F} * see cartridge {E}.<br />

cartridge {E} * 1) A single core container (a double core<br />

container is called a cassette) enclosing audiovisual media<br />

(i.e., optical, grooved, or magnetic discs, tape, film) using,<br />

for tape/film media, a single-spool, endless-loop<br />

configuration. Used for insertion <strong>of</strong> <strong>the</strong> medium in<strong>to</strong><br />

recorders, readers, reader/printers and retrieval devices,<br />

<strong>the</strong> media requiring no threading or rewinding. Most audio<br />

tape cartridges contain two-channel, 8-track stereo<br />

programme material; q8 audio cartridges have a special<br />

coding slot that indicates four-channel, 8-track stereo<br />

recordings.(22.46.16.) 2) The holder <strong>of</strong> <strong>the</strong> stylus which is<br />

used <strong>to</strong> play grooved recordings. Sometimes used<br />

interchangeably with <strong>the</strong> term pickup.(04.) {D= 1) Kassette;<br />

2) F= 1) chargeur; car<strong>to</strong>uche; 2) cellule (phonocaptrice); ;<br />

Tonebuehmersystem;Es= 1) cartuc}.<br />

cartucho {Es} * see cartridge {E}.<br />

cartulinas para mover de un tirón {Es} * see flip cards {E}.<br />

casa produc<strong>to</strong>ra {Es} * see production company {E}.<br />

cascada {Es} * see cascade {E}.<br />

cascade (tirage film) {F} * see cascade {E}.<br />

cascade {E} * A film processing method by which chemical<br />

40<br />

solutions and wash water, particularly <strong>the</strong> latter are applied<br />

<strong>to</strong> <strong>the</strong> film in a continuous processing machine in <strong>the</strong> form<br />

<strong>of</strong> jets <strong>of</strong> liquid which run down <strong>the</strong> film strands from <strong>the</strong><br />

<strong>to</strong>p <strong>to</strong> <strong>the</strong> bot<strong>to</strong>m under gravity, ra<strong>the</strong>r than by immersion<br />

<strong>of</strong> <strong>the</strong> film under <strong>the</strong> surface <strong>of</strong> <strong>the</strong> solution in a deep tank.<br />

{D= ?; Es= cascada; F= cascade (tirage film)}.<br />

case {E} * 1) A designation <strong>of</strong> archival or library materials<br />

which indicates that <strong>the</strong>y are ei<strong>the</strong>r restricted, rare, or<br />

o<strong>the</strong>rwise. 2) A piece <strong>of</strong> furniture <strong>to</strong> hold materials, as a<br />

book case. 3) A container for a single item, as a slip case<br />

for a set <strong>of</strong> records. {D= ?; Es= 1) designación de<br />

materiales bibliográficos; 2) estantería; 3) estuche; F=<br />

boîtier; étagère}.<br />

casemate {F} * see cabinet; vault {E}.<br />

casete {Es} * see cassette {E;F}.<br />

casete compacta {Es} * see compact cassette (CC) {E}.<br />

casette {Es} * see cassette {E;F}.<br />

casier casemate (film nitrate) {F} * see cabinet {E}.<br />

casier de rangement {F} * see bin {E}.<br />

casque {F} * see headphones {E}.<br />

casques son de studio {F} * see can {E}.<br />

cassant {F} * see brittle {E}.<br />

cassette {E;F} * An enclosed two hub, core, or reel<br />

container (a single core container is called a cartridge)<br />

enclosing film/tape/wire media with each end <strong>of</strong> <strong>the</strong><br />

contained media being attached <strong>to</strong> one or <strong>the</strong> o<strong>the</strong>r hub,<br />

core, or reel. Common forms <strong>to</strong>day are <strong>the</strong> compact audio<br />

cassette (introduced in 1964), <strong>the</strong> audio elcaset, <strong>the</strong> audio<br />

mini-cassette, <strong>the</strong> audio macro-cassette, and video<br />

cassettes (introduced in <strong>the</strong> 1970s); see also cartridge.<br />

{D= Kassette; Es= casete; casette}.<br />

cassette {F} * see also magazine {E;Es;F}.<br />

cassette compacte {F} * see compact cassette (CC) {E}.<br />

cassette tape {E} * see cassette {E;F}.<br />

cast {E} * A collective term for ac<strong>to</strong>rs and <strong>the</strong>ir roles.<br />

Names <strong>of</strong> ac<strong>to</strong>rs may be preceded by such terms as<br />

starring, co-starring, also starring, introducing, etc. A broad<br />

distinction is made between cast and credits by defining<br />

cast as those in front <strong>of</strong> <strong>the</strong> camera, or performers in a<br />

musical production, and credits as those behind <strong>the</strong><br />

camera; see also talent.(12.) {D= Darstellung;<br />

Darstellungbesetzung; Es= interpretación; repar<strong>to</strong>; F=<br />

interprétation; générique; distribution; interprètes}.<br />

cat. no. {E} * abbreviation for catalogue number.<br />

catadioptric lens {E} * A long focal length camera lens that<br />

uses mirrors and reflective and refractive elements <strong>to</strong><br />

shorten <strong>the</strong> light path <strong>to</strong> <strong>the</strong> lens.10. {D= ?; Es= objetivo<br />

catadipótrico; F= filtre catadioptrique}.<br />

catalog {E/US} * see catalogue {E}.<br />

catalogación {Es} * see cataloguing {E}.<br />

catalogage {F} * see processing {E}.<br />

catalogar {Es} * see catalogue {E;F}.<br />

catálogo {Es} * see catalogue {E;F}.<br />

catalogue {E;F} * 1) A finding aid describing individual<br />

documents <strong>of</strong> a specific type or brought <strong>to</strong>ge<strong>the</strong>r for a<br />

specific purpose.(22.23.) 2) A descriptive list <strong>of</strong> materials


contained in a collection arranged according <strong>to</strong> some<br />

definite plan, e.g., by title. 3) The act <strong>of</strong> creating such a<br />

listing.(12.) {D= 1 & 2) Katalog; 3) katalogisieren; Es=<br />

catálogo; catalogar}.<br />

catalogue d'édition discographique {F} * see body <strong>of</strong> <strong>the</strong><br />

entry {E}.<br />

catalogue level {E} * A distinction made between <strong>the</strong><br />

various levels <strong>of</strong> bibliographic data, consistency, and<br />

accuracy that may be provided in cataloguing records.<br />

AACR2 identifies three levels. They are, with <strong>the</strong><br />

recommended punctuation <strong>to</strong> be included within <strong>the</strong><br />

citation, 1st level <strong>of</strong> description should include at least: title<br />

proper / <strong>the</strong> first statement <strong>of</strong> responsibility if it is different<br />

from <strong>the</strong> main entry heading in form or number or if <strong>the</strong>re<br />

is no main entry heading. Edition stdetails. First publisher,<br />

etc., date <strong>of</strong> publication, etc. Extent <strong>of</strong> item. Note(s).<br />

Standard number. 2d level <strong>of</strong> description should include at<br />

least: Title proper {general material designation}= Parallel<br />

title : o<strong>the</strong>r title information / first statement <strong>of</strong><br />

responsibility; each subsequent statement <strong>of</strong> responsibility.<br />

Edition statement / first statement <strong>of</strong> edition responsibility.<br />

Material (or type <strong>of</strong> publication) specific details. First place<br />

<strong>of</strong> publication, etc. : first publisher, etc., date <strong>of</strong> publication,<br />

etc. Extent <strong>of</strong> item : o<strong>the</strong>r physical details; dimensions.<br />

(Title proper <strong>of</strong> series / statement <strong>of</strong> responsibility relating<br />

<strong>to</strong> series, ISSN <strong>of</strong> series; numbering within series. Title <strong>of</strong><br />

subseries, ISSN <strong>of</strong> subseries; numbering within subseries).<br />

Noteast: All elements set out in AACR2 applicable <strong>to</strong> <strong>the</strong><br />

item being described. In addition <strong>to</strong> <strong>the</strong> AACR2's three<br />

levels, audiovisual libraries and archives have tended <strong>to</strong><br />

prescribe two additional levels: a preliminary or inven<strong>to</strong>ry<br />

level, consisting only <strong>of</strong> very brief data, including at least<br />

in level 1 Title proper. Place <strong>of</strong> origin, date <strong>of</strong> origin. Extent<br />

<strong>of</strong> item(s). Location. Provenance and, level 2 being a<br />

collection level record, tending generally <strong>to</strong> include<br />

Collection name (i.e., Title proper <strong>of</strong> <strong>the</strong> Collection) / first<br />

statement <strong>of</strong> responsibility; each subsequent statement <strong>of</strong><br />

responsibility. Place/s <strong>of</strong> origin, date/s <strong>of</strong> origin. extent <strong>of</strong><br />

collection : o<strong>the</strong>r physical details; dimensions. Location.<br />

Provenance. Contents and/or summary notes. O<strong>the</strong>r<br />

note(s).<br />

catalogue number (cat. no.) {E} * The numerical identifier<br />

<strong>of</strong> a particular item; also known as s<strong>to</strong>ck number; also<br />

known as issue number. {D= Katalognummer; Signatur;<br />

Es= número de catálogo; F= numéro de catalogue}.<br />

cataloguer {F} * see cataloguing {E}ion <strong>of</strong> a catalogue; see<br />

also archival cataloguing; inven<strong>to</strong>ry; list; minimal<br />

cataloguing; preliminary cataloguing; serial cataloguing.<br />

{D= katalogisieren; Es= catalogación; F= cataloguer; F=<br />

cataloguer}.<br />

cataloguing agency {E} * The organization or institution<br />

responsible for <strong>the</strong> creation <strong>of</strong> a catalogue.12. {D= ?; Es=<br />

agencia de catalogación; F= agence catalogue}.<br />

categoría de una copia {Es} * see copy status (generation)<br />

{E}.<br />

categoría de una generación {Es} * see copy status<br />

(generation) {E}.<br />

catégorie générale de matériel {F} * see general material<br />

designa<strong>to</strong>r (GMD) {E}.<br />

cathode follower {E;F} * The type <strong>of</strong> electronic circuit used<br />

in an output stage <strong>of</strong> a recorder <strong>to</strong> permit <strong>the</strong> use <strong>of</strong> longer<br />

interconnecting cables without <strong>the</strong> loss <strong>of</strong> high frequency.<br />

Usually not necessary in a normal installation.50. {D= ?;<br />

Es= seguidor catódico; F= ?}.<br />

cathode-ray tube (CRT) {E} * 1) A vacuum tube in which<br />

electrons from a cathode are directed <strong>to</strong> a luminescent<br />

screen that glows in direct proportion <strong>to</strong> <strong>the</strong> intensity <strong>of</strong> <strong>the</strong><br />

light. 2) A video display device.(10.) {D= Kathodenstrahl-<br />

41<br />

Röhre; Es= tubo de rayos catódicos; dispositivo para la<br />

visualización de vídeo; F= tube à rayons cathodiques; tube<br />

cathodique}.<br />

ca<strong>to</strong>ptric system {E} * In still and/or moving-image media,<br />

an all reflecting lens system free <strong>of</strong> chromatic aberration;<br />

see chromatic aberration; catadioptric lens. {D= ?; Es=<br />

sistema cataóptrico; F= catadioptric system; système<br />

catadioptrique}.<br />

CATV {E;F} * acronym for cable antenna television system.<br />

{D= ?; Es= acrónimo de Televisión con Antena Colectiva;<br />

F= ?}.<br />

CAV {E} * acronym for constant angular velocity {E}.<br />

caverneux {F} * see boomy {E}.<br />

CC {E} * acronym for 1) colour compensating; 2) compact<br />

cassette.<br />

CCD {E} * acronym for charge coupled device {Es=<br />

acrónimo de Dispositivo de Carga Acoplada; F= DTC<br />

(capteurs à transfert de charges)}.<br />

CCITT {D;E;Es;F} * acronym for International Telegraph<br />

and Telephone Consultative Committee.<br />

CCTV {E;F} * acronym for closed circuit television. {D= ?;<br />

Es= acrónimo de Televisión de Circui<strong>to</strong> Cerrado; F=<br />

télévision en circuit fermé}.<br />

CD {E} * abbreviation for candela; acronym for compact<br />

disc.<br />

CD+G {E} * acronym for compact disc+graphics.<br />

CD+MIDI {E} * acronym for compact disc+midi.<br />

CD-DA {E;Es} * acronym for compact disc-digital audio.<br />

CD-I {E;Es} * acronym for compact disc-interactive.<br />

CD-IX {E;Es} * acronym for compact disc-interactiveextended.<br />

CD-PROM {E;Es} * acronym for compact discprogrammable<br />

read only memory.<br />

CD-R {E} * acronym for compact disc-recordable.<br />

CD-ROM {E;Es} * acronym for compact disc-read only<br />

memory.<br />

CD-ROM XA {E;Es} * acronym for compact disc-read only<br />

memory extended architecture.<br />

CD-RTOS {E;Es} * acronym for compact disc-real -time<br />

operating system.<br />

CD-simple {F} * see CD-single {E}.<br />

CD-single {E} * A CD audio recording <strong>of</strong> a single, usually<br />

popular, music selection. {D= ?; Es= disco sencillo en CD;<br />

F= CD-simple}.<br />

CD-V {E;Es} * acronym for compact disc-video.<br />

CD-WO {E} * acronym for compact disc-write -once.<br />

CD-WORM {E} * acronym for compact disc-writeonce/read<br />

many.<br />

CD3 {E} * acronym for compact disc3.<br />

cebo eléctrico {Es} * see squib {E}.<br />

CED {E} * acronym for capacitance electronic disc.


cédérom {F} * see compact disc-read only memory (CD-<br />

ROM) {D;E}.<br />

cédérom-XA {F} * see compact disc-read only memory<br />

extended architecture (CD-ROM XA) {D;E}.<br />

cel {E} * A transparent sheet <strong>of</strong> cellulose ace-tate or similar<br />

plastic serving as a support or overlay for drawings, lettering,<br />

etc, in animation and title work.09. {D= Zelle; Es=<br />

célula; hoja transparente de plástico; F= *cellule or cellulo;<br />

cellulos}.<br />

cellule .{F}. see exposure meter .{E}.<br />

cellule (phonocaptrice) {F} * see cartridge {E}.<br />

cellule {F} * see exposure meter; pickup cartridge {E}.<br />

cellule phonocaptrice {F} * see pickup {E}.<br />

cellule pho<strong>to</strong>électrique {F} * see pho<strong>to</strong>cell {E}.<br />

celluloid {E;F} * l) A flammable, flexible, transparent<br />

<strong>the</strong>rmoplastic material made <strong>of</strong> cellulose nitrate and<br />

camphor or o<strong>the</strong>r plasticiz-er. 2) Slang for motion pictures,<br />

or for <strong>the</strong> base material or support for <strong>the</strong> layers <strong>of</strong> film<br />

emulsion; see cellulose acetate; cellulose diacetate;<br />

cellulose nitrate; cellulose triacetate; polyester. 3) The<br />

transparent sheets on which <strong>the</strong> component drawings <strong>of</strong><br />

an animated motion picture film are prepared. 4) One <strong>of</strong><br />

<strong>the</strong> materials used in <strong>the</strong> manufacture <strong>of</strong> mass produced<br />

cylinder recordings, usually backed with some material,<br />

such as Plaster <strong>of</strong> Paris. {D= Zelluloid; Es= 1) celuloide; 2)<br />

películas (jerga); soporte; 3) láminas transparentes; 4)<br />

material cilíndrico para grabaciones; F= côte support;<br />

celluloïd; nitrate de cellulose}<br />

celluloïd {F} * see celluloid {E;F}.<br />

cellulos {F} * see cel {E}.<br />

cellulose {E;F} * A complex polymeric carbohydrate,<br />

having <strong>the</strong> same composition as starch, i.e., 44.4%<br />

carbon, 16.2% hydrogen, and 39.4% oxygen; <strong>the</strong> chief<br />

component <strong>of</strong> <strong>the</strong> cell walls <strong>of</strong> plants, wood, etc.07. {D=<br />

Zellulose; Es= celulosa; F= celluleux}.<br />

cellulose acetate {E} * 1) Any <strong>of</strong> several clear, hard, and<br />

glossy esters produced by <strong>the</strong> action <strong>of</strong> acetic acid and<br />

sulphuric acid on cellulose; a hygroscopic material; <strong>the</strong><br />

most fungal resistant <strong>of</strong> <strong>the</strong> cellulosics. Used in 2) heat<br />

sealing lamination, 3) as a safety film and magnetic tape<br />

base, and 4) as a coating on direct-cut lacquer discs.<br />

Although generally acknowledged as being <strong>the</strong> best base<br />

for magnetic recording medium for many years, it is an<br />

unstable medium with a limited s<strong>to</strong>rage life and has been<br />

replaced by polyester; see also cellulose diacetate;<br />

cellulose nitrate; cellulose triacetate; ester; safety film.(44.)<br />

{D= Zelluloseazetat; Zelluloseazetatfolie; Es= 1) aceta<strong>to</strong><br />

de celulosa; 2) sellado con aceta<strong>to</strong> de celulosa empleando<br />

calor; 3) película de seguridad; 4) revestimien<strong>to</strong>; F=<br />

acétate de cellulose; feuille d'acétate de cellulose}.<br />

cellulose alpha {F} * see alpha-cellulose {E}.<br />

cellulose diacetate {E} * 1) One <strong>of</strong> <strong>the</strong> clear, hard, glossy,<br />

and slow-burning esters produced by <strong>the</strong> action <strong>of</strong> acetic<br />

acid and sulphuric acid on cellulose. 2) Used as a safety<br />

film base; is less flammable than cellulose nitrate, but not<br />

as stable as cellulose triacetate or polyester. {D= ?; Es=<br />

diaceta<strong>to</strong> de celulosa; F= feuille diacetate de cellulose;<br />

diacetate de cellulose}.<br />

cellulose nitrate {E} * 1) Any <strong>of</strong> several flammable solid<br />

esters obtained as <strong>the</strong> nitration <strong>of</strong> cellulose with a mixture<br />

<strong>of</strong> nitric and sulphuric acids. 2) The first <strong>of</strong> <strong>the</strong> modern<br />

plastics which replaced cellulose acetate as a disc ore<br />

cylinder recording medium. 3) Once used widely (up until<br />

42<br />

1951) as a base for still and motion picture film; because<br />

it is particularly unstable and highly flammable it has been<br />

replaced by safety base films, such as cellulose diacetate,<br />

cellulose triacetate, and polyester. The terms cellulose<br />

nitrate film or nitrate film are preferable <strong>to</strong> nitrate cellulose;<br />

however, for practical purposes, <strong>the</strong> terms are<br />

synonymous.(01.04.40.34.) {D= Zellulosenitrat; Nitratfilm;<br />

Es= 1) nitra<strong>to</strong> de celulosa; 2) sustitu<strong>to</strong> del aceta<strong>to</strong> de<br />

celulosa para grabaciones cilíndricas; 3) película de<br />

nitra<strong>to</strong>; F= film nitrate; film au nitrate; film flamme; nitrate<br />

de cellulose}.<br />

cellulose triacetate {E} * 1) One <strong>of</strong> <strong>the</strong> clear, hard, glossy,<br />

and slow-burning esters produced by <strong>the</strong> action <strong>of</strong> acetic<br />

acid and sulphuric acid on cellulose. 2) Used as a safety<br />

film base for motion picture film which is less flammable<br />

than cellulose nitrate and more dimensionally stable than<br />

cellulose diacetate; frequently used, also, in sheet form, for<br />

overlay cels.(09.) 3) Used as a magnetic tape base until<br />

<strong>the</strong> late 1950s, early 1960s, when it was replaced by<br />

polyester.(01.) {D= ?; Es= 1) triaceta<strong>to</strong> de celulosa; 2 y 3)<br />

película de seguridad realizada con triaceta<strong>to</strong> de celulosa;<br />

F= feuille triacétate cellulose; triacétate de cellulose;<br />

support non flam}.<br />

célula {Es} * see cel {E}.<br />

célula fo<strong>to</strong>eléctrica {Es} * see pho<strong>to</strong>cell {E}.<br />

célula kinescópica {Es} * see kino-eye {E}.<br />

celuloide {Es} * see celluloid {E;F}.<br />

celulosa {Es} * see cellulose {E;F}.<br />

cemented splice {E} * see lap splice.<br />

centelleo {Es} * see blink; flickering {E}.<br />

centelleo {Es} * see flickering {E}.<br />

centi- (C) {D;E;Es;F} * Prefix for one hun-dred.(39.)<br />

centrado del disco {Es} * see centring <strong>of</strong> disc (1) {E}.<br />

centrage du disque {F} * see centring <strong>of</strong> disc {E}.<br />

central processing unit {E} * The unit <strong>of</strong> a computing<br />

system that controls and coordinates <strong>the</strong> circuits<br />

containing <strong>the</strong> math, logic, and control units.(10.) {D= ?;<br />

Es= unidad central central de procesado; F= unité<br />

centrale}.<br />

centre (du disc) {F} * see centre (<strong>of</strong> disc) {E}.<br />

centre (<strong>of</strong> disc) {E} * That part <strong>of</strong> <strong>the</strong> surface <strong>of</strong> a disc<br />

recording circumscribed by <strong>the</strong> inmost part <strong>of</strong> <strong>the</strong> playing<br />

area and, when <strong>the</strong>re is a label present, can be fur<strong>the</strong>r<br />

defined as inside margin and label.04. {D= ?; Es= centro<br />

(del disco); F= centre (du disc); centre de disc}.<br />

centre de distribution {F} * see Television Operation Center<br />

(TOC) {E}.<br />

centre start disc (CS) {E} * 1) A disc recording which starts<br />

its playing at <strong>the</strong> centre, ra<strong>the</strong>r than at <strong>the</strong> outside edge. 2)<br />

A disc recording which requires <strong>the</strong> pickup and stylus <strong>to</strong><br />

move from <strong>the</strong> centre <strong>of</strong> <strong>the</strong> disc outward (having <strong>the</strong><br />

beginning <strong>of</strong> its modulated groove at <strong>the</strong> outer edge <strong>of</strong> <strong>the</strong><br />

inside margin).(04.) {D= Innenstart; Es= disco reproducido<br />

desde el centro hacia afuera; F= disque à départ central}.<br />

centring <strong>of</strong> disc {E} * 1) The act <strong>of</strong> placing a disc on a<br />

turntable and lining up <strong>the</strong> centre hole with <strong>the</strong> central pin<br />

on <strong>the</strong> turntable. 2) The accuracy <strong>of</strong> <strong>the</strong> location <strong>of</strong> <strong>the</strong><br />

centre hole in a disc, reel, or hub. 3) The act in <strong>the</strong><br />

manufacturing process for discs (during which <strong>the</strong> centre<br />

hole <strong>of</strong> <strong>the</strong> master is lost) in which a new centre hole is<br />

located for <strong>the</strong> finished pressings.(04.) {D= Zentrieren; Es=


1) centrado del disco; 2) precisión de la posición del<br />

orificio; 3) la realización del orificio; F= centrage du<br />

disque}.<br />

centro (del disco) {Es} * see centre (<strong>of</strong> disc) {E}.<br />

centro de proceso de da<strong>to</strong>s {Es} * see data archive {E}.<br />

centro operativo de televisión {Es} * see Television<br />

Operation Center (TOC) {E}.<br />

ceramic microphone {E} * An inexpensive pressure type<br />

piezoelectric microphone supplied with many tape<br />

recorders. It employs a ceramic element <strong>to</strong> convert sound<br />

<strong>to</strong> electrical energy, is more rugged, more resistant <strong>to</strong><br />

temperature and humidity extremes, but requires more<br />

amplifier gain than comparable crystal types.(16.) {D=<br />

Kristallmikrophon; Es= micrófono cerámico; F=<br />

microphone céramique}.<br />

cerrado herméticamente {Es} * see hermetically sealed<br />

{E}.<br />

certificador {Es} * see certifier {E}.<br />

certified tape {E} * Magnetic tape that is electrically tested<br />

on a specified number <strong>of</strong> tracks and is certified by <strong>the</strong><br />

supplier <strong>to</strong> have less than a specified <strong>to</strong>tal number <strong>of</strong><br />

permanent errors.(46.) {D= ?; Es= cinta certificada; F=<br />

bande certifiée}.<br />

certifier {E} * Equipment that evaluates <strong>the</strong> ability <strong>of</strong><br />

magnetic tape <strong>to</strong> record and reproduce. The equipment<br />

normally counts and charts each error on <strong>the</strong> tape,<br />

including <strong>the</strong> level and duration <strong>of</strong> drop outs; see also<br />

evalua<strong>to</strong>r.(46.) {D= ?; Es= certificador; F= certificateur;<br />

certifieur}.<br />

certifieur {F} * see certifier {E}.<br />

cession {F} * see deaccession {E}.<br />

cession {F} * see Deacidification (neutralization) {E}.<br />

CGS {E} * acronym for centimetre gram second.<br />

chaîne vidéo {F} * see camera chain {E}.<br />

chalk drawing {E} * A type <strong>of</strong> pic<strong>to</strong>rial artwork made <strong>of</strong><br />

chalk.(24.) {D= Kreidezeichnung; Es= dibujo a tiza blanca;<br />

F= pastel (craie); pastel de dessin}.<br />

chambre noire {F} * see darkroom {E}.<br />

champ (doc) .{F}. see field .{E}.<br />

champ (doc) {F} * see field {E}.<br />

champ {F} * see over-<strong>the</strong>-shoulder shot {E}.<br />

champ coercitif {F} * see coercivity {E}.<br />

champ de données auxiliaires {F} * see auxiliary data field<br />

{E}.<br />

champ de données d'un secteur {F} * see data field <strong>of</strong> a<br />

sec<strong>to</strong>r {E}.<br />

champignons {F} * see fungi {E}.<br />

champs électromagnetique {F} * see field {E}.<br />

change-over {E} * In <strong>the</strong>atrical moving-image projection,<br />

<strong>the</strong> process <strong>of</strong> switching from a reel <strong>of</strong> motion picture film<br />

being projected <strong>to</strong> a reel <strong>of</strong> film that follows without<br />

interruption in picture continuity. {D= Passage; Es= paso<br />

o empalme au<strong>to</strong>mático; F= changement; passage;<br />

changement de bobine; enchaînement}.<br />

43<br />

change-over cue {E} * Small spot or o<strong>the</strong>r mark in <strong>to</strong>p right<br />

hand corner <strong>of</strong> <strong>the</strong> frame <strong>of</strong> sequential reels <strong>of</strong> a motion<br />

picture film which signals <strong>the</strong> projec-tionist <strong>to</strong> switch from<br />

one projec<strong>to</strong>r <strong>to</strong> <strong>the</strong> o<strong>the</strong>r.30. {D= Stanze; Es= marca de<br />

paso; F= changeur d'indication; marque de passage;<br />

repère de changement de bobine; repère<br />

d'enchaînement}.<br />

changement de bobine {F} * see change-over {E}.<br />

changement de densité {F} * see density change; density<br />

range {E}.<br />

changer {E} * see record changer.<br />

changeur de disc {F} * see record changer {E}.<br />

channel {E} * 1) A signal path for recording and/or<br />

reproducing an audio or video signal. 2) The independent<br />

tracks <strong>of</strong> a recording medium. For stereo sound, for<br />

instance, a separate left and right channel <strong>of</strong> informa-tion<br />

must be supplied.(04.) {D= Kanal; Eingang am Mischpult;<br />

Eingang; Tonkanal; Es= 1) canal sonoro; canal; 2) las<br />

pistas para el registrador [grabador]; F= canal; voie;<br />

couloir; canal sonore; chaîne sonore}.<br />

channel separation {E} * The degree or extent <strong>to</strong> which <strong>the</strong><br />

signals on one channel are not picked up by an adjacent<br />

channel; electrical isolation. Good channel separation<br />

implies very little leakage, or crosstalk, <strong>of</strong> signal from one<br />

channel <strong>to</strong> ano<strong>the</strong>r.(04.07.) {D= Kanaltrennung; Es=<br />

separación de [entre] canales; F= séparation des voies}.<br />

character {E} * 1) A letter, digit or o<strong>the</strong>r symbol used in <strong>the</strong><br />

representation <strong>of</strong> data.22.23. 2) One <strong>of</strong> <strong>the</strong> persons in a<br />

dramatization (a drama, musical play, radio or television<br />

play, a moving-image production, etc.) {D= Zeichen; Es=<br />

papel; parte; caracterización; caráter; F= caractère;<br />

personnage; rôle de composisition}.<br />

characteristic curve {E} * In pho<strong>to</strong>graphy, a graph relating<br />

<strong>the</strong> response between film density and exposure; also<br />

called <strong>the</strong> D log E curve, and <strong>the</strong> H and D curve.(09.10.)<br />

{D= Schneidkennlinien-ntzerrung; Es= curva característica;<br />

F= courbe sensi<strong>to</strong>métrique; courbe caractéristique}.<br />

charcoal drawing {E} * A type <strong>of</strong> pic<strong>to</strong>rial artwork made in<br />

black or shades <strong>of</strong> black with a stick <strong>of</strong> charred wood<br />

usually on a white, s<strong>of</strong>t paper with a rough surface.24. {D=<br />

Kohlezeichnung; Es= dibujo al carboncillo; F= dessin au<br />

fusain}.<br />

charge (électrostatique) {F} * see charge {E}.<br />

charge {E} * The quantity <strong>of</strong> electricity in a body.39. {D=<br />

Ladung; Es= carga (electrostática); F= charge<br />

(électrostatique)}.<br />

charge {F} * see filler {E}.<br />

charge {F} * see filler {E}.<br />

charge au sol {F} * see floor load {E}.<br />

charge coupled device (CCD) {D;E} * A semi-conduc<strong>to</strong>r<br />

image detec<strong>to</strong>r designed <strong>to</strong> replace a television camera<br />

tube.10. Video solid state transducers which replaced<br />

camera pickup tubes. {Es= acrónimo de Dispositivo de<br />

Carga Acoplada (semi-conduc<strong>to</strong>r); F= dispositif à transfert<br />

de charge (DTC)}.<br />

charge d'une tablette {F} * see shelf load {E}.<br />

charge de rupture {F} * see breaking strength {E}.<br />

charge de rupture à la traction {F} * see ultimate tensile<br />

strength {E}.


charge électrostatique {F} * see electrostatic charge {E}.<br />

charge en poudre d'oxyde {F} * see oxide loading {E}.<br />

Charge {D} * see batch {E}.<br />

chargement {F} * see load {E}.<br />

chargeur {F} * see magazine {E;Es;F}.<br />

charte d'étalonnage {F} * see ball chart; china girl {E}.<br />

charte de couleurs {F} * see colour bars {E}.<br />

charte de gris {F} * see grating signal; grey scale {E}.<br />

charte de linéarité {F} * see linearity chart {E}.<br />

charte de réflectance {F} * see linear reflectance chart {E}.<br />

charte de test de résolution {F} * see resolution test chart<br />

{E}.<br />

charte des gris {F} * see gray scale {E}.<br />

charte lumineuse de diapositives (défauts lumineux) {F} *<br />

see light damage slide rule {E}.<br />

chase {E} * A video production technique in which <strong>the</strong> play<br />

machine au<strong>to</strong>matically switches from play mode back <strong>to</strong><br />

<strong>the</strong> cue mode, allowing <strong>the</strong> slave transport <strong>to</strong> chase <strong>the</strong><br />

master whenever it is rewound and resync <strong>to</strong> it when it is<br />

again put in<strong>to</strong> play. {D= ?; Es= perseguir; F= poursuite}.<br />

chasis (óptica) {Es} * see sled {E}.<br />

chasis {Es} * see magazine (1) {E;Es;F}.<br />

chasquido {Es} * see click {E;Es}.<br />

chassis {E} * The metal base or frame which carries <strong>the</strong><br />

electrical or mechanical assemblies <strong>of</strong> equipment.(49.) {D=<br />

Chassis; Es= armazón; bastidor; marco; F= châssis}.<br />

chassis {F} * see rack {E}.<br />

chassis mobile {F} * see float {E}.<br />

chassis plat {F} * see flat {E}.<br />

Chassis {D} * see chassis {E}.<br />

châssis {F} * see chassis {E}.<br />

châssis double (pho<strong>to</strong>) {F} * see bipack {E}.<br />

chatter {E} * 1) An erratic spotted pattern in grooved,<br />

analogue recordings with short alternate light and dark<br />

strips, caused ei<strong>the</strong>r by a poor cutting stylus or by one set<br />

at a wrong angle. Too deep a cut in a thin disc coating may<br />

also produce a similar effect, which is most likely trtion<br />

caused by <strong>the</strong> vibration <strong>of</strong> <strong>the</strong> stylus in a groove.(04.) {D=<br />

?; Es= trepidación; vibración; crepitación; F= claquement;<br />

murmure; broutage}.<br />

Chebyshev filter {E} * A type <strong>of</strong> screen used in digital<br />

design which can provide a steep filter characteristic.39.<br />

{D= ?; Es= filtro Chebyshev; F= filtre de Tchebychev}.<br />

checklist {E} * A list, usually for an individual accession,<br />

prepared for purposes <strong>of</strong> identification and control.(22.23.)<br />

{D= Prüfliste; Kontrolliste; Es= inventario somero; relación<br />

de transferencia; inventario de transferencia; relación de<br />

entrega; inventario de entrega; F= liste de contrôle;<br />

bordereau}.<br />

checkprint {E} * A copy <strong>of</strong> a motion picture film made by a<br />

44<br />

lab for testing and evaluation. {D= Musterkopie; Testkopie;<br />

erste Kopie; Es= primera copia; F= copies étalon; copie O;<br />

première copie}.<br />

checksum {E} * In compact disc technology, <strong>the</strong> use <strong>of</strong><br />

redun-dant data for error detection.39. {D= ?; Es= control<br />

de da<strong>to</strong>s; F= données de contrôle; somme de vérification}.<br />

chef décorateur {F} * see art direc<strong>to</strong>r {E}.<br />

chef monteur {F} * see edi<strong>to</strong>r {E}.<br />

chemical stability {E} * A phrase used <strong>to</strong> describe an item<br />

that is not easily decomposed or o<strong>the</strong>rwise modified<br />

chemically. This is a desirable characteristic for materials<br />

used in preservation, since it suggests an ability <strong>to</strong> resist<br />

chemical degradation (such as embrittlement <strong>of</strong> paper)<br />

over time and/or upon <strong>to</strong> various conditions during use or<br />

s<strong>to</strong>rage. O<strong>the</strong>r terms used loosely as synonyms: inert,<br />

stable, chemically inert.(17.) {D= chemische Stabilität; Es=<br />

estabilidad química; F= stabilité chimique}.<br />

chemische Stabilität {D} * see chemical stability {E}.<br />

chemise {F} * see folder; jacket; portfolio (PF) {E}.<br />

chemise de protection {F} * see dust jacket {E}.<br />

chequerboarding {E} * see a and b wind printing.<br />

chercheur {F} * see reader; user {E}.<br />

chevauchement {F} * see overlap sound {E}.<br />

chica del script {Es} * see script girl {D;E;F}.<br />

chicken tracks {E} * In magnetic tape recording equipment,<br />

a line <strong>of</strong> small craters in <strong>the</strong> head surface running in <strong>the</strong><br />

direction <strong>of</strong> tape motion, usually caused by a loose, small<br />

hard particle moving with <strong>the</strong> tape over <strong>the</strong> head.(46.) {D=<br />

?; Es= literalmente, huellas de pollo (defec<strong>to</strong> de la cabeza<br />

magnética); F= déformation de tête magnétique (en<br />

"traces de poulet")}.<br />

chief source <strong>of</strong> information {E} * A cataloguing term<br />

referring <strong>to</strong> <strong>the</strong> explicitly preferred source <strong>of</strong> information<br />

that is <strong>to</strong> be used in creating <strong>the</strong> cataloguing record for <strong>the</strong><br />

item being cataloged. For disc recordings, as an example,<br />

<strong>the</strong> chief source <strong>of</strong> information would be <strong>the</strong> disc and its<br />

label as opposed <strong>to</strong> information ga<strong>the</strong>red from <strong>the</strong> disc's<br />

packaging (slipcase or sleeve). Most established<br />

cataloguing procedures indicate a priority <strong>to</strong> be utilized in<br />

taking information from o<strong>the</strong>r than what <strong>the</strong>y define as <strong>the</strong><br />

chief source <strong>of</strong> information. Generally, <strong>the</strong> chief source <strong>of</strong><br />

information for items with labels directly applied or<br />

attached <strong>to</strong> <strong>the</strong>m is <strong>the</strong> label; moving-image materials <strong>the</strong><br />

chief source <strong>of</strong> information is <strong>the</strong> information frames within<br />

<strong>the</strong> film/video. If <strong>the</strong>re is no such applied or attached label<br />

or information frame/s <strong>the</strong> preferred alternate sources, in<br />

sequence <strong>of</strong> general acceptance, <strong>the</strong> container (sleeve,<br />

box, etc.), accompanying textual information (liner notes,<br />

etc.), and data taken directly from <strong>the</strong> item being<br />

documented.(04.) {D= ?; Es= fuente principal de<br />

información; F= source première d'informations}.<br />

chiffre binaire {F} * see binary digit (BIT) {E}.<br />

chillido {Es} * see squeal; stick-slip {E}.<br />

chillido de la cinta {Es} * see tape squeal {E}.<br />

china girl {E} * A picture <strong>of</strong> a girl's face used for checking<br />

pho<strong>to</strong>graphic/video colour and/or alignment. {D= ?; Es=<br />

literalmente, muchacha de china (retra<strong>to</strong> usado para<br />

comprobar el color y la alineación de vídeo); F= charte<br />

d'étalonnage}.<br />

chip {E} * 1) Commonly used term <strong>to</strong> describe a defect in


disc or cylinder recordings referring <strong>to</strong> a small missing<br />

piece from <strong>the</strong> edge or rim <strong>of</strong> <strong>the</strong> recording, not <strong>to</strong> be<br />

confused with dig or gouge, which refer <strong>to</strong> a pit or small<br />

break in <strong>the</strong> horizontal surface fur<strong>the</strong>r in from <strong>the</strong> rim.(04.)<br />

2) A monochrome test pattern for television alignment.10.<br />

3) The material removed from a grooved recording<br />

medium by <strong>the</strong> cutting stylus while it cuts a groove; also<br />

called swarf. 4) The material that is removed from <strong>the</strong><br />

surface <strong>of</strong> a recorded wax cylinder when it was shaved <strong>to</strong><br />

prepare it for accepting ano<strong>the</strong>r recording; better known as<br />

swarf.(10.) 4) In computer parlance, an integrated circuit.<br />

{D= 1) ?; 2) ?; 3) Span; 4) Chip; Es= viruta; lasca; F= puce;<br />

copeau; rognure}.<br />

chip brush {E} * A device provided with many early audio<br />

cylinder machines for cleaning <strong>the</strong> chips and swarf from<br />

<strong>the</strong> machine after ei<strong>the</strong>r <strong>the</strong> recording or shaving<br />

operations.(14.) {D= ?; Es= brocha para virutas; F= brosse<br />

à copeaux}.<br />

Chip {D} * see chip {E}.<br />

chloride film {E} * Pho<strong>to</strong>graphic film and paper sensitized<br />

with an emulsion <strong>of</strong> silver chloride, used mainly for contact<br />

copying.01. {D= ?; Es= película al cloruro; F= film<br />

chlorure}.<br />

chlorure ammonium {F} * see ammonium chloride {E}.<br />

chlorure de polyvynile {F} * see polyvinyl chloride<br />

(polymerized vinyl chloride) (PVC) {E}.<br />

chroma {E} * The colour part <strong>of</strong> a video signal; see also<br />

luminance.(35.) {D= ?; Es= croma (nivel de color); F=<br />

chrominance}.<br />

chroma key {E} * A feature <strong>of</strong> some video production<br />

switchers allowing two or more video sources <strong>to</strong> be<br />

combined. The switcher is capable <strong>of</strong> sensing <strong>the</strong> colour or<br />

chroma in one picture and replacing it with picture<br />

information from <strong>the</strong> o<strong>the</strong>r source. {D= ?; Es= llave croma;<br />

F= incrustation sur fond bleu; chromaclé}.<br />

chromaclé {F} * see chroma key {E}.<br />

chromatic aberration {E} * In optics, a fault or imperfection<br />

in a double convex lens made from a single piece <strong>of</strong> glass.<br />

Each colour has its own characteristic wavelength and<br />

comes <strong>to</strong> a focus at a different point. filming through<br />

lenses with this type <strong>of</strong> aberration produces colour fringing<br />

or an overlapping <strong>of</strong> colour in <strong>the</strong> resultant print; see<br />

spherical aberration; achromatic lens. {D= ?; Es=<br />

aberración cromática; F= aberration chromatique}.<br />

chromaticité {F} * see chromaticity {E}.<br />

chromaticity {E} * The colour quality <strong>of</strong> light that is defined<br />

by its hue and saturation. Chromaticity defines all <strong>the</strong><br />

qualities <strong>of</strong> colour except its brightness. {D= ?; Es=<br />

cromatismo; cromaticidad; F= chromaticité}.<br />

Chromdioxid {D} * see chromium dioxide {E}.<br />

chrome alum {E} * An astringent compound used by film<br />

labora<strong>to</strong>ries in fixing baths. Dissolving readily in water, <strong>the</strong><br />

violet crystals form a purple solution which turns green<br />

when heated. {D= ?; Es= alumbre de cromo; F= chrome<br />

d'alum}.<br />

chrome d'alum {F} * see chrome alum {E}.<br />

chrome tape {E} * see chromium dioxide.<br />

chrominance {E;F} * The pure colour information <strong>of</strong> a video<br />

signal without <strong>the</strong> monochrome luminance signal. {D= ?;<br />

Es= crominancia}.<br />

chrominance {E} * The colour information in a colour<br />

electronic image.39. {D= Chrominanz; Es= ?; F= ?}.<br />

45<br />

chrominance {F} * see also chroma {E}.<br />

chrominance signal {E} * The I and Q sidebands <strong>of</strong> <strong>the</strong><br />

colour subcarrier in a colour signal. It carries information<br />

relative <strong>to</strong> hue and saturation <strong>of</strong> colours but none relative<br />

<strong>to</strong> brightness. {D= ?; Es= señal de crominancia; F= signal<br />

de chrominance}.<br />

Chrominanz {D} * see chrominance {E}.<br />

chromium dioxide {E} * A compound <strong>of</strong> magnetic particle<br />

oxide used as a coating on some magnetic tape,<br />

especially cassette tape. Such tape has better signal-<strong>to</strong>noise<br />

ratio and response <strong>to</strong> short wavelengths at lower<br />

speeds than iron oxide tapes. Used for audio, video, and<br />

computer tapes.(04.) {D= Chromdioxid; Es= dióxido de<br />

cromo; F= dioxyde de chrome}.<br />

chron file {E} * see chronological file.<br />

chrono {E;F} * see chronological file {E}.<br />

chronological file {E} * A file containing copies <strong>of</strong><br />

documents arranged in sequential date order; also called<br />

chron file, chrono, day file, or reading file, and, in Canada,<br />

continuity file.22. {D= Auslaufserie; Durchschlagserie; Es=<br />

serie cronológia; F= chronologie; chrono; pelurier}.<br />

chronological inven<strong>to</strong>ry {E} * An inven<strong>to</strong>ry or list in which<br />

<strong>the</strong> entries are made in a sequential date order, which may<br />

not be <strong>the</strong> original order.22. {D= chronologische Liste; Es=<br />

inventario cronológico; F= réper<strong>to</strong>ire chronologique}.<br />

chronologie {F} * see chronological file {E}.<br />

chronologische Liste {D} * see chronological inven<strong>to</strong>ry {E}.<br />

chutes {F} * see outtake {E}.<br />

chutes de montage {F} * see trims {E}.<br />

chutier {F} * see bin {E}.<br />

cible {F} * see target {E}.<br />

cicatriz oscura {Es} * see burn-in {E}.<br />

ciclo {Es} * see cycle {E;F}.<br />

ciclo de hitéresis {Es} * see hysteresis loop {E}.<br />

ciclorama {Es} * see cyclorama (CYC) {E}.<br />

CIE {D;E;F} * acronym for Comité internationale de<br />

l'Eclairage.<br />

CIE {Es} * acrónimo de Comité Internacional de l’Eclarage.<br />

CIE chromaticity coordinates {E} * Chromatic coordinates<br />

<strong>to</strong> CIE standards which are based on a system <strong>of</strong><br />

describing colours in terms <strong>of</strong> <strong>the</strong> colour matching<br />

functions x', y', and z'. The purpose <strong>of</strong> <strong>the</strong>se coordinates is<br />

<strong>to</strong> insure that colours have <strong>the</strong> same values will appear <strong>the</strong><br />

same. {D= ?; Es= coordenadas de cromaticidad según<br />

normas CIE; F= coordonnées chromatiques (normes<br />

CIE)}.<br />

CIE chromaticity diagram {E} * A chromatic chart <strong>to</strong> CIE<br />

which depicts <strong>the</strong> coordinates <strong>of</strong> spectral colours in a<br />

horseshoe-shaped curve. {D= ?; Es= diagrama de<br />

cromaticidad CIE; F= diagramme chromatique CIE}.<br />

cierre en iris {Es} * see iris-in/iris-out {E}.<br />

cierre por caché móvil {Es} * see wipe {E}.<br />

cilindro (gramófono) {Es} * see cylinder machine {E}.<br />

cilindro de cera {Es} * see wax cylinder {E}.


cilindro {Es} * see cylinder {E;F}.<br />

cilindro de cera de color marrón {Es} * see brown wax<br />

cylinder {E}.<br />

cilindro de cera negra {Es} * see black wax cylinder {E}.<br />

cilindro de cuatro minu<strong>to</strong>s (de duración) {Es} * see fourminute<br />

cylinder {E}.<br />

cilindro de dos minu<strong>to</strong>s (de duración) {Es} * see twominute<br />

cylinder {E}.<br />

cilindro estándar {Es} * see standard cylinder {E}.<br />

cilindros concier<strong>to</strong> {Es} * see concert cylinders {D;E}.<br />

cilindros de cera blanca {Es} * see white wax cylinders {E}.<br />

CIM {E} * acronym for computer input micr<strong>of</strong>ilm.<br />

cinch marks {E} * see cinching.<br />

Cinch {D} * see cinching {E}.<br />

cinchado {Es} * see cinching {E}.<br />

cinching {E} * Longitudinal slippage between <strong>the</strong> layers <strong>of</strong><br />

magnetic tape or strip film packs caused by 1) accelerated<br />

and/or decelerated winding, or 2) film/tape wound <strong>to</strong>o tight<br />

when on a reel or hub. Can cause breakage, cracked<br />

oxide, or permanent deformation and may result in straight<br />

longitudinal scratches called cinch marks.(04.07.) {D=<br />

Cinch; Es= cinchado; F= plissement (spires); enroulement<br />

ondulé; glissement des spires}.<br />

cine {Es} * see motion pictures {E}.<br />

cine teoría que defiende la responsabilidad artística del<br />

direc<strong>to</strong>r {Es} * see auteur {E;F}.<br />

cine verdadero literalmente, (documental) {Es} * see<br />

cinema-verité {E;F}.<br />

cine y sonidos combinados {Es} * see composite {E}.<br />

cineasta {Es} * see cineaste {E}.<br />

ciné mode {E;F} * 1) The arrangement <strong>of</strong> images on roll<br />

film in which <strong>the</strong> lines <strong>of</strong> print or writing are perpendicular<br />

<strong>to</strong> <strong>the</strong> length <strong>of</strong> <strong>the</strong> film for horizontal script and parallel for<br />

vertical script. 2) The arrangement <strong>of</strong> images on a<br />

micr<strong>of</strong>iche in which <strong>the</strong> first micro images is in <strong>the</strong> <strong>to</strong>p left<br />

hand corner <strong>of</strong> <strong>the</strong> grid pattern and succeeding micro<br />

images appear in sequence from <strong>to</strong>p <strong>to</strong> bot<strong>to</strong>m and in<br />

columns from left <strong>to</strong> right.13. Technically referred <strong>to</strong> as<br />

position 'a' orientation in <strong>the</strong> ANSI's USA Standard<br />

Specifications for 16-mm and 35-mm Silver gelatin<br />

Micr<strong>of</strong>ilms for Reel Applications. Synonymous with motion<br />

picture orientation; see also comic mode.07. {D= ?; Es=<br />

mé<strong>to</strong>do cinema<strong>to</strong>gráfico; F= enregistrement en mode<br />

vertical; mode ciné}.<br />

cineaste {E} * A film maker; more generally, anyone<br />

associ-ated with <strong>the</strong> movies, especially <strong>the</strong> educated<br />

fan.30. {D= Filmemacher; Cineast; Es= cineasta; F=<br />

cinéasté}.<br />

cinéaste {F} * see cineaste {E}.<br />

cinefilm {E} * Synonymous with motion picture film.07. {D=<br />

Kin<strong>of</strong>ilm; Spielfilm; Es= filme cinema<strong>to</strong>gráfico; F= film<br />

cinéma<strong>to</strong>graphique}.<br />

cinéma nouvelle Amérique {F} * see New American<br />

cinema {E}.<br />

cinema-verité {E;F} * A French term which originally<br />

referred <strong>to</strong> <strong>the</strong> use <strong>of</strong> lightweight equipment and two-man<br />

46<br />

crews (camera and sound) and <strong>the</strong> use <strong>of</strong> interview<br />

techniques; now universally used <strong>to</strong> mean any kind <strong>of</strong><br />

documentary technique.30. see also kino-eye {E}. {D= ?;<br />

Es= literalmente, cine verdadero (documental)}.<br />

cinemagraphic {E} * The scientific study <strong>of</strong> film; see also<br />

filmology.30. {D= Kinema<strong>to</strong>graphie; Filmkunst; Es=<br />

cinema<strong>to</strong>grafía; cinema<strong>to</strong>gráfico; F= cinémagraphique}.<br />

Cinemascope {Es} * see scope (1) {E}.<br />

CinemaScope {D;E;Es;F} * The trademark <strong>of</strong> 20th-<br />

Century Fox for its widescreen anamorphic process, a ratio<br />

ranging from 2.35 <strong>to</strong> 2.55; originally developed in France<br />

in <strong>the</strong> 1920s under <strong>the</strong> name Anamorphoscope.(30.10.)<br />

cinemateca {Es} * see library shot {E}.<br />

cinémathèque {F} * see film archives {E}.<br />

cinema<strong>to</strong>grafía {Es} * see cinemagraphic {E}.<br />

cinema<strong>to</strong>grafía {Es} * see cinema<strong>to</strong>graphy {E}.<br />

cinema<strong>to</strong>gráfico {Es} * see cinemagraphic {E}.<br />

cinematógrafo {Es} * see cinema<strong>to</strong>grapher {E}.<br />

cinema<strong>to</strong>graph film {E} * see motion picture/s.<br />

cinema<strong>to</strong>grapher {E} * The direc<strong>to</strong>r <strong>of</strong> pho<strong>to</strong>graphy (in<br />

England, <strong>the</strong> lighting cameraman) who is responsible for<br />

<strong>the</strong> camera and lighting, and <strong>the</strong>refore, <strong>to</strong> a greater or<br />

lesser extent, for <strong>the</strong> quality <strong>of</strong> <strong>the</strong> motion picture<br />

image.30. {D= ?; Es= cinematógrafo; F= directeur de la<br />

pho<strong>to</strong>graphi}.<br />

cinéma<strong>to</strong>graphie {F} * see cinema<strong>to</strong>graphy {E}.<br />

cinéma<strong>to</strong>graphique {F} * see cinemagraphic {E}.<br />

cinema<strong>to</strong>graphy {E} * The art or technique <strong>of</strong> motion<br />

picture pho<strong>to</strong>graphy. {D= Kinema<strong>to</strong>graphie; Es=<br />

cinema<strong>to</strong>grafía; F= cinéma<strong>to</strong>graphie}.<br />

Cinerama {D;E;Es;F} * A widescreen process invented<br />

by Fred Waller, using three cameras which were<br />

electronically syn-chronized in use between 1952 and<br />

1962, replaced in 1962 by a single-camera anamorphic<br />

process.(30.)<br />

cinescope {F} * see picture tube {E}.<br />

cinescopio {Es} * see kine; kinescope; picture tube {E}.<br />

cinescopio de control {Es} * see moni<strong>to</strong>r {D;E}.<br />

cinescopio de máscara de sombra {Es} * see shadowmask<br />

kinescope {E}.<br />

cinescopio de placa perforada {Es} * see shadow-mask<br />

kinescope<br />

cinescopio de proyección {Es} * see projection kinescope<br />

{E}.<br />

cinex {E;F} * A short series <strong>of</strong> film frames printed with<br />

various exposures <strong>to</strong> allow <strong>the</strong> camera opera<strong>to</strong>r <strong>to</strong> judge<br />

<strong>the</strong> camera exposure; also called cinex strip and control<br />

strip.10. {D= ?; Es= tira de cine; tira de control; F=<br />

émulsion colloïdale}.<br />

cinex strip {E} * see cinex.<br />

cinta (sonoros) {Es} * see record (2)(3) {E}.<br />

cinta {Es} * see strip (1) {E}.


cinta audio digital {Es} * see digital audio tape (DAT) {E}.<br />

cinta au<strong>to</strong>adhesiva {Es} * see pressure-sensitive label/tape<br />

{E}.<br />

cinta certificada {Es} * see certified tape {E}.<br />

cinta compacta {Es} * see compact cassette (CC) {E}.<br />

cinta de alineación {Es} * see alignment tape {E}.<br />

cinta de audio {Es} * see audio tape {E}.<br />

cinta de bajo nivel de impresión {Es} * see low print tape<br />

{E}.<br />

cinta de bajo nivel de ruido {Es} * see low noise tape {E}.<br />

cinta de doble revesrimien<strong>to</strong> {Es} * see double-coated tape<br />

{E}.<br />

cinta de guía {Es} * see leader tape {E}.<br />

cinta de larga duración {Es} * see extra play tape {E}.<br />

cinta de metal evaporado {Es} * see metal evaporated tape<br />

(ME) {E}.<br />

cinta de papel perforada {Es} * see punched paper tape<br />

{E}.<br />

cinta de partículas {Es} * see metal particle tape (MP) {E}.<br />

cinta de referencia estándar {Es} * see standard reference<br />

tape {E}.<br />

cinta de vídeo {Es} * see videocassette; videotape {E}.<br />

cinta de vídeo de 19 mm de entrada analógica {Es} * see<br />

D-2 {E}.<br />

cinta de vídeo de alta capacidad de grabación {Es} * see<br />

D-6 {E}.<br />

cinta de vídeo de entrada analógica o digital {Es} * see D-3<br />

{E}.<br />

cinta de vídeo de primera generación {Es} * see firstgeneration<br />

videotape {E}.<br />

cinta de vídeo original {Es} * see camera original videotape<br />

{E}.<br />

cinta guardada sin rebobinar {Es} * see tails out {D;E}.<br />

cinta magnética (específicamente) {Es} * see magnetic<br />

tape {E}.<br />

cinta magnética (genéricamente) {Es} * see magnetic tape<br />

base {E}.<br />

cinta magnet<strong>of</strong>ónica {Es} * see audio reel {E}.<br />

cinta matriz de vídeo editada {Es} * see edited master<br />

videotape {E}.<br />

cinta original {Es} * see master tape {E}.<br />

cinta para hacer empalmes {Es} * see splicing tape {E}.<br />

cinta perforada {Es} * see punched card {E}.<br />

cinta pregrabada {Es} * see pre-recorded tape {E}.<br />

cinta sin fin {Es} * see loop {E}.<br />

cinta sonora {Es} * see record; sound recording {E}.<br />

cinta verde {Es} * see green tape {E}.<br />

47<br />

cinta virgen {Es} * see blank tape {E}.<br />

Cinta de Audio Digital {Es} * see DAT {E}.<br />

Cinta de Componente Digital {Es} * see Digital<br />

Componenet Tape {E}.<br />

Cinta de Componente Digital {Es} * see Digital Component<br />

Tape {E}.<br />

CIRC {E} * acronym for cross interleave Reed-Solomon<br />

code.<br />

circuit {E;F} * A system <strong>of</strong> conduc<strong>to</strong>rs and electrical<br />

components through which electricity flows.39. {D=<br />

Stromkreislauf; Schaltung; Es= circui<strong>to</strong>}.<br />

circuit de conformation de bruit {F} * see noise-shaping<br />

circuit {E}.<br />

circuit de maintien {F} * see aperture circuit {E}.<br />

circuit échantillonneur-bloqueur {F} * see sample-and-hold<br />

circuit (SH) {E}.<br />

circuit intégré {F} * see integrated circuit {E}.<br />

circui<strong>to</strong> {Es} * see circuit {E;F}; line {E}.<br />

circui<strong>to</strong> cerrado local {Es} * see local loop {E}.<br />

circui<strong>to</strong> de abertura {Es} * see aperture circuit {E}.<br />

circui<strong>to</strong> de ajuste de línea {Es} * see linear {D;E}.<br />

circui<strong>to</strong> de entrada {Es} * see input/output (I/O) {E}.<br />

circui<strong>to</strong> de muestreo y retención {Es} * see sample-andhold<br />

circuit (SH) {E}.<br />

circui<strong>to</strong> de salida {Es} * see input/output (I/O) {E}.<br />

circui<strong>to</strong> formador de ruidos {Es} * see noise-shaping circuit<br />

{E}.<br />

circui<strong>to</strong> integrado {Es} * see integrated circuit {E}.<br />

cita de referencia de amplitud estándar {Es} * see<br />

standard amplitude reference tape {E}.<br />

citric acid {E} * A chemical compound used by film<br />

labora<strong>to</strong>ries during <strong>the</strong> fixing process in place <strong>of</strong> acetic<br />

acid. The colourless crystals dissolve readily in alcohol.<br />

Citric acid is also used in clearing solutions. {D= ?; Es=<br />

ácido cítrico; F= acid citrique}.<br />

claimant {E} * The person or corporate body in whom is<br />

vested <strong>the</strong> rights <strong>of</strong> ownership and protection against<br />

unauthorized use <strong>of</strong> any given work, published or<br />

unpublished.(12.) {D= ?; Es= demandante; F= ayant droit;<br />

ayants droit}.<br />

clair {F} * see brilliant {E}.<br />

clamping zone {E} * The region <strong>of</strong> an optical disc which<br />

may be in contact with <strong>the</strong> spindle and a clamping<br />

mechanism.(46.) {D= ?; Es= zona del mecanismo<br />

sujetador; F= zone de serrag}.<br />

clap {Es;F} * see clapper board; slate {E}.<br />

clapper {F} * see clapper board {E}.<br />

clapper board {E} * A blackboard or chalkboard,<br />

pho<strong>to</strong>graphed at <strong>the</strong> beginning <strong>of</strong> a moving-image shot,<br />

upon which are written <strong>the</strong> pertinent data for <strong>the</strong> shot with<br />

a clapstick on <strong>to</strong>p which makes a sound used <strong>to</strong><br />

synchronize <strong>the</strong> sound and image.(30.) {D= Klappe; Es=


clap; claquetas; F= clap; claquette}.<br />

claquement {F} * see click {E}.<br />

claqueta {Es} * see slate {E}.<br />

claquetas {Es} * see clapper board {E}.<br />

claquette {F} * see clapper board; slate {E}.<br />

clarté d'écran {F} * see screen brightness {E}.<br />

clasificación {Es} * see classification {E;F}.<br />

clasificación y ordenación {Es} * see arrangement (1) {E}.<br />

clasificatión y ordenación acondicionamien<strong>to</strong> {Es} * see<br />

arrangement {E}.<br />

classement {F} * see arrangement {E}.<br />

classer {F} * see file {E}.<br />

classer {F} * see file {E}.<br />

classification {E;F} * 1) A filing system or categorization<br />

scheme for records/archives. 2) The placing <strong>of</strong> series<br />

and/or items within such a system or scheme; see also<br />

arrangement.(22.23.) {D= Klassifikation; Klassifizieren;<br />

Es= clasificación; F= planification des classements}.<br />

clavija de conmutación {Es} * see patch plug {E}.<br />

clavija para auriculares (tipo telefónico) {Es} * see phone<br />

plug {E}.<br />

claw {E} * A mechanism used in motion picture cameras<br />

and pro-jec<strong>to</strong>rs <strong>to</strong> move <strong>the</strong> film intermittently.09. {D=<br />

Greifer; Es= garra; gancho; F= griffe}.<br />

clean room {E} * ?? {D= ?; Es= sala limpia; F= salle<br />

blanche}<br />

cleaner {E} * see winder/cleaner; ultrasonic cleaner.<br />

cleaning {E} * A general term used <strong>to</strong> describe <strong>the</strong><br />

elimination <strong>of</strong> dirt, dust, stains, etc., from materials. The<br />

manner <strong>of</strong> cleaning can be done in a variety <strong>of</strong> ways<br />

depending upon <strong>the</strong> nature <strong>of</strong> <strong>the</strong> soiling and <strong>of</strong> <strong>the</strong> object<br />

being cleaned.(24.) {D= Reinigung; Es= limpieza; F=<br />

net<strong>to</strong>yage}.<br />

cleaning cassette {E} * see cleaning film/tape {E}.<br />

cleaning film/tape {E} * Film or tape material used <strong>to</strong> clean<br />

<strong>the</strong> mechanism, film/tape path, and/or gate/magnetic head<br />

<strong>of</strong> a film or tape machine; dependent upon its packaging,<br />

may also be called cleaning cassette. {D= Reinigungsfilm;<br />

Reinigungsband; Reinigungskassette; Es= filme o cinta de<br />

limpieza; F= film/bande de net<strong>to</strong>yage; net<strong>to</strong>yage de film}.<br />

cleaning tape {E} * see cleaning film/tape {E}.<br />

clearance {E} * An administrative determination that an<br />

individual may have access <strong>to</strong> restricted records or<br />

information <strong>of</strong> a specified category.22.23. {D=<br />

Ausnahmegenehmigung; Es= au<strong>to</strong>rización de consulta; F=<br />

accès par dérogation}.<br />

clic {F} * see click; transient dis<strong>to</strong>rtion {E}.<br />

cliché {Es} * see cut (6) {E}.<br />

cliché au colloïde {F} * see pigment print {E}.<br />

cliché de medio <strong>to</strong>no {Es} * see half<strong>to</strong>ne block {E}.<br />

48<br />

cliché de projection {F} * see lantern slide {E}.<br />

click {E;Es} * The sound that an analogue grooved media<br />

recording produces when its stylus goes over various<br />

damages (cracks, breaks) or debris in <strong>the</strong> grooved track.<br />

{D= ?; Es= chasquido; ruido seco; F= clic; cliquetis;<br />

claquement}.<br />

clignotements {F} * see blink {E}.<br />

clipping {E} * A form <strong>of</strong> very audible sound playback<br />

dis<strong>to</strong>rtion produced by <strong>the</strong> capabilities <strong>of</strong> an amplifier being<br />

exceeded (known as overload).(04.) 2) The removal <strong>of</strong> a<br />

portion <strong>of</strong> a signal above and/or below a predetermined<br />

level by a limiter. 3) The removal <strong>of</strong> a portion <strong>of</strong> a CRT<br />

display that is <strong>to</strong>o large for <strong>the</strong> screen. 4) The loss <strong>of</strong> <strong>the</strong><br />

beginning and/or ending <strong>of</strong> sounds, usually on soundactivated<br />

devices.(10.) {D= ?; Es= 1) forma de<br />

reproducción [lectura]; 2) limitador, 3) eliminación parcial<br />

de la indicación visual CRT; 4) pérdida de sonidos; F= 1)<br />

saturation (acoustique) 2) écrêtage 3) fenêtrage 4)<br />

découpage}.<br />

clips {E} * A short section or sections extracted from a<br />

motion--picture film. When created during <strong>the</strong> process <strong>of</strong><br />

editing, <strong>the</strong> short sections are <strong>of</strong>ten called cuts or<br />

trims.(12.) {D= ?; Es= secciones de filme; F= court extrait}.<br />

clips de actualidades {Es} * see news clip {E}.<br />

clips de noticias {Es} * see news clip {E}.<br />

cliquetis {F} * see click {E}.<br />

cloc {F} * see bump {E}.<br />

cloc de collage {F} * see bloop {E}.<br />

clock {E} * A timing device that generates <strong>the</strong> basic<br />

periodic sig-nal used as a source <strong>of</strong> synchro-nizing signals<br />

in various electronic equip-ment.(39.) {D= ?; Es= reloj; F=<br />

horloge}.<br />

clock rate {E} * The time rate <strong>of</strong> pulses or events.39. {D=<br />

?; Es= cadencia del reloj; F= fréquence d'horloge;<br />

cadence}.<br />

clock time {E} * In video production, a time code signal that<br />

is locked <strong>to</strong> <strong>the</strong> advancing video frames. Clock time is<br />

characteristic <strong>of</strong> Monochrome video and not NTSC colour<br />

video which uses drop-frame time code. {D= ?; Es= tiempo<br />

de reloj en clave; F= temps codé sur l'horloge; code<br />

horaire sur l'heure réelle}.<br />

cloisons mobiles {F} * see wild walls {E}.<br />

cloque {F} * see bubble {E}.<br />

cloruro amónico {Es} * see ammonium chloride {E}.<br />

cloruro polivinílico {Es} * see polyvinyl chloride<br />

(polymerized vinyl chloride) (PVC) {E}.<br />

close-up {E} * In moving-image production and<br />

pho<strong>to</strong>graphy, a shot <strong>of</strong> <strong>the</strong> face only.30. {D= ganz nah;<br />

Groszaufnahme; grosz; Es= primer plano; F= demi-gros<br />

plan; gros plan; plan rapproché; plan serré}.<br />

closed captioning {E} * Captioning information that is<br />

encoded on line 21 <strong>of</strong> each NTSC TV field and requires a<br />

decoder <strong>to</strong> make <strong>the</strong> information visible on a moni<strong>to</strong>r or<br />

receiver. {D= ?; Es= leyendas cerradas; F= titre collectif}.<br />

closed file {E} * 1) A dossier relating <strong>to</strong> a matter on which<br />

action has been completed and <strong>to</strong> which fur<strong>the</strong>r<br />

documents are not likely <strong>to</strong> be added. 2) A dossier with<br />

restrictions as <strong>to</strong> access as distinct from an open<br />

file.(22.23.) {D= 1) geschlossene Akte; 2) Verschlußsache;


Verschlußsache/n; Es= 1) expediente concluso; 2) fichero<br />

con etiqueta de cola; F= dossier classifié (protégé);<br />

dossier clos}.<br />

closed record group {E} * a record group <strong>to</strong> which fur<strong>the</strong>r<br />

materials are not likely <strong>to</strong> be added because <strong>of</strong> <strong>the</strong><br />

abolition <strong>of</strong> <strong>the</strong> agency, major administrative<br />

reorganization, or basic change in <strong>the</strong> acquisitions or filing<br />

plan/system <strong>of</strong> <strong>the</strong> archive.(22.23.) {D= geschlossener<br />

Bestand; Es= fondo cerrado; F= série close; fonds clos}.<br />

CLUT {E} * acronym for colour look-up table.<br />

CLV {E} * acronym for constant linear ve-locity.<br />

CMS {E} * abbreviation for centimetres per second.<br />

CMX EDITING {E} * acronym for computer assisted editing<br />

system. {D= ?; Es= edición CMX; acrónimo de Revisión<br />

por Ordenador; F= édition assistée par ordinateur}.<br />

CNA {F} * see DAC {E}.<br />

CNR {E} * acronym for carrier-<strong>to</strong>-noise ratio.<br />

co-channel interference {E} * Interference that occurs<br />

when two television stations operating on <strong>the</strong> same<br />

frequency are received at <strong>the</strong> same location. {D= ?; Es=<br />

interferencia de dos emisoras de televisión; F=<br />

interférence sur canal commun}.<br />

co-operation/in association with {E} * A credit for a<br />

corporate body or person, o<strong>the</strong>r than <strong>the</strong> main production<br />

company or staff, who aids in one or more production<br />

functions in an audiovisual production.(12.) {D= ?; Es=<br />

cooperación; en asociación con; F= coopération/en<br />

association avec}.<br />

co-producción {Es} * see co-production {E}.<br />

co-producción internacional {Es} * see international coproduction<br />

{E}.<br />

co-production {E} * A work resulting from <strong>the</strong> joint efforts <strong>of</strong><br />

two or more production companies, possibly based in<br />

different counties.(12.) {D= Koproducktion; Es= coproducción;<br />

F= coproduction}.<br />

coarse groove {E} * Term used <strong>to</strong> describe <strong>the</strong> channel<br />

size prevalent in most shellac recordings, as opposed <strong>to</strong><br />

<strong>the</strong> microgroove used in modern 33a-RPM Lp sound<br />

recordings.(04.) {D= Makrorille; Es= ranura <strong>to</strong>sca [rugosa;<br />

gruesa]; F= sillon large}.<br />

coated lens {E} * A camera lens covered with a very thin<br />

layer <strong>of</strong> transparent material, possibly magnesium fluoride<br />

or calcium fluoride, that reduces amount <strong>of</strong> light reflected<br />

by <strong>the</strong> surface <strong>of</strong> <strong>the</strong> lens. A coated lens usually transmits<br />

more light than an uncoated lens at <strong>the</strong> same f-s<strong>to</strong>p, and<br />

less flare.09. {D= ?; Es= lente tratada; lente con<br />

recubrimien<strong>to</strong> antireflejante; F= lentille traitée; objectif<br />

traité}.<br />

coating {E} * 1) The magnetic layer <strong>of</strong> a magnetic tape<br />

consisting <strong>of</strong> oxide or metal particles held in a binder that<br />

is applied <strong>to</strong> <strong>the</strong> carrier, holding <strong>the</strong> magnetically recorded<br />

signal.(46.) 2) The outer layer on a laminated disc or<br />

cylinder in which <strong>the</strong> grooves are cut.04. 3) The emulsion<br />

on film. 4) Any substance applied <strong>to</strong> <strong>the</strong> base, such as <strong>the</strong><br />

emulsion, magnetic coating, or back coating. {D=<br />

Beschichtung; Es= revestimien<strong>to</strong>; aplicación de la<br />

emulsión; capa magnética; F= 1) couche magnétique 2)<br />

couche gravée 3) émulsion d'un film 4) enduit}.<br />

coating resistance {E} * The electrical resistance <strong>of</strong> <strong>the</strong><br />

layer measured between two parallel electrodes spaced a<br />

known distance apart along <strong>the</strong> length <strong>of</strong> magnetic tape.<br />

On <strong>the</strong> specification sheets this is called resistivity.46. {D=<br />

49<br />

Schichtweiderstand; Es= resistencia del revestimien<strong>to</strong>; F=<br />

résistance (électrique) du revêtement}.<br />

coating thickness {E} * The thickness <strong>of</strong> <strong>the</strong> coating<br />

applied <strong>to</strong> <strong>the</strong> base <strong>of</strong> multi-layered materials, most<br />

specifically, magnetic tape or laminated discs. In general,<br />

thin coatings on magnetic tape have excellent resolution at<br />

<strong>the</strong> expense <strong>of</strong> reduced output at long wavelengths; thick<br />

coatings give high output at long wavelengths at <strong>the</strong><br />

expense <strong>of</strong> resolution. (04.46.) {D= Schichtdicke; Es=<br />

espesor del revestimien<strong>to</strong>; F= épaisseur du revêtement}.<br />

coating transfer {E} * In magnetic tape, <strong>the</strong> unintentional<br />

relocation <strong>of</strong> a portion <strong>of</strong> <strong>the</strong> magnetic veneer from one<br />

layer <strong>of</strong> tape (front side) <strong>to</strong> ano<strong>the</strong>r layer (backside) during<br />

s<strong>to</strong>rage in a wound pack or reel. This can cause loss <strong>of</strong><br />

sound during playback or excess deposit (buildup) <strong>of</strong> <strong>the</strong><br />

transferred material on<strong>to</strong> <strong>the</strong> tape heads.(04.) {D= ?; Es=<br />

migración de la capa magnética; F= transfert (spire à<br />

spire) de la couche magnétique}.<br />

coax {E} * abbreviation for coaxial.<br />

coaxial {E;Es;F} * A shielded single cable used <strong>to</strong> carry<br />

video or antenna signals.(35.) {D= Coaxial}<br />

coaxial cable (triax) {E} * A electronic single line for a video<br />

camera which carries all <strong>the</strong> video, control, and power<br />

connections that are required.<br />

Coaxial {D} * see coaxial {E}.<br />

cobalt doping {E} * 1) The act <strong>of</strong> adding cobalt or a cobalt<br />

compound <strong>to</strong> <strong>the</strong> material destined for use as <strong>the</strong><br />

magnetizable medium <strong>of</strong> a magnetic tape. 2) The cobalt<br />

doping, itself.10. {D= Kobaltdotierung; Es= barnizado de<br />

cobal<strong>to</strong>; F= dopage au cobalt}.<br />

cobalt thiocyanate {E} * A cobalt salt used <strong>to</strong> measure<br />

relative humidity (R/H). Materials, such as paper,<br />

impregnated with <strong>the</strong> salt will turn from varying shades <strong>of</strong><br />

blue <strong>to</strong> varying shades <strong>of</strong> pink, depending on <strong>the</strong> R/H. The<br />

colour can be compared <strong>to</strong> a standard colour chart <strong>to</strong> indsive,<br />

this process is not particularly accurate -using this<br />

process readings can not be measured <strong>to</strong> better than five<br />

percent- and it does not lend itself <strong>to</strong> measurements in<br />

large rooms. It is inexpensive, however, and can be used<br />

in exhibit cases; see also hair hygrometer; hygrometer;<br />

psychrometer; recording hygro<strong>the</strong>rmograph; relative<br />

humidity; sling psychrometer.(26.) {D= ?; Es= tiociana<strong>to</strong> de<br />

cobal<strong>to</strong>; F= thiocyanate de cobalt}.<br />

cobalt-doped oxide {E} * An oxide, usually gamma-ferric<br />

oxide, that has a higher magnetic coercivity as a<br />

consequence <strong>of</strong> having a small quantity <strong>of</strong> cobalt added<br />

during manufacturer.10. {D= Kobalt-dotiertes Oxid; Es=<br />

óxido de cobal<strong>to</strong> impuro; F= oxyde dopé au cobalt}.<br />

cociente de Strehl {Es} * see Strehl ratio {E}.<br />

cockle/cockling {E} * 1) Wrinkling or puckering caused by<br />

uneven drying. 2) The shrinking <strong>of</strong> stretched paper as it<br />

dries.32. 3) Also applied <strong>to</strong> rising, pulling, waving or curling<br />

<strong>of</strong> various materials caused by <strong>the</strong> use <strong>of</strong> <strong>the</strong> wrong type<br />

<strong>of</strong> adhesive or <strong>to</strong>o much adhesive.45. {D= Runzeln;<br />

Kräuseln; Faltenwerfen; Deformierung; Es= arrugas;<br />

contracción; abarquillamien<strong>to</strong>; ondulaciones; deformación;<br />

F= fronces; détérioration}.<br />

cocoloris {F} * see cucolouris {E}.<br />

codage de trame SMPTE/ANSI {F} * see SMPTE/ANSI<br />

Frame Coding {E}.<br />

codage delta YUV {F} * see delta yuv (DYUV) {D;E}.<br />

codage temporel non-drop frame {F} * see non-drop frame;<br />

non-linear dis<strong>to</strong>rtion {E}.


codage yuv {F} * see yuv encoding {D;E}.<br />

code de contrôle par redondance cyclique {F} * see cyclic<br />

redundancy check code (CRCC) {E}.<br />

code de détection et de correction d'erreurs {F} * see error<br />

detection and correction code (EDCC) {E}.<br />

code de Hamming {F} * see Hamming code {E}.<br />

code horaire inscrit dans l'espace de suppression trame<br />

{F} * see VITC {E}.<br />

code horaire sur l'heure réelle {F} * see clock time {E}.<br />

code Reed-Solomon à entrelacement croisé {F} * see<br />

cross-interleave Reed-Solomon code (CIRC) {E}.<br />

code temporel {F} * see time code {E}.<br />

code temporel inséré danrant l'intervalle de suppression<br />

de trame (VITC) {F} * see vertical interval time code {E}.<br />

Code de Produit Universel {F} * see Universal Product<br />

Code (UPC) {E}.<br />

codeur {F} * see encoder {E}.<br />

codeur couleur {F} * see colour encoder {E}.<br />

codificación por elemen<strong>to</strong>s compues<strong>to</strong>s {Es} * see<br />

component coding {E}.<br />

codificación por elemen<strong>to</strong>s individuales {Es} * see<br />

component coding {E}.<br />

codificador {Es} * see encoder {E}.<br />

codificador cromático {Es} * see colour encoder; matrices<br />

{E}.<br />

codigo de tiempo {Es} * see time code {D;E}.<br />

código de comprobación de la redundancia cíclica {Es} *<br />

see cyclic redundancy check code (CRCC) {E}.<br />

código de detección y corrección de errores {Es} * see<br />

error detection and correction code (EDDC) {E}.<br />

código de impulsos {Es} * see pulse code modulation<br />

(PCM) {D;E}.<br />

código de numeración del tiempo de cada fo<strong>to</strong>grama de<br />

un vídeo consecutivamente {Es} * see non-drop frame {E}.<br />

código de tiempo {Es} * see time code {D;E}.<br />

código de tiempo de intervalo vertical {Es} * see vertical<br />

interval time code {E}.<br />

código de tiempo longitudinal {Es} * see longitudinal time<br />

code (LTC) {D;E}.<br />

código Hamming {Es} * see Hamming code {E}.<br />

código horario {Es} * see time code {D;E}.<br />

código Reed-Solomon de corrección de errores en discos<br />

compac<strong>to</strong>s {Es} * see cross-interleave Reed-Solomon<br />

code (CIRC) {E}.<br />

código yux {Es} * see yuv encoding {D;E}.<br />

Código de Tiempo del Intervalo Vertical {Es} * see VITC<br />

{E}.<br />

Código de Tiempo Diario {Es} * see TOD {E}.<br />

50<br />

Código Universal para Produc<strong>to</strong>s {Es} * see Universal<br />

Product Code (UPC) {E}.<br />

coding {E} * see edge numbers.<br />

coefficient d'anamorphose {F} * see anamorphic squeeze<br />

{E}.<br />

coefficient de dilatation hygroscopique {F} * see coefficient<br />

<strong>of</strong> hygroscopic expansion {E}.<br />

coefficient de dilatation <strong>the</strong>rmique {F} * see coefficient <strong>of</strong><br />

<strong>the</strong>rmal expansion {E}.<br />

coefficient de frottement {F} * see coefficient <strong>of</strong> friction {E}.<br />

coefficient dynamique de frottement {F} * see dynamic<br />

coefficient <strong>of</strong> friction (UD) {E}.<br />

coefficient <strong>of</strong> friction {E} * The tangential force required <strong>to</strong><br />

maintain (dynamic coefficient) or initiate (static coefficient)<br />

motion between two surfaces divided by <strong>the</strong> normal force<br />

pressing <strong>the</strong> two surfaces <strong>to</strong>ge<strong>the</strong>r.46. {D=<br />

Reibungskoeffifient; Es= coeficiente de fricción; F=<br />

coefficient de frottement}.<br />

coefficient <strong>of</strong> hygroscopic expansion {E} * The relative<br />

increase in <strong>the</strong> linear dimension <strong>of</strong> a material (i.e., tape,<br />

base material, or disc) percent increase in relative humidity<br />

measured in a given humidity range.(04.46.) {D=<br />

hygreskopischer Ausdeknungskoeffizrent; Es= coeficiente<br />

de expansión higroscópica; F= coefficient de dilatation<br />

hygroscopique}.<br />

coefficient <strong>of</strong> <strong>the</strong>rmal expansion {E} * The relative increase<br />

in <strong>the</strong> linear dimension <strong>of</strong> a tape or base material per<br />

degree rise in temperature measured in a given<br />

temperature range.04.46. {D= <strong>the</strong>rmischer<br />

Ausdehnungskoeffizient; Es= coeficiente de expansión<br />

térmica; F= coefficient de dilatation <strong>the</strong>rmique}.<br />

coeficiente de expansión higroscópica {Es} * see<br />

coefficient <strong>of</strong> hygroscopic expansion {E}.<br />

coeficiente de expansión térmica {Es} * see coefficient <strong>of</strong><br />

<strong>the</strong>rmal expansion {E}.<br />

coeficiente de fricción {Es} * see coefficient <strong>of</strong> friction {E}.<br />

coeficiente del positivado {Es} * see density {E}.<br />

coeficiente dinámico de fricción {Es} * see dynamic<br />

coefficient <strong>of</strong> friction (UD) {E}.<br />

coeficiente positivado {Es} * see density {E}.<br />

coercitividad {Es} * see coercivity {E}.<br />

coercivité {F} * see coercivity {E}.<br />

coercivity {E} * The demagnetizing force or field intensity<br />

required <strong>to</strong> reduce <strong>the</strong> induction <strong>of</strong> a piece <strong>of</strong> tape<br />

(exclusive <strong>of</strong> air induction effects) from saturation <strong>to</strong> zero.<br />

A figure <strong>of</strong> merit for magnetic tape useful for comparing<br />

relative bias and erase field require-ments. In magnetic<br />

tape this becomes an indica<strong>to</strong>r <strong>of</strong> maximum energy<br />

available from a recorded tape. Usually expressed in<br />

Oersteds; also known as intrinsic coercivity; see also<br />

intrinsic coercive force.(04.16.10.) {D= Koerzitivkraft; Es=<br />

coercitividad; F= coercitivité; force coercitive; champ<br />

coercitif; coercivité}.<br />

cola {Es} * see glue; leader {E}.<br />

cola animal {Es} * see animal glue {E}.<br />

cola de cometa {Es} * see comet tail {E}.


colaborador {Es} * see collabora<strong>to</strong>r {E}.<br />

colage {F} * see splicing {E}.<br />

cold-setting adhesive {E} * A glue that sets at a<br />

temperature below 20°C (68°F).45. {D= Kaltleim; Es=<br />

adhesivo de endurecimien<strong>to</strong> en frío; F= colle à froid}.<br />

colección {Es} * see collection {E;F}.<br />

colgadero {Es} * see hanger {E}.<br />

collaborateur {F} * see collabora<strong>to</strong>r {E}.<br />

collabora<strong>to</strong>r {E} * One who works with one or more<br />

associates <strong>to</strong> produce a work; all may make <strong>the</strong> same kind<br />

<strong>of</strong> contribution, as in <strong>the</strong> case <strong>of</strong> shared responsibility, or<br />

<strong>the</strong>y may make different kinds <strong>of</strong> contributions, as in <strong>the</strong><br />

case <strong>of</strong> collaboration between an artist and a writer.03. {D=<br />

Mitarbeiter; Es= colaborador; F= collaborateur}.<br />

collage tête-bande {F} * see head stick {E}.<br />

collant {F} * see splice; tape splicer {E}.<br />

colle {F} * see glue; paste {E}.<br />

colle à chaud {F} * see hot-melt adhesives {E}.<br />

colle à froid {F} * see cold-setting adhesive {E}.<br />

colle d'origine animale {F} * see animal glue {E}.<br />

collection {E;F} * 1) An artificial accumulation <strong>of</strong><br />

documents <strong>of</strong> any provenance brought <strong>to</strong>ge<strong>the</strong>r on <strong>the</strong><br />

basis <strong>of</strong> some common character-istic, e.g. way <strong>of</strong><br />

acquisition, subject, language, medium, name <strong>of</strong> collec<strong>to</strong>r.<br />

2) A body <strong>of</strong> documents comprising a record/archive group<br />

with o<strong>the</strong>r related materials <strong>of</strong> different provenance/s. 3) A<br />

loose usage for private records/archives.22.23. {D=<br />

Sammlung; Nachlaß; Es= colección}.<br />

collection development {E} * A term which encompasses<br />

a number <strong>of</strong> activities related <strong>to</strong> <strong>the</strong> development <strong>of</strong> <strong>the</strong><br />

library or archive groups, including <strong>the</strong> determination and<br />

coordination <strong>of</strong> selection policy, assessment <strong>of</strong> needs <strong>of</strong><br />

users and potential users, collection use studies, collection<br />

evaluation, identification <strong>of</strong> collection needs, selection and<br />

acquisition <strong>of</strong> materials, planning for resource sharing,<br />

collection maintenance, and weeding.(01.) {D= ?; Es=<br />

desarrollo de los fondos; F= développement (gestion) des<br />

collections}.<br />

collection maintenance {E} * 1) A term covering all <strong>of</strong> <strong>the</strong><br />

activities carried out by a library or archive <strong>to</strong> preserve <strong>the</strong><br />

materials in its care, including packaging, mending,<br />

repairing, materials conversion, etc. 2) One aspect <strong>of</strong><br />

collection development.(01.) {D= ?; Es= mantenimien<strong>to</strong> de<br />

los fondos; F= entretien des collections}.<br />

collective title {E} * A title proper that is an inclusive title for<br />

an item containing several individual works.(12.) {D= ?;<br />

Es= título colectivo; F= titre collectif}.<br />

colleuse à scotch {F} * see tape splicer {E}.<br />

colleuse bout-à-bout {F} * see butt splicer {E}.<br />

colleuse coller {F} * see splicer {E}.<br />

collimateur {F} * see collima<strong>to</strong>r lens {E}.<br />

collima<strong>to</strong>r lens {E} * An optical component used in some<br />

optical media pickups <strong>to</strong> make divergent light rays<br />

parallel.39. {D= ?; Es= lente colimadora; F= collimateur;<br />

lentille collimateur}.<br />

collodion {E;F} * A viscous mixture used especially as a<br />

51<br />

coating for wounds or for pho<strong>to</strong>graphic plates. {D= ?; Es=<br />

colodión}.<br />

colloid {E} * A gelatinous substance which when dissolved<br />

in a liquid will not diffuse readily through vegetable or<br />

animal membranes.41. {D= kolloidal; Es= coloide; F=<br />

colloïde}.<br />

colloid emulsion {E} * A coated, light-sensitive layer in<br />

which <strong>the</strong> medium is a colloid. Organic colloids used in<br />

pho<strong>to</strong>graphy include albumen, gelatin, glue, gum arabic,<br />

and starch.42. {D= ?; Es= emulsión coloidal; F= emulsion<br />

colloïde}.<br />

colloïde {F} * see colloid {E}.<br />

collotype {E} * A pho<strong>to</strong>-mechanical process made directly<br />

from a hardened emulsion <strong>of</strong> bichromated gelatin on glass.<br />

A collotype, which is a variety <strong>of</strong> pho<strong>to</strong>gravure, gives a<br />

continuous <strong>to</strong>ne image. The process was discovered in<br />

1852 by William Henry Fox Talbot. The first person <strong>to</strong> use<br />

<strong>the</strong> process for <strong>the</strong> production <strong>of</strong> printing plates was<br />

Alphonse Louis Poitevin. Pho<strong>to</strong>type, albertype, ar<strong>to</strong>type,<br />

heliotype and Lichtdruck are forms <strong>of</strong> collotype; also called<br />

a gelatin print.19. {D= ?; Es= colotipia; F= calotype}.<br />

collure {F} * see splice {E}.<br />

collure bord à bord {F} * see butt splice {E}.<br />

collure bout-à-bout {F} * see butt splice {E}.<br />

collure colage {F} * see splicing {E}.<br />

colmatage des têtes {F} * see head clog {E}.<br />

colocación espaciada {Es} * see honeycombing {E}.<br />

colocar obje<strong>to</strong>s en estanterías {Es} * see shelving (1, 2)<br />

{E}.<br />

colodión {Es} * see collodion {E}.<br />

coloide {Es} * see colloid {E}.<br />

color {E/US} * see colour {E}.<br />

color {Es} * see colour; hue {E}.<br />

color aditivo {Es} * see additive colour {E}.<br />

color azul-verde {Es} * see cyan {E}.<br />

color de la imagen {Es} * see image colour {E}.<br />

color negro {Es} * see black burst; colour black {E}.<br />

colorant azo {F} * see azo dye {E}.<br />

colorant polymère {F} * see dye-polymer {E}.<br />

colorante azoíco {Es} * see azo dye {E}.<br />

coloré main {F} * see hand-coloured {E}.<br />

coloreado (-a) a mano {Es} * see hand-coloured {E}.<br />

colores primarios aditivos {Es} * see additive colour<br />

primaries {E}.<br />

colores secundarios {Es} * see secondary colours {E}.<br />

colotipia {Es} * see collotype; gelatin print {E}.<br />

colour {E;Es} * An encompassing term referring <strong>to</strong> <strong>the</strong><br />

character <strong>of</strong> light o<strong>the</strong>r than spatial and temporal<br />

inhomogeneities; principally, <strong>the</strong> aspect <strong>of</strong> hue, saturation,<br />

and brightness; see also Technicolor; solarization.30. {D=<br />

Farbe; F= couleur}.


colour balance {E} * 1) The ability <strong>of</strong> a film <strong>to</strong> reproduce <strong>the</strong><br />

colours <strong>of</strong> a scene. colour films are balanced in<br />

manufacture for exposure <strong>to</strong> light <strong>of</strong> a certain colour quality<br />

(i.e., daylight tungsten, etc.). 2) The reproduction <strong>of</strong><br />

colours in colour prints which can be altered during <strong>the</strong><br />

printing process. May be controlled with filers on <strong>the</strong><br />

camera or in <strong>the</strong> printer.09. 3) The ability <strong>of</strong> a video<br />

camera <strong>to</strong> reproduce <strong>the</strong> colours <strong>of</strong> a scene. Video camera<br />

are adjusted <strong>to</strong> balance under <strong>the</strong> exposure <strong>of</strong> light in a<br />

certain colour temperature (i.e., daylight tungsten, etc.).<br />

{D= ?; Es= 1) equilibrio de color; 2) cambios de color<br />

durante el positivado; 3) habilidad para reproducir colores<br />

escénicos con cámara de vídeo; F= gris équivalent;<br />

équilibre des couleurs; balance de couleur; équilibrage des<br />

couleurs}.<br />

colour bars {E} * A video test signal that provides <strong>the</strong><br />

necessary elements for visual set up and adjustment <strong>of</strong><br />

video equipment. It includes white level, black level,<br />

chroma level, and hue information. {D= ?; Es= barras de<br />

color; F= mire de barres (de couleur); charte de couleurs}.<br />

colour black {E} * A video composite signal that combines<br />

<strong>the</strong> colour subcarrier, horizontal sync, vertical sync, and a<br />

black video signal. The video signal has no luminance<br />

component. Colour Black is laid on tapes for editing in <strong>the</strong><br />

insert mode. It is also known as Black Burst. colour burst.<br />

A portion <strong>of</strong> a video signal used <strong>to</strong> synchronize <strong>the</strong> colour<br />

reception <strong>of</strong> a TV receiver or <strong>the</strong> playback <strong>of</strong> a videotape<br />

deck. also known as a colour subcarrier. {D= ?; Es= color<br />

negro; F= noir couleur}.<br />

colour correction {E} * 1) Alteration <strong>of</strong> <strong>the</strong> colour <strong>of</strong> a video<br />

scene by <strong>the</strong> use <strong>of</strong> electronic circuits which separate <strong>the</strong><br />

signal in<strong>to</strong> its Red, Green, and Blue components for<br />

individual processing and correction upon recombination.<br />

2) Alteration <strong>of</strong> <strong>to</strong>nal values <strong>of</strong> coloured objects or images<br />

by <strong>the</strong> use <strong>of</strong> light filters, ei<strong>the</strong>r with camera or printer. The<br />

alteration is accompanied by means <strong>of</strong> colour<br />

compensating (CC) filters or by colour printing (CP)<br />

filters.09. {D= Farbkorrektur; Es= corrección del color<br />

mediante filtros; corrección del color con circui<strong>to</strong>s<br />

electrónicos; F= correction de couleur}.<br />

colour correc<strong>to</strong>r {E} * An electronic instrument <strong>to</strong> correct a<br />

video signal which was produced in an out-<strong>of</strong>-balance<br />

system. {D= ?; Es= correc<strong>to</strong>r de color; F= correcteur de<br />

couleur}.<br />

colour difference signal {E} * The calculation <strong>of</strong> <strong>the</strong> chroma<br />

signal without <strong>the</strong> luminance (Y) information (i.e., R-Y, B-Y,<br />

and G-Y). {D= ?; Es= señal diferencial de color; F= signal<br />

de différence de couleur}.<br />

colour dis<strong>to</strong>rtions {E} * Dis<strong>to</strong>rtions <strong>of</strong> <strong>the</strong> colour information<br />

<strong>of</strong> a video signal. These can be artifacts, differential gain,<br />

differential phase, envelope delay, or gain inequality. {D=<br />

?; Es= dis<strong>to</strong>rsión del color; F= dis<strong>to</strong>rsions de couleur}.<br />

colour encoder {E} * An electronic device that produces a<br />

NTSC colour video signal from separate Red, Green, and<br />

Blue video signals. also known as a colour modula<strong>to</strong>r or<br />

colourplexer. {D= ?; Es= codificador cromático; F= codeur<br />

couleur}.<br />

colour frame pulse {E} * A 15 hertz pulse that identifies <strong>the</strong><br />

colour frame in <strong>the</strong> time code signal. The colour frame<br />

pulse is obtained from <strong>the</strong> master sync source and is<br />

supplied <strong>to</strong> <strong>the</strong> time code genera<strong>to</strong>r. {D= ?; Es= pulsación<br />

del cuadro de color; F= trame couleur}.<br />

colour framing {E} * The phase <strong>of</strong> <strong>the</strong> subcarrier with<br />

respect <strong>to</strong> <strong>the</strong> lines and fields that make up <strong>the</strong> colour<br />

picture. In <strong>the</strong> NTSC system, <strong>the</strong> colour frame is<br />

determined by <strong>the</strong> phase <strong>of</strong> <strong>the</strong> colour subcarrier at <strong>the</strong><br />

beginning <strong>of</strong> line 10 <strong>of</strong> <strong>the</strong> first field <strong>of</strong> each frame. {D= ?;<br />

Es= cuadro [enmarcación] de color; F= tramage; couleur;<br />

synchronisation des trames couleur}.<br />

52<br />

colour key {E} * A system based on pixel-by-pixel colour<br />

matching <strong>to</strong> control overlay transparency. 2) A technique<br />

in which parts <strong>of</strong> an image are determined <strong>to</strong> be<br />

transparent based on <strong>the</strong> colour values. 3) The process <strong>of</strong><br />

using separate acetate overlays <strong>to</strong> produce a coloured<br />

picture.(10.) {D= ?; Es= llave de color; F= ?}.<br />

colour look-up table (CLUT) {E} * A means <strong>of</strong> compressing<br />

<strong>the</strong> amount <strong>of</strong> information needed <strong>to</strong> s<strong>to</strong>re pic<strong>to</strong>rial<br />

information by allowing only 256 colours (tints and<br />

brightness) and holding <strong>the</strong>se absolute values in a table.<br />

The colour <strong>of</strong> a given picture element or pixel is <strong>the</strong>n<br />

defined as a value from this table, which contains all <strong>the</strong><br />

colours that may be used in an individual picture. The<br />

picture is <strong>the</strong>n encoded using <strong>the</strong> table addresses ra<strong>the</strong>r<br />

than absolute values.10. {D= ?; Es= ?; F= compression<br />

CLUT}.<br />

colour reversal intermediate-negative film (CRI) {E} * A<br />

process which allows <strong>the</strong> making <strong>of</strong> a colour duplicate<br />

negative without first making an intermediate positive; see<br />

also internegative. {D= ?; Es= película internegativa de<br />

inversión del color (CRI); F= film réversible internégatif<br />

couleur}.<br />

colour sensitivity {E} * 1) The portion <strong>of</strong> <strong>the</strong> spectrum <strong>to</strong><br />

which an item is sensitive. The ability <strong>of</strong> <strong>the</strong> eye or<br />

pho<strong>to</strong>graphic s<strong>to</strong>ck <strong>to</strong> respond <strong>to</strong> various wavelengths <strong>of</strong><br />

light. Sometimes confused with spectral sensitivity; see<br />

panchromatic; orthochromatic.09. 2) The colour quality -<br />

expressed in degrees kelvin (k)- <strong>of</strong> <strong>the</strong> light source. The<br />

higher <strong>the</strong> colour temperature, <strong>the</strong> bluer <strong>the</strong> light, <strong>the</strong> lower<br />

<strong>the</strong> temperature, <strong>the</strong> redder <strong>the</strong> light.09. {D= ?; Es=<br />

sensibilidad crómatica; F= sensibilité chromatique}.<br />

colour subcarrier {E} * In <strong>the</strong> NTSC colour system, <strong>the</strong><br />

carrier whose modulation sidebands are added <strong>to</strong> <strong>the</strong><br />

monochrome signal <strong>to</strong> convey <strong>the</strong> colour information. Also<br />

called <strong>the</strong> subcarrier and burst. {D= ?; Es= subportadora<br />

cromática; F= sous-porteuse couleur; sous porteuse<br />

chrominance}.<br />

colour temperature {E} * 1) The temperature <strong>of</strong> a<br />

blackbody that generates light with <strong>the</strong> closest visual<br />

colour match <strong>to</strong> <strong>the</strong> source being specified.10. 2) The<br />

human nervous system makes many au<strong>to</strong>matic<br />

adjustments for variances in <strong>the</strong> physical quality <strong>of</strong> light<br />

which enters <strong>the</strong> eye. Since nei<strong>the</strong>r cameras nor present<br />

film s<strong>to</strong>cks can make those adjust-ments au<strong>to</strong>matically, <strong>the</strong><br />

cameraman must spend much energy and time<br />

compensating for those variances, one <strong>of</strong> <strong>the</strong> most<br />

important <strong>of</strong> which is colour temperature, which is<br />

measured in degrees kelvin (k). Sunlight (and ideal white<br />

light) has a colour temperature <strong>of</strong> 6000°K.46. 3) The colour<br />

quality --expressed in degrees kelvin (K)-- <strong>of</strong> <strong>the</strong> light<br />

source. The higher <strong>the</strong> colour temperature, <strong>the</strong> bluer <strong>the</strong><br />

light; <strong>the</strong> lower <strong>the</strong> temperature, <strong>the</strong> redder <strong>the</strong> light.09.<br />

{D= Farbempfindlichkeit; Farbtemperatur; Es= temperatura<br />

del color; F= température de couleur}.<br />

colour under {E} * Systems which reduce and limit <strong>the</strong><br />

chroma information instead <strong>of</strong> interleaving it as in NTSC<br />

and PAL systems. Its name is derived from <strong>the</strong> colour<br />

subcarrier being recorded below <strong>the</strong> bank occupied by <strong>the</strong><br />

video signal. {D= ?; Es= subportadora cromática; F=<br />

architecture étendue pour mémoire morte programmable<br />

sur disque compact}.<br />

coloured illustration {E} * An illustration in two or more<br />

colours (nei<strong>the</strong>r black nor white is a colour).(03.) {D=<br />

Farbabbildung; Es= ilustración coloreada; F= illustration<br />

colorée}.<br />

COM {E} * acronym for computer output micr<strong>of</strong>ilm.<br />

comb filter {E} * An electronic circuit that makes colour<br />

video images sharper by improving <strong>the</strong> signal-<strong>to</strong>-noise<br />

ration by nearly 3 Db, by removing noise.(35.) {D= ?; Es=


filtro de característica en peine; filtro de onda; F= filtre en<br />

peigne}.<br />

combinación de señales independientes {Es} * see<br />

multiplexing {E}.<br />

combinación matricial (para transformar la señal de TV en<br />

colores) {Es} * see matrixing {E}.<br />

combination attachment {E} * An equipment converter<br />

package, <strong>of</strong>fered for sale first by <strong>the</strong> Edison Co. in 1908 at<br />

<strong>the</strong> introduction <strong>of</strong> <strong>the</strong>ir four-minute Amberol Record, which<br />

allowed <strong>the</strong> new recording format <strong>to</strong> be played on twominute<br />

cylinder machines. The package consisted <strong>of</strong> a<br />

four-minute sapphire reproducer, extra gearing <strong>to</strong> halve <strong>the</strong><br />

speed <strong>of</strong> <strong>the</strong> feed screw, and o<strong>the</strong>r accessories <strong>to</strong> suit <strong>the</strong><br />

type and model <strong>of</strong> <strong>the</strong> equipment <strong>to</strong> be modified. This was<br />

changed somewhat when Blue Amberol Records replaced<br />

Amberol Records in 1912: <strong>the</strong> package <strong>the</strong>n included a<br />

diamond reproducer. The package was, also, available<br />

after 1926 <strong>to</strong> convert <strong>the</strong> Diamond Disc machines <strong>to</strong> play<br />

Long Playing Records besides standard Diamond Discs.<br />

As audiovisual equipment has evolved o<strong>the</strong>r converter<br />

packages have appeared, for example, <strong>the</strong> inclusion <strong>of</strong> a<br />

sleeve <strong>to</strong> fit over a standard spindle <strong>to</strong> allow <strong>the</strong> larger<br />

holed 45-RPM disc <strong>to</strong> be played on turntables which could<br />

spin at both 33a- and 45-RPM.(14.) {D= ?; Es= dispositivo<br />

de conservación; F= système de conversion}.<br />

combination equipment {E} * <strong>Audiovisual</strong> playback<br />

equipment with special mechanism (i.e., gearing, <strong>to</strong>ne<br />

arm, styli, magnetic heads) which allows <strong>the</strong> playing <strong>of</strong><br />

variations on <strong>the</strong> base format (i.e., two-minute and fourminute<br />

cylinders; 78-, 45-, and 33a-RPM discs; type II and<br />

III Beta video cassette equipment) with minimum if any<br />

additional equipment and/or converter attachments. {D= ?;<br />

Es= equipo de reproducción; F= équipement de<br />

conversion}.<br />

combiné (image & son) {F} * see composite {E}.<br />

comédien {F} * see player {E}.<br />

comet tail {E} * A spurious video signal that results from<br />

<strong>the</strong> transducer's response <strong>to</strong> a change in light level which<br />

overloads its pho<strong>to</strong>sensitive surface. Also referred <strong>to</strong> as<br />

bleeding. {D= ?; Es= cola de cometa; F= traînage<br />

dynamique; effet de comète}.<br />

comic mode {E} * 1) The arrangement <strong>of</strong> images on a roll<br />

<strong>of</strong> micr<strong>of</strong>ilm in which <strong>the</strong> lines <strong>of</strong> print or writing are parallel<br />

<strong>to</strong> <strong>the</strong> length <strong>of</strong> <strong>the</strong> film for horizontal film and<br />

perpendicular for vertical script (in <strong>the</strong> same manner <strong>of</strong> <strong>the</strong><br />

panels <strong>of</strong> a newspaper comic strip). 2) The arrangement <strong>of</strong><br />

images on a micr<strong>of</strong>iche in which <strong>the</strong> first micro image is in<br />

<strong>the</strong> <strong>to</strong>p left hand corner <strong>of</strong> <strong>the</strong> grid pattern and succeeding<br />

micro images appear in sequence from left <strong>to</strong> right and in<br />

rows from <strong>to</strong>p <strong>to</strong> bot<strong>to</strong>m.13. Technically referred <strong>to</strong> as<br />

position b orientation in ANSI's USA standard specification<br />

for 16-mm and 35-mm silver gelatin micr<strong>of</strong>ilms for reel<br />

applications; see also cine mode. {D= ?; Es= a la manera<br />

de los cómics; F= enregistrement en mode horizontal}.<br />

comienzo {Es} * see start mark {E}.<br />

comienzo preparado {Es} * see heads out {E}.<br />

Comisión Federal de Comunicación {Es} * see FCC {E}.<br />

Comisión Federal de Comunicaciones (EEUU) {Es} * see<br />

Federal Communication Commission (U.S.A.)(FCC) {E}.<br />

Comité Internacional de l’Eclarage {Es} * see CIE {E}.<br />

commande à pied {F} * see foot switch {E}.<br />

commanditaire {F} * see sponsor {E}.<br />

53<br />

commentaires {F} * see liner notes {E}.<br />

commentateur {F} * see jeep {E}.<br />

commentative sound {E} * An audio track in a movingimage<br />

production whose source is outside <strong>the</strong> reality <strong>of</strong> <strong>the</strong><br />

scene being pho<strong>to</strong>graphed.(30.) {D= ?; Es= sonido<br />

doblado [añadido]; F= voix commentaire; voix "<strong>of</strong>f"}.<br />

commercial {E;F} * A short persuasive moving-image or<br />

audio production, <strong>of</strong>ten <strong>of</strong> 15 <strong>to</strong> 60 seconds duration,<br />

usually highly contrived and normally presented on<br />

television or radio, which attempts <strong>to</strong> convince <strong>the</strong><br />

audience <strong>to</strong> buy a product, take some specific action, or<br />

adopt a favourable view <strong>to</strong>wards some product, institution,<br />

business or issue; not <strong>to</strong> be confused with public service<br />

announcement.(12.) {D= Werbefilm; Werbesendung; Es=<br />

anuncio; F= publicitée; message de publicité}.<br />

commission fédérale de communication {F} * see Federal<br />

Communication Commission (U.S.A.)(FCC) {E}.<br />

communication restreinte {F} * see restricted access {E}.<br />

compact cassette (CC) {E} * The most widely known<br />

magnetic audio cassette format using 0.15-inch tape. tape<br />

speed is generally 4.76 CPS / 1#-IPS. Designed <strong>to</strong><br />

operate in two directions, ei<strong>the</strong>r with mono or stereo tracks<br />

using slightly less than half <strong>the</strong> tape width. Playing time<br />

depends upon <strong>the</strong> thickness <strong>of</strong> <strong>the</strong> tape, with standard<br />

durations being 30 minutes (C30), 60 minute (C60), 90<br />

minutes (C90), and 120 minutes (C120). Dependent upon<br />

<strong>the</strong> recording playback system, may use any <strong>of</strong> <strong>the</strong><br />

available types <strong>of</strong> magnetic tape (i.e. Ferric oxide,<br />

chromium dioxide, etc.) or tape noise suppression systems<br />

(i.e. Dolby) {D= Kompaktkassette; Es= cinta compacta;<br />

casete compacta; F= cassette compacte}.<br />

compact disc (CD) {E} * A recording medium, introduced<br />

commercially in 1983, consisting <strong>of</strong> a 12 cm/4.72-inch disc,<br />

made principally <strong>of</strong> plastic coated with a reflective surface<br />

<strong>of</strong> micro-thin reflective metal, commonly aluminium in<br />

commercial discs, and a protective layer <strong>of</strong> lacquer.<br />

Presently used primarily for audio and CD-ROM<br />

recordings. Normally recorded and played on one side only<br />

at this time, <strong>the</strong> medium can yield up <strong>to</strong> 72 minutes <strong>of</strong><br />

audio signal per side. The sonic content consists <strong>of</strong><br />

digitally encoded sets <strong>of</strong> binary numbers translated in<strong>to</strong><br />

minute pits that are etched or o<strong>the</strong>rwise placed in/on <strong>the</strong><br />

reflective layer <strong>of</strong> <strong>the</strong> disc and read from inside <strong>to</strong> outside<br />

by a low power LASER light beam as <strong>the</strong> disc revolves at<br />

constant linear velocity at speeds reaching from 500- <strong>to</strong><br />

200-pm; see also LASER disc.(04.) {D= Compact Disk;<br />

Es= disco compac<strong>to</strong>; F= disque compact}.<br />

compact disc+graphics (CD+G) {D;E} * A compact disc<br />

system which carries video and o<strong>the</strong>r non-audio data.(39.)<br />

{Es= disco compac<strong>to</strong>+gráficos; F= disque<br />

compact+graphique}.<br />

compact disc+midi (CD+MIDI) {D;E} * A compact disc<br />

system which carries midi information in its sub-code<br />

area.(39.) {Es= disco compac<strong>to</strong> + midi; F= disque<br />

compact+midi}.<br />

compact disc-3 (CD-3) {D;E} * A compact disc system<br />

which carries twenty (20) minutes <strong>of</strong> digital audio on an 8centimetre<br />

diametre disc.(39.). {Es= disco compac<strong>to</strong>-3; F=<br />

disque compact-3}.<br />

compact disc-digital audio (CD-DA) {D;E} * A compact disc<br />

system which has only digital audio.(39.) {Es= CD-DA;<br />

disco compac<strong>to</strong>-audio digital; F= disque compact<br />

audionumérique}.<br />

compact disc-interactive (CD-I) {D;E} * A compact disc<br />

system which may carry digital audio, video, text, and<br />

graphics information interactively, with user control over


content and presentation.(39.) {Es= CD-I; disco compac<strong>to</strong><br />

interactivo; F= disque compact interactif}.<br />

compact disc-interactive extended (CD-IX) {D;E} * A CD-I<br />

system which accommodates more functions than CD-<br />

I.(10.) {Es= CD-IX; disco compac<strong>to</strong> de extensión<br />

interactiva; F= disque compact intéractif étendu}.<br />

compact disc-programmable read only memory (CD-<br />

PROM) {D;E} * A write-once CD-ROM. {Es= disco<br />

compac<strong>to</strong> sólo lec<strong>to</strong>r de memoria programable; F=<br />

architecture étendue pour mémoire morte programmable<br />

sur disque compact}.<br />

compact disc-read only memory (CD-ROM) {D;E} * A<br />

computer peripheral in <strong>the</strong> form <strong>of</strong> a compact disc <strong>to</strong> s<strong>to</strong>re<br />

c.550 megabytes/250,000+ typewritten pages <strong>of</strong> data for<br />

later retrieval. The data is placed on <strong>the</strong> disc at <strong>the</strong> time <strong>of</strong><br />

manufacturer; see also LASER disc.(18.) {Es= ?; F=<br />

mémoire sur disque compact à lecture uniquement;<br />

cédérom}.<br />

compact disc-read only memory extended architecture<br />

(CD-ROM XA) {D;E} * An extended architecture CD-ROM<br />

containing audio and screen standards from <strong>the</strong> compact<br />

disc-interactive format.(39.) {F= mémoire sur disque<br />

compact à lecture uniquement et à architecture étendue;<br />

cédérom-XA; Es= CD-ROM XA; disco compac<strong>to</strong> de<br />

arquitecura extendida sólo lec<strong>to</strong>r de memoria}.<br />

compact disc-real-time operating system (CD-RTOS) {D;E}<br />

* The s<strong>of</strong>tware necessary <strong>to</strong> operate and manipulate a<br />

compact disc-inter-active or compact disc-read only<br />

memory system, based on OS-46.(39.) {F= système<br />

d'exploitation multitâche en temps réel sur disque<br />

compact; Es= CD-RTOS; disco compac<strong>to</strong> de sistema<br />

operativo a tiempo real}.<br />

compact disc-recordable (CD-R) {D;E} * see compact discwrite<br />

once.<br />

compact disc-video (CD-V) {D;E} * A compact disc system<br />

which carries up <strong>to</strong> 5 minutes <strong>of</strong> analogue video, plus 20<br />

minutes <strong>of</strong> digital audio, on a standard size compact disc,<br />

and longer times on 20-centimetre or 30-centimetre<br />

diametre optical discs.(39.) {F= disque compact vidéo (CD-<br />

V); Es= CD-V; disco compac<strong>to</strong> y [de] vídeo}.<br />

compact disc-write-once (CD-WO) {D;E} * A compact disc<br />

system which permits data (audio or o<strong>the</strong>rwise) <strong>to</strong> be<br />

written on<strong>to</strong> a standard compact disc.(39.) {F= disque<br />

compact à écriture unique et lecture multiple; Es= disco<br />

compac<strong>to</strong> de escritura única}.<br />

compact shelving {E} * A system <strong>of</strong> mobile shelving<br />

intended <strong>to</strong> save space and/or guarantee security<br />

comprising movable back-<strong>to</strong>-back rows, actuated manually<br />

or electrically, ei<strong>the</strong>r horizontally on rails or rotating<br />

through a quarter-circle on a pivot.(22.23.) {F= rayonnage<br />

dense; rayonnage compact; D= Compactusregal;<br />

Kompaktregal; Kompaktersystem; Rollgestellanlage; Es=<br />

compactus; estantería densa}.<br />

Compact Disk {D} * see compact disc (CD) {E}.<br />

compactus {Es} * see compact shelving {E}.<br />

Compactusregal {D} * see compact shelving {E}.<br />

compartimentage {F} * see partition {E}.<br />

compartimen<strong>to</strong> portacarrete {Es} * see magazine (1)<br />

{E;Es;F}.<br />

compartment {E} * see bay.<br />

compatibilidad {Es} * see compatibility {E}.<br />

54<br />

compatibilité {F} * see compatibility {E}.<br />

compatibility {E} * Composite colour is said <strong>to</strong> be<br />

compatible with <strong>the</strong> monochrome format if its<br />

transmissions can be received on monochrome receivers<br />

and, and monochrome transmissions can be received on<br />

colour receivers. The NTSC system is fully compatible. If<br />

a system fails <strong>the</strong>se test it is noncompatible.<br />

Complementary Colour. A video colour formed by<br />

subtracting a reference colour from white light. {F=<br />

compatibilité; D= ?; Es= compatibilidad}.<br />

compensación {Es} * see balance stripe; <strong>of</strong>fset {E}.<br />

compensación de paralelaje {Es} * see parallax {E}.<br />

compensación del empuje lateral (<strong>to</strong>cadiscos) {Es} * see<br />

antiskating compensation {E}.<br />

compensador de la caída de desprendimien<strong>to</strong> {Es} * see<br />

dropout compensa<strong>to</strong>r {E}.<br />

compensador de la caída de señal {Es} * see dropout<br />

compensa<strong>to</strong>r {E}.<br />

compensateur de perte de niveau {F} * see dropout<br />

compensa<strong>to</strong>r {E}.<br />

compensateur de perte de niveau {F} * see dropout<br />

compensa<strong>to</strong>r {E}.<br />

compensation {F} * see equalization (EQ) {E}.<br />

compensation de poussée latérale antiskating {F} * see<br />

antiskating compensation {E}.<br />

compensa<strong>to</strong>r {E} * see equalizer.<br />

competencia archivística {Es} * see archival jurisdiction<br />

{E}.<br />

compilador {Es} * see compiler {E}.<br />

compilateur {F} * see compiler {E}.<br />

compilation {E;F} * An audiovisual work made up <strong>of</strong><br />

<strong>the</strong>matically or graphically organized segments <strong>of</strong> o<strong>the</strong>r<br />

works, edited <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> make an al<strong>to</strong>ge<strong>the</strong>r new<br />

work.(12.) {D= Kompilation; Es= recopilación}.<br />

compiler {E} * 1) One who produces a collection by<br />

selecting and putting <strong>to</strong>ge<strong>the</strong>r matter from <strong>the</strong> works <strong>of</strong><br />

various persons or bodies. 2) One who selects and puts<br />

<strong>to</strong>ge<strong>the</strong>r in one publication matter from <strong>the</strong> works <strong>of</strong> one<br />

person or body.(03.) {F= compilateur; D= Umwandler;<br />

Compiler; Übersetzer; Es= compilador; recompilador}.<br />

Compiler {D} * see compiler {E}.<br />

compliance {E} * The ease with which a stylus moves from<br />

side <strong>to</strong> side and up and down in a groove.(04.) {F=<br />

élasticité; (compliance); acquiescement; D=<br />

Nachgiebigkeit (Nadel); Es= conformidad}.<br />

component {E} * A system whereby <strong>the</strong> luminance and<br />

chrominance video signals are recorded separately. {F=<br />

composante; composant; pièce détachée; D= ?; Es=<br />

componente; elemen<strong>to</strong>}.<br />

component coding {E} * Individual elements that represent<br />

<strong>the</strong> parts <strong>of</strong> a composite video signal. In component<br />

television, <strong>the</strong>se elements include Y (luminance), R-Y & B-<br />

Y (<strong>the</strong> colour difference signals), or R, G, & B (<strong>the</strong><br />

individual colour signals). The splitting <strong>of</strong> a video signal<br />

in<strong>to</strong> three parts: ei<strong>the</strong>r <strong>the</strong> primary colour signals RGB, or,<br />

for recording purposes, yuv. A simplified variant is <strong>the</strong><br />

splitting in<strong>to</strong> two signals only, YC. {F= élément de codage;<br />

D= Signaldarstellung; Komponenten-Signaldarstellung;


Es= codificación por elemen<strong>to</strong>s individuales [elemen<strong>to</strong>s<br />

compues<strong>to</strong>s]}.<br />

component demagnetization {E} * see demagnetization.<br />

componente {Es} * see component; coupler {E}.<br />

componente análogo múltiple {Es} * see multiple analogue<br />

component (MAC) {E}.<br />

Componente Analógico Múltiple {Es} * see MAC {E}.<br />

componentes de una cámara {Es} * see camera chain {E}.<br />

composant {F} * see component {E}.<br />

composante {F} * see component {E}.<br />

composantes analogiques multiplexées (dans le temps)<br />

{F} * see multiple analogue component (MAC) {E}.<br />

composición {Es} * see montage {E;F}.<br />

Composit {D} * see composite {E}.<br />

composite {E;F} * 1) A video system in which all luminance<br />

(Y) and colour difference signals (R-Y, B-Y) have been<br />

combined <strong>to</strong>ge<strong>the</strong>r for recording and broadcast. The signal<br />

is decoded at playback or when viewed on a video moni<strong>to</strong>r<br />

or TV set. The distinction <strong>of</strong> a composite signal is<br />

important when compared <strong>to</strong> component video. 2) A video<br />

signal that results from combining <strong>the</strong> picture signal with<br />

sync. This designation arose due <strong>to</strong> some NTSC systems<br />

which processed signals in <strong>the</strong> non-composite mode prior<br />

<strong>to</strong> <strong>the</strong> addition <strong>of</strong> <strong>the</strong> sync signal. 3) A single piece <strong>of</strong><br />

motion picture film-bearing picture and matching sound;<br />

see also married print.09. {F= standard; combiné (image<br />

& son); copie standard; D= Filmkopie mit Licht<strong>to</strong>nspur;<br />

Composit; Es= copia estándar; cine y sonidos<br />

combinados}.<br />

composite print {E} * see composite {E}.<br />

compresión {Es} * see compression {E;F}.<br />

compresión analógica {Es} * see analogue compression<br />

{E}.<br />

compresión anamórfica {Es} * see anamorphic squeeze<br />

{E}.<br />

compresión de la imagen {Es} * see compression {E;F};<br />

image compression {E}.<br />

compresión del negro {Es} * see black compression {E}.<br />

compresión JPEG {Es} * see JPEG compression {E}.<br />

compresor {Es} * see pressure plate {E}.<br />

compression {E;F} * The au<strong>to</strong>matic reduction made in an<br />

audio or video signal <strong>to</strong> minimize dis<strong>to</strong>rtion.10. Reduction<br />

<strong>of</strong> one portion <strong>of</strong> a video signal with respect <strong>to</strong> <strong>the</strong> gain at<br />

ano<strong>the</strong>r level <strong>of</strong> <strong>the</strong> same signal. {D= Kompression;<br />

Dynamikkompression; Es= compresión; compresión de la<br />

imagen}.<br />

compression analogique {F} * see analogue compression<br />

{E}.<br />

compression CLUT {F} * see colour look-up table (CLUT)<br />

{E}.<br />

compression d'image {F} * see image compression {E}.<br />

compression/decompression algorithms {E} * Algorithms<br />

that allow s<strong>to</strong>rage <strong>of</strong> more than one hour <strong>of</strong> information on<br />

a medium for decompression in real time.(10.) {F=<br />

55<br />

algorithmes de compression/décompression; D= ?; Es=<br />

algoritmos de compresión-descompresión}.<br />

compression JPEG {F} * see JPEG compression {E}.<br />

compression sur le noir {F} * see black compression {E}.<br />

comprobación {Es} * see grading {E}.<br />

comprobacíon equilibrado {Es} * see grading {E}.<br />

compteur (métrage) {F} * see footage counter {E}.<br />

compteur d'index {F} * see index counter {E}.<br />

compteur de défilement {F} * see tape index counter {E}.<br />

compteur de trames {F} * see frame counter {E}.<br />

compteur horaire {F} * see timer {E}.<br />

compteur images {F} * see frame counter {E}.<br />

compteur mémoire {F} * see memory counter {E}.<br />

compuerta por conjunción {Es} * see And gate {E}.<br />

compuerta Y {Es} * see And gate<br />

compulsory licence {E} * An au<strong>to</strong>matic licence granted for<br />

specified purposes under U.S. Copyright Law for (a)<br />

mechanical rights <strong>to</strong> musical compositions, (b) cable<br />

television systems, and (c) noncommercial broadcasting,<br />

and, until 1988, for (d) jukeboxes, with rates for such<br />

au<strong>to</strong>matic licences being set by <strong>the</strong> U.S. Copyright Act;<br />

sometimes called a manda<strong>to</strong>ry licence.(10.) {F= droits<br />

d'exploitation; D= ?; Es= licencia obliga<strong>to</strong>ria}.<br />

computer file {E} * A file (data and/or programmes)<br />

encoded for manipulation by computer.03. {F= fichier<br />

informatique; D= ?; Es= fichero de ordenador}.<br />

computer input micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) {E} *<br />

Micr<strong>of</strong>ilm/micr<strong>of</strong>orm used <strong>to</strong> input or re-input data <strong>to</strong> a<br />

computer.(22.23.) {F= micr<strong>of</strong>ilm/micr<strong>of</strong>orme en entrée<br />

d'ordinateur; CIM; D= Dateneingabe über Mikr<strong>of</strong>ilm;<br />

Dateneingabe über Mikr<strong>of</strong>ormen; CIM; Es= CIM; entrada<br />

de ordenador para micr<strong>of</strong>ilme o micr<strong>of</strong>orma; entrada de<br />

ordenador en micr<strong>of</strong>ilme/micr<strong>of</strong>orma}.<br />

computer output micr<strong>of</strong>ilm/micr<strong>of</strong>orm (COM) {E} *<br />

Computer output produced directly on<strong>to</strong><br />

micr<strong>of</strong>ilm/micr<strong>of</strong>orm, without paper prin<strong>to</strong>ut as an<br />

intermediary. The term may, also, be used <strong>to</strong> designate <strong>the</strong><br />

equipment producing <strong>the</strong> micr<strong>of</strong>orm or <strong>the</strong> process as a<br />

whole.(22.23.) {F= micr<strong>of</strong>ilm/micr<strong>of</strong>orme en sortie<br />

d'ordinateur; composition par ordinateur sur micr<strong>of</strong>orme;<br />

com; D= Datenausgabe über Mikr<strong>of</strong>ilm/Mikr<strong>of</strong>ormen; Es=<br />

COM; salida de ordenador para micr<strong>of</strong>ilme o micr<strong>of</strong>orma;<br />

salida de ordenador en micr<strong>of</strong>ilme o micr<strong>of</strong>orma; SOM}.<br />

con indentación {Es} * see indentation recording {E}.<br />

concealment {E} * Strategy used with digital media <strong>to</strong><br />

supply approximate data in lieu <strong>of</strong> missing or incorrect<br />

data; see also interpolation.39. {F= masquage; D=<br />

Fehlerverdeckung; Es= encubrimien<strong>to</strong>; ocul<strong>to</strong>; disimulado}.<br />

concentración de iones de hidrógeno {Es} * see hydrogenion<br />

concentration {E}.<br />

concentration en ions hydrogène {F} * see hydrogen-ion<br />

concentration {E}.<br />

concentric groove {E} * A blank (unmodulated) and<br />

continuous groove in a groove disc at <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

modulated and/or recorded groove/s whose function is <strong>to</strong><br />

prevent fur<strong>the</strong>r travel <strong>of</strong> <strong>the</strong> stylus <strong>to</strong>ward <strong>the</strong> centre <strong>of</strong> <strong>the</strong>


disc; accomplished by creating a lock or block <strong>to</strong> end <strong>the</strong><br />

travel <strong>of</strong> <strong>the</strong> pickup in <strong>the</strong> revolving groove; also known as<br />

locked groove; end groove; see also eccentric groove.(04.)<br />

{F= sillon concentrique; sillonsonore concentrique;<br />

concentrique; D= ?; Es= surcos concéntricos}.<br />

concentricidad {Es} * see concentricity {E}.<br />

concentricité {F} * see concentricity {E}.<br />

concentricity {E} * The difference in <strong>the</strong> mechanical centre<br />

locations <strong>of</strong> <strong>the</strong> centring feature <strong>of</strong> a disk and any con<strong>to</strong>ur<br />

on <strong>the</strong> disk (such as a pre-grooved track).46. {F=<br />

concentricité; D= Konzentrizität; Es= concentricidad}.<br />

concentrique * see concentric groove {E}.<br />

concert cylinders {D;E} * Large diameter cylinder records<br />

made from wax from 1899 <strong>to</strong> approximately 1908 by such<br />

companies as Columbia, Edison, and Edison Bell, and<br />

from celluloid by such as Lambert and Indestructible.<br />

Measuring 4½-inches in length, 5-inches external<br />

diametre, and 4¼-inches <strong>to</strong> 4#-inches internal diametre,<br />

concert cylinders had a higher linear speed and,<br />

consequently, a greater volume than o<strong>the</strong>r audio<br />

recordings <strong>of</strong> <strong>the</strong> period; also known as concert grand and<br />

grand cylinders.(14.) {F= cylindres concert; Es= cilindros<br />

concier<strong>to</strong>}.<br />

concert grand cylinders {E} * see concert cylinders.<br />

concordance {E} * A finding aid establishing <strong>the</strong><br />

relationship between past and present reference numbers<br />

<strong>of</strong> individual items.(22.23.) {F= table de concordance; D=<br />

Vertaulichkeit; Es= tabla [carta] de concordancias; table de<br />

concordancias}.<br />

Condensite {D;E;Es;F} * The material, similar <strong>to</strong> bakelite,<br />

used by Edison in <strong>the</strong> manufacture <strong>of</strong> his Diamond Disc<br />

records.<br />

condiciones de almacenamien<strong>to</strong> (normas) en archivos {Es}<br />

* see archival s<strong>to</strong>rage conditions {E}.<br />

condiciones de almacenamien<strong>to</strong> {Es} * see s<strong>to</strong>rage<br />

environment {E}.<br />

condiciones de almacenamien<strong>to</strong> a largo plazo {Es} * see<br />

extended term s<strong>to</strong>rage conditions {E}.<br />

condiciones de almacenamien<strong>to</strong> para la conservación a<br />

medio plazo {Es} * see medium term s<strong>to</strong>rage conditions<br />

{E}.<br />

condiciones ideales de envío {Es} * see shipping<br />

environment (2) {E}.<br />

condition de s<strong>to</strong>ckage des archives {F} * see archival<br />

s<strong>to</strong>rage conditions {E}.<br />

conditioning {E} * Placing a material in a special<br />

environment (i.e. controlled temperature and/or relative<br />

humidity) in order <strong>to</strong> put it in a proper state for work or use.<br />

For example, when bringing a film from cold s<strong>to</strong>rage in<strong>to</strong><br />

a normal working temperature <strong>the</strong> film is held for specified<br />

periods <strong>of</strong> time at predetermined temperature and relative<br />

humidities <strong>to</strong> prevent <strong>the</strong> formation <strong>of</strong> condensation on its<br />

surface; also called staging.(04.07.) {F= conditionnement;<br />

D= Akklimatisierung; Es= acondicionamien<strong>to</strong>}.<br />

conditionnement {F} * see conditioning; curing {E}.<br />

conditions de s<strong>to</strong>ckage {F} * see s<strong>to</strong>rage environment {E}.<br />

conditions de s<strong>to</strong>ckage à moyen terme {F} * see medium<br />

term s<strong>to</strong>rage conditions {E}.<br />

conditions de s<strong>to</strong>ckage à très long terme {F} * see<br />

56<br />

extended term s<strong>to</strong>rage conditions {E}.<br />

conditions de transport {F} * see shipping environment {E}.<br />

conducteur visuel {F} * see s<strong>to</strong>ry board {E}.<br />

conductive coatings {E} * Layers <strong>of</strong> material that are<br />

specially treated <strong>to</strong> reduce <strong>the</strong> coating resistance and,<br />

thus, prevent <strong>the</strong> accumulation <strong>of</strong> static electrical charge<br />

on magnetic media.(04.46.) {F= revêtements conducteurs;<br />

D= ?; Es= recubrimien<strong>to</strong>s [capas] conductivas}.<br />

conectador {Es} * see pin {E}.<br />

conec<strong>to</strong>r BNC {Es} * see BNC connec<strong>to</strong>r {E}.<br />

conexión {Es} * see input {E}.<br />

conexión {Es} * see input {E}.<br />

conexión a tierra {Es} * see ground {E}.<br />

conexión interfacial {Es} * see feed through {E}.<br />

conexión vía satélite {Es} * see uplink {E}.<br />

confidentialité {F} * see confidentiality {E}.<br />

confidentiality {E} * The quality or property <strong>of</strong> privacy or<br />

secrecy attaching <strong>to</strong> certain information <strong>the</strong>reby limiting<br />

access.22.23. {F= secret; confidentialité; D=<br />

Vertraulichkeit; Es= caracter confidencial; reserva}.<br />

configuración de pista {Es} * see track configuration {E}.<br />

configurador de ruidos {Es} * see noise-shaping circuit {E}.<br />

configurar {Es} * see configure {E}.<br />

configuration de piste {F} * see track configuration {E}.<br />

configure {E} * To organize a set <strong>of</strong> hardware or s<strong>of</strong>tware<br />

in<strong>to</strong> a system and <strong>to</strong> adjust each part so that <strong>the</strong>y all work<br />

<strong>to</strong>ge<strong>the</strong>r. {F= configurer; D= ?; Es= configurar}.<br />

configurer {F} * see configure {E}.<br />

conflicting archival claims {E} * Clashing ownership<br />

declarations <strong>of</strong> political or administrative entities regarding<br />

legal title <strong>to</strong>, cus<strong>to</strong>dy <strong>of</strong>, and/or access <strong>to</strong> archives,<br />

especially following changes in sovereignty and terri<strong>to</strong>rial<br />

organization.(22.23.) {F= contentieux archivistique; D=<br />

archivische Zuständigkeits-und Eigentumskonflikte; Es=<br />

contencioso archivístico}.<br />

conform {E} * In moving-image production, <strong>to</strong> match <strong>the</strong><br />

original film <strong>to</strong> <strong>the</strong> final edited work print.(09.) {F=<br />

conformer; D= ?; Es= adaptar; conformar}.<br />

conformar {Es} * see conform {E}.<br />

conformer {F} * see conform {E}.<br />

conformidad {Es} * see compliance {E}.<br />

confus {F} * see muddy {E}.<br />

conjun<strong>to</strong>r {Es} * see jack {E}.<br />

conmutación {Es} * see sampling {E}.<br />

conmutador {Es} * see switcher {E}.<br />

conmutador de distribución {Es} * see routing switcher {E}.<br />

conmutador de pedal {Es} * see foot switch {E}.<br />

conmutador-mezclador {Es} * see routing switcher {E}.


conmutador-mezclador {Es} * see switcher {E}.<br />

connecteur {F} * see plug {E}.<br />

connecteur à fiches {F} * see patch plug {E}.<br />

connecteur BNC (Bayonet-Neill-Concelman) {F} * see BNC<br />

connec<strong>to</strong>r {E}.<br />

connecteur femelle {F} * see patch jack {E}.<br />

connecteur mâle {F} * see patch plug {E}.<br />

connecteur phono {F} * see phone plug {E}.<br />

connecteur RCA {F} * see phone plug {E}.<br />

consecutivo {Es} * see serial (1) {E;F}.<br />

conservación {Es} * see archive conservation {E;F}.<br />

conservation {E;F}; cus<strong>to</strong>dy {E}; preservation {E;F}.<br />

conservación de archivo (normas) {Es} * see archive<br />

conservation {E}.<br />

conservación por etapas {Es} * see phased conservation<br />

{E}.<br />

conservación por fases {Es} * see phased conservation<br />

{E}.<br />

conservador {Es} * see conserva<strong>to</strong>r {E}.<br />

conservateur {F} * see conserva<strong>to</strong>r {E}.<br />

conservation {E;F} * The general treatment <strong>of</strong> materials <strong>to</strong><br />

stabilize <strong>the</strong>m chemically or streng<strong>the</strong>n <strong>the</strong>m physically,<br />

sustaining <strong>the</strong>ir survival as long as possible in <strong>the</strong>ir original<br />

form; see also archive conservation; cus<strong>to</strong>dy; preservation.<br />

(17.22.) {D= Konservierung; Restaurierung; Es=<br />

conservación}.<br />

conservation {F} * see cus<strong>to</strong>dy; preservation {E}.<br />

conservation des archives {F} * see archive conservation<br />

{E}.<br />

conservation légère {F} * see phased conservation {E}.<br />

conserva<strong>to</strong>r {E} * A specialist with advanced training in <strong>the</strong><br />

arts and sciences related <strong>to</strong> <strong>the</strong> <strong>the</strong>oretical and practical<br />

aspects <strong>of</strong> conservation, who is able <strong>to</strong> prescribe and<br />

undertake various physical and chemical procedures and<br />

techniques in order <strong>to</strong> ensure <strong>the</strong> preservation <strong>of</strong><br />

materials, and who adheres <strong>to</strong> ethical standards<br />

established by <strong>the</strong> pr<strong>of</strong>ession.(01.) {F= conservateur; D=<br />

Konserva<strong>to</strong>r; Restaura<strong>to</strong>r; Es= conservador [restaurador]}.<br />

console {E;F} * 1) A control desk provided for mixing,<br />

amplifying, fading, and routing electronic signals. 2) The<br />

part <strong>of</strong> a computer used by <strong>the</strong> opera<strong>to</strong>r <strong>to</strong> communicate<br />

with <strong>the</strong> computer. 3) A motion picture film editinas {D= ?;<br />

Es= 1) mesa de control; 2) ordenador; 3) máquina edi<strong>to</strong>ra<br />

de películas}.<br />

console de mixage {F} * see mixer {E}.<br />

constancia {Es} * see uniformity {E}.<br />

constant angular velocity (CAV) {E} * A disc rotating at a<br />

con-stant number <strong>of</strong> revolutions per specified time period.<br />

The Lp is a CAV system rotating at 33a-RPM.39. {F=<br />

vitesse angulaire constante (VAC); D= konstante<br />

Winkelgeschwindigkeit; Es= velocidad angular constante}.<br />

constant linear velocity (CLV) {E} * A disc rotating at varying<br />

numbers <strong>of</strong> revolutions per specified time period <strong>to</strong><br />

maintain a constant relative velocity between pickup and<br />

57<br />

track across <strong>the</strong> disc radius. The CD is a CLV system<br />

rotating from 200- <strong>to</strong> 500-RPM. {F= vitesse linéaire<br />

constante (VLC); D= konstante Lineargeschwindigkeit; Es=<br />

velocidad linear constante}.<br />

constant tension wind {E} * The pressure applied <strong>to</strong> tape<br />

or film by <strong>the</strong> take-up or supply reel mo<strong>to</strong>rs in <strong>the</strong> rewind<br />

or fast forward modes which ensures smooth, even<br />

winding <strong>of</strong> <strong>the</strong> tape or film. {F= bobinage à tension<br />

constante; D= ?; Es= tensión de bobinado constante}.<br />

constant <strong>to</strong>rque wind {E} * The resistance applied <strong>to</strong> <strong>the</strong><br />

take-up or supply reel mo<strong>to</strong>r <strong>to</strong> create proper tape or film<br />

tension during rewind or fast forward modes. {F= bobinage<br />

à moment constant; D= ?; Es= <strong>to</strong>rsión de bobinado<br />

constante}.<br />

constant <strong>to</strong>rque winding/spooling {E} * Winding strip film<br />

and/or magnetic tape at a steady, controlled tension <strong>to</strong><br />

eliminate a build-up <strong>of</strong> stress in <strong>the</strong> tape that could cause<br />

deformation. In general, fast winding or rewinding creates<br />

an uneven and steadily increasing tension on <strong>the</strong><br />

tape.(04.) {F= bobinage/enroulement à moment constant;<br />

D= Winkel mit konstanten Drehmoment; Es= <strong>to</strong>rsión de<br />

enrollado-bobinado constante}.<br />

consulta restringida {Es} * see restricted access {E}.<br />

contact copy {E} * 1) A means <strong>of</strong> making copies by holding<br />

a piece <strong>of</strong> sensitized material in direct contact with <strong>the</strong><br />

original document or pho<strong>to</strong>graphic negative during<br />

exposure. 2) The copy resulting from such a procedure;<br />

see also contact print.(01.22.) {F= copie par contact; D=<br />

Kontaktkopie; Es= copia por contac<strong>to</strong>; directa}.<br />

contact paper {E} * A slow speed pho<strong>to</strong>graphic developing<br />

paper giving a positive print when printed in contact with a<br />

negative image.(42.) {F= papier contact; D= Kontaktkopie;<br />

Es= papel de contac<strong>to</strong>; copia por contac<strong>to</strong>}.<br />

contact print {E} * A pho<strong>to</strong>graphic print made by exposing<br />

<strong>the</strong> receiving material while it is held tightly against <strong>the</strong><br />

original images in <strong>the</strong> print. The resulting print is <strong>the</strong> same<br />

size as those in <strong>the</strong> original but with a reversed left-or-right<br />

orientation.(09.) {F= copie tirée par contact; copie contact;<br />

copie par procédé contact; D= Kontaktkopie; Es= copia<br />

por contac<strong>to</strong>}.<br />

contact printing {E} * The reproduction <strong>of</strong> a still- or movingimage<br />

film by placing <strong>the</strong> original in direct physical contact<br />

with <strong>the</strong> pho<strong>to</strong>graphic paper or film s<strong>to</strong>ck.(10.) {F= tirage<br />

par contact; D= Kontaktkopieren; Es= positivado por<br />

contac<strong>to</strong>; tiraje por contac<strong>to</strong>}.<br />

contact tête-bande {F} * see head <strong>to</strong> tape contact {E}.<br />

contac<strong>to</strong> entre cabezal y cinta {Es} * see head <strong>to</strong> tape<br />

contact {E}.<br />

contador {Es} * see register {E}.<br />

contador de fo<strong>to</strong>gramas {Es} * see frame counter {E}.<br />

contador de la longitud en oies {Es} * see footage counter<br />

{E}.<br />

contador de memoria {Es} * see memory counter {E}.<br />

contador índice {Es} * see index counter {E}.<br />

contador índice de cinta {Es} * see tape index counter {E}.<br />

container {E} * Any housing or packaging <strong>of</strong> an item, a<br />

group <strong>of</strong> items, or part <strong>of</strong> an item, which is physically<br />

separable from <strong>the</strong> material housed and is intended <strong>to</strong> be<br />

so separated when <strong>the</strong> contained item is in use. (NB The<br />

box in<strong>to</strong> which a video cassette or cartridge is placed is a<br />

container, a video cassette or cartridge is not a container;<br />

a dust cover <strong>of</strong> a book is a container; <strong>the</strong> binding <strong>of</strong> <strong>the</strong>


ook is not a container.)(12.) {F= contenant; boîte; boîtier;<br />

D= ?; Es= contenedor}.<br />

contaminación {Es} * see contamination {E;F}.<br />

contamination {E;F} * 1) In magnetic tape recording, a thin,<br />

tacky (viscous) deposit on <strong>the</strong> head <strong>to</strong>p surface. This<br />

deposit causes an increase in <strong>the</strong> effective head-<strong>to</strong>-tape<br />

coefficient <strong>of</strong> friction and may not be removable by solvent<br />

cleaning.46. 2) The corruption or pollution <strong>of</strong> an<br />

audiovisual signal by inappropriate or invalid data. {D= ?;<br />

Es= contaminación}.<br />

contenant {F} * see container {E}.<br />

contencioso archivístico {Es} * see conflicting archival<br />

claims {E}.<br />

contencioso archivístico {Es} * see conflicting archival<br />

claims {E}.<br />

contenedor {Es} * see can (1); container; slipcase {E}.<br />

contenedor de almacenamien<strong>to</strong> de grabaciones (discos;<br />

cintas) {Es} * see records centre container/car<strong>to</strong>n {E}.<br />

contenedor de almacenamien<strong>to</strong> de grabaciones (discos;<br />

cintas) {Es} * see records centre container/car<strong>to</strong>n {E}.<br />

contenedor de archivo {Es} * see archives box/container<br />

{E}.<br />

content curve {E} * In moving-image work, a term used by<br />

some critics <strong>to</strong> denote <strong>the</strong> amount <strong>of</strong> time necessary for<br />

<strong>the</strong> average viewer <strong>to</strong> assimilate most <strong>of</strong> <strong>the</strong> meaning <strong>of</strong> a<br />

shot.(30.) {F= les média froid et chaud; D= ?; Es= curva de<br />

capacidad [volumen]<br />

content curve}.<br />

contentieux archivistique {F} * see conflicting archival<br />

claims {E}.<br />

contents note {E} * A compiler's (i.e., cataloger, discfilmographer)<br />

note in a bibliographic record which lists <strong>the</strong><br />

individual parts <strong>of</strong>, segments, etc., <strong>of</strong> a work which is so<br />

divided.(12.) {F= notice catalographique; D= ?; Es= apunte<br />

de contenido}.<br />

contestador {Es} * see transponder {E}.<br />

continuación {Es} * see continuation {E;F}.<br />

continuation {E;F} * 1) A supplement. 2) A part issued in<br />

continuance <strong>of</strong> a monograph, a serial, or a series.03. {D=<br />

Forsetzung; Es= continuación}.<br />

continuidad {Es} * see continuity {E}.<br />

continuité {F} * see continuity {E}.<br />

continuity {E} * In moving-image production, <strong>the</strong> assurance<br />

that details in one shot will match details in ano<strong>the</strong>r, even<br />

though <strong>the</strong> shots may be filmed weeks or months<br />

apart,and keeping detailed records <strong>of</strong> takes.(30.) {F=<br />

continuité; continué; D= Kontinuität; Es= continuidad}.<br />

continuity file {E/C} * see chronological file.<br />

continuous printer {E} * An optical or contact printer for<br />

still- and/or moving-image film in which <strong>the</strong> raw s<strong>to</strong>ck and<br />

<strong>the</strong> processed film move past <strong>the</strong> aperture <strong>of</strong> <strong>the</strong> printer in<br />

a continuous motion.(10.) {F= tireuse continue; D= ?; Es=<br />

impresora continua}.<br />

continuous <strong>to</strong>ne image {E} * A pho<strong>to</strong>graphic image that<br />

contains shades or hues that gradually merge in<strong>to</strong> one<br />

ano<strong>the</strong>r ra<strong>the</strong>r than in half<strong>to</strong>nes.(10.) {F= image<br />

pho<strong>to</strong>graphique à nuances continues; D= ?; Es= imagen<br />

de <strong>to</strong>no continuo}.<br />

58<br />

continuous-flow camera {E} * see rotary camera.<br />

contnedores estándar de cintas audio magnéticas usados<br />

por la NAB {Es} * see NAB-A, -B, -C {E}.<br />

con<strong>to</strong>ur {E;F} * see loudness control.<br />

contracampo {Es} * see reaction shot; reverse angle {E}.<br />

contracción {Es} * see cockle/cockling; shrinkage {E}.<br />

contragarfio {Es} * see registration pin {E}.<br />

contraluz {Es} * see backlighting {E}.<br />

contramarcha {Es} * see reverse motion {E}.<br />

contrast {E} * 1) A term used <strong>to</strong> refer both <strong>to</strong> <strong>the</strong> quality <strong>of</strong><br />

<strong>the</strong> lighting <strong>of</strong> a scene in a moving-image production and<br />

a characteris-tic <strong>of</strong> <strong>the</strong> film s<strong>to</strong>ck. High-contrast lighting<br />

shows a stark difference between blacks and whites (or<br />

dark and light colour <strong>to</strong>nes); low-contrast lighting (or s<strong>of</strong>t<br />

contrast lighting) mainly emphasizes <strong>the</strong> mid-range <strong>of</strong><br />

grays; see gamma. 2) The density range <strong>of</strong> a piece <strong>of</strong><br />

negative or print film. The brightness range <strong>of</strong> <strong>the</strong> lighting<br />

on a subject or <strong>the</strong> scene.(30.22.) 3) The range <strong>of</strong> light and<br />

dark values in a video picture, or <strong>the</strong> ratio between <strong>the</strong><br />

maximum and minimum brightness values. Sometimes<br />

expressed as <strong>the</strong> contrast ratio.{F= contraste; D= Kontrast;<br />

Es= contraste}.<br />

contrast ratio {E} * The brightness ratio <strong>of</strong> <strong>the</strong> brightest and<br />

darkest areas <strong>of</strong> <strong>the</strong> video image. {F= facteur de contraste;<br />

D= ?; Es= gama de contrastes}.<br />

contraste (grado de) {Es} * see lighting contrast ratio {E}.<br />

contraste {Es;F} * see contrast; lighting contrast ratio {E}.<br />

contraste élevé {F} * see high contrast {E}.<br />

contraste medio {Es} * see medium contrast {E}.<br />

contraste normal {Es;F} * see medium contrast {E}.<br />

contrasté {F} * see hard {E}.<br />

contratipo {Es} * see dupe negative; dupe positive {E}.<br />

contre réaction {F} * see feedback {E}.<br />

contre-cache {F} * see matte shot {E}.<br />

contre-champ {F} * see over-<strong>the</strong>-shoulder shot; reverse<br />

angle {E}.<br />

contre-griffe {F} * see registration pin {E}.<br />

contrechamp {F} * see reaction shot {E}.<br />

contrefaçon {F} * see counterfeit {E}.<br />

contrefaire {F} * see infringe {E}.<br />

contretype {F} * see dupe (duplicate) {E}.<br />

contretype négatif {F} * see dupe negative; intermediate<br />

negative {E}.<br />

contretype positif {F} * see dupe positive {E}.<br />

contretypes {F} * see duping material {E}.<br />

contretypes {F} * see duping material {E}.<br />

control au<strong>to</strong>mático de frecuencia {Es} * see au<strong>to</strong>matic<br />

frequency control (afc) {E}.


control au<strong>to</strong>mático de ganancia {Es} * see au<strong>to</strong>matic gain<br />

control (agc) {E}.<br />

control au<strong>to</strong>mático de la tensión del blanco {Es} * see<br />

au<strong>to</strong>matic target control {E}.<br />

control de calidad {Es} * see quality control (QC) {E}.<br />

control de da<strong>to</strong>s {Es} * see checksum {E}.<br />

control de los valores de luminosidad de una cinta<br />

mediante papel perforado {Es} * see tape setting {E}.<br />

control de pausa {Es} * see pause control {E}.<br />

control de rebobinado (rápido) {Es} * see rewind control<br />

{E}.<br />

control de sonoridad {Es} * see loudness control {E}.<br />

control de <strong>to</strong>no {Es} * see <strong>to</strong>ne control {E}.<br />

control manual de luz (artificial) {Es} * see trim setting {E}.<br />

control strip {E} * A strip <strong>of</strong> film that has been exposed <strong>to</strong><br />

a stepped density scale under tightly controlled conditions.<br />

Such strips are processed with regular production films<br />

and compared with a reference strip with a densi<strong>to</strong>meter<br />

as a check on <strong>the</strong> quality <strong>of</strong> <strong>the</strong> process. Control strips for<br />

colour processing <strong>of</strong>ten include colour patches; see also<br />

cinex.(09.) {F= bande témoin; (sensi<strong>to</strong>); D= ?; Es= tira de<br />

control}.<br />

control track {E} * A series <strong>of</strong> equally spaced identical<br />

electronic "pulses" that are recorded on a videotape and<br />

used <strong>to</strong> synchronize <strong>the</strong> VTR machine. It is used as a<br />

playback reference and causes <strong>the</strong> video playback head<br />

<strong>to</strong> align itself with <strong>the</strong> beginning <strong>of</strong> each video track. One<br />

control track pulse occurs for each revolution <strong>of</strong> <strong>the</strong> head<br />

scanner. It is <strong>the</strong> electronic equivalent <strong>of</strong> an "electronic<br />

sprocket hole." {F= piste d'asservissement; D= ?; Es=<br />

pista [grabación] de control}.<br />

Control Au<strong>to</strong>mático de Frecuencia {Es} * see AFC {E}.<br />

Control Au<strong>to</strong>mático de Ganancia {Es} * see AGC {E}.<br />

controlado por menú {Es} * see menu-driven {E}.<br />

controlador de edi<strong>to</strong>r de vídeo {Es} * see back-space edi<strong>to</strong>r<br />

{E}.<br />

contrôle (de la) qualité (CQ) {F} * see quality control (QC)<br />

{E}.<br />

contrôle {F} * see moni<strong>to</strong>r {D;E}.<br />

contrôle au<strong>to</strong>matique de fréquence {F} * see au<strong>to</strong>matic<br />

frequency control (afc) {E}.<br />

contrôle au<strong>to</strong>matique de gain {F} * see au<strong>to</strong>matic gain<br />

control (agc) {E}.<br />

contrôle au<strong>to</strong>matique de tension de la cible {F} * see<br />

au<strong>to</strong>matic target control {E}.<br />

contrôle de lumière pendant tirage film sur papier {F} * see<br />

tape setting {E}.<br />

contrôle du gain d'entrée {F} * see ride {E}.<br />

convergence {E;F} * The intersecting <strong>of</strong> <strong>the</strong> three pictures<br />

<strong>of</strong> which most colour video images are made. If <strong>the</strong> three<br />

do not properly converge <strong>the</strong>y produce blurred or haloed<br />

images, as when a white object appears <strong>to</strong> have coloured<br />

outlines.(35.) {F= convergent; D= ?; Es= convergencia}.<br />

convergencia {Es} * see convergence {E}.<br />

59<br />

convergencia au<strong>to</strong>mática {Es} * see au<strong>to</strong> framing {E}.<br />

conversion en caractères Romains {F} * see Romanization<br />

{E}.<br />

conversion rétrospective {F} * see retrospective conversion<br />

(RECON) {E}.<br />

conversión de la imagen {Es} * see image transform {E}.<br />

conversión retrospectiva {Es} * see retrospective<br />

conversion (RECON) {E}.<br />

convertidor Analógico a Digital {Es} * see DA {E}.<br />

convertidor de analógico a digital {Es} * see digital-<strong>to</strong>analogue<br />

converter (DAC)(DA) {E}.<br />

convertidor de da<strong>to</strong>s analógicos en da<strong>to</strong>s numéricos {Es}<br />

* see analogue <strong>to</strong> digital converter (ad)(adc) {E}.<br />

convertidor de normas {Es} * see standards converter {E}.<br />

convertidor de resistencias ponderadas {Es} * see<br />

weighted resis<strong>to</strong>r converter {E}.<br />

convertidor digital a analógico de adaptación de elemen<strong>to</strong>s<br />

dinámicos {Es} * see dynamic element matching digital-<strong>to</strong>analogue<br />

converter {E}.<br />

Convertidor de Analógico a Digital {Es} * see Digital<br />

Analogue Converter {E}.<br />

Convertidor Digital a Analógico {Es} * see DAC {E}.<br />

convertisseur à résistance pondérée {F} * see weighted<br />

resis<strong>to</strong>r converter {E}.<br />

convertisseur analogique numérique {F} * see analogue <strong>to</strong><br />

digital converter (ad)(adc) {E}.<br />

convertisseur analogique numérique dynamique {F} * see<br />

dynamic element matching digital-<strong>to</strong>-analogue converter<br />

{E}.<br />

convertisseur analogique numérique dynamique {F} * see<br />

dynamic element matching digital-<strong>to</strong>-analogue converter<br />

{E}.<br />

convertisseur numérique analogique {F} * see Digital<br />

Analogue Converter {E}.<br />

convertisseur numérique-analogique {F} * see digital-<strong>to</strong>analogue<br />

converter (DAC)(DA) {E}.<br />

cookie {E} * see cucolouris. {E}.<br />

cool and hot media {E} * Marshal McLuhan's term <strong>to</strong><br />

indicate <strong>the</strong> relative degree <strong>of</strong> audience involve-ment in<br />

varying media.(30.) {D= ?; Es= niveles de audiencia; F= ?}.<br />

cooperación {Es} * see co-operation/in association with<br />

coopération/en association avec {F} * see co-operation/in<br />

association with {E}.<br />

coordenadas de cromaticidad según normas CIE {Es} *<br />

see CIE chromaticity coordinates {E}.<br />

coordonnées chromatiques (normes CIE) {F} * see CIE<br />

chromaticity coordinates {E}.<br />

copeau {F} * see chip; swarf {E}.<br />

copia (de) espejo {Es} * see mirror master {E}.<br />

copia (positivo) por contac<strong>to</strong> {Es} * see direct positive {E}.


copia {Es} * see copy; print {E}.<br />

copia coloide {Es} * see pigment print {E}.<br />

copia de consulta {Es} * see reference copy {E}.<br />

copia de explotación {Es} * see release print {E}.<br />

copia de montaje {Es} * see answer print {E}.<br />

copia de papel {Es} * see hardcopy {E}.<br />

copia de preservación {Es} * see preservation copy;<br />

preservation transfer copy {E}.<br />

copia de primera generación (cinta de vídeo) {Es} * see<br />

camera original protection dupe videotape {E}.<br />

copia de referencia {Es} * see reference copy; reference<br />

print {E}.<br />

copia de seguridad {Es} * see backup copy; protection<br />

master (2); security copy {E}.<br />

copia de trabajo {Es} * see work print {E}.<br />

copia de un positivo original para tirar copias {Es} * see<br />

printing dupe {E}.<br />

copia de visionado {Es} * see viewing copy {E}.<br />

copia del negativo {Es} * see dupe negative {E}.<br />

copia del positivo {Es} * see dupe positive; print (1)(2){E}.<br />

copia en papel {Es} * see hardcopy {E}.<br />

copia estandar {Es} * see composite {E}.<br />

copia fo<strong>to</strong>gráfica {Es} * see copy print {E}.<br />

copia fresca {Es} * see green film {E}.<br />

copia humeda {Es} * see liquid gate printing {E}.<br />

copia húmeda . {Es} * see liquid gate printing {E}.<br />

copia inducida {Es} * see print-through {E}.<br />

copia master de protección {Es} * see protection master<br />

(1) {E}.<br />

copia matriz de seguridad {Es} * see safety master {E}.<br />

copia negativa {Es} * see copy negative {E}.<br />

copia óptica {Es} * see optical printing {E}.<br />

copia original {Es} * see original print {E}.<br />

copia original para tirar copias {Es} * see<br />

printing/duplicating master {E}.<br />

copia para consulta {Es} * see service copy {E}.<br />

copia por contac<strong>to</strong> {Es} * see contact copy; contact paper;<br />

direct positive; contact print {E}.<br />

copia positiva {Es} * see positive copy {E}.<br />

copia positiva definitiva {Es} * see fine cut {E}.<br />

copia termográfica {Es} * see <strong>the</strong>rmographic copy {E}.<br />

copia tipo {Es} * see married print {E}.<br />

copiadora {Es} * see printer (1) {E}.<br />

60<br />

copiadora de contac<strong>to</strong> {Es} * see step printer {E}.<br />

copiados {Es} * see non-print materials {E}.<br />

copie .{F}. see dub .{E}.<br />

copie (distribution/commercialisation) {F} * see issue {E}.<br />

copie {F} * see copy; dub; dupe (duplicate); print {E}.<br />

copie contact {F} * see contact print {E}.<br />

copie d'écran {F} * see hardcopy {E}.<br />

copie d'essai {F} * see checkprint {E}.<br />

copie d'exploitation (standard ou de série) {F} * see<br />

release print {E}.<br />

copie d'utilisation {F} * see service copy {E}.<br />

copie de conservation (duplicatat de conservation) {F} *<br />

see preservation transfer copy {E}.<br />

copie de conservation (qui remplace l'original) {F} * see<br />

preservation transfer copy {E}.<br />

copie de conservation {F} * see preservation copy;<br />

preservation transfer copy {E}.<br />

copie de dépôt (copyright) {F} * see deposit copy<br />

(copyright) {E}.<br />

copie de première génération {F} * see camera original<br />

protection dupe videotape {E}.<br />

copie de réference {F} * see reference copy; reference<br />

print {E}.<br />

copie de securité {F} * see backup copy; protection<br />

master; security copy {E}.<br />

copie de service {F} * see service duplicate {E}.<br />

copie de travail {F} * see work print {E}.<br />

copie de visionnement {F} * see viewing copy {E}.<br />

copie étalon {F} see answer print {E}.<br />

copie fraîche {F} * see green film {E}.<br />

copie négative .{F} see copy negative .{E}.<br />

copie négative {F} * see copy negative {E}.<br />

copie neuve {F} * see green film {E}.<br />

copie papier {F} * see hardcopy {E}.<br />

copie par contact {F} * see contact copy {E}.<br />

copie positive (non stabilisée) {F} * see green film {E}.<br />

copie positive {F} * see positive copy {E}.<br />

copie pour tirage {F} * see printing dupe; printing dupe<br />

videotape {E}.<br />

copie standard {F} * see composite; married print {E}.<br />

copie <strong>the</strong>rmographique {F} * see <strong>the</strong>rmographic copy {E}.<br />

copie tirée par contact {F} * see contact print {E}.<br />

copie zéro (copie étalon) {F} * see answer print; checkprint<br />

{E}.


copies {F} * see duping material {E}.<br />

copión {Es} * see rushes {E;F}.<br />

copis impresa {Es} * see hardcopy {E}.<br />

coproduction {F} * see co-production {E}.<br />

coproduction internationale {F} * see international coproduction<br />

{E}.<br />

coproduc<strong>to</strong>r {Es} * see sponsor {E}.<br />

copulant {F} * see coupler {E}.<br />

copy {E} * A duplication <strong>of</strong> a document, which may, itself,<br />

be ei<strong>the</strong>r an original or a copy; <strong>the</strong> duplicate may be<br />

prepared simultaneously with or separately from <strong>the</strong><br />

creation <strong>of</strong> <strong>the</strong> item copied; <strong>the</strong> copy is usually identified by<br />

function or by method <strong>of</strong> creation, i.e., preservation<br />

transfer, contact copy.(22.23.12.) In archival moving-image<br />

cataloguing <strong>the</strong> term has been defined quite specifically <strong>to</strong><br />

mean 'an item which is a duplicate in every physical<br />

characteristic or which varies only in duration, and <strong>the</strong><br />

variation is minor'. 12. {D= Kopie; Abschrift; Es= copia; F=<br />

copie}.<br />

copy negative {E} * A copy negative, ei<strong>the</strong>r still- or movingimage,<br />

made by pho<strong>to</strong>graphing o<strong>the</strong>r pho<strong>to</strong>graphic<br />

material. {D= ?; Es= copia negativa; F= négatif; copie<br />

négative}.<br />

copy print {E} * A pho<strong>to</strong>graphic print.10. {D= ?; Es= copia<br />

fo<strong>to</strong>gráfica; F= tirage pho<strong>to</strong>graphique}.<br />

copy status (generation) {E} * The collective name for<br />

terms used <strong>to</strong> differentiate original material and successive<br />

copies. The more generations away from <strong>the</strong> original<br />

source document an analogue copy is <strong>the</strong> greater will be<br />

<strong>the</strong> degradation in quality <strong>of</strong> image and/or sound; see also<br />

generation.(12.) {D= ?; Es= categoría de una copia<br />

[generación]; F= génération (statut de la copie)}.<br />

copyright {E;F} * The right vested by law in <strong>the</strong> crea<strong>to</strong>r <strong>of</strong><br />

a document, her/his/<strong>the</strong>ir heirs or assignees <strong>to</strong> publish or<br />

reproduce it or <strong>to</strong> authorize publication or reproduction<br />

<strong>the</strong>re<strong>of</strong>.22.23. {D= Copyright; Urheberrecht; Es=<br />

derechode propiedad intelectual; derechos de au<strong>to</strong>r; F=<br />

droits d'auteur; propriété littéraire}.<br />

copyright deposit {E} * see deposit copy (copyright).<br />

copyright registration {E} * In <strong>the</strong> U.S., <strong>the</strong> public record <strong>of</strong><br />

ownership <strong>of</strong> copyright.(12.) {D= ?; Es= registro de los<br />

derechos de au<strong>to</strong>r; F= enregistrement de copyright}.<br />

Copyright {D} * see copyright {E;F}.<br />

coquille {F} * see head shell {E}.<br />

cordon de connexion {F} * see patch plug {E}.<br />

cordon de raccordement {F} * see patch cord {E}.<br />

cordón de alimentación {Es} * see power cord {E}.<br />

cordón de conmutación {Es} * see patch cord {E}.<br />

cordón de extensión y empalme {Es} * see patch cord {E}.<br />

cordón de interconexión {Es} * see patch cord {E}.<br />

cordón de transformación {Es} * see patch cord {E}.<br />

core {E} * 1) A cylindrical shaped object, usually metal or<br />

plastic, on which magnetic tape and film is wound for<br />

transport and s<strong>to</strong>rage. It may have flanges attached <strong>to</strong><br />

ensure that <strong>the</strong> film/tape wound around it does not slip <strong>of</strong>f.<br />

61<br />

Synonymous with hub. 2) The basic support or central<br />

layer <strong>of</strong> material in a laminated disc or cylinder; in lacquer<br />

discs, for example, it can be metal, glass, or fibre.(04.) {D=<br />

Kern; Bobby; Filmkern; Es= 1) obje<strong>to</strong> cilíndrico para<br />

enrollar cintas; 2) núcleo de un disco laminado;<br />

núcleoF/B= noyau; ; F= 1) noyau 2) âme; moyeu}.<br />

core set {E} * The tendency for strips <strong>of</strong> materials, such as<br />

film or tape, <strong>to</strong> remain curled after unwinding from a core,<br />

reel, or o<strong>the</strong>r cylindrical holder.01. {D= ?; Es= quedar en<br />

forma de rollo; F= déformation en enroulement}.<br />

corporación {Es} * see corporate body {E}.<br />

corporate body {E} * An organization or group <strong>of</strong> persons<br />

that is identified by a particular name and that acts, or may<br />

act, as an entity.12. {D= ?; Es= corporación; F=<br />

corporation}.<br />

corporation {F} * see corporate body {E}.<br />

corrección de abertura {Es} * see aperture correction<br />

corrección de error {Es} * see error correction {E}.<br />

corrección de la caída de desprendimien<strong>to</strong> {Es} * see<br />

dropout correction {E}.<br />

corrección de la caída de señal {Es} * see dropout<br />

correction {E}.<br />

corrección del color con circui<strong>to</strong>s electrónicos {Es} * see<br />

colour correction {E}.<br />

corrección del color mediante filtros {Es} * see colour<br />

corrección gamma {Es} * see gamma correction {E}.<br />

correcteur de base de temps {F} * see time-base correc<strong>to</strong>r<br />

{D;E}.<br />

correcteur de couleur {F} * see colour correc<strong>to</strong>r {E}.<br />

correction {F} * see equalization (EQ) {E}.<br />

correction code {E} * see cross interleave Reed-Solomon<br />

code.<br />

correction d'erreurs {F} * see error correction {E}.<br />

correction d'ouverture {F} * see aperture correction {E}.<br />

correction de con<strong>to</strong>ur {F} * see aperture correction {E}.<br />

correction de couleur {F} * see colour correction {E}.<br />

correction de perte de niveau {F} * see dropout correction<br />

{E}.<br />

correction de spectre sonore {F} * see loudness control<br />

{E}.<br />

correction filters {E} * In moving-image and pho<strong>to</strong>graphic<br />

work, a screening device for portions <strong>of</strong> <strong>the</strong> light scale<br />

which accommodates <strong>the</strong> diverse sensitivities <strong>of</strong> various<br />

image capturing media (i.e., panchromatic film's high<br />

sensitivity <strong>to</strong> both ultraviolet and blue radiation) and<br />

overcomes <strong>the</strong> apparent lack and/or over abundance <strong>of</strong><br />

specific portion/s <strong>of</strong> <strong>the</strong> colour chart, producing an image<br />

closer <strong>to</strong> that as seen by <strong>the</strong> human eye.(09.) {D= ?; Es=<br />

filtros correc<strong>to</strong>res [de corrección]; F= filtres de correction<br />

(chromatique)}.<br />

correc<strong>to</strong>r de base de tiempo {Es} * see time-base correc<strong>to</strong>r<br />

{D;E}.<br />

correc<strong>to</strong>r de color {Es} * see colour correc<strong>to</strong>r {E}.


corriente de (transferencia) de bits {Es} * see bit stream<br />

{E}.<br />

corriente de polarización {Es} * see bias {E}.<br />

corrimien<strong>to</strong> de colour {Es} * see bleed {E}.<br />

corrimien<strong>to</strong> del color {Es} * see bleed {E}.<br />

corrosion stain {E} * The stain left by rust.24. {D=<br />

Rostfleck; Es= mancha de herrumbre mancha de<br />

herrumbre [por corrosión]; F= rouille}.<br />

cortar {Es} * see truncate {E}.<br />

cortar al través {Es} * see cross-cut {E}.<br />

corte {Es} * see cut; notch {E}.<br />

corte de imagen en un negativo {Es} * see cropping {E}.<br />

corte de un lado a otro {Es} * see cutting through {E}.<br />

corte de una cámara a otra {Es} * see take (3) {D;E}.<br />

corte invisible {Es} * see match cut {E}.<br />

corte vertical {Es} * see vertical cut {E}.<br />

cortes de actualidades {Es} * see news clip {E}.<br />

cortes de noticias de actualidades {Es} * see news clip {E}.<br />

cortinilla {Es} * see wipe {E}.<br />

cor<strong>to</strong>metraje {Es} * see short {E}.<br />

coste de reemplazamien<strong>to</strong> {Es} * see replacement cost<br />

{E}.<br />

coste de sustitución {Es} * see replacement cost {E}.<br />

côté {F} * see edge {E}.<br />

côté mate {F} * see emulsion side {E}.<br />

côté mate {F} * see emulsion side {E}.<br />

couche anti-halo {F} * see backing {E}.<br />

couche d'émulsion {F} * see emulsion layer {E}.<br />

couche d'enregistrement {F} * see recording layer {E}.<br />

couche d'estampage {F} * see stamping foil {E}.<br />

couche de protection {F} * see protective layer {E}.<br />

couche dorsale {F} * see back coating {E}.<br />

couche gravée {F} * see coating {E}.<br />

couche magnétique {F} * see coating {E}.<br />

couleur {F} * see colour {E}.<br />

couleur d'image {F} * see image colour {E}.<br />

couleur par soustraction {F} * see subtractive colour {E}.<br />

couleurs primaires additives {F} * see additive colour {E}.<br />

couleurs primaires soustractives {F} * see subtractive<br />

colour {E}.<br />

couleurs secondaires {F} * see secondary colours {E}.<br />

couloir {F} * see channel; gate {E}.<br />

62<br />

countercurrent wash {E} * In film processing, rinse water<br />

that is flowing through several interconnected tanks in <strong>the</strong><br />

opposite direction <strong>to</strong> that in which <strong>the</strong> film is travelling. The<br />

inlet pipe is usually situated near <strong>the</strong> bot<strong>to</strong>m <strong>of</strong> <strong>the</strong> tank<br />

and <strong>the</strong> overflow at <strong>the</strong> water line near <strong>the</strong> film entrance<br />

area.(09.) {D= ?; Es= lavado de contracorriente; F=<br />

lavage; rinçage à contre-courant}.<br />

counterfeit {E} * The unauthorized duplication <strong>of</strong> both <strong>the</strong><br />

sound, or picture and sound, and <strong>the</strong> associated original<br />

artwork, label, trademark, and packaging <strong>of</strong> a legitimate<br />

sound recording, still- or moving-image production; see<br />

also piracy; bootleg. {D= ?; Es= falsificado; falsificación;<br />

F= contrefaçon; contrefait}.<br />

country <strong>of</strong> origin {E} * The nation or nations where <strong>the</strong><br />

principal <strong>of</strong>fices <strong>of</strong> <strong>the</strong> production company (or companies)<br />

<strong>of</strong> an audiovisual production are located.(12.) {D=<br />

Ursprungsland; Herkunftsland; Es= país de origen; F=<br />

pays d'origine}.<br />

country <strong>of</strong> production {E} * see country <strong>of</strong> origin.<br />

coup de gouge {F} * see gouge {E}.<br />

coupe {F} * see cut; slitting {E}.<br />

coupe de montage {F} * see cut editing {E}.<br />

coupe en travers * see cross-cut {E}.<br />

coupe sêche {F} * see cut {E}.<br />

coupe sêche {F} * see cut {E}.<br />

coupe-flux {F} * see barn doors {E}.<br />

couper {F} * see cut {E}.<br />

couplage {F} * see interlock {E}.<br />

couplage de pixels {F} * see pixel pairing {E}.<br />

couplagé {E} * see interlock {E}.<br />

coupler {E} * A chemical incorporated in <strong>the</strong> emulsion <strong>of</strong><br />

colour film s<strong>to</strong>cks which produces a dye image associated<br />

with <strong>the</strong> developed silver image.09. {D= Kuppler; Es=<br />

acoplador; componente; F= copulant}.<br />

coupure {F} * see cut {E}.<br />

coupure {F} * see cut {E}.<br />

coupure non sensible {F} * see match cut {E}.<br />

courbe caractéristique {F} * see characteristic curve {E}.<br />

courbe caractéristique pondérée {F} * see weighting<br />

characteristic {E}.<br />

courbe d'hystérésis {F} * see hysteresis loop {E}.<br />

courbe de densité spectrale des colorants {F} * see<br />

spectral dye density curve {E}.<br />

courbe de sensibilité spectrale {F} * see spectral sensitivity<br />

curve {E}.<br />

courbe de transfert de modulation {F} * see modulationtransfer<br />

curve {E}.<br />

courbe H et D {F} * see H&D curve {E}.<br />

courbe Nab {F} * see NAB curve {E}.<br />

courbe sensi<strong>to</strong>métrique {F} * see characteristic curve; H&D<br />

curve {E}.


courbe temps-gamma {F} * see time-gamma curve {E}.<br />

courbure .{F}. see curl/curling .{E}.<br />

courbure {F} * see curl/curling {E}.<br />

courbure longitudinale {F} * see longitudinal curvature {E}.<br />

courroie de transmission {F} * see belt {E}.<br />

cours {F} * see fair market value {E}.<br />

court extrait {F} * see clips {E}.<br />

court métrage {F} * see short {E}.<br />

coût de remplacement {F} * see replacement cost {E}.<br />

couverture nationale {F} * see domestic record {E}.<br />

couverture nationale {F} * see domestic record {E}.<br />

cover {E} * The outer protective housing <strong>of</strong> containers for<br />

materials (i.e., Lp record jackets). {D= Cover; Hülle;<br />

Umschlag; Plattentasche; Außenhülle; Es= cubierta<br />

cover shot {E} * see master shot.<br />

Cover {D} * see cover; slipcase {E}.<br />

cover; F= craquelure}.<br />

Covertext {D} * see liner notes {E}.<br />

CPI {E} * acronym for characters per inch.<br />

CPS {E} * acronym for cycles per second; see also Hertz.<br />

CPU {E} * acronym for central processing unit.<br />

CR {E} * acronym for created roll.<br />

crack; cracking {E} * 1) Commonly used defect term for<br />

audiovisual media, refers <strong>to</strong> a complete fissure through <strong>the</strong><br />

entire recording surface, visible on both sides <strong>of</strong> disc and<br />

cylinder recordings, and will cause noticeable dis<strong>to</strong>rtion or<br />

faulty tracking in data retrieval. A patina crack is a smaller<br />

fissure which does not penetrate through <strong>the</strong> data surface,<br />

but probably causes a break in <strong>the</strong> modulated groove <strong>of</strong><br />

grooved materials.04. 2) In magnetic tape recording, a<br />

narrow, deep break in <strong>the</strong> head surface material.07. {D=<br />

Riss; Es= grieta; F= craquelure}.<br />

cracking {Es} * see crackle {E}.<br />

crackle {E} * The dis<strong>to</strong>rted sound created usually because<br />

<strong>of</strong> a buildup <strong>of</strong> electrostatic charge on <strong>the</strong> surface <strong>of</strong> a<br />

sound recording, but, also, because <strong>of</strong> dust or foreign<br />

material permanently embedded in <strong>the</strong> grooves, or on <strong>the</strong><br />

surface <strong>of</strong> <strong>the</strong> tape.04. {D= Kracks; Es= crujido; F= ?}.<br />

cradle {E} * A rack or stand that supports materials for<br />

micr<strong>of</strong>ilm-ing in a position so that pages or leaves are<br />

open flat and parallel <strong>to</strong> <strong>the</strong> focal plane <strong>of</strong> <strong>the</strong> camera.(07.)<br />

{D= ?; Es= cuna; F= berceau (fixation des micr<strong>of</strong>ilms);<br />

support d'objectif; berceau}.<br />

crane shot {E} * As <strong>the</strong> phrase indicates, a shot taken from<br />

a crane, which resembles <strong>the</strong> 'cherry-pickers' used by <strong>the</strong><br />

telephone and electric company <strong>to</strong> repair lines.30. {D= ?;<br />

Es= <strong>to</strong>ma desde una grúa; F= plan grue}.<br />

crank handle {E} * The device used <strong>to</strong> wind <strong>the</strong> driving<br />

spring on a spring powered machine. {D= Kurbel; Es=<br />

mango de manivela; F= manivelle}.<br />

craquelado {Es} * see crazing {E}.<br />

craquelé {F} * see crazing {E}.<br />

63<br />

craquelure {F} * see crack; cracking {E}.<br />

craquement {F} * see crackle {E}.<br />

Crawford UV moni<strong>to</strong>r type 760 {E} * A light moni<strong>to</strong>r which<br />

measures <strong>the</strong> proportion <strong>of</strong> ultraviolet radiation <strong>to</strong> visible<br />

light coming from a light source; see also UV moni<strong>to</strong>r. {D=<br />

?; Es= medidor de ultravioleta modelo Crawford 760; F=<br />

appareil de mesure UV Crawford type 760}.<br />

crazing {E} * The deformation <strong>of</strong> a surface, such as <strong>the</strong><br />

coating layer <strong>of</strong> a laminated disc or film, through cracking;<br />

can be caused by loss <strong>of</strong> plasticizer, by excess heat and/or<br />

humidity, etc.04. {D= Zerreissen; Es= craquelado; F=<br />

craquelé}.<br />

CRC {E} * acronym for cyclic redundancy check character.<br />

creación de frecuencias no deseadas {Es} * see aliasing<br />

(1) {E}.<br />

crease {E} * 1) A film or tape deformity remaining after a<br />

fold has been corrected. 2) The image degradation<br />

resulting from such damage.(06.) {D= Banddeformation;<br />

Es= 1) pliegue; 2) daño hecho a una imagen; arrugas; F=<br />

1) plis 2) barre; déformation due à l'enroulement}.<br />

created roll (CR) {E} * Commonly used designa<strong>to</strong>r in<br />

bibliographic listing for audio and moving-images<br />

(discographies, filmographies) <strong>to</strong> indicate that a named<br />

performer was <strong>the</strong> first performer <strong>of</strong> <strong>the</strong> work cited.(04.)<br />

{D= ?; Es= registro []grabación] de los intérpretes<br />

principales; F= liste de premiers interprètes}.<br />

credit sequence {E} * In a moving-image production <strong>the</strong><br />

sequences or succession <strong>of</strong> frames or images upon which<br />

titles and cast/credit functions --<strong>to</strong>ge<strong>the</strong>r with <strong>the</strong> names <strong>of</strong><br />

persons performing those function-- are placed. Credit<br />

sequences may occur before, during, and/or after <strong>the</strong> main<br />

action <strong>of</strong> <strong>the</strong> production.(12.) {D= ?; Es= títulos de crédi<strong>to</strong>;<br />

F= générique}.<br />

crédi<strong>to</strong>s {Es} * see credits {E}.<br />

credits {E;F} * 1) In its broadest sense, <strong>the</strong> audible or<br />

visible recognition, ei<strong>the</strong>r on <strong>the</strong> carrier or on<br />

accompanying materials (covers, inserts, etc.) <strong>of</strong> <strong>the</strong><br />

identities <strong>of</strong> those responsible for <strong>the</strong> performance and/or<br />

production. 2) In moving-image production a broad<br />

distinction is made between cast and credits by defining<br />

cast as those in front <strong>of</strong> <strong>the</strong> camera, or performers in a<br />

musical production, and credits as those behind <strong>the</strong><br />

camera.(12.) {D= Namensvorspann; Es= crédi<strong>to</strong>s; ficha<br />

artística; ficha artística; F= générique}.<br />

creep {E} * 1) The physical deformation <strong>of</strong> disc recordings<br />

due <strong>to</strong> continuous load pressure ei<strong>the</strong>r from improper<br />

s<strong>to</strong>rage or from <strong>the</strong> force <strong>of</strong> gravity; resulting in both<br />

surface imprint from packaging materials, which can impair<br />

fidelity by <strong>the</strong> deformation <strong>of</strong> <strong>the</strong> groove walls, and disc<br />

warpage. 2) In magnetic tape, time dependent strain (such<br />

as curling or longitudinal curvature) at constant stress<br />

causing tape deformation; creep remains even after<br />

removal <strong>of</strong> tension; caused by improper winding and<br />

s<strong>to</strong>rage.04. 3) The movement <strong>of</strong> magnetic tape past <strong>the</strong><br />

head at a speed different from normal.(10.) {D= 1) ?; 2) ?;<br />

3) Schlupf; Es= deformación de las cintas con grabaciones<br />

debidas a la presión y la tensión; F= glissement; (creeping<br />

: flottement)}.<br />

creeping : flottement {F} * see creep {E}.<br />

crénelage {F} * see aliasing {E}.<br />

crepitación {Es} * see chatter {E}.<br />

crépitement {F} * see crackle {E}.


crépitement {F} * see crackle {E}.<br />

cresta {Es} * see peak {E}.<br />

cresta del blanco {Es} * see peak white {E}.<br />

crête {F} * see peak {E}.<br />

crête de blanc {F} * see peak white {E}.<br />

CRI {E} * acronym for 1) colour reversal intermediate film;<br />

2) colour reversal internegative.<br />

crissement {F} * see squeal; tape squeal {E}.<br />

critales polarizados {Es} * see polarized glasses {E}.<br />

crochet {F} * see hanger (?) {E}.<br />

croma (nivel de color) {Es} * see chroma {E}.<br />

cromaticidad {Es} * see chromaticity {E}.<br />

cromatismo {Es} * see chromaticity {E}.<br />

crominancia {Es} * see chrominance {E}.<br />

crónica especial {Es} * see feature (2); feed nut (2) {E}.<br />

cronometrador (operario) {Es} * see timer (2) {E}.<br />

crop {E} * 1) To trim <strong>the</strong> edges <strong>of</strong> a picture by moving <strong>the</strong><br />

camera closer <strong>to</strong> <strong>the</strong> subject. 2) To trim a pho<strong>to</strong>graph <strong>to</strong><br />

<strong>the</strong> desired aspect ration; see also cropping.(10.) {D= ?;<br />

Es= recortar; F= découpe; recadrage; <strong>to</strong>ndre}.<br />

cropping {E} * printing only <strong>the</strong> part <strong>of</strong> <strong>the</strong> image that<br />

appears in <strong>the</strong> negative; <strong>the</strong> original pho<strong>to</strong>graph is not<br />

physically altered. Cropping marks and instructions are<br />

<strong>of</strong>ten written directly on prints.(43.) {D= ?; Es= corte de<br />

imagen en un negativo; F= dé<strong>to</strong>urage}.<br />

cross hatch {E} * A video test signal that displays<br />

horizontal and vertical lines that can be used <strong>to</strong> determine<br />

if a video moni<strong>to</strong>r is dis<strong>to</strong>rting <strong>the</strong> video image. Also called<br />

linearity, such dis<strong>to</strong>rtion might include pin cushioning and<br />

keys<strong>to</strong>ning which are caused by misalignment <strong>of</strong>f <strong>the</strong> video<br />

picture tube. cross pulse. A video moni<strong>to</strong>r display that<br />

shows both <strong>the</strong> horizontal and vertical blanking periods.<br />

also known as Pulse Cross. {D= ?; Es= trama cruzada; F=<br />

mire de dis<strong>to</strong>rsion}.<br />

cross-cut {E} * In moving-image productions, intermingling<br />

<strong>the</strong> shots <strong>of</strong> two or more scenes <strong>to</strong> suggest parallel<br />

action.30. {D= ?; Es= cortar al través; F= montage alterné;<br />

coupe en travers}.<br />

cross-head {E} * A small metal part on a cylinder<br />

reproducer or recorder, in <strong>the</strong> main those <strong>of</strong> <strong>the</strong> Edison<br />

Co., which was glued <strong>to</strong> <strong>the</strong> centre diaphragm or passed<br />

through a hole in its center. It had a small eye for <strong>the</strong> wire<br />

link connec<strong>to</strong>r from <strong>the</strong> stylus bar.(14.) {D= ?; Es= pieza<br />

metálica en los cilindros desarrollados por Edison; F=<br />

fixation de diaphragme}.<br />

cross-interleave Reed-Solomon code (CIRC) {E} * An error<br />

correction code developed for CDs which makes it<br />

possible for a CD machine <strong>to</strong> detect and correct and/or<br />

conceal large burst errors <strong>of</strong> up <strong>to</strong> 4,000 bits/12,304 data<br />

bits (2.5-mm <strong>of</strong> track); see also error correction.(10.) {D=<br />

?; Es= código Reed-Solomon de corrección de errores en<br />

discos compac<strong>to</strong>s; F= code Reed-Solomon à<br />

entrelacement croisé}.<br />

cross-linking {E} * In polyvinyl chloride (vinyl) <strong>the</strong> binding<br />

<strong>to</strong>ge<strong>the</strong>r <strong>of</strong> adjacent chain molecules by primary valence<br />

bonds which is manifested by embrittlement, warping and<br />

cracking; usually caused by exposure <strong>to</strong> ultraviolet light or<br />

<strong>to</strong> heat.(04.) {D= ?; Es= entrecruzamien<strong>to</strong>; F= réticulation}.<br />

64<br />

cross-modulation test (cross mod) {E} * A test method for<br />

determining <strong>the</strong> optimum print requirements for a vari-able<br />

area soundtrack.09. {D= ?; Es= prueba de modulación<br />

cruzada; F= test d'intermodulation}.<br />

crosslighting {E} * see key light.<br />

crossover {E} * In multiple loudspeaker systems a circuit<br />

employing electrical network filters <strong>of</strong> frequency<br />

discriminating paths for routing high, low, and in some<br />

elaborate systems, middle frequen-cies <strong>to</strong> <strong>the</strong> particular<br />

speakers designed <strong>to</strong> handle <strong>the</strong>m.16. {D=<br />

Frequenzweiche; Es= cruce; pasadizo ocul<strong>to</strong>; pase<br />

volante; F= recouvrement; passe-volante}.<br />

crosstalk {E} * 1) Undesired signal appearing on one<br />

channel as result <strong>of</strong> leakage from ano<strong>the</strong>r channel. 2) In<br />

magnetic tape, <strong>the</strong> leakage <strong>of</strong> signal from one track <strong>to</strong><br />

ano<strong>the</strong>r.(04.16.39.) {D= Übersprechen; Es= diafonía; F=<br />

diaphonie; répliques}.<br />

CRT {E;Es} * acronym for cathode ray tube. {D= ?; Es=<br />

abreviatura de Tubo de Rayos Catódicos; F= tube à<br />

rayons cathodiques (TRC)}.<br />

cruce {Es} * see crossover {E}.<br />

cruce de impulsos {Es} * see pulse cross {E}.<br />

crujido {Es} * see crackle {E}.<br />

crystal mic/mike {E} * An inexpensive pressure type<br />

piezoelectric microphone employing natural salt crystals -<br />

usually rochelle salt - as <strong>the</strong> element for converting sound<br />

<strong>to</strong> electrical energy. Character-ized by high impedance and<br />

sensitivity, coupled with pro-nounced susceptibility <strong>to</strong><br />

permanent damage from heat, humidity extremes, and<br />

mechanical shock. Now largely replaced by ceramic types<br />

for <strong>the</strong> same general uses.16. {D= Kristallmikrophon; Es=<br />

micrófono de cristal; F= microphone/micro à cristal;<br />

piézoélectrique}.<br />

cuadrafónico {Es} * see quadraphonic, quadrophonic {E}.<br />

cuadrícula {Es} * see raster {E}.<br />

cuadro {Es} * see frame {E}.<br />

cuadro de cámara {Es} * see field (4) {E}.<br />

cuadro de color {Es} * see colour framing {E}.<br />

cuadro rotulada {Es} * see title frames {E}.<br />

cuadro sinóptico {Es} * see summary {E}.<br />

cuádruple {Es} * see quad {E}; quadruplex {E;F}.<br />

cuadruplex {Es} * see quadruplex {E;F}.<br />

cualidad de archivo {Es} * see archival quality {E}.<br />

cualquier banda grabada {Es} * see cut (1) {E}.<br />

cualquiera de sus sales {Es} * see bromide (2) {E}.<br />

cuantificación {Es} * see quantization {E}.<br />

cuar<strong>to</strong> de pista {Es} * see quarter-track {E}.<br />

cuar<strong>to</strong> oscuro {Es} * see darkroom {E}.<br />

cube {E} * A light prism in a video camera used <strong>to</strong> split <strong>the</strong><br />

incoming light image in<strong>to</strong> separate colours. {D= ?; Es=<br />

cubo prismático; F= (prisme) cube}.<br />

cubierta {Es} * see cabinet (1) {E}.<br />

cubo prismático {Es} * see cube {E}.


cubo tipo NAB {Es} * see NAB hub {E}.<br />

cucolouris {E} * An opaque material having a cu<strong>to</strong>ut which<br />

will allow light <strong>to</strong> pass through <strong>the</strong> cu<strong>to</strong>ut area in order <strong>to</strong><br />

project a form, such as a cloud formation on <strong>the</strong> scenery<br />

or cyclorama <strong>of</strong> a film, <strong>the</strong>ater, or video production stage.<br />

also known as cukes or cookie. {D= ?; Es= máscara de<br />

sombras; material opaco que mediante una luz proyecta<br />

la sensación de imágenes; F= ?; cocoloris; cache;masque<br />

à ombres; écran perforé}.<br />

cue {E} * An audible or visual signal given <strong>to</strong> <strong>the</strong> talent in<br />

a video or audio production that <strong>the</strong>y should commence<br />

<strong>the</strong> proper action. In video productions, <strong>the</strong> cue is normally<br />

relayed by <strong>the</strong> studio stage manager from <strong>the</strong> Program<br />

Direc<strong>to</strong>r <strong>to</strong> <strong>the</strong> Talent. {D= ?; Es= apunte; aviso; F= repère<br />

de positionnement; <strong>to</strong>p; marque}.<br />

cue card {E} * In video productions, <strong>the</strong> desired script or<br />

messages may be printed on cards <strong>to</strong> assist <strong>the</strong> talent in<br />

recalling <strong>the</strong>ir lines. {D= ?; Es= guión impreso en ficha; F=<br />

"nègre" : tableau noir; pense-bête}.<br />

cue marks {E} * Marking, usually circles, in <strong>the</strong> upper right<br />

hand corner <strong>of</strong> motion picture film frames used <strong>to</strong> indicate<br />

<strong>the</strong> end <strong>of</strong> a reel; also known as run-up.(10.) {D=<br />

Markierung; Zeichen; Es= marca; señal; F= marques de<br />

changement de bobine; marque}.<br />

cue point {E} * In editing <strong>of</strong> audio and video, <strong>the</strong> cue point<br />

is <strong>the</strong> desired location for an edit <strong>to</strong> occur. {D= ?; Es=<br />

pun<strong>to</strong> de partida para revisar (audio y vídeo); F= point de<br />

montage; point de calage}.<br />

cue track {E} * 1) The track containing information relating<br />

<strong>to</strong> production requirements.06. 2) In some older video<br />

editing system, <strong>the</strong> cue track was utilized by recorded a<br />

signal pulse <strong>to</strong> indicate <strong>the</strong> edit cue locations. {D= Cue-<br />

Spur; Steuer-Spur; Es= pista que señala pun<strong>to</strong>s editados;<br />

pista de ordenes; F= piste pilote; piste de synchronisation;<br />

piste de repérage des points d'édition; piste d'ordre}.<br />

Cue-Spur {D} * see cue track {E}.<br />

cuerpo de entrada (catálogo) {Es} * see body <strong>of</strong> <strong>the</strong> entry<br />

{E}.<br />

cukes {E} * see cucolouris. {D= ?; Es= contracción de<br />

“cucoloris” (véase); F= caches perforés à projete}.<br />

cuna {Es} * see cradle {E}.<br />

cupping {E} * see curl.<br />

curado {Es} * see curing {E}.<br />

curing {E} * A manufacturing process whereby blank<br />

lacquer discs were gradually cooled by placing <strong>the</strong>m in a<br />

temperature controlled environment <strong>to</strong> achieve a uniform<br />

hardness and flat even surface. Such 'green' and 'unripe'<br />

discs were s<strong>to</strong>red in such a way so as <strong>to</strong> allow <strong>the</strong> thinner<br />

on <strong>the</strong>m <strong>to</strong> evaporate properly.(04.) {D= ?; Es= curado; F=<br />

guérison}.<br />

curl/curling {E} * Longitudinal curvature <strong>of</strong> a magnetic tape<br />

or motion picture film pack, usually caused by <strong>the</strong><br />

difference in properties between <strong>the</strong> base and <strong>the</strong> coating<br />

which react separately <strong>to</strong> heat, humidity, or simple ageing.<br />

This can cause improper contact between <strong>the</strong> tape and <strong>the</strong><br />

playback heads leading <strong>to</strong> signal loss. It can also cause<br />

cracking or flaking <strong>of</strong> <strong>the</strong> coating. Curl <strong>to</strong>wards <strong>the</strong> emulsion<br />

side is referred <strong>to</strong> as 'positive curl'; <strong>to</strong>wards <strong>the</strong> base<br />

side is 'ne-gative curl'; also known as cupping; see also<br />

edge fluting.(09.04.) {D= Kräuseln; wellig werden; Es=<br />

ondulación; F= ondulation; courbure}.<br />

curling {E} * see curl.<br />

65<br />

current records {E} * Records regularly used for <strong>the</strong><br />

conduct <strong>of</strong> current business <strong>of</strong> an agency or institution and<br />

which, <strong>the</strong>refore, continue <strong>to</strong> be maintained in <strong>the</strong>ir place<br />

<strong>of</strong> origin. In Canadian usage, active records.22.23. {D=<br />

laufende Akten; lebende Registratur; Es= documen<strong>to</strong>s<br />

activos; F= archives courantes; archives d'actualités}.<br />

cur<strong>to</strong>sis {Es} * see kur<strong>to</strong>sis {E}.<br />

curva característica {Es} * see characteristic curve {E}.<br />

curva d log h {Es} * see d log h curve {E}.<br />

curva de densidad del espectro de color {Es} * see<br />

spectral dye density curve {E}.<br />

curva de sensibilidad espectral {Es} * see spectral<br />

sensitivity curve {E}.<br />

curva de tiempo gamma {Es} * see time-gamma curve {E}.<br />

curva de transferencia de modulación {Es} * see<br />

modulation-transfer curve {E}.<br />

curva H y D {Es} * see H&D curve {E}.<br />

curva NAB {Es} * acrónimo de Asociación Nacional de<br />

Radiodifusores de EEUU) {Es} * see NAB curve {E}.<br />

curvatura {Es} * see warp {E}.<br />

curvatura de la cinta (sobre la cabeza) {Es} * see<br />

wraparound {E}.<br />

curvatura inferior de la curva gamma de una emulsión {Es}<br />

* see <strong>to</strong>e {E}.<br />

curvatura longitudinal {Es} * see longitudinal curvature {E}.<br />

curve {E} * see charac-teristic curve; content curve.<br />

cus<strong>to</strong>dia {Es} * see cus<strong>to</strong>dy {E}.<br />

cus<strong>to</strong>dia {Es} * see cus<strong>to</strong>dy {E}.<br />

cus<strong>to</strong>dy {E} * The basic responsibility for guardianship <strong>of</strong><br />

records/archives based upon <strong>the</strong>ir physical possession but<br />

not necessarily implying legal title.22.23. {D= Verwah-rung;<br />

Es= cus<strong>to</strong>dia, conservación; F= conservation}.<br />

cut {E} * 1) Any <strong>of</strong> <strong>the</strong> separate bands on a recording. 2)<br />

To edit a tape or film. 3) To make a disc recording. 4) To<br />

change from one picture <strong>to</strong> ano<strong>the</strong>r in a moving-image<br />

production. 5) A woodcut. 6) An engraved block or plate for<br />

printing. 7) A portion <strong>of</strong> <strong>the</strong> recorded surface <strong>of</strong> a disc<br />

recording separate by a marker space or scroll (increased<br />

groove pitch <strong>to</strong> mark <strong>the</strong> separation <strong>of</strong> two successive<br />

bands <strong>of</strong> recordings), and containing a rill, or linking<br />

groove; also known as band; selection.(04.10.) 8) The<br />

instantaneous transition from one video scene <strong>to</strong> ano<strong>the</strong>r<br />

sync. {D= Schnitt; Es= corte; 1) cualquier banda grabada;<br />

2) editar; 3) grabar un disco; 4) cambio de imágenes<br />

[secuencias]; 5) xilografía; 6) cliché; 7) selección de<br />

bandas; F= couper; monter; coupure; coupe; coupe sêche;<br />

section}.<br />

cut editing {E} * A method <strong>of</strong> editing magnetic tape carried<br />

out by <strong>the</strong> actual cutting and splicing <strong>of</strong> tape.(06.) {D=<br />

mechanischer Schnitt; Es= montaje [por corte fisico]; F=<br />

coupe de montage}.<br />

cut par éblouissement {F} * see blanking shutter {E}.<br />

cut-away {E} * A shot inserted in a moving-image<br />

production scene <strong>to</strong> show action at ano<strong>the</strong>r location; see<br />

also reaction shot.30. {D= ?; Es= separar cortando; F=<br />

plan de coupe}.<br />

cut-<strong>of</strong>f-frequency {E} * The frequency at which a filter


effectively attenuates.39. {D= ?; Es= frecuencia de<br />

desconexión; F= fréquence de coupure}.<br />

cutter {E} * see edi<strong>to</strong>r; recorder.<br />

Cutter {D} * see edi<strong>to</strong>r {E}.<br />

cutting stylus {E} * see stylus.<br />

cutting through {E} * A defect term referring <strong>to</strong> <strong>the</strong> stylus<br />

cutting through <strong>the</strong> coating and in<strong>to</strong> <strong>the</strong> base material <strong>of</strong> a<br />

grooved recording.(04.) {D= ?; Es= corte de un lado a otro;<br />

F= défaut de coupe}.<br />

cyan {E;F} * Blue-green colour, <strong>the</strong> complement <strong>of</strong> red or<br />

<strong>the</strong> minus-red subtractive primary used in three-colour film<br />

processes.(09.) {D= blaugrün; Es= color azul-verde}.<br />

cyc light {E} * TV studio light fixtures arranged in strips <strong>to</strong><br />

illuminate a cyclorama; also known as strip light. {D= ?;<br />

Es= luz para iluminar cicloramas; F= éclairage du<br />

cyclorama}.<br />

cycle {E;F} * A complete sequence <strong>of</strong> a wave form that<br />

repeats at regular intervals.39. {D= Schwingung; Zyklus;<br />

Es= ciclo}.<br />

cycles per second {E} * see Hertz.<br />

cyclic redundancy check code (CRCC) {E} * An error<br />

detection code that is recorded with <strong>the</strong> original<br />

information at a specified interval; used in CD sub-code<br />

data; see also error correction.39. {D= ?; Es= código de<br />

comprobación de la redundancia cíclica; F= code de<br />

contrôle par redondance cyclique}.<br />

cyclorama (CYC) {E;F} * A semicircular or U-shaped<br />

hanging for a TV studio background. {D= ?; Es=<br />

ciclorama}.<br />

cylinder {E;F} * 1) A hollow, tube shaped object. 2) The<br />

audio recording format invented and patented by Thomas<br />

Edison in 1877/78. Originally made <strong>of</strong> a sheet <strong>of</strong> tin foil<br />

wrapped around grooved metal (<strong>the</strong> signal was embossed<br />

in<strong>to</strong> <strong>the</strong> foil), <strong>the</strong>n wax, and later celluloid. Playing time<br />

lasted from two <strong>to</strong> four-plus minutes depending on <strong>the</strong><br />

playback speed and threads or grooves per inch. Most<br />

makes <strong>of</strong> cylinders had grooves which threaded lefthanded<br />

when looked at from <strong>the</strong> heavier end <strong>of</strong> <strong>the</strong><br />

cylinder, and were tracked from left <strong>to</strong> right when viewed<br />

from <strong>the</strong> front <strong>of</strong> <strong>the</strong> record/playback machine. The inside<br />

was usually ribbed and slightly tapered <strong>to</strong> grip <strong>the</strong> mandrel,<br />

and <strong>the</strong> general dimensions <strong>of</strong> <strong>the</strong> standard cylinder were<br />

4½-inches in length, 2¼-inches in external diameter, and<br />

a tapered internal diameter from 1#- <strong>to</strong> 1#-inches. The<br />

first solid wax Edison cylinders were described in his<br />

December 14, 1887, British patent, and had a taper bore<br />

and were made <strong>of</strong> a wax-like material on a core <strong>of</strong> plaster<br />

<strong>of</strong> Paris or similar materials. The first commercial use <strong>of</strong><br />

<strong>the</strong> cylinder recording is thought <strong>to</strong> be <strong>the</strong> cylinders used<br />

in Edison talking dolls. 3) Edison literature sometimes<br />

refers <strong>to</strong> <strong>the</strong> mandrel as a cylinder; see also Amberol<br />

cylinder; black wax cylinder; Blue Amberol cylinder; brown<br />

wax cylinder; concert cylinder; Gold Molded {sic!}cylinder;<br />

Royal Purple Amberol Record; standard cylinder; talking<br />

doll; white wax cylinder.(04.07.14.) 4) A term sometimes<br />

applied <strong>to</strong> <strong>the</strong> mandrel in some Edison publications.(14.)<br />

{D= 1 & 2) Zylinder; 3) Konus; Es= cilindro}.<br />

cylinder machine {E} * In sound recordings, <strong>the</strong> machine<br />

which records and/or plays <strong>the</strong> cylinder. {D= Zylinder-<br />

Phonograph; Zylinder-Spieler; Es= cilindro (gramófono);<br />

F= lecteur/enregistreur de cylindres}.<br />

cylinder mould {E} * In sound recording, <strong>the</strong> part used <strong>to</strong><br />

mass produce cylinder recordings, with moulded cylinder<br />

being introduced by Edison with his Gold Molded<br />

{sic!}cylinder patent <strong>of</strong> 1900, and <strong>the</strong> first moulded<br />

66<br />

cylinders being <strong>of</strong>fered in 1902.(14.) {D= ?; Es= molde<br />

para hacer cilindros; F= moulage de cylindre}.<br />

cylindre de cire {F} * see wax cylinder {E}.<br />

cylindre de cire blanc {F} * see white wax cylinders {E}.<br />

cylindre de cire brun {F} * see brown wax cylinder {E}.<br />

cylindre de cire noire {F} * see black wax cylinder {E}.<br />

cylindre deux minutes {F} * see two-minute cylinder {E}.<br />

cylindre poupée parlante {F} * see talking doll record {E}.<br />

cylindre quatre minutes {F} * see four-minute cylinder {E}.<br />

cylindre standard {F} * see standard cylinder {E}.<br />

cylindres concert {F} * see concert cylinders {D;E}.<br />

cylindrical lens {E} * An optical component used in some<br />

optical pickups <strong>to</strong> create an elliptical pattern through<br />

astigmatism in order <strong>to</strong> generate a focusing signal.39. {D=<br />

?; Es= lentes [objetivo] cilíndricas; F= lentille cylindrique}.<br />

d ---<br />

d log e curve {E} * see characteristic curve.<br />

d log h curve {E} * In film production, <strong>the</strong> curve showing<br />

<strong>the</strong> relation between <strong>the</strong> logarithm <strong>of</strong> <strong>the</strong> exposure and <strong>the</strong><br />

resultant density d on pro-cessed film; see also<br />

characteristic curve.(09.) {D= ?; Es= curva d log h; F=<br />

caractéristique (pho<strong>to</strong>)}.<br />

d'actualités? {F} * see current records {E}.<br />

D-1 {D;E;Es;F} * A Component digital videotape cassette<br />

format currently utilized mostly for high-quality postproduction<br />

work in <strong>the</strong> areas <strong>of</strong> image compositing and<br />

computer graphics. When introduced in 1986, <strong>the</strong> D-1 was<br />

<strong>the</strong> first true digital machine and was intended for <strong>the</strong> all<br />

digital environment. Enclosed in three different sized<br />

cassettes, <strong>the</strong> tape is 19 mm wide and records four digital<br />

audio tracks plus time code and a cue audio track. The<br />

digital audio cannot be played when <strong>the</strong> tape is running at<br />

anything o<strong>the</strong>r than normal play speed. In order <strong>to</strong> moni<strong>to</strong>r<br />

where <strong>the</strong> tape is with respect <strong>to</strong> audio, <strong>the</strong> digital audio is<br />

also recorded as an analogue signal on <strong>the</strong> cue track<br />

which enables manual cuing. D-1 was replaced in 1988 by<br />

D-2. {Es= forma<strong>to</strong> de una cinta de vídeo digital}.<br />

D-2 {D;E;Es;F} * In 1988, <strong>the</strong> D-2 format was introduced.<br />

It is a 19 mm composite digital format that accepts<br />

analogue inputs and is capable <strong>of</strong> ei<strong>the</strong>r analogue or<br />

digital outputs. The D-2 machine uses <strong>the</strong> same type and<br />

size <strong>of</strong> cassettes as <strong>the</strong> D-1 but with a different oxide<br />

coating. The oxide is different in order <strong>to</strong> accommodate<br />

both analogue and digital recordings. {Es= cinta de vídeo<br />

de 19 mm de entrada analógica}<br />

D-3 {D;E;Es;F} * In 1992, Panasonic introduced <strong>the</strong> D-3<br />

format. It is a composite digital format that accepts<br />

analogue or digital inputs and is capable <strong>of</strong> ei<strong>the</strong>r<br />

analogue or digital outputs. The tape is ½" wide and<br />

records digital video and four digital audio tracks. The<br />

cassettes are available in three sizes, 50 minutes, 90<br />

minutes, and 180 minutes. An additional cassette was also<br />

produced which used a thinner tape that allowed recording<br />

times <strong>of</strong> 60 minutes, 120 minutes, and 240 minutes. There<br />

are also longitudinal tracks for time code, control track and<br />

an analogue audio cue track. Its composition is 1500 Oe<br />

metal powder tape 13 um thick which is a high coercivity<br />

tape. A high degree <strong>of</strong> efficiency and economy is achieved<br />

by using azimuth recording which requires no guard band<br />

between tracks. {Es= cinta de vídeo de entrada analógica


o digital}.<br />

D-4 {E} * As a point <strong>of</strong> clarification only. D-4 does not exist,<br />

because <strong>the</strong> Japanese view <strong>the</strong> number 4 as unlucky.<br />

D-5 {E} * An uncompressed digital component format<br />

presented by Panasonic in 1993. It features<br />

uncompressed, 10-bit component recording and can play<br />

back D-3 recorded tapes. {Es= forma<strong>to</strong> digital no<br />

comprimido}.<br />

D-6 {E} * Introduced by BTS, D-6 is <strong>the</strong> first videotape<br />

format capable <strong>of</strong> recording a full 1.2 Gb/s high-definition<br />

signal in an uncompressed form. {Es= cinta de vídeo de<br />

alta capacidad de grabación}.<br />

D-A {E;Es} * acronym for digital-<strong>to</strong>-analogue. {D= ?; Es=<br />

acrónimo de Digital a Analógico; F= N-A}.<br />

d-max {E} * see maximum density.<br />

DA {E} * see D-A {E}.<br />

DAC {E;Es} * acronym for digital analogue converter. {D=<br />

?; Es= acrónimo de Convertidor Digital a Analógico; F=<br />

CNA}.<br />

Daguerreotype {D;E;Es;F} * A means, invented in 1833 by<br />

Louis Jacques Mande Daguerre (1789-1851), <strong>of</strong> making a<br />

pho<strong>to</strong>graphic image on a copper plate coated with a lightsensitive<br />

layer <strong>of</strong> silver. The earliest Daguerreotypes are<br />

unique in that <strong>the</strong>y cannot be copied, but <strong>the</strong> process was<br />

superseded in <strong>the</strong> 1850s by a negative/positive process by<br />

which an unlimited number <strong>of</strong> copies may be made. The<br />

process is considered <strong>to</strong> be <strong>the</strong> first practicable<br />

pho<strong>to</strong>graphic method.(07.) {D= Daguerrotypie}.<br />

Daguerrotypie {D} * see Daguerreotype {D;E;Es;F}.<br />

dailies (rushes) {E} * An untimed one-light motion picture<br />

print, made without regard <strong>to</strong> colour balance, from which<br />

<strong>the</strong> action is checked and <strong>the</strong> best takes selected.(09.) {D=<br />

?; Es= primera copia del día en una película; F= rushes;<br />

productions journalières}.<br />

dämpfen {D} * see attenuate {E}.<br />

Dämpfung {D} * see attenuation {E}.<br />

daño hecho a una imagen {Es} * see crease (2) {E}.<br />

daño mecánico {Es} * see mechanical damage {E}.<br />

dar lectura {Es} * see read {E}.<br />

darkroom {E} * A controlled, dark area used <strong>to</strong> process<br />

film. {D= Dunkelkammer; Es= cuar<strong>to</strong> oscuro; F= chambre<br />

noire}.<br />

Darstellung {D} * see cast {E}.<br />

Darstellungbesetzung {D} * see cast {E}.<br />

DAT {E;F} * acronym for digital audio tape; see also R-<br />

DAT. {D= ?; Es= Cinta de Audio Digital}.<br />

data archive {E} * An institution or organization responsible<br />

for <strong>the</strong> acquisition, preservation, and communication <strong>of</strong><br />

data in machine readable form regardless <strong>of</strong><br />

provenance.22.57. {D= Datenarchiv/s; Es= centro de<br />

proceso de da<strong>to</strong>s; F= archives de données<br />

informatiques}{D= ?; Es= centro de proceso de da<strong>to</strong>s; F=<br />

archives de données informatiques}.<br />

data bank {E} * A collection <strong>of</strong> files and/or groups <strong>of</strong> files<br />

relating <strong>to</strong> a given subject and assembled <strong>to</strong> be made<br />

available <strong>to</strong> various users.22.23. {D= Datenbank; Es=<br />

67<br />

banco de da<strong>to</strong>s; F= banque de données}.<br />

data base {E} * A structured assembly <strong>of</strong> logically related<br />

data designed <strong>to</strong> meet various applications but managed<br />

independently <strong>of</strong> <strong>the</strong>m.22.(23.) {D= Datenbestand;<br />

Datenbank; Es= base de da<strong>to</strong>s; F= base de données}.<br />

data density (BPI) {E} * The number <strong>of</strong> data characters<br />

s<strong>to</strong>red per unit volume, area, or length <strong>of</strong> a data<br />

carrier.(04.46.) {D= Datendichte; Es= densidad de da<strong>to</strong>s;<br />

F= densité de données}.<br />

data field <strong>of</strong> a sec<strong>to</strong>r {E} * A field <strong>of</strong> a compact disc<br />

containing <strong>the</strong> information <strong>of</strong> a zone.(20.) {D= ?; Es=<br />

campo de da<strong>to</strong>s de un sec<strong>to</strong>r; F= champ de données d'un<br />

secteur}.<br />

data protection {E} * The legal protection <strong>of</strong> <strong>the</strong> rights <strong>of</strong><br />

individuals tin respect <strong>of</strong> <strong>the</strong> collection, s<strong>to</strong>rage, and<br />

au<strong>to</strong>matic processing <strong>of</strong> personal data in readable form<br />

and <strong>the</strong> disclosure <strong>of</strong> such data.22. {D= Datenschutz; Es=<br />

protección de da<strong>to</strong>s; F= protection des données}.<br />

data sheet {E} * One or more page <strong>of</strong> an accumulation <strong>of</strong><br />

facts on a given <strong>to</strong>pic.(09.) {D= Produktionsbericht; Es=<br />

ficha; F= feuille de données; fiche signalétique; feuille<br />

données; fiche}.<br />

date de première diffusion {F} * see original broadcast date<br />

{E}.<br />

date de première diffusion dans le pays d'origine {F} * see<br />

broadcast date {E}.<br />

date de première publication {F} * see original release date<br />

{E}.<br />

date de production {F} * see production date {E}.<br />

Datei {D} * see file {E}.<br />

Datenarchiv/s {D} * see data archive {E}.<br />

Datenausgabe über Mikr<strong>of</strong>ilm/Mikr<strong>of</strong>ormen {D} * see<br />

computer output micr<strong>of</strong>ilm/micr<strong>of</strong>orm (COM) {E}.<br />

Datenbank {D} * see data base; data bank {E}.<br />

Datenbestand {D} * see data base {E}.<br />

Datendichte {D} * see data density (BPI); packing density<br />

{E}.<br />

Dateneingabe/Datenausgabe {D} * see input/output (I/O)<br />

{E}.<br />

Dateneingabe über Mikr<strong>of</strong>ilm {D} * see computer input<br />

micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) {E}.<br />

Dateneingabe über Mikr<strong>of</strong>ormen {D} * see computer input<br />

micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) {E}.<br />

Datensatz {D} * see record {E}.<br />

Datenschutz {D} * see data protection {E}.<br />

Datenspeicher {D} * see memory {E}.<br />

Datenträger für Ein- und Ausgabe {D} * see input/output<br />

(I/O) {E}.<br />

da<strong>to</strong>/s * see record {E}.<br />

da<strong>to</strong>s grabados a lo largo de la cinta de vídeo {Es} * see<br />

edit black {E}.<br />

day file {E} * see chronological file.


dB {E} * abbreviation for deciBel. {E}<br />

dB spl {E} * see deciBel. {E}<br />

dBm {E} * see deciBel. {E}<br />

dBu {E} * see deciBel. {E}<br />

dBv {E} * see deciBel. {E}<br />

dBxII {D;E;Es;F} * see dBx.<br />

dBx {D;E;Es;F} * One <strong>of</strong> <strong>the</strong> noise reduction systems,<br />

introduced in 1971, completely different from <strong>the</strong> Dolby<br />

systems presented in o<strong>the</strong>r parts <strong>of</strong> this glossary: in dBx<br />

subtlety is sacrificed <strong>to</strong> power; both <strong>the</strong> frequency<br />

response and <strong>the</strong> dynamic range are radically affected.<br />

Tape hiss and, according <strong>to</strong> some archivists, print through<br />

are virtually eliminated, but <strong>the</strong> wanted signal is prone <strong>to</strong><br />

be accompanied by 'modulation noise', and any<br />

misalignment <strong>of</strong> <strong>the</strong> recording or <strong>the</strong> reproducing<br />

equipment is magnified. The latter problem is particularly<br />

noticeable with low, almost subsonic, frequencies. A<br />

modified version, dBxII, was introduced in 1973, ignoring<br />

sounds at <strong>the</strong> extremes <strong>of</strong> <strong>the</strong> frequency range and was,<br />

<strong>the</strong>refore, more suitable for-pr<strong>of</strong>essional applications such<br />

as cassette tapes and Lp discs. If <strong>the</strong>re are no subsonics<br />

involved a dBx unit should decode a dBxII tape, and vice<br />

versa.(56.)<br />

DC res<strong>to</strong>rer {E} * ?? Video signals have a dc component<br />

that depends on <strong>the</strong> average brightness <strong>of</strong> <strong>the</strong> picture.<br />

Since <strong>the</strong> dc component is not transmitted, it is necessary<br />

<strong>to</strong> res<strong>to</strong>re it at <strong>the</strong> moni<strong>to</strong>r or receiver in order <strong>to</strong> insure <strong>the</strong><br />

proper brightness relationships from one scene <strong>to</strong> ano<strong>the</strong>r.<br />

This additional electronic circuitry is referred <strong>to</strong> as <strong>the</strong> dc<br />

res<strong>to</strong>rer. {D= ?; Es= restaurador de corriente continua; F=<br />

dispositif de restitution de la composante continue}.<br />

DCS {Es} * see distributive control<br />

DCT {E;Es} * acronym for Digital Component Tape<br />

{E;Es). {D= ?; Es= acrónimo de cinta de componente<br />

digital; F= bande magnétique numérique}.<br />

DDD {E} * acronym for digital-digital-digital; see SPARS<br />

code.<br />

de entrada directa {Es} * see on-line {E}.<br />

de exploración {Es} * see scanning beam {E}.<br />

de intermodulación {Es} * see intermodulation dis<strong>to</strong>rtion<br />

(IMD) {E}.<br />

de la pellicule {F} * see film gauge {E}.<br />

de sauvegarde {F} * see backup copy {E}.<br />

de sodio {Es} * see hyposulphite <strong>of</strong> soda (HYPO) {E}.<br />

de très grand ensemble {F} * see extreme long shot {E}.<br />

de vídeo {Es} * see compact disc-video (CD-V) {D;E}.<br />

de-emphasis {E} * see emphasis. {E}.<br />

deaccession {E} * The act <strong>of</strong> formally removing a<br />

previously held item from a collection. {D= ?; Es= quitar de<br />

una colección una adquisición previa; F= cession}.<br />

deacidification (neutralization) {E} * Process <strong>of</strong> reaction<br />

between acidic or alkaline substances such that <strong>the</strong> pH <strong>of</strong><br />

<strong>the</strong> resultant material approaches or exceeds 7.0<br />

(neutrality).(52.) Deacidification technically refers only <strong>to</strong><br />

<strong>the</strong> neutralization <strong>of</strong> acids present at <strong>the</strong> time <strong>of</strong> treatment,<br />

not <strong>to</strong> <strong>the</strong> deposit <strong>of</strong> a buffer. For this reason, <strong>the</strong> term is<br />

being slowly replaced with <strong>the</strong> more accurate phrase<br />

"neutralization and alkalization." {D= Entsäuerung;<br />

Pufferung; Es= desacidificación; F= désacidification}.<br />

68<br />

débit (numérique) {F} * see bit rate {E}.<br />

débrits {F} * see flaking {E}.<br />

début {F} * see head {E}.<br />

début et fin {F} * see head and tail {E}.<br />

décalage (provoqué par la friction de la bande) {F} * see<br />

drag {E}.<br />

décalage (provoqué par la friction de la bande) {F} * see<br />

drag {E}.<br />

décalage {F} * see <strong>of</strong>fset {E}.<br />

décalage de phase {F} * see phase shift {E}.<br />

décalage transversal {F} * see pop-stranding {E}.<br />

deciBel (dB) {E} * A relative measure <strong>of</strong> sound intensity,<br />

power, voltage, or 'volume', which expresses <strong>the</strong> ratio <strong>of</strong><br />

one sound intensity <strong>to</strong> ano<strong>the</strong>r. One dB (i.e., 1/10th <strong>of</strong> a<br />

Bel) is about <strong>the</strong> smallest change in sound volume that <strong>the</strong><br />

human ear can detect; also used <strong>to</strong> express logarithmically<br />

<strong>the</strong> ratio between sound pressures and/or <strong>the</strong>ir respective<br />

voltages. Standard reference levels are dBm = 1 mW<br />

reference level; dBu = 0.775 V reference (current usage);<br />

dBv = 0.775 V reference level (former usage); dBV = 1.0<br />

V reference; 0 dB spl (sound pressure level) = 2.10-5 Pa<br />

(hearing threshold). Common deciBel levels encountered<br />

vary from <strong>the</strong> rustling <strong>of</strong> grass (15-20 dB) <strong>to</strong> conversation<br />

(50 dB), <strong>to</strong> live rock groups (110 dB) <strong>to</strong> jet plane engines<br />

at close range (130 dB); dBm = deciBels referenced <strong>to</strong> a<br />

one (l) millivolt level.(04.46.50.39.16.10.) {D= Dezibel; Es=<br />

decibelio; F= décibel}.<br />

décibel {F} * see deciBel (dB) {E}.<br />

decibelio {Es} * see deciBel (dB) {E}.<br />

decimal {E;Es} * The base-ten number system, in which<br />

each numeral is multiplied by an appropriate power <strong>of</strong><br />

ten.39. {D= dezimal; F= décimal}.<br />

Decimal Codificado en Binario {Es} * see BCD {E}.<br />

décimal {F} * see decimal {E}.<br />

décimal codé binaire {F} * see binary coded decimal {E}.<br />

Deckel {D} * see folder {E}.<br />

declaración {Es} * see statement <strong>of</strong> responsibility {E}.<br />

déclenchement début de séquence {F} * see set-in {E}.<br />

déclenchement fin de séquence {F} * see set-out {E}.<br />

décodage de pixel : CD-I {F} * see pixel manipulation {E}.<br />

decoder {E} * Electronic circuitry that removes <strong>the</strong> encoded<br />

or encrypted signal from a modulated signal. Also referred<br />

<strong>to</strong> as a demodula<strong>to</strong>r. {D= ?; Es= descodificador; F=<br />

décodeur}.<br />

decoder {E} * see also descrambler {E}.<br />

décodeur {F} * see decoder {E}.<br />

decodificación de pixel (CD) {Es} * see pixel manipulation<br />

{E}.<br />

decoloración {Es} * see fade (1, 2); staining; tarnish {E}.<br />

décolorateur {F} * see fadeometer {E}.<br />

décoloration (de la tête magnétique) {F} * see brown stain


{E}.<br />

décoloration {F} * see bleaching; fade; staining {E}.<br />

décolouración {Es} * see fade {E}.<br />

decomposition vent {E} * In nitrate film s<strong>to</strong>rage vaults, a<br />

controlled opening <strong>to</strong> permit <strong>the</strong> escape <strong>of</strong> gases resulting<br />

from decomposition <strong>of</strong> materials; NFPA 40 gives specific<br />

requirements for such an opening in chambers where<br />

nitrate film is s<strong>to</strong>red, dependent upon <strong>the</strong> quantity <strong>of</strong> nitrate<br />

materials s<strong>to</strong>red in <strong>the</strong> chamber.(34.) {D= Dekomposition;<br />

Es= artificio de ventilación para escape de gases; F=<br />

évent}.<br />

décompte de perte de niveau {F} * see dropout count {E}.<br />

décor {F} * see set {E}.<br />

décor fonctionnel {F} * see practical set {E}.<br />

décor réel {F} * see practical set {E}.<br />

décorateur {F} * see art direc<strong>to</strong>r {E}.<br />

découpage {E;F} * A universally accepted French term<br />

which means <strong>the</strong> arrangement <strong>of</strong> <strong>the</strong> shots <strong>of</strong> a movingimage<br />

production, <strong>the</strong> cutting. Découpage classique is <strong>the</strong><br />

old Hollywood style <strong>of</strong> narration.(30.) {D= ?; Es=<br />

découpage}.<br />

découpage {Es} * see découpage {E;F}.<br />

découpage {F} * see also clipping {E}.<br />

découpe {F} * see crop {E}.<br />

décrochage {F} * see backlighting {E}.<br />

deep focus {E} * A pho<strong>to</strong>graphic technique favoured by<br />

realists in which objects very near <strong>the</strong> camera as well as<br />

objects very far away from it are in focus at <strong>the</strong> same time;<br />

see shallow focus.30. {D= ?; Es= enfoque de pr<strong>of</strong>undidad;<br />

F= pr<strong>of</strong>ondeur de champ}.<br />

défaut {F} * see defect; smear {E}.<br />

défaut d'aspect provoqué par des frottements {F} * see rub<br />

{E}.<br />

défaut de coupe {F} * see cutting through {E}.<br />

défaut de persistance sur le tube {F} * see lag {E}.<br />

défaut de rémanence {F} * see image retention {E}.<br />

défaut par fro<br />

défaut vidéo (snouts; snoots) {F} * see barn doors {E}.<br />

défauts d'éclairage {F} * see mislights {E}.<br />

defect {E} * 1) An undesired imperfection in an item. 2) In<br />

magnetic tape, an imperfection in <strong>the</strong> tape leading <strong>to</strong> a<br />

variation in output or a dropout. The most common tape<br />

defects take <strong>the</strong> form <strong>of</strong> surface projections consisting <strong>of</strong><br />

oxide agglomerates, embedded foreign matter, and<br />

redeposited wear products.(46.) {D= Defekt; Schaden; Es=<br />

defec<strong>to</strong>; F= défaut}.<br />

defec<strong>to</strong> {Es} * see blemish; defect {E}.<br />

defec<strong>to</strong> de adherencia {Es} * see peeling {E}.<br />

Defekt {D} * see defect {E}.<br />

défilement de la bande {F} * see tape transport {E}.<br />

69<br />

défileur {F} * see reproducer {E}.<br />

definición (TV) {Es} * see resolution (2) {E}.<br />

definición {Es} * see definition; resolution test chart;<br />

sharpness {E}.<br />

definición horizontal {Es} * see resolution, horizontal {E}.<br />

definición vertical {Es} * see resolution, vertical {E}.<br />

definition {E} * 1) The clarity or distinctness with which det-<br />

-<strong>the</strong> grain; see also resolution.30. {D= 1) ?; 2) Auflösung;<br />

Es= definición; F= définition; résolution}.<br />

définition {F} * see definition; resolution {E}.<br />

deflexión estática {Es} * see static deflection {E}.<br />

déflexion statique {F} * see static deflection {E}.<br />

deformación {Es} * see cockle/cockling {E}.<br />

deformación de la cinta magnética {Es} * see buckling {E}.<br />

deformación de las cintas con grabaciones debidas a la<br />

presión y la tensión {Es} * see creep {E}.<br />

déformation {F} * see dis<strong>to</strong>rtion {E}.<br />

déformation {F} * see dis<strong>to</strong>rtion; warp {E}.<br />

déformation circulaire {F} * see buckling {E}.<br />

déformation de l'enroulement {F} * see blocked pack {E}.<br />

déformation de tête magnétique (en traces de poulet) {F}<br />

* see chicken tracks {E}.<br />

déformation en enroulement {F} * see core; core set {E}.<br />

déformation en polygone {F} * see spoking {E}.<br />

déformation par enroulement {F} * see loose pack {E}.<br />

Deformierung {D} * see cockle/cockling {E}.<br />

degausser {E} * see bulk eraser.<br />

degaussing {E} * see dema-ture scale.(09.) {D= Kelvin;<br />

Es= ?; F= ?}.<br />

degrees Kelvin {E} * The unit <strong>of</strong> measurement <strong>of</strong> <strong>the</strong> colour<br />

temperature scale.(09.) {D= Kelvin; Es= grados Kelvin;<br />

Kelvin (grados); F= degrés Kelvin}.<br />

degrés Kelvin {F} * see degrees Kelvin {E}.<br />

dehumidify {E} * The reduction or removal <strong>of</strong> moisture from<br />

<strong>the</strong> air by mechanical and/or chemical means.(24.) {D=<br />

Entfeuchten von Luft; Trocknen von Luft; Es=<br />

deshumidificar; deshumedecer; F= déshumidifier}.<br />

Dekomposition {D} * see decomposition vent {E}.<br />

Dekoration {D} * see set {E}.<br />

délai re<strong>to</strong>ur {F} * see horizontal interval {E}.<br />

délai synchronisation {F} * see preroll {E}.<br />

delamination {E} * The loss <strong>of</strong> adhesion between layers <strong>of</strong><br />

a multilayered item (i.e., cylinder, disc, film, tape); may be<br />

caused by such as poor fabrication, exposure <strong>to</strong> fungal<br />

attack, extremes <strong>of</strong> temperature and humidity, or <strong>the</strong><br />

general ageing and deterioration <strong>of</strong> a product.(04.) {D=<br />

Delaminieren; Es= deslaminación; F= délamination}.<br />

delta modulation (DM) {D;E} * 1) In data communications,


a form <strong>of</strong> differential PCM in which only one bit for each<br />

sample is used.10. 2) In digital recording, a single-bit<br />

coding technique in which a constant step size digitizes<br />

<strong>the</strong> input wave form. Past knowledge <strong>of</strong> <strong>the</strong> information<br />

permits encoding <strong>of</strong> <strong>the</strong> differences between consecutive<br />

values.39. technique in which a constant step size digitizes<br />

<strong>the</strong> input wave form. Past knowledge <strong>of</strong> <strong>the</strong> information<br />

permits encoding <strong>of</strong> <strong>the</strong> differences between consecutive<br />

values.39. {Es= modulación delta; F= modulation delta<br />

(différentielle)}.<br />

delta yuv (DYUV) {D;E} * A high-efficiency image-coding<br />

scheme for natural pictures used in CD-I which takes<br />

advantage <strong>of</strong> <strong>the</strong> fact that <strong>the</strong>re is a high correlation<br />

between adjacent pixel values, making it possible <strong>to</strong><br />

encode only <strong>the</strong> differences between <strong>the</strong> absolute yu or yv<br />

pixel values. This encoding scheme is applied per line, that<br />

is, in one dimension; see also yuv encoding; compression.10.<br />

{Es= yuv delta; F= codage delta YUV}.<br />

démagnétisation {F} * see demagnetization {E}.<br />

démagnétiseur {F} * see bulk eraser; demagnetizer {E}.<br />

démagnétiseur de têtes {F} * see head demagnetizer {E}.<br />

demagnetization {E} * The erasure <strong>of</strong> magnetic tapes by<br />

neutralizing <strong>the</strong> oxide particles in <strong>the</strong> tape coating,<br />

achieved through a high frequency current passing through<br />

an erase head over which <strong>the</strong> tape passes, or through <strong>the</strong><br />

use <strong>of</strong> a bulk eraser. Accidental demagneti-zation can<br />

occur, for example, when stray, external magnetic fields<br />

come in<strong>to</strong> contact with <strong>the</strong> tape.04. {D=<br />

Entmagnetisierung; Es= desmagnetización; F=<br />

démagnétisation}.<br />

demagnetizer {E} * An alternating current (AC)<br />

electromagnet used <strong>to</strong> neutralize magnetism in recorder<br />

heads, guides, tape, etc; see also bulk eraser;<br />

demagnetization.04. {D= Entmagnetisierdrossel; Es=<br />

desmagnetizador; F= démagnétiseur}.<br />

demandante {Es} * see claimant {E}.<br />

demi-piste {F} * see half-track {E}.<br />

demi-teinte {F} * see half<strong>to</strong>ne; half<strong>to</strong>ne block {E}.<br />

demo-disc {E} * abbreviation for demonstration disc. {D=<br />

Demoplatte; Es= disco de demostración; F= disque de<br />

démonstration; demodisque}.<br />

demodulador {Es} * see demodula<strong>to</strong>r {E}.<br />

demodular {Es} * see demodulate {E}.<br />

demodulate {E} * Action <strong>of</strong> taking a video modulated signal<br />

that is imposed on a carrier and recreating <strong>the</strong> information<br />

it represented in its original form. {D= ?; Es= demodular;<br />

F= démoduler}.<br />

démodulateur {F} * see demodula<strong>to</strong>r {E}.<br />

demodulation {E} * see modulation.<br />

demodula<strong>to</strong>r {E} * Electronic circuitry that removes <strong>the</strong><br />

encoded signal from a modulated signal. Also referred <strong>to</strong><br />

as a decoder. {D= ?; Es= demodulador; F= démodulateur}.<br />

démoduler {F} * see demodulate {E}.<br />

Demoplatte {D} * see demo-disc {E}.<br />

demultiplexer {E} * see multiplexing.<br />

denitration {E} * Degradation <strong>of</strong> cellulose nitrate materials<br />

due <strong>to</strong> <strong>the</strong> conversion <strong>of</strong> nitrogen peroxide <strong>to</strong> nitrous acid<br />

by moisture, which in turn has a fur<strong>the</strong>r au<strong>to</strong>catalytic<br />

reaction on <strong>the</strong> original compound.04. {D= ?; Es=<br />

70<br />

desnitración; F= dénitrification}.<br />

dénitrification {F} * see denitration {E}.<br />

denotativo <strong>to</strong>tal de una película {Es} * see diegesis à<br />

semiological {E;F}.<br />

dense {E;F} * Relatively opaque, generally applied <strong>to</strong> film<br />

images or areas that are darker than normal.13. {D= ?;<br />

Es= denso; F= ?}.<br />

densidad {Es} * see density {E}.<br />

densidad de da<strong>to</strong>s {Es} * see data density (BPI) {E}.<br />

densidad de difusión absoluta {Es} * see <strong>to</strong>tally diffuse<br />

density {E}.<br />

densidad de difusión <strong>to</strong>tal {Es} * see <strong>to</strong>tally diffuse density<br />

{E}.<br />

densidad de fondo {Es} * see background density {E}.<br />

densidad de grabación fisica {Es} * see physical recording<br />

density {E}.<br />

densidad del positivado {Es} * see printing density {E}.<br />

densidad del soporte de la película {Es} * see film base<br />

density {E}.<br />

densidad especular {Es} * see specular density {E}.<br />

densidad máxima {Es} * see maximum density (D-MAX)<br />

{E}.<br />

densidad mínima {Es} * see minimum density (D-MIN) {E}.<br />

densidad neutral equivalente {Es} * see equivalent neutral<br />

density (END) {E}.<br />

densidad neutral equivalente {Es} * see equivalent neutral<br />

density (END) {E}.<br />

densidad visual {Es} * see visual density {E}.<br />

densité {F} * see density {E}.<br />

densité d'enregistrement {F} * see packing density {E}.<br />

densité d'enregistrement physique {F} * see physical<br />

recording density {E}.<br />

densité de diffusion <strong>to</strong>tale {F} * see <strong>to</strong>tally diffuse density<br />

{E}.<br />

densité de données {F} * see data density (BPI) {E}.<br />

densité de fond {F} * see background density {E}.<br />

densité de tirage {F} * see printing density {E}.<br />

densité de transmission {F} * see transmission density {E}.<br />

densité maximum {F} * see maximum density (D-MAX) {E}.<br />

densité minimum {F} * see minimum density (D-MIN) {E}.<br />

densité neutre équivalente {F} * see equivalent neutral<br />

density (END) {E}.<br />

densité neutre équivalente {F} * see equivalent neutral<br />

density (END) {E}.<br />

densité neutre équivalente {F} * see equivalent neutral<br />

density (END) {E}.<br />

densité optique du support film {F} * see film base density


{E}.<br />

densité spéculaire {F} * see specular density {E}.<br />

densité visuelle {F} * see visual density {E}.<br />

densi<strong>to</strong>meter {E} * 1) A pho<strong>to</strong>electric instrument used <strong>to</strong><br />

measure <strong>the</strong> optical density, or degree <strong>of</strong> blackness, <strong>of</strong> an<br />

image or base by measuring <strong>the</strong> amount <strong>of</strong> incident radiant<br />

energy (light) reflected or transmitted.40. A microdensi<strong>to</strong>meter<br />

is used <strong>to</strong> measure <strong>the</strong> density <strong>of</strong> very small<br />

areas <strong>of</strong> a pho<strong>to</strong>graphic image.19. A transmis-sion<br />

densi<strong>to</strong>meter is used for processed film and a reflection<br />

densi<strong>to</strong>meter for paper prints. A reflection-densi<strong>to</strong>meter is<br />

used <strong>to</strong> measure <strong>the</strong> density <strong>of</strong> an opaque surface (print)<br />

before setting <strong>the</strong> camera and screen for half-<strong>to</strong>ne<br />

exposure; see also densi<strong>to</strong>metric method (silver); density.<br />

2) An instrument for measuring <strong>the</strong> optical density <strong>of</strong> an<br />

area in a processed image or filter.09. {D= Dickte;<br />

Densi<strong>to</strong>metrie; Es= densitómetro; densi<strong>to</strong>metría; F=<br />

densi<strong>to</strong>mètre; densi<strong>to</strong>métrie}.<br />

densi<strong>to</strong>mètre {F} * see densi<strong>to</strong>meter {E}.<br />

densi<strong>to</strong>metría {Es} * see densi<strong>to</strong>meter {E}.<br />

densi<strong>to</strong>metric method (silver) {E} * In pho<strong>to</strong>graphic<br />

production and development, a testing procedure that<br />

produces a yellow stain for density measurement; used for<br />

indicating <strong>the</strong> presence <strong>of</strong> residual thiosulphate or o<strong>the</strong>r<br />

potentially harmful residual chemicals in processed<br />

films.(40.) {D= ?; Es= mé<strong>to</strong>do densi<strong>to</strong>métrico (cantidad<br />

plata); F= méthode densi<strong>to</strong>métrique (argent)}.<br />

Densi<strong>to</strong>metrie {D} * see densi<strong>to</strong>meter {E}.<br />

densitómetro {Es} * see densi<strong>to</strong>meter {E}.<br />

density {E} * 1) In general, <strong>the</strong> ratio <strong>of</strong> <strong>the</strong> weight <strong>of</strong> a<br />

mate-s<strong>to</strong>pping characteris-tics <strong>of</strong> a film or filter. It is <strong>the</strong><br />

logarithm <strong>of</strong> <strong>the</strong> opacity <strong>of</strong> developed pho<strong>to</strong>graphic film.<br />

Visual density is measurement <strong>of</strong> density approximating<br />

<strong>the</strong> sensitivity <strong>of</strong> <strong>the</strong> human eye. Printing density is<br />

measurement approximating sensitivity <strong>of</strong> print s<strong>to</strong>ck. A<br />

film sample that transmits one-half <strong>of</strong> <strong>the</strong> incident light has<br />

a transmittance <strong>of</strong> 0.50, or 50 pe-rcent, and a density <strong>of</strong><br />

0.30.09. {D= Licht<strong>to</strong>nwert; Dichte; Schwärzung; Es=<br />

coeficiente positivado; densidad; F= densité; coefficient de<br />

tirage}.<br />

density change {E} * The amount <strong>of</strong> modification in an<br />

image as measured with a densi<strong>to</strong>meter,<br />

spectropho<strong>to</strong>meter, or similar device.05. {D= ?; Es=<br />

cambio de densidad; F= changement de densité}.<br />

density identification area {E} * In magnetic tape recording,<br />

a recording in <strong>the</strong> beginning <strong>of</strong> tape marker <strong>to</strong> identify <strong>the</strong><br />

method and density <strong>of</strong> recording.(46.) {D= ?; Es= zona de<br />

identificación de la densidad (de una grabación); F= zone<br />

d'identification de la densité d'enregistrement}.<br />

density range {E} * The difference between <strong>the</strong> density <strong>of</strong><br />

<strong>the</strong> highest area and <strong>the</strong> darkest area <strong>of</strong> a print or<br />

negative, a very useful derivation from <strong>the</strong> sensi<strong>to</strong>metric<br />

see also sensi<strong>to</strong>meter.(05.) {D= ?; Es= ?; F= ?}<br />

dénuder (fil électrique) {F} * see strip {E}.<br />

déphasage {F} * see phase shift {E}.<br />

déphasé {F} * see out <strong>of</strong> phase {E}.<br />

déplacement dans le sillon {F} * see groove skating {E}.<br />

déplacement de ruban {F} * see stepped pack {E}.<br />

dépliant {F} * see folder {E}.<br />

71<br />

Deponierung {D} * see deposit {E}.<br />

deposit {E} * 1) The placing <strong>of</strong> materials in <strong>the</strong> cus<strong>to</strong>dy <strong>of</strong><br />

archives without transfer <strong>of</strong> legal title. 2) The documents<br />

covered by a single deposit.22.23. {D= 1) Deponierung, 2)<br />

Depositum; Es= 1&2) depósi<strong>to</strong>; F= dépôt}.<br />

deposit copy (copyright) {E} * Under <strong>the</strong> law <strong>of</strong> various<br />

countries <strong>the</strong> piece/s submitted with <strong>the</strong> registration for<br />

copyright. Not <strong>to</strong> be confused with legal deposit. {D= ?;<br />

Es= ejemplar de depósi<strong>to</strong> legal (derechos de au<strong>to</strong>r); F=<br />

copie de dépôt (copyright)}.<br />

depósi<strong>to</strong> {Es} * see deposit {E}.<br />

depósi<strong>to</strong> intermedio {Es} * see intermediate s<strong>to</strong>rage {E}.<br />

depósi<strong>to</strong> legal {Es} * see legal deposit {E}.<br />

depósi<strong>to</strong>s principales {Es} * see stacks {E}.<br />

Depositum {D} * see deposit {E}.<br />

Depot {D} * see vault {E}.<br />

dépôt {F} * see bromide drag; deposit {E}.<br />

dépôt annexe {F} * see branch reposi<strong>to</strong>ry {E}.<br />

dépôt d'oxyde {F} * see oxide build-up {E}.<br />

dépôt légal {F} * see legal deposit {E}.<br />

depth <strong>of</strong> field {E} * in moving-image production, <strong>the</strong><br />

distance range between <strong>the</strong> nearest and far<strong>the</strong>st objects<br />

that appear in acceptably sharp focus. Depth <strong>of</strong> field<br />

depends on <strong>the</strong> lens opening, <strong>the</strong> focal length <strong>of</strong> <strong>the</strong> lens,<br />

and <strong>the</strong> distance from <strong>the</strong> lens <strong>to</strong> <strong>the</strong> sub-ject.(09.) {D= ?;<br />

Es= pr<strong>of</strong>undidad de campo; F= pr<strong>of</strong>ondeur de champ}.<br />

depth <strong>of</strong> focus {E} * In pho<strong>to</strong>graphic and moving-image<br />

work, <strong>the</strong> distance range over which <strong>the</strong> film plane could<br />

be located inside <strong>the</strong> camera and still have <strong>the</strong> subject<br />

appear in sharp focus; <strong>of</strong>ten misused <strong>to</strong> mean depth <strong>of</strong><br />

field.(09.) {D= Tiefenschärfe; Es= pr<strong>of</strong>undidad de foco;<br />

pr<strong>of</strong>undidad de campo; F= pr<strong>of</strong>ondeur de foyer; pr<strong>of</strong>ondeur<br />

de champ}.<br />

déraillement {F} * see groove jumping {E}.<br />

derechde propiedad intelectual {Es} * see copyright {E;F}.<br />

derecho de propiedad intelectual {Es} * see copyright<br />

{E;F}.<br />

derecho de utilizar sistemas de cable {Es} * see access (2)<br />

{E}.<br />

derechos de au<strong>to</strong>r {Es} * see copyright {E;F}.<br />

derechos de reproducción {Es} * see mechanical rights<br />

{E}.<br />

derivación {Es} * see tail (3) {E}.<br />

désaccentuation {F} * see post-emphasis {E}.<br />

desacidificación {Es} * see deacidification (neutralization)<br />

{E}.<br />

desacidificación {Es} * see deacidification (neutralization)<br />

{E}.<br />

désacidification {F} * see deacidification (neutralization)<br />

{E}.<br />

desacompasado {Es} * see out <strong>of</strong> sync {E}.<br />

desarrollo de los fondos {Es} * see collection development


{E}.<br />

desbalance {Es} * see imbalance {E}.<br />

descarga {Es} * see disposal {E}.<br />

descartes (montaje de película) {Es} * see trims {E}.<br />

descartes {Es} * see trims {E}.<br />

descascarillado {Es} * see peeling {E}.<br />

descifrador {Es} * see descrambler {E}.<br />

descifrar {Es} * see read {E}.<br />

descodificador {Es} * see decoder {E}.<br />

descoloración por laluz {Es} * see light fugitive {E}.<br />

descoloración por laluz {Es} * see light fugitive {E}.<br />

descomposición doble {Es} * see double decomposition<br />

{E}.<br />

desconectador óptico {Es} * see op<strong>to</strong>-isola<strong>to</strong>r {E}.<br />

desconexión au<strong>to</strong>mática {Es} * see au<strong>to</strong>matic shut<strong>of</strong>f {E}.<br />

descrambler {E} * An electronic device used <strong>to</strong> decode<br />

coded signals for reception <strong>of</strong> a useable signal. {D=<br />

Descrambler; Es= descifrador; F= système de<br />

désentrelacement}.<br />

descrambler {E} * see also decoder {E}.<br />

Descrambler {D} * see descrambler {E}.<br />

descripción {Es} * see description {E}.<br />

descripción bibliográfica {Es} * see bibliographic<br />

description {E}.<br />

descripción de la calidad de sonido {Es} * see boxy {E}.<br />

descripción física {Es} * see physical description {E}.<br />

descripteur {F} * see descrip<strong>to</strong>r {E;Es}.<br />

description {E} * The preparation <strong>of</strong> finding aids <strong>to</strong> facilitate<br />

control and consultation <strong>of</strong> holdings.22.23. {D=<br />

Verzeichnung; Es= descripción}.<br />

description bibliographique {F} * see bibliographic<br />

description {E}.<br />

descriptive list {E} * A finding aid in <strong>the</strong> form <strong>of</strong> a list<br />

containing brief details <strong>of</strong> individual items generally more<br />

detailed than in a class list.22. {D= Reper<strong>to</strong>rium; Es=<br />

inventario analítico; F= réper<strong>to</strong>ire numérique détaillé}.<br />

descrip<strong>to</strong>r {E;Es} * 1) In CD-ROM production, a structure<br />

containing descriptive information about a volume or file,<br />

or a word or title used <strong>to</strong> identify a specific<br />

document.(20.10.) 2) Term in a <strong>the</strong>saurus which may be<br />

used <strong>to</strong> represent a concept in a document or in a request<br />

for retrieval.(06.) {D= Deskrip<strong>to</strong>r; F= descripteur}.<br />

desecante {Es} * see desiccant {E}.<br />

desempolvar {Es} * see dusting {E}.<br />

desenfocado {Es} * see blur {E}.<br />

desenfocado artistico {Es} * see s<strong>of</strong>t focus {E}.<br />

desenfocado de la imagen {Es} * see blur {E}.<br />

72<br />

desenfoque momentáneo {Es} * see breathing {E}.<br />

déséquilibre {F} * see imbalance {E}.<br />

desfasado {Es} * see out <strong>of</strong> phase {E}.<br />

desfase diferencial {Es} * see differential phase {E}.<br />

desgaste natural {Es} * see fair-use {E}.<br />

deshecho {Es} * see outtake {E}.<br />

deshechos desmontables (res<strong>to</strong>s deshechables) {Es} *<br />

see loose debris {E}.<br />

deshumedecer {Es} * see dehumidify {E}.<br />

deshumidificar {Es} * see dehumidify {E}.<br />

déshumidifier {F} * see dehumidify {E}.<br />

desiccant {E} * A non-volatile chemical which absorbs<br />

moisture from <strong>the</strong> surrounding atmosphere. Silica gel is<br />

<strong>the</strong> desiccant typically employed <strong>to</strong> keep documents,<br />

pho<strong>to</strong>graphs, and o<strong>the</strong>r materials dry while in exhibit cases<br />

in humid surroundings. Silica gel can be regenerated by<br />

heating.05. {D= ?; Es= desecante; F= dessicateur}.<br />

designación de materiales bibliográficos {Es} * see case<br />

(1) {E}.<br />

designador general del material {Es} * see general<br />

material designa<strong>to</strong>r (GMD) {E}.<br />

désignation matériel {F} * see specific materials designa<strong>to</strong>r<br />

{E}.<br />

desigualdad de ganancia {Es} * see gain inequality {E}.<br />

desincronizado {Es} * see out <strong>of</strong> sync {E}.<br />

desinfectar {Es} * see disinfect; disinfest {E}.<br />

désinfecter {F} * see disinfect {E}.<br />

Desinfektion {D} * see fumigation {E}.<br />

desinfizieren {D} * see disinfect {E}.<br />

désinsectiser {F} * see disinfest {E}.<br />

Deskrip<strong>to</strong>r {D} * see descrip<strong>to</strong>r {E;Es}.<br />

deslaminación {Es} * see delamination {E}.<br />

deslustre {Es} * see tarnish {E}.<br />

desmagnetización {Es} * see demagnetization {E}.<br />

desmagnetización espontánea {Es} * see selfdemagnetization<br />

{E}.<br />

desmagnetizador {Es} * see demagnetizer {E}.<br />

desmagnetizador de cabezales {Es} * see head<br />

demagnetizer {E}.<br />

desnitración {Es} * see denitration {E}.<br />

desnivel {Es} * see <strong>of</strong>fset {E}.<br />

desplazamien<strong>to</strong> de cinta {Es} * see stepped pack {E}.<br />

desplazamien<strong>to</strong> de fase {Es} * see phase shift {E}.<br />

desplazamien<strong>to</strong> H {Es} * see H-shift {E}.<br />

desplazamien<strong>to</strong> lateral {Es} * see pop-stranding {E}.


desprendimen<strong>to</strong> de oxido {Es} * see oxide shedding {E}.<br />

desprendimien<strong>to</strong> (de partículas de óxido de una cinta<br />

magnética) {Es} * see shedding {E}.<br />

desprendimien<strong>to</strong> {Es} * see dropout {E}.<br />

desprendimien<strong>to</strong> de la emulsión {Es} * see frilling {E}.<br />

desprendimien<strong>to</strong> de oxido por presion {Es} * see blocking<br />

{E}.<br />

desprendimien<strong>to</strong> de óxido por presión {Es} * see blocking<br />

{E}.<br />

dessicateur {F} * see desiccant {E}.<br />

dessin au fusain {F} * see charcoal drawing {E}.<br />

dessin industriel {F} * see technical drawing {E}.<br />

destruction {E} * The disposal <strong>of</strong> materials by<br />

destruction.(22.23.) {D= Kassation; Aktenvernichtung; Es=<br />

eliminación; F= élimination}.<br />

desvanecimien<strong>to</strong> {Es} * see fade {E}.<br />

desviación {Es} * see <strong>of</strong>fset {E}.<br />

désynchronisé {F} * see out <strong>of</strong> sync; asynchronous {E}.<br />

detail shot {E} * In moving-image productions, usually<br />

more magnified than a close-up. A shot <strong>of</strong> a hand or eye<br />

or mouth or anything <strong>of</strong> similar size.(30.) {D= ?; Es= <strong>to</strong>ma<br />

de detalle; F= plan de détail}.<br />

detalle {Es} * see detail {E}.<br />

deteccción y corrección de errores {Es} * see error<br />

detection and correction {E}.<br />

detección de error {Es} * see error detection {E}.<br />

détecteur de fin de bande .{F}. see end-<strong>of</strong>-tape<br />

marker/sensor .{E}.<br />

détecteur de temps codé {F} * see Time Code Reader<br />

(TCR) {E}.<br />

détection d'erreurs {F} * see error detection {E}.<br />

détection et correction d'erreurs {F} * see error detection<br />

and correction {E}.<br />

deterioración {Es} * see deterioration {E}.<br />

deterioration {E} * The gradual ageing and ultimate<br />

destruction <strong>of</strong> materials due <strong>to</strong> <strong>the</strong> action <strong>of</strong> chemical,<br />

biological, and physical processes.24. {D= Zerfall;<br />

Beschädigung; Es= deterioro; degradación; deterioración;<br />

F= détérioration}.<br />

détérioration {F} * see deterioration {E}.<br />

deterioro {Es} * see deterioration {E}.<br />

de<strong>to</strong>nador {Es} * see squib {E}.<br />

dé<strong>to</strong>urage {F} * see cropping {E}.<br />

deux pistes {F} * see half-track; two track {E}.<br />

deuxième original {F} * see second original {E}.<br />

developer {E} * In pho<strong>to</strong>graphic work, <strong>the</strong> chemical solution<br />

used <strong>to</strong> turn <strong>the</strong> latent image in<strong>to</strong> a visible image on<br />

exposed films; see also developing.(09.) {D= Entwickler;<br />

Es= revelador; F= révélateur}.<br />

73<br />

dévelopeuse grande vitesse {F} * see high-speed printer<br />

{E}.<br />

developing {E} * The process by which latent images on<br />

exposed pho<strong>to</strong>sensitive materials are rendered visible, as<br />

<strong>the</strong> first step in pho<strong>to</strong>graphic processing. A developer,<br />

consisting <strong>of</strong> such substances as chemical reagents, dry<br />

powders, water, or gas, is used <strong>to</strong> convert <strong>the</strong> latent<br />

images <strong>to</strong> visible ones. Liquid developers, such as<br />

developer, contain chemical agents for reducing <strong>the</strong><br />

density <strong>of</strong> images on materials sensitized with silver<br />

gelatin.01. {D= Entwickeln; Es= revelado; F=<br />

développement}.<br />

developing-out-paper (DOP) {E} * A sensitized paper for<br />

contact printing or enlarging in which <strong>the</strong> image is realized<br />

by a chemical developing step.42. {D= ?; Es= papel<br />

fo<strong>to</strong>gráfico para revelado direc<strong>to</strong>; F= papier à<br />

développement direct}.<br />

development {E} * The chemical process which brings out<br />

<strong>the</strong> latent image in film. If a film has been under--exposed<br />

it can later be overdeveloped <strong>to</strong> somewhat regain <strong>the</strong><br />

balance <strong>of</strong> light and dark. In available light colour<br />

pho<strong>to</strong>graphy it is <strong>of</strong>ten necessary <strong>to</strong> push <strong>the</strong> film a few<br />

's<strong>to</strong>ps' in development (or over-develop it) in order <strong>to</strong> get<br />

a balanced image; see also exposure; speed.30. {D=<br />

Entwicklung; Es= revelado; F= développement}.<br />

développement (gestion) des collections {F} * see<br />

collection development {E}.<br />

développement {F} * see developing; processing {E}.<br />

développement continu à immersion {F} * see fullimmersion<br />

continuous printer {E}.<br />

développement poussé {F} * see forced processing {E}.<br />

développeuse {F} * see processor {E}.<br />

déviation de la bande {F} * see tape skew {E}.<br />

dew point {E} * 1) The surface temperature at which<br />

moisture begins <strong>to</strong> condense on a surface. The more<br />

humid <strong>the</strong> air, <strong>the</strong> higher <strong>the</strong> dew-point temperature. 2)<br />

The temperature at which vapour condenses in<strong>to</strong> liquid;<br />

see also relative humidity. (53.) {D= Taupunkt; Es= pun<strong>to</strong><br />

de condensación; F= point de rosée}.<br />

DEZ {E} * see diethyl zinc.<br />

Dezibel {D} * see deciBel (dB) {E}.<br />

dezimal {D} * see decimal {E}.<br />

Dia {D} * see transparency {E}.<br />

diacetate de cellulose {F} * see cellulose diacetate {E}.<br />

diaceta<strong>to</strong> de celulosa {Es} * see cellulose diacetate {E}.<br />

diafonía {Es} * see crosstalk {E}.<br />

diafonía estere<strong>of</strong>ónica {Es} * see stereophonic crosstalk<br />

{E}.<br />

diafragma {Es} * see diaphragm (1) {E}.<br />

diafragma iris {Es} * see iris {E}.<br />

diagrama de cromaticidad CIE {Es} * see CIE chromaticity<br />

diagram {E}.<br />

diagramme chromatique CIE {F} * see CIE chromaticity<br />

diagram {E}.<br />

diamètre du disque .{F}. see disk size .{E}.


diamètre du disque {F} * see disk size {E}.<br />

Diamond Disc {D;E;Es;F} * The name given <strong>to</strong> <strong>the</strong><br />

Edison Company's double-sided disc recording, marketed<br />

from 1913 <strong>to</strong> 1929. For <strong>the</strong> most part Diamond Discs were<br />

10-inch, 80-RPM, acoustic, vertical cut, laminated discs.<br />

Their surface was <strong>of</strong> Condensite bonded <strong>to</strong> a pressed<br />

maple wood flour core, resulting in a disc which weighs<br />

approximately one pound and is approximately ¼-inch<br />

thick. Until 1922 <strong>the</strong> Diamond Discs were labelled as<br />

Recreations; after 1922 <strong>the</strong>y were simply called Edison<br />

Records. Until <strong>the</strong> end <strong>of</strong> WW I <strong>the</strong> discs had impressed,<br />

or etched, labels; after WW I <strong>the</strong>y had black and white<br />

paper labels. Edison's Long Playing Records appeared in<br />

1926 and had distinctive gold labels.(14.)<br />

diaphonie {F} * see crosstalk {E}.<br />

diaphonie stéréophonique {F} * see stereophonic crosstalk<br />

{E}.<br />

diaphonie? {F} * see feed through {E}.<br />

diaphragm {E} * 1) In pho<strong>to</strong>graphic processes, an<br />

adjustable opening mounted behind <strong>the</strong> elements <strong>of</strong> a lens<br />

used <strong>to</strong> control <strong>the</strong> amount <strong>of</strong> light that reaches <strong>the</strong> film;<br />

usually calibrated in f-numbers.(09.) 2) In audio recording<br />

and reproducing, <strong>the</strong> membrane in an acoustic audio<br />

cylinder or disc machine's reproducer, recorder, or soundbox<br />

that vibrated with <strong>the</strong> sound fed <strong>to</strong> it from <strong>the</strong> groove<br />

through <strong>the</strong> stylus and which was <strong>the</strong>n amplified by <strong>the</strong><br />

horn. Many varied materials were used, including glass,<br />

mica, copper, and aluminium. The sound could be altered<br />

by adjusting <strong>the</strong> pressure <strong>of</strong> <strong>the</strong> gaskets on <strong>the</strong><br />

diaphragm's periphery.(14.) {D= 1) Blende; Iris; 2)<br />

Membran; Schallblech; Es= 1) diafragma; 2) membrana;<br />

F= diaphragme; membrane}.<br />

diaphragm gaskets {E} * Rings <strong>of</strong> metal, rubber, cork,<br />

paper, felt, etc., which held <strong>the</strong> diaphragm at its periphery,<br />

sealing it, and preventing it from <strong>to</strong>uching <strong>the</strong> casing <strong>of</strong> <strong>the</strong><br />

reproducer or sound box.(14.) {D= ?; Es= juntas para<br />

diafragmas; F= joints de diaphragme}.<br />

diaphragme {F} * see diaphragm; numerical aperture (NA)<br />

{E}.<br />

Diapositiv {D} * see lantern slide; slide; transparency {E}.<br />

Diapositiv-Wechselschlitten {D} * see slide mount {E}.<br />

diapositiva (de proyección) {Es} * see lantern slide {E}.<br />

diapositiva {Es} * see lantern slide; slide; transparency {E}.<br />

diapositiva estereoscópica {Es} * see stereoscopic slide<br />

{E}.<br />

diapositive {F} * see lantern slide; slide; transparency {E}.<br />

diarcinema<strong>to</strong>gráfico {Es} * see newsreel {E}.<br />

diario cinema<strong>to</strong>gráfico {Es} * see newsreel {E}.<br />

diascope {E;F} * A specialized device which attaches <strong>to</strong><br />

<strong>the</strong> front <strong>of</strong> a video camera <strong>to</strong> project test images directly<br />

in<strong>to</strong> <strong>the</strong> camera. {D= ?; Es= diascopio; F= diascope;<br />

(projecteur de vues fixes)}.<br />

diascope; (projecteur de vues fixes) {F} * see diascope {E}.<br />

diascopio {Es} * see diascope {E}.<br />

diazo {E;Es;F} * A light-sensitive reproduction process<br />

used <strong>to</strong> make pho<strong>to</strong>composition pro<strong>of</strong>s on translucent<br />

materials.10. {D= Diazo}.<br />

diazo film {E} * A slow-print film sensitized by a coating <strong>of</strong><br />

diazonium salts, which, subsequent <strong>to</strong> exposure <strong>to</strong> light<br />

74<br />

which is strong in <strong>the</strong> blue <strong>to</strong> ultraviolet spectrum, forms an<br />

image. Diazo film generally produces non-reversed images<br />

(i.e., a positive image will be reproduced as a positive<br />

image and a negative image will be reproduced as a<br />

negative image).28. {D= Diaz<strong>of</strong>ilm; Es= película diazo; F=<br />

film diazo}.<br />

Diazo {D} * see diazo {E}.<br />

Diaz<strong>of</strong>ilm {D} * see diazo film {E}.<br />

dibujo a tiza blanca {Es} * see chalk drawing {E}.<br />

dibujo al carboncillo {Es} * see charcoal drawing {E}.<br />

dibujo técnico {Es} * see technical drawing {E}.<br />

Dichroic filter {E} * A type <strong>of</strong> colour filter that passes certain<br />

colours, but blocks o<strong>the</strong>rs. {D= ?; Es= filtro dicroíco; F=<br />

filtre dichroïque.<br />

Dichroic mirror {E} * A type <strong>of</strong> front-surfaced colour filter<br />

that passes certain colours, but reflects o<strong>the</strong>rs. {D= ?; Es=<br />

espejo dicroíco; F= mirroir dichroïque; filtre dichroïque}.<br />

Dichte {D} * see density {E}.<br />

Dicke {D} * see thickness {E}.<br />

Dickte {D} * see densi<strong>to</strong>meter {E}.<br />

didáctica {Es} * see educational film/video {E}.<br />

dièdre {F} * see dihedral {E}.<br />

diedro {Es} * see dihedral {E}.<br />

diegesis à semiological {E;F} * The sum <strong>of</strong> <strong>the</strong> denota-tive<br />

material <strong>of</strong> a film.(30.) {D= ?; Es= denotativo <strong>to</strong>tal de una<br />

película}.<br />

diethyl zinc (DEZ) {E} * A volatile organometallic<br />

compound used <strong>to</strong> both neutralize and buffer paper by<br />

adding zinc oxide deposits. {D= ?; Es= dietilzinc (DEZ); F=<br />

diéthyle de zinc}.<br />

diéthyle de zinc {F} * see diethyl zinc (DEZ) {E}.<br />

dietilzinc (DEZ) {Es} * see diethyl zinc (DEZ) {E}.<br />

diferencial {Es} * see differential {E}.<br />

differential {E} * The digital data encoding tech-nique in<br />

which <strong>the</strong> difference from bit <strong>to</strong> bit forms <strong>the</strong> basis <strong>of</strong><br />

encoding.39. {D= differential; Es= diferencial; F=<br />

différential}.<br />

differential gain {E} * The difference in saturation level that<br />

can occur between low luminance colours (e.g. blue) and<br />

high luminance colours (e.g. yellow). A stair step genera<strong>to</strong>r<br />

is used <strong>to</strong> check and adjust for differential gain. {D= ?; Es=<br />

ganancia diferencial; F= gain différentiel}.<br />

differential phase {E} * The errors in hue that can occur<br />

between low luminance colours (e.g. blue) and high<br />

luminance colours (e.g. yellow). In video. {D= ?; Es=<br />

desfase diferencial; F= phase différentielle}.<br />

Differential {D} * see differential {E}.<br />

différentiel {F} * see differential {E}.<br />

diffraction {E;F} * A modification in light or sound in which<br />

<strong>the</strong> incident rays are def-beam LASER pickups <strong>to</strong> split <strong>the</strong><br />

LASER beam in<strong>to</strong> secondary beams <strong>to</strong> be used for<br />

tracking.(39.) {D= Diffraktionsgitter; ?; Es= red [rejilla]<br />

difrac<strong>to</strong>ra; F= grille de diffraction; réseau}.


Diffraktion {D} * see diffraction {E;F}.<br />

Diffraktionsgitter {D} * see diffraction grating {E}.<br />

diffuser {E} * A gelatin plate which is placed in front <strong>of</strong> a<br />

light <strong>to</strong> change <strong>the</strong> quality <strong>of</strong> <strong>the</strong> light; see scrim; gobo;<br />

flag.30. {D= Tüll; Es= difusor; difusíon; F= écran diffuseur;<br />

diffuseur}.<br />

diffuseur {F} * see diffuser; scrim {E}.<br />

diffusion {F} * see broadcast {E;F}.<br />

diffusion transfer process {E} * Any image transfer process<br />

in which image-forming materials, such as silver salt or<br />

dye, move from one surface <strong>to</strong> ano<strong>the</strong>r through a thin<br />

liquid layer. A transfer process in which <strong>the</strong> negative and<br />

positive images are formed at approximately <strong>the</strong> same<br />

time is termed a diffusion transfer reversal process.(01.)<br />

{D= ?; Es= proceso de difusión por transferencia; F=<br />

processus de transfert par diffusion}.<br />

difracción {Es} * see diffraction {E;F}.<br />

difusión {Es} * see broadcast {E;F}; diffuser {E}.<br />

difusor {Es} * see diffuser {E}.<br />

dig {E} * see chip.<br />

digital {E;Es;F}. * The use <strong>of</strong> numbers, typically binary<br />

numbers, <strong>to</strong> represent information.39. {D= Digital}.<br />

digital audio {E} * The use <strong>of</strong> sampling and quantitization<br />

techniques <strong>to</strong> s<strong>to</strong>re or transmit audio information.39. {D=<br />

digitales Audio; Es= audio digital; F= audionumérique}.<br />

digital audio tape (DAT) {E} * A magnetic tape format<br />

which can be digitally encoded with sound from a source<br />

using <strong>the</strong> digital recording process and played back on a<br />

machine capable <strong>of</strong> 'reading' or decoding <strong>the</strong> tape; see<br />

also digital recording; R-DAT.(04.) {D= digitales Tonband;<br />

Es= cinta audio digital; F= bande audionumérique}.<br />

digital BetaCam {E} * Ano<strong>the</strong>r <strong>of</strong> <strong>the</strong> several digital video<br />

formats except that it is unique in that it is <strong>the</strong> only format<br />

capable <strong>of</strong> playing back its analogue predecessor<br />

(BetaCam SP). The added capability <strong>of</strong> being able <strong>to</strong><br />

record and playback component digital signals is its added<br />

advantage over BetaCam SP. {D= ?; Es= BetaCam<br />

digital; F= Bétacam numérique}.<br />

digital codes {E} * see digital recording.<br />

digital disc {E} * A disc which is used <strong>to</strong> s<strong>to</strong>re digital data.<br />

{D= digitale Platte; Es= disco digital; F= disque<br />

numérique}.<br />

digital filter {E} * Any filter accom-plished in <strong>the</strong> digital<br />

domain.39. {D= digitales Filter; Es= filtro digital; F= filtre<br />

numérique}.<br />

digital optical recording (DOR) {E} * A capturing <strong>of</strong> data<br />

through <strong>the</strong> digital process on<strong>to</strong> a disc or o<strong>the</strong>r optical<br />

media which has <strong>the</strong> data fixed as a series <strong>of</strong> pits that are<br />

recorded and read by a focused LASER beam; see also<br />

digital recording; LASER disc. {D= digitale optische<br />

Aufzeichnung; Es= Cinta de Componente Digital; F=<br />

enregistrement optique numérique}.<br />

digital recording {E} * 1) The process where data is<br />

transformed in<strong>to</strong> continuously variable voltages and <strong>the</strong><br />

resulting digital data is captured in a variety <strong>of</strong> forms, such<br />

as compact disc, digital audio tape, digital disc. 2) A sound<br />

recording made by <strong>the</strong> digital recording process whereby<br />

<strong>the</strong> source sound (or, in some instances, its analogue) is<br />

transduced/transformed in<strong>to</strong> continuously variable<br />

voltages; <strong>the</strong> voltage amplitude is measured, for cur-record<br />

75<br />

cutting stylus or analogue tape recording head.<br />

Reproduction <strong>of</strong> <strong>the</strong>se recording formats involves tracing<br />

or reading <strong>the</strong> s<strong>to</strong>red patterns and converting <strong>the</strong>m <strong>to</strong><br />

varying voltages which cause a speaker diaphragm <strong>to</strong> emit<br />

a pattern <strong>of</strong> sound pressures which resemble <strong>the</strong> original<br />

sound.04. 3) The recording resulting from ei<strong>the</strong>r such<br />

process. {D= digitales Aufzeichnungsverfahren;<br />

Digitalaufnahme; Es= grabación digital; F= enregistrement<br />

numérique}.<br />

digital signal {E} * Any signal which is quantized at discrete<br />

points in time.39. {D= digitales Signal; Es= señal digital; F=<br />

signal numérique}.<br />

digital video interactive (DVI) {E} * A technology for an<br />

interac-tive all-digital system that can work with and<br />

display any kind <strong>of</strong> audiovisual material, including movingimages,<br />

still-images, audio, graphics, computer data, or<br />

text. Materials can be placed on any digital s<strong>to</strong>rage<br />

medium. In such a system seventy-two (72) minutes <strong>of</strong> full<br />

screen, full-motion video is possible on a standard<br />

compact disc; see also CD-. (10.) {D= ?; Es= vídeo<br />

interactivo digital; F= vidéo numérique interactive}.<br />

Digital {D} * see digital {E;F}.<br />

Digital a Analógico {Es} * see D-A {E}.<br />

Digital Analogue Converter {E} * Electronic circuitry which<br />

converts digital information in<strong>to</strong> its corresponding analogue<br />

form. {D= ?; Es= Convertidor de Analógico a Digital; F=<br />

convertisseur numérique analogique}.<br />

Digital Component Tape (DCT) {E} * A proprietary<br />

videotape format developed as a production format by<br />

Ampex. Based upon 19mm cassette, available in three<br />

sizes, 30 minutes, 90 minutes, and 208 minutes, it has four<br />

digital audio channels plus an analogue cue track. The<br />

machine also has <strong>the</strong> capability <strong>of</strong> switching between<br />

525/60 and 625/50 internally making it a dual standard<br />

machine. DCT uses what is generally considered <strong>to</strong> be a<br />

conservative form <strong>of</strong> signal compression. General<br />

consensus is that among <strong>the</strong> advantages <strong>of</strong> DCT is <strong>the</strong><br />

long record time, and very fast wind and rewind time due<br />

<strong>to</strong> an air pressure transport mechanism. The equipment<br />

also contains a 3.5 inch floppy disk drive for loading<br />

s<strong>of</strong>tware changes. {D= ?; Es= Cinta de Componente<br />

Digital; F= Bande numérique composante}.<br />

digital-analog Wandler {D} * see digital-<strong>to</strong>-analogue<br />

converter (DAC)(DA) {E}.<br />

digital-<strong>to</strong>-analogue converter (DAC)(DA) {E} * An electronic<br />

device used at <strong>the</strong> output <strong>of</strong> digital audio equipment <strong>to</strong><br />

convert digital numbers representing level and frequency<br />

information back <strong>to</strong> a continuously varying analogue<br />

electrical signal for playback.04. {D= digital-analog<br />

Wandler; Es= convertidor de analógico a digital; F=<br />

convertisseur numérique-analogique}.<br />

Digitalaufnahme {D} * see digital recording {E}.<br />

digitale optische Aufzeichnung {D} * see digital optical<br />

recording (DOR) {E}.<br />

digitale Platte {D} * see digital disc {E}.<br />

digitales Audio {D} * see digital audio {E}.<br />

digitales Aufzeichnungsverfahren {D} * see digital<br />

recording {E}.<br />

digitales Filter {D} * see digital filter {E}.<br />

digitales Signal {D} * see digital signal {E}.<br />

digitales Tonband {D} * see digital audio tape (DAT) {E}.


Digitalisirerung {D} * see digitization {E}.<br />

digitalización {Es} * see digitization {E}.<br />

digitization {E} * The conversion <strong>of</strong> analogue information<br />

in<strong>to</strong> a digital form.(39.) {D= Digitalisirerung; Es=<br />

digitalización; F= numérisation}.<br />

dígi<strong>to</strong> binario {Es} * see binary digit (BIT) {E}.<br />

dígi<strong>to</strong> decimal codificado binariamente {Es} * see binary<br />

coded decimal {E}.<br />

dígi<strong>to</strong> más significativo {Es} * see most significant bit<br />

(MSB) {E}.<br />

dígi<strong>to</strong> menos significativo {Es} * see least significant bit<br />

(LSB) {E}.<br />

dihedral {E} * ?? When <strong>the</strong> two heads in a videotape<br />

machine are not exactly 180 degrees apart, an error<br />

results which results in <strong>the</strong> <strong>to</strong>p <strong>of</strong> each successive video<br />

field <strong>to</strong> be displaced by a small amount. {D= ?; Es= diedro;<br />

F= dièdre}.<br />

diodo electroluminiscente {Es} * see light emitting diode<br />

(LED) {E}.<br />

diodo semiconduc<strong>to</strong>r {Es} * see light emitting diode (LED)<br />

{E}.<br />

diorama {E;Es;F}. * A three-dimensional representation <strong>of</strong><br />

a scene created by placing objects , figures, etc., in front<br />

<strong>of</strong> a two-dimensional painted background.03. {D= ?; F=<br />

maquette}.<br />

dióxido de cromo {Es} * see chromium dioxide {E}.<br />

dirección {Es} * see address {E;F}.<br />

dirección longitudinal {Es} * see longitudinal direction {E}.<br />

direct {F} * see live {E}.<br />

direct access (computer files) {E} * The use <strong>of</strong> computer<br />

files via carriers (e.g., disks, cassettes, cartridges)<br />

designed <strong>to</strong> be inserted in<strong>to</strong> a computer or its auxiliary<br />

equipment by <strong>the</strong> user; see also remote access (computer<br />

files).(03.) {D= ?; Es= acceso direc<strong>to</strong> (archivos de un<br />

ordenador); F= accès direct}.<br />

direct image film {E} * A duplicating film which, with<br />

conventional processing, retains <strong>the</strong> same polarity as <strong>the</strong><br />

original or <strong>the</strong> previous film generation, i.e., a negative is<br />

generated from a negative or a positive generated from a<br />

positive. Sometimes call-reversing film'; see also image<br />

reversing film.01. {D= ?; Es= película de imagen directa;<br />

F= film irréversible; irréversible}.<br />

direct metal mastering (DMM) {D;E;F} * An alternative Lp<br />

or CD mastering process wherein <strong>the</strong> recording is made<br />

directly on<strong>to</strong> <strong>the</strong> metal part. {D= ?; Es= grabación directa<br />

en al zona metálica; F= distributeur}.<br />

direct positive {E} * Unique pho<strong>to</strong>graph for which <strong>the</strong>re is<br />

no negative; image is laterally reversed but <strong>to</strong>nal range<br />

correctly approximates object pho<strong>to</strong>graphed. A tintype is<br />

an example <strong>of</strong> a direct positive image.43. {D=<br />

Aufnahmegruppe; Es= copia (positivo) por contac<strong>to</strong>; copia<br />

por contac<strong>to</strong>; F= positif direct; épreuve contact}.<br />

direct print {E} * see also direct positive.<br />

direct read after write (DRAW) {D;E;Es;F} * A recording<br />

system in which data may be written (recorded) and<br />

immediately read (played back.01<br />

direct reversal film {E} * see reversal film.<br />

76<br />

direct sound {E} * In moving-image production, <strong>the</strong><br />

technique <strong>of</strong> recording sound at <strong>the</strong> same time as <strong>the</strong><br />

image is pho<strong>to</strong>graphed.(30.) {D= ?; Es= sonido direc<strong>to</strong>; F=<br />

son direct (piste son sur pellicule)}.<br />

direct <strong>to</strong> disc recording {E} * A contemporary audio<br />

recording process which eliminates intermediate taping<br />

stages and o<strong>the</strong>r procedures --such as recording <strong>to</strong><br />

multitrack magnetic tape, mix-down, special equalization,<br />

etc.-- and returns, in a sense, <strong>to</strong> <strong>the</strong> form <strong>of</strong> disc recording<br />

in use before World War II, engraving <strong>the</strong> analogue <strong>of</strong> <strong>the</strong><br />

signal directly on<strong>to</strong> a blank master disc.(04.) {D=<br />

Direktschnitt; Es= grabación directa al disco; F=<br />

enregistrement direct sur disque}.<br />

directa {Es} * see contact copy {E}.<br />

directeur {F} * see direc<strong>to</strong>r {E;Es}.<br />

directeur artistique {F} * see art direc<strong>to</strong>r {E}.<br />

directeur de la pho<strong>to</strong>graphie {F} * see cinema<strong>to</strong>graphy;<br />

lighting cameraman {E}.<br />

direction d'orientation {F} * see orientation direction {E}.<br />

direction longitudinale {F} * see longitudinal direction {E}.<br />

direc<strong>to</strong> {Es} * see live {D;E}.<br />

direc<strong>to</strong>ire racine ? (CD-I) {F} * see root direc<strong>to</strong>ry {E}.<br />

direc<strong>to</strong>r (de escena) {Es} * see metteur en scene {E;F}.<br />

direc<strong>to</strong>r {E;Es} * The person who has overall responsibility<br />

for interpreting meaning and expression during production<br />

<strong>of</strong> a moving-image production. The extent <strong>of</strong> <strong>the</strong> direc<strong>to</strong>r's<br />

involvement can depend upon <strong>the</strong> individual, or production<br />

company, or practices within <strong>the</strong> country concerned.12.<br />

{D= Regisseur; F= directeur; metteur en scène;<br />

réalisateur}.<br />

direc<strong>to</strong>r de decorado {Es} * see art direc<strong>to</strong>r {E}.<br />

direc<strong>to</strong>r de escena {Es} * see art direc<strong>to</strong>r {E}.<br />

direc<strong>to</strong>r de escenografía {Es} * see art direc<strong>to</strong>r {E}.<br />

direc<strong>to</strong>r de fo<strong>to</strong>grafía {Es} * see lighting cameraman {E}.<br />

direc<strong>to</strong>r <strong>of</strong> pho<strong>to</strong>graphy {E} * see cinema<strong>to</strong>grapher.<br />

direc<strong>to</strong>rio {Es} * see direc<strong>to</strong>ry {E}.<br />

direc<strong>to</strong>rio principal {Es} * see root direc<strong>to</strong>ry {E}.<br />

direc<strong>to</strong>rio raíz {Es} * see root direc<strong>to</strong>ry {E}.<br />

direc<strong>to</strong>ry {E} * 1) A listing <strong>of</strong> <strong>the</strong> files s<strong>to</strong>red in a computer.<br />

2) The most general division <strong>of</strong> a CD-I's programme<br />

area.(39.10.) {D= ?; Es= direc<strong>to</strong>rio; F= réper<strong>to</strong>ire}.<br />

Direktschnitt {D} * see direct recording; direct <strong>to</strong> disc<br />

recording {E}.<br />

disaster control plan {E} * The policies, procedures, and<br />

arrange-ments intended <strong>to</strong> be put in<strong>to</strong> effect by an<br />

institution, organiza-tion, or archives in <strong>the</strong> event <strong>of</strong> a<br />

natural or man-made disaster; see also vital records<br />

management.22. A contingency plan for libraries and<br />

archives on what <strong>to</strong> do in case <strong>of</strong> various disasters (fire,<br />

flood, etc.). Such a plan should include provisions for<br />

prevention <strong>of</strong> such disasters, salvage procedures in case<br />

a disaster should occur, and replacement/res<strong>to</strong>ration<br />

measures <strong>to</strong> be taken.24. {D= Katastrophenplan;<br />

Notstandsplanung; Notstandsplan; Es= plan de<br />

emergencia; F= plan d'urgence}.


disaster planning {E} * see disaster control plan {E}.<br />

disc {E;F} * This spelling is used in o<strong>the</strong>r than computer<br />

technology: a flat, circular object used as a mechanical,<br />

optical, or magnetic s<strong>to</strong>rage medium; see also audio disc;<br />

CD-ROM; compact disc; disk; videodisc.(39.) {D= Platte;<br />

Schallplatte; Es= disco; F= disque}.<br />

disc drive {D;E} * Mechanism for sup-porting and rotating<br />

a disc.39. {Es= lec<strong>to</strong>r de disco (-s); F= unité<br />

lecteur/enregistreur de disque dur; lecteur de disque<br />

optique}.<br />

disc laque {F} * see shellac record {E}.<br />

disc mastering {E} * see mastering.<br />

disco (fonográfico) {Es} * see platter (1) {E}.<br />

disco {Es} * see disc {E;F}; disk {E}.<br />

disco compac<strong>to</strong> {Es} * see compact disc (CD) {E}.<br />

disco compac<strong>to</strong> de arquitecura extendida sólo lec<strong>to</strong>r de<br />

memoria {Es} * see compact disc-read only memory<br />

extended architecture (CD-ROM XA) {D;E}.<br />

disco compac<strong>to</strong> de escritura única {Es} * see compact<br />

disc-write -once (CD-WO) {D;E}.<br />

disco compac<strong>to</strong> de extensión interactiva {Es} * see<br />

compact disc-interactive extended (CD-IX) {D;E}.<br />

disco compac<strong>to</strong> de sistema operativo a tiempo real {Es} *<br />

see compact disc-real -time operating system (CD-RTOS)<br />

{D;E}.<br />

disco compac<strong>to</strong> interactivo {Es} * see compact discinterac-tive<br />

(CD-I) {D;E}.<br />

disco compac<strong>to</strong> sólo lec<strong>to</strong>r de memoria programable {Es}<br />

* see compact disc-programmable read only memory (CD-<br />

PROM) {D;E}.<br />

disco compac<strong>to</strong> sólo lec<strong>to</strong>r de memoria {Es} * see compact<br />

disc-read only memory (CD-ROM) {D;E}.<br />

disco compac<strong>to</strong> y vídeo {Es} * see compact disc-video<br />

(CD-V) {D;E}.<br />

disco compac<strong>to</strong>+gráficos {Es} * see compact<br />

disc+graphics (CD+G) {D;E}.<br />

disco compac<strong>to</strong>+midi {Es} * see compact disc+midi<br />

(CD+MIDI) {D;E}.<br />

disco compac<strong>to</strong>-3 {Es} * see compact disc-3 (CD-3) {D;E}.<br />

disco compac<strong>to</strong>-audio digital {Es} * see compact discdigital<br />

audio (CD-DA) {D;E}.<br />

disco de aluminio {Es} * see aluminium disc {E}.<br />

disco de cera {Es} * see wax disc {E}.<br />

disco de cristal (grabación de CD) {Es} * see glass master<br />

{D;E}.<br />

disco de demostración {Es} * see demo-disc {E}.<br />

disco de goma laca {Es} * see shellac record {E}.<br />

disco de prueba {Es} * see test disc {E}.<br />

disco de reproducción inmediata (instantánea) {Es} * see<br />

instantaneous disc {E}.<br />

disco de una sola cara (grabadora) {Es} * see single sided<br />

77<br />

disc {E}.<br />

disco de vinilo {Es} * see vinyl disc {E}.<br />

disco digital {Es} * see digital disc {E}.<br />

disco electrónico capacitivo {Es} * see capacitance<br />

electronic disc (CED) {E}.<br />

disco en blanco {Es} * see blank (2) {E}.<br />

disco especial para radiodifusión {Es} * see transcription<br />

disc {E}.<br />

disco flexible {Es} * see floppy disk {E}.<br />

disco laminado {Es} * see laminated disc {E}.<br />

disco laqueado {Es} * see lacquer disc {E}.<br />

disco láser {Es} * see LASER disc {E}.<br />

disco magnético {Es} * see magnetic disk {E}.<br />

disco matriz {Es} * see master disc {E}.<br />

disco Nipkow {Es} * see Nipkow disk {E}.<br />

disco óptico {Es} * see optical disc {E}.<br />

disco patrón {Es} * see fa<strong>the</strong>r {E}.<br />

disco perforado {Es} * see perforated disc {E}.<br />

disco reproducido desde el centro hacia afuera {Es} * see<br />

centre start disc (CS) {E}.<br />

disco sencillo en CD {Es} * see CD-single {E}.<br />

disco sin grabar {Es} * see blank (2) {E}.<br />

disco sonora {Es} * see record; sound recording {E}.<br />

disco verde {Es} * see green disc {E}.<br />

disco virgen {Es} * see blank (2) {E}.<br />

discografía {Es} * see discography {E}.<br />

discographie {F} * see discography {E}.<br />

discography {E} * Derived from <strong>the</strong> Greek words meaning<br />

disc and <strong>to</strong> write; a bibliography <strong>of</strong> sound recordings.<br />

Though its name implies a listing <strong>of</strong> disc sound recordings,<br />

excluding those on such o<strong>the</strong>r media as tape, wire, and<br />

cylinder, in practice such a listing is generally unders<strong>to</strong>od<br />

<strong>to</strong> include all sound recordings which fall within <strong>the</strong><br />

perimeters established by <strong>the</strong> compiler.(04.) {D=<br />

Diskographie; Diskologie; Es= discografía; F=<br />

discographie}.<br />

discrete time sampling {E} * The technique <strong>of</strong> representing<br />

a wave -form at discrete instants <strong>of</strong> time.39. {D= ?; Es=<br />

muestreo discre<strong>to</strong> del tiempo; F= échantillonnage temporel<br />

discret}.<br />

disec<strong>to</strong>r de imagen {Es} * see image dissec<strong>to</strong>r {E}.<br />

disec<strong>to</strong>r de imagen Farnsworth {Es} * see Farnsworth<br />

image dissec<strong>to</strong>r {E}.<br />

diseñador de materiales especiales {Es} * see specific<br />

materials designa<strong>to</strong>r {E}.<br />

disimulado {Es} * see concealment {E}.<br />

disinfect {E} * To destroy harmful microorganisms or <strong>to</strong><br />

inhibit <strong>the</strong>ir activity.24. {D= desinfizieren; Es= desinfectar;


F= désinfecter}.<br />

disinfest {E} * To eliminate insects, small rodents, or o<strong>the</strong>r<br />

pests.24. {D= Schädlingsbekämpfung; Es= disinfestar; F=<br />

désinsectiser}.<br />

disinfestar {Es} * see disinfest {E}.<br />

disk {E} * This spelling is used in computer technology: a<br />

round magnetic device for s<strong>to</strong>ring information and<br />

programs accessible by computer; may be ei<strong>the</strong>r a rigid<br />

platter (hard disk) or a sheet <strong>of</strong> flexible plastic (floppy disk<br />

or diskette). The disk base is coated with a magnetizable<br />

material on which data can be recorded and s<strong>to</strong>red along<br />

concentric tracks as small magnetic areas forming patterns<br />

<strong>of</strong> binary digits or bits. Information is written on<strong>to</strong> <strong>the</strong> disk,<br />

and read from it in a disk drive, by read/write heads<br />

mounted on arms which move rapidly across <strong>the</strong> disk.<br />

Disks are available in several diameters, <strong>the</strong> most popular<br />

being <strong>the</strong> 3.5-inch and <strong>the</strong> 5.25-inch. {D= Platte; Diskette;<br />

Es= disco; F= disque; disquette}.<br />

disk size {E} * The nominal outside diameter <strong>of</strong> <strong>the</strong> disk<br />

without cartridge, but including a rim or ring.(46.) {D= ?;<br />

Es= tamaño de disco; F= taille; diamètre du disque}.<br />

diskette {E} * see disk; floppy disk.<br />

Diskette {D} * see disk {E}.<br />

Diskographie {D} * see discography {E}.<br />

Diskologie {D} * see discography {E}.<br />

disminución {Es} * see shrinkage {E}.<br />

disminución progresiva de respuesta de la alta frecuencia<br />

{Es} * see high frequency roll-<strong>of</strong>f {E}.<br />

disolvente {Es} * see solvent {E}.<br />

disolvente acuoso {Es} * see aqueous solvent {E}.<br />

disolvente no acuoso {Es} * see nonaqueous solvent {E}.<br />

dispersion {E;F} * Distribution <strong>of</strong> <strong>the</strong> oxide particles within<br />

<strong>the</strong> binder <strong>of</strong> a magnetic tape.(46.) {D= ?; Es= dispersión}.<br />

dispersión {Es} * see dispersion {E;F}.<br />

display case {E} * A piece <strong>of</strong> protective equipment with<br />

transparent surfaces for exhibiting materials; also called<br />

exhibition case; showcase.22.23. {D= Ausstellungsvitrine;<br />

Vitrine; Es= vitrina; F= vitrine}.<br />

disponibilidad de archivos {Es} * see access (3) {E}.<br />

disposal {E} * The removal <strong>of</strong> materials from a collection.<br />

{D= Aussonderung; Skartierung; Es= disposición; arreglo;<br />

distribución; descarga; eliminación; expurgo; tría;<br />

eliminación; F= retraît; enlèvement; action de disposer}.<br />

disposal micr<strong>of</strong>ilming {E} * The use <strong>of</strong> micr<strong>of</strong>ilm or o<strong>the</strong>r<br />

micro-forms <strong>to</strong> save or recover s<strong>to</strong>rage space and<br />

equipment and <strong>the</strong> substitution <strong>of</strong> <strong>the</strong> micr<strong>of</strong>orm for <strong>the</strong><br />

original still-image and/or textual documents which are<br />

destroyed.22.23. {D= Ersatzverfilmung; Es= micr<strong>of</strong>ilmación<br />

de sustitución; F= micr<strong>of</strong>ilmage de substitution}.<br />

disposición {Es} * see disposal<br />

dispositif à transfert de charge (DTC) {F} * see charge<br />

coupled device (CCD) {D;E}.<br />

dispositif d'échange de données {F} * see originating<br />

system {E}.<br />

78<br />

dispositif de balayage {F} * see scanner {E}.<br />

dispositif de restitution de la composante continue {F} *<br />

see DC res<strong>to</strong>rer {E}.<br />

dispositif de traitement du signal {F} * see signal<br />

processing equipment {E}.<br />

dispositif de transfert de séquences d'images animées<br />

numériques sur support film {F} * see EBR {E}.<br />

dispositivo alineador colocado en el extremo del mandril<br />

{Es} * see end gate {E}.<br />

dispositivo de conservación {Es} * see combination<br />

attachment {E}.<br />

dispositivo de exploración {Es} * see scanner {E}.<br />

dispositivo iones {Es} * see ion trap {E}.<br />

dispositivo para la visualización de vídeo {Es} * see<br />

cathode-ray tube (CRT) {E}.<br />

dispositivo proyec<strong>to</strong>r de películas sencillo {Es} * see<br />

beater mechanism {E}.<br />

Dispositivo de Carga Acoplada (estado sólido) {Es} * see<br />

charge coupled devices (CCD) {E}.<br />

Dispositivo de Carga Acoplada (semi-conduc<strong>to</strong>r) {Es} * see<br />

charge coupled device (CCD) {D;E}.<br />

disque (pop) {F} * see platter {E}.<br />

disque {F} * see audio disc; disc {E;F}; disk {E}.<br />

disque à capacitance {F} * see capacitance electronic disc<br />

(CED) {E}.<br />

disque à départ central {F} * see centre start disc (CS) {E}.<br />

disque à gravure directe {F} * see instantaneous disc {E}.<br />

disque aluminium {F} * see aluminium disc {E}.<br />

disque audio {F} * see audio disc {E}.<br />

disque compact {F} * see compact disc (CD) {E}.<br />

disque compact à écriture unique et lecture multiple (CD-<br />

V{F} * see compact disc-write -once (CD-WO) {D;E}.<br />

disque compact audionumérique {F} * see compact discdigital<br />

audio (CD-DA) {D;E}.<br />

disque compact interactif {F} * see compact discinteractive<br />

(CD-I) {D;E}.<br />

disque compact intéractif étendu {F} * see compact discinteractive<br />

extended (CD-IX) {D;E}.<br />

disque compact vidéo (CD-V) {F} * see compact disc-video<br />

(CD-V) {D;E}.<br />

disque compact vidéo (CD-V) {F} * see compact disc-video<br />

(CD-V) {D;E}.<br />

disque compact+graphique {F} * see compact<br />

disc+graphics (CD+G) {D;E}.<br />

disque compact+midi {F} * see compact disc+midi<br />

(CD+MIDI) {D;E}.<br />

disque compact-3 {F} * see compact disc-3 (CD-3) {D;E}.<br />

disque de cire {F} * see wax disc {E}.<br />

disque de démonstration {F} * see demo-disc {E}.


disque de laque {F} * see lacquer disc {E}.<br />

disque de Nipkov {F} * see Nipkow disk {E}.<br />

disque de transcription {F} * see transcription disc {E}.<br />

disque feuilleté {F} * see laminated disc {E}.<br />

disque laminé {F} * see laminated disc {E}.<br />

disque laqué {F} * see lacquer disc {E}.<br />

disque laser {F} * see LASER disc {E}.<br />

disque magnétique {F} * see magnetic disk {E}.<br />

disque matrice {F} * see master disc {E}.<br />

disque numérique {F} * see digital disc {E}.<br />

disque optique {F} * see optical disc {E}.<br />

disque perforé {F} * see perforated disc {E}.<br />

disque simple durée {F} * see single {E}.<br />

disque simple durée {F} * see single domain particle {E}.<br />

disque simple face {F} * see single sided disc {E}.<br />

disque test {F} * see test disc {E}.<br />

disque vierge (laque) {F} * see green disc {E}.<br />

disque vinyle {F} * see vinyl disc {E}.<br />

disquette {F} * see disk; floppy disk {E}.<br />

dissecteur d'image {F} * see image dissec<strong>to</strong>r {E}.<br />

dissimulation d'erreurs {F} * see error concealment {E}.<br />

dissolution <strong>of</strong> <strong>the</strong> emulsion {E} * see alcohol spot-test.<br />

dissolve {E} * In moving-image production, an optical or<br />

camera effect in which one scene gradually fades out at<br />

<strong>the</strong> same time that a second scene fades in; <strong>the</strong><br />

superimposition <strong>of</strong> a fade out over a fade in. Sometimes<br />

called a 'lap dissolve'. There is an apparent double<br />

exposure during <strong>the</strong> centre portion <strong>of</strong> a dissolve sequence<br />

where <strong>the</strong> two scenes overlap.(09.30.) A video switcher<br />

function that creates a smooth transition from one video or<br />

audio source <strong>to</strong> ano<strong>the</strong>r. One source goes from 100 <strong>to</strong> 0<br />

percent as <strong>the</strong> o<strong>the</strong>r goes from 0 <strong>to</strong> 100 percent. {D=<br />

Überblendung; Es= 1) encadenado; fundido; fundido<br />

encadenado; 2) interrup<strong>to</strong>r para hacer fundidos (vídeo); F=<br />

dissoudre?; enchaîné; fondu combiné à l'overture et à la<br />

fermeture; fondu enchaîné}.<br />

dissoudre? {F} * see dissolve {E}.<br />

distance focale {F} * see focal length {E}.<br />

distancia (CD) {Es} * see pitch (1) {E}.<br />

distancia focal {Es} * see focal length {E}.<br />

dis<strong>to</strong>rsion {F} * see dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsion d'intermodulation {F} * see inter-modulation<br />

dis<strong>to</strong>rtion (IMD) {E}.<br />

dis<strong>to</strong>rsion de gravure {F} * see tracking error {E}.<br />

dis<strong>to</strong>rsion de modulation {F} * see modulation dis<strong>to</strong>rtion<br />

{E}.<br />

dis<strong>to</strong>rsion de phase {F} * see envelope delay dis<strong>to</strong>rtion {E}.<br />

79<br />

dis<strong>to</strong>rsion de réception {F} * see multipath {E}.<br />

dis<strong>to</strong>rsion en coussinet {F} * see pin cushioning {E}.<br />

dis<strong>to</strong>rsion en drapeau (de l'image) {F} * see flag-waving<br />

{E}.<br />

dis<strong>to</strong>rsion géométrique {F} * see geometric dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsion harmonique {F} * see harmonic dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsion harmonique <strong>to</strong>tale (DHT) {F} * see <strong>to</strong>tal<br />

harmonic dis<strong>to</strong>rtion (THD) {E}.<br />

dis<strong>to</strong>rsion linéaire {F} * see linear dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsion non linéaire {F} * see harmonic dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsion non linéaire frame{F} * see non-linear dis<strong>to</strong>rtion<br />

{E}.<br />

dis<strong>to</strong>rsion oblicua {Es} * see tape skew {E}.<br />

dis<strong>to</strong>rsion par ronronnement {F} * see hum modulation {E}.<br />

dis<strong>to</strong>rsion trapézoïdale de l'image {F} * see keys<strong>to</strong>ning {E}.<br />

dis<strong>to</strong>rsión {Es} * see dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión armónica {Es} * see harmonic dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión armónica <strong>to</strong>tal {Es} * see <strong>to</strong>tal harmonic<br />

dis<strong>to</strong>rtion (THD) {E}.<br />

dis<strong>to</strong>rsión de baja frecuencia {Es} * see low frequency<br />

dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión de línea {Es} * see linear dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión de modulación {Es} * see intermodulation<br />

dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión de retardo de envolvente {Es} * see envelope<br />

delay dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión de seguimien<strong>to</strong> {Es} * see tracing dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión del color {Es} * see colour dis<strong>to</strong>rtions {E}.<br />

dis<strong>to</strong>rsión en cojín {Es} * see pin cushioning {E}.<br />

dis<strong>to</strong>rsión en forma de espina de pez (TV) {Es} * see<br />

herring bone {E}.<br />

dis<strong>to</strong>rsión en <strong>to</strong>nel {Es} * see barrel dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión geométrica {Es} * see geometric dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión no lineal {Es} * see non-linear dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión por intermodulación {Es} * see intermodulation<br />

dis<strong>to</strong>rtion (IMD) {E}.<br />

dis<strong>to</strong>rsión por la modulación {Es} * see modulation<br />

dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsión por [de] intermodulación {Es} * see<br />

intermodulation dis<strong>to</strong>rtion (IMD) {E}.<br />

dis<strong>to</strong>rsión transi<strong>to</strong>ria {Es} * see transient dis<strong>to</strong>rtion {E}.<br />

dis<strong>to</strong>rsions de couleur {F} * see colour dis<strong>to</strong>rtions {E}.<br />

dis<strong>to</strong>rtion {E} * 1) Difference between <strong>the</strong> incoming and<br />

outgoing signal in any recording (audio, moving-image,<br />

still-image, et al.); see also linear dis<strong>to</strong>rtion; modulation<br />

dis<strong>to</strong>rtion; non-linear dis<strong>to</strong>rtion. 2) Imperfections in a lens<br />

that cause asymmetry or deformation in <strong>the</strong> image. 3) The<br />

difference in perspective between a dolly shot and a zoom


shot.(10.) {D= Verzerrung; Es= dis<strong>to</strong>rsión; F= déformation;<br />

dis<strong>to</strong>rsion}.<br />

dis<strong>to</strong>rtion transi<strong>to</strong>ire {F} * see transient dis<strong>to</strong>rtion {E}.<br />

distribución {Es} * see distribution {E;F}; disposal; partition;<br />

release {E}.<br />

distribución espectral {Es} * see spectral distribution {E}.<br />

distribuidor {Es} * see distribu<strong>to</strong>r; releaser {E}.<br />

distributeur {F} * see distribu<strong>to</strong>r {E}.<br />

distributeur {F} * see distribu<strong>to</strong>r; releaser {E}.<br />

distribution {E;F} * The sale, lease, and/or rental <strong>of</strong> an<br />

audiovisual work, more specifically <strong>of</strong> a moving-image<br />

production.(12.) {D= ?; Es= distribución}.<br />

distribution {F} * see cast {E}.<br />

distribution copy {E} * see service copy.<br />

distribution spectrale {F} * see spectral distribution {E}.<br />

distributive control system (DCS) {E} * A computer system<br />

that moni<strong>to</strong>rs and helps <strong>to</strong> operate chemical processes.53.<br />

{D= ?; Es= sistema de control distributivo; F= système de<br />

distribution contrôlé}.<br />

distribu<strong>to</strong>r {E} * The person/s with distribution rights for a<br />

particular geographic area. {D= ?; Es= distribuidor; F=<br />

distributeur}.<br />

di<strong>the</strong>r {D;E;F} * The noise (typically analogue) added <strong>to</strong> <strong>the</strong><br />

input <strong>of</strong> a digital signal processing or -recording chain <strong>to</strong><br />

minimize <strong>the</strong> effect <strong>of</strong> error at low -level signals; see also<br />

error correction.(39.) {Es= nerviosismo; F= bruit de<br />

tremblotement; trembloter}.<br />

division de la bande {F} * see slitting {E}.<br />

división {Es} * see partition; separation {E}.<br />

división de la bobina {Es} * see slitting {E}.<br />

divisiones en la imagen {Es} * see split screen {E}.<br />

divisor de haz {Es} * see beam splitter {E}.<br />

divisor del haz de polarización {Es} * see polarization<br />

beam splitter (PBS) {E}.<br />

DM {E} * acronym for delta modulation.<br />

DMM {E} * acronym for direct metal master.<br />

DO {E} * acronym for dropout {E}.<br />

doblaje {Es} * see dubbing; looping {E}.<br />

doblaje de música y efec<strong>to</strong>s de sonido a una grabación<br />

{Es} * see sweeting {E}.<br />

doblar {Es} * see dub (1) {E}.<br />

doble duración {Es} * see double play {E}.<br />

doble pantalla opaca {Es} * see barn doors {E}.<br />

doble pista {Es} * see double track {E}.<br />

document {E;F} * 1) A combination <strong>of</strong> a medium and <strong>the</strong><br />

information recorded on it or in it, which may be used as<br />

evidence or for consultation. 2) A single archival record or<br />

item.22.23. {D= 1) Dokument; Schriftstück; 2) Dokument;<br />

Es= 1&2) documen<strong>to</strong>}.<br />

80<br />

documentación {Es} * see documentation {E;F}.<br />

documentaire {F} * see documentary {E}.<br />

documental {Es} * see documentary {E}.<br />

documentary {E} * 1) A term which has a wide latitude <strong>of</strong><br />

meaning, but which basically signifies any audio or<br />

moving-image production which is not wholly fictional in<br />

nature. Many productions now use documentary<br />

techniques such as direct sound and available-light<br />

pho<strong>to</strong>graphy without pretending <strong>to</strong> be in any sense nonfictional.<br />

The term was first popularized by John Grierson,<br />

an important early documentarist; see also cinemaverité.(30.)<br />

2) A moving-image production depicting actual<br />

persons and/or events.12. {D= Dokumentarfilm;<br />

Dokumentarisch; Es= documental; película documental;<br />

F= documentaire; film documentaire}.<br />

documentation {E;F} * 1) The organization and processing<br />

<strong>of</strong> materials or data including location, identification,<br />

acquisition, analysis, s<strong>to</strong>rage, retrieval, presentation, and<br />

circulation for <strong>the</strong> informa-tion <strong>of</strong> users. 2) In machinereadable<br />

records/archives, an organized series <strong>of</strong><br />

descriptive documents explaining <strong>the</strong> operating system<br />

and s<strong>of</strong>tware necessary <strong>to</strong> use and maintain a file and <strong>the</strong><br />

arrangement, content, and coding <strong>of</strong> <strong>the</strong> data which it<br />

contains.(22.23.) {D= Dokumentation; Es=<br />

documentación}.<br />

documen<strong>to</strong> {Es} * see document {E}.<br />

documen<strong>to</strong> {Es} * see document; item; record (1) {E}.<br />

documen<strong>to</strong> falso {Es} * see forgery {E}.<br />

documen<strong>to</strong> precioso {Es} * see rare item {E}.<br />

documen<strong>to</strong> raro {Es} * see rare item {E}.<br />

documen<strong>to</strong>/s {Es} * see record {E}.<br />

documen<strong>to</strong> único {Es} * see rare item {E}.<br />

documen<strong>to</strong>s activos {Es} * see current records {E}.<br />

documen<strong>to</strong>s audiovisuales {Es} * see audiovisual<br />

archives/records data {E}.<br />

documen<strong>to</strong>s iconográficos {Es} * see iconographic<br />

archives {E}.<br />

documen<strong>to</strong>s legibles por máquina {Es} * see machinereadable<br />

records/archives {E}.<br />

documen<strong>to</strong>s legibles por máquina {Es} * see machinereadable<br />

records {E}.<br />

documents inédits (son & vid) {F} * see unedited materials<br />

{E}.<br />

Dokument {D} * see document; record {E}.<br />

Dokumentarfilm {D} * see documentary {E}.<br />

Dokumentarisch {D} * see documentary {E}.<br />

Dokumentation {D} * see audiovisual archives/records<br />

data; documentation {E;F}.<br />

Dokumentenpapier {D} * see permanent paper {E}.<br />

Dolby {D;E;Es;F} * A family <strong>of</strong> linear noise reduction audio<br />

recording and playback circuits used <strong>to</strong> improve <strong>the</strong> signal<strong>to</strong>-noise<br />

ratio and <strong>to</strong> mute unwanted audio data. The<br />

various systems <strong>of</strong> <strong>the</strong> family are incompatible, thus a<br />

Dolby A encoded recording can only be satisfac<strong>to</strong>rily<br />

replayed by decoding it with a Dolby A decoder; see also


Dolby A, Dolby B, Dolby C, Dolby Hx pro, Dolby<br />

SR.(56.)<br />

Dolby A {D;E;Es;F} * One <strong>of</strong> <strong>the</strong> Dolby noise reduction<br />

systems, introduced in 1966, and generally restricted in<br />

use <strong>to</strong> pr<strong>of</strong>essional recording environments. It increases<br />

<strong>the</strong> signal-<strong>to</strong>-noise ratio <strong>of</strong> an audio signal in which <strong>the</strong><br />

signals are divided in<strong>to</strong> 4 bands: up <strong>to</strong> 80 Hz, 80 <strong>to</strong> 3,000<br />

Hz, 3,000 <strong>to</strong> 9,000 Hz, and over 9,000 Hz, and <strong>the</strong>n<br />

recombined. Some sound archivists are <strong>of</strong> <strong>the</strong> opinion that<br />

it moderates tape print through.(10.56.)<br />

Dolby B {D;E;Es;F} * One <strong>of</strong> <strong>the</strong> Dolby noise reduction<br />

systems, introduced in 1970, intended for home open-reel<br />

tape use; originally not used for tape machines recording<br />

at 15-IPS <strong>to</strong> prevent confusion with Dolby A. Beginning<br />

in 1971 it was used by <strong>the</strong> manufacturers <strong>of</strong> pre-recorded<br />

audio cassette tapes started using it <strong>to</strong> overcome <strong>the</strong> hiss<br />

<strong>of</strong> slow-moving cassettes. It has become <strong>the</strong> de fac<strong>to</strong><br />

standard for audio cassettes, and most machines for this<br />

purpose now incorporate Dolby B circuitry. It increases <strong>the</strong><br />

signal-<strong>to</strong>-noise ratio <strong>of</strong> an audio signal in which audio<br />

frequencies above 5,000 Hz are encoded and boosted 10<br />

dB, <strong>the</strong>n recorded. Because it works on high frequencies,<br />

and because it has proved difficult <strong>to</strong> maintain <strong>to</strong> a high<br />

enough standard in a field environment, many wildlife<br />

recordists do not like it.(10.56.)<br />

Dolby C {D;E;Es;F} * One <strong>of</strong> <strong>the</strong> Dolby noise reduction<br />

systems, introduced in 1982 as a modification <strong>of</strong> Dolby B<br />

<strong>to</strong> eliminate more hiss from audio cassettes. It increases<br />

<strong>the</strong> signal-<strong>to</strong>-noise ratio <strong>of</strong> an audio signal in which<br />

frequencies in two bands, mid-range and high frequency,<br />

are pre-emphasized and <strong>the</strong>n decoding is required for<br />

acceptable signals.(10.56.)<br />

Dolby HX-pro {D;E;Es;F} * A Dolby product, not a noise<br />

reduction system; ra<strong>the</strong>r a piece <strong>of</strong> circuitry included in a<br />

tape recording amplifier <strong>to</strong> reduce dis<strong>to</strong>rtion on high<br />

frequencies which requires no action on replay. It<br />

increases <strong>the</strong> signal-<strong>to</strong>-noise ratio <strong>of</strong> an audio signal by<br />

adding six (6) dB <strong>of</strong> head room <strong>to</strong> <strong>the</strong> high frequency range<br />

by reducing <strong>the</strong> bias fed <strong>to</strong> <strong>the</strong> tape.(10.56.)<br />

DOLBY SR {D;E;Es;F} * One <strong>of</strong> <strong>the</strong> family <strong>of</strong> Dolby noise<br />

reduction systems, introduced in 1985 as an improvement<br />

on Dolby A, and aimed at <strong>the</strong> same market. Instead <strong>of</strong><br />

<strong>the</strong> line-up <strong>to</strong>ne with a warble, as in Dolby A, <strong>the</strong>re is a<br />

loud hissing sound which <strong>the</strong> decoder analyses <strong>to</strong><br />

determine whe<strong>the</strong>r <strong>the</strong> intervening machinery was correctly<br />

aligned, and adjusts itself accordingly. Most feel that it is<br />

<strong>the</strong> most powerful and transparent noise reduction system<br />

yet devised and that it, also, virtually cures <strong>the</strong> symp<strong>to</strong>ms<br />

<strong>of</strong> print-through. (NB SR is an acronym for spectral<br />

recording.)(10.56.)<br />

dolly {E;Es;F} * In moving-image production, a set <strong>of</strong><br />

wheels and a platform upon which <strong>the</strong> camera can be<br />

mounted <strong>to</strong> give it mobility; also called a crab dolly; see<br />

also dolly shot.(30.) {D= Kamerawagen; Es= dolly; carri<strong>to</strong><br />

móvil portacámara; carri<strong>to</strong> portacámara; F= petit chariotgrue;<br />

travelling; chariot}.<br />

dolly shot {E} * In moving-image production, a shot which<br />

uses a dolly <strong>to</strong> move <strong>the</strong> camera; almost synonymous in<br />

general usage with <strong>the</strong> term tracking shot; see also follow<br />

shot.(30.) {D= Fahraufnahme; Es= <strong>to</strong>ma de cámara<br />

rodante; <strong>to</strong>ma con dolly; F= travelling;<br />

domain {E} * In magnetic <strong>the</strong>ory, that region <strong>of</strong> a magnetic<br />

material in which <strong>the</strong> spontaneous magnetization is all in<br />

one direction. In conventional magnetic tape coatings this<br />

corresponds <strong>to</strong> one oxide particle.16. {D= ?; Es= dominio;<br />

campo de acción; F= domaine}.<br />

domaine {F} * see domain {E}.<br />

domestic record {E} * A document, <strong>the</strong> subject <strong>of</strong> which is<br />

81<br />

family events, usually ga<strong>the</strong>red by an amateur. Home<br />

movies and home-made audio tape recordings are an<br />

example <strong>of</strong> domestic records; see also personal record.12.<br />

{D= ?; Es= grabación casera; F= couverture nationale}.<br />

domestique {F} * see personal record {E}.<br />

dominio {Es} * see domain {E}.<br />

données de contrôle {F} * see checksum {E}.<br />

données de synchronisation {F} * see synchronization field<br />

{E}.<br />

données numériques {F} * see information {E}.<br />

DOP {E} * acronym for developing-out-paper.<br />

dopage au cobalt {F} * see cobalt doping {E}.<br />

doppelbeschiehletes Band {D} * see double-coated tape<br />

{E}.<br />

Doppelregal {D} * see back-<strong>to</strong>-back row/shelving {E}.<br />

Doppelreihen {D} * see back-<strong>to</strong>-back row/shelving {E}.<br />

doppelreihige Aufstellung {D} * see double shelving {E}.<br />

doppelseitig {D} * see double sided (DS) {E}.<br />

doppelspiel {D} * see double play {E}.<br />

Doppelspur {D} * see double track {E}.<br />

DOR {E} * acronym for digital optical recording.<br />

dos caras {Es} * see double sided (DS); two track {E}.<br />

Dose {D} * see can {E}.<br />

dosificación {Es} * see titration {E}.<br />

dossier {F} * see file {E}.<br />

dossier classifié (protégé) {F} * see closed file {E}.<br />

doublage {F} * see dubbing {E}; sound-on-sound {D;E}.<br />

double bande .{F}. see double-system sound .{E}.<br />

double bande {F} * see double-system sound {E}.<br />

double de conservation {F} * see preservation duplicate<br />

{E}.<br />

double decomposition {E} * A chemical reaction that takes<br />

place between two compounds in which one or more <strong>of</strong> <strong>the</strong><br />

parts <strong>of</strong> one compound unite with one or more parts <strong>of</strong><br />

ano<strong>the</strong>r. The principle <strong>of</strong> double decomposition has been<br />

used in deacidification <strong>of</strong> library and archive materials, as,<br />

for example, when a soluble calcium or magnesium salt is<br />

dissolved in water and paper is immersed in it. After <strong>the</strong><br />

paper has been dried it is <strong>the</strong>n impregnated with a soluble<br />

carbonate, such as that <strong>of</strong> ammonium or sodium. Sodium<br />

carbonate and calcium chloride, for example, react <strong>to</strong> form<br />

insoluble calcium carbonate and soluble sodium chloride.<br />

The soluble sodium or ammonium chloride is removed by<br />

washing <strong>the</strong> paper with water, and it is important that <strong>the</strong><br />

chloride be removed as completely as possible, as its<br />

presence in <strong>the</strong> paper is potentially harmful. The<br />

advantage <strong>of</strong> <strong>the</strong> double decomposition method is its<br />

simplicity, plus <strong>the</strong> fact that a much greater alkaline<br />

reserve can be deposited in <strong>the</strong> paper than is generally<br />

possible with most o<strong>the</strong>r methods.(45) {D= ?; Es= ?; F= ?}.<br />

double piste {F} * see double track; half-track {E}.


double play {E} * Audiotape containing twice as much tape<br />

as normal; however, <strong>the</strong> tape is usually thin and prone <strong>to</strong><br />

stretch.10. {D= doppelspiel; Es= doble duración; F= double<br />

durée; double jeu}.<br />

double shelving {E} * The placing <strong>of</strong> items behind each<br />

o<strong>the</strong>r on <strong>the</strong> same shelf.22.23. {D= doppelreihige<br />

Aufstellung; Es= instalación en doble fila; instalación en<br />

doble hilers; F= rangement double; double file}.<br />

double sided (DS) {E} * A descriptive phrase indicating that<br />

a disc recording has signal recorded on both sides. {D=<br />

doppelseitig; Es= dos caras; F= double face}.<br />

double track {E} * In audio recording, designation <strong>of</strong> <strong>the</strong><br />

number <strong>of</strong> recorded channels on a magnetic tape<br />

recording which uses two channels <strong>of</strong> sound on <strong>the</strong> tape,<br />

with one channel going in one direction and <strong>the</strong> o<strong>the</strong>r<br />

going in <strong>the</strong> opposite direction. The resulting tape<br />

recording is monaural. {D= Doppelspur; Monohalbspur;<br />

Halbspur; Es= doble pista; F= double piste}.<br />

double-coated tape {E} * Mending tape that has adhesive<br />

on both sides.(21). {D= doppelbeschiehletes Band; Es=<br />

cinta de doble revesrimien<strong>to</strong>; F= ruban double face}.<br />

double-pass optical retardation {E} * In optical discs, <strong>the</strong><br />

maximum optical path difference (in wavelengths) between<br />

any two coincidental optical beams with orthogonal<br />

polarization propagating twice through <strong>the</strong> protective layer<br />

at normal incidence.46. {D= ?; Es= retardo óptico de doble<br />

paso; F= ?}.<br />

double-system sound {E} * In moving-image production,<br />

<strong>the</strong> widely used system <strong>of</strong> recording <strong>the</strong> audio on a lighteight<br />

magnetic recording and <strong>the</strong> image on film so that<br />

<strong>the</strong>y can be synchronized in <strong>the</strong> editing process, as<br />

opposed <strong>to</strong> single system sound which uses a camera<br />

which has <strong>the</strong> capability <strong>of</strong> recording sound directly on<strong>to</strong><br />

<strong>the</strong> film while it is running through <strong>the</strong> camera; see also<br />

direct sound.(09.30.) {D= Zweiband - ufnahmeverfahren;<br />

Es= sonido separado; F= son separé synchrone; double<br />

bande; son separé}.<br />

downlink {E} * The technical facility for receiving television<br />

or audio signals which have been transmitted via a<br />

satellite. 2) The action <strong>of</strong> receiving a television or audio<br />

signal from a satellite. The inverse operation <strong>of</strong> a downlink<br />

is an uplink. {D= ?; Es= recepción vía satélite; F=<br />

réception}.<br />

draft {E} * 1) A rough or preliminary form <strong>of</strong> a document. 2)<br />

A written order directing <strong>the</strong> payment <strong>of</strong> money.22. {D= 1)<br />

Entwurf; Konzept; 2) Zahlungsanweisung; Es= 1) borrador;<br />

minuta; 2) orden de pago; libranza; F= 1) brouillon, 2)<br />

order écrit de paiement}.<br />

drag {E} * In magnetic tape recording, <strong>the</strong> lagging <strong>of</strong> <strong>the</strong><br />

tape when it contacts an element in its path (such as <strong>the</strong><br />

head, tape guides, tape bearings, or column walls),<br />

causing a tension differential across <strong>the</strong> contact area. The<br />

differential is created by friction and forces on <strong>the</strong> edges <strong>of</strong><br />

<strong>the</strong> tape.46. {D= ?; Es= arrastre; F= décalage (provoqué<br />

par la friction de la bande)}.<br />

droits de reproduction mécanique {F} * see mechanical<br />

rights {E}.<br />

droop {E} * An error condition in a sample-and-hold circuit<br />

in which <strong>the</strong> held analogue value decreases.39. {D= ?; Es=<br />

hundimien<strong>to</strong>; F= affaiblissement}.<br />

drop frame time code {E} * A type <strong>of</strong> time code in which <strong>the</strong><br />

time code genera<strong>to</strong>r drops two numbers, 00 and 01, every<br />

minute except <strong>the</strong> 10th minute. Drop frame time code is<br />

necessary in NTSC colour video because <strong>the</strong> vertical rate<br />

<strong>of</strong> colour video is slightly less that 60 hertz. {D= ?; Es= tipo<br />

de código aplicable a la medición del tiempo; F= temps<br />

82<br />

codé à trame}.<br />

drop shadow {E} * An visual shadow electronically added<br />

<strong>to</strong> a video font <strong>to</strong> increase <strong>the</strong> apparent depth and<br />

sharpness. {D= ?; Es= sombra visual; F= ombrage<br />

continu; (ombre projetée)}.<br />

dropout (DO) {D;E;Es;F} * 1) In digital media, an error<br />

condition in which bits <strong>of</strong> data are incorrect or lost from a<br />

medium; generally caused by a wide variety <strong>of</strong> disc or tape<br />

defects or obstructions. 2) Any tape caused phenomenon<br />

that results in temporary or permanent loss or reduction <strong>of</strong><br />

signal for a specified length <strong>of</strong> time; most commonly<br />

caused by surface contamination where a piece <strong>of</strong> oxide<br />

shed or foreign particle adheres <strong>to</strong> <strong>the</strong> surface <strong>of</strong> <strong>the</strong> tape<br />

and lifts <strong>the</strong> tape from <strong>the</strong> head. 3) Loss <strong>of</strong> signal during a<br />

radio or television broadcast. 4) Temporary loss <strong>of</strong> signal<br />

for electronic or electrical reasons during recording or<br />

playback.(04.) Video dropouts appear as black dots or<br />

lines that flash. A dropout compensa<strong>to</strong>r fills <strong>the</strong>se "holes"<br />

with material from <strong>the</strong> previous line <strong>of</strong> video in a process<br />

caller dropout correction. {Es= desprendimien<strong>to</strong>; caída de<br />

señal; F= troup de bande}<br />

dropout compensa<strong>to</strong>r (DOC) {E} * An electronic device<br />

used <strong>to</strong> fill in missing information from a magnetic<br />

videotape playback device by replacing with o<strong>the</strong>r<br />

elements <strong>of</strong> <strong>the</strong> same picture. see also dropout; dropout<br />

correction. {D= ?; Es= compensador de la caída de señal<br />

[desprendimien<strong>to</strong>] ; F= compensateur de perte de niveau}<br />

dropout correction {E} * The process <strong>of</strong> filling in missing<br />

information from a magnetic videotape playback device by<br />

replacing with o<strong>the</strong>r elements <strong>of</strong> <strong>the</strong> same picture. {D= ?;<br />

Es= corrección de la caída de señal [desprendimien<strong>to</strong>]; F=<br />

correction de perte de niveau}.<br />

dropout count {E} * The number <strong>of</strong> drop outs detected in a<br />

given length or area <strong>of</strong> <strong>the</strong> recording medium.(46.) {D= ?;<br />

Es= cálculo de la caída de señal [desprendimien<strong>to</strong>]; F=<br />

décompte de perte de niveau}.<br />

Druck {D} * see print {E}.<br />

drum {E} * see also mandrel.<br />

drum {E} * The portion <strong>of</strong> a videotape deck that houses <strong>the</strong><br />

video record/play heads. It is also referred <strong>to</strong> as <strong>the</strong><br />

scanner or headwheel. {D= ?; Es= tambor; F= tambour;<br />

baril à titres}.<br />

dry mounting {E} * see mounting.<br />

dry silver process {E} * A silver halide film copyi-verfahren;<br />

Dry-Silber-Proceß; Es= procesado al cloruro de plata en<br />

seco; procesado en seco; F= procédé argentique}.<br />

Dry-Silber-Proceß {D} * see dry silver process {E}.<br />

drying cabinet {E} * A dust-free, metal cabinet (usually<br />

heated) that is used by a film development facility for<br />

drying film during its processing. {D= Trockenschrank; Es=<br />

armario de secado; F= armoire de séchage}.<br />

DS {E} * acronym for double sided.<br />

DSP {E} * acronym for digital signal processor.<br />

DT {E} * acronym for double track.<br />

DTC (capteurs à transfert de charges) {F} * see CCD {E}.<br />

dual track recorder {E} * Type <strong>of</strong> monophonic audio<br />

magnetic tape recorder which records or plays back half <strong>of</strong><br />

a standard ¼-inch tape in one direction and <strong>the</strong> o<strong>the</strong>r half<br />

in <strong>the</strong> opposite direction; also known as 'two-track' or 'halftrack'.(50.16.)<br />

{D= Halbspurgerät; Es= magnetófono de<br />

dos pistas; F= enregistreur bipiste /double piste}.


dub {E} * 1) In a moving-image production, <strong>to</strong> re-record <strong>the</strong><br />

dialogue in a language o<strong>the</strong>r than <strong>the</strong> original or <strong>to</strong> record<br />

<strong>the</strong> dialogue in a specially-equipped studio after <strong>the</strong> film<br />

has been shot. 2) To add additional sound, music,<br />

dialogue, sound effects, etc.) <strong>to</strong> a visual presentation<br />

through a re-recording process. 3) To duplicate or <strong>to</strong> copy,<br />

as <strong>to</strong> copy <strong>the</strong> signal in one medium in<strong>to</strong>/on<strong>to</strong> ano<strong>the</strong>r. 4)<br />

The copy resulting from <strong>the</strong> dubbing.(04.30.50.) {D=<br />

ver<strong>to</strong>nen; Es= 1) doblar; 2) añadir sonido, música, etc.; 3)<br />

convertir la señal a otro medio; 4) copia del doblaje;<br />

sonorizar; F= réenregistrement; sonoriser; dupliquer;<br />

copie; sonoriser}.<br />

dubbing {E} * 1) The addition <strong>of</strong> sound (ei<strong>the</strong>r music or<br />

dialogue) <strong>to</strong> a visual presentation through a re-recording<br />

process, which prepares a complete soundtrack (usually<br />

magnetic) that can be transferred <strong>to</strong>, and synchronized<br />

with, <strong>the</strong> visual presentation.09. 2) The art <strong>of</strong> duplicating<br />

on tape.50. 3) Combining two or more sound recordings or<br />

tracks in<strong>to</strong> a single composite; see also duplicating.(06.) 4)<br />

The copy resulting from making a dub.(04.) {D=<br />

Nachsynchronisation; Synchronisation;<br />

Mischungsynchronisation; Es= ver dub; doblaje; mezcla;<br />

boblaje; F= 1) post-sonorisation 2) repiquage 3) mixage 4)<br />

doublage; doublage; mixage-doublage}.<br />

Dunkelkammer {D} * see darkroom {E}.<br />

Dup-Material {D} * see duping material {E}.<br />

Dup-Negativ {D} * see dupe negative {E}.<br />

Dup-Positiv {D} * see exposure meter {E}.<br />

dupe (duplicate) {E} * 1) To copy an item <strong>to</strong> ano<strong>the</strong>r<br />

generation, as <strong>to</strong> print a duplicate negative from a positive<br />

print, 2) A copy made in this manner; see also<br />

generation.(30.40.) {D= ?; Es= duplicado; F= contretype;<br />

internégatif; copie; faire le double}.<br />

dupe negative {E} * A copy negative made ei<strong>the</strong>r from a<br />

master positive print (<strong>of</strong>ten called a fine grain) or by<br />

reversal printing from an original negative; employed for<br />

making fur<strong>the</strong>r positive copies.(06.) {D= Dup-Negativ; Es=<br />

copia del negativo; contratipo; F= contretype négatif;<br />

internégatif; contretype}.<br />

dupe positive {E} * A positive copy obtained from <strong>the</strong><br />

original negatives on a film <strong>of</strong> very fine grain allowing a<br />

very high dupe negative <strong>to</strong> be made; also known as<br />

lavender, duping print.(64.) {D= Dup-Positiv; Lavendel;<br />

Es= contratipo; copia del positivo; lavender; duplicado<br />

positivo; F= contretype positif; positif de reproduction;<br />

lavande}.<br />

duping material {E} * A film copy, or copies, ei<strong>the</strong>r positives<br />

or negatives, intended as source/s for printing fur<strong>the</strong>r<br />

copies. {D= Dup-Material; Es= material de contratipo [para<br />

sacar copias]; F= copies; contretypes; materiel de contretype}.<br />

duping print {E} * see dupe positive.<br />

duplex paper {E} * see pho<strong>to</strong>graphic paper.<br />

duplex track {E} * A symmetrical, variable-area soundtrack<br />

that is opaque on <strong>the</strong> negative film.10. {D= ?; Es= pista<br />

dúplex; F= piste bidectionnelle}.<br />

duplicación {Es} * see duplicating {E}.<br />

duplicación a alta velocidad {Es} * see high-speed<br />

duplication {E}.<br />

duplicado {Es} * see dupe (duplicate) {E}.<br />

duplicado de preservación {Es} * see preservation<br />

duplicate; preservation transfer copy {E}.<br />

83<br />

duplicado de un positivo original para tirar copias {Es} *<br />

see printing dupe {E}.<br />

duplicado de una cinta de vídeo original para tirar copias<br />

{Es} * see printing dupe videotape {E}.<br />

duplicado de una copia de consulta {Es} * see service<br />

duplicate {E}.<br />

duplicado positivo {Es} * see dupe positive {E}.<br />

duplicador de alta velocidad {Es} * see high-speed<br />

duplica<strong>to</strong>r {E}.<br />

duplicate {E} * see dupe.<br />

duplicate negative {E} * see copy negative.<br />

duplicateur grande vitesse {F} * see high-speed duplica<strong>to</strong>r<br />

{E}.<br />

duplicating {E} * 1) A method <strong>of</strong> reproducing a recording<br />

from one medium <strong>to</strong> ano<strong>the</strong>r; also known as doubling,<br />

which became shortened <strong>to</strong> dubbing. 2) In cylinder<br />

recordings, a means <strong>of</strong> recording one cylinder directly <strong>to</strong><br />

ano<strong>the</strong>r, or from cylinder <strong>to</strong> disc, and vice versa, using a<br />

ball reproducer stylus on <strong>the</strong> original recording linked <strong>to</strong> a<br />

cutting stylus on a blank running alongside. Before this<br />

means <strong>of</strong> reproducing was known, ca.1888, and adopted,<br />

mid-1890s, <strong>the</strong> only means <strong>of</strong> making multiple copies <strong>of</strong><br />

<strong>the</strong> same performance was <strong>to</strong> ga<strong>the</strong>r as many recording<br />

machines as possible around <strong>the</strong> performer/s. This system<br />

<strong>of</strong> duplicating was used for cylinders until moulded<br />

cylinders were marketed.(14.) {D= Duplizierung; Es=<br />

duplicación; F= duplication}.<br />

duplication {F} * see duplicating {E}.<br />

duplication électrostatique {F} * see electrostatic process<br />

{E}.<br />

duplication grande vitesse {F} * see high-speed duplication<br />

{E}.<br />

duplication par contact (film) {F} * see bipack {E}.<br />

dupliquer {F} * see dub {E}.<br />

Duplizierung {D} * see duplicating {E}.<br />

dur {F} * see hard {E}.<br />

durabilidad {Es} * see durability {E}.<br />

durabilité {F} * see durability {E}.<br />

durability {E} * The degree <strong>to</strong> which a material retains its<br />

physical properties while subjected <strong>to</strong> stress, usually<br />

expressed as a number <strong>of</strong> passes that can be made before<br />

a significant degrada-tion <strong>of</strong> output occurs divided by <strong>the</strong><br />

corresponding number that can be made using a reference<br />

copy.(46.) {D= Haltbarkeit; Es= durabilidad; F= durabilité}.<br />

duración de una cinta {Es} * see take (2) {D;E}.<br />

duración estándar {Es} * see standard play (SP) {E}.<br />

duración útil esperable {Es} * see life expectancy (LE)<br />

Duranoid {D;E;Es;F} * A semi-flexible shellac<br />

composition manufactured by <strong>the</strong> Duranoid Corp. <strong>of</strong> New<br />

Jersey, U.S., and used by Emile Berliner as a substitute for<br />

vulcanite in his early disc stamping process.(04.)<br />

Durchlaufkamera {D} * see rotary camera {E}.<br />

Durchschlagserie {D} * see chronological file {E}.


durcisseurbain tannant {F} * see hardener {E}.<br />

durée {F} * see extent {E}.<br />

durée de stabilisation {F} * see settling time {E}.<br />

durée standard {F} * see standard play (SP) {E}.<br />

duro {Es} * see hard {E}.<br />

dust jacket {E} * A paper jacket folded around books and<br />

around some audio and video recordings, for protective<br />

and advertising purposes; also called book jacket; dust<br />

wrapper; jacket; jacket cover; slipcase.(07.). {D=<br />

Schutzhülle; Staubhülle; Es= sobrecubierta; F= jaquette;<br />

chemise de protection; protege livre}.<br />

dust wrapper {E} * see dust jacket.<br />

Dust bug {D;E;Es;F} * A grooved disc record cleaning<br />

product manufactured by Cecil Watts, Ltd., <strong>of</strong> England,<br />

consisting <strong>of</strong> a podium, a carrying arm, and two brushes<br />

(one rolling, <strong>the</strong> o<strong>the</strong>r stationary) which track <strong>the</strong> disc<br />

during playback ahead <strong>of</strong> <strong>the</strong> stylus.(04.)<br />

dusting {E} * Shedding <strong>of</strong> particles <strong>of</strong> filler, flour, fibre or<br />

coatings from paper during finishing, converting, printing or<br />

while in use. It can create problems <strong>of</strong> tracking with<br />

grooved recordings (discs and cylinders) as well as with<br />

film and magnetic tape.(25). {D= ?; Es= desempolvar; F=<br />

formation de poudrette; poudrage*}.<br />

DVI {E} * acronym for digital video interactive.<br />

dye {E} * A colouring material or chemical. {D= Farbst<strong>of</strong>f;<br />

Es= tinte; F= teinture}.<br />

dye stability {E} * The dark or light keeping stability <strong>of</strong> dyes<br />

in colouring elements or materials. {D= dynamischer<br />

Reibungskoeffizient; Es= estabilidad del tinte; F= stabilité<br />

du colorant}.<br />

dye-polymer {E} * An optical s<strong>to</strong>rage technology used in<br />

write-once and erasable systems.39. {D= ?; Es= polímero<br />

del tinte; F= colorant polymère}.<br />

dye-tinted base {E} * see anti-halation coating.<br />

dynamic coefficient {E} * see coefficient <strong>of</strong> friction.<br />

dynamic coefficient <strong>of</strong> friction (UD) {E} * In magnetic tape<br />

recording, when <strong>the</strong> tape is loaded against a body by a<br />

normal force ƒn and is moving at a speed <strong>of</strong> over five-IPS;<br />

a force <strong>of</strong> ƒd is required <strong>to</strong> move <strong>the</strong> tape at steady speed;<br />

ud. =ƒd/ƒn.46. {D= ?; Es= coeficiente dinámico de fricción;<br />

F= coefficient dynamique de frottement}.<br />

dynamic cutting {E} * see montage.<br />

dynamic element matching digital-<strong>to</strong>-analogue converter<br />

{E} * An analogue-<strong>to</strong>-digital converter design which uses<br />

a series <strong>of</strong> current sources and switches <strong>to</strong> yield an<br />

analogue out-put.(39.) {D= ?; Es= convertidor digital a<br />

analógico de adaptación de elemen<strong>to</strong>s dinámicos; F=<br />

convertisseur analogique numérique dynamique}.<br />

dynamic microphone {E} * An acoustic transducer mic<br />

which employs a moving coil in <strong>the</strong> magnetic field.(50.) {D=<br />

dynamisches Mikrophon; Es= micrófono dinámico; F=<br />

microphone dynamique; électrodynamique}.<br />

dynamic range {E} * In audio recording, 1) <strong>the</strong> ratio<br />

between <strong>the</strong> s<strong>of</strong>test and loudest sounds an audio recorder<br />

can reproduce without dis<strong>to</strong>rtion; 2) <strong>the</strong> amplitude<br />

operating range <strong>of</strong> an electrical circuit, from noise floor <strong>to</strong><br />

over-load condition; 3) <strong>the</strong> range <strong>of</strong> volume <strong>of</strong> a sound<br />

recording or a programme, measured ei<strong>the</strong>r as <strong>the</strong> range<br />

<strong>of</strong> peak values (<strong>the</strong> difference level between maximum and<br />

84<br />

minimum volumes) or <strong>the</strong> range <strong>of</strong> average volume; see<br />

also signal-<strong>to</strong>-noise ratio.(04.39.50.) {D= Dynamik; Es=<br />

margen [gama] dinámico; F= dynamique; rapport signal ;<br />

bruit; gamme dynamique}.<br />

dynamic tape skew {E} * see tape skew.<br />

Dynamik {D} * see dynamic range {E}.<br />

Dynamikkompression {D} * see compression {E;F}.<br />

dynamique {E}{F} * see dynamic range {E}.<br />

dynamisch {D} * see moving coil {E}.<br />

dynamischer Reibungskoeffizient {D} * see dye stability<br />

{E}.<br />

dynamisches Mikrophon {D} * see dynamic microphone<br />

{E}.<br />

dyne {E;F} * The unit <strong>of</strong> force in <strong>the</strong> centimetre-gramsecond<br />

system equal <strong>to</strong> <strong>the</strong> force that would give a free<br />

mass <strong>of</strong> one gram an acceleration <strong>of</strong> one centimetre per<br />

second. {D= ?; Es= dina}.<br />

e ---<br />

E-E {E;Es} * acronym for electronics <strong>to</strong> electronics. {D= ?;<br />

F= ?}.<br />

earth station {E} * An electronic facility capable <strong>of</strong> both<br />

uplinking and downlinking television and audio<br />

programming signals <strong>to</strong> satellites. {D= ?; Es= estación<br />

terrestre; F= station terrestre}.<br />

Eastmancolor {D;E;Es;F} * A trademark <strong>of</strong> <strong>the</strong> Eastman<br />

Kodak Co. for an integral tripack colour films<strong>to</strong>ck.(10.)<br />

éblouissement {F} * see burn-in {E}.<br />

EBR {E} * acronym for electron beam recorder. {D= ?; Es=<br />

grabado por haz de electrones; F= dispositif de transfert<br />

de séquences d'images animées numériques sur support<br />

film}.<br />

EBU {E} * acronym for European Broadcasting Union.<br />

écaillage {F} * see frilling {E}.<br />

écaillage sur le bord {F} * see edge flake (ef) {E}.<br />

écaillement {F} * see peeling {E}.<br />

écailles {F} * see flaking {E}.<br />

écartement {F} * see gap {E}.<br />

écartement tête-bande {F} * see tape-<strong>to</strong>-head separation<br />

{E}.<br />

écarteur de bande {F} * see tape lifter {E}.<br />

ECC {E} * acronym for error correction code.<br />

eccentric groove {E} * In disc audio grooved recordings, a<br />

locked groove whose centre is o<strong>the</strong>r than that <strong>of</strong> <strong>the</strong> disc,<br />

generally used <strong>to</strong> trigger mechanical operation <strong>of</strong> <strong>the</strong><br />

pickup or <strong>to</strong>ne arm; see also concentric groove.(04.) {D=<br />

?; Es= surco excéntrico; F= sillon excentré}.<br />

échantillonnage {F} * see sampling {E}.<br />

échantillonnage temporel discret {F} * see discrete time<br />

sampling {E}.<br />

échappement {F} * see releaser {E}.


échelle d'amplitude de moniteurs de pr<strong>of</strong>il {F} * see IRE<br />

{E}.<br />

échelle de gris {F} * see grey scale {E}.<br />

échelle IRE {F} * see IRE scale {E}.<br />

échelle IRE {F} * see IRE scale {E}.<br />

échelle <strong>to</strong>nale {F} * see <strong>to</strong>nal range {E}.<br />

echo {D;E} * 1) A repetition <strong>of</strong> a particular piece <strong>of</strong><br />

information, generally weakened, before (pre-) and/or after<br />

(post-) <strong>the</strong> actual signal. On a sound disc, due <strong>to</strong> <strong>the</strong><br />

gradual relaxation <strong>of</strong> molecular tensions which occurs after<br />

<strong>the</strong> record has been pressed, and causes plastic<br />

deformation <strong>of</strong> <strong>the</strong> groove walls, it may appear in <strong>the</strong><br />

groove before or after that which carries <strong>the</strong> playing signal.<br />

On magnetic tape, caused by magnetic print through, it<br />

occurs one turn <strong>of</strong> <strong>the</strong> tape before or after normal<br />

signal.(04.) 2) A reflection <strong>of</strong> a transmitted television<br />

picture, appearing as a leading or trailing "ghost" on <strong>the</strong><br />

screen <strong>of</strong> a TV receiver. {D= Resonanz; Kopiereffekt; Es=<br />

resonancia; imagen fantasma; F= écho; image fantôme;<br />

effet de copie; "accrochage"; résonance}.<br />

écho {F} * see echo; print-through {E}.<br />

écho image {F} * see ghost-image {E}.<br />

Ech<strong>the</strong>itsbestätigung {D} * see au<strong>the</strong>ntication {E}.<br />

éclairage {F} * see light; lighting {E}.<br />

éclairage auxilliaire {F} * see filler light {E}.<br />

éclairage avant ( limbo) {F} * see cameo {E}.<br />

éclairage d'appoint {F} * see set light {E}.<br />

éclairage de base {F} * see base-light {E}.<br />

éclairage de la tireuse {F} * see printer lights {E}.<br />

éclairage de tirage {F} * see printer lights {E}.<br />

éclairage direct {F} * see incident light {E}.<br />

éclairage du cyclorama {F} * see cyc light {E}.<br />

éclairage en contre-jour {F} * see back-light; backlighting<br />

{E}.<br />

éclairage fonctionnel {F} * see practical lighting {E}.<br />

éclairage général {F} * see high key light {E}.<br />

éclairage plat {F} * see flat lighting {E}.<br />

éclairement sur le plan principal {F} * see key light {E}.<br />

éclat {F} * see bloom {E}.<br />

éclater {F} * see burst {E}.<br />

écran {F} * see screen brightness {E}.<br />

écran à haut gain {F} * see high-gain screen {E}.<br />

écran acoustique {F} * see baffle {E}.<br />

écran aluminium {F} * see aluminium screen {E}.<br />

écran de contrôle {F} * see moni<strong>to</strong>r {D;E}.<br />

écran diffuseur {F} * see diffuser {E}.<br />

écran diffuseur {F} * see diffuser; scrim; scrim frame {E}.<br />

85<br />

écran kinescope {F} * see projection kinescope {E}.<br />

écran large {F} * see widescreen {E}.<br />

écran panoramique {F} * see widescreen {E}.<br />

écran pare-lumière {F} * see flag; gobo {E}.<br />

écran perforé {F} * see cookie {E}.<br />

écran perlé {F} * see beaded screen {E}.<br />

écran pour montage {F} * see split screen {E}.<br />

écrêtage {F} * see clipping; {E}.<br />

écriture {F} * see write {E}.<br />

écrou de fixation {F} * see feed nut {E}.<br />

ecualizador (con circui<strong>to</strong> electrónico) {Es} * see equalizer<br />

(1, 2) {E}.<br />

ecualizador (con equipo procesador de señales) {Es} * see<br />

equalizer<br />

EDAC {E} * acronym for error detection and correction.<br />

EDC {E} * acronym for error detection code.<br />

edge {E} * 1) In a disc recording, <strong>the</strong> narrow vertical<br />

surface at <strong>the</strong> circumference <strong>of</strong> <strong>the</strong> horizontally held disc.<br />

2) In a cylinder recording, <strong>the</strong> end <strong>of</strong> <strong>the</strong> cylinder with <strong>the</strong><br />

larger diameter. 3) The edge <strong>of</strong> a magnetic tape, <strong>of</strong>ten<br />

mechanical reference for <strong>the</strong> exact travel <strong>of</strong> <strong>the</strong> tape. Edge<br />

damages, <strong>the</strong>refore, may cause severe playback<br />

problems.(04.) {D= Kante (Bande); Es= 1) superficie<br />

vertical de un disco; 2) extremo de un cilindro para grabar;<br />

3) borde de una cinta magnética; ; F= bord; côté;<br />

périphérie; front; transition}.<br />

edge curl {E} * A stretching <strong>of</strong> <strong>the</strong> borders or fringes <strong>of</strong> film<br />

or tape which causes <strong>the</strong> diameter <strong>of</strong> <strong>the</strong> film/tape pack <strong>to</strong><br />

be larger near <strong>the</strong> edges than at <strong>the</strong> center; also known as<br />

lipping.(06.) {D= Bandkräuseln; Es= abarquillamien<strong>to</strong>; F=<br />

bords recourbés; deformation du support}.<br />

edge flake (ef) {E} * Defect term for disc and cylinder<br />

recordings which refers <strong>to</strong> <strong>the</strong> peeling or flaking <strong>of</strong> <strong>the</strong><br />

coating material from <strong>the</strong> vertical edge <strong>of</strong> <strong>the</strong> item; may<br />

occur with laminated and non-laminated materials. It may<br />

occur more easily than surface flake and may transpire<br />

with no damage <strong>to</strong> <strong>the</strong> sonic content <strong>of</strong> <strong>the</strong> recording;<br />

however, many sound archivists feel that it is an indication<br />

that <strong>the</strong> remainder <strong>of</strong> <strong>the</strong> coating layer is in danger <strong>of</strong><br />

delaminating.(04.) {D= ?; Es= escama del borde; F=<br />

écaillage sur le bord}.<br />

edge fluting {E} * A rippling deformation along <strong>the</strong> edges <strong>of</strong><br />

magnetic tape or motion picture film brought about<br />

because <strong>the</strong> edge <strong>of</strong> <strong>the</strong> tape/film is exposed <strong>to</strong> greater<br />

changes in <strong>the</strong> environment than <strong>the</strong> centre. It can be<br />

created by heat or humidity, or by <strong>the</strong> tape/film rubbing<br />

unevenly against <strong>the</strong> containing reel flange (sides) during<br />

playing, winding, or recording.04. {D= ?; Es= rizado del<br />

borde; F= ondulation de la bordure}.<br />

edge lift {E} * see edge roll.<br />

edge numbers {E} * A series <strong>of</strong> sequential digits placed at<br />

regular intervals, usually every 16 frames/12-inches on 35mm<br />

film and every 20 frames/6-inches on 16-mm film (in<br />

a few instances <strong>the</strong>y are every 40 frames/12-inches on 16mm<br />

film), along motion picture film for convenience in<br />

frame-for-frame matching <strong>of</strong> <strong>the</strong> camera film <strong>to</strong> <strong>the</strong> work<br />

print. The numbers are printed along one edge outside <strong>the</strong><br />

perforations on 35-mm film and between <strong>the</strong> perforations<br />

on 16-mm film. The numbers are applied at two places in


<strong>the</strong> film production cycle: when <strong>the</strong> film is being<br />

manufactured (latent film edge numbering and visible ink<br />

edge numbering) and by commercial motion picture labs<br />

(labora<strong>to</strong>ry applied edge numbering); also known as key<br />

numbers or footage numbers.(09.) {D= Fusznummer; Es=<br />

número de borde; número marginal; F= numéros de bord}.<br />

edge roll/lift {E} * The roll-<strong>of</strong>f or lift-up <strong>of</strong> <strong>the</strong> outer edges <strong>of</strong><br />

<strong>the</strong> head, caused by head wear.46. {D= ?; Es= ondulación;<br />

levantamien<strong>to</strong> del borde; F= bord émoussé}.<br />

edge waxing {E} * Lubrication with a paraffin wax-solvent<br />

solution (50 grams <strong>of</strong> paraffin wax per litre <strong>of</strong> methyl<br />

chlor<strong>of</strong>orm) applied <strong>to</strong> <strong>the</strong> edge on <strong>the</strong> emulsion side <strong>of</strong><br />

35-mm and 70-mm motion picture film. All motion picture<br />

films require some lubrication <strong>to</strong> prevent problems during<br />

early projection life, but <strong>the</strong> particular rigours imposed on<br />

35-mm and 70-mm release prints during projection require<br />

such large amounts <strong>of</strong> lubrication that <strong>the</strong> projected image<br />

quality would be impaired if it were applied over <strong>the</strong> entire<br />

surface; hence, edge waxing.09. {D= ?; Es= parafinado del<br />

borde; F= lubrification par cirage}.<br />

edición (de la exposición) en paralelo {Es} * see parallel<br />

edition statement {E}.<br />

edición CMX {Es} * see CMX editing {E}.<br />

edición de inser<strong>to</strong> {Es} * see insert edit {E}.<br />

edición de la banda sonora {Es} * see soundtrack print {E}.<br />

edición electronica {Es} * see electronic editing {E}.<br />

edición manual {Es} * see manual edit {E}.<br />

edición variante {Es} * see variant edition {E}.<br />

Edison Record {E} * see Diamond Disc.<br />

Edisonschrift-Aufnahme {D} * see vertical cut {E}.<br />

edit black {E} * In video production, <strong>the</strong> time code signal<br />

and o<strong>the</strong>r reference material are recorded along <strong>the</strong> entire<br />

length <strong>of</strong> a Master videotape with no gaps or breaks. {D=<br />

?; Es= da<strong>to</strong>s grabados a lo largo de la cinta de vídeo; F=<br />

piste de service de la bande master vidéo}.<br />

edit block {E} * A metal block cut precisely <strong>to</strong> hold a piece<br />

<strong>of</strong> magnetic tape, allowing an exact physical editing. {D=<br />

?; Es= almohadilla [bloque metálico] de montaje; F= bloc<br />

de montage}.<br />

edit decision list (EDL) {E} * A list <strong>of</strong> edits defined with time<br />

code and reel numbers used <strong>to</strong> assemble a video<br />

presentation. {D= ?; Es= lista de decisiones de montaje;<br />

F= liste de décisions de montage}.<br />

editados {Es} * see non-print materials {E}.<br />

editar {Es} * see cut {E}.<br />

edited master videotape {E} * The completed videotape<br />

production which has been edited with test bars, slate, and<br />

<strong>to</strong>ne ready for showing or broadcast. {D= ?; Es= cinta<br />

matriz de vídeo editada; F= bande vidéo master éditée}.<br />

editing bench {E} * see editing table.<br />

editing machine {E} * see editing table.<br />

editing table {E} * A motion picture film work surface<br />

containing film rewinds, viewers, splicers, et al.; also called<br />

an editing bench.(10.) {D= Schneidetisch; Es= mesa de<br />

montaje; F= table de montage}.<br />

edition {E} * The particular size, format, duration, sequence<br />

<strong>of</strong> scenes or events, and/or mixing <strong>of</strong> a particular<br />

86<br />

production. 2) The <strong>to</strong>tal number <strong>of</strong> copies <strong>of</strong> such a<br />

production published at one time. 3) One <strong>of</strong> several<br />

versions <strong>of</strong> a multiple-version broadcast, such as <strong>the</strong> 6:30<br />

edition <strong>of</strong> <strong>the</strong> news as opposed <strong>to</strong> <strong>the</strong> 7:00 edition <strong>of</strong> <strong>the</strong><br />

news; see also variation with minor changes; version with<br />

major changes. {D= ?; Es= 1) tamaño, forma<strong>to</strong>, etc y<br />

montaje de una producción; 2) número de copias de una<br />

publicación; 3) una de las varias versiones de una<br />

emisión; F= édition}.<br />

edition statement {E} * A word or phrase, or a group <strong>of</strong><br />

characters, indicating that an item belongs <strong>to</strong> a particular<br />

version or variation. The edition statement may include<br />

statements <strong>of</strong> responsibility and parallel and additional<br />

edition statements.(12.) {D= ?; Es= edi<strong>to</strong>rial; F= mention<br />

d'édition}.<br />

édition (insertion) manuelle {F} * see manual edit {E}.<br />

édition {F} * see edition {E}.<br />

édition assistée par ordinateur {F} * see CMX editing {E}.<br />

édition de la liste de décisions {F} * see way-<strong>of</strong>f-line {E}.<br />

édition parallèle {F} * see parallel edition statement {E}.<br />

édition variante {F} * see variant edition {E}.<br />

edi<strong>to</strong>r {E;Es} * The person in charge <strong>of</strong> <strong>the</strong> work <strong>of</strong> editing;<br />

also called <strong>the</strong> cutter in motion picture film<br />

productions.(30.) {D= Cutter; Schnittmeister; Es=<br />

montador; F= monteur; éditeur (pupitre); chef monteur}.<br />

edi<strong>to</strong>rial {Es} * see edition statement {E}.<br />

EDL {E;F} * acronym for edit decision list. {D= ?; Es= lista<br />

de decisiones de montaje}.<br />

EDTV {E} * acronym for enhanced definition te-image<br />

production designed <strong>to</strong> inform, edify, or instruct.12. {D=<br />

Unterrichtsfilm; Unterrichtsvideo; Es= ?; F= ?}.<br />

educational film/video {E} * A moving-image production<br />

designed <strong>to</strong> inform, edify, or instruct.12. {D=<br />

Unterrichtsfilm; Unterrichtsvideo; Es= película educativa<br />

[didáctica]; F= film éducatif; vidéo éducative;}<br />

EF {E} * acronym for edge flake.<br />

efec<strong>to</strong> banda {Es} * see head banding {E}.<br />

efec<strong>to</strong> banda {Es} * see head banding {E}.<br />

efec<strong>to</strong> Callier {Es} * see Callier effect {E}.<br />

efec<strong>to</strong> de la capa de aire {Es} * see air-layer effect {E}.<br />

efec<strong>to</strong> de lluvia {Es} * see rain {E}.<br />

efec<strong>to</strong> de persiana {Es} * see head banding {E}.<br />

efec<strong>to</strong> de reciprocidad {Es} * see reciprocity effect {E}.<br />

efec<strong>to</strong> persiana {Es} * see banding {E}.<br />

efec<strong>to</strong> radial {Es} * see spoking {E}.<br />

efec<strong>to</strong> trapecial {Es} * see keys<strong>to</strong>ning {E}.<br />

efec<strong>to</strong>s {Es} * see effects {E}.<br />

efec<strong>to</strong>s especiales {Es} * see special effects {E}.<br />

efec<strong>to</strong>s ópticos {Es} * see optical effects {E}.<br />

efec<strong>to</strong>s sonoros {Es} * see sound effects {E}.


effacement {F} * see blanking; erasing; wipe {E}.<br />

effacement accidentel {F} * see accidental erasure {E}.<br />

effacement sélectif {F} * see selective erasure {E}.<br />

effacer {F} * see erase {E}.<br />

effaceur <strong>to</strong>tal {F} * see bulk eraser {E}.<br />

effects {E} * Functions in a video switcher which occur<br />

during a frame or line. The switcher output is <strong>the</strong> sum <strong>of</strong><br />

two or more signals in some proportion. Effects<br />

electronically create a composite <strong>of</strong> visual images, ei<strong>the</strong>r<br />

natural or artificial. {D= ?; Es= efec<strong>to</strong>s; F= effets; trucages;<br />

bruitages}.<br />

effet Callier {F} * see Callier effect {E}.<br />

effet d'éblouissament {F} * see bloom {E}.<br />

effet de bande (TV) {F} * see banding; head banding {E}.<br />

effet de brouillard {F} * see fog {E}.<br />

effet de comète {F} * see comet tail {E}.<br />

effet de copie {F} * see echo {E}.<br />

effet de copie {F} * see echo; print-through {E}.<br />

effet de coussin d'air {F} * see air-layer effect {E}.<br />

effet de persienne {F} * see banding; head banding;<br />

horizontal (hum) bars {E}.<br />

effet de pluie {F} * see rain {E}.<br />

effet de réciprocité {F} * see reciprocity effect {E}.<br />

effet en mur de brique {F} * see brickwall {E}.<br />

effet <strong>to</strong>nneau? {F} * see barrel dis<strong>to</strong>rtion {E}.<br />

effet vidéo {F} * see splash {E}.<br />

effets {F} * see effects {E}.<br />

effets optiques {F} * see optical effects {E}.<br />

effets sonores {F} * see sound effects {E}.<br />

effets spéciaux {F} * see special effects {E}.<br />

efficacité {F} * see sensitivity {E}.<br />

EFM {E} * acronym for eight-<strong>to</strong>-fourteen modulation.<br />

EFP {E} * acronym for electronic field production.<br />

égalisateur {F} * see equalizer {E}.<br />

égalisation (EQ) {F} * see equalization (EQ) {E}.<br />

égalisation (vidéo) {F} * see equalization (EQ) {E}.<br />

égalisation générale {F} * see sweetening {E}.<br />

égaliseur {F} * see equalizer {E}.<br />

EIA {E;Es} * acronym for Electronic Industries Association.<br />

{D= ?; F= AIE}.<br />

EIAJ {E;Es} * acronym for Electronic Industry Association<br />

<strong>of</strong> Japan. {D= ?; F= association des industries<br />

électroniques du Japon}.<br />

EIAJ cassette {E} * A ½" videotape cassette format <strong>to</strong> EIA<br />

87<br />

standards which encloses <strong>the</strong> standard EIAJ-1 half inch<br />

tape. {D= ?; Es= ?; F= ?}.<br />

EIAJ-1 {E;F} * A ½" open reel videotape format <strong>to</strong> EIA<br />

standards. {D= ?; Es= tipo de cinta de vídeo con carrete<br />

abier<strong>to</strong>}.<br />

EIAJ-2 {E;F} * A ½" videotape format similar <strong>to</strong> EIAJ-1<br />

format, but with <strong>the</strong> addition <strong>of</strong> a converted subcarrier<br />

colour system. {D= ?; Es= tipo de cinta de vídeo con<br />

carrete abier<strong>to</strong> con un sistema de color distin<strong>to</strong> al EIAJ-1;<br />

F= élément}.<br />

Eidophor {E;F} * A video projection system used in<br />

<strong>the</strong>aters where a large bright display is required. Its light<br />

source is an arc light and <strong>the</strong> image is formed by a<br />

complex electro-optical system. {D= ?; Es= sistema para<br />

la proyección de un vídeo en un cine}.<br />

eight-<strong>to</strong>-fourteen modulation (EFM; 8-<strong>to</strong>-14) {E} * In CD<br />

technology, <strong>the</strong> pulse code modulated signal produced by<br />

analogue-<strong>to</strong>-digital conversion in a simple non-return-<strong>to</strong>zero<br />

bit stream <strong>of</strong> ones and zeros. EFM is applied <strong>to</strong><br />

produce a signal format suitable for recording and<br />

introduces a unique synchronization pattern <strong>to</strong> each frame<br />

<strong>of</strong> audio information.(10.) {D= ?; Es= modulación ocho a<br />

ca<strong>to</strong>rce; F= modulation de huit à qua<strong>to</strong>rze}.<br />

Einergang {D} * see single-frame exposure {E}.<br />

Eingabedaten/Ausgabedaten {D} * see input/output (I/O)<br />

{E}.<br />

Eingang {D} * see channel; input {E}.<br />

Eingang {D} * see input {E}.<br />

Eingang am Mischpult {D} * see channel {E}.<br />

Eingangsignal {D} * see input signal {E}.<br />

Einheit {D} * see item {E}.<br />

Einkleben {D} * see tipping-in {E}.<br />

Einlagerung {D} * see shelving {E}.<br />

Einlauf-Auslauf-Rille {D} * see lead-in/lead-out {E}.<br />

Einmessung {D} * see alignment {E}.<br />

Einsatz {D} * see insert {E;F}.<br />

Einstellung {D} * see shot {E}.<br />

Eintrag {D} * see entry {E}.<br />

Einz/elbildaufnahme {D} * see s<strong>to</strong>p-motion pho<strong>to</strong>graphy<br />

{E}.<br />

Einzelbild-Aufnahme {D} * see single-frame exposure {E}.<br />

Einzelbildvergrösserung {D} * see blow-up {E}.<br />

einzelne Tonspur {D} * see single track {E}.<br />

Eisenoxid {D} * see ferric oxide {E}.<br />

eje de rotación del <strong>to</strong>cadiscos {Es} * see spindle (1) {E}.<br />

eje mo<strong>to</strong>r (vídeo) {Es} * see capstan {E}.<br />

eje óptico {Es} * see pan {E}.<br />

ejecución {Es} * see implementation {E;F}.<br />

ejecución original {Es} * see original performance {E}.<br />

ejemplar de depósi<strong>to</strong> legal (derechos de au<strong>to</strong>r) {Es} * see


deposit copy (copyright) {E}.<br />

elaborador {Es} * see processor {E}.<br />

elasticidad {Es} * see elasticity {E}.<br />

élasticité {F} * see compliance; elasticity; yield strength<br />

{E}.<br />

elasticity {E} * The capacity <strong>of</strong> an object <strong>to</strong> return <strong>to</strong> its<br />

original shape or place after deflection or displacement.<br />

For example, in film or tape, this is <strong>the</strong> materials capacity<br />

<strong>to</strong> 'unstretch' after handling or winding; in a disc, <strong>the</strong><br />

capacity <strong>of</strong> <strong>the</strong> groove walls <strong>to</strong> return <strong>to</strong> <strong>the</strong>ir original<br />

shapes after playing.(04.) {D= Elastizität; Es= elasticidad<br />

; F= élasticité}.<br />

elcaset {D;E;F;Es} * An audio cassette format using<br />

quarter-inch tape playing at 3.5 cm/s.<br />

eldim {F} * see picture element (PIXEL) {E}.<br />

electrical recording {E} * 1) An audio recording made with<br />

<strong>the</strong> use <strong>of</strong> microphones and o<strong>the</strong>r electronic media as<br />

opposed <strong>to</strong> an acoustical recording. 2) The system <strong>of</strong><br />

audio recording introduced on a large scale in 1925 by <strong>the</strong><br />

major records labels (Vic<strong>to</strong>r, Columbia, Gramophone, etc.)<br />

that involves <strong>the</strong> use <strong>of</strong> a microphone and amplifier,<br />

replacing acoustical recording. Simply put, <strong>the</strong> conversion<br />

<strong>of</strong> acoustical sound waves from a source in<strong>to</strong> electrical<br />

energy, an image <strong>of</strong> which is transduced in<strong>to</strong> a modulated<br />

groove <strong>of</strong> <strong>the</strong> recording and later reconverted in<strong>to</strong><br />

acoustical sound waves through <strong>the</strong> playback system; all<br />

sound recording since this period has depended on some<br />

form <strong>of</strong> electrical recording.(04.) {D= elektrische<br />

Aufnahme; Es= grabación eléctrica; F= enregistrement<br />

électronique}.<br />

electrical transcription (ET) {E} * A 16-inch analogue signal<br />

audio disc, usually standard groove, used <strong>to</strong> record a 15<br />

minute programme, or a 15 minute segment <strong>of</strong> a longer<br />

programme. {D= ?; Es= transcripción eléctrica; F=<br />

transcription électronique}.<br />

electridad estática {Es} * see static {E}.<br />

électrodynamique {F} * see dynamic microphone {E}.<br />

électr<strong>of</strong>ormage {F} * see electr<strong>of</strong>orming {E}.<br />

electr<strong>of</strong>orming {E} * The production <strong>of</strong> metal impressions<br />

from masters or sub-masters in <strong>the</strong> production <strong>of</strong> disc<br />

media (78s, Lps, CDs, video discs, etc.) for disc pressing.<br />

{D= Galvanisierung; Es= electroplastia; formación<br />

electrolítica; F= électr<strong>of</strong>ormage}.<br />

electron beam recorder (EBR) {E} * An electronic machine<br />

which produces a film from a video signal by scanning and<br />

exposing <strong>the</strong> film with an electron beam. {D= ?; Es=<br />

grabación por haz de electrones; F= enregistreur par<br />

faisceau électronique}.<br />

electron gun {E} * The portion <strong>of</strong> a cathode ray tube in a<br />

video moni<strong>to</strong>r or TV receiver that produces <strong>the</strong> electron<br />

beams. {D= ?; Es= pis<strong>to</strong>la electrónica; F= canon à<br />

électrons}.<br />

electronic editing {E} * The editing <strong>of</strong> electronic media by<br />

means <strong>of</strong> electronic buffers, such as in helical-scan video<br />

formats, as well as in all digital formats. {D= elektronischer<br />

Schnitt; Es= edición electronica; F= montage<br />

électronique}.<br />

electronic field production (EFP) {E} * Highly specialized<br />

television equipment used in <strong>the</strong> production <strong>of</strong> program<br />

information from occasional locations outside <strong>the</strong><br />

established studio. {D= ?; Es= producción de un campo<br />

electrónico; F= production légère; vidéo légère (EFP)}.<br />

88<br />

electronic hygrometer {E} * An hygrometer operated by <strong>the</strong><br />

action <strong>of</strong> electrons. {D= elektronisches Hygrometer;<br />

electronic Hygrometer; Es= higrómetro electrónico; F=<br />

hygromètre électronique}.<br />

electronic Hygrometer {D} * see electronic hygrometer {E}.<br />

electronic news ga<strong>the</strong>ring (ENG) {E} * Highly specialized<br />

television equipment used in <strong>the</strong> collection <strong>of</strong> news<br />

material from occasional locations outside <strong>the</strong> established<br />

studio. {D= ?; Es= recogida electrónica de noticias; F=<br />

reportage télévisuel : JET}.<br />

electronic records {E} * see machine-readable records.<br />

Electronic Industry Association <strong>of</strong> Japan {Es} * see EIAJ<br />

{E}.<br />

electronics <strong>to</strong> electronics (E-E) {E;Es} * A process in a<br />

videotape deck where <strong>the</strong> input video signal is routed<br />

through all <strong>of</strong> <strong>the</strong> record and play circuitry except for <strong>the</strong><br />

heads <strong>the</strong>mselves. {D= ?; F= canal électronique}.<br />

Electronics Industries Association {Es} * see EIA {E}.<br />

electropho<strong>to</strong>graphic film {E} * A film base coated with a<br />

light-sensitive pho<strong>to</strong>conduc<strong>to</strong>r which retains its sensitivity<br />

through repeated exposures and which, through<br />

electrostatic processing, permit <strong>the</strong> updating <strong>of</strong> micr<strong>of</strong>ilm<br />

and micr<strong>of</strong>iche by <strong>the</strong> addition <strong>of</strong> new microimages and <strong>the</strong><br />

overprinting <strong>of</strong> superseded images.(40.) {D= ?; Es=<br />

película electrográfica; F= film électropho<strong>to</strong>graphique}.<br />

electroplastia {Es} * see electr<strong>of</strong>orming {E}.<br />

electrostatic charge {E} * The build up on tape or disc<br />

surfaces <strong>of</strong> electrical charges through friction. Discharging<br />

during playback may cause audible 'clicks'. It also causes<br />

dust <strong>to</strong> be attracted <strong>to</strong> <strong>the</strong> disc or tape surface, which, if<br />

severe enough, can seriously interfere with <strong>the</strong><br />

performance <strong>of</strong> <strong>the</strong> pickup cartridge or head.(04.) {D=<br />

elektrostatische Aufladung; Es= carga electrostática; F=<br />

charge électrostatique}.<br />

electrostatic process {E} * A direct, dry reproduction stillimage<br />

or textual data duplication process which creates<br />

copies on ordinary paper in an au<strong>to</strong>matic machine using<br />

electrical pho<strong>to</strong>conductivity; also known as<br />

Xerography.(22.23.) {D= elektrostatisches<br />

Kopierverfahren; Es= xerografía; procedimien<strong>to</strong><br />

electroestático; F= reproduction électrostatique;<br />

xérographie}.<br />

elektrische Aufnahme {D} * see electrical recording {E}.<br />

Elektrodynamisch {D} * see moving coil {E}.<br />

Elektromagnetisch {D} * see moving magnet {E}.<br />

Elektronenröhre {D} * see vacuum tube {E}.<br />

Elektronische Datenverarbeiteung (EDV) {D} * see<br />

au<strong>to</strong>matic data processing {E}.<br />

elektronischer Schnitt {D} * see electronic editing {E}.<br />

elektronisches Hygrometer {D} * see electronic hygrometer<br />

{E}.<br />

elektrostatische Aufladung {D} * see electrostatic charge<br />

{E}.<br />

elektrostatisches Kopierverfahren {D} * see electrostatic<br />

process {E}.<br />

element {E} * 1) A word, phrase, or a group <strong>of</strong> characters<br />

repre-senting a distinct unit <strong>of</strong> bibliographic information<br />

and forming part <strong>of</strong> an area <strong>of</strong> <strong>the</strong> bibliographic


description.12. 2) The smallest detail distinguishable in a<br />

video scanning line; in colour televi-sion, a dot. 3) One<br />

optical part <strong>of</strong> a lens. 4) A constituent part <strong>of</strong> a circuit,<br />

device, picture, soundtrack, et al.(10.) 5) An electri-cal<br />

device, such as a genera<strong>to</strong>r, resis<strong>to</strong>r, induc<strong>to</strong>r, capaci<strong>to</strong>r,<br />

electronic valve, electronic tube, or line, with terminals by<br />

which it may be connected <strong>to</strong> o<strong>the</strong>r electrical devices.07.<br />

{D= ?; Es= elemen<strong>to</strong>; F= élément}.<br />

élément {F} * see element {E}.<br />

élément antistatique {F} * see antistatic element {E}.<br />

élément binaire {F} * see bit {E}.<br />

élément de codage {F} * see component coding {E}.<br />

élément de sécurité {F} * see protection master {E}.<br />

elemen<strong>to</strong> {Es} * see component; element {E}.<br />

elemen<strong>to</strong>s de identificación serial {Es} * see series<br />

statement {E}.<br />

elemen<strong>to</strong>s de programación {Es} * see s<strong>of</strong>tware {D;E}.<br />

elemen<strong>to</strong>s físicos de un ordenador {Es} * see hardware<br />

{E}.<br />

éléments d'identification de séries {F} * see series<br />

statement {E}.<br />

elenco (de artistas) {Es} * see talent {E}.<br />

elenco {Es} * see list {E}.<br />

elim <strong>of</strong> maerialsinación de rasguños {Es} * see scratch<br />

removal {E}.<br />

eliminación {Es} * see destruction; disposal {E}.<br />

eliminación de arañazos {Es} * see scratch removal {E}.<br />

eliminación de burbujas mediante una plegadera {Es} *<br />

see bone (<strong>the</strong> action <strong>of</strong> boning) {E}.<br />

eliminación de la capa antihalo {Es} * see backing removal<br />

élimination {F} * see destruction {E}.<br />

élimination de la couche anti-halo {F} * see backing<br />

removal {E}.<br />

embalaje con papel cel<strong>of</strong>án termosellado {Es} * see shrink<br />

wrap {E}.<br />

emballage sous film rétractable {F} * see shrink wrap {E}.<br />

embobiner {F} * see roll {E}.<br />

embossing {E} * 1) The raising <strong>of</strong> <strong>the</strong> surface <strong>of</strong> a material<br />

in a relief pattern by use <strong>of</strong> a die.(10.) 2) The resulting<br />

page, paper, book cover, etc. 3) In sound recording, <strong>the</strong><br />

use <strong>of</strong> a recording stylus with a rounded tip that displaces<br />

<strong>the</strong> material in <strong>the</strong> recording medium and shoved upward<br />

as two small ridges at <strong>the</strong> edges <strong>of</strong> <strong>the</strong> grooves. The<br />

frequency response <strong>of</strong> such recordings, whe<strong>the</strong>r cylinder,<br />

disc, belt, or film based, is ra<strong>the</strong>r limited, and <strong>the</strong> signal-<strong>to</strong><br />

noise ration will vary with different types <strong>of</strong> recording<br />

material. 4) The resulting sound recording; see also<br />

ferrotyping; indentation recording.(04.) {D= ?; Es=<br />

estampación en relieve; F= enregistrement par<br />

embossage; graveur en relief}.<br />

embutidor {Es} * see inserter {E}.<br />

émetteur {F} * see broadcast station {E}.<br />

emisión {Es} * see broadcast {E;F}; issue {E}.<br />

89<br />

emisión en direc<strong>to</strong> {Es} * see live {D;E}.<br />

emisión en vivo {Es} * see live {D;E}.<br />

emisora {Es} * see broadcast station (1) {E}.<br />

émission {F} * see broadcast {E;F}.<br />

émoussé {F} * see gap smear {E}.<br />

empalmador de cinta (operario) {Es} * see tape splicer {E}.<br />

empalmadora {Es} * see splicer {E}.<br />

empalmadora película {Es} * see butt splicer {E}.<br />

empalmar {Es} * see splicing {E}.<br />

empalme {Es} * see splicing {E}.<br />

empalme de cinta {Es} * see lap splice {E}.<br />

empalme de cinta {Es} * see lap splice {E}.<br />

empalme de pixel {Es} * see pixel pairing {E}.<br />

empalme sonoro defectuoso {Es} * see bloop {E}.<br />

empalmes {Es} * see buildup (1) {E}.<br />

empañado {Es} * see muddy {E}.<br />

Empfindlichkeit {D} * see emulsion speed; sensitivity {E}.<br />

emphasis {E} * The increasing <strong>of</strong> signal-<strong>to</strong>-noise ratio <strong>of</strong> an<br />

audio recording by boosting <strong>the</strong> high frequencies during<br />

recording and de--emphasizing or correspondingly<br />

attenuating <strong>the</strong>m during play-back.(39.). Both emphasis &<br />

de-emphasis are used also in some video recording<br />

formats. The inverse operation <strong>of</strong> emphasis is deemphasis.<br />

{D= Anhebung; Vorverzerrung; Es= énfasis; F=<br />

accentuation}.<br />

empreinte par transfert {F} * see surface imprint {E}.<br />

empuje lateral {Es} * see skating {D;E}.<br />

empuje lateral en el surco (efec<strong>to</strong> brazo <strong>to</strong>cadiscos) {Es}<br />

* see groove skating {E}.<br />

emulsion {D;E} * In still- and moving-image film media, a<br />

gelatinous coating <strong>of</strong> specific chemicals on a transparent<br />

base. The chemicals are such that when <strong>the</strong>y are exposed<br />

<strong>to</strong> radiant energy <strong>the</strong>y react and create a latent<br />

image.(22.10.23.) {D= Schicht; Es= emulsión; F= surface<br />

sensible; émulsion}.<br />

emulsion layer {E} * The stratum on pho<strong>to</strong>graphic film or<br />

paper that contains <strong>the</strong> image-forming light-sensitive<br />

substances or pho<strong>to</strong>conduc<strong>to</strong>rs. {D= ?; Es= capa de<br />

emulsión; F= couche d'émulsion}.<br />

emulsion side {E} * The side <strong>of</strong> pho<strong>to</strong>graphic film or paper<br />

which carries <strong>the</strong> image-forming light-sensitive substances<br />

or pho<strong>to</strong>condu-c<strong>to</strong>rs. {D= Schichtseite; Es= lado emulsíon;<br />

F= face émulsion; côté émulsion}.<br />

emulsion speed {E} * The sensitivity <strong>of</strong> pho<strong>to</strong>graphic film<br />

materials <strong>to</strong> light as measured against a scale devised by<br />

<strong>the</strong> a body such as <strong>the</strong> ASA. In such a measurement <strong>the</strong><br />

faster <strong>the</strong> speed <strong>of</strong> <strong>the</strong> s<strong>to</strong>ck, <strong>the</strong> higher <strong>the</strong> number rating,<br />

<strong>the</strong> greater <strong>the</strong> sensitivity <strong>to</strong> light. High speed films<br />

generally have a rougher grain than slow speed films.(09.)<br />

{D= Empfindlichkeit; Es= sensibilidad (emulsión); F=<br />

vitesse d'émulsion; sensibilité}.<br />

emulsión {Es} * see emulsion {D;E}; material; gelatin<br />

emulsion {E}.


emulsión coloidal {Es} * see colloid emulsion {E}.<br />

emulsión de albúmina {Es} * see albumen emulsion {E}.<br />

emulsión de gelatina {Es} * see gelatin emulsion {E}.<br />

emulsión or<strong>to</strong>cromática {Es} * see orthochromatic film {E}.<br />

emulsión pancromática {Es} * see panchromatic film {E}.<br />

émulsion colloïdale {F} * see colloid emulsion {E}.<br />

émulsion d'albumen {F} * see albumen emulsion {E}.<br />

émulsion d'un film {F} * see coating {E}.<br />

émulsion panchromatique {F} * see panchromatic film {E}.<br />

en asociación con {Es} * see co-operation/in association<br />

with {E}.<br />

en croissant {F} * see pin cushioning {E}.<br />

en décor naturel {F} * see locatgion {E}.<br />

en décor naturel {F} * see location {E}.<br />

en état neuf {F} * see mint {E}.<br />

en extérieur (<strong>to</strong>urnage) {F} * see location {E}.<br />

en extérieur (<strong>to</strong>urnage) {F} * see location {E}.<br />

en fase {Es} * see in-phase {E}.<br />

en ligne {F} * see on-line {E}.<br />

en línea {Es} * see on-line {E}.<br />

en phase {F} * see in-phase {E}.<br />

en temps réel {F} * see real-time {E}.<br />

en-tête ? (doc) {F} * see tracing {E}.<br />

en-tête {F} * see header field; heading {E}.<br />

encabezamien<strong>to</strong> {Es} * see heading {E}.<br />

encadenado {Es} * see dissolve {E}.<br />

encadenamien<strong>to</strong> {Es} * see linkage {E}.<br />

encapsulación {Es} * see encapsulation {E}.<br />

encapsulation {E;F} * A method <strong>of</strong> protective enclosure for<br />

flat objects (pho<strong>to</strong>graphs, paper) which involves placing<br />

<strong>the</strong> item between two sheets <strong>of</strong> transparent polyester film<br />

that are subse-quently sealed around two or more <strong>of</strong> <strong>the</strong><br />

edges. The object is thus physically supported and<br />

protected from <strong>the</strong> atmosphere and during handling. The<br />

object may, however, continue <strong>to</strong> deteriorate in <strong>the</strong><br />

capsule. Because <strong>the</strong> object is not affixed <strong>to</strong> <strong>the</strong> polyester,<br />

it can be removed by cutting one or more edges <strong>of</strong> <strong>the</strong><br />

polyester.17. {D= ?; Es= encapsulación; F= ?}.<br />

encart J {F} * see j card {E}.<br />

enceinte bass-reflex {F} * see bass reflex speaker<br />

enclosure {E}.<br />

enchaîné (superimposition) {F} * see super {E}.<br />

enchaînement {F} * see change-over {E}.<br />

enclavamien<strong>to</strong> (dispositivo de) de protección {Es} * see<br />

interlock {E}.<br />

90<br />

enclosed horn gramophone {E} * see enclosed horn<br />

phonograph.<br />

enclosed horn phonograph/gramophone {E} * An acoustic<br />

audio playback machine with an enclosed horn, placed out<br />

<strong>of</strong> sight inside <strong>the</strong> case or cabinet; <strong>the</strong> case or cabinet<br />

frequently had doors, louvers, or cloth <strong>to</strong> hide <strong>the</strong> outlet<br />

and, some believe, <strong>to</strong> control <strong>the</strong> volume. These models<br />

came in several types: hornless gramophones had<br />

moderately sized cabinets for <strong>the</strong> table <strong>to</strong>p, with no <strong>to</strong>p, but<br />

with <strong>the</strong> <strong>to</strong>ne arm turned down in<strong>to</strong> <strong>the</strong> horn fitted below<br />

<strong>the</strong> mo<strong>to</strong>r deck; if fitted with a <strong>to</strong>p, this became a table<br />

model; and an upright model <strong>of</strong> some greater width than<br />

depth was termed a cabinet model.(14.) {D= ?; Es= trompa<br />

acústica de fonógrafo [gramófono]; F= phonographe /<br />

gramophone à pavillon interne}.<br />

enclosure {E} * Various types <strong>of</strong> protective containers<br />

(sleeves, boxes, cans, etc.) constructed for temporary or<br />

permanent s<strong>to</strong>rage <strong>of</strong> material. {D= ?; Es= ?estuches<br />

{Es}.; F= pochette, boîtier}.<br />

encolado {Es} * see splice {E}.<br />

encrassement des têtes {F} * see head clog {E}.<br />

encuadre {Es} * see framing; mise-en-shot {E;F}.<br />

encuadre de espaldas a la vista general {Es} * see pullback<br />

shot {E}.<br />

encubrimien<strong>to</strong> {Es} * see concealment {E}.<br />

encubrimien<strong>to</strong> de error {Es} * see error concealment {E}.<br />

end gate {E} * A device at <strong>the</strong> end <strong>of</strong> <strong>the</strong> mandrel on <strong>the</strong><br />

cylinder machine which aligned <strong>the</strong> mandrel shaft <strong>to</strong> run in<br />

conical bearings at ei<strong>the</strong>r end, one <strong>of</strong> which was set in <strong>the</strong><br />

end gate. A shortened end gate was called a swingarm.(14.)<br />

{D= ?; Es= dispositivo alineador colocado en el<br />

extremo del mandril; F= gravure}.<br />

end groove {E} * see concentric groove.<br />

END {E} * acronym for equivalent neutral density.<br />

end-<strong>of</strong>-tape marker/sensor {E} * A device that<br />

au<strong>to</strong>matically s<strong>to</strong>ps a magnetic tape when <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

tape is reached.(10.) {D= ?; Es= sensor [señal] de fin de<br />

cinta; F= marqueur/détecteur de fin de bande}.<br />

Ende {D} * see tail {E}.<br />

Endlosschleife {D} * see binloop; loop {E}.<br />

enduit {F} * see backing; coating {E}.<br />

enduit antihalo {F} * see antihalation coating {E}.<br />

endurecedor {Es} * see hardener {E}.<br />

endurecimien<strong>to</strong> preliminar de la película {Es} * see<br />

forehardened film {E}.<br />

energía radiante {Es} * see light {E}.<br />

énfasis {Es} * see emphasis {E}.<br />

enfermedad del vinagre {Es} * see vinegar syndrome<br />

{D;E}.<br />

enfocar {Es} * see focus {E}.<br />

enfoque au<strong>to</strong>mático {Es} * see au<strong>to</strong> focus (1) {E}.<br />

enfoque con poca pr<strong>of</strong>undidad de campo {Es} * see<br />

shallow focus {E}.


enfoque continuo {Es} * see follow focus {E}.<br />

enfoque de pr<strong>of</strong>undidad {Es} * see deep focus {E}.<br />

enfreindre {F} * see infringe {E}.<br />

ENG {E} * acronym for electronic news ga<strong>the</strong>ring. {D= ?;<br />

Es= Recogida Electrónica de Noticias; F= JET}.<br />

Englisches Trickfilm-Verfahren {D} * see travelling matte<br />

{D;E;Es;F}.<br />

engraving {E} * 1) The cutting or etching <strong>of</strong> letters, designs,<br />

etc., in or on a object, usually a metal plate. 2) The act or<br />

art <strong>of</strong> one who makes such a plate. 3) The plate resulting<br />

from such an act. 4) For still images, a metal plate used <strong>to</strong><br />

produce a design or drawing; also called a cut. 5) A print<br />

made from an engraving.(10.) 6) For sound recordings, <strong>the</strong><br />

most common type <strong>of</strong> disc recording in which some <strong>of</strong> <strong>the</strong><br />

disc or <strong>the</strong> disc coating material is removed from <strong>the</strong> disc<br />

as <strong>the</strong> cutting stylus makes <strong>the</strong> groove.(04.) {D= ?; Es=<br />

grabado; F= graveur}.<br />

engrudo {Es} * see paste {E}.<br />

Enhanced Definition Television (EDTV) {D;E} * A high<br />

quality NTSC compatible television picture at a lower<br />

resolution than HDTV.(10.) {Es= televisión de definición<br />

intensificada; F= système de télévision à résolution<br />

améliorée (EDTV)}.<br />

enlace {Es} * see linkage {E}<br />

enregistrement à gravure verticale {F} * see vertical cut<br />

recording {E}.<br />

enregistrement acoustique {F} * see acoustical recording<br />

{E}.<br />

enregistrement analogique {F} * see analogue recording<br />

{E}.<br />

enregistrement d'images cinéma<strong>to</strong>graphiques ou vidéo {F}<br />

* see pickup {E}.<br />

enregistrement de copyright {F} * see copyright deposit;<br />

copyright registration {E}.<br />

enregistrement deux pistes {F} * see two track recording<br />

{E}.<br />

enregistrement direct {F} * see direct recording {E}.<br />

enregistrement direct sur disque {F} * see direct <strong>to</strong> disc<br />

recording {E}.<br />

enregistrement électrique {F} * see electrical recording {E}.<br />

enregistrement en extérieur {F} * see field recording {E}.<br />

enregistrement longue durée {F} * see long-play; longplaying<br />

record (Lp) {E}.<br />

enregistrement magné<strong>to</strong>-optique {F} * see magne<strong>to</strong>-optical<br />

recording (MOR) {E}.<br />

enregistrement microphonique {F} * see pickup {E}.<br />

enregistrement monophonique {F} * see monaural recorder<br />

{E}.<br />

enregistrement numérique {F} * see digital recording {E}.<br />

enregistrement optique {F} * see optical recorder {E}.<br />

enregistrement optique effaçable {F} * see erasable optical<br />

s<strong>to</strong>rage {E}.<br />

91<br />

enregistrement optique numérique {F} * see digital optical<br />

recording(DOR) {E}.<br />

enregistrement original {F} * see original recording {E}.<br />

enregistrement par embossage {F} * see embossing {E}.<br />

enregistrement par indentation {F} * see indentation<br />

recording {E}.<br />

enregistrement par le groupe original {F} * see original cast<br />

{E}.<br />

enregistrement personnel {F} * see personal record {E}.<br />

enregistrement quatre pistes {F} * see four-track recording<br />

{E}.<br />

enregistrement sonore {F} * see sound recording {E}.<br />

enregistrement témoin {F} * see air check {E}.<br />

enregistrement Y/C {F} * see Y/C recording {E}.<br />

enregistrements accessibles par machine {F} * see<br />

machine-readable records/archives {E}.<br />

enregistreur {F} * see recorder {E}.<br />

enregistreur à fil {F} * see wire recording {E}.<br />

enregistreur bipiste/double piste {F} * see dual track<br />

recorder {E}.<br />

enregistreur de son {F} * see sound recorder {E}.<br />

enregistreur demi-piste {F} * see half-track recorder {E}.<br />

enregistreur magnétique incompatible {F} * see pattern<br />

sensitivity {E}.<br />

enregistreur monophonique {F} * see monophonic recorder<br />

{E}.<br />

enregistreur monopiste {F} * see single track recorder {E}.<br />

enregistreur par faisceau électronique {F} * see electron<br />

beam recorder (EBR) {E}.<br />

enregistreur type C {F} * see type C recorder {E}.<br />

enrollado (de la cinta) controlado {Es} * see library wind<br />

{E}.<br />

enrollado {Es} * see wind {E}.<br />

enrollar {Es} * see roll (2) {E}.<br />

enroulement {F} * see pack; wind {E}.<br />

enroulement ondulé {F} * see cinching {E}.<br />

enrouler {F} * see roll {E}.<br />

ensamblaje en orden cronológico {Es} * see assemble edit<br />

{E}.<br />

ensayo AB {Es} * see AB-test {E}.<br />

ensemble de plusieurs volumes {F} * see volume set {E}.<br />

entaille encoche{F} * see notch {E}.<br />

Entfeuchten von Luft {D} * see dehumidify {E}.<br />

Entlehnung {D} * see loan {E}.<br />

Entmagnetisierdrossel {D} * see demagnetizer; head<br />

demagnetizer {E}.


Entmagnetisierung {D} * see demagnetization {E}.<br />

en<strong>to</strong>nar {Es} * see <strong>to</strong>ne (3) {E}.<br />

entrada {Es} * see entry; input {E}.<br />

entrada {Es} * see input {E}.<br />

entrada de ordenador en micr<strong>of</strong>ilme/micr<strong>of</strong>orma {Es} * see<br />

computer input micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) {E}.<br />

entrada de ordenador para micr<strong>of</strong>ilme o micr<strong>of</strong>orma {Es}<br />

* see computer input micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) {E}.<br />

entrada principal {Es} * see main entry {E}.<br />

entrada/salida {Es} * see input/output (I/O) {E}.<br />

entramado {Es} * see raster {E}.<br />

entre canales {Es} * see channel separation {E}.<br />

entrecruzamien<strong>to</strong> {Es} * see cross-linking {E}.<br />

entrée {F} * see input {E}.<br />

entrée {F} * see input {E}.<br />

entrée analytique {F} * see analytical entry {E}.<br />

entrée/sortie {F} * see input/output (I/O) {E}.<br />

entrefer {F} * see gap {E}.<br />

entrefer usé {F} * see gap smear {E}.<br />

entrehierro {Es} * see gap {E}.<br />

entrelacement {F} * see interleaving {E}.<br />

entrelacement {F} * see interleaving {E}.<br />

entrelaminar {Es} * see interleaving {E}.<br />

entrelaminar {Es} * see interleaving {E}.<br />

entrepaño {Es} * see shelf {E}.<br />

entretien des collections {F} * see collection maintenance<br />

{E}.<br />

entry {E} * {D= ?; Es= ?; F= ?}.<br />

entry {E} * 1) The recording in a list, journal, register, etc.,<br />

<strong>of</strong> a document or transaction. 2) An item thus recorded. 3)<br />

The unit <strong>of</strong> description in a finding aid.22.23. 4) A record <strong>of</strong><br />

an item in a catalogue; see also head-ing.12. 5) A unit <strong>of</strong><br />

information used in a computer.10. {D= Eintrag; Es=<br />

entrada; asien<strong>to</strong>; F= unité d'enregistrement;<br />

enregistrement; inscription; analyse}.<br />

entry face {E} * In optical digital media, <strong>the</strong> disc or<br />

cartridge face on which <strong>the</strong> read or write beam first<br />

impinges.(46.) {D= ?; Es= cara de entrada; F= face de<br />

lecture}.<br />

Entsäuerung {D} * see deacidification (neutralization) {E}.<br />

Entwickeln {D} * see developing {E}.<br />

Entwickler {D} * see developer {E}.<br />

Entwicklung {D} * see development; processing {E}.<br />

Entwurf {D} * see draft {E}.<br />

Entzerrer {D} * see equalizer {E}.<br />

92<br />

Entzerrung {D} * see equalization (EQ); post-emphasis {E}.<br />

envejecimien<strong>to</strong> {Es} * see ageing {E}.<br />

envejecimien<strong>to</strong> acelerado {Es} * see accelerated ageing<br />

{E}.<br />

envelope delay dis<strong>to</strong>rtion {E} * The measure <strong>of</strong> <strong>the</strong> time<br />

delay <strong>of</strong> different frequency components as <strong>the</strong>y pass<br />

through <strong>the</strong> video system, and is measured in<br />

nanoseconds. {D= ?; Es= dis<strong>to</strong>rsión de retardo de<br />

envolvente; F= dis<strong>to</strong>rsion de phase}.<br />

enveloppement {F} * see wrap {E}.<br />

envío {Es} * see issue {E}.<br />

environnement d'exploitation {F} * see operating<br />

environment {E}.<br />

envol<strong>to</strong>rio de la película {Es} * see film jacket {E}.<br />

envoltura {Es} * see jacket; pack {E}.<br />

EOT {E} * acronym for end-<strong>of</strong>-tape marker.<br />

épaisseur {F} * see thickness {E}.<br />

épaisseur apparente {F} * see apparent thickness {E}.<br />

épaisseur du revêtement {F} * see coating thickness {E}.<br />

épaisseur physique {F} * see physical thickness {E}.<br />

épaisseur <strong>to</strong>tale {F} * see <strong>to</strong>tal thickness {E}.<br />

épaule {F} * see shoulder {E}.<br />

épi double {F} * see back-<strong>to</strong>-back row/shelving {E}.<br />

epílogo (sincronización electrónica) {Es} * see postamble<br />

{E}.<br />

épilogue {F} * see postamble {E}.<br />

episode title {E} * An identifier assigned <strong>to</strong> <strong>the</strong> individual<br />

parts <strong>of</strong> a series or serial and which, <strong>to</strong>ge<strong>the</strong>r with <strong>the</strong><br />

series/serial title, form an integral part <strong>of</strong> <strong>the</strong> title proper <strong>of</strong><br />

moving-image and/or sound recording work.(12.) {D= ?;<br />

Es= título del episodio [capítulo]; F= titre de l'épisode}.<br />

épreuve {F} * see print {E}.<br />

épreuve contact {F} * see direct positive {E}.<br />

épreuve glacée {F} * see glossy print {E}.<br />

épreuve positif {F} * see positive {E}.<br />

épreuves {F} * see rushes {E;F}.<br />

EQ {E} * abbreviation for equalization.<br />

equalización {Es} * see equalization (EQ) {E}.<br />

equalization (EQ) {E} * 1) The process <strong>of</strong> modifying <strong>the</strong><br />

amplitude/frequency response in a recording and<br />

reproducing system <strong>to</strong> produce flat overall characteristics,<br />

minimize noise, or give an 'artistic' effect. The different<br />

types <strong>of</strong> equalization include frequency correction,<br />

diameter, etc.(04.) 2) The increase <strong>of</strong> <strong>the</strong> high-frequency<br />

record level with respect <strong>to</strong> <strong>the</strong> decreasing groove speed<br />

(velocity) in recording <strong>to</strong> compensate for reproducing<br />

losses. 3) Amplitude modulation <strong>of</strong> certain frequencies in<br />

a video signal <strong>to</strong> compensate for deficiencies in <strong>the</strong><br />

record/reproduce system.10. 4) EQ--standards change<br />

with <strong>the</strong> progress <strong>of</strong> techniques and are standard-ized by<br />

bodies like AES, CCIR, DIN, and IEC; see also emphasis.


{D= Entzerrung; Es= equalización; F= 1) égalisation (EQ)<br />

2) correction 3) compensation}.<br />

equalization pulses {E} * Pulses that assure continued<br />

synchronization during <strong>the</strong> vertical retrace as well as<br />

proper interlace <strong>of</strong> <strong>the</strong> odd and even fields <strong>of</strong> video.<br />

Additionally, <strong>the</strong>se pulses prevent <strong>the</strong> pairing <strong>of</strong> interlace<br />

lines in <strong>the</strong> TV receiver. {D= ?; Es= impulsos de<br />

equalización; F= impulsions d'égalisation}.<br />

equalizer {E} * 1) A signal processing device that can<br />

boost (amplify), cut (attenuate), or 'shelve' portions <strong>of</strong> <strong>the</strong><br />

audio frequency spectrum during recording. It can be used<br />

<strong>to</strong> alter <strong>the</strong> sound <strong>of</strong> a recording when making a copy.<br />

Different kinds <strong>of</strong> equalizers serve different functions: fixed<br />

frequency, graphic, paragraphic, peaking, shelving,<br />

etc.(04.) 2) Electronic circuitry that compensates for<br />

undesirable losses or dis<strong>to</strong>rtions <strong>of</strong> video frequencies<br />

within a TV distribution or transmission system. {D=<br />

Entzerrer; Es= 1) ecualizador con equipo procesador de<br />

señales); 2) ecualizador (con circui<strong>to</strong> electrónico); F=<br />

égaliseur; égalisateur}.<br />

equivalent neutral density (END) {E} * An expression <strong>of</strong> <strong>the</strong><br />

amounts <strong>of</strong> <strong>the</strong> various components <strong>of</strong> an image which<br />

tells how dense a grey that component will form.(09.) {D=<br />

?; Es=<br />

densidad neutral equivalente; F= densité neutre<br />

équivalente}.<br />

éraflure {F} * see abrasion marks; scrape {E}.<br />

erasable optical s<strong>to</strong>rage {E} * Optical media upon which<br />

data can be written, read, and <strong>the</strong>n erased and <strong>the</strong>n<br />

written again.39. {D= löschbare optische Speicher; Es=<br />

almacenamien<strong>to</strong> óptico borrable; F= enregistrement<br />

optique effaçable}.<br />

erase {E} * To remove or wipe out data in such a way that<br />

<strong>the</strong> record medium can, generally, be used again; see also<br />

erasure. {D= Löschen; Es= borrar; F= effacer}.<br />

erase head {E} * 1) In general, a device on a recorder used<br />

<strong>to</strong> obliterate an-recording; see also bulk eraser;<br />

degausser; demagnetization. {D= Löschung; Es= borrado;<br />

F= effacement}.<br />

Erdung {D} * see ground {E}.<br />

ergot {F} * see pin {E}.<br />

erosión entrehierro {Es} * see gap smear {E}.<br />

erreur {F} * see error {E}.<br />

erreur d'ouverture {F} * see aperture error {E}.<br />

erreur de bit aléa<strong>to</strong>ire {F} * see random bit error {E}.<br />

erreur de montage {F} * see up cut {E}.<br />

erreur de quantification {F} * see quantization error {E}.<br />

erreur de suivi de piste {F} * see radial tracking error;<br />

tracking error {E}.<br />

erreurs de quantification {F} * see quantizing errors {E}.<br />

erreurs en salves {F} * see burst error {D;E}.<br />

error {E;Es} * A discrepancy between a computed,<br />

observed, or measured value or condition and <strong>the</strong> true,<br />

specified, or <strong>the</strong>oretically correct value or condition.46. {D=<br />

Fehler; F= erreur}.<br />

error concealment {E} * A method used <strong>to</strong> 'repair' or<br />

conceal an error in <strong>the</strong> audio signal. Through interpolation,<br />

new data is derived from adjacent error-free data blocks.<br />

93<br />

Interpolated data is not identical with <strong>the</strong> original data and<br />

many feel that it has only a limited use in an archival<br />

setting; see also error correction. (39.) {D=<br />

Fehlerverdeckung; Es= encubrimien<strong>to</strong> [evitar] de error; F=<br />

dissimulation d'erreurs}.<br />

error correction {E} * A method <strong>of</strong> remedying mistakes in<br />

data; see also cross interleave Reed-Solomon code. {D=<br />

Fehlerkorrektur; Es= corrección [rectificación] de error; F=<br />

correction d'erreurs}.<br />

error correction code (ECC) {E} * see error detection and<br />

correction code.<br />

error de abertura {Es} * see aperture error {E}.<br />

error de bit alea<strong>to</strong>rio {Es} * see random bit error {E}.<br />

error de cuantificación {Es} * see quantization error {E}.<br />

error de grabación de pista {Es} * see radial tracking error<br />

{E}.<br />

error de montaje {Es} * see up cut {E}.<br />

error de seguimien<strong>to</strong> {Es} * see tracking error {E}.<br />

error detection {E} * 1) A method <strong>of</strong> recognizing mistakes<br />

in data. 2) For digital data, a coding system which provides<br />

a method <strong>of</strong> determining errors that occur in a digital data<br />

stream prior <strong>to</strong> correction or concealment.(39.) {D=<br />

Fehlererkennung; Es= detección de error; F= détection<br />

d'erreurs}.<br />

error detection and correction {E} * 1) A method <strong>of</strong><br />

recognizing and correcting mistakes in data. 2) In digital<br />

data, fault discovery and rectification using simultaneously<br />

recorded correction information ei<strong>the</strong>r previously added <strong>to</strong><br />

<strong>the</strong> data stream or recorded separately on an auxiliary<br />

track.(46.) {D= Fehlerkennung und Korrektur; Es= ?; F= ?}.<br />

error detection and correction code (EDCC) {E} * A family<br />

<strong>of</strong> methods <strong>of</strong> error correction in which redundancy is<br />

added <strong>to</strong> a message in known fashion which is added <strong>to</strong> a<br />

message in a known fashion; upon read-back, a decoder<br />

removes <strong>the</strong> redundancy and uses <strong>the</strong> redundant<br />

information <strong>to</strong> detect and correct erroneous data.(46.) {D=<br />

Fehlerkennung und Korrekturcode; Fehlerkorrekturcode;<br />

Es= código de detección y corrección [rectificación] de<br />

errores; F= code de détection et de correction d'erreurs;<br />

détection et correction d'erreurs}.<br />

error protection {E} * The use <strong>of</strong> error detection, correction,<br />

and concealment <strong>to</strong> reinforce <strong>the</strong> robustness <strong>of</strong> s<strong>to</strong>rage or<br />

transmission.(39.1) {D= Fehlerschutz; Es= protección<br />

contra errores; F= protection contre les erreurs}.<br />

error ratio {E} * The percentage <strong>of</strong> <strong>the</strong> number <strong>of</strong> data units<br />

in error in relationship <strong>to</strong> <strong>the</strong> <strong>to</strong>tal number <strong>of</strong> data<br />

units.(46.) {D= Fehlerrate; Es= nivel de error; F= rapport<br />

d'erreurs}.<br />

Ersatzkosten {D} * see replacement cost {E}.<br />

Ersatzverfilmung {D} * see disposal micr<strong>of</strong>ilming {E}.<br />

Ersatzverfilmung {D} * see preservation micr<strong>of</strong>ilming {E}.<br />

Ersatzverfilmung aus Konservierungsgründen {D} * see<br />

preservation micr<strong>of</strong>ilming {E}.<br />

erste Kopie {D} * see answer print; checkprint {E}.<br />

escala gris {Es} * see gray scale {E}.<br />

escala IRE {Es} * see IRE {D;E;Es;F}.<br />

escala IRE {Es} * see IRE scale {E}.


escalera {Es} * see stair step {E}.<br />

escalier modimé {F} * see stair step {E}.<br />

escama del borde {Es} * see edge flake (ef) {E}.<br />

escena {Es} * see scene; take (1) {D;E}.<br />

escena de espaldas a la vista general {Es} * see pull-back<br />

shot {E}.<br />

escenas en paralelo {Es} * see parallel action {E}.<br />

escenografía {Es} * see art direc<strong>to</strong>r; set {E}.<br />

escribir {Es} * see write {E}.<br />

esfumado {Es} * see fade {E}.<br />

espace filmique {F} * see filmic space {E}.<br />

espace interbloc {F} * see interblock gap {E}.<br />

espace réservé {F} * see black hole {E}.<br />

espacio de grabación {Es} * see playing area {E}.<br />

espacio entre bloques (de un registro magnético) {Es} *<br />

see interblock gap {E}.<br />

espacio fílmico {Es} * see filmic space {E}.<br />

espátula de calor {Es} * see tacking iron {E}.<br />

especificaciones mecánicas {Es} * see mechanical<br />

specifications {E}.<br />

espectro {Es} * see spectrum {E}.<br />

espectr<strong>of</strong>otómetro {Es} * see spectropho<strong>to</strong>meter {E}.<br />

espejo dicroíco {Es} * see Dichroic mirror {E}.<br />

espérance de vie {F} * see life expectancy (LE) {E}.<br />

esperanza de duración (de vida) {Es} * see life expectancy<br />

(LE) {E}.<br />

espesor {Es} * see thickness {E}.<br />

espesor aparente {Es} * see apparent thickness {E}.<br />

espesor del revestimien<strong>to</strong> {Es} * see coating thickness {E}.<br />

espesor físico {Es} * see physical thickness {E}.<br />

espesor <strong>to</strong>tal {Es} * see <strong>to</strong>tal thickness {E}.<br />

espiga {Es} * see pin {E}.<br />

espósi<strong>to</strong> {Es} * see stacks {E}.<br />

Essigsäure {D} * see acetic acid {E}.<br />

estabilidad {Es} * see stability {E}.<br />

estabilidad de la imagen {Es} * see image stability {E}.<br />

estabilidad del tinte {Es} * see dye stability {E}.<br />

estabilidad frente a la luz {Es} * see lightfast {E}.<br />

estabilidad química {Es} * see chemical stability {E}.<br />

estabilizadores {Es} * see stabilizers {E}.<br />

establishing shot {E} * In moving-image production,<br />

94<br />

generally a long shot which shows <strong>the</strong> viewer <strong>the</strong> general<br />

location <strong>of</strong> <strong>the</strong> scene which follows.(30.) {D= ?; Es= <strong>to</strong>ma<br />

de situación; F= plan de situation; plan général}.<br />

estación terrestre {Es} * see earth station {E}.<br />

estado físico de un obje<strong>to</strong> en el momen<strong>to</strong> de su envío {Es}<br />

* see shipping environment (1) {E}.<br />

estallido {Es} * see burst {E}.<br />

estallido negro {Es} * see black burst {E}.<br />

estampa (grabado) {Es} * see print (3) {E}.<br />

estampa {Es} * see stamper {E}.<br />

estampación en relieve {Es} * see embossing {E}.<br />

estampeuse {F} * see stamper {E}.<br />

estándar {Es} * see standard {E}.<br />

estándar de banda baja {Es} * see lowband standard<br />

{D;E}.<br />

estándar de televisión NTSC {Es} * see NTSC television<br />

standard {E}.<br />

estante {Es} * see bay {E}.<br />

estantear {Es} * see shelving {E}.<br />

estantería {Es} * see case (2); shelving (1, 2); row {E}.<br />

estantería compacta {Es} * see compact shelving {E}.<br />

estantería de archivo {Es} * see archival rack {E}.<br />

estantería de doble faz {Es} * see back-<strong>to</strong>-back<br />

row/shelving {E}.<br />

estantería densa {Es} * see compact shelving {E}.<br />

estantería doble faz {Es} * see back-<strong>to</strong>-back row/shelving<br />

{E}.<br />

Estar {D;E;Es;F} * A polyethylene terephthalate<br />

polyester used by Kodak as a film base for some <strong>of</strong> its<br />

motion picture films (mostly intermediate and print<br />

films).(09.)<br />

estela de luz {Es} * see light struck {E}.<br />

ester {E;F} * An organic compound, comparable <strong>to</strong> an<br />

inorganic salt, formed by <strong>the</strong> reaction <strong>of</strong> an organic or<br />

inorganic acid and an alcohol or phenol. {D= ?; Es= éster}.<br />

éster {Es} * see ester {E}.<br />

estéreo {Es} * see stereo {E}.<br />

estere<strong>of</strong>onía {Es} * see stereo {E}.<br />

estereografías {Es} * see stereogram {E}.<br />

estereografías {Es} * see stereogram {E}.<br />

estereógrafo {Es} * see stereograph {E}.<br />

estereoscopía {Es} * see stereoscopy {E}.<br />

estereoscopio {Es} * see stereoscope {E}.<br />

estirado de la película {Es} * see rack (2, 3) {E}.<br />

estiramien<strong>to</strong> {Es} * see stretch (2) {E}.


estreno {Es} * see release {E}.<br />

estría espiral {Es} * see spiral groove .-<strong>to</strong>r {E}.<br />

estuche {Es} * see case (3); kit {E}.<br />

estuche protec<strong>to</strong>ra {Es} * see shell {E}.<br />

estuches {Es} * see enclosure {E}.<br />

estudio {Es} * see studio {D;E;F}.<br />

ET {E} * acronym for electrical transcription.<br />

étagère {F} * see case {E}.<br />

étagère d'archivage {F} * see archival rack {E}.<br />

étain {F} * see stain {E}.<br />

étalonner {F} * see calibrate {E}.<br />

étalonner la lumière {F} * see fix {E}.<br />

étalonneur {F} * see timer {E}.<br />

etch {E} * 1) To selectively remove metal from a plate. 2)<br />

For still-images, <strong>the</strong> removal <strong>of</strong> metal from an intaglio or<br />

letterpress printing plate by means <strong>of</strong> corrosive chemicals<br />

or electrolysis. In <strong>the</strong> strictest sense, differs from engraving<br />

in that an engraved plate is incised with a <strong>to</strong>ol.(10.) {D= ?;<br />

Es= grabar al agua fuerte; F= gravure}.<br />

etching {E} * see fungal etching.<br />

étendue {F} * see extent {E}.<br />

étendue {F} * see extent {E}.<br />

e<strong>the</strong>rnet {E;F} * A data communications strategy used <strong>to</strong><br />

transmit data at up <strong>to</strong> 10 megabits per second over a local<br />

area network; may use thick or thin coaxial cable pair. {D=<br />

?; Es= red etérea}.<br />

ethylene oxide {E} * An effective mould fumigant for many<br />

archive and/or library materials, used as such in such<br />

facilities from <strong>the</strong> early 1930s <strong>to</strong> recent times. Since it is<br />

extremely <strong>to</strong>xic and carcinogenic its use is strictly<br />

regulated in most parts <strong>of</strong> <strong>the</strong> world and it is now seldom<br />

used for mould fumigation in such instances.(36.) {D= ?;<br />

Es= óxido de etileno; F= oxyde d'éthylène}.<br />

Etikett {D} * see label {E}.<br />

etiqueta {Es} * see label {E}.<br />

etiquetado original {Es} * see original label {E}.<br />

étiquette {F} * see label {E}.<br />

étiquette originale {F} * see original label {E}.<br />

étiré {F} * see tentelometer; tensilized {E}.<br />

étirement {F} * see stretch {E}.<br />

étui {F} * see cover {E}.<br />

evaluación {Es} * see evaluation {E}.<br />

évaluateur {F} * see evalua<strong>to</strong>r {E}.<br />

evaluation {E} * 1) The determination <strong>of</strong> value or worth <strong>of</strong><br />

something, as <strong>to</strong> measure <strong>the</strong> quality <strong>of</strong> a copy. 2) In<br />

magnetic media, <strong>the</strong> measurement <strong>of</strong> <strong>the</strong> physical and<br />

magnetic quality <strong>of</strong> <strong>the</strong> media. {D= Bewertung;<br />

Auswertung; Es= evaluación; F= évaluation; appéciation}.<br />

95<br />

evalua<strong>to</strong>r {E} * 1) In film and magnetic media, equipment<br />

--provided as an adjunct <strong>to</strong> a magnetic tape or motionpicture<br />

film winder/cleaner-- which measures <strong>the</strong> physical<br />

and magnetic quality <strong>of</strong> <strong>the</strong> tape or film. In contrast <strong>to</strong> a<br />

certifier, an evalua<strong>to</strong>r does not s<strong>to</strong>p when it detects an<br />

error.(46.) 2) A person who makes an evaluation. {D=<br />

Bewerter; Gutachter; Es= evaluador; F= évaluateur}.<br />

even field {E} * see field {E}.<br />

évent {F} * see decomposition vent {E}.<br />

évent anti-explosion {F} * see explosion vent {E}.<br />

evidential value {E} * The value <strong>of</strong> documents <strong>of</strong> an<br />

institution or organization in providing evidence <strong>of</strong> its<br />

origins, structure, functions, procedures, and significant<br />

transactions as distinct from informational value.22. {D=<br />

Beweiswert; Es= valor patente [evidente]; F= valeur<br />

proba<strong>to</strong>ire}.<br />

evitar de error {Es} * see error concealment {E}.<br />

exactitude {F} * see fidelity {E}.<br />

exactitude {F} * see fidelity {E}.<br />

excéntrica {Es} * see cam {E}.<br />

excentrique {F} * see cam {E}.<br />

excerpt {E} * A part, usually a complete scene or<br />

sequence, taken from a complete moving-image and/or<br />

sound recording work. In moving-image parlance an<br />

excerpt is distinguished from a clip by <strong>the</strong> fact that an<br />

excerpt is usually longer and gives a more detailed sense<br />

<strong>of</strong> <strong>the</strong> complete work than does a clip.(12.) {D= Exzerpt;<br />

Auszug; Es= extrac<strong>to</strong>; F= extrait}.<br />

execution originale {F} * see original performance {E}.<br />

exhibición {Es} * see exhibition {E}.<br />

exhibition {E} * 1) The display <strong>of</strong> documents, ei<strong>the</strong>r original<br />

or copies, for educational and cultural purposes.(23.) 2)<br />

The public showing <strong>of</strong> feature motion pictures in a <strong>the</strong>atre.<br />

3) A public showing <strong>of</strong> materials within a controlled<br />

situation. 4) A broadcast presentation or o<strong>the</strong>r<br />

transmission.(10.) {D= 1) Ausstellung; 2) Vorführung; Es=<br />

1) exposición; presentación; 2) exhibición; F= 1) exposition<br />

d'archives; 2) exploitation; 4) représentation}.<br />

existencias de una película {Es} * see films<strong>to</strong>ck {E}.<br />

existing light {E} * In pho<strong>to</strong>graphic work, strictly speaking,<br />

all natural lighting from moonlight <strong>to</strong> sunshine. It comprises<br />

<strong>the</strong> illumination that is already on <strong>the</strong> scene or<br />

project and includes room lamps, fluorescent lamps,<br />

spotlights, neon signs, candles, daylight through windows,<br />

outdoor scenes at twilight or in moonlight, and scenes<br />

artificially illuminated after dark.(09.) {D= ?; Es= luz<br />

existente; F= lumière ambiante}.<br />

expansion des contrastes {F} * see pre-emphasis (preequalization)<br />

{E}.<br />

expansion étirement{F} * see stretch {E}.<br />

expansión de la imagen {Es} * see image expansion {E}.<br />

expediente {Es} * see file (1) {E}.<br />

expediente concluso {Es} * see closed file (1) {E}.<br />

exploitation film {E} * A moving-image production designed<br />

<strong>to</strong> take advantage <strong>of</strong> a particular need or desire <strong>of</strong> <strong>the</strong><br />

audience. Usually, <strong>the</strong> term has a negative<br />

connotation.(30.) {D= ?; Es= película de explotación; F=<br />

film pour le grand public}.


exploración de alta velocidad {Es} * see high-speed<br />

scanning {E}.<br />

exploración entrelazada {Es} * see interlace scanning;<br />

interlaced scan {E}.<br />

exploración helicoidal {Es} * see helical scan {D;E}.<br />

exploración lenta {Es} * see slow-scan {E}.<br />

exploración mecánica {Es} * see mechanical scanning {E}.<br />

exploración por segmen<strong>to</strong>s {Es} * see segmented scan<br />

{E}.<br />

explorador {Es} * see scanner {E}.<br />

explorador de la imagen {Es} * see image scanner {E}.<br />

explorador de pun<strong>to</strong> móvil {Es} * see flying spot scanner<br />

{E}.<br />

explosion vent {E} * In nitrate film vaults, a vent <strong>to</strong> relieve<br />

explosion pressures resulting from ignition <strong>of</strong> a mixture <strong>of</strong><br />

decomposition gases and air. NFPA 40 has specific<br />

standards for <strong>the</strong> size and strength <strong>of</strong> such panels.(34.)<br />

{D= ?; Es= orificio anti-explosión; F= évent anti-explosion}.<br />

expose in sections {E} * To make more than one<br />

pho<strong>to</strong>graph <strong>to</strong> cover <strong>the</strong> whole document if original<br />

documents are larger than <strong>the</strong> maximum area <strong>of</strong> coverage<br />

<strong>of</strong> a camera.40. {D= ?; Es= exposición por secciones; F=<br />

exposition par sections}.<br />

exposición {Es} * see exhibition; exposure; exposure<br />

setting {E}.<br />

exposición fo<strong>to</strong>grama a fo<strong>to</strong>grama {Es} * see single-frame<br />

exposure {E}.<br />

exposición gradual {Es} * fade {E}.<br />

exposición imagen a imagen {Es} * see single-frame<br />

exposure<br />

exposición por secciones {Es} * see expose in sections<br />

{E}.<br />

exposímetro {Es} * see exposure meter {E}.<br />

exposition {F} * see existing light; exposure {E}.<br />

exposition au<strong>to</strong>matique {F} * see au<strong>to</strong>matic exposure {E}.<br />

exposition image par image {F} * see single-frame<br />

exposure {E}.<br />

exposition par sections {F} * see expose in sections {E}.<br />

expositions multiples {F} * see multiple exposure {E}.<br />

exposure {E} * 1) The act <strong>of</strong> exposing a material <strong>to</strong> radiant<br />

energy. 2) The time during which a sensitized material is<br />

subjected <strong>to</strong> <strong>the</strong> action <strong>of</strong> radiation. 3) The product <strong>of</strong><br />

radiation intensity and <strong>the</strong> time during which it acts on <strong>the</strong><br />

pho<strong>to</strong>sensitive material.40. 4) In pho<strong>to</strong>graphic processes,<br />

a measure <strong>of</strong> <strong>the</strong> amount <strong>of</strong> light entering <strong>the</strong> lens and<br />

striking <strong>the</strong> surface <strong>of</strong> <strong>the</strong> film. Film can be overexposed <strong>to</strong><br />

give a very light, dreamy quality <strong>to</strong> <strong>the</strong> image, or it can be<br />

under-exposed <strong>to</strong> make <strong>the</strong> image darker and more<br />

forebod-ing; see also development.(09.30.) {D=<br />

Belichtung; Es= exposición; F= exposition; pose;<br />

lumination}<br />

exposure index (E) {E} * A number assigned <strong>to</strong> a camera<br />

film that expresses <strong>the</strong> relative sensitivity <strong>to</strong> light (speed)<br />

<strong>of</strong> that material. The exposure index is based on <strong>the</strong> film<br />

emulsion speed, a standard exposure technique, and<br />

specific processing solutions.09. {D= ?; Es= índice de<br />

96<br />

exposición; F= indice de pose}.<br />

exposure latitude {E} * The range <strong>of</strong> film camera<br />

exposures, from under-exposure <strong>to</strong> over-exposure, that will<br />

produce acceptable pictures from a specific film.09. {D= ?;<br />

Es= latitud de exposición; F= latitude d'exposition}.<br />

exposure meter {E} * An optical or pho<strong>to</strong>-electrical device<br />

designed <strong>to</strong> ascertain <strong>the</strong> amount <strong>of</strong> light falling on a<br />

subject for <strong>the</strong> pur-pose <strong>of</strong> determining <strong>the</strong> correct opening<br />

<strong>of</strong> a camera.(09.) {D= Belichtungsmesser; Es= fotómetro;<br />

exposímetro; F= posemètre; cellule}<br />

exposure setting {E} * The lens opening and shutter speed<br />

selected <strong>to</strong> expose <strong>the</strong> film.09. {D= ?; Es= exposición; F=<br />

réglage d'exposition}.<br />

expresionismo {Es} * see expressionism {E;F}.<br />

expressionism {E;F} * In moving-image productions, a<br />

genre <strong>of</strong> film style which allows liberal use <strong>of</strong> technical<br />

devices and artistic dis<strong>to</strong>rtion and in which <strong>the</strong> personality<br />

<strong>of</strong> <strong>the</strong> di-rec<strong>to</strong>r is always paramount and obvious.<br />

Specifically, <strong>the</strong> term refers <strong>to</strong> <strong>the</strong> kinds <strong>of</strong> films made by<br />

many German direc<strong>to</strong>rs in <strong>the</strong> 1920s; see also realism;<br />

neo-realism.(30.) {D= ?; Es= expresionismo}.<br />

expurgo {Es} * see disposal {E}.<br />

exsudation {F} * see exudation {E}.<br />

extended term s<strong>to</strong>rage conditions {E} * S<strong>to</strong>rage conditions<br />

suitable for <strong>the</strong> preservation <strong>of</strong> recorded information having<br />

permanent value. {D= ?; Es= condiciones de<br />

almacenamien<strong>to</strong> a largo plazo; F= conditions de s<strong>to</strong>ckage<br />

à très long terme}.<br />

Extended Play {D} * see extra play tape {E}.<br />

extender {E} * ?? 2) A device used in electronic<br />

maintenance which physically extends an individual<br />

module or-OM applications, a program which is added <strong>to</strong><br />

an operating system <strong>of</strong> optical discs <strong>to</strong> augment its<br />

capabilities (e.g., MS-DOS extension <strong>to</strong> permit access <strong>of</strong><br />

CD-ROM files).39. {D= ?; Es= ?}.<br />

extender {E} * Materials, usually organic, blended with<br />

basic resins in recordings usually for economic or<br />

performance reasons; <strong>the</strong> extender is intended <strong>to</strong> make<br />

<strong>the</strong> base material go fur<strong>the</strong>r and produce more artifacts, or<br />

<strong>to</strong> change <strong>the</strong> base material in some manner so that it<br />

performs differently (i.e., more or less abrasive, more or<br />

less plastic, etc.); see also filler.(04.) {D= ?; Es= extensión;<br />

F= extension}.<br />

extensión {Es} * see extension {E;F}.<br />

extension {F} * see extender {E}.<br />

extent {E} * 1) The duration <strong>of</strong> an item. 2) In CD-ROM<br />

media, a set <strong>of</strong> logical blocks, <strong>the</strong> logical block numbers <strong>of</strong><br />

which form a continuous ascending sequence.(20.) {D= ?;<br />

Es= alcance; importancia; grado; F= durée; étendue}<br />

exteriores (rodaje en) {Es} * see location {E}.<br />

exteriores {Es} * see location {E}.<br />

external sync {E} * A synchronizing reference signal that is<br />

coming from an external source. {D= ?; Es= sincronización<br />

externa; F= synchronisation externe}.<br />

extra play tape {E} * A type <strong>of</strong> magnetic tape which gives<br />

50% more than standard playing time on a standard reel<br />

because it employs a thinner base <strong>to</strong>ge<strong>the</strong>r and a thinner<br />

(and, potentially, a more potent) oxide coating; also known<br />

as 'long-play' or 'extended play'.(16.) {D= Extended Play;<br />

Es= cinta de larga duración; F= bande longue durée}.


extraction {F} * see separation {E}.<br />

extrac<strong>to</strong> {Es} * see excerpt {E}.<br />

extrac<strong>to</strong> de película {Es} * see film clip {E}.<br />

extrait {F} * see excerpt {E}.<br />

extraits (morceaux choisis) {F} * see highlights {E}.<br />

extraits (morceaux choisis) {F} * see highlights {E}.<br />

extreme long shot {E} * In moving-image production, a<br />

panoramic view <strong>of</strong> an exterior location pho<strong>to</strong>graphed from<br />

a good distance, <strong>of</strong>ten as far as quarter <strong>of</strong> a mile<br />

away.(30.) {D= ?; Es= <strong>to</strong>ma a larga distancia; F= plan très<br />

lointain; de très grand ensemble}.<br />

extrémité {F} * see tail {E}.<br />

extremo (fin de una cinta) {Es} * see tail (2) {E}.<br />

extremo de un cilindro para grabar {Es} * see edge (2) {E}.<br />

exudación {Es} * see exudation {E}.<br />

exudation {E} * The process, or <strong>the</strong> product <strong>of</strong> <strong>the</strong> process,<br />

in which material is emitted or oozes from an object,<br />

usually applied <strong>to</strong> decomposition and its products.(04.) {D=<br />

?; Es= exudación; F= exsudation}.<br />

Exzerpt {D} * see excerpt {E}.<br />

eye light {E} * A very low angle light used in video<br />

production <strong>to</strong> effect desirable reflection from <strong>the</strong> eyes <strong>of</strong><br />

<strong>the</strong> subject without substantially affecting <strong>the</strong> overall<br />

lighting conditions. also known as a pigeon light. {D= ?;<br />

Es= luz reflejada desde [por] los ojos; F= petit projecteur<br />

pour les yeux}.<br />

f ---<br />

f-number {E} * 1) Setting used <strong>to</strong> indicate <strong>the</strong> size and light<br />

passing ability <strong>of</strong> a lens opening. Common f-numbers are<br />

f/1.4, f/2.0, f/2.8, f/4.0, f/5.6, f/8, f/16, and f/22. The larger<br />

<strong>the</strong> f-number, <strong>the</strong> smaller <strong>the</strong> lens opening, <strong>the</strong> less light<br />

enters <strong>the</strong> camera. In this example f/1.4 is <strong>the</strong> largest lens<br />

opening and f/22 is <strong>the</strong> smallest, with <strong>the</strong>se numbers<br />

indicating <strong>the</strong> ratio <strong>of</strong> <strong>the</strong> focal length <strong>of</strong> <strong>the</strong> lens <strong>to</strong> <strong>the</strong><br />

effective diameter <strong>of</strong> <strong>the</strong> lens opening; see also<br />

s<strong>to</strong>p.(09.30.19.) There also exists a system <strong>of</strong><br />

measurement in 't-numbers' which is a more accurate<br />

index <strong>of</strong> <strong>the</strong> amount <strong>of</strong> light actually striking <strong>the</strong> film<br />

emulsion.30. Also called f-s<strong>to</strong>p. {D= ?; Es= número f; F=<br />

?}<br />

fabricante original del equipo {Es} * see original equipment<br />

manufac-turer (OEM) {E}.<br />

face de lecture {F} * see entry face {E}.<br />

face émulsion {F} * see emulsion side {E}.<br />

facsímil {Es} * see facsimile {E}.<br />

facsimile {E} * A reproduction, similar in all aspects, <strong>of</strong> a<br />

document.(22.23.) 2) An electronic system for transmitting<br />

pictures and graphic materials over very high frequency air<br />

waves.07. {D= Faksimile; Es= facsímil; F= facsimilé;<br />

télécopie}.<br />

facsimilé {F} * see facsimile {E}.<br />

facteur d'éclatement {F} * see burst fac<strong>to</strong>r {E}.<br />

facteur de contraste {F} * see contrast ratio; gamma<br />

correction {E}.<br />

97<br />

facteur de déchirure {F} * see tear fac<strong>to</strong>r {E}.<br />

facteur de réflexion {F} * see reflectance {E}.<br />

fac<strong>to</strong>r de desgarro {Es} * see tear fac<strong>to</strong>r {E}.<br />

fac<strong>to</strong>r de estallido {Es} * see burst fac<strong>to</strong>r {E}.<br />

fac<strong>to</strong>r de reflexión {Es} * see reflectance {E}.<br />

fade {E} * 1) Exposure <strong>of</strong> motion picture film ei<strong>the</strong>r in <strong>the</strong><br />

camera or during subsequent operations so that, for a<br />

fade-in, starting with maximum density and extending for<br />

a predetermined number <strong>of</strong> frames, each successive<br />

frame receives a systematically greater exposure than <strong>the</strong><br />

frame preceding it, until full normal exposure for <strong>the</strong> scene<br />

has been attained. From this frame on, successive frames<br />

receive identical exposure for <strong>the</strong> remainder <strong>of</strong> <strong>the</strong> take.<br />

The procedure is reversed in <strong>the</strong> case <strong>of</strong> fade-outs.09. 2)<br />

The loss <strong>of</strong> intended or original colour, including black and<br />

white, from an object. 3) The reduction or decreasing <strong>of</strong> an<br />

audio signal. 3) In video production, <strong>the</strong> smooth transition<br />

<strong>of</strong> audio or video from 100 <strong>to</strong> 0 percent as in a fade out or<br />

fade down or 0 <strong>to</strong> 100 percent as in a fade-in or fade-up.<br />

.D= 1) Abblende; 2) Verblassen; 3) ausblenden; Es=<br />

fundido; esfumado; desvanecimien<strong>to</strong>; 1) ondudo de cierre;<br />

exposición gradual; 2) décolouración; 3) reducción de la<br />

señal de audio; F= 1) fondu; ouverture en fondu; fermeture<br />

en fondu; fondue à la fermeture; 2) décoloration; 3)= ?}.<br />

fade-in {E} * see fade.<br />

fade-out {E} * see fade.<br />

fadeometer {E} * An accelerated ageing testing device<br />

which exposes samples <strong>of</strong> coloured materials or coatings<br />

<strong>to</strong> a carbon arc <strong>to</strong> determine <strong>the</strong>ir resistance <strong>to</strong> fade or<br />

fading. The arc emits an intense actinic light which in a<br />

matter <strong>of</strong> hours approximates <strong>the</strong> destructive effect <strong>of</strong> a<br />

much longer period <strong>of</strong> ordinary daylight. Although it does<br />

not exactly duplicate <strong>the</strong> effect <strong>of</strong> prolonged exposure <strong>to</strong><br />

natural light, it is still an effective indica<strong>to</strong>r <strong>of</strong> <strong>the</strong> degree <strong>of</strong><br />

light stability that can be expected <strong>of</strong> a material, and <strong>of</strong> <strong>the</strong><br />

comparative resistance <strong>to</strong> fading <strong>of</strong> a number <strong>of</strong> samples;<br />

see also accelerated ageing.45. {D= ?; Es= medidor de la<br />

decoloración; F= décolorateur}.<br />

fader {E;F} * 1) A potentiometer, attenua<strong>to</strong>r, or o<strong>the</strong>r<br />

device used <strong>to</strong> control sound, video, or lighting. 2) A device<br />

used <strong>to</strong> progressive-ly increase or decrease <strong>the</strong> amount <strong>of</strong><br />

light reaching a film emulsion; may be accomplished by<br />

such means as a shutter, variable density glass; also<br />

called a fading glass, fading shutter. 3) A term sometimes<br />

applied <strong>to</strong> master dimmers controlling many dimming<br />

circuits.(10.) {D= Regler; Es= atenuador; F= potentiomètre;<br />

gradateur}.<br />

fading {E} * see fade.<br />

fading glass {E} * see fader.<br />

fading shutter {E} * see fader.<br />

Fahraufnahme {D} * see dolly shot {E}.<br />

faible contraste {F} * see low contrast {E}.<br />

faible pr<strong>of</strong>ondeur de champ. {F} * see sharpness; shallow<br />

focus {E}.<br />

fair market value {E} * The determination <strong>of</strong> price <strong>of</strong> an<br />

object by comparing it <strong>to</strong> similar pieces presently available;<br />

used <strong>to</strong> establish value <strong>to</strong> determine price, tax deductions,<br />

and in some property policies.(21.) {D= ?; Es= valor jus<strong>to</strong><br />

de venta [de mercado]; F= valeur marchande; cours}.<br />

fair-use {E} * The limited privilege <strong>of</strong> persons o<strong>the</strong>r than a<br />

copyright holder <strong>to</strong> use <strong>the</strong> copyrighted material in a


easonable manner without consent <strong>of</strong> <strong>the</strong> owner <strong>of</strong> <strong>the</strong><br />

copyright.(10.) {D= ?; Es= desgaste natural; F= usage<br />

grâcieux; usage non commercial}.<br />

faisceau {F} * see beam {E}.<br />

faisceau analyseur {F} * see scanning beam {E}.<br />

Faksimile {D} * see facsimile {E}.<br />

Fälschung {D} * see forgery {E}.<br />

falsificación {Es} * see counterfeit {E}.<br />

falsificado {Es} * see counterfeit {E}.<br />

falta de luz {Es} * see mislights {E}.<br />

Faltenwerfen {D} * see cockle/cockling {E}.<br />

Farb-Dup-Negativ {D} * see internegative {E}.<br />

Farbabbildung {D} * see coloured illustration {E}.<br />

Farbadition {D} * see additive colour {E}.<br />

Farbauszug-Negativ {D} * see separation negative {E}.<br />

Farbe {D} * see colour {E}.<br />

Farbempfindlichkeit {D} * see colour temperature {E}.<br />

Farbkorrektur {D} * see colour correction {E}.<br />

Farblavendel {D} * see intermediate film {E}.<br />

Farbst<strong>of</strong>f {D} * see dye {E}.<br />

Farbtemperatur {D} * see colour temperature {E}.<br />

Farnsworth image dissec<strong>to</strong>r {E} * An early electronic image<br />

pickup device which replaced <strong>the</strong> mechanical Nipkow disk.<br />

{D= ?; Es= disec<strong>to</strong>r de imagen Farnsworth; F= analyseur<br />

d'images Farnsworth}.<br />

fast {E} * Used <strong>to</strong> describe film having great enough<br />

sensitivity <strong>to</strong> light that it can form usable images at low or<br />

very low light levels; can also apply <strong>to</strong> processing and<br />

optical components see also speed.09. {D= ?; Es= rápido;<br />

F= rapide; sensible}.<br />

fast forward {E} * Provision in a tape recorder or film<br />

projec<strong>to</strong>r <strong>to</strong> run film/tape rapidly forward through <strong>the</strong><br />

machine for quick selection <strong>of</strong> desired portion; see also<br />

fast wind.50. {D= schneller Vorlauf; Es= avance rápido; F=<br />

avance rapide; accéléré}.<br />

fast motion (accelerated motion) {E} * A technique in<br />

motion picture film production in which <strong>the</strong> film is pho<strong>to</strong>graphed<br />

at less than <strong>the</strong> standard film speed so that when<br />

it is projected at <strong>the</strong> standard speed things appear <strong>to</strong> move<br />

much faster. On silent films this is, also, known as having<br />

'undercranked' <strong>the</strong> camera. Compare with s<strong>to</strong>p motion and<br />

slow motion; see also speed.30. {D= ?; Es= movimien<strong>to</strong><br />

rápido; F= accélération du mouvement}.<br />

fast wind {E} * The winding <strong>of</strong> tape or strip film at high<br />

speed, usually <strong>to</strong> remove a partially-played item from a<br />

playback machine or projec<strong>to</strong>r in faster time than simply<br />

letting it play out at a constant playback speed. This<br />

creates a tension in <strong>the</strong> film/tape which may cause<br />

deformation (i.e., stretching) that could be permanent if<br />

s<strong>to</strong>red in this condition.(04.) {D= schneller Wickel; Es=<br />

bobinado rápido; F= bobinage rapide}.<br />

fa<strong>the</strong>r {E} * In disc manufacturing, a recording mould<br />

formed by nickel plating a master disc. The resulting metal<br />

part can be used for pressing copies (i.e., it becomes <strong>the</strong><br />

stamper) or as <strong>the</strong> basis for production <strong>of</strong> one or more<br />

98<br />

mo<strong>the</strong>rs <strong>to</strong> produce multiple stampers for larger quantity<br />

production. {D= Vater; Es= padre; disco patrón; F= père}.<br />

faux {F} * see forgery {E}.<br />

faux raccord {F} * see jump cut {E}.<br />

feature {E} * 1) A commercially released motion picture or<br />

four or more 35-mm reels in length (i.e., 1,200 m, 4,000 ft.)<br />

or <strong>the</strong> equivalent in time, ca. 40 minutes; see also<br />

short.(12.) 2) A news s<strong>to</strong>ry in which immediacy is not<br />

important and human interest is stressed.10. {D=<br />

abendfüllender Film; Es= 1) largometraje (en un pase, la<br />

película principal); 2) crónica especial; película base; film<br />

espectacular; F= film de long métrage; film de fiction;<br />

grand film du programme; film de fond de programme;<br />

grand film}.<br />

fecha de emisión {Es} * see broadcast date {E}.<br />

fecha de producción {Es} * see production date {E}.<br />

fecha de publicación original {Es} * see original release<br />

date {E}.<br />

fecha original de difusión {Es} * see original broadcast<br />

date {E}.<br />

Federación Internacional de las Asociaciones de<br />

Bibliotecas y Bibliotecarios {Es} * see International<br />

Federation <strong>of</strong> Library Associations and Institutions (IFLA)<br />

{E}.<br />

Federal Communication Commission (U.S.A.)(FCC) {E} *<br />

The commission that regulates <strong>the</strong> practices and<br />

procedures <strong>of</strong> <strong>the</strong> communications industries in <strong>the</strong> U.S.<br />

{D= ?; Es= Comisión Federal de Comunicaciones (EEUU);<br />

F= commission fédérale de communication}.<br />

feed nut {E} * A partial set-screw (a half-nut) that engaged<br />

<strong>the</strong> feed screw on a cylinder machine and attached by arm<br />

or crank arrangement <strong>to</strong> <strong>the</strong> reproducer carrier-arm or <strong>to</strong><br />

<strong>the</strong> mandrel carriage on a traversing mandrel<br />

machine.(14.) {D= ?; Es= tuerca de avance; F= écrou de<br />

fixation}.<br />

feed reel {E} * The reel on a tape recorder or film projec<strong>to</strong>r<br />

which supplies <strong>the</strong> tape or film.50. {D= Abwickelspule; Es=<br />

carrete con la cinta colocada; F= bobine débitrice}.<br />

feed screw {E} * A threaded shaft <strong>of</strong> special cut on a<br />

cylinder machine which, when engaged with <strong>the</strong> carrierarm,<br />

caused <strong>the</strong> reproducer or recorder <strong>to</strong> follow or cut <strong>the</strong><br />

threads or grooves on <strong>the</strong> cylinder; also called a lead<br />

screw.(14.) {D= ?; Es= barra roscada; F= vis-mère}.<br />

feed through {E} * The accidental or unintentional transfer<br />

<strong>of</strong> a signal from one track <strong>to</strong> ano<strong>the</strong>r on a multi-track tape;<br />

see also cross talk.16. {D= ?; Es= paso; conexión<br />

interfacial; F= diaphonie?}.<br />

feedback {E} * 1) The acoustic howling, oscillation, or<br />

regeneration <strong>of</strong> sound caused by an audio system's<br />

microphonic pickup <strong>of</strong> <strong>the</strong> sound output from its own<br />

speaker/s; also known as acoustic feedback. 2) Negative<br />

electrical response in amplifier design used <strong>to</strong> improve<br />

stability and reduce dis<strong>to</strong>rtion.(16) {D= Rückkopplung; Es=<br />

retroalimentación; realimentación; F= rétroaction; contre<br />

réaction}.<br />

feet per minute (FPM) {E} * A manner <strong>of</strong> expressing <strong>the</strong><br />

spee<br />

Fehlerkennung und Korrektur {D} * see error detection and<br />

correction {E}.<br />

Fehlerkennung und Korrekturcode {D} * see error detection<br />

and correction code (EDCC) {E}.


Fehlerkorrektur {D} * see error correction {E}.<br />

Fehlerkorrekturcode {D} * see error detection and<br />

correction code (EDCC) {E}.<br />

Fehlerrate {D} * see error ratio {E}.<br />

Fehlerschutz {D} * see error protection {E}.<br />

Fehlerverdeckung {D} * see concealment; error<br />

concealment {E}.<br />

Feinschnitt {D} * see fine cut {E}.<br />

Feld {D} * see field {E}.<br />

Feldaufnahme {D} * see field recording {E}.<br />

fenêtrage {F} * see clipping {E}.<br />

fenêtre de projection {F} * see gate {E}.<br />

fenêtre de temps codé {F} * see Time Code Window<br />

(TCW) {E}.<br />

fenêtre standard (1,37 ou 1,33) {F} * see Academy<br />

aperture {E}.<br />

fenómeno de halo {Es} * see halation {E}.<br />

Fenster {D} * see framing {E}.<br />

Fensterkarte {D} * see aperture card {E}.<br />

fermeture en fondu {F} * see fade {E}.<br />

Fernsehen {D} * see television {E}.<br />

ferric oxide {E} * A form <strong>of</strong> iron oxide (rust); also known as<br />

magnetite. The magnetic particles in most open reel<br />

recording tapes are composed <strong>of</strong> finely ground and graded<br />

ferric oxide.04. {D= Eisenoxid; Es= óxido férrico; F= oxide<br />

ferrique}.<br />

ferrotipo {Es} * see ferrotype; tintype {E}.<br />

ferrotypage {F} * see ferrotyping {E}.<br />

ferrotype {E;F} * 1) A positive pho<strong>to</strong>graph made by a<br />

collodion process on a thin metal plate having a darkened<br />

surface; also know as tintype. 2) The process <strong>of</strong> making<br />

such a pho<strong>to</strong>graph. 3) Glazing, or <strong>the</strong> appearance <strong>of</strong> shiny<br />

patches, on <strong>the</strong> gelatin surface <strong>of</strong> pho<strong>to</strong>graphs, brought<br />

about by contact with a smooth surface, particularly plastic<br />

enclosures or glass, under conditions <strong>of</strong> high relative<br />

humidity. If pho<strong>to</strong>graphs are s<strong>to</strong>red in plastic enclosures<br />

under pressure (i.e. in a stack), ferrotyping can occur at<br />

moderate levels <strong>of</strong> relative humidity; see also glossy<br />

print.(37.) {D= ?; Es= ferrotipo; F= ferrotype (un),<br />

ferrotypie (la)}.<br />

ferrotypie {F} * see ferrotype {E;F}<br />

feuille {F} * see sheet {E}.<br />

feuille de données {F} * see data sheet {E}.<br />

feuille de protection pour cellulo {F} * see slip sheet {E}.<br />

feuille intercalaire {F} * see slip sheet {E}.<br />

feuilles d'un décor {F} * see flat {E}.<br />

feuillet J {F} * see j card {E}.<br />

feuille<strong>to</strong>n télévisé {F} * see series {E}.<br />

FIAF {E;F} * acronym for Fédération Internationale des<br />

99<br />

Archives du Film.<br />

FIAT {E;F} * acronym for Fédération Internationale des<br />

Archives de Télévision.<br />

fibra óptica {Es} * see fibre optics {E}.<br />

fibre optics {E} * The technology <strong>of</strong> using glass fibers <strong>to</strong><br />

convey light and modulated information.39. {D= Glasfaser;<br />

Es= fibra óptica; F= fibre optique}.<br />

fiche signalétique {F} * see data sheet {E}.<br />

fichero de ordenador {Es} * see computer file {E}.<br />

fichier d'au<strong>to</strong>rité {F} * see authority file {E}.<br />

fichier descripteur {F} * see file descrip<strong>to</strong>r record {E}.<br />

fichier informatique {F} * see computer file {E}.<br />

fidelidad (medida) {Es} * see fidelity {E}.<br />

fidélité {F} * see fidelity {E}.<br />

fidelity {E} * A measure <strong>of</strong> <strong>the</strong> degree <strong>of</strong> exactness with<br />

which data is duplicated or reproduced. {D=<br />

Wiedergabetreue; Es= fidelidad (medida); F= fidélité;<br />

exactitude}.<br />

field {E} * 1) An area under <strong>the</strong> influence <strong>of</strong> an<br />

electromagnetic or electrostatic charge.10. 2) In NTSC<br />

television, a field can be referred <strong>to</strong> as an odd field or an<br />

even field. Each field is made up <strong>of</strong> 262.5 horizontal lines.<br />

There are two fields per frame, and 60 fields per<br />

second.(10.35.) 3) An area within a computer record<br />

designed <strong>to</strong> hold a specific amount or type <strong>of</strong> information.<br />

4) The framed area <strong>of</strong> a camera shot; <strong>the</strong> portion <strong>of</strong> <strong>the</strong><br />

scene in front <strong>of</strong> <strong>the</strong> camera represented within <strong>the</strong> limits<br />

<strong>of</strong> <strong>the</strong> camera aperture at <strong>the</strong> focal plane area <strong>of</strong> field thus<br />

varies with focal length <strong>of</strong> lens and camera-<strong>to</strong>-subject<br />

distance. In television, one complete sequence <strong>of</strong> raster<br />

lines forming an image.09. 5) In animation film <strong>the</strong> area<br />

that will be pho<strong>to</strong>-graphed by <strong>the</strong> camera for a given shot<br />

and, <strong>the</strong>refore, <strong>the</strong> area in which <strong>the</strong> anima<strong>to</strong>r draws.(10.)<br />

6) A unit <strong>of</strong> data within a bibliographic record.40. {D= 1)<br />

Feld; 2) Halbbild; Es= 1) campo electrónico; 2) campo de<br />

televisión; 3) zona de ordenador para da<strong>to</strong>s; 4) cuadro de<br />

cámara; 5) zona de <strong>to</strong>ma; 6) unidad de da<strong>to</strong>s; F= champs<br />

electromagnetique; trame; zone; champ (doc)}.<br />

field per scan {E} * A classification in videotape recording<br />

that is based upon each head recording/playing one TV<br />

field per scan <strong>of</strong> <strong>the</strong> head; see also alpha {E}.{D= ?; Es=<br />

número de campos por exploración; F= balayage de<br />

trame; balayage vertical}.<br />

field recording {E} * A recording made under abnormal<br />

conditions away from a recording studio. Includes such as<br />

with a portable recording instrument in homes, outdoors,<br />

in dance halls, churches, back rooms, etc.(04.) {D=<br />

Feldaufnahme; Außenaufnahme; Es= grabación de<br />

campo; grabación bajo condiciones infrecuentes<br />

[anormales] ?; F= enregistrement en extérieur}<br />

fijación de inicio (edición de vídeos) {Es} * see set-in {E}.<br />

fijado {Es} * see fix {E}.<br />

fijador {Es} * see fixer {E;F}.<br />

fijar {Es} * see fix; sharpness {E}.<br />

fil magnétique {F} * see magnetic wire {E}.<br />

fila de bo<strong>to</strong>nes {Es} * see bus {E}.<br />

fila de estanterías {Es} * see row {E}.


filage {Es} * see ghost-image; blur {E}.<br />

file {E} * 1) The organizing <strong>of</strong> materials (folders, volumes,<br />

reels, etc.) in<strong>to</strong> an organized unit. 2) A series <strong>of</strong> such files.<br />

3) In machine-readable data, two or more records <strong>of</strong><br />

identical layout treated as a unit. The unit is larger than a<br />

record, but smaller than a data system; also known as a<br />

data set, file set.(22.23.) {D= 1) Aktenband; Aktenheft; 2)<br />

Aktenserie; Aktengruppe; Ablage; 3) Datei; Es= 1)<br />

expediente; 2) serie de expedientes; 3) fichero; F= dossier;<br />

classer}.<br />

file descrip<strong>to</strong>r record {E} * A sec<strong>to</strong>r found in CD-I files<br />

containing information on data segments, essential <strong>to</strong><br />

access <strong>the</strong> file.(39.) {D= ?; Es= registro descrip<strong>to</strong>r de<br />

ficheros; F= fichier descripteur}.<br />

file section {E} * That part <strong>of</strong> an optical disc file that is<br />

recorded in any one extent.20. {D= ?; Es= unidad de<br />

fichero; F= unité de programme enregistrable}.<br />

file structure volume descrip<strong>to</strong>r {E} * A portion <strong>of</strong> <strong>the</strong> CD-I<br />

disc label which describes files.39. {D= ?; Es= estructura<br />

del volumen descrip<strong>to</strong>r del fichero; F= volume descripteur<br />

de fichier}.<br />

Filialarchiv {D} * see branch reposi<strong>to</strong>ry {E}.<br />

filigranas {Es} * see paper marks (2) {E}.<br />

fill light {E} * Auxiliary illumination <strong>to</strong> lessen <strong>the</strong> contrast<br />

range or <strong>to</strong> reduce shadows in video productions. {D= ?;<br />

Es= iluminación auxiliar; luz de relleno; F= lumière<br />

d'appoint}.<br />

filler {E} * 1) An added substance used <strong>to</strong> modify <strong>the</strong><br />

physical properties <strong>of</strong> a resin in order <strong>to</strong> create specific<br />

effects, or simply for economic reasons; see also<br />

extender.(04.) 2) The material used as <strong>the</strong> base or carrier<br />

<strong>of</strong> a laminated recording (i.e., <strong>the</strong> wood flour material <strong>of</strong> <strong>the</strong><br />

core <strong>of</strong> a Diamond Disc).(10.) {D= Füllmaterial; Es=<br />

cargas; F= charge; matière de remplissage; remplisseur}.<br />

filler light {E} * An auxiliary light, usually from <strong>the</strong> side <strong>of</strong><br />

<strong>the</strong> subject which can illuminate areas not illumi-nated by<br />

<strong>the</strong> key-light.30. {D= ?; Es= iluminación auxiliar; luz de<br />

relleno; F= éclairage auxilliaire; projecteur d'appoint}.<br />

film {D;E;F} * 1) A pho<strong>to</strong>graphic emulsion coated on a<br />

flexible transparent plastic base.09. 2) Any sheet or strip<br />

<strong>of</strong> transparent plastic base coated with a light-sensitive<br />

emulsion upon which images can be recorded; see also<br />

diazo; polyester; vesicular film.(40.22.) {Es= película; F=<br />

film cinéma<strong>to</strong>graphique; pellicule;(oeuvre<br />

cinéma<strong>to</strong>graphique) film}.<br />

film {F} * see also picture (pic; pix) {E}.<br />

film à épisodes {F} * see series {E}.<br />

film à moyen terme {F} * see medium-term film {E}.<br />

film acétate {F} * see acetate film {E}.<br />

film achrome {F} * see black and white film {E}.<br />

film archives {E} * 1) Archives in <strong>the</strong> form <strong>of</strong> motionpictures<br />

with related textual documents. 2) An institution<br />

responsible for <strong>the</strong> acquisition, preservation, and<br />

communication <strong>of</strong> motion-pictures and related<br />

materials.(22.23.) {D= Filmarchiv; Es= archivos<br />

cinema<strong>to</strong>gráficos, 2) filmoteca; F= archives<br />

cinéma<strong>to</strong>graphiques, 2) cinémathèque}.<br />

film argentique {F} * see silver film {E}.<br />

film au bromure {F} * see bromide film {E}.<br />

100<br />

film avec enroulement extérieur {F} * see b-wind picture<br />

{E}.<br />

film avec enroulement intérieur {F} * see a-wind picture<br />

{E}.<br />

film/bande de net<strong>to</strong>yage {F} * see cleaning film/tape {E}.<br />

film base {E} * The plastic support which carries <strong>the</strong><br />

lightensitive emulsion <strong>of</strong> film.(09.) {D= Trägerschicht; Es=<br />

soporte de la película; soporte película; F= suport film;<br />

support d'émulsion}.<br />

film base density {E} * A measure <strong>of</strong> <strong>the</strong> degree <strong>of</strong> opacity<br />

<strong>of</strong> a film base. The measure does not include density<br />

produced by o<strong>the</strong>r layers such as <strong>the</strong> emulsion, subbing,<br />

or protective layers added <strong>to</strong> prevent scratching.01. {D= ?;<br />

Es= densidad del soporte de la película; F= densité<br />

optique du support film}.<br />

film bipack {F} * see bipack {E}.<br />

film chain {E/US} * see Telecine {E}.<br />

film chlorure {F} * see chloride film {E}.<br />

film cinéma<strong>to</strong>graphique {F} * see cinefilm; film archives;<br />

motion pictures {E}.<br />

film clip {E} * A short piece <strong>of</strong> film; see also clip/s.30. {D=<br />

?; Es= extrac<strong>to</strong> de película; tira de vistas fijas; F= extrait<br />

de film}.<br />

film d'actualités {F} * see news film {E}.<br />

film d'archivage {F} * see archival film {E}.<br />

film d'archives {F} * see archival film {E}.<br />

film d'épreuve {F} * see test film {E}.<br />

film d'essai {F} * see test film {E}.<br />

film d'exploitation {F} * see release {E}.<br />

film de conservation à court terme {F} * see short-term film<br />

{E}.<br />

film de conservation à long terme {F} * see long-term film<br />

{E}.<br />

film de fiction {F} * see feature {E}.<br />

film de fiction {F} * see feature {E}.<br />

film de labora<strong>to</strong>ire {F} * see labora<strong>to</strong>ry film {E}.<br />

film de long métrage {F} * see feature {E}.<br />

film de première génération {F} * see first-generation film<br />

{E}.<br />

film déformé {F} * see buckle {E}.<br />

film développé. {F} * see processed film {E}.<br />

film diazo {F} * see diazo film {E}.<br />

film éducatif {F} * see educational film/video {E}.<br />

film éducatif/vidéo éducative {F} * see educational<br />

film/video {E}.<br />

film électropho<strong>to</strong>graphique {F} * see electropho<strong>to</strong>graphic<br />

film {E}.<br />

film empreinte {F} * see print film {E}.<br />

film espectacular {Es} see feature {E}.


film étalon {F} * see test film {E}.<br />

film faiblement inflammable {F} * see safety film {E}.<br />

film fixe {F} * see filmstrip {E}.<br />

film gauge {E} * The width <strong>of</strong> film, usually measured in<br />

millimetres.30. {D= ?; Es= anchura de película; F= format<br />

du film; format de la pellicule}.<br />

film identification number {E} * The alphameric character<br />

string on <strong>the</strong> label <strong>of</strong> <strong>the</strong> container <strong>of</strong> most film<br />

manufacturers which describes <strong>the</strong> characteristics <strong>of</strong> <strong>the</strong><br />

unprocessed film; identified are <strong>the</strong> film type, <strong>the</strong> emulsion<br />

batch number, <strong>the</strong> emulsion type, <strong>the</strong> number <strong>of</strong> <strong>the</strong><br />

master roll from which <strong>the</strong> particular piece <strong>of</strong> film was cut,<br />

and a code describing width, perforation type and format,<br />

winding, and type <strong>of</strong> core, spool, or magazine. On Kodak<br />

film <strong>the</strong> film strip reference number affixed <strong>to</strong> <strong>the</strong> can <strong>of</strong><br />

raw s<strong>to</strong>ck also appears as a latent image on <strong>the</strong> film itself,<br />

visible on <strong>the</strong> processed film between <strong>the</strong> words ‘Eastman’<br />

and ‘safety film’ on <strong>the</strong> edge print.(09. {D= ?; Es= ?; F=<br />

numéro d'identification du film}.<br />

film intermédiaire {F} * see intermediate film {E}.<br />

film irréversible {F} * see direct image film {E}.<br />

film jacket {E} * A transparent plastic sleeve in<strong>to</strong> which<br />

individu-al frames or strips <strong>of</strong> micr<strong>of</strong>ilm may be inserted.<br />

Film that has been s<strong>to</strong>red in this manner is referred <strong>to</strong> as<br />

jacketed film.01. {D= ?; Es= funda [envol<strong>to</strong>rio] de la<br />

película; F= pochette de film}.<br />

film négatif original {F} * see camera negative {E}.<br />

film noir {E;F} * A French term, now in common usage, for<br />

a film with a gritty urban setting that deals with dark or<br />

violent passions, especially prevalent in American cinema<br />

<strong>of</strong> <strong>the</strong> late 1940s and early 1950s.(30.) {D= ?; Es= película<br />

negra}.<br />

film noir et blanc {F} * see black and white film {E}.<br />

film non flam {F} * see acetate film {E}.<br />

film original {F} * see camera film {E}.<br />

film ortho-chromatique {F} * see orthochromatic film {E}.<br />

film perforation {E} * Symmetrical, precision holes punched<br />

at regular intervals along <strong>the</strong> length <strong>of</strong> film <strong>to</strong> accept <strong>the</strong><br />

pins, pegs or sprockets <strong>of</strong> <strong>the</strong> drive system as <strong>the</strong> film is<br />

transported through <strong>the</strong> camera, projec<strong>to</strong>r, or o<strong>the</strong>r<br />

equipment.(09.) {D= Perforation; Es= perforaciónes en la<br />

película; perforación; perforaciones; F= perforation;<br />

alésage de débiteur}.<br />

film positif d'archive {F} * see archival positive {E}.<br />

film pour le grand public {F} * see exploitation film {E}.<br />

film réversible {F} * see image reversing film {E}.<br />

film réversible internégatif couleur {F} * see colour reversal<br />

intermediate-negative film (CRI) {E}.<br />

film sans dircisseur {F} * see forehardened film {E}.<br />

film size {E} * see film gauge.<br />

film speed {E} * 1) A measure <strong>of</strong> <strong>the</strong> film sensitivity <strong>to</strong> light<br />

as expressed in terms <strong>of</strong> <strong>the</strong> ASA exposure index, <strong>the</strong><br />

higher <strong>the</strong> ASA number <strong>the</strong> more sensitive <strong>the</strong> film is <strong>to</strong><br />

light. 2) The rate at which motion picture film passes<br />

through a camera or a projec<strong>to</strong>r as expressed in frames<br />

per second (FPS). The standard speed for sound film is 24<br />

frames per second (FPS); <strong>the</strong> standard speed for silent<br />

film varied from 16 <strong>to</strong> 18 FPS; see also speed. {D= ?; Es=<br />

101<br />

velocidad de película; F= 1) sensibilité du film 2) vitesse du<br />

film; cadence de projection}.<br />

film strip reference number {E} * One <strong>of</strong> several means<br />

which Kodak provides <strong>to</strong> identify <strong>the</strong> source <strong>of</strong> <strong>the</strong> raw film,<br />

this being a sticker affixed <strong>to</strong> most cans holding 400 or<br />

more feet <strong>of</strong> film s<strong>to</strong>ck which gives <strong>the</strong> location <strong>of</strong> a<br />

particular strip <strong>of</strong> film cut from <strong>the</strong> master roll. Numbers 1<br />

<strong>to</strong> 38 are used for 35-mm film; 1 <strong>to</strong> 83 for 16-mm film; see<br />

also film identification.09. {D= ?; Es= número de referencia<br />

de tira de película; F= numéro de référence du film}.<br />

film vesiculaire {F} * see vesicular film {E}.<br />

film vierge {F} * see films<strong>to</strong>ck {E}.<br />

film vierge {F} * see films<strong>to</strong>ck; raw s<strong>to</strong>ck {E}.<br />

film vierge avec enroulement extérieur {F} * see b-wind raw<br />

s<strong>to</strong>ck {E}.<br />

film vierge avec enroulement intérieur {F} * see a-wind raw<br />

s<strong>to</strong>ck {E}.<br />

Film {D} * see motion pictures {E}.<br />

Film {D} * see picture (pic/pix) {E}.<br />

Film Conditioning Apparatus (FICA) {D;E;Es;F} * A<br />

process, developed by <strong>the</strong> Swedish Film Archive and<br />

marketed by FilmTechnik, S<strong>to</strong>ckholm, which conditions<br />

motion picture film for archival s<strong>to</strong>rage by staging <strong>to</strong> <strong>the</strong><br />

ideal relative humidity, winding it <strong>to</strong> specific <strong>to</strong>rque, and<br />

vacuum sealing it in<strong>to</strong> poly-foil bags.<br />

Film-Architekt {D} * see art direc<strong>to</strong>r {E}.<br />

film-<strong>to</strong>-tape transfer {E} * The process <strong>of</strong> copying images<br />

originally on film <strong>to</strong> videotape.(06.) {D= Überspielung Film<br />

auf Magnetband; Es= replicado cine-video; F= transfert de<br />

film sur bande video; télécinéma; kinescope<br />

Filmabtaster {D} * see telecine {E;Es}.<br />

filmación alea<strong>to</strong>ria {Es} * see alea<strong>to</strong>ry filming {E}.<br />

filmadora de Televisión {Es} * see TCR {E}.<br />

Filmarchiv {D} * see film archives {E}.<br />

Filmarchivgut {D} * see audiovisual archives/records data<br />

{E}.<br />

Filmaufzeichnungsgerät {D} * see telerecorder {E;F}.<br />

Filmaufzeichung (FAZ) {D} * see kinescope film {E;F}.<br />

Filmband {D} * see track {E}.<br />

Filmdokumentation {D} * see audiovisual archives/records<br />

data {E}.<br />

filme (material virgen) de enrollado tipo b {Es} * see b-wind<br />

raw s<strong>to</strong>ck {E}.<br />

filme {Es} * see motion pictures; picture (pic/pix) {E}.<br />

filme cinema<strong>to</strong>gráfico {Es} * see cinefilm {E}.<br />

filme de enrollado tipo a {Es} * see a-wind picture {E}.<br />

filme de enrollado tipo b {Es} * see b-wind picture {E}.<br />

filme o cinta de limpieza {Es} * see cleaning film/tape {E}.<br />

filme virgen de enrollado tipo a {Es} * see a-wind raw s<strong>to</strong>ck<br />

{E}.


Filmemacher {D} * see cineaste {E}.<br />

filmic space {E} * A phrase not widely used which refers <strong>to</strong><br />

<strong>the</strong> power <strong>of</strong> <strong>the</strong> film medium which makes possible <strong>the</strong><br />

combination <strong>of</strong> shots <strong>of</strong> widely separated original locations<br />

in<strong>to</strong> a single framework <strong>of</strong> space.30. {D= ?; Es= espacio<br />

fílmico; F= espace filmique}.<br />

filmina {Es} * see filmstrip {E}.<br />

Filmkern {D} * see core {E}.<br />

Filmkopie mit Licht<strong>to</strong>nspur {D} * see composite {E}.<br />

Filmkunde {D} * see filmology; cinemagraphic {E}.<br />

Filmlochkarte {D} * see aperture card {E}.<br />

filmografía {Es} * see filmography {E}.<br />

filmographie {F} * see filmography {E}.<br />

filmography {E} * A bibliography <strong>of</strong> motion pictures. {D=<br />

Filmographie; Es= filmografía; F= filmographie}.<br />

filmología {Es} * see filmology {E}.<br />

filmologie {F} * see filmology {E}.<br />

Filmologie {D} * see filmology {E}.<br />

filmology {E} * A general term for <strong>the</strong> study and analysis <strong>of</strong><br />

film -- usually by psychologists, aes<strong>the</strong>ticians, sociologists,<br />

and <strong>the</strong> like -- which suggests a quasi-scientific<br />

attitude.30. {D= Filmkunde; Filmologie; Es= filmología; F=<br />

filmologie}.<br />

filmoteca {Es} * see film archives {E}.<br />

Filmrolle {D} * see reel {E}.<br />

films d'art et d'essais {F} * see underground films {E}.<br />

Filmschlaufe {D} * see loop {E}.<br />

Filmschleife {D} * see buckle; loop {E}.<br />

films<strong>to</strong>ck {E} * 1) The raw material <strong>of</strong> film. 2) General term<br />

for motion picture film, particularly before<br />

exposure.(09.12.) {D= ?; Es= existencias de una película;<br />

F= film vierge; pellicule vierge}.<br />

Filmstreifen {D} * see filmstrip; unitized film {E}.<br />

filmstrip {E} * A length <strong>of</strong> film containing a succession <strong>of</strong><br />

images intended for projection one at a time, with or<br />

without recorded sound.(03.22.23.) {D= Bildband;<br />

Lichtbildreihe; Filmstreifen; Es= película fija; filmina; tira;<br />

F= film fixe; bande de film; série de diapositives}.<br />

filo rec<strong>to</strong> {Es} * see straight edge {E}.<br />

filter {D;E} * 1) A device or circuitry which removes and/or<br />

attenuates specific frequencies (sound, light, etc.) during<br />

recording and/or playback. 2) In film production, a piece <strong>of</strong><br />

glass or o<strong>the</strong>r transparent material used over <strong>the</strong> lens <strong>to</strong><br />

emphasize, eliminate, or change <strong>the</strong> colour or density <strong>of</strong><br />

<strong>the</strong> entire scene or certain elements in <strong>the</strong> scene.(09.30.)<br />

3) An electronic circuit designed <strong>to</strong> modify certain<br />

frequencies.39. {Es= filtro; F= filtre}.<br />

filtrage hautes fréquences {F} * see high frequency roll-<strong>of</strong>f<br />

{E}.<br />

filtre {F} * see filter {D;E}.<br />

filtre anti-images {F} * see antiimaging filter {E}.<br />

102<br />

filtre anticrénelage {F} * see antialiasing filter {E}.<br />

filtre antirepliement {F} * see antialiasing filter {E}.<br />

filtre catadioptrique {F} * see catadioptric lens {E}.<br />

filtre de densité neutre {F} * see neutral density filters {E}.<br />

filtre de Tchebychev {F} * see Chebyshev filter {E}.<br />

filtre dichroïque {F} * see Dichroic mirror; Dichroic filter {E}.<br />

filtre en peigne {F} * see comb filter {E}.<br />

filtre numérique {F} * see digital filter {E}.<br />

filtre passe bas {F} * see low-pass filter {E}.<br />

filtre passe-bande {F} * see band-pass filter {D;E}.<br />

filtre passe-haut {F} * see high-pass filter {E}.<br />

filtre polarisant {F} * see polarizing filter {E}.<br />

filtre sélectif {F} * see notch-filter {E}.<br />

filtre traversal {F} * see transverse filter {E}.<br />

filtre UV {F} * see UV filter {E}.<br />

filtres anti-brouillard {F} * see haze filters {E}.<br />

filtres de correction (chromatique) {F} * see correction<br />

filters {E}.<br />

filtres UV {F} * see haze filters {E}.<br />

filtro {Es} * see filter {D;E}.<br />

filtro antiimagen {Es} * see antiimaging filter {E}.<br />

filtro atenuante {Es} * see antialiasing filter {D;E}.<br />

filtro Chebyshev {Es} * see Chebyshev filter {E}.<br />

filtro de característica en peine {Es} * see comb filter {E}.<br />

filtro de gris neutro {Es} * see neutral density filters {E}.<br />

filtro de muesca {Es} * see notch-filter {E}.<br />

filtro de onda {Es} * see comb filter {E}.<br />

filtro de paso al<strong>to</strong> {Es} * see high-pass filter {E}.<br />

filtro de paso bajo {Es} * see low-pass filter {E}.<br />

filtro de paso de banda {Es} * see band-pass filter {D;E}.<br />

filtro dicroíco {Es} * see Dichroic filter {E}.<br />

filtro digital {Es} * see digital filter {E}.<br />

filtro gris {Es} * see neutral density filters {E}.<br />

filtro neutro {Es} * see neutral density<br />

filtro pasaal<strong>to</strong> {Es} * see high-pass filter {E}.<br />

filtro pasabajos {Es} * see low-pass filter {E}.<br />

filtro polarizador {Es} * see polarizing filter {E}.<br />

filtro reduc<strong>to</strong>r {Es} * see antialiasing filter {D;E}.<br />

filtro transversal {Es} * see transverse filter {E}.<br />

filtro ultravioleta {Es} * see UV filter {E}.


filtros antineblinas {Es} * see haze filters {E}.<br />

filtros correc<strong>to</strong>res {Es} * see correction filters {E}.<br />

filtros de corrección {Es} * see correction filters {E}.<br />

final cut {E} * see fine cut.<br />

Findbehelf {D} * see finding aid {E}.<br />

Findbuch {D} * see finding aid {E}.<br />

finding aid {E} * A document, published or unpublished,<br />

listing or describing a body <strong>of</strong> record/archives <strong>the</strong>reby<br />

establishing adminis-trative and intellectual control over<br />

<strong>the</strong>m by a records centre/archive, thus making <strong>the</strong>m more<br />

accessible and comprehensible <strong>to</strong> <strong>the</strong> user. Basic finding<br />

aids include calendars, catalogues, guides, indexes,<br />

inven<strong>to</strong>ries, lists, location reviews/registers, and, for<br />

machine readable records/archives, s<strong>of</strong>tware<br />

documentation; also called 'means <strong>of</strong> reference'.(22.23.)<br />

{D= Findbehelf; Findbuch; Es= instrumen<strong>to</strong> de trabajo;<br />

instrumen<strong>to</strong> de consulta; F= instrument de recherche}.<br />

fine cut {E} * In moving-image productions, <strong>the</strong> final cut;<br />

see also montage; rough cut.30. {D= Schnittkopie;<br />

Feinschnitt; Es= copia positiva definitiva; F= montage fin;<br />

positif modèle}.<br />

fire door {E} * A door made <strong>of</strong> heat and fire resistant<br />

material designed in such a way as <strong>to</strong> au<strong>to</strong>matically close<br />

an opening when <strong>the</strong> temperature reaches a<br />

predetermined level. While desirable in all archival<br />

settings, fire doors are required in most codes for nitrate<br />

film vaults. {D= Brandschutztüre; Es= puerta contra<br />

incendios; F= porte coupe-feu; porte à revêtement<br />

ignifuge}.<br />

first reproduction micr<strong>of</strong>ilm {E} * The first copy <strong>of</strong> a<br />

document made from a preservation master negative, thus<br />

a second generation copy. Synonymous with second<br />

generation micr<strong>of</strong>ilm. {D= ?; Es= micr<strong>of</strong>ilm de segunda<br />

generación; F= micr<strong>of</strong>ilm de première génération}.<br />

first-generation film {E} * Synonymous with camera film,<br />

master film, preservation master negative, and original<br />

film; see also preservation master negative. {D= ?; Es=<br />

película de primera generación; F= film de première<br />

génération}.<br />

first-generation image {E} * The print or first reproduction<br />

<strong>of</strong> an object or document, thus a second-generation copy<br />

<strong>of</strong> a first-gener-ation (i.e., an original) item. {D= ?; Es=<br />

imagen de primera generación; F= image de première<br />

génération}.<br />

first-generation micr<strong>of</strong>ilm {E} * Synonymous with camera<br />

film, master film, preservation master negative, and<br />

original film; see also preservation master negative. {D= ?;<br />

Es= micr<strong>of</strong>ilm de primera generación; F= ?}.<br />

first-generation videotape {E} * A magnetic tape based<br />

moving-image medium synonymous with first-generation<br />

film. {D= ?; Es= cinta de vídeo de primera generación; F=<br />

bande vidéo de première génération; original}.<br />

Fischaugenobjektiv {D} * see fish-eye lens {E}.<br />

fish-eye lens {E} * An extremely wide-angle lens which has<br />

an angle-<strong>of</strong>-view approaching 180 degrees. It greatly<br />

dis<strong>to</strong>rts <strong>the</strong> image.30. {D= Fischaugenobjektiv; Es=<br />

objetivo de ojo de pez; F= objectif très grand angulaire;<br />

ultra-grand angulaire}.<br />

fix {E} * 1) To establish a sound or picture level. 2) To<br />

harden a pho<strong>to</strong>graphic film or print; also known as<br />

fixing.(10.) {D= fixieren; Fixierung; Es= fijar; fijado; F= fixer;<br />

étalonner la lumière; fixage}.<br />

103<br />

fixation de diaphragme {F} * see cross-head {E}.<br />

fixer {E;F} * Also called hypo; material used in film<br />

processing <strong>to</strong> cause pho<strong>to</strong>graphic materials <strong>to</strong> lose <strong>the</strong>ir<br />

sensitivity <strong>to</strong> light by dissolving <strong>the</strong> silver halide. The image<br />

will continue <strong>to</strong> darken if not properly fixed.43. A commonly<br />

used fixer is sodium thiosulphate.07. {D= ?; Es= fijador}.<br />

fixer {F} * see fix {E}.<br />

fixieren {D} * see fix {E}.<br />

Fixierung {D} * see fix {E}.<br />

fixing {E} * see fix.<br />

fixité {F} * see stability {E}.<br />

flag {E} * 1) To mark a place for a particular purpose. 2)<br />

The object used for this purpose. 3) One or more bits used<br />

<strong>to</strong> s<strong>to</strong>re and indicate status <strong>of</strong> a circuit or system.39. 4) In<br />

video production, a flag is a small rectangular gobo which<br />

is a shutter or frame mounted fabric used <strong>to</strong> block light or<br />

eliminate a reflection in a Television production. {D=<br />

Flagge; Marke; Es= visera de cámara; bandera; marca; F=<br />

marque; drapeau; écran pare-lumière}.<br />

flag-waving {E} * see flagging.<br />

flagging {E} * 1) The fluttering or pulling <strong>to</strong> one side <strong>of</strong> <strong>the</strong><br />

<strong>to</strong>p <strong>of</strong> video picture when a stretched tape is played;<br />

sometime adjusting <strong>the</strong> horizontal control on <strong>the</strong> tv can<br />

reduce flagging. This abnormality can also result from<br />

missing timing pulses during <strong>the</strong> vertical blanking period;<br />

see also flagging.(35.) 2) Marking <strong>the</strong> place on <strong>the</strong> shelf<br />

from which an object was taken <strong>to</strong> facilitate<br />

reshelving.(04.); also known as flag-waving. {D= ?; Es=<br />

aleteo; ondear una bandera; F= dis<strong>to</strong>rsion en drapeau (de<br />

l'image)}.<br />

flaking {E} * The shedding <strong>of</strong> pieces <strong>of</strong> material from<br />

laminated objects, e.g. oxide from magnetic tape, coating<br />

from acetate discs; essentially <strong>the</strong> same as peeling, but<br />

more localized in effect.(04.10.) {D= ?; Es= separación en<br />

escamas; F= débrits; écailles}.<br />

flange {E} * A fixed or removable circular disc which is<br />

ei<strong>the</strong>r connected <strong>to</strong> or part <strong>of</strong> <strong>the</strong> hub <strong>to</strong> make a reel; its<br />

purpose is <strong>to</strong> protect <strong>the</strong> tape or film wound on<strong>to</strong> <strong>the</strong> hub<br />

and <strong>to</strong> guide <strong>the</strong> film or magnetic tape on<strong>to</strong> <strong>the</strong> hub; see<br />

also reel.(06.) {D= Flansch; Bandführung; Es= solapa;<br />

reborde; ala; F= flasque; joue; plateau; bobine<br />

démontable; flasque}.<br />

Flansch {D} * see flange; reel flange {E}.<br />

flash card {E} * A card or o<strong>the</strong>r opaque material printed<br />

with words, numerals, or pictures and designed for rapid<br />

display.03. {D= ?; Es= apuntador (obje<strong>to</strong>); F= ?}.<br />

flash frame {E} * A sing-image production inserted in<strong>to</strong> a<br />

shot <strong>to</strong> provide an instant <strong>of</strong> a different image.(12.) {D= ?;<br />

Es= fo<strong>to</strong>grama flash; F= image blanche; imùage de<br />

départ}.<br />

flash title {E} * In motion-picture productions, a temporary<br />

form <strong>of</strong> titles for cutting, usually two <strong>to</strong> three frames in<br />

length, used primarily <strong>to</strong> mark <strong>the</strong> place/s where title<br />

belong.(12.) {D= ?; Es= fo<strong>to</strong>gramas de fijación del título<br />

(provisionales); F= titre provisoire de montage}.<br />

flasque {F} * see flange {E}.<br />

flasque de bobine {F} * see reel flange {E}.<br />

flat {E} * In studio and <strong>the</strong>atrical productions, a moveable<br />

structure that may be painted or covered in fabric <strong>to</strong><br />

provide a visual background or separation in <strong>the</strong> scene.


{D= ?; Es= plano; liso; F= plat; paroi; chassis plat;<br />

"feuilles" d'un décor}.<br />

flat bed camera {E} * see planetary camera.<br />

flat filing {E} * see horizontal filing.<br />

flat finish {E} * A smooth pho<strong>to</strong>graphic image surface free<br />

from glare.(07.) {D= ?; Es= acabado plano; acabado mate;<br />

F= visualisation du signal vidéo composite}.<br />

flat image {E} * An image which does not swell when spottested<br />

with water and which does not show a relief<br />

between its shadows and highlights; <strong>the</strong> opposite <strong>of</strong> a relief<br />

image; see also water spot-test. {D= ?; Es= imagen plana;<br />

F= image; plate; sans relief}.<br />

flat lighting {E} * Low contrast lighting; see also gamma;<br />

post-lashing.30. {D= ?; Es= iluminación de bajo contraste;<br />

F= éclairage plat; lumière sans relief}.<br />

flat response {E} * A related but more definitive term than<br />

frequency response; implies a degree <strong>of</strong> excellence, but in<br />

order <strong>to</strong> be meaningful must be fur<strong>the</strong>r defined in terms <strong>of</strong><br />

dB variation from absolute flatness over a specified<br />

frequency range (e.g. -3 dB from 50 <strong>to</strong> 14,000 Hz); an<br />

indication <strong>of</strong> a sound system's ability <strong>to</strong> reproduce all<br />

audible frequencies supplied <strong>to</strong> it, maintaining <strong>the</strong> original<br />

balance between low, middle, and high<br />

frequencies.(50.16.) {D= ?; Es= respuesta plana; F=<br />

response plate; uniforme; linéaire}.<br />

flat-filing {E} * The placing <strong>of</strong> materials, whe<strong>the</strong>r bound or<br />

in containers, in a position parallel <strong>to</strong> <strong>the</strong> shelf; also know<br />

as horizontal filing.(23.) {D= liegende Aufbewahrung;<br />

Ablage; Es= instalación horizontal; F= s<strong>to</strong>ckage à plat;<br />

conservation à plat}.<br />

flats {E} * Two pieces <strong>of</strong> matched optical glass for holding<br />

film flat during projection or viewing, as in a micr<strong>of</strong>ilm<br />

reader.40. {D= ?; Es= lentes planas; F= pince pour le film}.<br />

flau {D} * see blur {E}.<br />

flick pan {E} * see swish pan.<br />

flicker {E} * The results when <strong>the</strong> video frame repetition<br />

rate is not high enough <strong>to</strong> cause <strong>the</strong> observing eye <strong>to</strong><br />

perceive a continuous image. {D= ?; Es= parpadeo; F=<br />

papillottement; scintillement; battement}.<br />

flickering {E} * A cyclical fluctuation in <strong>the</strong> intensity <strong>of</strong> <strong>the</strong><br />

light thrown on <strong>the</strong> screen in film projection caused by <strong>the</strong><br />

passage <strong>of</strong> <strong>the</strong> shutter across <strong>the</strong> light beam or by a<br />

projection rate <strong>of</strong> fewer frames per second than<br />

persistence <strong>of</strong> vision can fuse in<strong>to</strong> a continuous<br />

image.(30.) {D= Flimmern; Es= centelleo; parpadeo; F=<br />

scintillement; papillottement}.<br />

Fliehkraftregler {D} * see flywheel {E}.<br />

Flimmern {D} * see flickering {E}.<br />

flip cards {E} * A set <strong>of</strong> title cards or o<strong>the</strong>r graphics<br />

mounted in sequence so that <strong>the</strong>y may be changed by a<br />

quick hand motion; also called flop.(54) {D= ?; Es=<br />

cartulinas para mover de un tirón; F= car<strong>to</strong>ns volants<br />

(titres)}.<br />

float {E} * An art work secured on a mat in such a way that<br />

all <strong>the</strong> edges <strong>of</strong> <strong>the</strong> item can be seen through <strong>the</strong> window<br />

opening.(07.) {D= ?; Es= flotador; F= rampe; chassis<br />

mobile}.<br />

floatation {E} * A means <strong>of</strong> coating pho<strong>to</strong>graphic paper with<br />

ei<strong>the</strong>r a sensitizing or emulsion coating liquid by floating<br />

<strong>the</strong> piece <strong>of</strong> paper on <strong>the</strong> surface <strong>of</strong> <strong>the</strong> liquid.05. {D= ?;<br />

104<br />

Es= flotación; F= ?}.<br />

floating point {E} * An encoding technique in which a<br />

mantissa (i.e., decimal part <strong>of</strong> a logartihm) represents<br />

amplitude, and an exponenet provides a scaling<br />

fac<strong>to</strong>r.(39.) {D= ?; Es= pun<strong>to</strong> de flotación; F= à virgule<br />

flottante}.<br />

floating reporducer {E} * The simplet type <strong>of</strong> reproducer,<br />

consisting <strong>of</strong> a circular body <strong>of</strong> metal (aluminium, brass,<br />

nickel plate steel or alloy have all been used) or plastic<br />

(frequently vulcanite) and suspended ei<strong>the</strong>r by a rigid<br />

output tube from <strong>the</strong> end <strong>of</strong> <strong>the</strong> horn or from a socket on a<br />

carrier-arm propelled by a feed screw. see also semiflating<br />

reproducer.(14) ?; Es= reproduc<strong>to</strong>r flotante; F=<br />

lecteur à système flottant}.<br />

floor load {E} * The maximum weight that a given structure<br />

can bear without danger <strong>of</strong> collapsing. Because <strong>of</strong> <strong>the</strong><br />

generally unexpected greater weight <strong>of</strong> many <strong>of</strong> <strong>the</strong><br />

materials special concern and consideration must be made<br />

<strong>of</strong> floor load capacity in audiovisual archives. {D= ?; Es=<br />

carga máxima que puede soportar un suelo; F= charge au<br />

sol}.<br />

flop {E} * see flip card.<br />

floppy {E} * see floppy disk.<br />

floppy disk {E} * A flat, thin, flexible, circular, magnetically<br />

coated plastic object used <strong>to</strong> record data, usually on<br />

computers; also called a floppy and a diskette.(10.) {D= ?;<br />

Es= disco flexible; F= disquette}.<br />

florecimien<strong>to</strong> (de hongos) del nitra<strong>to</strong> {Es} * see nitrate<br />

bloom {E}.<br />

florecimien<strong>to</strong> fúngico {Es} * see bloom (4) {E}.<br />

flotación {Es} * see floatation {E}.<br />

flotador {Es} * see float {E}.<br />

flottement {F} * see creep {E}.<br />

flou {Es} * see blur; s<strong>of</strong>t focus {E}.<br />

flou artistique {F} * see s<strong>of</strong>t focus {E}.<br />

fluctuation de vitesse {F} * see wow and flutter {E}.<br />

fluctuations de vitesse {F} * see flutter {E}.<br />

fluctuations temporelles {F} * see jitter {D;E}.<br />

flujo (luminoso) {Es} * see flux {E}.<br />

flujo energético {Es} * see radiant flux {E}.<br />

flujo intrínseco {Es} * see intrinsic flux {E}.<br />

flujo luminoso {Es} * see luminous flux {E}.<br />

fluting {E} * The effect <strong>of</strong> swelling <strong>of</strong> <strong>the</strong> outside edges <strong>of</strong><br />

film or tape; see also edge.(09.) {D= ?; Es= rizado;<br />

acanaladura; F= cannelures; tuilage}.<br />

flutter {E} * Very short rapid variations in disc, strip film, or<br />

tape speed causing pitch and/or amplitude variations.<br />

Usually <strong>the</strong> result <strong>of</strong> defects in equipment or friction<br />

between <strong>the</strong> carrier and heads or guides; a form <strong>of</strong><br />

dis<strong>to</strong>rtion.(04.16.) {D= hochfrequente<br />

Gleichlaufschwankungen; Es= vibración; ondulación;<br />

trémolo; F= fluctuations de vitesse; pleurage;<br />

scintillement}.<br />

flux {E} * Lines <strong>of</strong> magnetic force; see also maximum<br />

intrinsic flux. {D= magnetischer Fluß; Es= flujo (luminoso);


F= flux magnétique}.<br />

flux lumineux {F} * see luminous flux {F}.<br />

flux magnéflux radiant {F} * see radiant flux {E}.<br />

flying erase head {E} * In a videotape deck, an erase head<br />

is mounted on <strong>the</strong> spinning head drum assembly a few<br />

degrees ahead <strong>of</strong> <strong>the</strong> record head. During electronic<br />

editing, this head turns erase current on/<strong>of</strong>f precisely as<br />

determined <strong>to</strong> record new video information. {D= ?; Es=<br />

cabeza borradora volante; F= tête d'effacement (vid)}.<br />

flying spot scanner {E} * An image pickup device which<br />

produces a raster on a kinescope and focus it on a frame<br />

<strong>of</strong> film. {D= ?; Es= explorador de pun<strong>to</strong> móvil; F= analyseur<br />

à spot mobile; (analyseur à balayage)}.<br />

flywheel {E} * A device on a spring driven mo<strong>to</strong>r <strong>to</strong> control<br />

<strong>the</strong> speed variation.(14.) {D= Fliehkraftregler; Es= volante;<br />

F= régulateur à boules; volant}.<br />

FM {E} * acronym for frequency modulation.50.<br />

FM stereo {D;E;Es;F} * also known as multiplexing; a form<br />

<strong>of</strong> FM broadcast-ing in which two channels <strong>of</strong> audio signals<br />

are transmitted on <strong>the</strong> same carrier, <strong>of</strong>fering a signal<br />

similar <strong>to</strong> <strong>the</strong> stereo available from stereo records and<br />

tapes.50.<br />

focal length {E} * 1) The actual length <strong>of</strong> a lens measured<br />

in millimetres <strong>of</strong> <strong>the</strong> distance from <strong>the</strong> centre <strong>of</strong> <strong>the</strong> lens <strong>to</strong><br />

<strong>the</strong> film plane. Long lenses are telepho<strong>to</strong> lenses, short<br />

lenses are wide--ngle lenses.30. 2) The distance from <strong>the</strong><br />

optical centre <strong>of</strong> a lens <strong>to</strong> <strong>the</strong> point at which parallel rays <strong>of</strong><br />

light passing through it con-verge (<strong>the</strong> focal point).09. {D=<br />

?; Es= distancia focal; F= distance focale}.<br />

focal plane {E} * The area in space on which parallel rays<br />

<strong>of</strong> light refracted through a lens focus <strong>to</strong> form sharp<br />

images.09. {D= Brennenbene; Es= plano focal; F= plan<br />

focal}.<br />

focale {F} * see focus {E}.<br />

focus {E} * 1) The point where parallel rays <strong>of</strong> light<br />

refracted by a given lens appear <strong>to</strong> meet. 2) The degree <strong>of</strong><br />

clarity <strong>of</strong> an image refracted through a lens on<strong>to</strong> a screen<br />

or a film emulsion.09. {D= scharf einstellen; Es= enfocar;<br />

F= 1) point de focalisation; 2) focale; mettre au point}.<br />

focus plane {E} * The plane in <strong>the</strong> scene being<br />

pho<strong>to</strong>graphed upon which <strong>the</strong> lens is focused; measured<br />

as a distance from <strong>the</strong> camera; see also depth <strong>of</strong> field.30.<br />

{D= ?; Es= plano de enfoque; F= ?}.<br />

focus pull {E} * To refocus during a shot; <strong>to</strong> change <strong>the</strong><br />

focus plane; see also rack focus, follow focus.30. {D= ?;<br />

Es= tiro focal; F= ajustement de la distance focale}.<br />

fog {E} * 1) Non-image pho<strong>to</strong>graphic density. 2) A defect<br />

in film that can be caused by <strong>the</strong> action <strong>of</strong> stray light during<br />

exposure, improperly compounded processing solutions,<br />

or poorly s<strong>to</strong>red or outdated pho<strong>to</strong>graphic materials.(40.)<br />

{D= Schleier; Belichtungsschleier; Es= velo; F= voile; effet<br />

de brouillard}.<br />

fogging {E} * Darkening or discolouring <strong>of</strong> a pho<strong>to</strong>graphic<br />

negative or print or lightening or discolouring <strong>of</strong> a<br />

pho<strong>to</strong>graphic reversal material caused by l) expo-sure <strong>to</strong><br />

non image-forming light <strong>to</strong> which <strong>the</strong> pho<strong>to</strong>graphic material<br />

is sensitive, 2) overdevelopment, 3) outdated film, or 4)<br />

s<strong>to</strong>rage <strong>of</strong> in a hot, humid place.(09.) {D= ?; Es= velado;<br />

F= voile}.<br />

folder {E} * 1) A folded sheet <strong>of</strong> cardboard or heavy paper<br />

serving as a cover for a number <strong>of</strong> documents. 2) A type<br />

<strong>of</strong> file.(23.) {D= Aktendeckel; Deckel; 2) Aktenband;<br />

105<br />

Aktenheft; Es= 1) camisa; carpetilla; 2) carpetilla; F=<br />

chemise; dépliant}.<br />

folding endurance {E} * The number <strong>of</strong> folds under<br />

specified conditions in a standard instrument which<br />

material will withstand before failure. The specimen is<br />

subjected repeatedly <strong>to</strong> double folds through a wide angle<br />

while under tension. Folding endurance is a very important<br />

indication <strong>of</strong> <strong>the</strong> durability <strong>of</strong> archival papers. A decline in<br />

folding endurance is <strong>the</strong> most sensitive indica<strong>to</strong>r <strong>of</strong> ageing<br />

and deterioration <strong>of</strong> paper.(08.45.) {D= ?; Es= resistencia<br />

al pegado; F= résistance au pliage}.<br />

folding strength {E} * see folding endurance.<br />

foldover {E} * see aliasing.<br />

folle<strong>to</strong> {Es} * see booklet {E}.<br />

follow focus {E} * To pull or continually realign <strong>the</strong> focusimage<br />

productions, usually a tracking shot, sometimes a<br />

zoom, which follows <strong>the</strong> subject as it moves.30. {D= ?; Es=<br />

<strong>to</strong>ma continua; F= ?}.<br />

fonction de clignotement {F} * see blink {E}.<br />

fonction de gestion des listes de montage {F} * see trace<br />

{E}.<br />

fond bleu {F} * see blue screen process; blue backing {E}.<br />

fondo {Es} * see archive group {E}.<br />

fondo azul {Es} * see blue backing {E}.<br />

fondo cerrado {Es} * see closed record group {E}.<br />

fondos transferidos {Es} * see transfer (4) {E}.<br />

fonds clos {F} * see closed record group {E}.<br />

fonds d'archives {F} * see archive group {E}.<br />

fondu {F} * see fade {E}.<br />

fondu {F} * see fade; mix {E}.<br />

fondu enchaîné {F} * see dissolve {E}.<br />

fondudo de cierre {Es} * see fade {E}.<br />

fongicide {F} * see fungicide {E}.<br />

fonógrafo {Es} * see phonograph {E}.<br />

font {E} * In video production, an electronically created<br />

graphic character. {D= ?; Es= fuente; F= police<br />

(caractères)}.<br />

foot switch {E} * A foot activated pedal for s<strong>to</strong>pping and<br />

starting a piece <strong>of</strong> equipment without <strong>the</strong> use <strong>of</strong> hands;<br />

frequently used in dictation machines <strong>to</strong> allow <strong>the</strong> person<br />

taking <strong>the</strong> dictation <strong>to</strong> proceed at a rate where all<br />

information can be more accurately transcribed.(50.) {D=<br />

?; Es= conmutador de pedal; F= pédale; commande à<br />

pied}.<br />

footage counter {E} * A numeric indica<strong>to</strong>r which shows <strong>the</strong><br />

exact number <strong>of</strong> feet <strong>of</strong> a material (i.e., film or tape) that<br />

have passed by <strong>the</strong> counter. {D= ?; Es= contador de la<br />

longitud en oies; F= ?}.<br />

footcandle (FC) {E} * Term used in measuring light. One<br />

‘footcandle’ equals <strong>the</strong> illumination produced when <strong>the</strong><br />

light from a point source <strong>of</strong> one candle falls on a source<br />

one foot away from <strong>the</strong> candle; one lumen per square<br />

foot.(25.44.) Full sunlight with <strong>the</strong> sun in <strong>the</strong> zenith is <strong>of</strong> <strong>the</strong><br />

order <strong>of</strong> 10,000 footcandles on a horizontal surface; see


also candela; lumen.01. {D= ?; Es= ?; F= candela-pied<br />

(candéla-mètre cdm)}.<br />

footprint {E} * In satellite technology, <strong>the</strong> area in which <strong>the</strong><br />

satellite downlink is satisfac<strong>to</strong>ry for reception. {D= ?; Es=<br />

pisada; F= aire de réception satellite}.<br />

force coercitive {F} * see coercivity {E}.<br />

force d'appui {F} * see stylus force {E}.<br />

force de champ magnétisant {F} * see magnetizing field<br />

strength {E}.<br />

force de traction {F} * see tensile strength {E}.<br />

forced processing {E} * Increasing <strong>the</strong> development time<br />

or <strong>the</strong> processing temperatures <strong>of</strong> a film <strong>to</strong> improve <strong>the</strong><br />

density <strong>of</strong> underdeveloped film; also known as forced<br />

development; push processing.(09.) {D= ?; Es=<br />

procedimien<strong>to</strong> forzado; F= développement poussé}.<br />

forces de Van der Waals {F} * see Van der Waals' forces<br />

{E}.<br />

forehardened film {E} * Any <strong>of</strong> <strong>the</strong> films designed <strong>to</strong> skip<br />

<strong>the</strong> prehardener solution in <strong>the</strong> devel-opment process.09.<br />

{D= ?; Es= endurecimien<strong>to</strong> preliminar de la película; F=<br />

film sans "dircisseur"}.<br />

forgery {E} * A document falsified wholly or in part in<br />

content or form with <strong>the</strong> intention <strong>to</strong> deceive through its<br />

acceptance as an original.(23.) {D= Fälschung; Es=<br />

documen<strong>to</strong> falso; F= faux}.<br />

forma de lectura {Es} * see clipping (1) {E}.<br />

forma de onda {Es} * see wave form {E}.<br />

forma de reproducción {Es} * see clipping (1) {E}.<br />

formación electrolítica {Es} * see electr<strong>of</strong>orming {E}.<br />

formal note {E} * see note.<br />

format {D;E;F} * 1) In its widest sense, a particular physical<br />

presentation <strong>of</strong> an item.03. 2) In au<strong>to</strong>matic data<br />

processing, <strong>the</strong> arrangement <strong>of</strong> data.22. 3) The general<br />

pattern <strong>of</strong> a television programme or series. 4) The aspect<br />

ratio <strong>of</strong> a moving--image production.(09.10.) 5) The varied<br />

types <strong>of</strong> television systems, for example NTSC, PAL, or<br />

SECAM. 6) Of a magnetic recording, <strong>the</strong> general<br />

arrangement <strong>of</strong> tracks or records on <strong>the</strong> tape. 7) The<br />

various methods and/or standards used <strong>to</strong> produce a<br />

particular type <strong>of</strong> recorded signal. 8) The physical format<br />

in which something appears.(10.) 9) The order in which<br />

data is organized or recorded on a medium.39. see also<br />

gauge. {Es= forma<strong>to</strong>}.<br />

format B {E;F} * A one-inch, analogue, segmented-field,<br />

broadcast-quality videotape recording system and format<br />

in which each television field is recorded on several<br />

tracks.(06.) {D= 1-Zoll B-Format; Es= forma<strong>to</strong> B}.<br />

format C {E;F} * A one-inch, analogue, non-segmentedfield,<br />

broadcast-quality videotape recording system and<br />

format in which each television field is recorded on a single<br />

track.(06.) {D= 1-Zoll C-Format; Es= forma<strong>to</strong> C}.<br />

format d'image {F} * see aspect ratio {E}.<br />

format de la pellicule {F} * see film gauge {E}.<br />

format de la pellicule {F} see film gauge {E}<br />

format de transmission série {F} * see serial transmission<br />

format {E}.<br />

106<br />

format du film {F} * see film gauge {E}.<br />

format M {F} * see M-format {E}.<br />

format MAC {F} * see MAC format {E}.<br />

Format {D} * see gauge {E}.<br />

formation de poudrette {F} * see dusting; oxide build-up<br />

{E}.<br />

forma<strong>to</strong> (TV y cine) {Es} * see aspect ratio {E}.<br />

forma<strong>to</strong> {Es} * see format {D;E;F}; gauge {E}.<br />

forma<strong>to</strong> B {Es} * see format B {E;F}.<br />

forma<strong>to</strong> C {Es} * see format C {E;F}.<br />

forma<strong>to</strong> de títulos {Es} * see avant tître {E;F}.<br />

forma<strong>to</strong> de transmisión en serie {Es} * see serial<br />

transmission format {E}.<br />

forma<strong>to</strong> de una cinta de vídeo digital {Es} * see D-1 {E}.<br />

forma<strong>to</strong> digital no comprimido {Es} * see D-5 {E}.<br />

forma<strong>to</strong> M {Es} * see M-format {E}.<br />

forma<strong>to</strong> MAC {Es} * see MAC format {E}.<br />

forme d'une découpe {F} * see hole {E}.<br />

Forsetzung {D} * see continuation {E;F}.<br />

fosse d'orchestre {F} * see pit {D;E}.<br />

fo<strong>to</strong> {Es} * see shot {E}.<br />

fo<strong>to</strong> polimerización (2P) {Es} * see pho<strong>to</strong>-polymerization<br />

(2P) {E}.<br />

Fo<strong>to</strong>archiv/e {D} * see pho<strong>to</strong>graphic records/archives {E}.<br />

fo<strong>to</strong>copia {Es} * see pho<strong>to</strong>copy {E}.<br />

fo<strong>to</strong>diodo de cuatro cuadrantes {Es} * see four quadrant<br />

pho<strong>to</strong>diode {E}.<br />

fo<strong>to</strong>diódo {Es} * see pho<strong>to</strong>diode {D;E;F}.<br />

fo<strong>to</strong>eléctrico {Es} * see pho<strong>to</strong>electric {E}.<br />

fo<strong>to</strong>grafía {Es} * see pho<strong>to</strong>graph; print {E}.<br />

fo<strong>to</strong>grafía aérea {Es} * see aerial pho<strong>to</strong>graph {E}.<br />

fo<strong>to</strong>grafía con la luz ambiental disponible {Es} * see<br />

available-light pho<strong>to</strong>graphy {E}.<br />

fo<strong>to</strong>grafía de tiempo acelerado {Es} * see time-lapse<br />

pho<strong>to</strong>graphy {E}.<br />

Fo<strong>to</strong>grafie {D} * see pho<strong>to</strong>graph {E}.<br />

fo<strong>to</strong>grama {Es} * see frame; pho<strong>to</strong>gram {E}.<br />

fo<strong>to</strong>grama a fo<strong>to</strong>grama {Es} * see single-frame exposure;<br />

s<strong>to</strong>p-motion pho<strong>to</strong>graphy {E}.<br />

fo<strong>to</strong>grama flash {Es} * see flash frame {E}.<br />

fo<strong>to</strong>grama pilo<strong>to</strong> literalmente, {Es} * see model shot {E}.<br />

fo<strong>to</strong>grama rotulada {Es} * see title frames {E}.<br />

fo<strong>to</strong>gramas de fijación del título (provisionales) {Es} * see<br />

flash title {E}.


fo<strong>to</strong>gramas por segundo {Es} * see frames per second<br />

(FPS) {E}.<br />

fo<strong>to</strong>gramma {Es} * see frame {E}.<br />

Fo<strong>to</strong>kopie {D} * see pho<strong>to</strong>copy {E}.<br />

fo<strong>to</strong>metría {Es} * see pho<strong>to</strong>metry {E}.<br />

fotómetro {Es} * see exposure meter; pho<strong>to</strong>meter {E}.<br />

fo<strong>to</strong>resistente {Es} * see pho<strong>to</strong>resist {E}.<br />

fo<strong>to</strong>sensible {Es} * see pho<strong>to</strong>sensitive {E}.<br />

four quadrant pho<strong>to</strong>diode {E} * A component found in<br />

some optical pickups used <strong>to</strong> convert reflected LASER<br />

light in<strong>to</strong> data and focusing signals.39. {D= ?; Es=<br />

fo<strong>to</strong>diodo de cuatro cuadrantes; F= pho<strong>to</strong>diode à<br />

quadrants}.<br />

four-minute cylinder {E} * Those audio cylinder records<br />

which have 200 t.p.i. and a playing time <strong>of</strong> around four<br />

minutes at 160-RPM.(14.) {D= ?; Es= cilindro de cuatro<br />

minu<strong>to</strong>s (de duración); F= cylindre quatre minutes}.<br />

four-track recording {E} * Also 'quarter-track'. The<br />

arrangement by which four different channels <strong>of</strong> sound<br />

may be recorded on adjacent tracks. These may be<br />

recorded as four separate and distinct tracks<br />

(monophonic) or two related (stereo) pairs <strong>of</strong> tracks. On<br />

open reel machines, tracks 1 and 3 are recorded in <strong>the</strong><br />

'forward' direction and tracks 2 and 4 are recorded in <strong>the</strong><br />

reverse direction. On cassette machines, tracks 1 & 2 and<br />

3 & 4 are paired for full mono/stereo compatibility in each<br />

direction. More susceptible <strong>to</strong> drop outs than two-track<br />

arrangements, four-track recording demands smooth, high<br />

quality tape from reputable manufacturers.16. {D=<br />

Viertelspur; Es= registro [grabación] en cuatro pistas; F=<br />

enregistrement quatre pistes}.<br />

Fourier <strong>the</strong>orem {D;E;Es;F} * A ma<strong>the</strong>mati-cal <strong>the</strong>orem<br />

stating that any periodic function may be resolved in<strong>to</strong> sine<br />

and cosine terms with known amplitudes and phases.39.<br />

foxed {E} * see foxing.<br />

foxing {E;Es} * Small, usually brownish spots appearing on<br />

paper; variously attributed <strong>to</strong> action <strong>of</strong> fungi on trace metal<br />

(iron) in paper under humid conditions. Many questions,<br />

however, about <strong>the</strong> actual source and development <strong>of</strong><br />

foxing stains still remain <strong>to</strong> be answered.(07.44.) {D=<br />

S<strong>to</strong>ckflecken; Es= moteado; F= taches de rouille;<br />

rousseur}.<br />

FPM {E} * acronym for feet per minute.<br />

FPS {E} * acronym for frames per second.<br />

frágil {Es} * see brittle {E}.<br />

fragile {F} * see brittle {E}.<br />

fragilit {F} * see broad light; brittleness {E}.<br />

fragilité {F} * see brittleness {E}.<br />

fragmentation {F} * see frilling {E}.<br />

fragmenté {F} * see segmented scan {E}.<br />

frame {E} * 1) In relation <strong>to</strong> film, <strong>the</strong> part <strong>of</strong> a film exposed<br />

<strong>to</strong> light in a camera during an exposure, consisting <strong>of</strong> <strong>the</strong><br />

image area, frame margin, and frame line. 2) The basic<br />

unit <strong>of</strong> data representa-tion in <strong>the</strong> CD format, containing<br />

synchronization, sub-code, data, and parity. 3) To<br />

compose a shot.(09.) 4) An individual picture on a film,<br />

filmstrip, or videotape. 5) A single television tube picture<br />

107<br />

scan combining interlaced information. 6) In videotext, a<br />

page <strong>of</strong> data displayed on a terminal. 7) In CD-DA, one<br />

complete pattern <strong>of</strong> digital audio information, comprising 6<br />

PCM stereo samples, with CIRC and one subcode symbol,<br />

eight-<strong>to</strong>-fourteen modulated, with a synchronization<br />

pattern. 8) The mask around a television receiver or<br />

moni<strong>to</strong>r picture tube.(10.) 9) One <strong>of</strong> <strong>the</strong> 30 single video<br />

pictures that constitute 1 second <strong>of</strong> video motion. In NTSC<br />

television, <strong>the</strong> combination <strong>of</strong> an odd and even field <strong>of</strong> <strong>the</strong><br />

video signal. In each frame <strong>of</strong> video, <strong>the</strong>re are 525 lines.<br />

There are 30 frames in a second.(35.) {D= Bildfenster;<br />

Bild; Es= fo<strong>to</strong>gramma; imágen; cuadro; F= trame; vue (<strong>to</strong><br />

: cadrer); cadre; image}.<br />

frame counter {E} * A digital indica<strong>to</strong>r which shows <strong>the</strong><br />

exact number <strong>of</strong> frames exposed. {D= ?; Es= contador de<br />

fo<strong>to</strong>gramas; F= compteur de trames; compteur images}.<br />

frame frequency rate {E} * Number <strong>of</strong> frames per second<br />

<strong>of</strong> a motion-picture film or a television signal. {D= ?; Es=<br />

relación [número proporcional] de frecuencia de<br />

fo<strong>to</strong>gramas; F= fréquence d'image}.<br />

frames per second (FPS) {E} * An indica<strong>to</strong>r <strong>of</strong> <strong>the</strong> number<br />

<strong>of</strong> film images exposed per second.09. {D= Bilder je<br />

Sekunde; Es= imágenes por segundo; fo<strong>to</strong>gramas por<br />

segundo; F= images par seconde}.<br />

framing {E} * 1) The adjustment <strong>of</strong> a camera <strong>to</strong> improve<br />

picture composition. 2) To align a film in a projec<strong>to</strong>r gate<br />

so that <strong>the</strong> frame line does not show on <strong>the</strong> screen.10. {D=<br />

Fenster; Bildfeld; Bildstricheinstellung;<br />

Bildbühneneinstellung; Es= encuadre; F= cadrage;<br />

verrouillage de trame; encadrement}.<br />

franges {F} * see bleed {E}.<br />

franges des zones blanches de l'image vidéo {F} * see<br />

bleeding white {E}.<br />

franja del blanco {Es} * see bleeding white {E}.<br />

franjas de zumbido {Es} * see hum bars {E}.<br />

frecuencia de desconexión {Es} * see cut-<strong>of</strong>f-frequency<br />

{E}.<br />

frecuencia de errores {Es} * see bit error rate (BER) {E}.<br />

frecuencia de muestreo {Es} * see sampling rate {E}.<br />

frecuencia modulada {Es} * see frequency modulation<br />

(FM) {E}.<br />

frecuencia modulada modificada {Es} * see modified<br />

frequency modulation or delay modulation (MFM) {E}.<br />

frecuencia múltiple {Es} * see multiburst {E}.<br />

freeze drying {E} * The treatment <strong>of</strong> water soaked paper<br />

based documents by quick-freezing and subsequent drying<br />

under high vacuum at gradually rising temperatures; see<br />

also vacuum drying.22. {D= Gefriertrocknung; Es=<br />

li<strong>of</strong>ilización; F= séchage a froid; séchage a lyophilisation}.<br />

freeze frame {E} * The holding <strong>of</strong> a video image on a single<br />

frame.(35.) {D= ?; Es= imagen congelada; F= arrêt sur<br />

image}.<br />

Fremdspannungsabstand {D} * see weighted noise {E}.<br />

Freon TF {D;E;Es;F} * A rapidly evaporating fluid used<br />

as a cleaner and de-greaser. Any <strong>of</strong> several nonflammable<br />

gaseous and liquid fluorocarbons used as refrigerants, as<br />

propellants for aerosols, and -due <strong>to</strong> <strong>the</strong> rapidity <strong>of</strong> its<br />

evaporation and its de-greasing properties- as a cleaner.<br />

fréquence {F} * see frequency {E}.


fréquence d'échantillonnage {F} * see sampling rate {E}.<br />

fréquence d'horloge {F} * see clock rate {E}.<br />

fréquence d'image {F} * see frame frequency rate {E}.<br />

fréquence de coupure {F} * see cut-<strong>of</strong>f-frequency {E}.<br />

fréquence de repliement {F} * see alias {E}.<br />

fréquence radio {F} * see radio frequency (RF) {E}.<br />

fréquence radio-électrique {F} * see radio frequency (RF)<br />

{E}.<br />

fréquences audibles {F} * see audible <strong>to</strong>nes {E}.<br />

fréquences audio {F} * see audio frequencies {E}.<br />

frequency {E} * The repetition rate <strong>of</strong> cyclic energy such as<br />

sound or alternating electrical current, expressed in hertz<br />

(1 Hz = 1 cycle-per-second). 'Bass' frequencies in music<br />

extend from 32 Hz <strong>to</strong> about 200 Hz. 'Treble' sounds are at<br />

<strong>the</strong> high frequency extreme <strong>of</strong> <strong>the</strong> sound spectrum and<br />

may extend from 2 or 3 kHz <strong>to</strong> <strong>the</strong> frequency limit <strong>of</strong><br />

audibility (about 16 kHz). 'Middle' frequencies occupy <strong>the</strong><br />

remainder <strong>of</strong> <strong>the</strong> spectrum, or from 200 Hz <strong>to</strong> about 3 kHz;<br />

also known as <strong>to</strong>ne.16. {D= Frequenz; Es= frecuencia; F=<br />

fréquence}.<br />

frequency modulation (FM) {E} * Modulation <strong>of</strong> <strong>the</strong><br />

frequency <strong>of</strong> a carrier by <strong>the</strong> signal. Used, for example, in<br />

FM radio broadcasting or video tape recording. {D=<br />

Frequenzmodulation; Es= frecuencia modulada; F=<br />

modulation de fréquence}.<br />

frequency range {E} * 1) A measure <strong>of</strong> <strong>the</strong> difference<br />

between <strong>the</strong> lower and upper limits <strong>of</strong> a frequency group<br />

o<strong>the</strong>r than a frequency band, such as audible frequency<br />

range, usually given in hertz.01. {D= Frequenzumfang;<br />

Es= gama de frecuencia; F= ?}.<br />

frequency response {E} * A term closely related <strong>to</strong> but<br />

more specific than frequency range; calls for output vs.<br />

frequency data over specified frequency range, usually in<br />

<strong>the</strong> form <strong>of</strong> a chart for transducers like microphones and<br />

speakers. Most commonly expressed for tape recorders as<br />

given in <strong>the</strong> example for flat response.16. {D=<br />

Frequenzumfang; Es= respuesta en frecuencia; F=<br />

réponse fréquentielle; réponse de fréquence}.<br />

Frequenz {D} * see frequency {E}.<br />

Frequenzmodulation {D} * see frequency modulation (FM)<br />

{E}.<br />

Frequenzumfang {D} * see frequency range; frequency<br />

response {E}.<br />

Frequenzumfang {D} * see <strong>to</strong>nal range {E}.<br />

Frequenzweiche {D} * see crossover {E}.<br />

fresnel {E;Es;F} * A special lamp lens with concentric circle<br />

forms impressed in its front surface <strong>to</strong> focus spotlight<br />

beams for studio lighting; also called a frezzi. {D= ?}.<br />

frezzi (argot para decir “fresnel”) {Es} * see frezzi {E}.<br />

frezzi {E} * see fresnel {E;Es;F}.<br />

front {F} * see edge {E}.<br />

front de synchronisation {F} * see leading edge <strong>of</strong> sync {E}.<br />

front porch {E} * The period <strong>of</strong> time during horizontal<br />

blanking that starts at <strong>the</strong> end <strong>of</strong> active video and goes <strong>to</strong><br />

<strong>the</strong> leading edge <strong>of</strong> <strong>the</strong> horizontal sync pulse. {D= ?; Es=<br />

108<br />

?; F= ?}.<br />

Froschperspektive {D} * see tilt shot {E}.<br />

frottement d'aiguille {F} * see needle dig (ND) {E}.<br />

frottement de l'aiguille {F} * see stylus drag {E}.<br />

frottement disque {F} * see stylus drag {E}.<br />

frottement pointe {F} * see stylus drag {E}.<br />

FT {E} * acronym for full track.<br />

fuente {Es} * see font {E}.<br />

fuente de alimentación {Es} * see power supply {E}.<br />

fuente de referencia {Es} * see prescribed source {E}.<br />

fuente luminosa {Es} * see illuminant {E;F}.<br />

fuente principal {Es} * see principal source {E}.<br />

fuente principal de información {Es} * see chief source <strong>of</strong><br />

information {E}.<br />

fuera de contac<strong>to</strong> {Es} * see out <strong>of</strong> contact {E}.<br />

fuera de fase {Es} * see out <strong>of</strong> phase {E}.<br />

fuera de sincronismo {Es} * see out <strong>of</strong> sync {E}.<br />

fuerza de apoyo de la aguja )sobre la superficie de un<br />

disco fonográfico) {Es} * see stylus force {E}.<br />

fuerza de línea {Es} * see <strong>of</strong>f-Line {E}.<br />

fuerza del campo magnético {Es} * see magnetizing field<br />

strength {E}.<br />

fuerzas de Van der Waals {Es} * see Van der Waals'<br />

forces {E}.<br />

fugitif à la lumière {F} * see light fugitive {E}.<br />

fugitif à la lumière {F} * see light fugitive {E}.<br />

full track {E} * Designation <strong>of</strong> a magnetic tape recording<br />

which uses <strong>the</strong> full width <strong>of</strong> <strong>the</strong> tape, implying monophonic<br />

recording. The resulting recording generally retains more<br />

magnetism, produces a higher output and better signal-<strong>to</strong>noise<br />

ratio, and is, thus, considered <strong>to</strong> be a much better<br />

recording.(04.) {D= Vollspur; Es= una sola pista; F= pleine<br />

pisté}.<br />

full-immersion continuous printer {E} * A continuous printer<br />

which <strong>to</strong>tally immerses film in doing its work; see also<br />

continuous printer. {D= ?; Es= impresora continua de<br />

inmersion <strong>to</strong>tal; F= développement continu à immersion}.<br />

Füllfak<strong>to</strong>r {D} * see oxide loading {E}.<br />

Füllmaterial {D} * see filler {E}.<br />

Füllschrift {D} * see variable groove pitch {E}.<br />

fumigación {Es} * see fumigation {E}.<br />

fumigation {E;F} * The process <strong>of</strong> exposing materials,<br />

usually in a vacuum or o<strong>the</strong>r airtight or closed chamber, <strong>to</strong><br />

poisonous gas or vapour in order <strong>to</strong> destroy insects,<br />

mildew, or o<strong>the</strong>r forms <strong>of</strong> life that may endanger <strong>the</strong>m.<br />

While more or less effective, this process does not confer<br />

lasting protection and it may, <strong>the</strong>refore, be necessary <strong>to</strong><br />

fumigate <strong>the</strong> areas in which <strong>the</strong> materials are s<strong>to</strong>red; see<br />

also fungi.(11.45.) {D= Begasung; Desinfektion; Es=<br />

fumigación; F= désinfection}.


funda (discos fonográficos) {Es} * see sleeve {E}.<br />

funda {Es} * see micr<strong>of</strong>ilm jacket; slipcase {E}.<br />

funda de la película {Es} * see film jacket {E}.<br />

funda de micr<strong>of</strong>ilm {Es} * see micr<strong>of</strong>ilm jacket {E}.<br />

fundido {Es} * see dissolve; dissolve; fade {E}.<br />

fundido de la imagen latente {Es} * see latent image fade<br />

{E}.<br />

fundido encadenado {Es} * see dissolve {E}.<br />

fungi {E} * fundido encadenado {Es} * s-tes, ascomycetes,<br />

basidiomycetes, and fungi imperfecti, and usually, in<br />

addition, <strong>the</strong> myxomycetes and schizomycetes. A large<br />

number <strong>of</strong> <strong>the</strong> spores <strong>of</strong> fungi is always present in <strong>the</strong><br />

atmosphere, and while audiovisual materials are not a<br />

particularly suitable medium <strong>to</strong> support <strong>the</strong> growth <strong>of</strong><br />

moulds and fungi, under favourable conditions, such as<br />

relatively high temperature and high relative humidity, such<br />

media will support <strong>the</strong> growth <strong>of</strong> <strong>the</strong>se micro-organisms.<br />

Conditions <strong>of</strong> s<strong>to</strong>rage which permit <strong>the</strong> prevalence <strong>of</strong> fungi<br />

may require <strong>the</strong> use <strong>of</strong> a fungicide <strong>to</strong> inhibit and/or destroy<br />

<strong>the</strong>m; see also foxing; mildew.(45.) {D= Schimmel; Es=<br />

hongos; F= champignons}.<br />

fungicida {Es} * see antifungus agent; fungicide {E}.<br />

fungicide {E} * A substance that can kill or prevent <strong>the</strong><br />

growth <strong>of</strong> fungi.(45.) {D= ?; Es= fungicida; F= fongicide}.<br />

fungistat {E} * A preparation or agent which inhibits <strong>the</strong><br />

growth <strong>of</strong> a fungus.(41.) {D= ?; Es= inhibidor de hongos;<br />

F= stabilisant (d'attaque fongique)}.<br />

Fungizid {D} * see antifungus agent {E}.<br />

Funk {D} * see broadcast {E;F}.<br />

Funkübertragung {D} * see broadcast {E;F}.<br />

Fusznummer {D} * see edge numbers {E}.<br />

FWHM {E} * acronym for full-width-half-maximum.<br />

g ---<br />

gabarit d'ouverture {F} * see aperture card {E}.<br />

gabarit de collage {F} * see splicing block {E}.<br />

gain {E;F} * The increase in signal provided by an amplifier<br />

between input level and output level.50. {D= ?; Es=<br />

ganancia; F= amplification}.<br />

gain différentiel {F} * see differential gain {E}.<br />

gain inequality {E} * The amplitude-frequency response <strong>of</strong><br />

<strong>the</strong> luminance channel has <strong>the</strong> same significance in a<br />

colour transmission as in monochrome with respect <strong>to</strong> <strong>the</strong><br />

definition <strong>of</strong> <strong>the</strong> image. {D= ?; Es= desigualdad de<br />

ganancia; F= caractéristique de la luminance}.<br />

galet d'entraînement {F} * see idler {E}.<br />

galet presseur {F} * see idler; pinch roller; pressure roller<br />

{E}.<br />

Galvanisierung {D} * see electr<strong>of</strong>orming {E}.<br />

galvano {Es} * see master (3) {E}.<br />

gama de contrastes {Es} * see contrast ratio {E}.<br />

109<br />

gama de frecuencia {Es} * see frequency range {E}.<br />

gama dinámico {Es} * see dynamic range {E}.<br />

gamma {E;Es} * 1) The measure <strong>of</strong> contrast <strong>of</strong> a pho<strong>to</strong>graphic<br />

image, representing <strong>the</strong> slope <strong>of</strong> <strong>the</strong> straight-line<br />

portion <strong>of</strong> <strong>the</strong> characteristic curve.09. 2) In video, <strong>the</strong><br />

exponent <strong>of</strong> that power law which is used <strong>to</strong> approximate<br />

<strong>the</strong> curve <strong>of</strong> output magnitude vs. input magnitude over <strong>the</strong><br />

region <strong>of</strong> interest. {D= Spannungsverstärkung; F= facteur<br />

de contraste; gamme}.<br />

gamma cellulose {E} * see hemicelluloses.<br />

gamma correction {E} * The introduction <strong>of</strong> a nonlinear<br />

output-input characteristic for <strong>the</strong> purpose <strong>of</strong> changing <strong>the</strong><br />

effective value <strong>of</strong> gamma. {D= ?; Es= corrección gamma;<br />

F= correction de gamma}.<br />

gamma ferric oxide {E} * A magnetizable substance that is<br />

frequently used as <strong>the</strong> magnetizable medium <strong>of</strong> recording<br />

tapes; see also ferric oxide.10. {D= ?; Es= óxido férrico<br />

gamma; F= oxyde ferrique gamma}.<br />

gamme de gris {F} * see grating signal; grey scale; see<br />

<strong>to</strong>nal range {E}.<br />

gamme dynamique {F} * see dynamic range {E}.<br />

gamme dynamique {F} * see dynamic range {E}.<br />

ganancia {Es} * see gain {E}.<br />

ganancia diferencial {Es} * see differential gain {E}.<br />

gancho {Es} * see claw {E}.<br />

Gang {D} * see aisle {E}.<br />

ganz nah {D} * see close-up {E}.<br />

gap {E} * The separation between <strong>the</strong> poles <strong>of</strong> a magnetic<br />

head, measured in micro-inches or microns; most critical<br />

with heads used for playback purposes where gaps must<br />

be short in order <strong>to</strong> resolve high frequency (short wave<br />

length) recordings. Recording heads generally have longer<br />

gaps. Dual purpose (record and play) heads have gaps<br />

governed by <strong>the</strong> same principle as for playback.(50.16.)<br />

{D= ?; Es= separación; hueco; entrehierro; F= entrefer;<br />

écartement; trou}.<br />

gap smear {E} * The erosion <strong>of</strong> <strong>the</strong> edge <strong>of</strong> a tape recorder<br />

head gap caused by abrasive tape. The eroded material<br />

gets in<strong>to</strong> <strong>the</strong> gap, causing a magnetic short.(04. {D=<br />

Spaltablagerungen; Es= erosión entrehierro; F= entrefer<br />

usé; émoussé; tache de trou}.<br />

garde bande {F} * see guard band {E}.<br />

garra {Es} * see claw {E}.<br />

gas inerte {Es} * see inert gas {E}.<br />

gate {E} * A hinged support for a camera or projec<strong>to</strong>r<br />

pressure plate; also, loosely, <strong>the</strong> camera or projec<strong>to</strong>r<br />

aperture.(09.) {D= ?; Es= puerta; F= couloir; fenêtre de<br />

projection}.<br />

gauchissement {F} * see warp {E}.<br />

gauge {E} * The width <strong>of</strong> motion-picture film in<br />

millimetres.12. {D= Format; Mass; Es= calibre; forma<strong>to</strong>; F=<br />

diamètre; format; largeur}.<br />

gauss {D;E;Es;F} * A measure <strong>of</strong> flux density, named after<br />

<strong>the</strong> German ma<strong>the</strong>matician and physicist Karl Friedrich<br />

Gauss, numerically equivalent <strong>to</strong> flux lines or maxwells per<br />

square centimetre.16.


gaz inerte {F} * see inert gas {E}.<br />

Gefriertrocknung {D} * see freeze drying {E}.<br />

Gegeneinstellung {D} * see reverse angle {E}.<br />

Gegenlicht {D} * see backlighting {E}.<br />

Gegenschuss {D} * see reverse angle {E}.<br />

gekoppter Abtastnadel {D} * see truncated stylus {E}.<br />

gel de sílice {Es} * see silica gel {E}.<br />

gelatin {E} * A natural protein from animal hides and bones<br />

used as a binder in film emulsions.10. {D= Gelatine; Es=<br />

gelatina; F= gélatine}.<br />

gelatin emulsion {E} * A coated, light-sensitive layer in<br />

which <strong>the</strong> medium is a natural protein colloid.35; see also<br />

emulsion. {D= ?; Es= emulsión de gelatina; F= émulsion;<br />

émulsion gélatine}.<br />

gelatin print {E} * Ano<strong>the</strong>r name for collotype. {D= ?; Es=<br />

colotipia; F= gélatine; calotype}.<br />

gelatin process {E} * see collotype.<br />

gelatina {Es} * see gelatin {E}.<br />

Gelatine {D} * see gelatin {E}.<br />

gélatine {F} * see gelatin; gelatin print {E}.<br />

gen-lock {E} * The process <strong>of</strong> electronically synchronizing<br />

various video sources <strong>to</strong> <strong>the</strong> master sync source. {D= ?;<br />

Es= intersincronizador; F= synchronisation;<br />

asservissement d'un générateur}.<br />

geneigte Kamera {D} * see tilt shot {E}.<br />

generación {Es} * see generation {E}.<br />

generador {Es} * see genera<strong>to</strong>r {E}.<br />

generador de códigos de tiempo {Es} * see Time Code<br />

Genera<strong>to</strong>r (TCG) {E}.<br />

generador de imagen fija {Es} * see monoscope {E}.<br />

generador de señales de sincronismo {Es} * see<br />

synchronizing (sync) genera<strong>to</strong>r {E}.<br />

general material designa<strong>to</strong>r (GMD) {E} * A term indicating<br />

<strong>the</strong> broad class <strong>of</strong> material <strong>to</strong> which an item belongs, e.g.,<br />

motion picture, video recording, sound recording; see also<br />

specific material designation.12. {D= ?; Es= designador<br />

general del material; F= catégorie générale de matériel}.<br />

générateur (de signaux de synchronisation) {F} * see<br />

genera<strong>to</strong>r {E}.<br />

générateur de code temporel {F} * see Time Code<br />

Genera<strong>to</strong>r (TCG) {E}.<br />

générateur de signaux de synchronisation {F} * see<br />

synchronizing (sync) genera<strong>to</strong>r {E}.<br />

générateur de temps codé {F} * see Time Code Genera<strong>to</strong>r<br />

(TCG) {E}.<br />

generation {E} * 1) A term used <strong>to</strong> describe <strong>the</strong> original<br />

source item <strong>to</strong> <strong>the</strong> copy/ies made from it; generally<br />

preceded by an ordinal number greater by one than <strong>the</strong><br />

number <strong>of</strong> copying steps <strong>the</strong> media (i.e., tape, film)<br />

represents. For example, an original recording is a firstgeneration;<br />

<strong>the</strong> first copy from it is a second-gene-ration;<br />

<strong>the</strong> copy from <strong>the</strong> second-generation is a third-generation;<br />

110<br />

etc. One variation on this is that some refer <strong>to</strong> <strong>the</strong> first<br />

duplicate made as <strong>the</strong> first-generation dupe or dub, ra<strong>the</strong>r<br />

than as <strong>the</strong> second-generation. 2) An improved version<br />

that derives from an earlier concept, as with a second-,<br />

third-, and so on, generation piece <strong>of</strong> equipment or<br />

computer program; see also copy status (generation).(10.)<br />

{D= Generation; Es= generación; F= génération}.<br />

generation loss {E} * Data lost when an analogue item is<br />

replicated; <strong>the</strong> degradation <strong>of</strong> signal from a first-generation<br />

analogue recording <strong>to</strong> a second-generation analogue<br />

recording constitutes a one-generation loss.(04.) {D= ?;<br />

Es= pérdida de generación; F= perte par duplication}.<br />

Generation {D} * see generation {E}.<br />

génération (statut de la copie) {F} * see copy status<br />

(generation) {E}.<br />

génération {F} * see generation {E}.<br />

generation (copy status) {E} * see copy status<br />

(generation).<br />

genera<strong>to</strong>r {E} * In video production <strong>the</strong>re are two types <strong>of</strong><br />

equipment that are referred <strong>to</strong> as genera<strong>to</strong>rs, a sync<br />

genera<strong>to</strong>r and a time code genera<strong>to</strong>r. {D= ?; Es=<br />

generador; F= générateur (de signaux de<br />

synchronisation)}.<br />

générique {F} * see cast; credit sequence; credits {E}.<br />

geometric dis<strong>to</strong>rtion {E} * Any aberration that causes <strong>the</strong><br />

reproduced picture <strong>to</strong> be geometrically dissimilar <strong>to</strong> <strong>the</strong><br />

perspective plane projection <strong>of</strong> <strong>the</strong> original scene. {D= ?;<br />

Es= dis<strong>to</strong>rsión geométrica; F= dis<strong>to</strong>rsion géométrique}.<br />

geostacionaria {Es} * see orbit (geosynchronous) {E}.<br />

Geräusch {D} * see noise {E}.<br />

Geräusche {D} * see sound effects {E}.<br />

Geräuscheffekte {D} * see sound effects {E}.<br />

Geräuschspannungsabstand {D} * see weighted noise {E}.<br />

geräuschunterdrückungs-System {D} * see noisesuppression<br />

system {E}.<br />

Gesamtklirrfak<strong>to</strong>r {D} * see <strong>to</strong>tal harmonic dis<strong>to</strong>rtion (THD)<br />

{E}.<br />

geschlossene Akte {D} * see closed file {E}.<br />

geschlossene Signaldarstellung {D} * see composite<br />

coding {E}.<br />

geschlossener Bestand {D} * see closed record group {E}.<br />

Geschmeiß {D} * see vermin {E}.<br />

Geschwindigkeit {D} * see speed {E}.<br />

Gesellschafter {D} * see sponsor {E}.<br />

Gesindel {D} * see vermin {E}.<br />

Gestell {D} * see rack {E}.<br />

Gewölbe {D} * see vault {E}.<br />

Gewürm {D} * see vermin {E}.<br />

ghost-image {E} * 1) A foggy image produced by a lens<br />

defect. 2) An image on <strong>the</strong> reverse side <strong>of</strong> a page caused<br />

by <strong>to</strong>o much ink or thin paper; also called ghosting. 3) The<br />

intentional double exposure <strong>of</strong> film <strong>to</strong> produce a second,<br />

paler image. 4) A shadowy or weak image in <strong>the</strong> received<br />

television picture, <strong>of</strong>fset <strong>to</strong> ei<strong>the</strong>r <strong>the</strong> left or right <strong>of</strong> <strong>the</strong>


primary image; generally <strong>the</strong> result <strong>of</strong> transmission<br />

conditions that create secondary signals that are received<br />

earlier or later than <strong>the</strong> main or primary signal; also known<br />

as double image.(10.) {D= ziehende Blende; Es= imagen<br />

fantasma; filage; F= écho image; image fantôme; image<br />

secondaire; filage}.<br />

ghosting {E} * see ghost-image.<br />

giga- (g) {D;E;Es;F} * A prefix signifying one billion.<br />

gigahertz {F} * see gigaHertz (gHz) {E}.<br />

gigaHertz (gHz) {E} * One billion Hertz. {D= ?; Es=<br />

gigaherzio; F= gigahertz}.<br />

gigaherzio {Es} * see gigaHertz (gHz) {E}.<br />

giradiscos {Es} * see turntable {E}.<br />

girafe {F} * see boom {E}.<br />

giro {Es} * see slewing {E}.<br />

Glasbild {D} * see lantern slide {E}.<br />

Glasfaser {D} * see fibre optics {E}.<br />

glass master {D;E} * The glass disc used for optical disc<br />

mastering, produced by exposing a pho<strong>to</strong>sensitive coating<br />

on a glass substrate <strong>to</strong> a LASER beam, <strong>the</strong>n developing<br />

<strong>the</strong> exposed coating and covering it with a reflective<br />

coating.(39.10.) {Es= disco de cristal (grabación de CD);<br />

F= matrice de verre; lentille d'optique}.<br />

glass plate negatives {E} * Still-image negatives which use<br />

sheets <strong>of</strong> glass as <strong>the</strong>ir base carrier. {D= ?; Es= negativos<br />

en placas de vidrio; F= négatif sur plaque de verre}.<br />

glass support {E} * A layer which carries ei<strong>the</strong>r a positive<br />

or a negative emulsion coated on a transparent support <strong>of</strong><br />

glass.42. {D= ?; Es= soporte de vidrio; F= plaque de verre<br />

support}.<br />

glassine {E;F} * A dense, glazed, semi-transparent paper<br />

<strong>of</strong>ten used <strong>to</strong> make envelopes and sleeves for s<strong>to</strong>ring<br />

pho<strong>to</strong>graphic negatives. It is usually acidic.44. Glassine<br />

paper is a supercalendered, smooth, dense, transparent or<br />

semi-transparent paper manufactured primarily from<br />

chemical wood pulps, which have been beaten <strong>to</strong> secure<br />

a high degree <strong>of</strong> hydration <strong>of</strong> <strong>the</strong> s<strong>to</strong>ck. It is grease<br />

resistant, and has a high resistance <strong>to</strong> <strong>the</strong> passage <strong>of</strong> air<br />

and many essential oil vapours used as food flavoring and,<br />

when waxed, lacquered, or laminated, is practically<br />

impervious <strong>to</strong> <strong>the</strong> transmission <strong>of</strong> moisture vapours.08.<br />

{D= ?; Es= papel cristal; F= glassine?}.<br />

Gleichlaufschwankbungen {D} * see wow and flutter {E}.<br />

Gleitmittel {D} * see lubricant {E}.<br />

glissement {F} * see creep {E}.<br />

glitch {E} * 1) A form <strong>of</strong> interference appearing as a<br />

horizontal bar or picture <strong>of</strong>fset ei<strong>the</strong>r stationary or moving<br />

vertically through <strong>the</strong> video image. 2) A momentary<br />

disturbance or breakup on an electronic signal. {D= ?; Es=<br />

interferencia momentánea (señal electrostática);<br />

interferencia (imagen de vídeo); F= défaut transi<strong>to</strong>ire;<br />

signal d'interférence (horizontal)}.<br />

<strong>Glossary</strong> <strong>of</strong> <strong>Terms</strong> <strong>Related</strong><br />

<strong>to</strong> <strong>the</strong><br />

<strong>Archiving</strong> <strong>of</strong> <strong>Audiovisual</strong> Materials<br />

glossy print {E} * A pho<strong>to</strong>graphic print with a hard, shiny<br />

surface that is created by drying on a ferrotype plate; see<br />

also ferro-type.01. {D= ?; Es= positivo brillante; F=<br />

épreuve glacée; image brillante; tirage brillant}.<br />

111<br />

glue {E} * A protein based adhesive consisting <strong>of</strong> organic<br />

colloids obtained from animal materials such as bones and<br />

hides in meat packing and tanning industries. Glue, as<br />

such, is much <strong>to</strong>o brittle for use in most archival<br />

operations. Therefore a plasticizer, such as glycerin, or a<br />

less expensive substitute such as sorbi<strong>to</strong>l, <strong>of</strong>ten combined<br />

with glycols and tackifiers, are added <strong>to</strong> improve elasticity<br />

and resilience; see also adhesive.(45.) {D= ?; Es= cola; F=<br />

colle}.<br />

GMD {E} * acronym for general material designa<strong>to</strong>r.<br />

gobo {E} * 1) A metal cu<strong>to</strong>ut pattern <strong>of</strong> suitable size <strong>to</strong> fit in<br />

<strong>the</strong> holder or aperture <strong>of</strong> an ellipsoidal reflec<strong>to</strong>r spotlight.<br />

2) A flag, usually opaque, that can be made with diffusing<br />

material. 3) A cu<strong>to</strong>ut through which a camera may shoot.<br />

4) A sound reflec<strong>to</strong>r. 5) Sound absorbing material.(10.) see<br />

also scrim. {D= ?; Es= 1) pantalla de proyec<strong>to</strong>r; 2)<br />

bandera; 3) visera de cámara; 4) reflec<strong>to</strong>r de sonido; 5)<br />

material antisonoro F= écran opáque;-lumière; cache de<br />

découpe; nègre}.<br />

Gold Molded {D;E/US;Es;F} * The Edison American<br />

trade name for a standard size, moulded, cylinder sound<br />

recording, ei<strong>the</strong>r wax (1902 <strong>to</strong> 1912+) or celluloid (1912 <strong>to</strong><br />

1929); so named because <strong>the</strong> metal used for electroplating<br />

an original recording, and around which <strong>to</strong> build a<br />

copper mould, was gold. In <strong>the</strong> U.S. <strong>the</strong> 1902 cylinders<br />

were called High Speed Wax Molded Records, but were<br />

advertised in 1903 as Gold Molded Records; <strong>the</strong>y were<br />

known as Gold Moulded Records from 1902 in England.<br />

Edison dropped <strong>the</strong> name after February 1908.(14.)<br />

Gold Moulded {E/UK} * see Gold Molded {E/US}.<br />

goma arábiga {Es} * see gum arabic {E}.<br />

goma laca {Es} * see shellac {E}.<br />

gomme arabique {F} * see gum arabic {E}.<br />

gomme-laque {F} * see shellac {E}.<br />

gonflage : 16 mm --> 35 mm) {F} * see blow-up {E}.<br />

gonflement de l'émulsion {F} * see swelling <strong>of</strong> <strong>the</strong> emulsion<br />

{E}.<br />

gouge {E} * Commonly used defect term for disc and<br />

cylinder recordings; used interchangeably with dig and<br />

needle dig.(04.) {D= ?; Es= arañazo pr<strong>of</strong>undo; F= "coup de<br />

gouge"}.<br />

governor {E} * A mechanical device for controlling <strong>the</strong><br />

speed <strong>of</strong> a piece <strong>of</strong> equipment. {D= ?; Es= reflec<strong>to</strong>r; F=<br />

mécanisme régulateur; régulateur}.<br />

grabación {Es} * see recording horn {E}.<br />

grabación acústica {Es} * see acoustical recording {E}.<br />

grabación analógica {Es} * see analogue recording {E}.<br />

grabación bajo condiciones anormales {Es} * see field<br />

recording {E}.<br />

grabación bajo condiciones infrecuentes {Es} * see field<br />

recording {E}.<br />

grabación casera {Es} * see domestic record {E}.<br />

grabación de campo {Es} * see field recording<br />

grabación de control {Es} * see control track {E}.<br />

grabación de corte vertical {Es} * see vertical cut recording<br />

{E}.


grabación de dos pistas {Es} * see two track recording {E}.<br />

grabación de larga duración {Es} * see long-play; longplaying<br />

record (Lp) {E}.<br />

grabación de larga duración {Es} * see long-playing record<br />

{E}.<br />

grabación de los intérpretes principales {Es} * see created<br />

roll (CR) {E}.<br />

grabación de una señal sobre la original {Es} * see<br />

assemble edit {E}.<br />

grabación del sonido e imagen simultáneamente {Es} *<br />

see single-system sound {E}.<br />

grabación digital {Es} * see digital recording {E}.<br />

grabación directa {Es} * see direct recording {E}.<br />

grabación directa al disco {Es} * see direct <strong>to</strong> disc<br />

recording {E}.<br />

grabación directa en al zona metálica {Es} * see direct<br />

metal mastering (DMM) {D;E}.<br />

grabación eléctrica {Es} * see electrical recording {E}.<br />

grabación en cuatro pistas {Es} * see four-track recording<br />

{E}.grabación] de los intérpretes principales {Es} * see<br />

created roll (CR) {E}.<br />

grabación en dos pistas {Es} * see two track recording {E}.<br />

grabación en mdia pista {Es} * see half-track recorder {E}.<br />

grabación lateral {Es} * see lateral cut; lateral recording<br />

{E}.<br />

grabación magne<strong>to</strong>óptica {Es} * see magne<strong>to</strong>-optical<br />

recording (MOR) {E}.<br />

grabación magne<strong>to</strong>óptica {Es} * see magne<strong>to</strong>-optical<br />

recording (MOR) {E}.<br />

grabación óptica digital {Es} * see digital optical recording<br />

(DOR) {E}.<br />

grabación original {Es} * see original recording {E}.<br />

grabación particular {Es} * see personal record {E}.<br />

grabación pirata {Es} * see bootleg {E;F}.<br />

grabación por dos pistas {Es} * see two track recording<br />

{E}.<br />

grabación por haz de electrones {Es} * see electron beam<br />

recorder (EBR) {E}.<br />

grabación por indentación {Es} * see indentation recording<br />

{E}.<br />

grabación sobre grabación {Es} * see sound-on-sound<br />

{D;E}.<br />

grabación sonora {Es} * see record (2)(3)); sound<br />

recording {E}.<br />

grabación Y/C (NTSC) {Es} * see Y/C recording {E}.<br />

grabado {Es} * see engraving {E}.<br />

grabado por haz de electrones {Es} * see EBR {E}.<br />

grabador {Es} * see channel (1, 2) {E}.<br />

112<br />

grabador a distancia {Es} * see telerecorder (2) {E}. en<br />

cuatro pistas {Es} * see four-track recording {E}.<br />

grabador de sonido {Es} * see sound recorder {E}.<br />

grabador óptico {Es} * see optical recorder {E}.<br />

Grabador de Cinta y Audio (magnetófono) {Es} * see ATR<br />

{E}.<br />

grabadora de televisión {Es} * see telerecorder (1) {E}.<br />

grabadora magnet<strong>of</strong>ónica monocanal {Es} * see<br />

monophonic recorder {E}.<br />

grabadora tipo C {Es} * see type C recorder {E}.<br />

Grabadora de Televisión {Es} * see TCR {E}.<br />

grabar al agua fuerte {Es} * see etch {E}.<br />

grabar un disco {Es} * see cut (2, 3) {E}.<br />

gradateur {F} * see fader {E}.<br />

gradient moyen {F} * see average gradient {E}.<br />

gradiente medio {Es} * see average gradient {E}.<br />

grading {E} * A moving-image production procedure <strong>of</strong><br />

correcting light and/or colour values in various<br />

pho<strong>to</strong>graphic shots and scenes made at different times <strong>of</strong><br />

<strong>the</strong> day, in different places, or under different lighting<br />

conditions so that <strong>the</strong> final version, <strong>the</strong> print, will be uniform;<br />

see also answer print.30. {D= Lichtbestimmung; Es=<br />

comprobacíon; equilibrado; E/U= timing; F= étalonnage}.<br />

grado {Es} * see extent {E}.<br />

grado de desfasamien<strong>to</strong> {Es} * see phase change medium<br />

{E}.<br />

grado de la variación de la fase {Es} * see phase change<br />

medium {E}.<br />

grado de luminancia {Es} * see luminance ratio {E}.<br />

grado de reducción {Es} * see reduction ratio {E}.<br />

grados Kelvin {Es} * see degrees Kelvin {E}.<br />

graduer {F} * see calibrate {E}.<br />

gráficas de tramas {Es} * see raster graphics {E}.<br />

gráfico (en dos dimensiones) {Es} * see graphic {E}.<br />

gráfico electrónico {Es} * see graphic {E}.<br />

grain {E;F} * 1) The direction in which most <strong>of</strong> <strong>the</strong> fibers in<br />

an item are oriented.(47.) 2) The clusters <strong>of</strong> light-sensitive<br />

silver halide in a negative that are changed in<strong>to</strong> black<br />

metallic silver by development. The grain becomes more<br />

apparent in a print when <strong>the</strong> negative is enlarged.<br />

Generally, <strong>the</strong> more sensitive (i.e., faster) films have more<br />

grain than less sensitive (i.e., slower) films.43. {D= Korn;<br />

Es= grano de la película}.<br />

graininess {E} * A defect in processed pho<strong>to</strong>graphic film or<br />

prints resulting from an uneven distribution <strong>of</strong> <strong>the</strong> grains<br />

that make up <strong>the</strong> image. The defect, most apparent in<br />

enlargements, may appear as a pattern <strong>of</strong> small dots or<br />

uneven colour distribution. Graininess is a subjective<br />

property, as perceived by <strong>the</strong> viewer. An objective<br />

assessment <strong>of</strong> graininess is termed granularity.01. The<br />

subjective sensation <strong>of</strong> a random pattern apparent <strong>to</strong> a<br />

viewer seeing small local density variations in an overall<br />

uniform density area.09. {D= ?; Es= granulación; F=<br />

granulation}.


Gramm<strong>of</strong>on {D;E;Es;F} * Emile Berliner's 1887 name for<br />

his machine <strong>to</strong> produce incised disc re-angle lens {E}.<br />

gramophone/phonographe à pavillon interne .{F} * see<br />

enclosed horn phonograph/gramophone .{E}.<br />

grand angulaire {F} * see wide-angle lens {E}.<br />

grand cylinders {E} * see concert cylinders.<br />

grano de la película {Es} * see grain {E;F}.<br />

granulación {Es} * see graininess {E}.<br />

granularité {F} * see granularity {E}.<br />

granularity {E} * The objective measurement, with a<br />

densi<strong>to</strong>meter having a small aperture, <strong>of</strong> <strong>the</strong> local density<br />

variations that give rise <strong>to</strong> <strong>the</strong> sensation <strong>of</strong> graininess.09.<br />

{D= ?; Es= granulosidad; F= granularité}.<br />

granulation {F} * see graininess {E}.<br />

granulation noise {E} * An audible dis<strong>to</strong>rtion resulting from<br />

quantization error.39. {D= ?; Es= sonido de granulación;<br />

F= bruit de granulation}.<br />

granulosidad {Es} * see granularity {E}.<br />

graphic {E} * A two-dimensional representation whe<strong>the</strong>r<br />

opaque (e.g., art original and reproductions, flash cards,<br />

pho<strong>to</strong>graphs, technical drawings) or intended <strong>to</strong> be viewed,<br />

or projected without motion, by means <strong>of</strong> an optical device<br />

(e.g., filmstrips, stereographs, slides).03. 2) In a video<br />

production, a graphic is an electronic image composed as<br />

an artistic representation and is used <strong>to</strong> supplement <strong>the</strong><br />

production. It may also include text. {D= ?; Es= gráfico (en<br />

dos dimensiones); gráfico electrónico; F= graphique}.<br />

graphique {F} * see graphic {E}.<br />

graphiques de trames {F} * see raster graphics {E}.<br />

graphophone {D;E;Es;F} * 1) A reproducing audio cylinder<br />

machine invented by Chichester Bell and Charles S.<br />

Tainter in 1885, and <strong>the</strong> first record machine <strong>to</strong> have a<br />

removable, transportable, and replaceable media for<br />

recording and/or playing (a cardboard cylinder surfaced<br />

with ozokerite, a wax derived from shale). 2) Columbia<br />

Company's first disc player, known as <strong>the</strong> Toy<br />

Graphophone, was introduced in 1901.(14.)<br />

graticule {E} * A lined or etched screen that is in front <strong>of</strong> a<br />

CRT on a waveform, vec<strong>to</strong>rscope, or oscilloscope which is<br />

used <strong>to</strong> measure and define <strong>the</strong> specifications <strong>of</strong> <strong>the</strong><br />

signal. {D= ?; Es= retícula; F= graticule; réseau quadrillé;<br />

réticule}.<br />

graticule {F} * see graticule {E}.<br />

grating signal {E} * A video test signal with 17 vertical bars<br />

and 14 horizontal bars which is used <strong>to</strong> test or adjust <strong>the</strong><br />

vertical and horizontal linearity <strong>of</strong> a system under test. {D=<br />

?; Es= señal de cuadrícula; F= signal de réglage; charte<br />

de gris; gamme de gris}.<br />

gravure {F} * see etch {E}.<br />

gravure en pr<strong>of</strong>ondeur {F} * see vertical cut {E}.<br />

gravure latérale {F} * see lateral cut {E}.<br />

gravure verticale {F} * see vertical cut {E}.<br />

gray scale {E} * An achromatic slide, test pattern, or o<strong>the</strong>r<br />

standard test card having ten (10) steps <strong>of</strong> grey ranging<br />

from white <strong>to</strong> black.10. {D= ?; Es= escala gris; F= échelle<br />

de gris; charte de gris; gamme de gris}.<br />

113<br />

gray scale {E} * Variations <strong>of</strong> value from white, through<br />

shades <strong>of</strong> gray, <strong>to</strong> black on a television screen. The<br />

gradations approximate <strong>the</strong> <strong>to</strong>nal values <strong>of</strong> <strong>the</strong> original<br />

image picked up by <strong>the</strong> television camera. {D= ?; Es=<br />

escala gris; F= charte des gris}.<br />

green disc {E} * A lacquer disc which has not yet gone<br />

through <strong>the</strong> curing process; also known as unripe discs.<br />

{D= ?; Es= disco verde; F= disque vierge (laque)}.<br />

green film {E} * A newly developed pho<strong>to</strong>graphic print or<br />

film that may be scratched easily.10. {D= frisch Kopie; Es=<br />

copia fresca; F= copie neuve; copie positive (non<br />

stabilisée); copie fraîche}.<br />

green tape {E} * In magnetic tape recording, an abrasive<br />

tape used <strong>to</strong> clean and lap heads taht are unevenly worn,<br />

stained, scratched, etc. It should be used with caution and<br />

should not be used on ferrite heads.46. {D= ?; Es= ?; F=<br />

?}.<br />

Green Book {E} * The compact disc-interactive (CD-I)<br />

standards document, so named because <strong>of</strong> <strong>the</strong> colour <strong>of</strong><br />

<strong>the</strong> cover <strong>of</strong> <strong>the</strong> book.39. {D= ?; Es= Libro Verde; F= Livre<br />

vert}.<br />

Greifer {D} * see claw {E}.<br />

grey card {E} * see neutral test card.<br />

greying {E} * Commonly used defect term for grooved,<br />

analogue recordings which indicates widespread needle<br />

wear resulting in a discolouration or 'greying' <strong>of</strong> a part or all<br />

<strong>of</strong> <strong>the</strong> playing area surface <strong>of</strong> <strong>the</strong> disc, usually meaning<br />

ei<strong>the</strong>r that <strong>the</strong> disc has been extensively played, or that it<br />

has been played with <strong>to</strong>o heavy a stylus tracking weight;<br />

sometimes called steeling.(04.) {D= ?; Es= aspec<strong>to</strong><br />

grisáceo; F= ? (zone usée d'un disque noir)}.<br />

grid {E;F} * 1) A control element in a vacuum tube. 2) A<br />

television test pattern. 3) A crosshatch pattern used for<br />

designing lay-outs.(10.) {D= ?; Es= rejilla; malla}.<br />

grieta {Es} * see crack/cracking {E}.<br />

griffe {F} * see claw; pin {E}.<br />

grille (visionner) {F} * see screen {E}.<br />

grille de diffraction {F} * see diffraction grating {E}.<br />

grille demi-<strong>to</strong>ns {F} * see half<strong>to</strong>ne screen {E}.<br />

gris équivalent {F} * see colour balance {E}.<br />

grondement {F} * see boomy {E}.<br />

groove {E} * In audiovisual media, <strong>the</strong> channel cut,<br />

embossed, or pressed in<strong>to</strong> a recording medium (i.e.,<br />

cylinder, disc, film) which carries <strong>the</strong> encoded signal. Such<br />

a groove may be blank (unmodulated) or recorded<br />

(modulated), or a combination <strong>of</strong> both. A cut recording<br />

contains only one groove cut, or embossed, spirally from<br />

<strong>the</strong> beginning <strong>to</strong> <strong>the</strong> end <strong>of</strong> <strong>the</strong> item, but it is more common<br />

<strong>to</strong> refer <strong>to</strong> this groove in <strong>the</strong> plural, grooves; see also<br />

concentric groove; eccentric groove; lateral cut; vertical<br />

cut.(04.) {D= Rille; Es= surco; F= gravure; sillon; sillon<br />

sonore}.<br />

groove jumping {E} * The undesired movement <strong>of</strong> <strong>the</strong><br />

stylus from one groove track <strong>to</strong> an adjacent one. Causes<br />

can be poor manufacture <strong>of</strong> recording, uneven playback<br />

equipment, improper tracking pressure applied <strong>to</strong> <strong>the</strong><br />

pickup, etc.(04.) {D= ?; Es= sal<strong>to</strong> de surco; F=<br />

déraillement; saut de sil}.<br />

gros plan {F} * see close-up {E}.


grosor {Es} * see thickness {E}.<br />

grosor <strong>to</strong>tal {Es} * see <strong>to</strong>tal thickness {E}.<br />

grosz {D} * see close-up {E}.<br />

Groszaufnahme {D} * see close-up {E}.<br />

ground {E} * 1) An electrical connection <strong>to</strong> earth. 2) A point<br />

in an electrical system that has zero voltage and which is<br />

connected <strong>to</strong> <strong>the</strong> earth or a part <strong>of</strong> <strong>the</strong> circuit serving as<br />

<strong>the</strong> earth.(50.16.) {D= Erdung; Mosse; Es= conexión a<br />

tierra; F= terre; prise de terre}.<br />

ground loop {E} * The path in a ground circuit between two<br />

or more points intended <strong>to</strong> be at <strong>the</strong> same voltage (zero)<br />

but which are not because <strong>of</strong> ground resistance. It can<br />

result in hum and o<strong>the</strong>r undesirable disturbances in circuits<br />

where signal strength is low.16. {D= ?; Es= camino<br />

cerrado de tierra; F= boucle de masse}.<br />

Group III & Group IV {D;E} * Compression and data<br />

transmission standards developed by <strong>the</strong> CCITT used in<br />

facsimile (FAX) machines. Group III normally includes FAX<br />

machines operated over normal telephone lines and is not<br />

generally acceptable for grey-scale or colour images. {Es=<br />

Grupo III y Grupo IV; F= Groupe III & Groupe IV}.<br />

Group IV {E} * see Group III.<br />

groupe High Sierra (1985) {F} * see High Sierra Group<br />

(HSG) {E}.<br />

Groupe III & Groupe IV {F} * see Group III & Group IV<br />

{D;E}.<br />

grue {F} * see boom {E}.<br />

grueso {Es} * see thickness {E}.<br />

Grundlickt {D} * see key light {E}.<br />

Grupo III y Grupo IV {Es} * see Group III & Group IV {D;E}.<br />

guard band {E} * A space <strong>of</strong> unrecorded tape on a<br />

magnetic tape left between <strong>the</strong> recorded tracks <strong>to</strong> prevent<br />

crosstalk or leakage <strong>of</strong> signal between one track and<br />

ano<strong>the</strong>r; its width is only slightly less than that <strong>of</strong> <strong>the</strong><br />

recorded track on audio tape.(04.) {D= Trennspur; Es=<br />

banda de protección; F= sillon fermé; sillon final; garde<br />

bande}.<br />

guía {Es} * see guide {E}.<br />

guía de entrada de la Academia (de artes escénicas de los<br />

EEUU) {Es} * see Academy leader {E}.<br />

guía de sincronización {Es} * see sync leader {E}.<br />

guías de la cinta {Es} * see tape guides {E}.<br />

guide (bande vidéo quadruplex) {F} * see canoe {E}.<br />

guide {E;F} * 1) An overlay used in animation that indicates<br />

<strong>the</strong> positioning <strong>of</strong> <strong>the</strong> art-work, camera movement, or both.<br />

2) A manual or handbook that is used <strong>to</strong> explain<br />

audiovisual educational materials. 3) A mechanism that<br />

serves <strong>to</strong> hold a tape, film, or similar media in a desired<br />

position. 4) Any transport element whose function is <strong>to</strong><br />

control <strong>the</strong> tape's or film's location in <strong>the</strong> path, ei<strong>the</strong>r transversely<br />

or perpendicularly. 5) A publication that lists radio<br />

or television programmes.(10.) {D= ?; Es= guía}.<br />

guide bande {F} * see tape guides {E}.<br />

guide de bande {E} * see tape guides {E}.<br />

guide rod {E} * see back rod.<br />

114<br />

guión gráfico {Es} * see s<strong>to</strong>ry board {E}.<br />

guión impreso en ficha {Es} * see cue card {E}.<br />

guión visualizado {Es} * see s<strong>to</strong>ry board {E}.<br />

guionista {Es} * see screenwriter {E}.<br />

gum arabic {E} * In pho<strong>to</strong>graphy, a water soluble gum used<br />

in <strong>the</strong> bichromated colloid processes <strong>to</strong> form a relief<br />

image.42. {D= ?; Es= goma arábiga; F= gomme arabique}.<br />

Gutachter {D} * see evalua<strong>to</strong>r {E}.<br />

h ---<br />

H and D curve {E} * see characteristic curve.<br />

H-shift {E} * A video aberration caused when a change is<br />

made between video sources that are not synchronous<br />

with each o<strong>the</strong>r. {D= ?; Es= desplazamien<strong>to</strong> H; F=<br />

coquille}.<br />

H&D curve {E} * The diagram showing <strong>the</strong> relationship<br />

between pho<strong>to</strong>graphic exposure and density, named after<br />

Hurter & Driffkield, pioneers in <strong>the</strong> study <strong>of</strong> sensi<strong>to</strong>metry;<br />

see also characteristic curve.(09.) {D= ?; Es= curva H y D;<br />

F= courbe H et D; courbe sensi<strong>to</strong>métrique}.<br />

Haarhygrometer {D} * see hair hygrometer {E}.<br />

habilidad para reproducir colores escénicos con cámara<br />

de vídeo {Es} * see colour balance (3) {E}.<br />

hacer una representación o imitación {Es} * see imager<br />

{E}.<br />

hacer una unión puente con <strong>to</strong>mas de tiempos, lugares,<br />

etc {Es} * see bridging shot {E}.<br />

hair hygrometer {E} * A hygrometer which uses natural<br />

animal hair as <strong>the</strong> hygroscopic item which will leng<strong>the</strong>n as<br />

<strong>the</strong> R/H increases and shortens as <strong>the</strong> R/H decreases,<br />

with <strong>the</strong> resulting change being transmitted with various<br />

mechanical devices <strong>to</strong> a pointer on a dial or <strong>to</strong> a recorder<br />

pen on a recording instrument; most accurate between 30<br />

and 80% R/H. In general, hair hygrometers are not as<br />

accurate as a psychrometer and may take up <strong>to</strong> ½-hour <strong>to</strong><br />

fully respond <strong>to</strong> a change in R/H. Fur<strong>the</strong>r, a hair<br />

hygrometer should be calibrated every month, or each time<br />

it is moved, whichever comes first, against a reliable<br />

psychrometer.(32.) {D= Haarhygrometer; Es= higrómetro<br />

de cabello; F= hygromètre à cheveu}.<br />

halation {E} * 1) An undesirable reflection <strong>of</strong> light from <strong>the</strong><br />

film base <strong>to</strong> <strong>the</strong> emulsion, causing a ghost-image or fog.<br />

The defect is usually avoided through <strong>the</strong> use <strong>of</strong> an<br />

antihalation undercoat in dye-back film.01. 2) Unwanted<br />

exposure surrounding a pho<strong>to</strong>graphic image caused by<br />

light scattered within <strong>the</strong> emulsion or reflected from <strong>the</strong><br />

base.09. 3) A glow or diffusion that surrounds a bright spot<br />

on a television picture tube screen. {D= ?; Es= aureola;<br />

fenómeno de halo; F= halo}.<br />

Halbbild {D} * see field {E}.<br />

Halbnah {D} * see medium shot; two shot {E}.<br />

Halbspur {D} * see double track; half-track; two track {E}.<br />

Halbspuraufnahme {D} * see two track recording {E}.<br />

Halbspurgerät {D} * see dual track recorder; half-track<br />

recorder {E}.<br />

half-track {E} * 1) In motion-picture film, <strong>the</strong> use <strong>of</strong> both<br />

optical and magnetic tracks on a sound film. 2) In audio


magnetic tape recording, a recorded signal which occupies<br />

half <strong>the</strong> width <strong>of</strong> <strong>the</strong> tape, <strong>the</strong> resulting recording may<br />

ei<strong>the</strong>r be <strong>the</strong> <strong>to</strong>tal mono signal or half <strong>of</strong> a stereo<br />

recording, <strong>the</strong> o<strong>the</strong>r half <strong>of</strong> which is <strong>the</strong> o<strong>the</strong>r half <strong>of</strong> <strong>the</strong><br />

tape (both tracks running in synchronization in <strong>the</strong> same<br />

direc-tion); see also two-track.(04.) {D= Halbspur; Es=<br />

media pista; F= double piste; demi-piste; deux pistes}.<br />

half-track recorder {E} * 1) An audio magnetic tape<br />

recorder with two record heads used for making stereo<br />

tape recordings. 2) An audio magnetic tape recorder with<br />

a single head which produces an half-track mono audio<br />

signal. {D= Halbspurgerät; Es= grabación [registro] en<br />

mdia pista; F= enregistreur demi-piste}.<br />

half-track tape {E} * see half-track {E}.<br />

half<strong>to</strong>ne {E} * A pho<strong>to</strong>mechanical process for reproducing<br />

contin-uous-<strong>to</strong>ne pho<strong>to</strong>graphs. Printed with one colour or<br />

ink, <strong>the</strong> half<strong>to</strong>ne process gives <strong>the</strong> appearance <strong>of</strong> blacks,<br />

whites, and greys by converting <strong>the</strong> image in<strong>to</strong> a pattern <strong>of</strong><br />

clearly defined dots <strong>of</strong> varying sizes, and creates <strong>the</strong><br />

illusion <strong>of</strong> <strong>to</strong>ne gradation. The largest dots appear darkest<br />

and are in <strong>the</strong> shadow areas <strong>of</strong> <strong>the</strong> image, while <strong>the</strong><br />

smallest dots seem lightest and represent <strong>the</strong> highlight<br />

areas. Intermediate sized dots reproduce <strong>the</strong> various<br />

middle <strong>to</strong>nes <strong>of</strong> grey.43. {D= ?; Es= medio <strong>to</strong>no; F= demiteinte}.<br />

half<strong>to</strong>ne block {E} * A copper or zinc printing block used for<br />

half<strong>to</strong>nes.10. {D= ?; Es= cliché de medio <strong>to</strong>no; F= demiteinte}.<br />

half<strong>to</strong>ne screen {E} * A grid <strong>of</strong> fine horizontal and vertical<br />

lines used <strong>to</strong> make half<strong>to</strong>nes.10. {D= ?; Es= pantalla<br />

[trama] de medio <strong>to</strong>no; F= grille demi-<strong>to</strong>ns}.<br />

halide {E} * Any compound <strong>of</strong> chlorine, iodine, bromine, or<br />

fluorine and ano<strong>the</strong>r element. The compounds are called<br />

halogens. The silver salts <strong>of</strong> <strong>the</strong>se halogens are <strong>the</strong> lightsensitive<br />

materials used in silver halide emulsions.40. {D=<br />

?; Es= haluro; F= halogénure}.<br />

halide d'argent ? {F} * see silver halide {E}.<br />

Hall {D} * see reverberation {E}.<br />

halo {F} * see halation {E}.<br />

halogen {E} * Any <strong>of</strong> <strong>the</strong> elements <strong>of</strong> <strong>the</strong> chemical family <strong>of</strong><br />

fluorine, chlorine, bromine, iodine, and astatine used in<br />

conjunc-tion with silver in film emulsion; see also<br />

halide.10. {D= ?; Es= halógeno; F= halogène}.<br />

halogène {F} * see halogen {E}.<br />

halógeno {Es} * see halogen {E}.<br />

halogénure {F} * see halide {E}.<br />

Haltbarkeit {D} * see durability; permanence {E;F}.<br />

haluro {Es} * see halide {E}.<br />

haluro de plata {Es} * see silver halide {E}.<br />

Hamming code {E} * A method <strong>of</strong> checking for errors by<br />

comparing transmission and reception bits; named after its<br />

inven<strong>to</strong>r.(10.) {D= ?; Es= código Hamming; F= code de<br />

Hamming}.<br />

hand-coloured {E} * A local application <strong>of</strong> coloured<br />

pigments or dyes <strong>to</strong> enhance a pho<strong>to</strong>graphic image.42.<br />

{D= handgemaltkoloriert; Es= coloreado (-a) a mano; F=<br />

coloré main}.<br />

handgemaltkoloriert {D} * see hand-coloured {E}.<br />

115<br />

handling zone {E} * The region <strong>of</strong> an optical disc which<br />

may be physically contacted by a handling<br />

mechanism.(46.) {D= ?; Es= zona de manejo; F= zone de<br />

manutention}.<br />

hanger {E} * A frame for holding sheet film for processing.<br />

{D= ?; Es= colgadero; F= crochet; hangar}.<br />

hard {E} * In still-and moving-image work, excess contrast.<br />

{D= ?; Es= duro; F= contrasté; dur}.<br />

hard core material {E} * Pornographic materials (literature,<br />

film, video, etc.) that contain explicit and graphic sexual<br />

acts.10. {D= ?; Es= pornografía dura; F= matériel<br />

pornographique}.<br />

hard sound {E} * The sound produced by a room with<br />

highly reflective walls.10. {D= ?; Es= sonido reverberador;<br />

F= son réverbéré}.<br />

hardcopy {E} * A document or copy, usually on paper, as<br />

opposed <strong>to</strong> a micr<strong>of</strong>orm or machine-readable<br />

document.(22.) {D= Ansichtskopie; Papierkopie; Es= copis<br />

impresa; copia de papel; copia en papel; F= copie d'écran;<br />

copie papier; document sur papier}.<br />

hardener {E} * A solution <strong>of</strong> chemicals used in film<br />

processing <strong>to</strong> harden <strong>the</strong> gelatin <strong>of</strong> emulsions and <strong>to</strong> raise<br />

its melting point. The hardener makes <strong>the</strong> pho<strong>to</strong>graphic<br />

material more resistant <strong>to</strong> scratches and prevents <strong>the</strong><br />

emulsion from s<strong>of</strong>tening in <strong>the</strong> warm processing baths.<br />

Commonly used chemicals include aluminium potassium<br />

sulphate, chromium aluminium sulphate, and<br />

formaldehyde solution.01. {D= Härter; Es= endurecedor;<br />

F= durcisseurbain tannant; alunage}.<br />

hardware {E;Es} * The physical, mechanical, and electrical<br />

devices that form an audio and/or video record and/or<br />

playback system. 39. {D= Geräte; Es= elemen<strong>to</strong>s físicos<br />

de un ordenador; F= équipement; matériel; quincaillerie}.<br />

harmonic dis<strong>to</strong>rtion {E} * Non-linear dis<strong>to</strong>rtion<br />

characterized by <strong>the</strong> appearance, in <strong>the</strong> output, <strong>of</strong><br />

harmonics <strong>of</strong> <strong>the</strong> fundamental input frequency; usually<br />

expressed in a percentage, numerically equal <strong>to</strong> 100 times<br />

<strong>the</strong> ratio <strong>of</strong> <strong>the</strong> root-mean-square voltages <strong>of</strong> each <strong>of</strong> <strong>the</strong><br />

individual harmonic frequencies, <strong>to</strong> <strong>the</strong> root-mean-square<br />

voltage <strong>of</strong> <strong>the</strong> fundamental; see also non-linear<br />

dis<strong>to</strong>rtion.(16.10.) {D= harmonische Vergerrung; Es=<br />

dis<strong>to</strong>rsión armónica; F= dis<strong>to</strong>rsion non linéaire; dis<strong>to</strong>rsion<br />

harmonique}.<br />

harmonics {E} * Over<strong>to</strong>nes or frequencies <strong>of</strong> sound which<br />

are integral multiples <strong>of</strong> <strong>the</strong> fundamental frequency.(16.)<br />

{D= harmonische Teiltöne; Teiltöne; Es= (componentes)<br />

armónicas; F= harmoniques}.<br />

harmoniques {F} * see harmonics {E}.<br />

harmonische Teiltöne {D} * see harmonics {E}.<br />

harmonische Vergerrung {D} * see harmonic dis<strong>to</strong>rtion {E}.<br />

Härter {D} * see hardener {E}.<br />

haut et bas {F} * see head and tail {E}.<br />

haut-parleur {F} * see loudspeaker; speaker {E}.<br />

haut-parleur de contrôle {F} * see moni<strong>to</strong>r speaker {E}.<br />

haut-parleur de graves {F} * see wo<strong>of</strong>er {E}.<br />

haute fidélit * see high fidelity (HF); high frequency (HF)<br />

{E}.<br />

haute fréquence fidélit {F} * see high frequency (HF) {E}.


haute résolution {F} * see high resolution {E}.<br />

hauteur perçue {F} * see pitch {E}.<br />

haz de luz {Es} * see beam {E}.<br />

haz explorador {Es} * see scanning beam {E}.<br />

hazard {E;F} * In optical data, a condition that may<br />

increase <strong>the</strong> chances for a loss.(55.) {D= Risiko; Es=<br />

riesgo}.<br />

haze filters {E} * A screen used in <strong>the</strong> pho<strong>to</strong>graphic<br />

process <strong>to</strong> reduce <strong>the</strong> effects <strong>of</strong> haze or fog by removing<br />

some <strong>of</strong> <strong>the</strong> blue and ultraviolet light.(09.) {D= ?; Es= filtros<br />

antineblinas; F= filtres UV; filtres anti-brouillard; filtres à<br />

brume}.<br />

HD3 {E} * acronym for high-density digital data.07.<br />

HDMAC {E;F} * acronym for high definition mac. {D= ?;<br />

Es= acrónimo de MAC de alta definición}.<br />

HDTV {E} * acronym for high-definition television. {D= ?;<br />

Es= acrónimo de Televisión de Alta Definición; F= TVHD}.<br />

head {E} * 1) In a magnetic recorder, <strong>the</strong> electromagnet<br />

across which <strong>the</strong> magnetizable medium surface is drawn<br />

and which, depending on its function, ei<strong>the</strong>r erases a<br />

previous recording, converts an electrical input and<br />

impresses <strong>the</strong> corresponding magnetic pattern on <strong>the</strong><br />

medium (record function), or converts a magnetic pattern<br />

already on <strong>the</strong> medium <strong>to</strong> an electrical signal (playback<br />

function); see also erase head; playback head; record<br />

head.(16.) 2) The <strong>to</strong>p part <strong>of</strong> a tripod that holds a<br />

camera.(35.) {D= Kopf; 1) Bandkopf; Tonkopf; Es= ?; F=<br />

début; tête; bloc}.<br />

head alignment {E} * In magnetic recorders, <strong>the</strong> correct<br />

position <strong>of</strong> <strong>the</strong> head and gap, with respect <strong>to</strong> <strong>the</strong> magnetic<br />

medium; includes all mechanical adjustments necessary<br />

<strong>to</strong> assure proper head <strong>to</strong> tape contact.(50.16.) {D=<br />

Kopfjustage; Es= alineación de la cabeza; F= alignement<br />

des têtes; réglage des têtes}.<br />

head and tail {E} * 1) The beginning and end <strong>of</strong> a piece <strong>of</strong><br />

film or tape. 2) The <strong>to</strong>p and bot<strong>to</strong>m edges <strong>of</strong> a container.<br />

{D= ?; Es= cabeza y cola [principo y fin]; F= début et fin;<br />

haut et bas}.<br />

head banding {E} * A visible defect in a reproduced<br />

segmented type video picture associated with a particular<br />

video head or its position.(06.) {D= Kopfspuren; Es= efec<strong>to</strong><br />

banda; efec<strong>to</strong> de persiana; F= effet de persienne; effet de<br />

bande (TV)}.<br />

head clog {E} * The blocking or congesting <strong>of</strong> <strong>the</strong><br />

electronic head on a magnetic recorder. {D=<br />

Kopfverschmutzung; Es= obstrucción del cabezal; F=<br />

encrassement des têtes; colmatage des têtes}.<br />

head demagnetizer {E} * A device used <strong>to</strong> neutralize<br />

residual or induced magnetism in heads or guides made<br />

from ferromagnetic materials. Unless <strong>the</strong> recorder has an<br />

au<strong>to</strong>matic head demagnetizing circuit and non-magnetic<br />

guides, periodic use <strong>of</strong> a head demagne-tizer may be<br />

necessary <strong>to</strong> avoid addition <strong>of</strong> noise <strong>to</strong>, or even partial<br />

erasure <strong>of</strong> previously recorded tapes; also known as a<br />

degausser.(16.) {D= Entmagnetisierdrossel; Es=<br />

desmagnetizador de cabezales; F= démagnétiseur de<br />

têtes}.<br />

head shell {E} * The removable portion <strong>of</strong> a record player's<br />

<strong>to</strong>ne arm which houses <strong>the</strong> cartridge and stylus.04. {D=<br />

Tonabnehmer-Halterung; Systemhalterung; Es= cápsula<br />

(<strong>to</strong>cadiscos); F= coquille}.<br />

head stick {E} * In magnetic tape recording, common<br />

116<br />

words for a large increase in head-<strong>to</strong>-tape friction caused<br />

by a) a sticky byproduct exuded by <strong>the</strong> tape under certain<br />

conditions <strong>of</strong> tape age, temperature/humidity, and head-<strong>to</strong>tape<br />

pressure, or b) very smooth tapes coupled with large<br />

area heads; also known as sticktion and stick-slip; see<br />

also stick-slip.46. {D= ?; Es= pegado del cabezal; F=<br />

collage tête-bande}.<br />

head <strong>to</strong> tape contact {E} * The degree <strong>to</strong> which <strong>the</strong> surface<br />

<strong>of</strong> <strong>the</strong> magnetic coating <strong>of</strong> a tape approaches <strong>the</strong> surface<br />

<strong>of</strong> <strong>the</strong> record or reproduce heads during normal operation<br />

<strong>of</strong> a recorder.46. {D= Band-Kopf-Kontakt; Es= contac<strong>to</strong><br />

entre cabezal y cinta; F= contact tête-bande}.<br />

header {E} * see heading.<br />

header field {E} * In CD-ROM and CD-I, a 4-byte field <strong>of</strong> a<br />

data sec<strong>to</strong>r that contains <strong>the</strong> absolute sec<strong>to</strong>r ad-dress and<br />

<strong>the</strong> mode byte; contains 4 bytes indicating minutes, sec<strong>to</strong>r,<br />

sec<strong>to</strong>r number, and whe<strong>the</strong>r <strong>the</strong> sec<strong>to</strong>r is mode 1, mode 2,<br />

or mode ff.(39.10.) {D= ?; Es= campo del cabezal<br />

(estanco); F= en-tête}.<br />

heading {E} * 1) Inscription, readable without<br />

magnification, placed at <strong>the</strong> <strong>to</strong>p <strong>of</strong> <strong>the</strong> micr<strong>of</strong>iche <strong>to</strong> identify<br />

its contents.(40.) 2) A name, word, or phrase placed at <strong>the</strong><br />

head <strong>of</strong> a catalogue entry <strong>to</strong> provide an access point in <strong>the</strong><br />

catalog; see also access point; added entry.(03.) {D= ?;<br />

Es= título; encabezamien<strong>to</strong>; membrete; F= titre; en-tête}.<br />

headphones {E} * Small sound reproducers in a suitable<br />

frame for wearing about <strong>the</strong> human head, most commonly<br />

using (electro-) dynamic, sometimes also electrostatic<br />

(condenser) transducers; generally close-coupled <strong>to</strong> <strong>the</strong><br />

ears for private listening.(50.) {D= Kopfhörer; Es=<br />

auriculares; F= casque}.<br />

heads out {E} * Having <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> programme<br />

content (recorded information) at <strong>the</strong> outside, or head, <strong>of</strong><br />

<strong>the</strong> reel <strong>of</strong> tape or strip film ready for immediate playback<br />

or projection without <strong>the</strong> need <strong>to</strong> rewind.(04.) {D= ?; Es=<br />

comienzo preparado; F= à l'endroit}.<br />

headwheel {E} * The portion <strong>of</strong> a videotape deck that<br />

houses <strong>the</strong> video record/play heads. It is also referred <strong>to</strong><br />

as drum or scanner. {D= ?; Es= tambor (escáner); F=<br />

tambour; tambour porte-têtes}.<br />

hearing tubes {E} * A device, <strong>the</strong> earliest made with<br />

vulcanite ear-pieces connected by rubber tubes <strong>to</strong> a Ypiece<br />

under <strong>the</strong> chin, <strong>the</strong>n by more tubing <strong>to</strong> <strong>the</strong><br />

reproducer, used on <strong>the</strong> earliest sound recorders and<br />

reproducers for hearing or listening <strong>to</strong> <strong>the</strong> record-ing.<br />

Generally, such tubes gave much better reception than a<br />

horn; were used in <strong>the</strong> coin-slot phonograph trade; also<br />

known as listening tubes.(14.) {D= Hörschläuche; Es=<br />

tubos de escucha; F= tubes d'écoute}.<br />

heat splice {E} * see butt splice; splice. {E}.<br />

helical scan {D;E} * A method <strong>of</strong> video magnetic tape<br />

recording that uses one or more rotating heads that<br />

engage a magnetic tape wrapped at least partially around<br />

a cylindrical column. The tape path describes a portion <strong>of</strong><br />

a helix. The recorded video tracks lie at an angle<br />

substantially less than 45 degrees with respect <strong>to</strong> <strong>the</strong><br />

length <strong>of</strong> <strong>the</strong> tape. Usually one complete television field is<br />

recorded as one head passes across <strong>the</strong> width <strong>of</strong> <strong>the</strong> tape;<br />

<strong>the</strong> method most <strong>of</strong>ten used in home VCRs; also called<br />

slant track.(10.35.) {D= Schrägspuraufzeichnung; Es=<br />

lectura helicoidal; exploracion helicoidal; F= lecture<br />

hélicoïdale; enregistrement hélicoidal}.<br />

heliotype {E} * see collotype.<br />

hembra (clavija) XLR {Es} * see XLR {E}.<br />

hemicellulose {E} * 1) Cellulose having a degree <strong>of</strong>


polymeriza-tion (DP) <strong>of</strong> 150 or less {i.e., smaller molecules<br />

with fewer 'building blocks'}; a collective term for beta and<br />

gamma cellulose; cellulose that is soluble in hot alkali. 2)<br />

A number <strong>of</strong> shorter-chain polysaccharides. Hemicellulose<br />

(along with degraded cellulose) is fur<strong>the</strong>r conveniently<br />

categorized according <strong>to</strong> DP: beta cellulose - DP 15-90<br />

gamma cellulose - DP less than 15. By contrast <strong>to</strong><br />

cellulose, which is a polymer only <strong>of</strong> glucose,<br />

hemicellulose are polymers <strong>of</strong> five different sugars:<br />

glucose, mannose, galac<strong>to</strong>se, xylose, and arabinose. The<br />

contribution <strong>of</strong> hemicellulose <strong>to</strong> development <strong>of</strong> initial<br />

strength in paper --folding and bonding-- is well<br />

recognized. However, hemicellulose-rich pulps have a<br />

strong tendency <strong>to</strong> discolour during <strong>the</strong>rmal ageing. This<br />

tendency can be countered with borohydride<br />

treatment.19.27. {D= ?; Es= hemicelulosa; F=<br />

hémicellulose}.<br />

hémicellulose {F} * see hemicellulose {E}.<br />

hemicelulosa {Es} * see hemicellulose {E}.<br />

HEPA {E} * acronym for high efficiency particulate air filter.<br />

Herausbringen eines Films {D} * see release {E}.<br />

Herkunftsland {D} * see country <strong>of</strong> origin {E}.<br />

hermetically sealed {E} * The airtight sealing <strong>of</strong> materials<br />

in protective containers, usually done in a controlled, dustfree<br />

environment, and <strong>of</strong>ten after special conditioning <strong>of</strong><br />

<strong>the</strong> item and with controlled temperature and relative<br />

humidity.(04.) {D= hermetischer Verschluß; Es= cerrado<br />

[sellado] herméticamente; F= conditionnement hermétique;<br />

bouchage hermétique}.<br />

hermetischer Verschluß {D} * see hermetically sealed {E}.<br />

herring bone {E} * An aberration <strong>of</strong> <strong>the</strong> video signal which<br />

results from two frequencies beating <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> produce<br />

an undesirable visual pattern; also referred <strong>to</strong> as "moire."<br />

{D= ?; Es= dis<strong>to</strong>rsión en forma de espina de pez (TV); F=<br />

moiré}.<br />

herse {F} * see batten {E}.<br />

Hertz (Hz) {D;E;Es;F} * A measuring unit <strong>of</strong> frequency or<br />

<strong>the</strong> speed <strong>of</strong> vibration <strong>of</strong> a sound wave; synonymous with<br />

cycles per second (CPS). Hz = 1 cycle per second. Named<br />

after physicist Heinrich R. Hertz.(04.50.)<br />

hi-fi {E} * see high fidelity.<br />

hidrólisis {Es} * see hydrolysis {E}.<br />

hidrolizar {Es} * see hydrolyse {E}.<br />

high band videotape {D;E;Es;F} * A videotape recording<br />

made with a 20-mHz bandwidth, standard on 2-inch<br />

videotape recorders.10.<br />

high contrast {E} * In pho<strong>to</strong>graphy, a relationship <strong>of</strong> image<br />

<strong>to</strong>nes in which <strong>the</strong> light and dark areas are represented by<br />

extreme differences in density.40. {D= ?; Es= al<strong>to</strong><br />

contraste; F= contraste élevé}.<br />

high definition television (HDTV) {D;E;Es;F} * A television<br />

system using higher resolution as compared <strong>to</strong> present,<br />

conventional standards. There are presently three<br />

competing proposals: Japanese (1150 lines, 50 fields),<br />

European (1250 lines, 50 fields), and American (1050<br />

lines, 60 fields).<br />

high fidelity {D;E;Es;F} * A relative, consumer audio market<br />

term, now interpreted as meaning <strong>the</strong> accurate<br />

reproduction <strong>of</strong> sound within <strong>the</strong> full human hearing range,<br />

nominally from 16 <strong>to</strong> 20,000 Hz.(10.) {F= haute fidélité}.<br />

high frequency (HF) {E} * 1) The band <strong>of</strong> frequencies from<br />

117<br />

3 <strong>to</strong> 30 mHz. 2) Sound frequencies above 15,000 Hz.(10.)<br />

{D= Hochfrequenz; Es= alta frecuencia; F= haute<br />

fréquence; courant à haute fréquence}.<br />

high frequency roll-<strong>of</strong>f {E} * The roll-<strong>of</strong>f <strong>of</strong> data above a<br />

pre-determined frequency. {D= Höhenabschwächung; Es=<br />

disminución progresiva de respuesta de la alta frecuencia;<br />

F= filtrage hautes fréquences; affaiblissement des hautes<br />

fréquences; "roll-<strong>of</strong>f"}.<br />

high key light {E} * In high-key lighting <strong>the</strong> key light provide<br />

most or all <strong>of</strong> <strong>the</strong> light in <strong>the</strong> scene, resulting in a low<br />

lighting contrast and an effect <strong>of</strong> general brilliance. In lowkey<br />

lighting <strong>the</strong> key light provides much less <strong>of</strong> <strong>the</strong> <strong>to</strong>tal<br />

illumination, and <strong>the</strong> cross light, back lights, high lights,<br />

and filler lights are more prominent, giving <strong>the</strong> scene more<br />

contrast. Often subjects are allowed <strong>to</strong> fall in<strong>to</strong> darkness;<br />

see also key light.30. {D= ?; Es= iluminación principal; F=<br />

éclairage général}.<br />

high resolution {E} * 1) The quality <strong>of</strong> a picture having<br />

closely spaced pixels; <strong>the</strong> closer <strong>the</strong> pixels, <strong>the</strong> higher <strong>the</strong><br />

resolution. 2) The degree <strong>of</strong> detailed visual definition (800<br />

x 600 pixels) that gives readable 80 column text display. 3)<br />

In CD-I, a display resolution <strong>of</strong> 768 horizontal pixels by 560<br />

vertical pixels - twice as many as normal resolution.(10.)<br />

{D= ?; Es= alta resolución; F= haute résolution}.<br />

High Sierra Group (HSG) {E;Es} * An ad hoc standards<br />

committee which established nominal data format and<br />

compatibility for CD--ROM, named after <strong>the</strong> hotel in Lake<br />

Tahoe where <strong>the</strong> group first met in 1965.(39.10.) {D= ?; F=<br />

groupe High Sierra (1985)}.<br />

High Speed Wax Molded Records {E} * see Gold Molded<br />

cylinder.<br />

high-definition television (HDTV) {E} * Television images <strong>of</strong><br />

exceptionally good quality in all respects, including <strong>the</strong>ir<br />

signal-<strong>to</strong>-noise ratio, gray scale, colourimetry, and<br />

absence <strong>of</strong> spurious signals. The meaning has broadened<br />

<strong>to</strong> include all <strong>the</strong> associated equipment in addition <strong>to</strong> <strong>the</strong><br />

signal itself. {D= ?; Es= televisión de alta definición; F=<br />

télévision à haute définition (TVHD)}.<br />

high-gain screen {E} * A projection screen capable <strong>of</strong><br />

producing an extremely bright image.10. {D= ?; Es=<br />

pantalla de alta ganancia; F= écran à haut gain; à gain<br />

élevé}.<br />

high-pass filter {E} * A screen with a characteristic that<br />

allows all frequencies above a specified roll-<strong>of</strong>f frequency<br />

<strong>to</strong> pass and attenuates all frequencies below. {D=<br />

Hochpaßfilter; Es= filtro pasaal<strong>to</strong>; filtro de paso al<strong>to</strong>; F=<br />

filtre passe-haut}.<br />

high-speed camera {E} * A camera capable <strong>of</strong> speeds <strong>of</strong><br />

from 150 <strong>to</strong> tens <strong>of</strong> thousands <strong>of</strong> frames per second.10.<br />

{D= ?; Es= cámara de alta velocidad; F= caméra ultra<br />

rapide; camera à grande vitesse}.<br />

high-speed duplication {E} * The dubbing <strong>of</strong> magnetic tape<br />

at more than playback speed. {D= Hochgeschwindigkeits-<br />

Duplizierung; Es= duplicación a alta velocidad; F=<br />

duplication grande vitesse}.<br />

high-speed duplica<strong>to</strong>r {E} * Any equipment capable <strong>of</strong><br />

duplicating magnetic tape at a rate greater than normal<br />

playback.(10.) {D= ?; Es= duplicador de alta velocidad; F=<br />

duplicateur grande vitesse}.<br />

high-speed film {E} * Pho<strong>to</strong>graphic film with a high<br />

sensitivity <strong>to</strong> light; with a high ASA number. {D= ?; Es=<br />

película de alta velocidad; F= pellicule sensible}.<br />

high-speed printer {E} * A continuous printer that is<br />

capable <strong>of</strong> printing several hundred feet <strong>of</strong> film per minute.<br />

{D= ?; Es= impresora de alta velocidad; F= dévelopeuse


grande vitesse}.<br />

high-speed scanning {E} * The viewing <strong>of</strong> a moving-image<br />

production, videotape or film, at a speed faster than<br />

normal viewing.(10.) {D= ?; Es= exploración de alta<br />

velocidad; F= balayage grande vitesse}.<br />

highlights {E} * 1) In pho<strong>to</strong>graphy, an area <strong>of</strong> <strong>the</strong> subject<br />

which is bright and which reproduces as a dense area on<br />

a negative and as a light area on a positive.42. 2) Visually<br />

<strong>the</strong> brightest, or pho<strong>to</strong>-metrically <strong>the</strong> most luminant, areas<br />

<strong>of</strong> a subject. In <strong>the</strong> negative image <strong>the</strong> areas <strong>of</strong> greatest<br />

density; in <strong>the</strong> positive image, <strong>the</strong> areas <strong>of</strong> least<br />

density.09. 3) A publication made <strong>of</strong> excerpts from a longer<br />

work. {D= ?; Es= zona de luz; zona de fuerte iluminación;<br />

F= plages lumineuses; pleines lumières; extraits<br />

(morceaux choisis)}.<br />

higroexpansividad {Es} * see hygroexpansivity {E}.<br />

higrómetro {Es} * see hygrometer {E}.<br />

higrómetro de cabello {Es} * see hair hygrometer {E}.<br />

higrómetro electrónico {Es} * see electronic hygrometer<br />

{E}.<br />

higroscópico {Es} * see hygroscopic {E}.<br />

hill-and-dale recording {E} * see vertical cut; vertical cut<br />

recording.<br />

hilo magnético {Es} * see magnetic wire {E}.<br />

hinchamien<strong>to</strong> de la emulsión {Es} * see swelling <strong>of</strong> <strong>the</strong><br />

emulsion {E}.<br />

Hintergrund-Ausleuchtung {Es} * see backlighting {E}.<br />

Hintergrund-Projektion {D} * see back projection {E}.<br />

Hintergrundecho {D} * see print-through {E}.<br />

hipermedio {Es} * see hypermedia {E}.<br />

hiposulfi<strong>to</strong> sódico {Es} * see hyposulphite <strong>of</strong> soda (HYPO)<br />

{E}.<br />

hiss {E} * An undesirable wide spectrum noise heard when<br />

a recorded tape is played back; some compare its sound<br />

<strong>to</strong> that <strong>of</strong> a leaky steam pipe. It is caused by various<br />

fac<strong>to</strong>rs, including taping at <strong>to</strong>o low a speed, or poor quality<br />

tape.(04.35.) {D= Bandrauschen; rauschen; Es= silbido;<br />

F= souffle; bruit de fond; sifflement}.<br />

histéresis {Es} * see hysteresis {E}.<br />

hochfrequente Gleichlaufschwankungen {D} * see flutter<br />

{E}.<br />

Hochfrequenz {D} * see high frequency (HF) {E}.<br />

Hochfrequenzvormagnetisier ung {D} * see bias {E}.<br />

Hochgeschwindigkeits-Duplizierung {D} * see high-speed<br />

duplication {E}.<br />

Hochpaßfilter {D} * see high-pass filter {E}.<br />

hohe digitale Datendichte {D} * see high-density digital<br />

data {E}.<br />

Höhenabschwächung {D} * see high frequency roll-<strong>of</strong>f {E}.<br />

Höhenanhebung {D} * see treble boost {E}.<br />

Höhenlautsprecher {D} * see tweeter {E}.<br />

118<br />

Höhenschlag {D} * see bump; warp {E}.<br />

hoja {Es} * see sheet {E}.<br />

hoja protec<strong>to</strong>ra {Es} * see slip sheet {E}.<br />

hoja transparente de plástico {Es} * see cel {E}.<br />

holdback tension {E} * Tautness, purposely created in <strong>the</strong><br />

magnetic tape or strip film during play, record/expose, or<br />

fast winding, by driving <strong>the</strong> supply reel mo<strong>to</strong>r in <strong>the</strong> reverse<br />

direction <strong>to</strong> <strong>the</strong> film/tape travel. Most <strong>of</strong>ten applied <strong>to</strong><br />

prevent film/tape breakage or stretching during fast<br />

winding.(04.) {D= Rückhalte-Bandzug; Es= tensión<br />

retenida; F= tension débitrice}.<br />

hole {E} * see black hole. {D= ?; Es= agujero; F= forme<br />

d'une découpe}.<br />

holografía {Es} * see holography {E}.<br />

hológrafo {Es} * see holograph {E}.<br />

hologram {E} * A three-dimensional picture that is made on<br />

<strong>the</strong> carrier (film or plate) without <strong>the</strong> use <strong>of</strong> a camera; an<br />

image that consists <strong>of</strong> a pattern <strong>of</strong> interference produced<br />

by a split coherent beam <strong>of</strong> radiation and that for viewing<br />

is illuminated with coherent light from behind. {D= ?; Es=<br />

holograma; F= hologramme}.<br />

holograma {Es} * see hologram {E}.<br />

hologramme {F} * see hologram {E}.<br />

holograph {E} * 1) A document completely in <strong>the</strong><br />

handwriting <strong>of</strong> its author. 2) The actual handwriting <strong>of</strong> <strong>the</strong><br />

author. {D= ?; Es= hológrafo; F= holographe}.<br />

holographe {F} * see holograph {E}.<br />

holographie {F} * see holography {E}.<br />

holography {E} * The process <strong>of</strong> making or using a<br />

hologram. {D= ?; Es= holografía; F= holographie}.<br />

Holzfreies Papier {D} * see permanent paper {E}.<br />

hombro {Es} * see shoulder {E}.<br />

home movies {E} * see domestic record.<br />

honeycombing {E} * The process <strong>of</strong> deliberately leaving<br />

space in stack areas for future accessions <strong>to</strong> already<br />

accessioned specific grouped collections or<br />

holdings.(22.23.) {D= Lagerung 'auf Lücke'; Es=<br />

colocación espaciada; F= rangement discontinu}.<br />

hongos {Es} * see fungi {E}.<br />

Hör-Kopf {D} * see playback head {E}.<br />

Hörbereich {D} * see audio frequencies {E}.<br />

Hörfrequenzen {D} * see audio frequencies {E}.<br />

horizontal (hum) bars {E} * Relatively broad horizontal<br />

bars, alternately black and white, which extend over an<br />

entire video picture; <strong>the</strong>y may be stationary or may move<br />

vertically. Sometimes referred <strong>to</strong> as a "venetian-blind"<br />

effect, it is caused by an approximate 60-hertz interfering<br />

frequency or one <strong>of</strong> its harmonic frequencies. {D= ?; Es=<br />

franjas de zumbido horizontales; F= barres horizontales;<br />

effet de persiennes}.<br />

horizontal blanking {E} * The video blanking signal at <strong>the</strong><br />

end <strong>of</strong> each scanning line which allows <strong>the</strong> horizontal<br />

retrace <strong>to</strong> occur unobserved. {D= ?; Es= borrado horizontal


; F= suppression horizontale de lignes}.<br />

horizontal drive pulses {E} * Electronic pulses that cause<br />

<strong>the</strong> electron beam <strong>to</strong> scan horizontally across <strong>the</strong> face <strong>of</strong><br />

<strong>the</strong> target in a video camera. {D= ?; Es= pulsaciones<br />

horizontales de la señal de ataque; F= impulsions<br />

horizontales}.<br />

horizontal filing {E} * see flat-filing {E}.<br />

horizontal filing {E} * The s<strong>to</strong>rage <strong>of</strong> documents in a<br />

position parallel <strong>to</strong> <strong>the</strong> shelf as distinguished from vertical<br />

filing; also known as flat filing; also know as flat filing.(22.)<br />

{D= liegende Aufbewahrung; Horizontalablage; Es=<br />

intalación horizontal; F= rangement à plat}.<br />

horizontal interval {E} * The portion <strong>of</strong> <strong>the</strong> video signal<br />

designating <strong>the</strong> period <strong>of</strong> time required <strong>to</strong> complete one<br />

horizontal scan and retrace. . {D= ?; Es= intervalo<br />

horizontal; F= délai re<strong>to</strong>ur}.<br />

horizontal retrace {E} * The return <strong>of</strong> <strong>the</strong> electron beam<br />

from <strong>the</strong> right <strong>to</strong> <strong>the</strong> left side <strong>of</strong> <strong>the</strong> video raster after <strong>the</strong><br />

scanning <strong>of</strong> one line. {D= ?; Es= re<strong>to</strong>rno horizontal; F=<br />

re<strong>to</strong>ur horizontal}.<br />

Horizontalablage {D} * see horizontal filing {E}.<br />

horloge {F} * see clock {E}.<br />

horn {E} * The conical tube which collected <strong>the</strong> sound in<br />

early acoustical recording machines for transmission <strong>to</strong> <strong>the</strong><br />

sound box and recording stylus, or, which amplified sound<br />

emission from <strong>the</strong> reproducing (playback) machine.(04.)<br />

{D= Trichter; Es= trompa; bocina; F= pavillon}.<br />

horn cranes {E} * see horn support.<br />

horn gramophone {E} * see horn phonograph.<br />

horn phonograph/gramophone {E} * An acoustic audio<br />

playback machine with a self supporting or suspended<br />

horn fully open <strong>to</strong> view, usually above <strong>the</strong> playing and<br />

reproducing mechanism. {D= ?; Es= trompa de<br />

gramófono; trompa de fonógrafo; F= pavillon de<br />

phonographe / gramophone}.<br />

Hörschläuche {D} * see hearing tubes {E}.<br />

hot-melt adhesives {E} * Resinous adhesives which are<br />

liquid when hot and solid when cool. They are applied at<br />

temperatures between 350 <strong>to</strong> 400°F/175 <strong>to</strong> 205°C and<br />

produce a bond almost immediately on contact with a cool<br />

surface. Hot-melt adhesives are not perma-nent.32. {D= ?;<br />

Es= adhesivos de fusión en caliente; F= colle à chaud}.<br />

housse {F} * see cabinet {E}.<br />

HSG {E} * acronym for High Sierra Group.39.<br />

hub {E} * The cylindrical object at <strong>the</strong> centre <strong>of</strong> a tape or<br />

film reel, around which <strong>the</strong> tape/film is wound; see also<br />

Nab hub; DIN (AEG) hub. {D= Kern; Bobby; Es= núcleo;<br />

F= noyau; moyeu}.<br />

hue {E} * The dominant colour <strong>of</strong> an object as determined<br />

by <strong>the</strong> wavelength <strong>of</strong> <strong>the</strong> emitted or reflected light. It is <strong>the</strong><br />

redness, blueness, greenness, etc., <strong>of</strong> an object. {D= ?;<br />

Es= color; matiz; F= teinte; nuance}.<br />

hueco {Es} * see gap {E}.<br />

huellas de pollo literalmente, (defec<strong>to</strong> de la cabeza<br />

magnética) {Es} * see chicken tracks {E}.<br />

Hülle {D} * see cover {E}.<br />

hum {E} * 1) An undesirable low frequency sound present<br />

119<br />

in <strong>the</strong> output <strong>of</strong> an audio device, most commonly having a<br />

frequency equal <strong>to</strong>, or a multiple <strong>of</strong>, <strong>the</strong> power source<br />

frequency and usually induced from <strong>the</strong> power line or stray<br />

magnetic fields.(04.50.16.) 2) An undesired electrical<br />

disturbance in video at a low frequency, AC line, or power<br />

supply frequency or a harmonic <strong>the</strong>re<strong>of</strong>. {D= Brumm; Es=<br />

zumbido (sonido de baja frecuencia); F= ronflement}.<br />

hum bars {E} * see horizontal (hum) bars.<br />

hum modulation {E} * Dis<strong>to</strong>rtion <strong>of</strong> a radio frequency or<br />

o<strong>the</strong>r detected signal by hum. {D= ?; Es= modulación de<br />

zumbido; F= dis<strong>to</strong>rsion par ronronnement}.<br />

Humi-Chek {D;E;Es;F} * see electronic hygrometer.<br />

humidificación {Es} * see humidification {E;F}.<br />

humidificador {Es} * see humidifier {E}.<br />

humidification {E;F} * 1) The increase <strong>of</strong> moisture content<br />

in an environment. 2) The placing <strong>of</strong> dry and brittle<br />

materials in moisture-laden air, in a cloud chamber or<br />

container, <strong>to</strong> aid in <strong>the</strong> gradual absorption <strong>of</strong> water vapour<br />

for added pliability.(22.23.) {D= 1) Luftbefeuchtung; 2)<br />

Befeuchtung; Es= 1 & 2) humidificación; F=<br />

humidification}.<br />

humidifier {E} * A device <strong>to</strong> add moisture <strong>to</strong> rooms or<br />

materials.07. {D= Befeuchter; Es= humidificador; F=<br />

humidificateur}.<br />

humidité absolue {F} * see absolute humidity {E}.<br />

humidité relative {F} * see relative humidity (R/H) {E}.<br />

humidity {E} * The actual amount <strong>of</strong> water vapour present<br />

in <strong>the</strong> air; see also absolute humidity; hygrometer; relative<br />

humidity. A more relevant working term is relative<br />

humidity.45. {D= Feuchtigkeit; Es= humedad; F=<br />

humidité}.<br />

hundimien<strong>to</strong> {Es} * see droop {E}.<br />

HVAC {E} * acronym for heating, ventila-ion concentration<br />

{E} * The concentration <strong>of</strong> hydrogen ions (H+) in an<br />

aqueous solution. It is a measure <strong>of</strong> <strong>the</strong> active acidity or<br />

alkalinity, and is expressed as <strong>the</strong> number <strong>of</strong> moles<br />

(1.0078 gram) <strong>of</strong> H+ per litre <strong>of</strong> solution. It may also be<br />

expressed in terms <strong>of</strong> pH; see also pH.08. {D= ?; Es= ?;<br />

F= ?}.<br />

hydrogen-ion concentration {E} * The concentration <strong>of</strong><br />

hydrogen ions (H+) in an aqueous solution. It is a measure<br />

<strong>of</strong> <strong>the</strong> active acidity or alkalinity, and is expressed as <strong>the</strong><br />

number <strong>of</strong> moles (1.0078 gram) <strong>of</strong> H+ per litre <strong>of</strong> solution.<br />

It may also be expressed in terms <strong>of</strong> pH; see also pH.08.<br />

{D= ?; Es= concentración de iones de hidrógeno; F=<br />

concentration en ions hydrogène}.<br />

hydrolyse {E;F} * To change <strong>the</strong> composition <strong>of</strong> a<br />

compound by reaction with water. For example, <strong>the</strong> alum<br />

in a fixing bath can react with water under certain<br />

circumstances <strong>to</strong> produce a new compound <strong>of</strong> aluminiumaluminium<br />

hydroxide.05. {D= ?; Es= hidrolizar}.<br />

Hydrolyse {D} * see hydrolysis {E}.<br />

hydrolysis {E} * 1) Literally, 'splitting apart with water'. 2)<br />

Chemical action involving water. 3) Decomposition in<br />

which a compound is split in<strong>to</strong> o<strong>the</strong>r compounds by taking<br />

up <strong>the</strong> elements <strong>of</strong> water.(44.) {D= Hydrolyse; Es=<br />

hidrólisis; F= hydrolyse}.<br />

hygreskopischer Ausdeknungskoeffizrent {D} * see<br />

coefficient <strong>of</strong> hygroscopic expansion {E}.<br />

hygroexpansivity {E} * The change in dimension <strong>of</strong> an item


that results from a change in <strong>the</strong> ambient relative humidity.<br />

It is commonly expressed as a percentage and is usually<br />

several times higher for <strong>the</strong> cross direction than for <strong>the</strong><br />

machine direction.(08.) {D= ?; Es= higroexpansividad; F=<br />

dilatation hygroscopique}.<br />

hygrometer {E} * An instrument used for measuring <strong>the</strong><br />

relative humidity, or percentage <strong>of</strong> moisture saturation <strong>of</strong><br />

<strong>the</strong> air; see also cobal-ter.(45.) {D= Hygrometer;<br />

Feuchtigkeitsmesser; Es= higrómetro; F= hygromètre}.<br />

Hygrometer {D} * see hygrometer {E}.<br />

hygromètre {F} * see hygrometer {E}.<br />

hygromètre à cheveu {F} * see halation; hair hygrometer<br />

{E}.<br />

hygromètre électronique {F} * see electronic hygrometer<br />

{E}.<br />

hygroscopic {E} * 1) Materials which readily take up and<br />

retain mois-ture.39. 2) Ability <strong>of</strong> a material <strong>to</strong> absorb or<br />

emit moisture in response <strong>to</strong> changes in <strong>the</strong> relative<br />

humidity.44. Hygroscopicity is measured by <strong>the</strong> change in<br />

moisture content when <strong>the</strong> relative humidity <strong>of</strong> <strong>the</strong><br />

atmosphere is changed, and this change in moisture<br />

content affects its physical properties.08. {D=<br />

hygroskopisch; Es= higroscópico; F= hygroscopique}.<br />

hygroscopique {F} * see hygroscopic {E}.<br />

hygroskopisch {D} * see hygroscopic {E}.<br />

hygro<strong>the</strong>rmograph {E} * A device for determining <strong>the</strong><br />

relative humidity and <strong>the</strong> temperature <strong>of</strong> an<br />

atmosphere.(04.) {D= Hygro<strong>the</strong>rmograph; Es=<br />

termohigrógrafo; F= hygro<strong>the</strong>rmographe}.<br />

Hygro<strong>the</strong>rmograph {D} * see hygro<strong>the</strong>rmograph {E}.<br />

hygro<strong>the</strong>rmographe {F} * see hygro<strong>the</strong>rmograph {E}.<br />

hypermedia {E} * Cross-linked data-bases possibly<br />

containing data in <strong>the</strong> form <strong>of</strong> text, still- and movingimages,<br />

and/or sound.(39.) {D= ?; Es= hipermedio; F=<br />

hypermédia}.<br />

hypermédia {F} * see hypermedia {E}.<br />

hyperstereoscopy {E} * see stereoscopy {E}.<br />

hypo {E} * abbreviation for hyposulphite <strong>of</strong> soda.<br />

hypo test {E} * see methylene blue; residual hypo test.<br />

hyposulfite de sodium {F} * see hyposulphite <strong>of</strong> soda<br />

(HYPO) {E}.<br />

hyposulphite <strong>of</strong> soda (HYPO) {E} * Actually sodium<br />

thiosulphate. The name for a fixing bath made from<br />

ammonium or sodium thiosulphate, o<strong>the</strong>r chemicals, and<br />

water, <strong>of</strong>ten used as a synonym for fixing bath.(09.) {D= ?;<br />

Es= hiposulfi<strong>to</strong> sódico [de sodio]; F= hyposulfite de<br />

sodium}.<br />

hysteresis {E} * Difference in <strong>the</strong> value <strong>of</strong> a property <strong>of</strong> a<br />

substance depending on whe<strong>the</strong>r a given value <strong>of</strong> a<br />

related condition or variable is approached from a higher<br />

or lower level. For example, paper conditioned at 50<br />

percent relative humidity will have a greater moisture<br />

content when this environment is approached from a<br />

higher relative humidity than from a lower relative<br />

humidity.08. {D= ?; Es= histéresis; F= hystérésis}.<br />

hysteresis loop {E} * The graphical representation <strong>of</strong> <strong>the</strong><br />

120<br />

relation-ship between an alternating magne<strong>to</strong>motive force<br />

and <strong>the</strong> magnetic flux density it produces in a sample <strong>of</strong><br />

magnetic material such as magnetic tape. Usually<br />

displayed in <strong>the</strong> form <strong>of</strong> two slightly displaced open s's<br />

joined at <strong>the</strong> ends but not crossing or in coincidence with<br />

one ano<strong>the</strong>r.16. {D= ?; Es= ciclo de hitéresis; F= courbe<br />

d'hystérésis}.<br />

hystérésis {F} * see hysteresis {E}.<br />

Hz {E} * abbreviation for Hertz.<br />

i ---<br />

I signal {E} * The colour sidebands produced by<br />

modulating <strong>the</strong> colour subcarrier at a phase 57° removed<br />

from <strong>the</strong> "burst," reference phase; also referred <strong>to</strong> as <strong>the</strong><br />

I vec<strong>to</strong>r. iconoscope {E} * Developed by V. K. Zworykin <strong>of</strong><br />

RCA was <strong>the</strong> first practical pho<strong>to</strong>emissive s<strong>to</strong>rage tube. It<br />

used a mosaic pattern consisting <strong>of</strong> small particles <strong>of</strong><br />

pho<strong>to</strong>emitting material on an insulating substrate. It<br />

produced a noisy picture, was difficult <strong>to</strong> operate and its<br />

light sensitivity was marginal for live pickup. It was<br />

succeeded for live pickup by <strong>the</strong> image orthicon tube. {D=<br />

?; Es= señal I; F= signal I}.<br />

IAN {E} * acronym for International Article Number.<br />

IASA {E} * acronym for International Association <strong>of</strong> Sound<br />

and <strong>Audiovisual</strong> Archives (IASA) {E}.<br />

IC {E} * acronym for integrated circuit.<br />

ICA {E} * acronym for International Council on Archives.<br />

iconográfico {Es} * see iconograph {E}.<br />

iconograph {E} * An illustration (pho<strong>to</strong>graphy, engraving,<br />

etc.) made for a book. {D= ?; Es= iconográfico; F= ?}.<br />

identité de fichier {F} * see title screen (computer files) {E}.<br />

idler {E} * 1) The rubber-tyred wheel that transmits power<br />

from <strong>the</strong> drive spindle <strong>to</strong> <strong>the</strong> turntable. 2) The rubber-tyred<br />

wheel that presses <strong>the</strong> tape <strong>to</strong> <strong>the</strong> capstan <strong>of</strong> a tape<br />

recorder's transport.(10.) {D= ?; Es= polea guíapelícula;<br />

F= 1) galet d'entraînement 2) galet presseur}.<br />

IEEE {D;E;Es;F} * acronym for Institute <strong>of</strong> Electrical and<br />

Electronic Engineers; previously known as <strong>the</strong> Institute <strong>of</strong><br />

Radio Rngineers (ire). {D= ?; Es= abreviatura de Institu<strong>to</strong><br />

de Ingenieros Eléctricos y Electrónicos; F= ?}.<br />

IFFA {E} * acronym for International Federation <strong>of</strong> Film<br />

Archives; see Fédération International des Archives du<br />

Film.<br />

IFLA {E} * acronym for International Federation <strong>of</strong> Library<br />

Associations and Institutions.<br />

IFPI {E} * acronym for International Federation <strong>of</strong> <strong>the</strong><br />

Phonographic Industry.<br />

IFTA {E} * acronym for International Federation <strong>of</strong><br />

Television Archives; see Fédération Internationale des<br />

Archives de Télévision.<br />

IHF {E} * acronym for Institute <strong>of</strong> High Fidelity.<br />

illuminación a contraluz {Es} * see backlighting {E}.<br />

illuminant {E;F} * The source <strong>of</strong> light used <strong>to</strong> project <strong>the</strong><br />

film image or <strong>the</strong> source <strong>of</strong> light used <strong>to</strong> expose <strong>the</strong> film<br />

such as an incan-descent (tungsten) bulb.09. {D= ?; Es=<br />

iluminante; iluminador; fuente luminosa; patrón de luz}.<br />

illumination level meter {E} * see light meter.


illustration colorée {F} * see coloured illustration {E}.<br />

iluminación a contraluz {Es} * see back-light {E}.<br />

iluminación ambiental {Es} * see ambient light {E}.<br />

iluminación auxiliar {Es} * see fill light; filler light {E}.<br />

iluminación base {Es} * see base-light {E}.<br />

iluminación de bajo contraste {Es} * see flat lighting {E}.<br />

iluminación del estudio {Es} * see set light {E}.<br />

iluminación difuminada {Es} * see broad light {E}.<br />

iluminación práctica {Es} * see practical lighting {E}.<br />

iluminación principal {Es} * see high key light; key light {E}.<br />

iluminación proyectada de baja intensidad {Es} * see baby<br />

spot {E}.<br />

iluminacíon {Es} * see lighting {E}.<br />

iluminador {Es} * see illuminant {E;F}.<br />

iluminancia de pantalla {Es} * see screen brightness {E}.<br />

iluminante {Es} * see illuminant {E;F}.<br />

ilustración coloreada {Es} * see coloured illustration {E}.<br />

IM {E} * acronym for intermodulation dis<strong>to</strong>rtion.<br />

image {E;F} * 1) An exact copy s<strong>to</strong>red in a different<br />

medium. 2) The picture on a television tube. 3) A<br />

pho<strong>to</strong>graphically recorded picture that is made visible by<br />

processing. 4) The area that is reproduced by printing; see<br />

also latent image.(10.) {D= Bild; Es= imagen}.<br />

image {F} * see also flat image; frame; picture (pic; pix)<br />

{E}.<br />

image area {E} * 1) The part <strong>of</strong> a recording area on<br />

micr<strong>of</strong>ilm/fiche reserved for <strong>the</strong> images. 2) The area <strong>of</strong> a<br />

micr<strong>of</strong>ilm jacket containing film channels for <strong>the</strong> s<strong>to</strong>rage <strong>of</strong><br />

micr<strong>of</strong>ilm images.(40.) {D= ?; Es= superficie de la imagen;<br />

F= surface d'image}.<br />

image arrêtée {F} * see still frame; s<strong>to</strong>p frame {E}.<br />

image b {F} * see b picture {E}.<br />

image blanche {F} * see flash frame {E}.<br />

image brillante {F} * see glossy print {E}.<br />

image colour {E} * A description <strong>of</strong> <strong>the</strong> predominant <strong>to</strong>ne<br />

<strong>of</strong> <strong>the</strong> image <strong>of</strong> a monochrome artifact. The colours range<br />

from cold blue-black <strong>to</strong> warm red-brown.42. {D= ?; Es=<br />

color de la imagen; F= couleur d'image}.<br />

image compression {E} * The amount <strong>of</strong> compaction<br />

required by an anamorphic system so that <strong>the</strong> image will<br />

fit on <strong>the</strong> film; see also image expansion. {D= ?; Es=<br />

compresión de la imagen; F= resserrement de l'image;<br />

compression d'image}.<br />

image contrast {E} * see contrast.<br />

image de première génération {F} * see first-generation<br />

image {E}.<br />

image dissec<strong>to</strong>r {E} * An early television camera pickup<br />

tube developed by Philo T. Franesworth in 1927.10. {D= ?;<br />

Es= disec<strong>to</strong>r de imagen; F= dissecteur d'image}.<br />

121<br />

image dissec<strong>to</strong>r tube {E} * An early camera tube in which<br />

an electron image produced by a photemitting surface in<br />

<strong>the</strong> plane <strong>of</strong> a defining aperture and was scanned past that<br />

aperture. {D= ?; Es= tubo disec<strong>to</strong>r de imagen; F= tube<br />

trameur d'image}.<br />

image en relief {F} * see relief image {E}.<br />

image enhancement {E} * =Es= realce de imagen {Es}.<br />

image enhancement {E} * 1) Electronic changing <strong>of</strong> a video<br />

signal generally assumed <strong>to</strong> be for data correction and/or<br />

enhancement; includes such processes as increasing<br />

edge sharpness (high frequency syn<strong>the</strong>sis), edge colour<br />

fringe removal, colour displacement correction<br />

(chroma/luma delay), reduced noise ('snow remover'),<br />

suppressing 'ringing' at edges, and improved small image<br />

detail.(06.) 2) An electronic circuit used in television <strong>to</strong><br />

increase <strong>the</strong> resolution <strong>of</strong> <strong>the</strong> picture.10. {D= Bildkorrektur;<br />

Es= realce de imagen; F= accentuation d'image;<br />

enrichissement de l'image}.<br />

image enhancement {E} * Electronic changing <strong>of</strong> a video<br />

signal generally assumed <strong>to</strong> be for data correction and/or<br />

enhancement; includes such processes as increasing<br />

edge sharpness (high frequency syn<strong>the</strong>sis), edge colour<br />

fringe removal, colour displacement correction<br />

(chroma/luma delay), reduced noise ('snow remover'),<br />

suppressing 'ringing' at edges, and improved small image<br />

detail.(06.) {F= enrichissement de l'image; D=<br />

Bildkorrektur; Es= realce de<br />

image enhancer {E} * An electronic circuit used in<br />

television <strong>to</strong> increase <strong>the</strong> resolution <strong>of</strong> <strong>the</strong> picture.10. {D=<br />

?; Es= realzador de imagen}<br />

image expansion {E} * The amount <strong>of</strong> change in image<br />

size required by an anamorphic system so that <strong>the</strong> lens will<br />

expand <strong>the</strong> picture <strong>the</strong> required amount; see also image<br />

compression. {F= ?; D= ?; Es= expansión [dilatación] de la<br />

imagen}<br />

image fantôme {F} * see echo {E}.<br />

image fixe {F} * see still frame; s<strong>to</strong>p frame {E}.<br />

image latente {F} * see latent image {E}.<br />

image multiple {F} * see multiple image {E}.<br />

image orientation {E} * The arrangement <strong>of</strong> document<br />

images on micr<strong>of</strong>ilm, usually with respect <strong>to</strong> <strong>the</strong> film edge.<br />

The orientation or mode is described as 'cine' or 'comic'.<br />

{D= ?; Es= orientación de la imagen; F= orientation de<br />

l'image}.<br />

image orthicon (IO) {E;F} * An extremely light sensitive<br />

television camera pickup tube developed by RCA.(10.) {D=<br />

?; Es= Superorticón; Superortinoscopio}.<br />

image orthicon tube {E} * A video image pick-up tube in<br />

which an electron image produced by a pho<strong>to</strong>emitting<br />

surface and focused on one side <strong>of</strong> a separate s<strong>to</strong>rage<br />

target which is scanned on its opposite side by an electron<br />

beam, usually <strong>of</strong> low-velocity electrons. Also referred <strong>to</strong> as<br />

an "IO" tube. The IO tube succeeded <strong>the</strong> iconoscope and<br />

it was replaced by <strong>the</strong> Plumbicon. {D= ?; Es= tubo<br />

Superorticón; F= tube orthicon}.<br />

image pho<strong>to</strong>graphique à nuances continues {F} * see<br />

continuous <strong>to</strong>ne image {E}.<br />

image positive {F} * see positive image {E}.<br />

image processing {E} * The manipulation and s<strong>to</strong>rage <strong>of</strong><br />

computer text or graphics.10. {D= ?; Es= procesamien<strong>to</strong><br />

de imagen; F= traitement d'image}.<br />

image réelle {F} * see real image {E}.


image resolution {E} * A measure <strong>of</strong> <strong>the</strong> number <strong>of</strong> dots<br />

per inch produced on a dot matrix or o<strong>the</strong>r printer.10. {D=<br />

?; Es= resolución de la imagen; F= résolution de l'image}.<br />

image retention {E} * A video iconoscope phenomenon<br />

that occurs with rapid motion <strong>of</strong> <strong>the</strong> ac<strong>to</strong>r or <strong>the</strong> camera<br />

and is especially noticeable at low light levels; also called<br />

lagging, sticking, and trailing.10. {D= ?; Es= retención de<br />

la imagen; F= (défaut de) rémanence}.<br />

image reversing film {E} * A duplicating film which, with<br />

conven-tional processing, reverses <strong>the</strong> polarity <strong>of</strong> <strong>the</strong><br />

original <strong>of</strong> <strong>the</strong> previous film generation, i.e., a negative is<br />

generated from a positive or a positive generated from a<br />

negative; see also direct-image film.01. {D= ?; Es=<br />

película de inversión de imagen; F= film réversible}.<br />

image scanner {E} * An electronic device used <strong>to</strong> transform<br />

printed images in<strong>to</strong> computer form.10. {D= ?; Es=<br />

explorador de la imagen; F= numérisation des images}.<br />

image secondaire {F} * see ghost-image {E}.<br />

image stability {E} * Used when referring <strong>to</strong> a change in an<br />

image, be it colour or black-and-white, recorded on<br />

conventional, magnetic, or electronic image recording<br />

medium.05. {D= ?; Es= estabilidad de la imagen; F=<br />

stabilité de l'image}.<br />

image s<strong>to</strong>rage {E} * A device that is capable <strong>of</strong> s<strong>to</strong>ring a<br />

digitized frame <strong>of</strong> video information on a disc or tape.10.<br />

{D= ?; Es= almacenador de imagen; F= s<strong>to</strong>ckage des<br />

images}.<br />

image structure {E} * Measurement <strong>of</strong> <strong>the</strong> capacity <strong>of</strong> a film<br />

emulsion <strong>to</strong> record detail faithfully.09. {D= ?; Es=<br />

estructura de la imagen; F= mesure de la définition d'une<br />

émulsion}.<br />

image transform {E} * A computerized kinescope<br />

process.10. {D= ?; Es= transformación [conversión] de la<br />

imagen ; F= ?}.<br />

image virtuelle {F} * see virtual image {E}.<br />

imagen {Es} * see frame; picture (pic; pix); image {E;F}.<br />

imagen congelada {Es} * see freeze frame {E}.<br />

imagen de control {Es} * see monoscope {E}.<br />

imagen de primera generación {Es} * see first-generation<br />

image {E}.<br />

imagen de <strong>to</strong>no continuo {Es} * see continuous <strong>to</strong>ne image<br />

{E}.<br />

imagen en relieve {Es} * see relief image {E}.<br />

imagen fantasma {Es} * see echo {D;E}; ghost-image {E}.<br />

imagen fija {Es} * see still frame {E}.<br />

imagen inmóvil {Es} * see monoscope {E}.<br />

imagen invertida (negativa) {Es} * see negative image {E}.<br />

imagen latente {Es} * see latent image {E}.<br />

imagen múltiple {Es} * see multiple exposure; multiple<br />

image {E}.<br />

imagen negativa {Es} * see picture negative {E}.<br />

imagen plana {Es} * see flat image {E}.<br />

imagen real {Es} * see real image {E}.<br />

122<br />

imagen resultado de la incidencia de la luz sobre una<br />

emulsión {Es} * see artifact<br />

imagen rotulada {Es} * see title frames {E}.<br />

imagen virtual {Es} * see virtual image {E}.<br />

imágen {Es} * see frame; picture (pic/pix) {E}.<br />

imágen latente /{Es} * see latent image {E}.<br />

imágenes por segundo {Es} * see frames per second<br />

(FPS) {E}.<br />

imágenes por segundo {Es} * see frames per second<br />

(FPS) {E}.<br />

imager {E} * A video camera lens focuses an image <strong>of</strong> <strong>the</strong><br />

scene on <strong>the</strong> pho<strong>to</strong>sensitive surface <strong>of</strong> a sensor or imager,<br />

which converts an optical image in<strong>to</strong> an electrical signal.<br />

Imagers were originally vacuum tubes (image orthicons,<br />

vidicons, and plumbicons), but more recently tubes are<br />

being supplanted by solid-state sensors such as chargecoupled<br />

devices (CCDs). {D= ?; Es= reflejar; hacer una<br />

representación o imitación; F= imageur}.<br />

images par seconde {F} * see frames per second (FPS)<br />

{E}.<br />

imageur {F} * see imager {E}.<br />

imán móvil {Es} * see moving magnet {E}.<br />

IMAX {D;E;Es;F} * An extremely large wide-screen film<br />

process utilizing a special film camera and projec<strong>to</strong>r that<br />

run <strong>the</strong> film horizontally.(10.)<br />

imbalance {E} * The product <strong>of</strong> <strong>the</strong> <strong>to</strong>tal mass <strong>of</strong> <strong>the</strong> disc<br />

and <strong>the</strong> distance in <strong>the</strong> plane <strong>of</strong> <strong>the</strong> disc between <strong>the</strong><br />

centre <strong>of</strong> gravity <strong>of</strong> <strong>the</strong> disc and <strong>the</strong> axis <strong>of</strong> rotation <strong>of</strong> <strong>the</strong><br />

disc.(46.) {D= ?; Es= desequlibrio; desbalance; F=<br />

balourd; déséquilibre}.<br />

imbibition process {E} * Any <strong>of</strong> <strong>the</strong> pho<strong>to</strong>mechanical<br />

reproduction process used for printing colour film by <strong>the</strong><br />

selective absorption <strong>of</strong> dye by <strong>the</strong> three separation ma<br />

trices.(10.) {D= ?; Es= proceso de inhibición ; F= procédé<br />

par imbibition}.<br />

impact strength {E} * A measure <strong>of</strong> <strong>the</strong> work done in<br />

breaking a test sample <strong>of</strong> material (tape, film, disc) by<br />

subjecting it <strong>to</strong> a sudden stress.46. {D= ?; Es= resistencia<br />

al impac<strong>to</strong>; F= résistance à la rupture}.<br />

impedance {E} * The resistance <strong>to</strong> <strong>the</strong> flow <strong>of</strong> alternating<br />

current in an electrical circuit, generally categorized as<br />

ei<strong>the</strong>r 'high' or 'low' but sometimes given in 'ohms', or<br />

millions <strong>of</strong> ohms ('megaohms'). Commonly used <strong>to</strong><br />

characterize <strong>the</strong> input or output termination o} * see art<br />

print {E}.<br />

impedance {E} * The resistance <strong>to</strong> <strong>the</strong> flow <strong>of</strong> alternating<br />

current in an electrical circuit, generally categorized as<br />

ei<strong>the</strong>r 'high' or 'low' but sometimes given in 'ohms', or<br />

millions <strong>of</strong> ohms ('megaohms'). Commonly used <strong>to</strong><br />

characterize t he input or output termination <strong>of</strong><br />

components so that a proper 'match' can be made when<br />

interconnecting two or more devices (like a microphone,<br />

tape recorder, and loudspeaker). Power loss or frequency<br />

discrimination can result from a 'mismatch' <strong>of</strong><br />

impedances.16. {D= Impedanz; Es= impedancia ; F=<br />

impédance}.<br />

impédance {F} * see impedance {E}.<br />

Impedancia {Es} * see impedance {E}.<br />

impresión bobinada A y B {Es} * see a and b wind printing<br />

{E}.


impresión de la banda sonora {Es} * see soundtrack print<br />

{E}.<br />

impresión de referencia {Es} * see reference print {E}.<br />

impresión original (disco) {Es} * see original pressing {E}.<br />

impresión por inmersión {Es} * see wet gate printer {E}.<br />

impresión que lleva la montura del objetivo {Es} * see<br />

barrel markings {E}.<br />

impresión sonora {Es} * see record (2)(3)) {E}.<br />

impresión sustractiva {Es} * see subtractive printing {E}.<br />

impresor óptico [-a] {Es} * see optical printer {E}.<br />

impresora continua {Es} * see continuous printer {E}.<br />

impresora continua de inmersion <strong>to</strong>tal {Es} * see fullimmersion<br />

continuous printer {E}.<br />

impresora de alta velocidad {Es} * see high-speed printer<br />

{E}.<br />

impresora por inmersión {Es} * see wet gate printer {E}.<br />

imprimeur {F} * see printer {E}.<br />

impulsion {F} * see punch {E}.<br />

impulsion de bruit {F} * see noise pulse {E}.<br />

impulsion de synchronisation {F} * see sync pulse {E}.<br />

impulsion transversale {F} * see pulse cross {E}.<br />

impulsions d'égalisation {F} * see equalization pulses {E}.<br />

impulsions de préégalisation {F} * see preequalizing<br />

pulses {E}.<br />

impulsions de synchro {F} * see blanking level {E}.<br />

impulsions de synchronisation {F} * see burst {E}.<br />

impulsions horizontales {F} * see horizontal drive pulses<br />

{E}.<br />

impulsions verticales (vid) {F} * see vertical drive pulse {E}.<br />

impulso de cronización de barrido vertical {Es} * see<br />

vertical drive pulse {E}.<br />

impulso de desviación vertical {Es} * see vertical drive<br />

pulse {E}.<br />

impulso de precorrección {Es} * see preequalizing pulses<br />

{E}.<br />

impulso de ruido {Es} * see noise pulse {E}.<br />

impulso sincronizador {Es} * see sync pulse {E}.<br />

impulso transversal {Es} * see pulse cross {E}.<br />

impulsos de equalización {Es} * see equalization pulses<br />

{E}.<br />

imùage de départ {F} * see flash frame {E}.<br />

in association with {E} * see cooperation/in association<br />

with.<br />

in-line heads {E} * Arrangement <strong>of</strong> stereophonic heads on<br />

an audio tape recorder in which <strong>the</strong> head gaps are<br />

mounted one directly above <strong>the</strong> o<strong>the</strong>r; also called 'stacked<br />

123<br />

heads'.50. {D= ?; Es= cabezas alineadas verticalmente;<br />

F= têtes groupées}.<br />

in-phase {E} * Complete coordinated or synchronized<br />

operation between or among two or more components,<br />

waves, devices, currents, etc.; see also out <strong>of</strong> phase.(10.)<br />

{D= ?; Es= en fase; F= en phase}.<br />

inch {E} * 1) From <strong>the</strong> Latin, uncia, meaning twelfth part. 2)<br />

A measure <strong>of</strong> length equal <strong>to</strong> 1/12 <strong>of</strong> a foot. 3) To move<br />

very slowly. {D= Zoll; Es= pulgada; F= pouce}.<br />

inches per second (IPS) {E} * The measurement <strong>of</strong> <strong>the</strong><br />

speed at which tape passes through a tape player. Tape<br />

speeds are based on <strong>the</strong> early standard <strong>of</strong> 30-IPS.<br />

Successive improvements in tapes, heads, and o<strong>the</strong>r<br />

equipment have permitted reductions <strong>to</strong> 15-IPS and 7½-<br />

IPS for pr<strong>of</strong>essional tapes, and 3¾-IPS and 1#-IPS for<br />

home use.04. In many areas, IPS figures are being<br />

replaced by <strong>the</strong> equivalent metric figures (i.e., cms). {D=<br />

Zoll pro Sekunde; Es= pulgadas por segundo; F= pouces<br />

par seconde}.<br />

incident light {E} * The light, from all external sources,<br />

which falls upon a subject.09. The light that falls directly on<br />

an object. {D= ?; Es= luz incidente; F= éclairage direct;<br />

lumière incidente}.<br />

incisión {Es} * see notch {E}.<br />

incompatibilité {F} * see noncompatibility {E}.<br />

incompatibilité? {F} * see interchange {E}.<br />

incompatible {Es} * see noncompatibility {E}.<br />

incremen<strong>to</strong> mínimo en la densidad de la luz en fo<strong>to</strong>grafía,<br />

{Es} * see print-out {E}.<br />

incrustar {Es} * see burn-in {E}.<br />

incrustation {F} * see key {E}.<br />

incrustation sur fond bleu {F} * see chroma key {E}.<br />

incruster {F} * see burn-in {E}.<br />

indentation recording {E} * A means <strong>of</strong> recording on<strong>to</strong><br />

certain metal discs, e.g. aluminium, with a diamond stylus,<br />

in which <strong>the</strong> metal is compressed <strong>to</strong> make grooves (i.e., no<br />

thread is removed or displaced); see also embossing.(04.)<br />

{D= ?; Es= grabación por [con] indentación; F= *<br />

enregistrement par indentation; enregistrement reinforcé}.<br />

independencia de línea {Es} * see <strong>of</strong>f-Line {E}.<br />

index {E;F} * A listing <strong>of</strong> pre-selected access points<br />

(names, subjects, titles, etc.) along with an indication <strong>of</strong><br />

where (page number, index numbers, etc.) in <strong>the</strong> indexed<br />

item (tape, CD, film, etc.) <strong>the</strong> item/event can be found. {D=<br />

?; Es= índice}.<br />

index counter {E} * On film and tape machines, an<br />

odometer type <strong>of</strong> counter which indicates revolutions,<br />

usually <strong>of</strong> <strong>the</strong> s<strong>to</strong>ck or supply hub (not feet <strong>of</strong> film/tape),<br />

<strong>the</strong>reby making it possible <strong>to</strong> index selections within a<br />

film/tape and readily locate <strong>the</strong>m later.16. {D= ?; Es=<br />

contador índice; F= compteur d'index}.<br />

index numbers {E} * 1) The location indica<strong>to</strong>rs from an<br />

index counter. 2) Delineations found in <strong>the</strong> sub-code <strong>of</strong><br />

optical media marking points <strong>of</strong> reference in <strong>the</strong> content <strong>of</strong><br />

<strong>the</strong> programme.(39.) {D= ?; Es= números índice; F=<br />

numéros d'index; numéro de l'index}.<br />

index <strong>of</strong> refraction {E} * 1) The ratio <strong>of</strong> <strong>the</strong> phase velocity<br />

<strong>of</strong> light in a vacuum <strong>to</strong> that in a specified medium. The<br />

index <strong>of</strong> refraction is invariably a function <strong>of</strong> <strong>the</strong> frequency<br />

or wavelength <strong>of</strong> <strong>the</strong> optical radiation.46. 2) The ratio <strong>of</strong> <strong>the</strong>


velocity <strong>of</strong> light in one me-dium compared <strong>to</strong> a second medium.39.<br />

{D= ?; Es= índice de refracción; F= indice de<br />

réfraction; index réfractique}.<br />

indicación {Es} * see registration {E}.<br />

indicación de la esperanza de vida (en materiales) {Es} *<br />

see LE designation {E}.<br />

indicador de nivel {Es} * see level indica<strong>to</strong>r {E}.<br />

indicador visual de cristal líquido {Es} * see liquid crystal<br />

display (LCD) {E}.<br />

indicateur de niveau {F} * see level indica<strong>to</strong>r {E}.<br />

indication de l'espérance de vie {F} * see LE designation<br />

{E}.<br />

indice de luminance {F} * see luminaries; luminance ratio<br />

{E}.<br />

indice de qualité (micropho<strong>to</strong>) {F} * see quality index {E}.<br />

indice de réfraction {F} * see index <strong>of</strong> refraction {E}.<br />

Indice de Materias {Es} * see TOC {E}.<br />

índice {Es} * see index {E;F}.<br />

índice de calidad {Es} * see quality index {E}.<br />

índice de exposición {Es} * see exposure index (E) {E}.<br />

índice de materias {Es} * see table <strong>of</strong> contents (TOC) {E}.<br />

indice de pose {F} * see exposure index (EI); exposure<br />

index (EI) {E}.<br />

índice de refracción {Es} * see index <strong>of</strong> refraction {E}.<br />

indicio {Es} * see trace {E}.<br />

índucteur {F} * see induc<strong>to</strong>r {E;Es}.<br />

induc<strong>to</strong>r {E;Es} * An element <strong>the</strong> principal characteristic <strong>of</strong><br />

which is <strong>to</strong> oppose any change in <strong>the</strong> current <strong>of</strong> a circuit.<br />

{D= ?; Es= bobina de inductancia ; F= índucteur}<br />

inert gas {E} * Gas, such as nitrogen, having few or no<br />

active properties.53. {D= ?; Es= gas inerte; F= gaz inactif}.<br />

inestabilidad {Es} * see instability {E}.<br />

inestable {Es} * see unsteady {E}.<br />

información {Es} * see information {E}.<br />

informal note {E} * see note.<br />

information {E;F} * 1) Recorded data.22.23. 2) Generally,<br />

<strong>the</strong> communication <strong>of</strong> knowledge or intelligence; <strong>the</strong><br />

reduction <strong>of</strong> uncertainty, randomness, or entropy. 3) In<br />

moving-image production, <strong>the</strong> amount <strong>of</strong> material<br />

contained in a film frame.(10.) 4) The audiovisual signal<br />

recorded with a system. {D= Information; Es= información;<br />

F= données numériques; données enregistrées<br />

informatisées; données informatisées}.<br />

information exchange pro<strong>to</strong>col (IXP) {E} * A pro<strong>to</strong>col used<br />

in <strong>the</strong> mastering process for labelling data on a CD-I,<br />

describing medium type and encoding tech-niques.39. {D=<br />

?; Es= pro<strong>to</strong>colo de intercambio de información; F=<br />

pro<strong>to</strong>cole d'échange d'information}.<br />

information retrieval {E} * 1) A set <strong>of</strong> procedures, manual<br />

or au<strong>to</strong>mated, by which references <strong>to</strong> or <strong>the</strong> information<br />

contained in documents are indexed and s<strong>to</strong>red in such a<br />

manner that <strong>the</strong>y can be retrieved in response <strong>to</strong> specific<br />

124<br />

requests.(22.23.) 2) A computer system wherein <strong>the</strong> s<strong>to</strong>red<br />

data may be recalled instantly, or in very short time<br />

periods, in one or more places or terminals.(10.) {D=<br />

Informationsretrieval; Informationssystem; Es=<br />

recuperación de la información; F= recherche<br />

documentaire}.<br />

Information {D} * see information {E}.<br />

Informationsretrieval {D} * see information retrieval {E}.<br />

Informationssystem {D} * see information retrieval {E}.<br />

informe de responsabilidad {Es} * see statement <strong>of</strong><br />

responsibility {E}.<br />

infrared light {E} * =Es= luz infrarroja {Es}.<br />

infrared light {E} * Non-visible radiation from <strong>the</strong> long<br />

wavelength portion <strong>of</strong> <strong>the</strong> spectrum.09. {D= ?; Es= luz<br />

infrarroja ; F= lumière infra-rouge}.<br />

Infraschall {D} * see infrasonic {E}.<br />

infrasonic {E} * Frequencies below human audibility (i.e.,<br />

below approximately 15 <strong>to</strong> 20 Hz); <strong>the</strong> opposite <strong>of</strong><br />

ultrasonic.(04.) {D= Infraschall; Es= infrasónico;<br />

infracústico; F= infrasonique; neutre}.<br />

infrasónico {Es} * see infrasonic {E}.<br />

infrasonique {F} * see infrasonic {E}.<br />

infringe {E} * 1) To break a law or agreement. 2) To<br />

encroach upon <strong>the</strong> rights <strong>of</strong> o<strong>the</strong>rs, as <strong>to</strong> violate <strong>the</strong><br />

exclusive rights <strong>of</strong> a copyright owner. {D= ?; Es= invadir;<br />

infringir; F= enfreindre; contrefaire}.<br />

infringir {Es} * see infringe {E}.<br />

ingénieur de la vision {F} * see switcher {E}.<br />

inherent vice {E} * The tendency <strong>of</strong> an object <strong>to</strong> deteriorate<br />

or destroy itself without external help. {D= ?; Es= vicio<br />

inherente [intrínseco]; F= vice interne}.<br />

inhibidor de hongos {Es} * see fungistat {E}.<br />

inicialización {Es} * see initialization {E}.<br />

initialization {E} * 1) The au<strong>to</strong>matic process <strong>of</strong> reading <strong>the</strong><br />

table <strong>of</strong> contents sub-code when a CD and/or computer<br />

disk is first loaded in<strong>to</strong> <strong>the</strong> player.39. 2) A video editing<br />

procedure that establishes <strong>the</strong> basic parameters <strong>of</strong> <strong>the</strong><br />

editing system, such as where <strong>the</strong> machines are located<br />

within <strong>the</strong> system, <strong>the</strong> pre-roll <strong>of</strong> <strong>the</strong> system, or <strong>the</strong> name<br />

<strong>of</strong> <strong>the</strong> production. {D= ?; Es= inicialización; F=<br />

initialisation}.<br />

injection moulding {E} * Manufacturing process <strong>of</strong> injecting<br />

a liquefied material, such as plastic, in<strong>to</strong> a mould; used for<br />

disc media. {D= Sprtizguß; Es= moldeo por inyección; F=<br />

moulage par injection}.<br />

inmovilización {Es} * see interlock {E}.<br />

Innenstart {D} * see centre start disc (CS) {E}.<br />

inner sleeve {E} * see sleeve.<br />

inner titles/interior titles {E} * The frames <strong>of</strong> dialogue,<br />

descriptive information, and/or comment placed in silent<br />

films. {D= ?; Es= títulos internos [interiores]; F= titres<br />

(ciné)?}.<br />

input {E} * 1) Any data entering a circuit or system. 2) The<br />

terminals, jacks, or receptacles provided for <strong>the</strong> injection<br />

<strong>of</strong> an electrical voltage in<strong>to</strong> an amplifier or o<strong>the</strong>r electronic


component.)16.) .D= Eingang; Es= entrada; conexión; F=<br />

entrée}.<br />

input/output (I/O) {E} * 1) The equipment used <strong>to</strong><br />

communicate with a computer. 2) The data involved in<br />

such communication. 3) The medium carrying <strong>the</strong> data<br />

involved in such communication.22. {D= 1)<br />

Dateneingabe/Datenausgabe, 2)<br />

Eingabedaten/Ausgabedaten, 3) Datenträger für Ein- und<br />

Ausgabe; Es= circui<strong>to</strong> de entrada; circui<strong>to</strong> de salida;<br />

entrada/salida; F= entrée/sortie}.<br />

input signal {E} * An electrical voltage presented <strong>to</strong> <strong>the</strong><br />

input <strong>of</strong> an amplifier, head, or o<strong>the</strong>r electronic<br />

component.16. {D= Eingangsignal; Es= señal de entrada;<br />

F= signal d'entrée}.<br />

inscription {F} * see entry {E}.<br />

inserción de hojas sueltas en un libro ya encuadernado<br />

{Es} * see tipping-in {E}.<br />

inserción del pun<strong>to</strong> de entrada (vídeo) {Es} * see trim-in<br />

{E}.<br />

inserción del pun<strong>to</strong> de salida (vídeo) {Es} * see trim-out<br />

{E}.<br />

inserción manual {Es} * see manual edit {E}.<br />

insert {E;F} * 1) Any matter slipped loose in<strong>to</strong> a package,<br />

such as <strong>the</strong> notes for <strong>the</strong> performance and/or libret<strong>to</strong> for an<br />

opera; synonymous with loose insert and throw-in.01. 2) A<br />

detail shot which gives specific and relevant information,<br />

necessary <strong>to</strong> understanding <strong>the</strong> moving-image scene fully.<br />

Example: a letter, <strong>the</strong> face <strong>of</strong> a clock, a tell-tale physical<br />

detail.30. {D= Einsatz; Es= inser<strong>to</strong>}.<br />

insert edit {E} * 1) The recording <strong>of</strong> an electronic signal -<br />

audio or video- over a previously recorded portion, erasing<br />

<strong>the</strong> old signal in <strong>the</strong> process.(35.) 2) Any video editing<br />

where <strong>the</strong> control track is not replaced. Most computer<br />

assisted editing is accomplished in <strong>the</strong> insert mode. To<br />

insert an event is <strong>to</strong> add an event within an existing edit<br />

decision list. The only o<strong>the</strong>r alternative mode <strong>of</strong> editing is<br />

<strong>the</strong> assemble edit in which a new control track is recorded<br />

at <strong>the</strong> edit point. {D= ?; Es= edición de inser<strong>to</strong>; F= insertion<br />

de montage: montage par insertion}.<br />

insert shot {E} * see insert {E}.<br />

insertador {Es} * see inserter {E}.<br />

inserter {E} * An electronic device that allows time code<br />

numbers <strong>to</strong> be displayed within a video picture. {D= ?; Es=<br />

insertador; embutidor; F= inserteur}.<br />

inserteur {F} * see inserter {E}.<br />

insertion {F} * see luminance key {E}.<br />

insertion de montage {F} * see insert edit {E}-in {E}.<br />

insertion du point de sortie (montage vidéo) {F} * see trimout<br />

{E}.<br />

inser<strong>to</strong> {Es} * see insert {E;F}.<br />

inside margin {E} * The space between <strong>the</strong> playing area<br />

and <strong>the</strong> circumference <strong>of</strong> <strong>the</strong> label <strong>of</strong> a disc recording.<br />

Discs with no discrete labels are considered as having no<br />

inside margins, but as having centres only.(04.) {D= ?; Es=<br />

margen interior [interno]; F= marge interne}.<br />

Inspección del Control de Calidad {Es} * see QCI {E}.<br />

Inspection de contrôle qualité .{F} * see QCI .{E}.<br />

125<br />

Instabilität {D} * see instability {E}.<br />

instabilité {F} * see break up; instability; jitter {D;E}.<br />

instability {E} * The attribute <strong>of</strong> being unstable{D=<br />

Instabilität; Es= inestabilidad; F= instabilité}.<br />

instable {F} * see unsteady {E}.<br />

instalación en doble fila {Es} * see double shelving {E}.<br />

instalación en doble hilers {Es} * see double shelving {E}.<br />

instalación horizontal {Es} * see flat-filing {E}.<br />

instalación vertical {Es} * see vertical filing {E}.<br />

instalar equipos portátiles para una emisión {Es} * see setup<br />

{E}.<br />

installation {F} * see mounting {E}.<br />

installation de l'équipement {F} * see set-up {E}.<br />

instant replay {E} * A video production technique where<br />

specialized electronic equipment (ei<strong>the</strong>r videotape or disk)<br />

is used <strong>to</strong> repeat segments <strong>of</strong> <strong>the</strong> preceding program<br />

rapidly. An example in sports television is <strong>the</strong> repeat <strong>of</strong> an<br />

event in slow motion following its actual live occurrence.<br />

The effect is normally used in slow motion although <strong>the</strong><br />

equipment usually is capable <strong>of</strong> real time, still frame,<br />

reverse, several times real time speed or any increment<br />

<strong>the</strong>re<strong>of</strong>. Also referred <strong>to</strong> as <strong>the</strong> "Slo-Mo." {D= ?; Es=<br />

reproducción instantánea; F= reproduction instantanée}.<br />

instantánea {Es} * see shot {E}.<br />

instantaneous disc {E} * 1) Disc <strong>of</strong> suitable material <strong>to</strong> be<br />

used for (one) recording and (usually limited numbers <strong>of</strong>)<br />

replay; see also acetate disc; aluminium disc; lacquer disc;<br />

wax disc. 2) A disc recording intended for direct<br />

reproduction without fur<strong>the</strong>r processing. 3) A disc<br />

recording made 'live' at an event, not generally<br />

commercially produced or pressed; also known as direct<br />

recording, spot recording.(04.) {D= Selbstschnittfolte;<br />

Aufnahmeplatte; Es= disco de reproducción inmediata<br />

(instantánea); F= disque à gravure directe}.<br />

Instavisión {Es} * see Instavision {E}.<br />

Instavision {E;F} * An Ampex video cartridge format<br />

intended for <strong>the</strong> consumer market. {D= ?; Es=<br />

Instavisión}.<br />

intalación horizontal {Es} * see horizontal filing {E}.<br />

integración de compresión temporal {Es} * see Time<br />

Compression Integration {E}.<br />

Integración de Compresión Temporal {Es} * see TCI {E}.<br />

integrated circuit {E} * A subminiature, solid state circuit<br />

that consists <strong>of</strong> interconnected semi-conduc<strong>to</strong>rs formed on<br />

a tiny chip <strong>of</strong> silicon.(39.10.) {D= integrierte Schaltung; Es=<br />

circui<strong>to</strong> integrado; F= circuit intégré}.<br />

intégration de compression temporelle {F} * see Time<br />

Compression Integration {E}.<br />

integridad de un fondo {Es} * see archival integrity {E}.<br />

integrierte Schaltung {D} * see integrated circuit {E}.<br />

intégrité du fonds d'archives {F} * see archival integrity {E}.<br />

intensidad luminosa {Es} * see luminous intensity {E}.<br />

intensité {F} * see volume {E;F}.


intensité lumineuse {F} * see luminous intensity {E}.<br />

intention de la lumière {F} * see key light {E}.<br />

Inter-Negativ {D} * see internegative {E}.<br />

interactive media {E} * Programmes or courses <strong>of</strong><br />

instruction with content and output controlled by <strong>the</strong> user.<br />

{D= interaktive Medien; Es= medio interactivo; F= media<br />

interactif}.<br />

interaktive Medien {D} * see interactive media {E}.<br />

interblock gap {E} * A section <strong>of</strong> tape separating blocks <strong>of</strong><br />

information.46. {D= ?; Es= espacio entre bloques (de un<br />

registro magnético); F= espace interbloc}.<br />

intercambio {Es} * see interchange {E}.<br />

interchange {E} * ? The compatibility problem in videotape<br />

decks where one deck will not play <strong>the</strong> tapes made on<br />

ano<strong>the</strong>r. {D= ?; Es= intercambio; cambio; permuta; F=<br />

incompatibilité?}.<br />

interconexión estándar para ordenadores personales {Es}<br />

* see small computer standard inter-face (SCSI) {E}.<br />

interespacio (surcos de discos) {Es} * see scroll {E}.<br />

interestratificar {Es} * see interleaving {E}.<br />

interestratificar {Es} * see interleaving {E}.<br />

interface numérique AES/UER {F} * see AES/EBU digital<br />

interface {E}.<br />

interfaz digital AES {Es} * see AES/EBU digital interface<br />

{E}.<br />

interférence sur canal commun {F} * see co-channel<br />

interference {E}.<br />

interferencia (imagen de vídeo) {Es} * see glitch {E}.<br />

interferencia {Es} * see jam {E}.<br />

interferencia acústica {Es} * see mo<strong>to</strong>rboating {E}.<br />

interferencia de dos emisoras de televisión {Es} * see cochannel<br />

interference {E}.<br />

interferencia momentánea (señal electrostática) {Es} * see<br />

glitch {E}.<br />

interferir {Es} * see jam {E}.<br />

interfoliar {Es} * see interleaving {E}.<br />

interfoliar {Es} * see interleaving {E}.<br />

interior titles {E} * see inner titles/interior titles.<br />

interlace scanning {E} * A scanning process in which <strong>the</strong><br />

distance from center <strong>to</strong> center <strong>of</strong> successively scanned<br />

lines is two or more times <strong>the</strong> nominal line width, and in<br />

which <strong>the</strong> adjacent lines belong <strong>to</strong> different fields. {D= ?;<br />

Es= exploración entrelazada; F= balayage entrelacé}.<br />

interlaced scan {E} * A scanning process in which<br />

successive scanned lines are spaced an integral number<br />

<strong>of</strong> line widths, and in which <strong>the</strong> adjacent lines are scanned<br />

during successive cycles <strong>of</strong> <strong>the</strong> field frequency. Used <strong>to</strong><br />

eliminate flicker.(10.) {D= ?; Es= exploración entrelazada;<br />

F= balayage entrelacé}.<br />

interlayer transfer {E} * Loose material, such as oxide, that<br />

is generated by tape wear or a head stick condition which<br />

is transfered from <strong>the</strong> oxide <strong>to</strong> <strong>the</strong> back <strong>of</strong> <strong>the</strong> tape or from<br />

126<br />

<strong>the</strong> back side <strong>to</strong> <strong>the</strong> oxide when tape is wound on a<br />

reel.46. {D= ?; Es= capa interna de transferencia ; F=<br />

transfert spire à spire}.<br />

interleaving {E} * The process <strong>of</strong> rearranging data in time.<br />

Upon de-interleaving, errors in consec-utive bits or words<br />

are distribut-ed <strong>to</strong> a wider area <strong>to</strong> guard against<br />

consecutive errors in <strong>the</strong> s<strong>to</strong>rage medium.39. 2) In <strong>the</strong><br />

NTSC television system, two transmitted video fields are<br />

interleaved <strong>to</strong> produce one complete video frame; see also<br />

interlace scanning. {D= ?; Es= interpaginar; interfoliar;<br />

entrelaminar; interestratificar; F= entrelacement}.<br />

interlock {E} * The first synchronous presentation <strong>of</strong> <strong>the</strong><br />

film workprint and <strong>the</strong> soundtrack (on separate films) by<br />

means <strong>of</strong> a mechanical or electrical drive between <strong>the</strong><br />

projec<strong>to</strong>r and <strong>the</strong> sound reproducer.09. {D= ?; Es=<br />

inmovilización; bloqueo; (dispositivo de) enclavamien<strong>to</strong> de<br />

protección; F= verrouillage; couplage; emboîter}.<br />

intermédiaire négatif {F} * see intermediate negative {E}.<br />

intermediate film {E} * The material in film production which<br />

is used between <strong>the</strong> original camera film and <strong>the</strong> projection<br />

and/or use prints. Its purposes are for such as making<br />

master positives from negative materials (negative camera<br />

films, internegatives, colour reversal intermediates, and<br />

duplicate negatives) and for making colour duplicate<br />

negatives from those master positives.(09.) {D=<br />

Farblavendel; Es= película intermedised and <strong>the</strong>n replaced<br />

by <strong>the</strong> next.09. {D= intermittierender Filmlauf; Es= ?; F=<br />

film intermédiaire}.<br />

intermittent {F} * see intermittent movement {E} .<br />

intermittent movement {E} * The mechanism <strong>of</strong> a camera,<br />

printer or projec<strong>to</strong>r by which each frame is held stationary<br />

when exposed and <strong>the</strong>n replaced by <strong>the</strong> next.09. {D=<br />

intermittierender Filmlauf; Es= movimien<strong>to</strong> intermitente; F=<br />

mouvement intermittent}<br />

intermittierender Filmlauf {D} * see intermittent movement<br />

{E}.<br />

intermittierender Filmlauf {D} * see intermittent movement<br />

{E}.<br />

intermodulation dis<strong>to</strong>rtion (IMD) {E} * 1) Undesired sum<br />

and difference frequencies in an output signal relative <strong>to</strong><br />

<strong>the</strong> input; see also non-linear dis<strong>to</strong>rtion.39. 2) Signal<br />

nonlinearity characterized by <strong>the</strong> appearance <strong>of</strong><br />

frequencies in <strong>the</strong> output equal <strong>to</strong> <strong>the</strong> sums and<br />

differences <strong>of</strong> integral multiples <strong>of</strong> <strong>the</strong> component<br />

frequencies present in <strong>the</strong> input signal.46. {D=<br />

Intermodulations-Verzerrung; Es= dis<strong>to</strong>rsión por [de]<br />

intermodulación; F= dis<strong>to</strong>rsion d'intermodulation}.<br />

intermodulations-Verzerrung {D} * see intermodulation<br />

dis<strong>to</strong>rtion (IMD) {E}.<br />

internal sync {E} * A video sync reference that is coming<br />

from within a piece <strong>of</strong> equipment. {D= ?; Es=<br />

sincronización interior; F= synchro interne}.<br />

international co-production {E} * A term used in movingimage<br />

productions <strong>to</strong> identify a work resulting from <strong>the</strong> joint<br />

efforts <strong>of</strong> two or more production companies based in<br />

different countries.(12.) {D= ?; Es= co-producción<br />

internacional; F= coproduction internationale}.<br />

International Article Number (IAN) {E} * The worldwide<br />

counterpart <strong>to</strong> <strong>the</strong> UPC. Although developed prior <strong>to</strong> <strong>the</strong><br />

IAN, <strong>the</strong> UPC is now a subgroup within IAN and <strong>the</strong> entire<br />

system constitutes a world product code now in use in<br />

Europe, Africa, North and South America, Asia, and <strong>the</strong><br />

Far East. Since <strong>the</strong> UPC did not have sufficient numeric<br />

fields in its manufacturer portion <strong>to</strong> accommodate <strong>the</strong> rest<br />

<strong>of</strong> <strong>the</strong> world, a thirteenth digit was added at <strong>the</strong> beginning


<strong>of</strong> <strong>the</strong> code. This additional digit is not represented by<br />

additional bars and spaces, but is derived from various<br />

symbol patterns <strong>of</strong> <strong>the</strong> o<strong>the</strong>r twelve digits.<br />

International Association <strong>of</strong> Sound and <strong>Audiovisual</strong><br />

Archives (IASA) {E} * An international pr<strong>of</strong>essional<br />

association <strong>of</strong> audio; one <strong>of</strong> <strong>the</strong> five Non-Governmental<br />

Organizations (NGOs) <strong>of</strong> UNESCO which regularly<br />

participates in <strong>the</strong> Round Table on <strong>Audiovisual</strong> Records.<br />

{D= Internationale Vereinigung der Schall- und<br />

audiovisuellen Archive; Es= Asociación Internacional de<br />

Archivos Sonoros; F= Association Internationale<br />

d'Archives Sonores et Audiovisuelles}.<br />

International Association <strong>of</strong> Sound Archives (IASA) {E} *<br />

see International Association <strong>of</strong> Sound and <strong>Audiovisual</strong><br />

Archives (IASA) {E}.<br />

International Council on Archives (ICA) {E} * An<br />

international pr<strong>of</strong>essional association concerned with <strong>the</strong><br />

promotion and encouragement <strong>of</strong> all measures for <strong>the</strong><br />

preservation and use <strong>of</strong> <strong>the</strong> archival heritage <strong>of</strong> mankind;<br />

one <strong>of</strong> <strong>the</strong> five Non-Governmental Organizations (NGOs)<br />

<strong>of</strong> UNESCO which regularly participates in <strong>the</strong> Round<br />

Table on <strong>Audiovisual</strong> Records. {D= ?; Es= ?; F= ?}.<br />

International Federation <strong>of</strong> Film Archives (IFFA) {E} * see<br />

Fédération International des Archives du Film (FIAF; IFFA)<br />

{F}.<br />

International Federation <strong>of</strong> Library Associations and<br />

Institutions (IFLA) {E} * A worldwide pr<strong>of</strong>essional<br />

organization whose objective is <strong>to</strong> promote international<br />

cooperation, discussion, and research in all fields <strong>of</strong> library<br />

activity. The main pr<strong>of</strong>essional group within IFLA which<br />

deals specifically with audiovisual records is <strong>the</strong> Round<br />

Table on <strong>Audiovisual</strong> Media; one <strong>of</strong> <strong>the</strong> five Non-<br />

Governmental Organizations (NGOs) <strong>of</strong> UNESCO which<br />

regularly participates in <strong>the</strong> Round Table on <strong>Audiovisual</strong><br />

Records. {D= Internat1ionaler Verband der<br />

biblio<strong>the</strong>karischen Vereine und Institutionen; Es=<br />

Federación Internacional de las Asociaciones de<br />

Bibliotecas y Bibliotecarios; F= Fédération Internationale<br />

des Associations de Bibliothécaires et des Bibliothèques}.<br />

International Federation <strong>of</strong> Television Archives (IFTA) {E}<br />

* see Fédération Internationale des Archives de Télévision<br />

(FIAT; IFTA) {F}.<br />

International Federation <strong>of</strong> <strong>the</strong> Phonographic Industry<br />

(IFPI) {E} * An international non-pr<strong>of</strong>it trade association<br />

founded <strong>to</strong> work for <strong>the</strong> interests and betterment <strong>of</strong> <strong>the</strong><br />

international sound recording industry; members are<br />

companies which create, manufacture, and market sound<br />

recordings. {D= ?; Es= ?; F= ?}.<br />

International Standard Book Numbering (ISBN) {E} * The<br />

international code that identifies a book (i.e. a non-serial<br />

literary publication).33. see also standard number. {D=<br />

Internationale Standard-Buchnummer; Es= Numéro<br />

Internacional Normalizado para Libros; F= Numéro<br />

Interntional Normalisé des Livres}.<br />

International Standard Record Numbering (ISRN) {D;E} *<br />

The international numerical code that identifies an audio<br />

publication; see also standard number. {Es= Número<br />

Internacional Normalizado para Documen<strong>to</strong>s; F= Numéro<br />

International Normalisé des Enregistrements}.<br />

International Standard Recording Code (ISRC) {E} * A<br />

code and numerical identifier developed by <strong>the</strong> ISO and<br />

adopted as an international standard in 1986 as a means<br />

<strong>of</strong> identifying all or individual parts <strong>of</strong> audio, video, or<br />

audiovisual recordings internationally throughout <strong>the</strong> life <strong>of</strong><br />

<strong>the</strong> recordings. ISRC is intended for use by producers <strong>of</strong><br />

audio, video, or audiovisual recordings as well as by<br />

copyright organizations, broadcasting organizations,<br />

libraries, etc. Prepared and administered by ISO/TC 46,<br />

Documentation, <strong>the</strong> ISRC is formally identified as<br />

127<br />

International Standard ISO 3901.<br />

International Standard Serial Numbering (ISSN) {E} * The<br />

international numerical code that identifies a serial<br />

publication.33. see also standard number. {D=<br />

Internationale Standard-Serienummer; Es= Numéro<br />

Internacional Normalizado para Publicaciones Seriadas o<br />

Revistas; F= Numéro International Normalisé des<br />

Publications en Série}<br />

Internationale Standard-Buchnummer (ISBN) {D} * see<br />

International Standard Book Numbering (ISBN) {E}.<br />

Internationale Standard-Serienummer (ISSN) {D} * see<br />

International Standard Serial Numbering (ISSN) {E}.<br />

Internationale Standard-Serienummer (ISSN) {D} * see<br />

International Standard Serial Numbering (ISSN) {E}.<br />

Internationale Vereinigung der Schall- und audiovisuellen<br />

Archive {D} * see International Association <strong>of</strong> Sound and<br />

<strong>Audiovisual</strong> Archives (IASA) {E}.<br />

Internationale Vereinigung der Schallarchive {D} * see<br />

International Association <strong>of</strong> Sound Archives (IASA).<br />

Internationaler Verband der biblio<strong>the</strong>karischen Vereine<br />

und Institutionen {D} * see International Federation <strong>of</strong><br />

Library Associations and Institutions (IFLA) {E}.<br />

internationales Tonband {D} * see music and effects track<br />

{E}.<br />

internégatif {F} * see dupe (duplicate); dupe negative;<br />

internegative {E}.<br />

internegative {E} * 1) A colour negative made from a colour<br />

positive.09. 2) In a two-stage duplication <strong>of</strong> a print <strong>the</strong> first<br />

copy is made on a negative film and is called <strong>the</strong><br />

internegative from which a duplicate print is made.05. 3) A<br />

negative derived from a reversal original film; also known<br />

as a colour reversal internegative (CRI)(06.) {D= Inter-<br />

Negativ; Farb-Dup-Negativ; Es= negativo intermedio;<br />

internegativo; F= négatif intermédiaire; internégatif}.<br />

internegativo {Es} * see internegative {E}.<br />

internegativo {Es} * see internegative {E}.<br />

interno {Es} * see inside margin {E}.<br />

interpaginar {Es} * see interleaving {E}.<br />

interpaginar {Es} * see interleaving {E}.<br />

interplage {F} * see rill; scroll {E}.<br />

interpolación {Es} * see interpolation {D;E;F}.<br />

interpolation {D;E;F} * 1) A method <strong>of</strong> substituting<br />

estimated values for missing or erroneous data; an error<br />

concealment technique. 2) In computer animation, <strong>the</strong><br />

au<strong>to</strong>matic generation <strong>of</strong> graphics or action <strong>to</strong> complete <strong>the</strong><br />

sequence between specified frames.(39.10.) {Es=<br />

interpolación}.<br />

interpositif {F} * see interpositive {E}.<br />

Interpositiv {D} * see interpositive {E}.<br />

interpositive {E} * 1) Any positive duplicate <strong>of</strong> a film used<br />

for fur<strong>the</strong>r printing.09. 2) In a two-stage duplication <strong>of</strong> a<br />

negative <strong>the</strong> first copy is made on a positive film and is<br />

called <strong>the</strong> interpositive from which <strong>the</strong> copy or duplicate<br />

negative is made.05. The film positive is made from a<br />

negative by contact printing or through an optical system<br />

(i.e., camera or enlarger). Copy negatives can be made<br />

from <strong>the</strong> interpositive.43. 3) A colour positive designed for


duplicating purposes, made <strong>to</strong> protect <strong>the</strong> negative.06. {D=<br />

Interpositiv; Es= interpositivo; F= interpositif; positif<br />

intermédiaire}.<br />

interpositivo {Es} * see interpositive {E}.<br />

interpretación {Es} * see cast {E}.<br />

interprète {F} * see cast; performer; player {E}.<br />

intérprete {Es} * see performer {E}.<br />

interrupción {Es} * see s<strong>to</strong>p {D;E}. here March 30, 1998<br />

interrup<strong>to</strong>r {Es} * see key; routing switcher; switcher {E}.<br />

interrup<strong>to</strong>r para hacer fundidos (vídeo) {Es} * see dissolve<br />

(1, 2) {E}.<br />

intersection {F} * see overlap sound {E}.<br />

intersection {F} * see overlap sound {E}.<br />

intersincronizador {Es} * see gen-lock {E}.<br />

intersurco (empalme entre cortes de un disco) {Es} * see<br />

rill {E}.<br />

intertitle rolls/title bands {E} * In moving-image productions<br />

<strong>the</strong> printed titles that have been separated from <strong>the</strong>ir<br />

corresponding picture.12. {D= ?; Es= rollos de intertítulo;<br />

bandas de título; F= intertitres}.<br />

intertitles/interior titles {E} * Titles within <strong>the</strong> main body <strong>of</strong><br />

a motion-picture film, such as dialogues, continuity, and<br />

informational titles. Silent film used intertitles<br />

extensively.(12.) {D= ?; Es= intertítulo; títulos interiores; F=<br />

intertitres}.<br />

intertitres {F} * see intertitle rolls/title bands;<br />

intertitles/interior titles {E}.<br />

intertítulo {Es} * see intertitles/interior titles {E}.<br />

intervalle de trame {F} * see vertical interval {E}.<br />

intervalo de densidades extremas {Es} * see density range<br />

{E}.<br />

intervalo horizontal {Es} * see horizontal interval {E}.<br />

intervalo <strong>to</strong>nal {Es} * see <strong>to</strong>nal range {E}.<br />

intervalo vertical {Es} * see vertical interval {E}.<br />

intrinsic coercivity {E} * see coercivity.<br />

intrinsic flux {E} * In a uniformly magnetized sample <strong>of</strong><br />

magnetic material, <strong>the</strong> product <strong>of</strong> <strong>the</strong> intrinsic flux density<br />

and <strong>the</strong> cross-sectional area.46. {D= magnetischer Fluß;<br />

Es= flujo intrínseco; F= flux intrinsèque}.<br />

intrinsic value {E} * Term used <strong>to</strong> define or describe <strong>the</strong><br />

qualities <strong>of</strong> archival materials. Records have varying<br />

degrees <strong>of</strong> intrinsic value based on such fac<strong>to</strong>rs as<br />

uniqueness or value <strong>of</strong> informational content, age, physical<br />

format, artistic or aes<strong>the</strong>tic qualities, and scarcity.<br />

Determination <strong>of</strong> intrinsic value is closely linked <strong>to</strong><br />

decisions regarding preservation and physical treatment.<br />

Materials having high intrinsic value generally warrant<br />

preservation in <strong>the</strong>ir original format, while records<br />

designated as having little or no intrinsic value <strong>of</strong>ten can<br />

be copied <strong>to</strong> preserve informational content.44. {D= ?; Es=<br />

valor intrínseco; F= vameur intrinsèque}.<br />

inutilisé {F} * see blank {E}.<br />

invadir {Es} * see infringe {E}.<br />

128<br />

inventario analítico {Es} * see descriptive list {E}.<br />

inventario cronológico {Es} * see chronological inven<strong>to</strong>ry<br />

{E}.<br />

inventario de entrega {Es} * see checklist {E}.<br />

inventario de transferencia {Es} * see checklist {E}.<br />

inventario somero {Es} * see checklist {E}.<br />

inven<strong>to</strong>ry {E} * 1) A finding aid listing and describing in<br />

varying degrees <strong>of</strong> detail <strong>the</strong> contents <strong>of</strong> one or more<br />

record/archive groups, fonds, classes, or series, usually<br />

including a brief his<strong>to</strong>ry <strong>of</strong> <strong>the</strong> organization and functions<br />

<strong>of</strong> <strong>the</strong> originating body, and, if appropriate, indexes. 2) A<br />

document containing a list <strong>of</strong> things, e.g. furniture,<br />

equipment, with an indication <strong>of</strong> value; see also<br />

cataloguing.(22.23.) {D= 1) Inventar; Reper<strong>to</strong>rium; 2)<br />

Inventar; Es= 1 & 2) inventario; F= inventaire}.<br />

inversion latérale (gauche - droite) {F} * see lateral reversal<br />

{E}.<br />

inversión lateral {Es} * see lateral reversal {E}.<br />

inverter {E} * A device <strong>to</strong> change one type <strong>of</strong> electrical<br />

current <strong>to</strong> ano<strong>the</strong>r. Frequently used <strong>to</strong> obtain 110 or 220<br />

volts alternating current for operation <strong>of</strong> electric equipment<br />

in an au<strong>to</strong>mobile.50. {D= ?; Es= invertidor; F=<br />

transformateur}.<br />

invertidor {Es} * see inverter {E}.<br />

investigador {Es} * see reader; user {E}.<br />

inviolability {E} * see inalienability.<br />

IO {E} * acronym for image orthicon; input/output.<br />

ion de thiosulfate résiduel {F} * see residual thiosulphate<br />

ion {E}.<br />

ion spot {E} * A spot on <strong>the</strong> fluorescent surface <strong>of</strong> a<br />

cathode-ray tube, which is somewhat darker than <strong>the</strong><br />

surrounding area because <strong>of</strong> bombardment by negative<br />

ions that reduce <strong>the</strong> sensitivity. {D= ?; Es= mancha iónica;<br />

mancha oscura; F= spot ionique}.<br />

ion trap {E} * An arrangement <strong>of</strong> magnetic fields and<br />

apertures that will allow an electron beam <strong>to</strong> pass through<br />

but will obstruct <strong>the</strong> passage <strong>of</strong> ions. {D= ?; Es= trampa<br />

iónica (de iones); (dispositivo) atrapa iones; F= système<br />

de blocage des ions}.<br />

iones residuales de tiosulfa<strong>to</strong> {Es} * see residual<br />

thiosulphate ion {E}.<br />

IPS {E} * acronym for inches per second.<br />

IRE {D;E;Es;F} * acronym for Institute <strong>of</strong> Radio Engineers;<br />

see IEEE. see also échelle d'amplitude de moniteurs de<br />

pr<strong>of</strong>il {F}.<br />

IRE {D;E;F;Es} * acronym for Institute <strong>of</strong> Radio Engineers;<br />

<strong>the</strong> acronyms IRE and IEEE remain in use<br />

interchangeably; see also IEEE.<br />

IRE scale {E} * A measurement <strong>of</strong> units <strong>of</strong> video<br />

information on <strong>the</strong> waveform moni<strong>to</strong>r graticule. One volt <strong>of</strong><br />

video is divided in<strong>to</strong> 140 IRE units. {D= ?; Es= escala IRE;<br />

F= échelle IRE}<br />

Iris {D} * see diaphragm {E}.<br />

iris-in/iris-out {E} * An old technique in motion picture film<br />

production <strong>of</strong> punctuation which utilized a diaphragm in<br />

front <strong>of</strong> <strong>the</strong> lens which was opened (iris in) or closed (iris


out) <strong>to</strong> begin or end a scene. The 'iris out' can also be<br />

used <strong>to</strong> focus attention on a detail <strong>of</strong> <strong>the</strong> scene.(30.) {D=<br />

?; abblenden; ausblenden; Es= abertura en iris; cierre en<br />

iris; F= ouverture (graduelle) d'iris; fermeture (graduelle)<br />

d'iris; fermeture à l'iris}.<br />

iron oxide {E} * see ferric oxide.<br />

ISB {D} * acronym for Internationale Standard-<br />

Buchnummer {D}.<br />

ISBN {E} * acronym for International Standard Book<br />

Numbering.<br />

ISO {E} * acronym for Organization for International<br />

Standardization.<br />

ISO 3901 {D;E;Es;F} * Abbreviation <strong>of</strong> International<br />

Standard Recording Code (ISRC).<br />

isolant optique {F} * see op<strong>to</strong>-isola<strong>to</strong>r {E}.<br />

isolated camera {E} * A video production technique where<br />

one camera is selected for continuous use or recording<br />

despite <strong>the</strong> use <strong>of</strong> multiple cameras for <strong>the</strong> balance <strong>of</strong> <strong>the</strong><br />

program. {D= ?; Es= repetidor de vídeo de cinta sin fin; F=<br />

caméra isolée}.<br />

ISRC {E} * acronym for International Standard Recording<br />

Code.<br />

ISRN {E} * acronym for International Standard Record<br />

Numbering.<br />

ISSN {E} * acronym for International Standard Serial<br />

Numbering.<br />

issue {E} * Those copies <strong>of</strong> an audio or moving-image<br />

production that were <strong>of</strong>fered for distribution and/or sale by<br />

a specific source or combination <strong>of</strong> sources at a single<br />

time.(12.) {D= Ausgabe; Es= emisión; envío; F= copie<br />

(distribution / commercialisation)}.<br />

issue number {E} * also known as order number. 1) The<br />

number/s, letter/s, and/or o<strong>the</strong>r symbols assigned <strong>to</strong> a<br />

publication by <strong>the</strong> publisher <strong>to</strong> establish a unique control<br />

<strong>of</strong> a particular publication. 2) The number, different from<br />

<strong>the</strong> matrix- master- or plate-number/s, assigned by <strong>the</strong><br />

publisher under which an item appears listed in<br />

catalogues, leaflets, and o<strong>the</strong>r publicity material issued by<br />

<strong>the</strong> company owning <strong>the</strong> rights <strong>to</strong> <strong>the</strong> recording. Usually<br />

common <strong>to</strong> all parts <strong>of</strong> <strong>the</strong> issued item, appearing<br />

generally on each part <strong>of</strong> a multi-part package as well as<br />

on <strong>the</strong> container for <strong>the</strong> multiple parts. This number may<br />

change when (if) one or more <strong>of</strong> <strong>the</strong> parts are reissued or<br />

released again at a later date. Recordings have from time<br />

<strong>to</strong> time been issued with <strong>the</strong> same issue number, both<br />

inadvertently and deliberately. Dubbings are sometimes<br />

assigned <strong>the</strong> original issue number, but frequently with a<br />

variant prefix or suffix; also known as catalogue<br />

number.(04.) {D= ?; Es= número de emisión; F= 1)<br />

numéro de catalogue 2) numéro de matrice; numéro<br />

d'écoulement; numéro d'ordre}.<br />

IT-Band {D} * see music and effects track {E}.<br />

item {E} * 1) A document, group <strong>of</strong> documents, or a part <strong>of</strong><br />

a document in any physical form, considered as an entity<br />

and, as such, forming <strong>the</strong> basis for a single bibliographic<br />

description.12. 2) The basic unit <strong>of</strong> arrangement and<br />

description, usually bearing its own, unique reference or<br />

call number; in <strong>the</strong> U.K., also called piece.(22.23.) {D=<br />

Verzeichnungseinheit; Schriftstück; Stück; Einheit; Es=<br />

documen<strong>to</strong>; pieza; F= article; pièce}.<br />

j ---<br />

j card {E} * The liner notes card <strong>of</strong> an audio cassette<br />

129<br />

package; so called because when viewed from <strong>the</strong> side <strong>the</strong><br />

card looks like <strong>the</strong> letter 'j' due <strong>to</strong> <strong>the</strong> manner in which it is<br />

folded <strong>to</strong> fit in<strong>to</strong> <strong>the</strong> cassette container <strong>to</strong> provide both<br />

cover and spine for <strong>the</strong> cassette package. {D= ?; Es=<br />

tarjeta J; F= encart J; feuillet J}.<br />

jack {E;Es} * 1) A socket in<strong>to</strong> which connec<strong>to</strong>rs are<br />

inserted <strong>to</strong> make electrical contact.39. 2) Receptacle or<br />

plug connec<strong>to</strong>r leading <strong>to</strong> <strong>the</strong> input or output circuit <strong>of</strong> a<br />

tape recorder or o<strong>the</strong>r component.50. {D= ?; Es=<br />

conjun<strong>to</strong>r; F= fiche jack}.<br />

jack de interconexión (de circui<strong>to</strong>s) {Es} * see patch jack<br />

{E}.<br />

jacket {E} * A flat container, as <strong>the</strong> jacket for a record, for<br />

micr<strong>of</strong>ilm/fiche; see also album; dust jacket; film jacket;<br />

slipcase. {D= ?; Es= envoltura; F= chemise}.<br />

jacket {Es} * see micr<strong>of</strong>ilm jacket {E}.<br />

jacket cover {E} * see dust jacket.<br />

jacket de micr<strong>of</strong>ilm {Es} * see micr<strong>of</strong>ilm jacket {E}.<br />

jacketed film {E} * see film jacket.<br />

jam {E} * A s<strong>to</strong>ppage <strong>of</strong> a film or tape recording or<br />

playback because <strong>of</strong> film/tape wedged in<strong>to</strong> <strong>the</strong> mechanism<br />

<strong>of</strong> <strong>the</strong> equipment. {D= ?; Es= interferencia; interferir; F=<br />

bourrage; blocage}.<br />

jam sync {E} * A feature <strong>of</strong> a Time Code Genera<strong>to</strong>r which<br />

allows it <strong>to</strong> strip and replace <strong>the</strong> original time code signal<br />

on a videotape that matches <strong>the</strong> original address<br />

information. {D= ?; Es= sincronización de interferencia; F=<br />

resynchronisation; régénération synchro}.<br />

jitter {D;E} * An unsteady film or television picture. Small<br />

rapid variations in a video waveform due <strong>to</strong> mechanical<br />

disturbances or <strong>to</strong> changes in <strong>the</strong> supply voltages, in <strong>the</strong><br />

characteristics <strong>of</strong> components, etc. {Es= fluctuación;<br />

vibración (de la imagen); sacudidas (de la imagen); F=<br />

fluctuations temporelles; instabilité}.<br />

joints de diaphragme {F} * see diaphragm gaskets {E}.<br />

joue {F} * see flange {E}.<br />

joue de bobine {F} * see reel flange {E}.<br />

journal télévisé {F} * see television news {E}.<br />

JPEG {E} * acronym for Joint Pho<strong>to</strong>graphic Experts Group.<br />

JPEG compression {E} * A scheme for compressing<br />

digitized grey-scale and colour still-images. {D= ?; Es=<br />

compresión JPEG; F= compression JPEG}.<br />

juego de discos múltiple {Es} * see box (3) {E}.<br />

juego de materiales {Es} * see kit {E}.<br />

jump cut {E} * A moving-image production change which<br />

is used <strong>to</strong> eliminate unwanted time in a scene, such as <strong>the</strong><br />

dead period between <strong>the</strong> time a character enters a room<br />

and <strong>the</strong> time <strong>the</strong>y reach <strong>the</strong>ir destination on <strong>the</strong> o<strong>the</strong>r side<br />

<strong>of</strong> <strong>the</strong> room. Most jump cuts are unobtrusive because we<br />

adjust <strong>to</strong> this 'lost' time au<strong>to</strong>matically and psychologically,<br />

but <strong>the</strong>y may be intentionally inserted where <strong>the</strong>y would be<br />

apparent for particular reasons or purposes <strong>of</strong> <strong>the</strong><br />

production. {D= ?; Es= sal<strong>to</strong> de imagen; F= faux raccord;<br />

saut de montage}.<br />

juntas para diafragmas {Es} * see diaphragm gaskets {E}.<br />

juridiction archivistique {F} * see archival jurisdiction {E}.


juridiction en matière de succession des archives? {F} *<br />

see archival succession {E}.<br />

jurisdicción archivística {Es} * see archival jurisdiction {E}.<br />

jurisdición archivística {Es} * see archival jurisdiction {E}.<br />

k ---<br />

k {E} * abbreviation for kilo.<br />

Kalibrieren {D} * see calibrate {E}.<br />

Kaltleim {D} * see cold-setting adhesive {E}.<br />

Kalvar film {E} * see vesicular film.<br />

Kamera {D} * see camera {E}.<br />

Kamerawagen {D} * see dolly {E;Es}.<br />

Kammfilter {D} * see comb filter {E}.<br />

Kanal {D} * see channel {E}.<br />

Kanaltrennung {D} * see separation; channel separation<br />

{E}.<br />

Kanalübersprechen {D} * see stereophonic crosstalk {E}.<br />

Kante (Bande) {D} * see edge {E}.<br />

kappen {D} * see truncate {E}.<br />

Kar<strong>to</strong>n {D} * see box {E}.<br />

Kassation {D} * see destruction {E}.<br />

Kassette {D} * see cartridge; cassette {E;F}; magazine<br />

{E;Es;F}.<br />

Kasten {D} * see pan {E}.<br />

Katalog {D} * see catalogue {E;F}.<br />

katalogisieren {D} * see cataloguing {E}.<br />

Katalognummer {D} * see catalogue number (cat. no.) {E}.<br />

Katastrophenplan {D} * see disaster control plan {E}.<br />

Kathodenstrahl-Röhre {D} * see cathode-ray tube (CRT)<br />

{E}.<br />

Keith Monk's record cleaning machine {E} * see vacuum<br />

type record cleaning machine {E}.<br />

Kelvin (grados) {Es} * see Kelvin {E}.<br />

Kelvin {D;E} * see degrees Kelvin {E}.<br />

Kern {D} * see core; hub {E}.<br />

key {E} * The process <strong>of</strong> combining <strong>the</strong> picture from two<br />

video sources which keeps <strong>the</strong> desired parts <strong>of</strong> <strong>the</strong><br />

individual pictures at 100 percent, by electronically<br />

replacing portions <strong>of</strong> one signal with portions <strong>of</strong> ano<strong>the</strong>r.<br />

Keying can be done based on <strong>the</strong> relative luminance <strong>of</strong> <strong>the</strong><br />

various signals or <strong>the</strong> chrominance, as in chroma key. {D=<br />

?; Es= llave; pulsador; interrup<strong>to</strong>r; F= incrustation}.<br />

key light {E} * The main light on a subject. Usually placed<br />

at a 45° angle <strong>to</strong> <strong>the</strong> camera-subject plane; see also back<br />

light; filler light; high key light. 'Cross-lighting' is lighting<br />

from <strong>the</strong> side; 'Top lighting' is lighting from <strong>the</strong> <strong>to</strong>p.(09.30.)<br />

2) The lighting effect indicating <strong>the</strong> direction <strong>of</strong> <strong>the</strong> major<br />

source <strong>of</strong> illumination in a video scene. {D= Grundlickt;<br />

130<br />

Es= luz base o principal; iluminación principal; F= lumière<br />

de base; lumière dominante; éclairement sur le plan<br />

principal; intention de la lumière}.<br />

key numbers {E} * see edge numbers.<br />

key title {E} * The unique name assigned <strong>to</strong> a serial by <strong>the</strong><br />

International Serials Data System and inseparably<br />

associated with its ISSN.12. {D= ?; Es= título base o<br />

principal; F= titre-clé}.<br />

keys<strong>to</strong>ning {E} * A dis<strong>to</strong>rtion <strong>of</strong> a video display when <strong>the</strong><br />

<strong>to</strong>p or bot<strong>to</strong>m <strong>of</strong> <strong>the</strong> image is compressed or less than <strong>the</strong><br />

full width. {D= ?; Es= efec<strong>to</strong> trapecial; adovelamien<strong>to</strong>; F=<br />

dis<strong>to</strong>rsion trapézoïdale de l'image}.<br />

keyword {E} * A word or phrase, usually taken from <strong>the</strong> title<br />

or text <strong>of</strong> <strong>the</strong> item, characterizing its content and facilitating<br />

its retrieval; frequently used in context <strong>of</strong> a computer<br />

database reference.(22.23.) {D/Ö= Schlagwort; D=<br />

Stichwort; Es= palabra clave; F= mot clé; clé}.<br />

kg {E} * abbreviation for kilogram.<br />

kHz {E} * abbreviation for kiloHertz.<br />

kilo {F} * see kilo- (k) {D;E}.<br />

kilo- (k) {D;E;Es;F} * A prefix signifying one thousand.<br />

kiloHertz (kHz) {D;E;F} * 1,000 cycles per second.39. {Es=<br />

kilohertzio}.<br />

kilohertzio {Es} * see kiloHertz (kHz) {D;E}.<br />

kine {E} * abbreviation for kinescope. {E;F} {D= ?; Es=<br />

cinescopio; F= kiné; kinescope}.<br />

kine {E} * see kinescope film.<br />

kiné {F} * see kine {E}.<br />

Kinema<strong>to</strong>graphie {D} * see cinemagraphic;<br />

cinema<strong>to</strong>graphy {E}.<br />

kinescop {E} * see film-<strong>to</strong>-tape transfer {E}.<br />

kinescope (à masque d'ombre) {F} * see shadow-mask<br />

kinescope {E}.<br />

kinescope {E;F} * abbreviated kine. 1) The process <strong>of</strong><br />

recording or transferring video <strong>to</strong> a 16 mm film by<br />

displaying <strong>the</strong> video on a video moni<strong>to</strong>r and scanning <strong>the</strong><br />

moni<strong>to</strong>r face with a film camera. 2) The film produced by<br />

this process. 3) A television picture tube. {D= ?; Es=<br />

cinescopio}.<br />

kinescope {F} * see also transfer {E}.<br />

kinescope film {E;F} * 1) A particular type <strong>of</strong> motion picture<br />

film made for optimum filming from a television<br />

screen.(07.) 2) Blue- and ultraviolet-sensitive film,<br />

characterized by high resolving power and sharpness,<br />

used primarily for pho<strong>to</strong>graphing images from cathode-ray<br />

tubes (CRT) having ei<strong>the</strong>r p-1 (blue) or p-16 (ultraviolet)<br />

phosphors; also known as kines.(09.) {D= Fernsehfilm;<br />

T.V.-Film; Filmaufzeichung (FAZ); Es= película<br />

kinescópica; telefilm; kinescopio; F= téléfilm}.<br />

kinescopio {Es} * see kinescope film {E;F}.<br />

kino-eye {E} * One <strong>of</strong> <strong>the</strong> first cinema-verite approaches <strong>to</strong><br />

film aes<strong>the</strong>tics, developed by Dziga Ver<strong>to</strong>v in <strong>the</strong><br />

1920s.(30.) {D= ?; Es= célula kinescópica; F= cinéma<br />

vérité ?}.<br />

Kin<strong>of</strong>ilm {D} * see cinefilm {E}.


kit {E;F} * 1) An item containing two or more categories <strong>of</strong><br />

material, no one <strong>of</strong> which is identifiable as <strong>the</strong> predominant<br />

constituent <strong>of</strong> <strong>the</strong> item; also designated 'multimedia item.'<br />

2) A single-medium package <strong>of</strong> textual material (e.g., a<br />

'lab' kit, a set <strong>of</strong> activity cards).03. {D= ?; Es= estuche;<br />

juego de materiales; F= pochette}.<br />

Klangregler {D} * see <strong>to</strong>ne control {E}.<br />

Klappe {D} * see clapper board {E}.<br />

Klassifikation {D} * see classification {E;F}.<br />

Klassifizieren {D} * see classification {E;F}.<br />

Klavierrolle {D} * see piano roll {E}.<br />

Klavierwalze {D} * see piano roll {E}.<br />

Klebeband {D} * see splicing tape {E}.<br />

Kleben {D} * see splicing {E}.<br />

Klebepresse {D} * see splicer {E}.<br />

Klebeschiene {D} * see splicer; splicing block {E}.<br />

Klebeschiene für Tonbänder {D} * see splicer {E}.<br />

Klebeverbindung {D} * see splicing {E}.<br />

Klebstelle {D} * see splice {E}.<br />

Klebst<strong>of</strong>f {D} * see adhesive {E}.<br />

klimatische Betriebsbedingungen {D} * see operating<br />

environment {E}.<br />

klimatische Versandbedingungen {D} * see shipping<br />

environment {E}.<br />

Klinkenstecker {D} * see phone plug {E}.<br />

knicken {D} * see buckle {E}.<br />

Kobalt-dotiertes Oxid {D} * see cobalt-doped oxide {E}.<br />

Kobaltdotierung {D} * see cobalt doping {E}.<br />

Koerzitivkraft {D} * see coercivity {E}.<br />

Köfferchen {D} * see box {E}.<br />

Kohlezeichnung {D} * see charcoal drawing {E}.<br />

kolloidal {D} * see colloid {E}.<br />

Kommanditist {D} * see sponsor {E}.<br />

Kompaktersystem {D} * see compact shelving {E}.<br />

Kompaktkassette {D} * see compact cassette (CC) {E}.<br />

Kompaktregal {D} * see compact shelving {E}.<br />

Kompilation {D} * see compilation {E;F}.<br />

Komponenten-Signaldarstellung {D} * see component<br />

coding {E}.<br />

Kompression {D} * see compression {E;F}.<br />

Konserva<strong>to</strong>r {D} * see conserva<strong>to</strong>r {E}.<br />

Konservierung .{D} * see archive conservation .{E}.<br />

Konservierung {D} * see archive conservation;<br />

conservation {E;F}. preservation {E;F}.<br />

131<br />

konstante Lineargeschwindigkeit {D} * see constant linear<br />

velocity (CLV) {E}.<br />

konstante Winkelgeschwindigkeit {D} * see constant<br />

angular velocity (CAV) {E}.<br />

Kontaktkopie {D} * see contact copy; contact paper {E}.<br />

Kontaktkopieren {D} * see contact copy {E}.<br />

Kontinuität {D} * see continuity {E}.<br />

Kontrast {D} * see contrast {E}.<br />

Kontrolliste {D} * see checklist {E}.<br />

Konzentrizität {D} * see concentricity {E}.<br />

Konzept {D} * see draft {E}.<br />

Kopf {D} * see head {E}.<br />

kopfbezogene Stereophonie {D} * see binaural {E}.<br />

Kopfhörer {D} * see headphones {E}.<br />

Kopfjustage {D} * see head alignment; zenith adjustment<br />

{E}.<br />

Kopfspuren {D} * see head banding {E}.<br />

Kopfträger {D} * see mounting plate {E}.<br />

Kopfverschmutzung {D} * see head clog {E}.<br />

Kopie {D} * see copy; print; transfer {E}.<br />

Kopiereffekt {D} * see echo {D;E}; print-through {E}.<br />

Kopierung {D} * see printing {E}.<br />

Koproducktion {D} * see co-production {E}.<br />

Korn {D} * see grain {E;F}.<br />

Kracker {D} * see static {E}.<br />

Kracks {D} * see crackle {E}.<br />

kraft paper {E} * A paper produced by a modified sulphate<br />

process, and employing only wood pulp. It is a relatively<br />

coarse paper and is known especially for its strength. Its<br />

natural unbleached colour is brown, but it can be produced<br />

in lighter shades <strong>of</strong> brown, cream tints, and white, by <strong>the</strong><br />

use <strong>of</strong> semi-bleached or fully bleached sulphate pulps.45.<br />

{D= ?; Es= papel kraft; F= papier kraft; d'emballage}.<br />

Kratzer {D} * see scratch {E}.<br />

Kräuseln {D} * see cockle/cockling; curl/curling {E}.<br />

Kreidezeichnung {D} * see chalk drawing {E}.<br />

Kristallmikrophon {D} * see ceramic microphone; crystal<br />

mic/mike {E}.<br />

krümmen {D} * see buckle {E}.<br />

Kry<strong>to</strong>x {D;E;Es;F} * An industrial lubricant, made <strong>of</strong><br />

fluorocarbons by Dupont, used in conjunction with o<strong>the</strong>r<br />

compounds <strong>to</strong> clean metallic media such as magnetic<br />

tapes.(07.)<br />

Kunstkopf {D} * see dummyhead {E}.<br />

künstliche Alterung {D} * see accelerated ageing {E}.<br />

Kunstst<strong>of</strong>f {D} * see plastic {E}.


Kuppler {D} * see coupler {E}.<br />

Kurbel {D} * see crank handle {E}.<br />

kur<strong>to</strong>sis (degré de régularité d'un spectre) {F} * see<br />

kur<strong>to</strong>sis {E}.<br />

kur<strong>to</strong>sis {E} * The degree <strong>of</strong> relative peakedness or<br />

flatness <strong>of</strong> a frequency distribution.01. {D= ?; Es= cur<strong>to</strong>sis;<br />

F= kur<strong>to</strong>sis (degré de régularité d'un spectre)}.<br />

l ---<br />

l-cassette {E} * see cassette.<br />

la distribution {F} * see talent {E}.<br />

la realización del orificio {Es} * see centring <strong>of</strong> disc (3) {E}.<br />

label {E} * 1) Any affixed paper, plastic, slip, ribbon, etc.,<br />

connected in a permanent manner at <strong>the</strong> time <strong>of</strong><br />

production by <strong>the</strong> manufacturer, crea<strong>to</strong>r, or <strong>the</strong> individual<br />

responsible for <strong>the</strong> existence <strong>of</strong> <strong>the</strong> item.(04@a.22.) 2) In<br />

disc sound recordings, normally a round paper disc affixed<br />

<strong>to</strong> <strong>the</strong> centre, unrecorded surface <strong>of</strong> a disc recording and<br />

containing some or all <strong>of</strong> <strong>the</strong> relevant artifact<br />

documentation/identifying information (i.e., label name,<br />

issue number, matrix number, take number, trade mark,<br />

statement <strong>of</strong> creation and/or performance, title content<br />

information, place/date <strong>of</strong> recording, publication/copyright<br />

data, et al.); also known as record label.(04.) 3) In<br />

au<strong>to</strong>mated data processing, a code use <strong>to</strong> identify an item<br />

<strong>of</strong> data, an area <strong>of</strong> memory, a record, or a file.(22.) {D=<br />

Etikett; Es= rotulación; identificación; tejuelo; etiqueta; F=<br />

label; étiquette}.<br />

labora<strong>to</strong>ry {E} * An establishment organized and equipped<br />

<strong>to</strong> provide services. In audiovisual archives <strong>the</strong>se services<br />

may be directed at such as research, re-recording or<br />

duplication, or processing motion picture film, pro-ducing<br />

pre-release duplicating inter-negatives, master positives,<br />

duplicate negatives, and workprints, as well as completed<br />

release prints for distribu-tion. {D= Labora<strong>to</strong>rium; Es=<br />

labora<strong>to</strong>rio; F= labora<strong>to</strong>ire}.<br />

labora<strong>to</strong>ry applied edge numbering {E} * One <strong>of</strong> <strong>the</strong> ways<br />

in which edge numbering is applied <strong>to</strong> motion picture film.<br />

In this process <strong>the</strong> film is numbered in addition <strong>to</strong> <strong>the</strong><br />

numbering applied in <strong>the</strong> manufacturing process, generally<br />

<strong>to</strong> <strong>the</strong> base side <strong>of</strong> <strong>the</strong> film with yellow ink opposite from<br />

<strong>the</strong> manufacturer's numbering.(09.) {D= ?; Es= proceso de<br />

labora<strong>to</strong>rio para numerar la película en sus bordes; F=<br />

numéro de bord de labora<strong>to</strong>ire}.<br />

labora<strong>to</strong>ry film {E} * 1) Pho<strong>to</strong>graphic film which is used <strong>to</strong><br />

produce <strong>the</strong> intermediate stages needed in <strong>the</strong> lab for<br />

special effects, titling, etc., once a motion picture scene<br />

has been captured on camera film and has been edited<br />

from a workprint. The use <strong>of</strong> intermediate film also protects<br />

<strong>the</strong> valuable original footage from potential damage during<br />

<strong>the</strong> printing process.(09.) 2) The film used in <strong>the</strong> labora<strong>to</strong>ry<br />

<strong>to</strong> produce special effects, titling, etc. {D= ?; Es= película<br />

de labora<strong>to</strong>rio; F= film de labora<strong>to</strong>ire}<br />

Lackfolie {D} * see lacquer disc {E}.<br />

lacquer disc {E} * A recording disc, ei<strong>the</strong>r single or double<br />

sided, made with a core <strong>of</strong> metal, glass, or fibre and<br />

coated with a lacquer compound, usually acetate or<br />

cellulose nitrate, in<strong>to</strong> which grooves are cut; intended for<br />

instantaneous recording. Following <strong>the</strong> use <strong>of</strong> a wax<br />

master and until Direct Metal Mastering became prevalent<br />

<strong>the</strong> lacquer disc was, also, <strong>the</strong> first step in <strong>the</strong> record<br />

production procedure leading <strong>to</strong> final pressed recordings.<br />

Before <strong>the</strong> introduction and acceptance <strong>of</strong> magnetic tape<br />

it was <strong>the</strong> most widely used form <strong>of</strong> instantaneous<br />

recording; also referred <strong>to</strong> as acetate disc {E/US}.(04.) {D=<br />

132<br />

Lackfolie; Selbstschnittfolie; Azetatplatte; Es= disco<br />

laqueado; F= disque de laque}<br />

lacune {F} * see void {E}.<br />

lado emulsión {Es} * see emulsion side {E}.<br />

lado soporte {Es} * see celluloid {E;F}.<br />

Ladung {D} * see charge {E}.<br />

lag {E} * In a video camera tube, a persistence <strong>of</strong> <strong>the</strong><br />

electrical charge image for a small number <strong>of</strong> frames. The<br />

visual effect is that <strong>the</strong> image <strong>of</strong> <strong>the</strong> scene remains for a<br />

short time after <strong>the</strong> scene is changed. A camera tube with<br />

lag is also referred <strong>to</strong> as being "sticky". {D= ?; Es= retraso;<br />

retardo; retardación (de movimien<strong>to</strong>); F= traînage; défaut<br />

de persistance sur le tube}.<br />

Lagerbedingungen {D} * see s<strong>to</strong>rage environment {E}.<br />

Lagersignatur {D} * see address {E;F}.<br />

Lagerung 'auf Lücke' {D} * see honeycombing {E}.<br />

Lagerung {D} * see s<strong>to</strong>rage {E}.<br />

lagging {E} * see image retention.<br />

laguna {Es} * see void {E}.<br />

lame quart d'onde {F} * see quarter wave plate (QWP) {E}.<br />

lame semi-transparente {F} * see beam splitter {E}.<br />

lámina de aceta<strong>to</strong> de celulosa * see cellulose acetate {E}.<br />

laminación {Es} * see lamination {E}.<br />

laminado por adhesión {Es} * see laminate adhesion {E}.<br />

láminas transparentes {Es} * see celluloid {E;F}.<br />

laminate adhesion {E} * The sticking <strong>to</strong>ge<strong>the</strong>r <strong>of</strong> layers <strong>of</strong><br />

a laminated recording achieved through <strong>the</strong> use <strong>of</strong> a<br />

binder; see also delamination.04. {D= ?; Es= laminado por<br />

adhesión; F= adhérence de spires; laminée}.<br />

laminated disc {E} * A recording medium composed <strong>of</strong><br />

several layers <strong>of</strong> material held <strong>to</strong>ge<strong>the</strong>r by a binder. CDs,<br />

Diamond Discs, and lacquer discs, for example, are<br />

laminated.04. {D= laminierte Platte; Es= disco laminado;<br />

F= disque laminé; disque feuilleté; laminé}.<br />

lamination {E;F} * 1) A method <strong>of</strong> protecting or reinforcing<br />

a weak or damaged document by enclosing it between two<br />

sheets <strong>of</strong> thin tissue, attached <strong>to</strong> paper materials, for<br />

example, by such measures as <strong>the</strong>rmoplastic systems,<br />

involving <strong>the</strong> use <strong>of</strong> a heated press <strong>to</strong> melt hot-melt<br />

adhesives or cellulose acetate, and hand or solvent<br />

lamination in which <strong>the</strong> adhesion is created by placing a<br />

sheet <strong>of</strong> cellulose acetate between <strong>the</strong> tissue and <strong>the</strong><br />

document and applying ace<strong>to</strong>ne.(22.) 2) To make by<br />

building up in layers. {D= Laminierung; Es= laminación}.<br />

laminierte Platte {D} * see laminated disc {E}.<br />

Laminierung {D} * see lamination {E}.<br />

lámpara de 1000 vatios montada sobre un pedestal {Es}<br />

* see can (1)(2)(3) {E}.<br />

lámpara de arco {Es} * see arc lamp {E}.<br />

lampe à arc {F} * see arc lamp {E}.<br />

lampe à vide {F} * see vacuum tube {E}.


lampe de sécurité {F} * see safelight {E}.<br />

lampe flood {F} * see scoop {E}.<br />

Lampenkohle {D} * see carbon-arc lamps {E}.<br />

land {E;F} * The reflective substrate between pits on <strong>the</strong><br />

CD data surface.39. {D= ?; Es= paso; sustra<strong>to</strong> reflectante<br />

entre los agujeros pequeños de la superficie de los CD; F=<br />

plat}.<br />

langspiel {D} * see long-play (Lp) {E}.<br />

Langspielplatte {D} * see long-play; long-playing record<br />

(Lp) {E}.<br />

Langspielplatte {D} * see long-playing record {E}.<br />

Längsrichtung {D} * see longitudinal direction {E}.<br />

lantern slide {E} * A positive transparency on a thin glass<br />

or plastic 3¼ x 4-inch slide designed for projection,<br />

originally by a magic lantern. {D= Glasbild; Diapositiv; Es=<br />

diapositiva (de proyección); F= diapositive; cliché de<br />

projection}.<br />

lanterne à arc {F} * see arc lamp {E}.<br />

lanterne magique {F} * see magic lantern {E}.<br />

lanzadera {Es} * see shuttle {E}.<br />

lanzamien<strong>to</strong> (bobinado y rebobinado de una cinta de vídeo<br />

a alta velocidad) {Es} * see shuttle {E}.<br />

lap dissolve {E} * see dissolve.<br />

lap marks {E} * The longitudinal impressions on film<br />

created by defective rollers during processing.01. {D= ?;<br />

Es= marcos de superposición; F= marques; rayures<br />

verticales}.<br />

lap splice {E} * The joining <strong>of</strong> two pieces <strong>of</strong> film or tape<br />

material <strong>to</strong>ge<strong>the</strong>r by overlapping <strong>the</strong> edges and cementing,<br />

taping, or welding <strong>the</strong>m <strong>to</strong>ge<strong>the</strong>r, frequently using a<br />

splicer, so that <strong>the</strong>y will function <strong>to</strong>ge<strong>the</strong>r as a single piece;<br />

see also butt splice; heat splice.(40.) {D= ?; Es= empalme<br />

de cinta; trozo de cinta empalmado; F= montage avec<br />

recouvrement}.<br />

larga duración {Es} * see long-play; long-playing record<br />

(Lp) {E}.<br />

largo de palabra {Es} * see word length {E}.<br />

largometraje (en un pase, la película principal) {Es} * see<br />

feed nut (1) {E}.<br />

largometraje (en un pase, la película principal) {Es} * see<br />

feature (1) {E}.<br />

larguero {Es} * see upright {E}.<br />

las pistas para el registrador {Es} * see channel (1, 2) {E}.<br />

LASER {E} * acronym for light amplification by stimulated<br />

emission <strong>of</strong> radiation.<br />

LASER diode {E} * see semi-conduc<strong>to</strong>r LASER.<br />

LASER disc {E} * Includes CDs and video disc; may be<br />

mass produced and pre-recorded, or blank and intended<br />

for <strong>the</strong> user <strong>to</strong> record and only one copy is produced. The<br />

content <strong>of</strong> <strong>the</strong>se media is digitally encoded (except for<br />

video on a video disc which is in analogue form) and<br />

etched in<strong>to</strong> a reflective layer on <strong>the</strong> disc in <strong>the</strong> form <strong>of</strong><br />

holes or pits (depressions). A LASER light beam is<br />

focused on <strong>the</strong> disc as it revolves; where <strong>the</strong>re are no<br />

133<br />

depressions, <strong>the</strong> light beam simply moves on; where <strong>the</strong>re<br />

are depressions, <strong>the</strong> light beam is reflected back in<strong>to</strong> <strong>the</strong><br />

playback apparatus, which 'reads' <strong>the</strong> reflections and<br />

eventually converts <strong>the</strong>m back in<strong>to</strong> an analogue signal for<br />

playback; see also CD-ROM; compact disc; digital optical<br />

recording; video disc.04. {D= Laserplatte; Es= disco láser;<br />

F= disque laser}.<br />

Laserplatte {D} * see LASER disc {E}.<br />

LaserVision {D;E;Es;F} * The trade name for an optical<br />

video disc format.39.<br />

LAST {D;E;Es;F} * acronym for Liquid Archival Sound<br />

Treatment.<br />

lata {Es} * see can {E}.<br />

latensification {F} * see post-flashing {E}.<br />

latent image {E} * An invisible image contained on film or<br />

paper prior <strong>to</strong> development. A negative exposed <strong>to</strong> light in<br />

a camera or a print exposed under a negative contains an<br />

invisible image referred <strong>to</strong> as a latent image. The image is<br />

made visible by chemical development during<br />

processing.43. The invisible image registered on a<br />

phonographic emulsion due <strong>to</strong> <strong>the</strong> reaction produced in <strong>the</strong><br />

emulsion by exposure <strong>to</strong> light. (The image becomes visible<br />

after development).09. {D= latentes Bild; Es= imágen<br />

latente; F= image latente}.<br />

latent image edge numbering {E} * One <strong>of</strong> two ways which<br />

Kodak places edge numbers on its camera film (<strong>the</strong> o<strong>the</strong>r<br />

being visible ink edge numbering), in which <strong>the</strong> film edge<br />

is exposed by a printer mounted at <strong>the</strong> perfora<strong>to</strong>r <strong>to</strong><br />

produce an image visible only when <strong>the</strong> film is processed.<br />

In addition <strong>to</strong> <strong>the</strong> edge numbers, also included are a<br />

manufacturer's code for <strong>the</strong> type <strong>of</strong> film, <strong>the</strong> perfora<strong>to</strong>r, and<br />

<strong>the</strong> equipment used <strong>to</strong> produce <strong>the</strong> product.(09.) {D= ?;<br />

Es= numeración en el borde de la imagen latente (proceso<br />

de la casa Kodak para numerar sus películas en los<br />

bordes); F= numéro (de bord) de l'image latente}.<br />

latent image fade {E} * The change in <strong>the</strong> effects <strong>of</strong> radiant<br />

energy on a pho<strong>to</strong>sensitive surface which occurs during<br />

<strong>the</strong> time between exposure and development. The amount<br />

and rate <strong>of</strong> change depends on time, temperature,<br />

humidity, s<strong>to</strong>rage conditions, and type <strong>of</strong> emu recording.<br />

Sometimes called needlecut recording.(04.) {D=<br />

Berlinerschrift-ufnahme; Seitenschrift-Aufnahme; Es= ?;<br />

F= enregistrement latéral}.<br />

lateral recording {E} * =Es= modulación [grabación] lateral<br />

{Es}.<br />

lateral recording {E} * Invented by Emile Berliner in 1887,<br />

a recording process by which a stylus cuts a furrow or<br />

groove <strong>of</strong> constant depth and lateral amplitudes in<strong>to</strong> <strong>the</strong><br />

surface <strong>of</strong> a recording medium (wax disc, lacquer disc);<br />

see also vertical recording. Sometimes called needlecut<br />

recording.(04.) {D= Berlinerschrift-ufnahme; Seitenschrift-<br />

Aufnahme; Es= modulación [grabación] lateral; F=<br />

enregistrement latéral}<br />

lateral reversal {E} * An image that has been reversed from<br />

left <strong>to</strong> right, as in a mirror image. Many direct positive<br />

images, such as daguerreotypes and tintypes, are laterally<br />

reversed images. A camera negative is normally laterally<br />

reversed (as well as inverted) and is oriented correctly in<br />

<strong>the</strong> printing process.43. {D= ?; Es= inversión lateral; F=<br />

inversion latérale (gauche - droite)}.<br />

latitude d'exposition {F} * see exposure latitude {E}.<br />

laufende Akten {D} * see current records {E}.<br />

Laufmeter {D} * see linear feet/metres (LnFt/LnMt) {E}.


Laufzeit eines Films {D} * see screening {E}.<br />

Lauge {D} * see alkali {E}.<br />

Lautsprecher {D} * see loudspeaker; speaker {E}.<br />

Lautstärke {D} * see volume {E;F}.<br />

lavado {Es} * see washing {E}.<br />

lavado de contracorriente {Es} * see countercurrent wash<br />

{E}.<br />

lavado de película con calidad de archivo {Es} * see<br />

archival wash {E}.<br />

lavage {F} * see countercurrent wash {E}.<br />

lavage {F} * see washing {E}.<br />

Lavendel {D} * see dupe positive {E}.<br />

lavender {E; Es} * see dupe positive {E}.<br />

layer-<strong>to</strong>-layer adhesion {E} * The bonding or clinging<br />

<strong>to</strong>ge<strong>the</strong>r <strong>of</strong> adjacent layers <strong>of</strong> tape or film in a roll; see also<br />

blocking.46. {D= ?; Es= adherencia entre vueltas<br />

(consecutivas); F= adhérence couche à couche}.<br />

layer-<strong>to</strong>-layer signal transfer {E} * see print through.<br />

lazo de cinta magnet<strong>of</strong>ónica {Es} * see binloop {E}.<br />

LB {E} * acronym for low band.<br />

LC MARC {E} * acronym for Library <strong>of</strong> Congress Machine<br />

Readable Cataloging {sic!}.<br />

LCD {E} * acronym for liquid crystal display.<br />

LE {E} * acronym for life expectancy.<br />

LE designation {E} * A rating <strong>of</strong> <strong>the</strong> life expectancy <strong>of</strong> a)<br />

materials and b) recording materials and associated<br />

retrieval systems. The number following <strong>the</strong> LE acronym is<br />

a prediction <strong>of</strong> <strong>the</strong> minimum life expectancy in years for<br />

which information can be retrieved without significant loss<br />

when s<strong>to</strong>red under extended term s<strong>to</strong>rage conditions (e.g.<br />

LE-100 indicates that information can be retrieved after at<br />

least 100 years <strong>of</strong> s<strong>to</strong>rage). {D= ?; Es= indicación de la<br />

esperanza de vida (en materiales); F= indication de<br />

l'espérance de vie}.<br />

lead-in/lead-out {E} * The non-data programme grooves<br />

preceding and succeeding <strong>the</strong> data programme on a disc.<br />

The purpose <strong>of</strong> such grooves is <strong>to</strong> guide <strong>the</strong> pickup or <strong>to</strong>ne<br />

arm in<strong>to</strong> <strong>the</strong> first recorded grooves and out <strong>of</strong> <strong>the</strong> last<br />

recorded grooves; also known as run-in/run-out<br />

grooves.(04.39.) {D= Einlauf-Auslauf-Rille; Es= línea (de<br />

entrada) de antena; línea (de salida) de antena; F=<br />

amorce de début/amorce de fin; amorçage; sortie}.<br />

leader {E} * 1) A blank length <strong>of</strong> strip film or tape at <strong>the</strong><br />

beginning and/or end <strong>of</strong> such film/tape for identification<br />

and/or handling. 2) A piece <strong>of</strong> black film used for spacing<br />

in workprints or for threading equipment. 3) In optics, any<br />

transparent system by which images may be formed<br />

through <strong>the</strong> light-refracting properties <strong>of</strong> curved<br />

surfaces.(04.09.) {D= Startband; Vorspann; Es= tira sin<br />

imágenes que precede a la película; cola; F= amorce;<br />

bande amorce}.<br />

leader tape {E} * Special <strong>to</strong>ugh non-magnetic tape which<br />

can be spliced <strong>to</strong> ei<strong>the</strong>r end <strong>of</strong> a magnetic tape <strong>to</strong> prevent<br />

its damage and possible loss <strong>of</strong> recorded material. White<br />

or yellow in colour, it features a mark every 7½-inches<br />

(white or yellow 'scotch' brand leader and timing tape no.<br />

134<br />

24). Used as a timing tape, <strong>the</strong>refore, it can be spliced<br />

between musical selections <strong>to</strong> provides desired pauses<br />

upon playback; also know as timing tape. NB Most<br />

archivists recommend that no splices be allowed or<br />

intentionally included in preservation materials.16. {D= ?;<br />

Es= cinta de guía; F= bande amorce; ruban de guidage}.<br />

leading edge <strong>of</strong> sync {E} * The descending slope <strong>of</strong> <strong>the</strong><br />

horizontal sync pulse that follows <strong>the</strong> front porch in a<br />

television signal. {D= ?; Es= borde de guía de<br />

sincronización; F= front de synchronisation}.<br />

leakage {E} * see crosstalk.<br />

least significant bit (LSB) {E} * The bit within a digital word<br />

that is <strong>the</strong> least weighted.39. {D= ?; Es= bit [dígi<strong>to</strong>] menos<br />

significativo; F= bit le moins significatif}.<br />

lebende Registratur {D} * see current records {E}.<br />

Lebenserwartung {D} * see life expectancy (LE) {E}.<br />

lecteur {F} * see player; reader; reproducer {E}.<br />

lecteur à système flottant {F} * see floating reproducer {E}.<br />

lecteur de disque optique {F} * see disc drive {E}.<br />

lecteur de micr<strong>of</strong>ormes {F} * see micr<strong>of</strong>orm reader {E}<br />

lecteur/reproducteur de micr<strong>of</strong>ormes {F} * see<br />

reader/printer {E}.<br />

lec<strong>to</strong>r {Es} * see player; reader (1); user {E}.<br />

lec<strong>to</strong>r acústico {Es} * see sound box {E}.<br />

lec<strong>to</strong>r de disco (-s) {Es} * see disc drive {D;E}.<br />

lec<strong>to</strong>r óptico de tres haces {Es} * see three-beam tracking<br />

{E}.<br />

Lec<strong>to</strong>r de Códigos de Tiempo {Es} * see Time Code<br />

Reader (TCR) {E}.<br />

lectura {Es} * see registration {E}.<br />

lectura helicoidal {Es} * see helical scan {D;E}.<br />

lecture {F} * see playback {D;E;Es;F}.<br />

lecture hélicoïdale {F} * see helical scan {E}.<br />

LED {E} * acronym for light emitting diode.39.<br />

leer {Es} * see read {E}.<br />

Leerband {D} * see blank tape {E}.<br />

Leerrille {D} * see blank groove {E}.<br />

legal deposit {E} * Under <strong>the</strong> law <strong>of</strong> various countries, <strong>the</strong><br />

piece/s <strong>of</strong> materials, usually publications, required <strong>to</strong> be<br />

placed with one or more reposi<strong>to</strong>ries (e.g. national libraries<br />

or archives; major research facilities, etc.). The deposit<br />

requirements vary consider-ably, with some countries<br />

requiring deposit only <strong>of</strong> items published and <strong>of</strong>fered for<br />

sale <strong>to</strong> <strong>the</strong> public, o<strong>the</strong>rs requiring deposit <strong>of</strong> all materials<br />

available <strong>to</strong> <strong>the</strong> public for access, including items imported<br />

from o<strong>the</strong>r countries and/or signals distributed over <strong>the</strong><br />

radio and television frequencies. Not <strong>to</strong> be confused with<br />

deposit copy (copyright); see also deposit copy (copyright);<br />

dépôt légal.(22.) {D= Abgabepflicht; Es= depósi<strong>to</strong> legal; F=<br />

dépôt légal}.<br />

legal value {E} * The value <strong>of</strong> documents for <strong>the</strong> conduct<br />

<strong>of</strong> current or future legal business and/or as evidence<br />

<strong>the</strong>re<strong>of</strong>; see also administrative value; fiscal value.22.23.


{D= rechtlicher Wert; Beweiswert; Wert; Es= valor legal;<br />

F= valeur légale}.<br />

legislación sobre archivos {Es} * see archival legislation<br />

{E}.<br />

législation archivistique {F} * see archival legislation {E}.<br />

lens {E} * An optical device consisting <strong>of</strong> ground or<br />

moulded elements <strong>of</strong> glass or plastic that focuses light by<br />

refraction.10. {F= lentille; D= ?; Es= ?}<br />

lente {Es} * see lens {E}.<br />

lente {Es} * see lens {E}.<br />

lente anamórfica {Es} * see anamorphic lens {E}.<br />

lente anastigmática {Es} * see anastigmatic lens {E}.<br />

lente colimadora {Es} * see collima<strong>to</strong>r lens {E}.<br />

lente con recubrimien<strong>to</strong> antireflejante {Es} * see coated<br />

lens {E}.<br />

lente de foco variable (trafocador) {Es} * see objective lens<br />

{E}.<br />

lente de foco variable {Es} * see objective lens {E}.<br />

lente tratada {Es} * see coated lens {E}.<br />

lentes cilíndricas {Es} * see cylindrical lens {E}.<br />

lentes planas {Es} * see flats {E}.<br />

lentille achromatique {F} * see achromatic lens {E}.<br />

lentille cylindrique {F} * see cylindrical lens {E}.<br />

les média froid et chaud {F} * see cool and hot media {E}.<br />

Lese- und Rückvergrößerungsgerät {D} * see<br />

reader/printer {E}.<br />

Lese-Kopf {D} * see playback head {E}.<br />

Lesegerät {D} * see micr<strong>of</strong>orm reader {E}.<br />

leva {Es} * see cam {E}.<br />

levantador de la cinta {Es} * see tape lifter {E}.<br />

levantamien<strong>to</strong> del borde {Es} * see edge roll/lift {E}.<br />

level {E} * Intensity or amplitude <strong>of</strong> a signal measured in<br />

dBs.(04.) {D= Pegel; Es= nivel; F= niveau}.<br />

level indica<strong>to</strong>r {E} * A moni<strong>to</strong>r or gauge which provides a<br />

visual display <strong>of</strong> <strong>the</strong> volume at which <strong>the</strong> recording is being<br />

made and serves as a warning against under or over<br />

recording. It may be in <strong>the</strong> form <strong>of</strong> a neon bulb, 'magic<br />

eye', a V/U-meter, or a LED (LCD) display; see also<br />

achromatic lens; catadioptric lens; ca<strong>to</strong>ptric system;<br />

chromatic aberration; V/U-meter.(04.50.) {D= ?; Es=<br />

indicador de nivel; F= indicateur de niveau}.<br />

level <strong>of</strong> catalogue {E} * see cataloguing level.<br />

ley de reciprocidad {Es} * see reciprocity law {E}.<br />

leyendas cerradas {Es} * see closed captioning {E}.<br />

liaison {F} * see linkage {E}.<br />

liaison montante {F} * see uplink {E}.<br />

liaison terre/satellite {F} * see uplink {E}.<br />

135<br />

liant {F} * see binder {E}.<br />

libranza {Es} * see draft {E}.<br />

library shot {E} * Scenes or various o<strong>the</strong>r lengths <strong>of</strong><br />

moving-image footage from previous moving-image<br />

productions which are used as inserts in subsequent<br />

productions. {D= ?; Es= cinemateca; biblioteca de planos<br />

(de fo<strong>to</strong>s); F= plan d'archives; plan de cinémathèque}.<br />

library wind {E} * A controlled fast forward wind <strong>of</strong> a<br />

magnetic tape pack. {D= ?; Es= enrollado (de la cinta)<br />

controlado; F= vitesse contrôlée}.<br />

Libro Amarillo {Es} * see Yellow Book {D;E}.<br />

Libro Rojo {Es} * see Red Book {D;E}.<br />

Libro Verde {Es} * see Green Book {E}.<br />

licencia obliga<strong>to</strong>ria {Es} * see compulsory licence {E}.<br />

Licht {D} * see light {E}.<br />

Lichtbahn {D} * see beam {E}.<br />

Lichtbestimmung {D} * see grading {E}.<br />

Lichtbildreihe {D} * see filmstrip {E}.<br />

Lichthahn {D} * see light valve {E}.<br />

Licht<strong>to</strong>nwert {D} * see density {E}.<br />

liegende Aufbewahrung {D} * see flat-filing; horizontal filing<br />

{E}.<br />

life expectancy (LE) {E} * 1) A projection <strong>of</strong> <strong>the</strong> length <strong>of</strong><br />

time that information is predicted <strong>to</strong> be retrievable in a<br />

system under extended term s<strong>to</strong>rage conditions. 2) A<br />

projection <strong>of</strong> <strong>the</strong> length <strong>of</strong> time that an item can be<br />

reasonably expected <strong>to</strong> remain intact and carry-out its<br />

intended functions. {D= Lebenserwartung; Es= duración<br />

útil esperable; esperanza de duración (de vida); F=<br />

espérance de vie}.<br />

light {E} * The radiant energy visible <strong>to</strong> <strong>the</strong> human eye with<br />

a wavelength between 400 and 700 nanometres (nm).(10.)<br />

{D= Licht; Es= luz; energía radiante; F= lumière;<br />

éclairage}.<br />

light amplification by stimulated emission <strong>of</strong> radiation<br />

(LASER) {D;E;Es;F} * An active electron device which<br />

generates coherent, monochromatic light waves. All CD<br />

players contain a semi-con-duc<strong>to</strong>r LASER in <strong>the</strong>ir optical<br />

pickup which converts input power in<strong>to</strong> a intense beam <strong>of</strong><br />

coherent optical radiation.(46.39.)<br />

light balancing filter {E} * see colour balance.<br />

light box {E} * 1) A device with a back-lighted translucent<br />

surface intended for inspecting film. 2) A device with a<br />

back-lighted translucent surface intended for <strong>the</strong><br />

illumination <strong>of</strong> video test patterns when viewed through a<br />

video camera. {D= ?; Es= caja de luz para película; F=<br />

boîte à lumière; néga<strong>to</strong>scope}.<br />

light damage slide rule {E} * A set <strong>of</strong> scales designed by<br />

<strong>the</strong> Canadian Conservation Institute <strong>to</strong> measure <strong>the</strong><br />

damage light may inflict on an artifact, particularly <strong>to</strong> its<br />

colours. The slide rule demonstrates <strong>the</strong> damage <strong>to</strong><br />

colours that will result from a particu-lar combination <strong>of</strong><br />

intensity and exposure and illustrates <strong>the</strong> results if one or<br />

both fac<strong>to</strong>rs are reduced. The light damage slide rule has<br />

two sides, serving two functions: 1) <strong>to</strong> calculate light<br />

damage <strong>to</strong> an artifact; and 2) <strong>to</strong> assist in selecting and<br />

using appropriate bulbs in displays.07. {D= ?; Es= regla<br />

luminosa para comprobación de daños en dispositivas; F=<br />

charte lumineuse de diapositives (défauts lumineux)}.


light emitting diode (LED) {E} * A numerical or graphic<br />

display device that emits light when <strong>the</strong> proper voltages<br />

are applied. {D= ?; Es= diodo electroluminiscente; diodo<br />

semiconduc<strong>to</strong>r; F= diode électroluminescente (LED)}.<br />

light fugitive {E} * A characteristic <strong>of</strong> certain pigments and<br />

dyes which are subject <strong>to</strong> fading by exposure <strong>to</strong> light.05.<br />

{D= ?; Es= descoloración por laluz; F= fugitif à la lumière}.<br />

light table {E} * A device with a front-lighted surface<br />

intended for <strong>the</strong> illumination <strong>of</strong> pho<strong>to</strong>graphic or o<strong>the</strong>r<br />

graphic media and viewed through a video camera. {D= ?;<br />

Es= nega<strong>to</strong>scopio [mesa luminosa]; F= table lumineuse}.<br />

light valve {E} * Device for controlling colour quality <strong>of</strong> light<br />

in a printer.09. {D= Lichthahn; Es= válvula (de luz); relé<br />

óptico; F= lumière; relais optique; (-light); modulateur de<br />

lumière}.<br />

lightfast {E} * Ability <strong>of</strong> a material <strong>to</strong> resist fading upon<br />

exposure <strong>to</strong> light.44. {D= ?; Es= estabilidad frente a la luz;<br />

F= ?}.<br />

lighting {E} * The process or procedure <strong>of</strong> providing light <strong>to</strong><br />

an area. {D= Beleuchtung; Ausleuchtung; Es= iluminacíon;<br />

F= éclairage; lumière}.<br />

lighting cameraman {E} * The British expression for<br />

cinema<strong>to</strong>g-rapher; see also cinema<strong>to</strong>grapher.30. {D= ?;<br />

Es= direc<strong>to</strong>r de fo<strong>to</strong>grafía; F= cadreur; directeur de la<br />

pho<strong>to</strong>graphie}.<br />

lighting contrast ratio {E} * Relationship between key lights<br />

and fill lights.09. {D= ?; Es= (grado de) contraste; F=<br />

contraste}.<br />

ligne {F} * see line {E}.<br />

ligne centrale moyenne de la piste {F} * see mean track<br />

centreline {E}.<br />

ligne de fabrication {F} * see mono-line {E}.<br />

ligne droite (de la caractéristique de densité) {F} * see<br />

straight line {E}.<br />

limaduras de hierro {Es} * see swarf {E}.<br />

limitador {Es} * see clipping (2) {E}.<br />

limite de fluage {F} * see yield strength {E}.<br />

límite aparente de elasticidad {Es} * see yield strength {E}.<br />

límite elástico {Es} * see yield strength {E}.<br />

limpieza {Es} * see cleaning {E}.<br />

limpieza de bobinado {Es} * see winder-cleaner {E}.<br />

limpieza ultrasónica {Es} * see ultrasonic cleaning {E}.<br />

line {E} * 1) One <strong>of</strong> <strong>the</strong> traces <strong>of</strong> a television scanning<br />

beam. 2) A conduc<strong>to</strong>r <strong>of</strong> electrical energy, such as a wire.<br />

3) A camera-positioning reference plane in moving-image<br />

productions.(10.) {D= ?; Es= línea; circui<strong>to</strong>; F= ligne}.<br />

línea (de entrada) de antena {Es} * see lead-in/lead-out<br />

{E}.<br />

línea (de salida) de antena {Es} * see lead-in/lead-out {E}.<br />

línea {Es} * see line {E}.<br />

línea central de lectura de la pista (de grabación) {Es} *<br />

see mean track centreline {E}.<br />

línea de re<strong>to</strong>rno {Es} * see retrace {E}.<br />

136<br />

línea recta {Es} * see straight line {E}.<br />

linéaire {F} * see flat response {E}.<br />

linéaire {F} * see linear {D;E}; liner notes {E}.<br />

linear {D;E} * 1) In electronics, a circuit in which <strong>the</strong> output<br />

is directly proportional <strong>to</strong> <strong>the</strong> input; see also<br />

dis<strong>to</strong>rtion.(39.10.) 2) Of, made <strong>of</strong>, or using a line or lines.<br />

{Es= circui<strong>to</strong> de ajuste de línea; F= linéaire}.<br />

linear dis<strong>to</strong>rtion {E} * Deviations from <strong>the</strong> ideally equal<br />

sensitivity for all frequencies; see also dis<strong>to</strong>rtion;<br />

modulation dis<strong>to</strong>rtion; non-linear dis<strong>to</strong>rtion. {D= lineare<br />

Verzerrung; Es= dis<strong>to</strong>rsión de línea; F= dis<strong>to</strong>rsion linéaire}.<br />

linear feet/metres (LnFt/LnMt) {E} * A measurement, for<br />

descriptive and control purposes, usually applied <strong>to</strong> shelfface<br />

space occupied, or <strong>to</strong> be occupied, by<br />

materials.(22.23.) {D= Regalmet-er; Laufmeter; Es= pies;<br />

metros lineales; F= pieds/mètres linéaire; linéaire}.<br />

linear metres (LnMt) {E} * see linear feet/linear metres<br />

(LnFt/LnMt).<br />

linear mode {E} * The presentation <strong>of</strong> information in a fixed<br />

sequence, uninfluenced by <strong>the</strong> recipient.(10.) {D= ?; Es=<br />

modo lineal; F= mode linéaire}.<br />

linear PCM {E} * A pulse code modulation (PCM) system<br />

in which <strong>the</strong> signal is converted directly <strong>to</strong> a PCM word<br />

without compounding, or o<strong>the</strong>r processing.39. {D= ?; Es=<br />

modulación (en línea) de impulsos cuantificados; F= MIC<br />

linéaire}.<br />

linear reflectance chart {E} * A table with <strong>the</strong> steps <strong>of</strong> grey<br />

scales in linear relationship used <strong>to</strong> align and measure <strong>the</strong><br />

transfer characteristics <strong>of</strong> television camera systems; see<br />

also test pattern.(10.) {D= ?; Es= ?; F= charte de<br />

réflectance}.<br />

linearity {E} * The extent <strong>to</strong> which <strong>the</strong> magnitude <strong>of</strong> <strong>the</strong><br />

reproduced output is directly proportional <strong>to</strong> <strong>the</strong> magnitude<br />

<strong>of</strong> <strong>the</strong> signal applied <strong>to</strong> <strong>the</strong> input <strong>of</strong> <strong>the</strong> recorder.46. {D=<br />

Linearität; Es= linearidad; F= linearité}.<br />

linearity chart {E} * A chart used <strong>to</strong> adjust <strong>the</strong> linearity <strong>of</strong> a<br />

video camera. Also called a ball chart. {D= ?; Es= tarjeta<br />

[carta] de linearidad; F= charte de linéarité}.<br />

liner {E} * see album; sleeve; slipcase.<br />

liner notes {E} * Commentary and explana<strong>to</strong>ry information<br />

about <strong>the</strong> contents, performers, and/or recording<br />

circumstances printed on, attached <strong>to</strong>, or inserted in, <strong>the</strong><br />

container in which a recording is distributed.(04.) {D=<br />

Covertext; Müllentext; Es= tex<strong>to</strong> de la carátula; F=<br />

commentaires; linéaire}.<br />

linkage {E} * A moving-image production term used <strong>to</strong> refer<br />

<strong>to</strong> <strong>the</strong> simplest kinds <strong>of</strong> montage; see also edi<strong>to</strong>r.30. {D=<br />

?; Es= enlace; encadenamien<strong>to</strong>; F= montage simple;<br />

liaison}.<br />

linking groove {E} * see cut.<br />

lino {Es} * see lint {E}.<br />

lint {E} * Fine bits <strong>of</strong> thread, yarn, or o<strong>the</strong>r loose fibres<br />

which separate from <strong>the</strong> raw material. {D= ?; Es= lino; F=<br />

linters}.<br />

linterna de proyección {Es} * see magic lantern {E}.<br />

linterna mágica {Es} * see magic lantern {E}.<br />

linters {F} * see lint {E}.


li<strong>of</strong>ilización {Es} * see freeze drying {E}.<br />

lip sync {E} * Words matching <strong>the</strong> mouth movements <strong>of</strong><br />

on-camera talent. {D= ?; Es= sincronización del diálogo<br />

(sonido) con las imágenes; F= synchronisation labiale}.<br />

lipping {E} * see edge curl.<br />

liquid crystal display (LCD) {E} * A way <strong>of</strong> producing<br />

characters on<strong>to</strong> a screen by reflecting light on a<br />

specialized substance; a semi-conduc<strong>to</strong>r display <strong>of</strong><br />

numerical or graphical information, requiring ambient light<br />

or back-lighting.39. {D= ?; Es= indicador visual de cristal<br />

líquido; F= affichage à cristaux liquides (LCD)}.<br />

liquid gate printing {E} * A film copying or duplicating<br />

system in which <strong>the</strong> original is immersed in a suitable<br />

liquid (i.e., with similar refractive light <strong>to</strong> <strong>the</strong> film emulsion<br />

or its base) at <strong>the</strong> time <strong>of</strong> exposure; generally used <strong>to</strong><br />

reduce <strong>the</strong> surface scratches and abrasions <strong>of</strong> <strong>the</strong> source<br />

film; also known as wet gate printing. {D= Nasskopie; Es=<br />

copia humeda; ; F= copie sous liquide; tirage humide}.<br />

liquid gate printing {E} * A film copying or duplicating<br />

system in which <strong>the</strong> original is immersed in a suitable<br />

liquid (i.e., with similar refractive light <strong>to</strong> <strong>the</strong> film emulsion<br />

or its base) at <strong>the</strong> time <strong>of</strong> exposure; generally used <strong>to</strong><br />

reduce <strong>the</strong> surface scratches and abrasions <strong>of</strong> <strong>the</strong> source<br />

film; also known as wet gate printing. {D= Nasskopie; Es=<br />

copia húmeda; F= tirage humide; F/Es= copie sous<br />

liquide}.<br />

liquid gate transfer {E} * A film <strong>to</strong> magnetic tape transfer<br />

process in which <strong>the</strong> film is immersed in a suitable liquid<br />

while in <strong>the</strong> film gate. The liquid reduces <strong>the</strong> surface<br />

scratches and abrasions on <strong>the</strong> base side <strong>of</strong> <strong>the</strong> source<br />

film.; also known as wet gate transfer. {D= ?; Es=<br />

transferencia en medio líquido; F= transfert en milieu<br />

liquide}<br />

lire {F} * see read {E}.<br />

liso {Es} * see flat {E}.<br />

lissage {F} * see bone (<strong>the</strong> action <strong>of</strong> boning) {E}.<br />

list {E} * 1) An enumeration <strong>of</strong> materials at <strong>the</strong> level <strong>of</strong><br />

record/archive groups, classes, series, items, or<br />

documents and, also, <strong>of</strong> holdings, accessions, finding aids,<br />

etc., compiled for purposes <strong>of</strong> control and/or information;<br />

see also cataloguing.(22.23.) 2) In U.S., also means <strong>the</strong><br />

retail price <strong>of</strong> an item. {D= Liste; Es= inventario; lista;<br />

relación; elenco; F= liste; bordereau}.<br />

lista {Es} * see list {E}.<br />

lista {Es} * see list {E}.<br />

lista de decisiones de montaje {Es} * see edit decision list<br />

(EDL); EDL {E}.<br />

lista de edición final {Es} * see way-<strong>of</strong>f-line {E}.<br />

listado de sonidos y efec<strong>to</strong>s especiales {Es} * see spotting<br />

(1) {E}.<br />

listage des séquences son {F} * see spotting {E}.<br />

liste {F} * see list {E}.<br />

liste de contrôle {F} * see checklist {E}.<br />

liste de décisions de montage {F} * see edit decision list<br />

(EDL) {E}.<br />

liste de premiers interprètes {F} * see created roll (CR) {E}.<br />

Liste {D} * see list {E}.<br />

137<br />

listening tubes {E} * see hearing tubes.<br />

literary archives/records {E} * 1) Materials, including<br />

papers, manuscripts, sound recordings, still- and movingimages,<br />

et al., and publications <strong>of</strong> same, <strong>of</strong> individual<br />

authors, literary organiza-tions, and/or institutions. 2)<br />

Archives responsible for <strong>the</strong> acquisition, preservation, and<br />

communication <strong>of</strong> such archives.(22.23.) {D=<br />

Literaturarchiv/e; Es= archivo/s litreario/s; F= archives<br />

littéraires}.<br />

Literaturarchiv/e {D} * see literary archives/records {E}.<br />

lithograph {E} * A printing method developed in Germany<br />

in <strong>the</strong> late 1700s in which an image is applied <strong>to</strong> a s<strong>to</strong>ne or<br />

metal plate, which is <strong>the</strong>n washed with an acid so that <strong>the</strong><br />

applied ink will adhere only <strong>to</strong> <strong>the</strong> image portion <strong>of</strong><br />

s<strong>to</strong>ne/metal plate. {D= ?; Es= li<strong>to</strong>grafía; F= lithographie}.<br />

lithographie {F} * see lithograph {E}.<br />

li<strong>to</strong>grafía {Es} * see lithograph {E}.<br />

Little Nipper {D;E;Es;F} * The name given <strong>to</strong> <strong>the</strong> dog<br />

appearing in <strong>the</strong> painting, His master's voice, trademark <strong>of</strong><br />

<strong>the</strong> Berliner Co., adopted by various sub-parts <strong>of</strong> <strong>the</strong><br />

company (Vic<strong>to</strong>r Talking Machine Co., HMV, etc.).<br />

live {D;E} * 1) A modifier which describes information<br />

which is recorded and/or processed as it occurs.(06.) 2) In<br />

television productions, live means <strong>to</strong> transmit or broadcast<br />

<strong>the</strong> signal as it occurs. {D= ?; Es= emisión en direc<strong>to</strong> [en<br />

vivo]; 1) direc<strong>to</strong>; F= direct}<br />

live animation {E} * Animation accomplished by moving an<br />

object or subject slightly between each frame.10. {D= ?;<br />

Es= proceso de animación; F= procédé d'animation}.<br />

Livre jaune {F} * see Yellow Book {D;E}.<br />

Livre rouge {F} * see Red Book {D;E}.<br />

Livre vert {F} * see Green Book {E}.<br />

livres par point {F} * see pounds per point {E}.<br />

livret {F} * see booklet {E}.<br />

lkaline reserve {E} * Buffer or reserve <strong>of</strong> an alkaline<br />

substance added <strong>to</strong> materials <strong>to</strong> counteract acid. Usually<br />

three percent precipitated calcium or magnesium<br />

carbonate by weight <strong>of</strong> <strong>the</strong> material <strong>to</strong> which it is being<br />

added. Soaking paper materials in a solution <strong>of</strong> calcium<br />

bicarbonate or magnesium bicarbonate adds a small<br />

amount <strong>of</strong> calcium or magnesium bicarbonate which<br />

neutralizes any acid present and also provides a reserve<br />

<strong>to</strong> counteract acid which may enter <strong>the</strong> paper at some<br />

future time. Paper materials which are <strong>to</strong> remain acid free<br />

for long periods <strong>of</strong> time, e.g., 500 years, should have<br />

approximately three percent precipitated carbonate by<br />

weight; see also buffer; buffering; deacidification; diethyl<br />

zinc; double decomposition; vapor-phase deacidification;<br />

permanent paper.(45.) {D= Reserve; Alkalische; Es=<br />

reserva alcalina; F= réserve alcaline}.<br />

llave {Es} * see key {E}.<br />

llave croma {Es} * see chroma key {E}.<br />

llave de color {Es} * see colour key {E}.<br />

llave de manipulación de la luminancia {Es} * see<br />

luminance key {E}.<br />

llorado del donido {Es} * see tilt shot {E}.<br />

llorado del sonido {Es} * see wow {E}.


llorado y centelleo (variación de velocidad) {Es} * see wow<br />

and flutter {E}.<br />

lluvia {Es} * see rain {E}.<br />

lm {E} * abbreviation for lumen.<br />

LnFt {E} * abbreviation for linear feet.<br />

LnMt {E} * abbreviation for linear metres.<br />

load {E} * 1) In computer programming, <strong>the</strong> entry <strong>of</strong> data<br />

in<strong>to</strong> s<strong>to</strong>rage or working registers. 2) In video productions,<br />

load means <strong>to</strong> insert or thread <strong>the</strong> videotape in<strong>to</strong> or on<strong>to</strong><br />

its videotape machine. {D= ?; Es= cargar (la película;<br />

da<strong>to</strong>s); F= chargement}.<br />

loan {E} * The temporary physical transfer <strong>of</strong> materials<br />

from <strong>the</strong>ir s<strong>to</strong>rage location for any purpose, i.e., reference,<br />

consultation, reproduction, research, exhibition, or<br />

res<strong>to</strong>ration or preservation purposes.(22.23.) {D= Ausleihe;<br />

Entlehnung; Es= préstamo; F= prêt; *communication avec<br />

déplacement}.<br />

local de s<strong>to</strong>ckage de films à humidité et température<br />

contrôlées {F} * see vault {E}.<br />

local loop {E} * see loop {E}.<br />

location {E} * In video productions, a recording or<br />

broadcast that occurs from any place o<strong>the</strong>r than <strong>the</strong> studio<br />

is termed <strong>to</strong> be an origination from a “location.” The crew<br />

is said <strong>to</strong> be "on-location" or "at a remote site". {D= ?; Es=<br />

(rodaje en) exteriores?; F= en extérieur (<strong>to</strong>urnage); en<br />

décor naturel}<br />

location {F} * see also address {E;F}<br />

Lochestreifen {D} * see punched card {E}.<br />

Lochkarte {D} * see punched card {E}.<br />

locked groove {E} * see concentric groove.<br />

locu<strong>to</strong>r {Es} * see speaker (2) {E}.<br />

logic {E} * Systematized rules or interconnections <strong>of</strong> digital<br />

switch-ing circuits.39. {D= ?; Es= lógica; F= logique}.<br />

lógica {Es} * see logic {E}.<br />

logical {Es} * see s<strong>of</strong>tware {E}.<br />

logical block {E} * A group <strong>of</strong> 2n + 9 bytes treated as a<br />

logical unit, where n equals 0 or a positive integer.20. {D=<br />

?; Es= bloque lógico; F= bloc logique}.<br />

logicial {Es} * see s<strong>of</strong>tware {E}.<br />

logiciel {F} * see solarization {E}.<br />

logiciel par menu {F} * see menu-driven {E}.<br />

logiciel{F} * see s<strong>of</strong>tware {D;E}.<br />

logique {F} * see logic {E}.<br />

loi de réciprocité {F} * see reciprocity law {E}.<br />

lomo {Es} * see spine {E}.<br />

long shot {E} * In a moving-image production, <strong>the</strong> full<br />

figures <strong>of</strong> <strong>the</strong> subjects, see also full shot.30. {D= Totale;<br />

Es= plano largo; F= plan longue focale; d'ensemble}.<br />

long-play; long-playing record (Lp) {E}.* A comparative<br />

term <strong>to</strong> describe <strong>the</strong> length or duration <strong>of</strong> a recording<br />

(originally applied <strong>to</strong> sound recordings, and now <strong>to</strong> video)<br />

138<br />

<strong>of</strong> greater duration than was previously available. The term<br />

has been used since <strong>the</strong> early days <strong>of</strong> <strong>the</strong> 20th century,<br />

first by <strong>the</strong> British company, Neophone, for its 20-inch<br />

vertical cut discs. O<strong>the</strong>rs which have used <strong>the</strong> phrase<br />

include Edison's Long Playing Disc Records <strong>of</strong> 1926 (10<br />

and 12-inch microgroove 80-RPM discs with a playing time<br />

<strong>of</strong> up <strong>to</strong> twelve and twenty minutes, respectively); Vic<strong>to</strong>r's<br />

standard groove 33a-RPM Long Playing Records <strong>of</strong> 1932;<br />

and Columbia's microgroove 33a-RPM Lp. <strong>of</strong><br />

1948.(14.) 2) In usage since 1948, an analogue audio disc<br />

recording with a playing time <strong>of</strong> substantially over five<br />

minutes, normally referring <strong>to</strong> a 10 or 12-inch diameter,<br />

33a-RPM microgroove disc introduced by Columbia in<br />

1948; also called an Lp. 3) An extended play video tape,<br />

generally four hours or longer. 4) The four (4) hour speed<br />

on a VHS videocassette recording when using a T120<br />

cassette; see also standard play; super long-play.(35.) {D=<br />

Langspielplatte; Es= grabación de larga duración; larga<br />

duración; F= microsillon; enregistrement longue durée;<br />

longue durée}<br />

long-playing record {E} * see long-play; long-playing record<br />

(Lp) {E}.<br />

long-term film {E} * Film suitable for <strong>the</strong> preservation <strong>of</strong><br />

records for a minimum <strong>of</strong> one hundred years when s<strong>to</strong>red<br />

properly, if <strong>the</strong> original film were processed correctly; see<br />

also archival film; medium-term film; and short-term<br />

film.40. {D= ?; Es= película de conservación a largo plazo;<br />

F= film de conservation à long terme}.<br />

longeur d'onde {F} * see wave length (w) {E}.<br />

longitud de onda {Es} * see wave length (w) {E}.<br />

longitud de palabra {Es} * see word length {E}.<br />

longitud del rayo óptico {Es} * see optical path length {E}.<br />

longitudinal curvature {E} * Deformation, usually warping<br />

or stretching, but any deviation from straightness, <strong>of</strong> a<br />

length <strong>of</strong> magnetic tape or strip film along its length. Most<br />

generally caused by pressure from winding and s<strong>to</strong>ring <strong>the</strong><br />

tape/film under tension. This is permanent deformation<br />

which impairs <strong>the</strong> reproductive quality <strong>of</strong> <strong>the</strong><br />

film/tape.(04.46.) {D= ?; Es= curvatura longitudinal; F=<br />

courbure longitudinale}.<br />

longitudinal direction {E} * Along <strong>the</strong> length <strong>of</strong> <strong>the</strong> film or<br />

tape.(46.) {D= Längsrichtung; Es= dirección longitudinal;<br />

F= direction longitudinale}.<br />

longitudinal time code (LTC) {D;E} ** SMPTE/ANSI TIME<br />

CODE was developed <strong>to</strong> identify <strong>the</strong> individual frames <strong>of</strong><br />

video and has two formats, <strong>the</strong> longitudinal time code<br />

(LTC) and <strong>the</strong> vertical interval time code (VITC). {Es=<br />

código de tiempo longitudinal; F= piste longitudinale de<br />

codage temporel}.<br />

longue durée {F} * see long-play; long-playing record (Lp)<br />

{E}.<br />

loop {E} * A length <strong>of</strong> audio tape moving-image film or tape<br />

that is joined <strong>to</strong>ge<strong>the</strong>r at both ends in order <strong>to</strong> permit<br />

playback without rewinding.(12.) 2) A video term referring<br />

<strong>to</strong> a relatively short distribution cable between two intercity<br />

points; also called a local loop. {D= Filmschleife;<br />

Filmschlaufe; Endlosschleife; Schleife; Es= cinta sin fin;<br />

bucle (de la película); F= boucle de distribution}.<br />

looping {E} * A technique <strong>of</strong> post-dubbing in film and<br />

magnetic tape media wherein a few seconds <strong>of</strong> film or tape<br />

are formed in<strong>to</strong> a loop and projected/played over and<br />

over.(30.) {D= ?; Es= doblaje; F= séquense en boucle}.<br />

loose debris {E} * In film or magnetic tape recording,<br />

material very lightly bonded <strong>to</strong> <strong>the</strong> tape, film, or associated<br />

playback surfaces (for example, <strong>the</strong> head surface <strong>of</strong>


magnetic machines) which is removable by <strong>the</strong> film or tape<br />

motion.46. {D= Bandabrieb; Abrieb; Es= deshechos<br />

desmontables (res<strong>to</strong>s deshechables); F= perte de débris}.<br />

loose insert {E} * see insert.<br />

loose pack {E} * A modifier which describes an undesired<br />

means <strong>of</strong> reeling or rolling film or tape materials in which,<br />

by pulling on <strong>the</strong> end <strong>of</strong> <strong>the</strong> tape or film <strong>the</strong> outer portion <strong>of</strong><br />

<strong>the</strong> roll can be easily rotated.(06.) {D= loser Wickel; Es=<br />

bobinado flojo; F= déformation par enroulement; perte de<br />

débris; par enroulement}.<br />

loudness control {E} * Sometimes known as con<strong>to</strong>ur. In<br />

audio recording, a system which compensates for loss <strong>of</strong><br />

<strong>to</strong>nes at <strong>the</strong> extreme end <strong>of</strong> <strong>the</strong> audio range when listening<br />

at s<strong>of</strong>t volumes or through small speakers. A typical<br />

control <strong>of</strong> this sort will usually boost <strong>the</strong> bass.50. {D= ?;<br />

Es= control de sonoridad; F= correction de spectre<br />

sonore}.<br />

loudspeaker {E} * An acoustic transducer <strong>to</strong> convert<br />

electrical signals in<strong>to</strong> mechanical movement <strong>of</strong> <strong>the</strong> air;<br />

most commonly (electro-) dynamic, sometimes<br />

electrostatic (condenser) transducers are used; see also<br />

speaker. {D= Lautsprecher; Es= altavoz; F= haut-parleur}.<br />

low contrast {E} * A relationship <strong>of</strong> image <strong>to</strong>nes in which<br />

<strong>the</strong> light and dark areas are represented by small<br />

differences in density.40. {D= ?; Es= bajo contraste; F=<br />

faible contraste}.<br />

low frequency {E} * The audio frequencies between 30 and<br />

300 Hz. {D= tiefe Frequenz; Es= baja frecuencia; F= basse<br />

fréquence; basse}.<br />

low frequency dis<strong>to</strong>rtion {E} * 1) In audio, dis<strong>to</strong>rtion that<br />

occurs between 30 and 300 Hz. 2) In television, dis<strong>to</strong>rtion<br />

that occurs below 15,750-Hz line frequency.(10.) {D=<br />

Verzerrungen im tiefen Frequenzbetreich; Es= dis<strong>to</strong>rsión<br />

de baja frecuencia; F= dis<strong>to</strong>rsion basse fréquence}.<br />

low key light {E} * see key lighting, high or low.<br />

low noise tape {E} * Magnetic tape with a signal-<strong>to</strong>-noise<br />

ratio three <strong>to</strong> five dB better than conventional tapes,<br />

accomplished by noise reduction ra<strong>the</strong>r than increased low<br />

frequency output, making it possible <strong>to</strong> record sound<br />

(especially wide frequency-range music) at reduced tape<br />

speeds without objectionable background noise (hiss) and<br />

without compromising fidelity.16. {D= ?; Es= cinta de bajo<br />

nivel de ruido; F= bande faible bruit}.<br />

low print tape {E} * Magnetic tape with a high resistance <strong>to</strong><br />

signal print through. {D= Band mit hoher Lopierdämpfung;<br />

Band mit geringem Kopiereffekt; Es= cinta de bajo nivel de<br />

impresión; F= bande faible effet de copie}.<br />

low resolution {E} * A picture with definition below <strong>the</strong> 400<br />

x 300 pixels presented by normal NTSC colour television.<br />

{D= ?; Es= baja resolución; F= basse résolution}.<br />

low-pass filter {E} * A filter with a characteristic that allows<br />

all fre-quencies below a specified roll-<strong>of</strong>f frequency <strong>to</strong> pass<br />

and attenuates all frequencies above. Anti-aliasing and<br />

anti-imaging filters are low-pass filters.39. {D=<br />

Tiefpaßfilter; Es= filtro pasabajos; filtro de paso bajo; F=<br />

filtre passe bas}.<br />

lowband (LB) {D;E} * 1) In quadruplex video recording,<br />

pertaining <strong>to</strong> those frequencies specified in SMPTE<br />

Recommended Practice RP 6, Practice LBM, or LBC. 2)<br />

Pertaining <strong>to</strong> video recordings made in accordance <strong>to</strong> <strong>the</strong><br />

above cited SMPTE Recommended Practice. 3) Pertaining<br />

<strong>to</strong> equipment capable <strong>of</strong> making video recordings in<br />

accordance <strong>to</strong> <strong>the</strong> above cited SMPTE Recommended<br />

Practice. 4) The carrier frequency appearing on a tape<br />

made in accordance with such practices.(10.) {Es= banda<br />

139<br />

baja; F= basse fréquence ? (vidéo quadruplex)}.<br />

lowband standard {D;E} * The specifications for quadruplex<br />

video recording practices specified in SMPTE<br />

Recommended Practice RP 6, Practice LBMN, or<br />

LBC.(10.) {Es= estándar de banda baja; F= norme basse<br />

fréquence}.<br />

Lp (Lp) {E} * acronym for Long-playing record.<br />

LSB {E} * acronym for least sig<br />

lubricant {E} * 1) A substance which can be applied <strong>to</strong><br />

materials <strong>to</strong> make <strong>the</strong>m run more smoothly and/or be more<br />

slippery. 2) In motion picture film media, a substance<br />

applied <strong>to</strong> film so that it can perform satisfac<strong>to</strong>rily in a<br />

projec<strong>to</strong>r; see also edge waxing.(09.) {D= Gleitmittel; Es=<br />

lubricante; F= lubrifiant}.<br />

lubricante {Es} * see lubricant {E}.<br />

lubrifiant {F} * see lubricant {E}.<br />

lubrification par cirage {F} * see edge waxing {E}.<br />

lubrification par cirage {F} * see edge waxing {E}.<br />

luces de estudio {Es} * see set light {E}.<br />

Luftaufnahme {D} * see aerial pho<strong>to</strong>graph {E}.<br />

Luftbefeuchtung {D} * see humidification {E}.<br />

Lufttrocknung {D} * see air drying {E}.<br />

lumen (LM) {D;E;Es;F} * The light or flux received on an<br />

area <strong>of</strong> one square foot contained on a sphere <strong>of</strong> radius<br />

one foot (or on an area <strong>of</strong> one square metre contained on<br />

a sphere <strong>of</strong> radius one metre) from a point source having<br />

a uniform luminous intensity <strong>of</strong> one candela.07. {Es=<br />

unidad de flujo luminoso}.<br />

lumen {F} * see lumen (LM) {D;E}.<br />

lumen-per square foot {E} * see footcandle {E}.<br />

lumen-per square metre {E} * see lux.<br />

lumière {F} * see light; lighting {E}.<br />

lumière ambiante {F} * see ambient light {E}.<br />

lumière au tungstène {F} * see tungsten light {E}.<br />

lumière d'ambiance {F} * see ambient light {E}.<br />

lumière d'appoint {F} * see fill light {E}.<br />

lumière de base {F} * see key light {E}.<br />

lumière diffuse {F} * see broad light {E}.<br />

lumière dominante {F} * see key light {E}.<br />

lumière inactinique {F} * see safelight; safelight {E}.<br />

lumière incidente {F} * see incident light {E}.<br />

lumière indirecte {F} * see bounce light {E}.<br />

lumière infrarouge {F} * see infrared light {E}.<br />

lumière infrarouge {F} * see infrared lights {E}.<br />

lumière noire {F} * see black light {E}.<br />

lumière oblique {F} * see oblique light {E}.


lumière réfléchie {F} * see bounce light {E}.<br />

lumière réfléchie {F} * see reflected light {E}.<br />

lumière sans relief {F} * see flat lighting {E}.<br />

lumière transmise {F} * see transmitted light {E}.<br />

lumière ultra violet {F} * see ultraviolet light (UV) {E}.<br />

luminaires {F} * see luminaries {E}.<br />

luminance {E;F} * 1) The intensity or brightness component<br />

<strong>of</strong> an elec-tronic image.39. 2) The measured value <strong>of</strong><br />

brightness; <strong>the</strong> reflected light measured on motion picture<br />

screens.09. 3) The black and white component <strong>of</strong> a video<br />

picture; see also chroma.(35.) 4) The black and white<br />

portion <strong>of</strong> a video signal. As <strong>the</strong> luminance is increased <strong>the</strong><br />

picture appears lighter. 2) Luminance is determined by <strong>the</strong><br />

amount <strong>of</strong> white light in an image. {D= ?; Es= lumnancia;<br />

brillo fo<strong>to</strong>métrico}.<br />

luminance {F} * see luminance key {E}.<br />

luminance key {E} * A video special effect in which a new<br />

video signal is inserted in<strong>to</strong> and replaces a portion <strong>of</strong> <strong>the</strong><br />

original as determined by a variable luminance value. {D=<br />

?; Es= llave de manipulación de la luminancia; F=<br />

insertion; luminance}.<br />

luminance ratio {E} * The measured value <strong>of</strong> brightness or<br />

<strong>the</strong> reflected light measured on motion picture screens.09.<br />

{D= Luminanz; Es= ?; F= indice de luminance.}.<br />

Luminanz {D} * see luminance {E}.<br />

luminarias {Es} * see luminaries {E}.<br />

luminaries {E;F} * A light emitting fixture used in television<br />

production. {D= ?; Es= luminarias; F= luminance}.<br />

lumination {F} * see exposure {E}.<br />

lumination {F} * see exposure {E}.<br />

luminescent panel {E} * A flat luminescent surface which<br />

is divided in<strong>to</strong> a multitude <strong>of</strong> individual cells, which<br />

becomes <strong>the</strong> pixels <strong>of</strong> a video display device. {D= ?; Es=<br />

pantalla luminiscente; F= panneau luminescent}.<br />

lumineux {F} * see bright {E}.<br />

luminosidad {Es} * see brightness {E}.<br />

luminosité {F} * see brightness {E}.<br />

luminous flux {E} * A quantity expressing <strong>the</strong> capacity <strong>of</strong><br />

<strong>the</strong> radiant flux <strong>to</strong> produce visual sensation. The unit <strong>of</strong><br />

luminous flux is <strong>the</strong> lumen.25. {D= ?; Es= flujo luminoso;<br />

F= flux lumineux}.<br />

luz ambiente {Es} * see broad light {E}.<br />

luz base o principal {Es} * see key light {E}.<br />

luz de arco {Es} * see arc light {E}.<br />

luz de positivado {Es} * see printer lights {E}.<br />

luz de relleno {Es} * see fill light; filler light {E}.<br />

luz de seguridad {Es} * see safelight {E}.<br />

luz de tungsteno {Es} * see tungsten light {E}.<br />

luz existente {Es} * see existing light {E}.<br />

luz incidente {Es} * see incident light {E}.<br />

140<br />

luz infrarroja {Es} * see infrared light {E}.<br />

luz infrarroja {Es} * see infrared light {E}.<br />

luz negra {Es} * see black light {E}.<br />

luz oblicua {Es} * see oblique light {E}.<br />

luz para iluminar cicloramas {Es} * see cyc light {E}.<br />

luz reflejada {Es} * see bounce light; reflected light {E}.<br />

luz reflejada desde los ojos {Es} * see eye light {E}.<br />

luz transmitida {Es} * see transmitted light {E}.<br />

luz ultravioleta (UV) {Es} * see ultraviolet light (UV) {E}.<br />

m --m<br />

.{D;E;Es;F} * abbreviation for mega-.<br />

M .{D;E;Es;F} * The standard for television containing 525<br />

lines and 30 frames per second; <strong>the</strong> NTSC standard.(10.)<br />

M II .{D;E;Es;F} * 1) A pr<strong>of</strong>essional, digital video tape<br />

recording format with component signal coding using ½inch<br />

MP tape in cassette. 2) A second generation M format<br />

videotape system.10.<br />

M II (forma<strong>to</strong> Panasonic) .{Es} * see MII .{E}.<br />

M-format .{E} * see M .{D;E;Es;F}.<br />

MAC .{E;Es;F} * acronym for multiple analogue<br />

component. .{D= ?}.<br />

MAC de alta definición .{Es} * see HDMAC .{E}.<br />

MAC format .{E} ** A channel coding format for wideband<br />

satellite transmissions <strong>of</strong> HDTV. It's predecessor was <strong>the</strong><br />

MUSE system; see MAC, MUSE, & HDTV. .{D= ?; Es=<br />

forma<strong>to</strong> MAC; F= format MAC}.<br />

MacGuffin .{D;E;Es;F} * Alfred Hitchcock's term for <strong>the</strong><br />

device or plot element which catches <strong>the</strong> viewer's attention<br />

or drives <strong>the</strong> logic <strong>of</strong> <strong>the</strong> plot, especially in suspense films.<br />

According <strong>to</strong> Hitchcock, <strong>the</strong> macguffin can be discarded<br />

soon after it has served its purpose.30.<br />

machine à perforer pour éliminer le bruit de collure .{F} *<br />

see blooping machine .{E}.<br />

machine de net<strong>to</strong>yage des disques par le vide .{F} * see<br />

vacuum type record cleaning machine .{E}.<br />

machine parlante .{F} * see talking machine .{E}.<br />

machine speed .{E} * 1) The velocity <strong>of</strong> equipment. 2) In<br />

film-readable records .{E} * Documents, usually in code,<br />

recorded on a medium such as magnetic disk, magnetic<br />

tape, punched card, whose contents are accessible only<br />

by machine and organized in accordance with <strong>the</strong> principle<br />

<strong>of</strong> provenance as distinct from data archive; also called<br />

electronic records, computer readable records.(22.) .{D=<br />

maschinenlesbare Dokumente; maschinenlesbare Archive;<br />

Es= documen<strong>to</strong>s legibles por máquina; F=archive<br />

informatiques;}.<br />

machine-readable records/archives .{E} *<br />

Records/archives, usually in code, recorded on a medium<br />

such as a magnetic disk, magnetic tape, or punched card,<br />

whose contents are accessible only by machine and<br />

organized in accordance with <strong>the</strong> principle <strong>of</strong> prove-nance<br />

as distinct from data archive/s.(22.23.) .{D=<br />

maschinenlesbare Dokumente; maschinenlesbare Archive;<br />

Es= archivos legibles por máquina; documen<strong>to</strong>s legibles<br />

por máquina; F= enregistrements accessibles par


machine; archive enregistrées; archives informatiques}.<br />

machines parlantes .{F} * see talkeries .{E}.<br />

macho .{Es} * see plug .{E}.<br />

macroscopic .{E} * Large enough <strong>to</strong> be read without<br />

magnification, e.g., heading or title information on<br />

micr<strong>of</strong>iche.40. .{D= ?; Es= macroscópico; F=<br />

macroscopique}.<br />

macroscópico .{Es} * see macroscopic .{E}.<br />

macroscopique .{F} * see macroscopic .{E}.<br />

madre .{Es} * see mo<strong>the</strong>r .{E}.<br />

magasin .{F} * see magazine .{E;Es;F}.<br />

magasin de s<strong>to</strong>ckage .{F} * see stacks .{E}.<br />

Magazin .{D} * see magazine .{E;Es;F}.<br />

Magazin/e .{D} * see stacks .{E}.<br />

magazine .{E;Es;F} * 1) In motion picture film work, a lightpro<strong>of</strong><br />

container which feeds raw film s<strong>to</strong>ck through a<br />

motion picture camera and which takes it up after<br />

exposure.09. 2) A s<strong>to</strong>rage area. .{D= 1) Kassette; 2)<br />

Magazin; Es= 1) cargador; almacén; bombo; 2) magazine;<br />

revista cinema<strong>to</strong>gráfica; 1) compartimen<strong>to</strong> portacarrete;<br />

bombo; chasis; 2) revista cinema<strong>to</strong>gráfica ; F= magasin;<br />

chargeur; cassette}.<br />

Magazinierung .{D} * see shelving .{E}.<br />

magenta .{E;Es;F} * The colour blue-red; <strong>the</strong><br />

complementary colour <strong>to</strong> green or <strong>the</strong> minus-green<br />

subtractive primary used in <strong>the</strong> three-colour reproduction<br />

pro-cesses.(09.) .{D= purpur}.<br />

magic lantern .{E} * One <strong>of</strong> <strong>the</strong> first projection systems,<br />

invented in <strong>the</strong> 17th century by Athanasius Kircher,<br />

consisting <strong>of</strong> a metal box with a hole in one side covered<br />

by a lens; an image painted on a glass slide placed behind<br />

<strong>the</strong> lens is projected by means <strong>of</strong> a lamp inside <strong>the</strong><br />

box.(10.) .{D= ?; Es= linterna mágica; linterna de<br />

proyección; F= lanterne magique}.<br />

magnesium bicarbonate .{E} * A bicarbonate used in<br />

deacidifying papers. The bicarbonate is produced by<br />

passing carbon dioxide (CO2) through a solution <strong>of</strong><br />

magnesium carbonate. The document <strong>to</strong> be deacidified is<br />

immersed in a bath or sprayed with a solution <strong>of</strong> about 10<br />

grams <strong>of</strong> magnesium carbonate per litre <strong>of</strong> water that has<br />

been treated with CO2. The advantage <strong>of</strong> this method is<br />

that it is simple and effective; see also barrow process;<br />

deacidification.45. .{D= ?; Es= bicarbona<strong>to</strong> magnésico; F=<br />

carbonate de magnésium}.<br />

magnetic disk {E} * A flat, round, generally thin analogue<br />

or digital s<strong>to</strong>rage medium consisting <strong>of</strong> a magnetically<br />

chargeable material or coating substrate which can s<strong>to</strong>re<br />

data such as magnetic patterns; used mainly for personal<br />

computers; see also magnetic tape.(22.39.) {D=<br />

Magnetplatte; Es= disco magnético; F= disque<br />

magnétique}<br />

magnetic flux density .{E} * see maximum intrinsic flux<br />

density.<br />

magnetic instability .{E} * see instability.<br />

magnetic particles .{E} * Small pieces <strong>of</strong> material held in<br />

suspension in <strong>the</strong> binder <strong>of</strong> magnetic tape which can take<br />

and hold a magnetic charge. .{D= ?; Es= partículas<br />

magnéticas; F= particules magnétiques}.<br />

141<br />

magnetic tape .{E} * A flat, thin strip <strong>of</strong> material ei<strong>the</strong>r<br />

capable <strong>of</strong> being magnetically charged, or coated with<br />

particles capable <strong>of</strong> being magnetically charged, which is<br />

used for recording analogue or digital data.(22.) Coated<br />

materials are frequently gamma ferric oxide or chromium<br />

dioxide; some newer tapes use actual metal particles. The<br />

particles are usually <strong>of</strong> acicular shape, approach single<br />

domain size, and are held in a binder and lubricated.46.<br />

Magnetic tape is s<strong>to</strong>red on reels, in cassettes, and in<br />

cartridges. Standard width audio tape is ¼-inch, but<br />

compact cassette tape is .15-inch and video tape ranges<br />

from 8-mm <strong>to</strong> 2-inches in width. In film use it also comes<br />

in various formats compatible with super 8-mm, 16-mm,<br />

and 35-mm widths.(04.09.) .{D= Band; Magne<strong>to</strong>phonband;<br />

Magnetband; Es= banda magnética; cinta [banda]<br />

magnética (específicamente); F= bande magnétique}.<br />

magnetic tape base .{E} * The varied thickness backing for<br />

magnetic tape, usually acetate tape or polyester tape, but<br />

also paper, <strong>to</strong> which <strong>the</strong> coating <strong>of</strong> magnetic particles is<br />

applied.(01.) .{D= Bandträgermaterial; Es= cinta [banda]<br />

magnética (genéricamente); F= support de bande<br />

magnétique}.<br />

magnetic track .{E} * Audio data, intended <strong>to</strong> accompany<br />

a moving-i-mage production, which has been recorded<br />

on<strong>to</strong> a film or tape that has been coated with a mag-netic<br />

recording medium.(09.) .{D= Magnetspur; Es= pista<br />

magnética ; F= piste magnétique}.<br />

magnetic wire .{E} * A means <strong>of</strong> magnetic recording<br />

patented by Danish inven<strong>to</strong>ry Valdemar Poulsen in 1900<br />

utilizing stainless steel line or wire. The wire is magnetized<br />

as it passes over <strong>the</strong> wire recorder head. Principal<br />

problems include mechanical breakage, tangling and<br />

snarling <strong>of</strong> <strong>the</strong> wire, and rusting and breakage <strong>of</strong> <strong>the</strong><br />

wire.Considered obsolete since <strong>the</strong> wide acceptance <strong>of</strong><br />

magnetic tape, <strong>the</strong> signal-<strong>to</strong>-noise ration <strong>of</strong> wire recording<br />

is considerably less that for magnetic tape.(04.) .{D=<br />

Magnetdraht; Tondraht; Es= hilo magnético; F= fil<br />

magnétique}.<br />

magnetisch .{D} * see moving magnet .{E}.<br />

magnetischer Fluß .{D} * see flux .{E}; intrinsic flux .{E}.<br />

magnetite .{E} * see ferric oxide.<br />

magnetizing field strength .{E} * The instantaneous<br />

strength <strong>of</strong> <strong>the</strong> magnetic field applied <strong>to</strong> a sample <strong>of</strong><br />

magnetic material.46. .{D= ?; Es= fuerza del campo<br />

magnético; F= force de champ magnétisant}.<br />

magne<strong>to</strong>-optical recording (MOR) .{E} * An erasable<br />

optical disc system using magnetic media and LASER<br />

reading.39. .{D= magne<strong>to</strong>-optisches Aufnahmeverfahren;<br />

Es= grabación magne<strong>to</strong>óptica; F= enregistrement<br />

magné<strong>to</strong>-optique}.<br />

magne<strong>to</strong>-optical recording (MOR) {E} * An erasable optical<br />

disc system using magnetic media and LASER reading.39.<br />

{D= magne<strong>to</strong>-optisches Aufnahmeverfahren; Es=<br />

grabación magne<strong>to</strong>óptica; F= enregistrement<br />

magné<strong>to</strong>-optique}.<br />

magne<strong>to</strong>-optisches Aufnahmeverfahren .{D} * see<br />

magne<strong>to</strong>-optical recording (MOR) .{E}.<br />

magnetófono .{Es} * see audio tape recorder (ATR) .{E}.<br />

magnetófono de dos pistas .{Es} * see dual track recorder<br />

.{E}.<br />

magnetófono digital de cabeza rotacional .{Es} * see rotary<br />

head digital audio tape recorder (R-DAT or DAT) .{D;E}.<br />

magnetófono mon<strong>of</strong>ónico .{Es} * see monaural recorder<br />

.{E}; monophonic recorder .{E}.


Magne<strong>to</strong>phonband .{D} * see also magnetic tape .{E}.<br />

Magne<strong>to</strong>phonband .{D;E;Es;F} * The name for <strong>the</strong> first<br />

magnetic tape produced by I.G. Farben in 1935.<br />

magné<strong>to</strong>phone .{F} * see also Audio Tape Recorder;<br />

sound recording; tape player .{E}.<br />

magné<strong>to</strong>phone numérique à tête <strong>to</strong>urnante (R-DAT ou<br />

DAT) .{F} * see rotary head digital audio tape recorder (R-<br />

DAT or DAT) .{D;E}.<br />

Magne<strong>to</strong>phon .{D;E;Es;F} * The name <strong>of</strong> <strong>the</strong> first<br />

magnetic taperecorder produced by AEG in 1935.<br />

magné<strong>to</strong>scope .{F} * see videotape recorder .{E}.<br />

magne<strong>to</strong>scopio .{Es} * see videotape recorder .{E}.<br />

Magnetplatte .{D} * see magnetic disk .{E}.<br />

Magnetpulverband .{D} * see metal particle tape (MP) .{E}.<br />

Magnetspur .{D} * see magnetic track .{E}.<br />

magnification .{E} * In micr<strong>of</strong>orms, <strong>the</strong> linear ration <strong>of</strong> <strong>the</strong><br />

size <strong>of</strong> an image <strong>to</strong> that <strong>of</strong> <strong>the</strong> original document when<br />

viewed by an optical instrument; also called enlargement<br />

ratio.(23.) .{D= Vergrößerungsgrad; Es= aumen<strong>to</strong>;<br />

amplificación; F= agrandissement; échelle<br />

d'agrandissement}.<br />

main entry .{E} * 1) The complete catalogue record <strong>of</strong> an<br />

item, presented in <strong>the</strong> form by which <strong>the</strong> entity is <strong>to</strong> be<br />

uniformly identified and cited; may include <strong>the</strong> tracings <strong>of</strong><br />

all o<strong>the</strong>r headings under which <strong>the</strong> bibliographic record is<br />

<strong>to</strong> be represented in <strong>the</strong> catalogue. 2) The single element<br />

which is chosen <strong>to</strong> begin <strong>the</strong> complete record and under<br />

which -drive mo<strong>to</strong>r. .{D= ?; Es= ?; F= grand ressort; ressort<br />

principal}.<br />

maison de production .{F} * see production company .{E}.<br />

maître/esclave .{F} * see master/slave .{D;E;Es;F}.<br />

Makrorille .{D} * see coarse groove .{E}.<br />

mal funcionamien<strong>to</strong> del tubo-pantalla debido a una luz<br />

muy brillante .{Es} * see bloom (5) .{E}.<br />

malla .{Es} * see grid .{E;F}.<br />

mancha .{Es} * see blemish .{E}; stain .{E}.<br />

mancha (borrosidad de la imagen) .{Es} * see smear .{E}.<br />

mancha de color marrón .{Es} * see brown stain .{E}.<br />

mancha de herrumbre .{Es} * see corrosion stain .{E}.<br />

mancha iónica .{Es} * see ion spot .{E}.<br />

mancha oscura .{Es} * see ion spot .{E}.<br />

manchado .{Es} * see mottled .{E}.<br />

manda<strong>to</strong>ry licence .{E} * see compulsory licence.<br />

mandrel .{E} * That part <strong>of</strong> a cylinder machine which<br />

carried <strong>the</strong> cylinder record, causing it <strong>to</strong> revolve under <strong>the</strong><br />

reproducing or recording stylus. In some Edison literature<br />

<strong>the</strong> mandrel is also called <strong>the</strong> cylinder or drum.(04.14.)<br />

.{D= ?; Es= mandríl; soporte de arrollamien<strong>to</strong>; F=<br />

mandrin}.<br />

mandril transversal .{Es} * see traversing mandrel .{E}.<br />

mandríl .{Es} * see mandrel .{E}.<br />

142<br />

mandrin .{F} * see mandrel .{E}.<br />

mandrin (platine cylindres) .{F} * see carrier-arm .{E}.<br />

mandrin à mouvement transversal .{F} * see traversing<br />

mandrel .{E}.<br />

mangelnder Band-Kopf-Kontakt .{D} * see tape-<strong>to</strong>-head<br />

separation .{E}.<br />

mango de manivela .{Es} * see crank handle .{E}.<br />

manière noire .{F} * see mezzotint .{E}.<br />

manivelle .{F} * see crank handle .{E}.<br />

mantenimien<strong>to</strong> de enfoque .{Es} * see au<strong>to</strong> focus (2) .{E}.<br />

mantenimien<strong>to</strong> de los fondos .{Es} * see collection<br />

maintenance .{E}.<br />

manual edit .{E} * A change made "on-<strong>the</strong>-fly" without<br />

preset entry or exit points. .{D= ?; Es= edición [inserción]<br />

manual; F= édition (insertion) manuelle}.<br />

manuscript .{E} * A document <strong>of</strong> any kind which is written<br />

by hand, or <strong>the</strong> text <strong>of</strong> a music or literary composition in<br />

hand-written or typescript form (including generated by a<br />

word processor), and which, in that form, has not been<br />

reproduced in multiple copies.07. .{D= ?; Es= manuscri<strong>to</strong>;<br />

F= manuscrit}.<br />

manuscrit .{F} * see manuscript .{E}.<br />

manuscri<strong>to</strong> .{Es} * see manuscript .{E}.<br />

maqueta .{Es} * see mock-up .{E}; model .{E}; model shot<br />

.{E}.<br />

maqueta .{Es} * see model .{E}; model shot .{E}.<br />

maquette .{F} * see diorama .{E}; mock-up .{E}.<br />

máquina amiga .{Es} * see user friendly .{E}.<br />

máquina de fácil manejo .{Es} * see user friendly .{E}.<br />

máquina de limpieza de discos al vacío .{Es} * see vacuum<br />

type record cleaning machine .{E}.<br />

máquina edi<strong>to</strong>ra de películas .{Es} * see console (3) .{E;F}.<br />

máquina lec<strong>to</strong>ra .{Es} * see reader (2) .{E}.<br />

máquina para empalmar película .{Es} * see butt splicer<br />

.{E}.<br />

máquina parlante .{Es} * see talking machine .{E}.<br />

máquina perforadora de la película con la banda sonora<br />

.{Es} * see blooping machine .{E}.<br />

Máquina de Grabación Electrónica de Visión (BBC) .{Es}<br />

* see VERA .{E}.<br />

máquinas parlantes .{Es} * see talkeries .{E}.<br />

MARC .{E} * acronym for Machine Readable Cataloging.<br />

marca .{Es} * see cue marks .{E}; flag .{E}.<br />

marca (registrada) en la cinta .{Es} * see tape mark .{E}.<br />

marca de inicio .{Es} * see start mark .{E}.<br />

marca de paso .{Es} * see change-over cue .{E}.<br />

marca sensible de detección .{Es} * see sensing mark .{E}.


marcas .{Es} * see paper marks .{E}.<br />

marcas de abrasión .{Es} * see abrasion marks .{E}.<br />

marcas de origen electrostático .{Es} * see static marks<br />

.{E}.<br />

marcas de sincronización .{Es} * see sync marks .{E}.<br />

marcha imágen por imágen .{Es} * see single-frame<br />

exposure .{E}.<br />

marcha inversa .{Es} * see reverse motion .{E}.<br />

marche arrière .{F} * see reverse motion .{E}.<br />

marche d'escalier .{F} * see stair step .{E}.<br />

marco .{Es} * see chassis .{E}.<br />

marco de cartón (para montaje de obra gráfica) .{Es} * see<br />

window board .{E}.<br />

marco de codificación SMPTE/ANSI .{Es} * see<br />

SMPTE/ANSI Frame Coding .{E}.<br />

marco para diapositivas .{Es} * see slide mount .{E}.<br />

marcos de superposición .{Es} * see lap marks .{E}.<br />

marge interne .{F} * see inside margin .{E}.<br />

margen dinámico .{Es} * see dynamic range .{E}.<br />

margen interior .{Es} * see inside margin .{E}.<br />

margin (<strong>of</strong> disc) .{E} * see inside margin.<br />

mark-in .{E} * The procedure for establishing <strong>the</strong> beginning<br />

<strong>of</strong> a scene in a computer video editing system. .{D= ?; Es=<br />

señal de inicio; F= marquage début}.<br />

mark-out .{E} * The procedure for establishing <strong>the</strong> end <strong>of</strong><br />

a scene in a computer video editing system. .{D= ?; Es=<br />

señal de fin; F= marquage fin}.<br />

Marke .{D} * see flag .{E}.<br />

Markennome .{D} * see label name .{E}.<br />

Markierung .{D} * see cue marks .{E}.<br />

marquage début .{F} * see mark-in .{E}.<br />

marquage fin .{F} * see mark-out .{E}.<br />

marquage sur le barillet .{F} * see barrel markings .{E}.<br />

marque .{F} * see cue; flag .{E}.<br />

marque .{F}. see cue .{E}.<br />

marque active .{F} * see sensing mark .{E}.<br />

marque de bande .{E} * see tape mark .{E}.<br />

marque de départ .{F} * see start mark .{E}.<br />

marque de détection .{F} * see sensing mark .{E}.<br />

marques .{F} * see lap marks .{E}.<br />

marques d'abrasion .{F} * see abrasion marks .{E}.<br />

marques d'origine électrostatique (pho<strong>to</strong>) .{F} * see static<br />

marks .{E}.<br />

marques de changement de bobine .{F} * see cue marks<br />

143<br />

.{E}.<br />

marques de synchronisation .{F} * see sync marks .{E}.<br />

marqueur/détecteur de fin de bande .{F} * see end-<strong>of</strong>-tape<br />

marker/sensor .{E}.<br />

married print .{E} * A positive print <strong>of</strong> a motion picture film<br />

including both sound and image; see also answer print;<br />

composite.(30.) .{D= ?; Es= copia estándar; copia tipo; F=<br />

copie standard}.<br />

marron de sécurité .{F} * see protection master; protection<br />

master .{E}.<br />

máscara .{Es} * see mat (matte) (1) .{E}.<br />

máscara (de objetivo) .{Es} * see vignette .{E}.<br />

máscara de abertura .{Es} * see aperture mask .{E}.<br />

máscara de sombras .{Es} * see cookie .{E}.<br />

máscara de televisión .{Es} * see tv mask .{E}.<br />

máscara perforada .{Es} * see aperture mask .{E}.<br />

maschinenlesbare Archive .{D} * see machine-readable<br />

records .{E}.<br />

maschinenlesbare Dokumente .{D} * see machinereadable<br />

records .{E}.<br />

mask .{E} * A shield placed before <strong>the</strong> lens <strong>of</strong> a movingimage<br />

camera or a projec<strong>to</strong>r <strong>to</strong> block <strong>of</strong>f some <strong>of</strong> <strong>the</strong><br />

picture; see also matte shot. .{D= Cache; Maske; Es=<br />

caché; F= masque; cache}.<br />

Maske .{D} * see mask .{E}.<br />

masquage .{F} * see concealment .{E}.<br />

masque .{F} * see mask; matte shot; tv mask; vignette;<br />

vignette .{E}.<br />

masque (tv) .{F} * see tv mask .{E}.<br />

masque à ombres .{F} * see cookie .{E}.<br />

masque d'écran .{F} * see aperture mask .{E}.<br />

masque d'objectif .{F} * see vignette .{E}.<br />

Mass .{D} * see gauge .{E}.<br />

master .{E;F} * 1) The original recording <strong>of</strong> a finished<br />

programme.39. 2) An item (i.e., audio, still- or movingimage,<br />

etc.) from which duplicates or intermediates can be<br />

obtained.(40.) 3) In disc recording, a metal part generated<br />

from a lacquer original which may be used <strong>to</strong> generate<br />

additional metal moulds by electr<strong>of</strong>orming or <strong>to</strong> press<br />

discs.(10.) 4) In film materials, <strong>the</strong> final negative, reversal<br />

positive, and/or intermediate or internegative film from<br />

which subsequent generations are made.(09.) 5) Any<br />

control that sets <strong>the</strong> level for a number <strong>of</strong> o<strong>the</strong>r<br />

controls.(10.) 6) In micro- pho<strong>to</strong>graphy -film/fiche, any film,<br />

but generally <strong>the</strong> camera micr<strong>of</strong>ilm, used <strong>to</strong> produce<br />

fur<strong>the</strong>r reproductions, such as intermediates, distribution<br />

copies, or service copies.(40.) .{D= Original; Stammkopie;<br />

Es= 1) matriz; primera copia (original); 2) original a partir<br />

del que se obtienen copias; 3) galvano; negativo; F=<br />

matrice; original; bande mère}.<br />

master de conservation .{F} * see preservation master .{E}.<br />

master de sécurité .{F} * see protection master; safety<br />

master .{E}.


master de tirage/duplication .{F} * see printing/duplicating<br />

master .{E}.<br />

master disc .{E} * A finished disc recording in edited or<br />

approved form from which copies can be made in <strong>the</strong><br />

record producing process. It is used <strong>to</strong> produce a reverse<br />

copy or metal matrix which has ridges instead <strong>of</strong> grooves<br />

that is <strong>the</strong>n used as a stamper for producing copies in <strong>the</strong><br />

single-step process, or is used <strong>to</strong> produce a metal 'mo<strong>the</strong>r'<br />

in <strong>the</strong> three-step process.(04.10.) .{D= ?; Es= disco matriz;<br />

F= disque matrice}.<br />

master erase head .{E} * A magnetic head capable <strong>of</strong><br />

erasing <strong>the</strong> entire width <strong>of</strong> a magnetic tape.10. .{D= ?; Es=<br />

cabeza de barrido <strong>to</strong>tal; F= tête d'effacement <strong>to</strong>tal}.<br />

master matching .{E} * The act <strong>of</strong> cutting or o<strong>the</strong>rwise<br />

preparing shots from an original or master moving-image<br />

production <strong>to</strong> match <strong>the</strong> edited workprint. .{D= ?; Es=<br />

montaje original; F= montage master}.<br />

master métallique .{F} * see metal master .{E}.<br />

master mirroir .{F} * see mirror master .{E}.<br />

master négatif de conservation .{F} * see preservation<br />

master negative .{E}.<br />

master negative .{E} * A duplicate <strong>of</strong> <strong>the</strong> camera negative<br />

film used <strong>to</strong> generate positive prints.22.23. .{D=<br />

Originalnegativ; Es= negativo original; negativo; F= négatif<br />

master; négatif original}.<br />

master positive .{E} * A timed print made from a negative<br />

original and from which a duplicate negative is made.09.<br />

.{D= ?; Es= positivo original; F= positif pour contretype;<br />

positif master}.<br />

master shot .{E} * Single shot <strong>of</strong> an entire scene taken <strong>to</strong><br />

facili-tate <strong>the</strong> assembly <strong>of</strong> <strong>the</strong> component closer shots and<br />

details; also called cover shot.30. .{D= ?; Es= <strong>to</strong>ma de<br />

conjun<strong>to</strong>; plano general; F= plan séquence}.<br />

master/slave .{D;E;Es;F} * 1) A system <strong>of</strong> high-speed<br />

duplication <strong>of</strong> materials, usually magnetic, where two or<br />

more pieces <strong>of</strong> equipment are electronically calibrated and<br />

controlled <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> start, accelerate, and s<strong>to</strong>p <strong>to</strong>ge<strong>the</strong>r<br />

in order <strong>to</strong> produce multiple copies <strong>of</strong> <strong>the</strong> master at a<br />

single pass. 2) A system, used in computing or videotape<br />

editing, in which a master computer or controller<br />

determines <strong>the</strong> actions <strong>of</strong> o<strong>the</strong>r computers or<br />

recorders.(10.) .{F= maître/esclave; Es= sistema de<br />

duplicación de alta velocidad}.<br />

master tape .{E} * A completed tape, used in tape-<strong>to</strong>-disc<br />

transfer, or from which o<strong>the</strong>r tape copies are produced. In<br />

commercial record production, <strong>the</strong> equivalent <strong>of</strong> <strong>the</strong> master<br />

disc and is controlled as <strong>the</strong> original recording from which<br />

all record and/or tape copies for distribution will come.(04.)<br />

.{D= Originalband; Es= cinta original; F= bande master}.<br />

mastering .{E;F} * 1) The process <strong>of</strong> making a master. 2)<br />

The process <strong>of</strong> transferring programme data (audio, film,<br />

video, etc.) from an original <strong>to</strong> a master for subsequent<br />

electr<strong>of</strong>orming. .{D= Mastering; Es= proceso de<br />

elaboración de un original}.<br />

Mastering .{D} * see mastering .{E}.<br />

mat board .{E} * A layered paperboard available in several<br />

shades and colours, traditionally made from all-rag fibre<br />

and used in <strong>the</strong> framing <strong>of</strong> works <strong>of</strong> art or pho<strong>to</strong>graphs.<br />

Thickness is measured in layers or 'plies': 2-ply, 4-ply, 6ply.<br />

Used for many conservation purposes and no longer<br />

exclusively composed <strong>of</strong> rag fibres.(32.) .{D= ?; Es= cartón<br />

de montaje; F= cadre}.<br />

match cut .{E} * A cut in moving-image productions in<br />

144<br />

which <strong>the</strong> same person and/or object is shown. .{D= ?; Es=<br />

corte invisible; F= coupure non sensible}.<br />

material antisonoro .{Es} * see gobo (5) .{E}.<br />

material cilíndrico para grabaciones .{Es} * see celluloid (3,<br />

4) .{E;F}.<br />

material de contratipo .{Es} * see duping material .{E}.<br />

material de envolver .{Es} * see pack .{E}.<br />

material opaco que mediante una luz proyecta la<br />

sensación de imágenes .{Es} * see cucolouris .{E}.<br />

material virgen .{Es} * see raw s<strong>to</strong>ck .{E}.<br />

materiales concomitantes .{Es} * see accompanying<br />

material .{E}.<br />

materiales concomitantes [de acompañamien<strong>to</strong>] .{Es} *<br />

see accompanying material .{E}.<br />

materiales de poliéster pretensados para aumentar su<br />

resistencia longitudinal .{Es} * see tensilized .{E}.<br />

materiales fabricados a la misma vez .{Es} * see batch<br />

.{E}.<br />

materiales inédi<strong>to</strong>s .{Es} * see unedi-print materials .{E}.<br />

materiales táctiles (concebidos especialmente para<br />

ciegos) .{Es} * see tactile materials .{E}.<br />

matérials tactiles .{F} * see tactile materials .{E}.<br />

matériaux non imprimés .{F} * see non-print materials .{E}.<br />

matériel .{F} * see hardware; material .{E}.<br />

matériel d'accompagnement .{F} * see accompanying<br />

material .{E}.<br />

matériel pornographique .{F} * see hard core material .{E}.<br />

matière de remplissage .{F} * see filler .{E}.<br />

matiz .{Es} * see hue .{E}.<br />

matriçage .{F} * see matrixing .{E}.<br />

matrice .{F} * see master; matrix .{E}.<br />

matrice de commutation .{F} * see routing switcher .{E}.<br />

matrice de pressage estampeuse{F} * see stamper .{E}.<br />

matrice de verre .{F} * see glass master .{D;E}.<br />

matrices .{E;F} * The plural <strong>of</strong> matrix. .{D= Matrizen; Es=<br />

matriz; codificador cromático}.<br />

matrix .{E} * 1) The television circuit that transforms <strong>the</strong> i,<br />

q, and y signals in<strong>to</strong> <strong>the</strong> colour signals. 2) The metal<br />

negative mould (with ridges instead <strong>of</strong> grooves) <strong>of</strong> an<br />

original master disc; in <strong>the</strong> record production process it<br />

can be used ei<strong>the</strong>r as a stamper for producing pressings,<br />

or <strong>to</strong> create a 'mo<strong>the</strong>r' from which <strong>the</strong> stamper is<br />

made.(04.) 3) A strip <strong>of</strong> film used for transferring dye in<br />

proportion <strong>to</strong> <strong>the</strong> density <strong>of</strong> <strong>the</strong> imposed relief images in<br />

some colour film printing.(10.) .{D= Matr-4) (Switcher). A<br />

combination or array <strong>of</strong> electromechanical or electronic<br />

switches that route a number <strong>of</strong> signal sources <strong>to</strong> one or<br />

more destinations. .{F= matrice; D= ?; Es= matriz; F=<br />

matrice}.<br />

matriz .{Es?} * see matrix .{E}.


matriz .{Es} * see master (1); matrices; matrix; stamper;<br />

<strong>to</strong>ne (2) .{E}.<br />

Matrize .{D} * see matrix .{E}.<br />

Matrizen .{D} * see matrices; metal master .{E}.<br />

Matrizennummer .{D} * see matrix number .{E}.<br />

matte .{E} * see mat.<br />

matte shot .{E} * A piece <strong>of</strong> film which is opaque in part <strong>of</strong><br />

<strong>the</strong> frame area which, when printed <strong>to</strong>ge<strong>the</strong>r with a regular<br />

shot, masks part <strong>of</strong> <strong>the</strong> action and allows ano<strong>the</strong>r scene <strong>to</strong><br />

be printed in <strong>the</strong> masked <strong>of</strong>f area. Sometimes called<br />

travelling matte.(30.) .{D= ?; Es= plano con catch; F= ?}.<br />

mauvaises lumières (de tirage) .{F} * see mislights .{E}.<br />

máximo desplazamien<strong>to</strong> radial cresta a cresta de cualquier<br />

pista de la superficie de grabación .{Es} * see radial <strong>to</strong>tal<br />

truncated run out (TIR) .{E}.<br />

maximum density (D-MAX) .{E} * The portion <strong>of</strong> <strong>the</strong><br />

shoulder <strong>of</strong> <strong>the</strong> characteristic curve where fur<strong>the</strong>r<br />

increases in exposure on negative film or decreases in<br />

exposure on reversal film will produce no increase in<br />

density; see also maximum intrinsic flux density.09. .{D= ?;<br />

Es= densidad máxima; F= densité maximum}.<br />

maximum undis<strong>to</strong>rted output .{E} * see output.<br />

maxwells .{E} * A unit <strong>of</strong> measurement <strong>of</strong> <strong>the</strong> flux density,<br />

named after <strong>the</strong> Scottish physicist James Clerk-Maxwell.<br />

MC .{E} * acronym for moving coil; see also pickup.<br />

ME .{E} * acronym for metal evaporated tape.<br />

mean track centreline .{E} * For optical media, <strong>the</strong> average<br />

centreline <strong>of</strong> <strong>the</strong> read and write track.46. .{D= ?; Es= línea<br />

central de lectura de la pista (de grabación); F= ligne<br />

centrale moyenne de la piste}.<br />

mécanisme Bell & Howell .{F} * see Bell & Howell<br />

mechanism .{E}.<br />

mécanisme d'entraînement de la bande .{F} * see tape<br />

transport .{E}.<br />

mécanisme d'entraînement et de contrôle de vitesse du<br />

film .{F} * see pull-down mechanism .{E}.<br />

mécanisme régulateur .{F} * see governor .{E}.<br />

mecanismo Bell & Howell .{Es} * see Bell & Howell<br />

mechanism .{E}.<br />

mecanismo trac<strong>to</strong>r .{Es} * see pull-down mechanism .{E}.<br />

mecha .{Es} * see squib .{E}.<br />

mechanical damage .{E} * Damage caused <strong>to</strong> an item by<br />

physical manipulation in s<strong>to</strong>rage, handling, or use,<br />

including internal movement caused by rapid fluctuations<br />

in humidity and tempera-ture.(32.) .{D= mechanische<br />

Beschädigung; Es= daño mecánico; F= dégradation<br />

mécanique}.<br />

mechanical recording .{E} * see acoustical recording.<br />

mechanical rights .{E} * The rights in some countries (i.e.,<br />

<strong>the</strong> U.S.) <strong>to</strong> reproduce a copyrighted musical work on<br />

records or tapes; see also compulsory licence.(10.) .{D=<br />

mechanische Rechte; Es= derechos de reproducción; F=<br />

droits de reproduction mécanique; droits méchanique}.<br />

mechanical scanning .{E} * The type <strong>of</strong> television scanning<br />

145<br />

that used rotating drums, discs, vibrating mirrors, etc.;<br />

based on Paul Nipkow's 1884 invention and used in<strong>to</strong> <strong>the</strong><br />

1930s.(10.) .{D= ?; Es= exploración mecánica; F=<br />

balayage mécanique}.<br />

mechanical sound carrier .{E} * An audio reproducing<br />

device, such as a piano or organ roll, music box disc, or<br />

barrel organ roll, which uses various apparatuses <strong>to</strong><br />

mechanically reproduce sounds; see also barrel organ<br />

cylinder; msuic box disc; organ roll; perforated disc; piano<br />

roll. .{D= mechanischer Schallträger; mechanischer<br />

Tonträger; Es= ?; F= ?}.<br />

mechanically accessible zone .{E} * The annular area on<br />

and surrounding an optical disc which <strong>the</strong> optical head can<br />

access, unimpeded by <strong>the</strong> disc or cartridge structure, with<br />

<strong>the</strong> disc mounted on a spindle.(46.) .{D= ?; Es= zona<br />

accesible mecánicamente; F= zone de lecture}.<br />

mechanische Beschädigung .{D} * see mechanical<br />

damage .{E}.<br />

mechanische Rechte .{D} * see mechanical rights .{E}.<br />

mechanischer Schallträger .{D} * see mechanical sound<br />

carrier .{E}.<br />

mechanischer Schnitt .{D} * see cut editing .{E}.<br />

mechanischer Tonträger .{D} * see mechanical sound<br />

carrier .{E}.<br />

media .{E} * see medium.<br />

media .{F} * see medium (media) .{E}.<br />

media interactif .{F} * see interactive media .{E}.<br />

media pista .{Es} * see half-track .{E}.<br />

mediatinta .{Es} * see mezzotint .{E}.<br />

medida de fluidez por pulgada cuadrada .{Es} * see<br />

pounds per square inch gauge .{E}.<br />

medida de la definición de una emulsión .{Es} * see<br />

meshbeat .{E}.<br />

medida de óxido .{Es} * see oxide loading .{E}.<br />

medidor de fo<strong>to</strong>sensibilidad .{Es} * see sensi<strong>to</strong>meter .{E}.<br />

medidor de la decoloración .{Es} * see fadeometer .{E}.<br />

medidor de ultravioleta modelo Crawford 760 .{Es} * see<br />

Crawford UV moni<strong>to</strong>r type 760 .{E}.<br />

medidor V/U .{Es} * see V/U-Meter .{D}.<br />

medio interactivo .{Es} * see interactive media .{E}.<br />

medio <strong>to</strong>no .{Es} * see half<strong>to</strong>ne .{E}.<br />

medium .{F} * see medium (media) .{E}.<br />

medium (media) .{E} * A material or base on which<br />

information is s<strong>to</strong>red or transmitted.39. .{D=<br />

Speichermedium; Es= soporte; F= media; support}.<br />

medium contrast .{E} * A relationship <strong>of</strong> image <strong>to</strong>nes in<br />

which <strong>the</strong> light and dark areas are represented by average<br />

or normal differ-ences in density.40. .{D= ?; Es= contraste<br />

medio [normal]; F= contraste normal}.<br />

medium shot .{E} * A shot intermediate between a close-up<br />

and a full shot.30. .{D= Halbnah; Es= plano medio; F= plan<br />

moyen}.


medium term s<strong>to</strong>rage conditions .{E} * S<strong>to</strong>rage conditions<br />

suitable for <strong>the</strong> preservation <strong>of</strong> recorded information for a<br />

minimum <strong>of</strong> ten years. .{D= ?; Es= condiciones de<br />

almacenamien<strong>to</strong> para la conservación a medio plazo; F=<br />

conditions de s<strong>to</strong>ckage à moyen terme}.<br />

medium-term film .{E} * A pho<strong>to</strong>graphic film that is suitable<br />

for <strong>the</strong> preservation <strong>of</strong> records for a minimum <strong>of</strong> ten years<br />

when s<strong>to</strong>red under proper conditions, if <strong>the</strong> original film<br />

was processed correctly; see also archival film; long-term<br />

film; short-term film.40. .{D= ?; Es= película de<br />

conservación a medio plazo; F= film à moyen terme}.<br />

mega- (m) .{D;E;Es;F} * A prefix signifying one million.<br />

megaHertz (mHz) .{D;E;Es;F} * One million Hertz.<br />

mélange .{F} * see mix; mixage; mixing tracks .{E}.<br />

mélange sonore .{F} * see mixage .{E}.<br />

mélangeur .{F} * see mixer .{E}.<br />

Melinex .{D;E;Es;F} * A strong, <strong>to</strong>ugh, dimensionally<br />

stable clear polyester film used for encapsulating flat<br />

objects; see also encapsulation; polyester.<br />

mella .{Es} * see nick .{E}.<br />

melladura .{Es} * see nick .{E}.<br />

Membran .{D} * see diaphragm .{E}.<br />

membrana .{Es} * see diaphragm (2) .{E}.<br />

membrane .{F} * see diaphragm .{E}.<br />

membrete .{Es} * see heading .{E}.<br />

mémoire .{F} * see memory .{E}.<br />

mémoire à accès aléa<strong>to</strong>ire .{F} * see random access<br />

memory (RAM) .{E}.<br />

mémoire à écriture unique .{F} * see write-once media<br />

.{D;E}.<br />

mémoire à lecture seule .{F} * see read-only-memory<br />

(ROM) .{E}.<br />

mémoire sur disque compact à lecture uniquement .{F} *<br />

see compact disc-read only memory (CD-ROM) .{D;E}.<br />

mémoire sur disque compact à lecture uniquement et à<br />

architecture étendue .{F} * see compact disc-read only<br />

memory extended architecture (CD-ROM XA) .{D;E}.<br />

mémoire tampon .{F} * see buffer .{E}.<br />

memoria .{Es} * see memory .{E}.<br />

memoria de acceso alea<strong>to</strong>rio .{Es} * see random access<br />

memory (RAM) .{E}.<br />

memoria de da<strong>to</strong>s fijos .{Es} * see read-only-memory<br />

(ROM) .{E}.<br />

memoria de escritura única .{Es} * see write-once media<br />

.{D;E}.<br />

memoria de lectura solamente .{Es} * see read-onlymemory<br />

(ROM) .{E}.<br />

memoria de responsabilidad .{Es} * see statement <strong>of</strong><br />

responsibility .{E}.<br />

memoria intermedia .{Es} * see buffer (1) .{E}.<br />

146<br />

memoria ROM .{Es} * see read-only-memory (ROM)<br />

memory .{E} * 1) In moving-image productions, a device<br />

for s<strong>to</strong>rage <strong>of</strong> intensity information for combinations <strong>of</strong><br />

luminaire (cues or presets) for use during <strong>the</strong> course <strong>of</strong> <strong>the</strong><br />

production. 2) Any recording device in<strong>to</strong> which information<br />

can be s<strong>to</strong>red and later retrieved; also called s<strong>to</strong>rage. 3) In<br />

computer and related technology, <strong>the</strong> integrated circuits<br />

that s<strong>to</strong>re instructions in ROM or information in<br />

RAM.(10.22.) 4) The tendency <strong>of</strong> a physical item <strong>to</strong> return<br />

<strong>to</strong> its original form or shape. .{D= Datenspeicher; Speicher;<br />

Es= memoria; F= mémoire}.<br />

memory counter .{E} * The transport device in a magnetic<br />

tape recorder which returns <strong>the</strong> tape <strong>to</strong> a preset location.<br />

.{D= ?; Es= contador de memoria; F= compteur mémoire}.<br />

mending .{E} * Minor res<strong>to</strong>ration <strong>of</strong> an item not involving<br />

<strong>the</strong> replacement <strong>of</strong> any material. Not so complete a<br />

rehabilitation as repairing.(01.) .{D= ?; Es= restauración;<br />

F= raccommodage}.<br />

mention d'édition .{F} * see edition statement .{E}.<br />

menu .{E;F} * In a computer, audio, video or ancillary<br />

production equipment, a list <strong>of</strong> <strong>the</strong> options available <strong>to</strong> <strong>the</strong><br />

user.(39.) .{D= ?; Es= menú}.<br />

menú .{Es} * see menu .{E}.<br />

menu-driven .{E} * In a computer, audio, video, or ancillary<br />

production equipment, s<strong>of</strong>tware controlled through<br />

menus.(39.) .{D= ?; Es= controlado por menú; F= logiciel<br />

par menu}.<br />

mère .{F} * see mo<strong>the</strong>r .{E}.<br />

merma .{Es} * see shrinkage .{E}.<br />

mesa de control .{Es} * see console (1) .{E;F}.<br />

mesa de montaje .{Es} * see editing table .{E}.<br />

mesa luminosa .{Es} * see light table .{E}.<br />

Meßband .{D} * see alignment tape .{E}.<br />

mesure de la définition d'une émulsion .{F} * see image<br />

structure .{E}.<br />

metal evaporated tape (ME) .{E} * Magnetic tape with a<br />

pure metal coating applied under high vacuum; enables<br />

<strong>the</strong> recording <strong>of</strong> ultra short wave lengths; used for video<br />

Hi-8 formats. .{D= Magnetband mit aufgedampfter<br />

Metallschicht; Es= cinta de metal evaporado; F= bande<br />

métal à évaporation}.<br />

metal master .{E} * In disc manufacturing, <strong>the</strong> metal part<br />

produced from <strong>the</strong> original disc. .{D= metal Master;<br />

Matrizen; Es= (grabación) original de metal; F= original;<br />

père; master métallique}.<br />

metal Master .{D} * see metal master .{E}.<br />

metal part .{E} * see metal master.<br />

metal particle tape (MP) .{E} * Magnetic tape with a coating<br />

<strong>of</strong> pure metal particles dispersed in its binder; generally<br />

conceded <strong>to</strong> have a higher coercivity and sensitivity when<br />

compared with o<strong>the</strong>r tapes.(04.) .{D= Magnetpulverband;<br />

Es= cinta de partículas; F= bande à particules<br />

métalliques}.<br />

metalización .{Es} * see metallization .{E}.<br />

metallization .{E} * A step in <strong>the</strong> CD replication process in<br />

which <strong>the</strong> polycarbonate substrate is coated with metal <strong>to</strong><br />

provide reflectivity.(39.) .{D= ?; Es= metalización; F=


métallisation}.<br />

meter .{E} * An electronic or electrical moni<strong>to</strong>ring device;<br />

see also metre. .{D= Anzeigelgerät; ?; Es= metro; F=<br />

mètre}.<br />

methacrylic acid .{E} * An acid achieved in making acrylic<br />

resins or plastics. .{D= ?; Es= ácido metacrílico; F= acide<br />

méthacrylique}.<br />

méthode au bleu de méthylène .{F} * see methylene-blue<br />

method .{E}.<br />

méthode densi<strong>to</strong>métrique (argent) .{F} * see densi<strong>to</strong>metric<br />

method (silver) .{E}.<br />

methyl cellulose .{E} * Cellulose <strong>of</strong> methyl e<strong>the</strong>r, produced<br />

by treating cellulose from wood or cot<strong>to</strong>n with an alkali,<br />

such as sodium hydroxide, followed by methyl chloride.<br />

Methyl cellulose is a white granular solid, soluble in cold<br />

water but insoluble in hot water. It is used as an additive in<br />

adhesives <strong>to</strong> increase film strength, flexibility and<br />

adhesion; see also adhesive.45. .{D= ?; Es= metilcelulosa;<br />

F= méthyl cellulose}.<br />

méthyl cellulose .{F} * see methyl cellulose .{E}.<br />

methylene-blue .{E} * A chemical dye formed during <strong>the</strong><br />

testing <strong>of</strong> archival permanence <strong>of</strong> processed microimages<br />

using <strong>the</strong> methylene-b-lue method used <strong>to</strong> test for residual<br />

hypo; see also densi<strong>to</strong>metric method (silver); residual hypo<br />

test.40. .{D= ?; Es= azul de metileno; F= bleu de<br />

méthylène}.<br />

methylene-blue method .{E} * A procedure used <strong>to</strong> test for<br />

residual hypo. .{D= ?; Es= mé<strong>to</strong>do del azul de metileno; F=<br />

méthode au bleu de méthylène}.<br />

metilcelulosa .{Es} * see methyl cellulose .{E}.<br />

mé<strong>to</strong>do cinema<strong>to</strong>gráfico .{Es} * see ciné mode .{E;F}.<br />

mé<strong>to</strong>do del azul de metileno .{Es} * see methylene-blue<br />

method .{E}.<br />

mé<strong>to</strong>do densi<strong>to</strong>métrico (cantidad plata) .{Es} * see<br />

densi<strong>to</strong>metric method (silver) .{E}.<br />

metre .{E} * A basic unit <strong>of</strong> length in <strong>the</strong> metric system,<br />

equal <strong>to</strong> 39.37 inches; also spelled meter .{E/US}. .{D=<br />

Anzeigegerät; Es= metro; F= mètre}.<br />

mètre .{F} * see meter .{E}.<br />

metro .{Es} * see meter .{E}.<br />

metros lineales .{Es} * see linear feet/metres (LnFt/LnMt)<br />

.{E}.<br />

metteur en scène .{E;F} * A now widely used French term<br />

—sometimes deroga<strong>to</strong>ry— for direc<strong>to</strong>r; see also<br />

direc<strong>to</strong>r(30.) .{D= ?; Es= direc<strong>to</strong>r (de escena)}.<br />

metteur en scène .{F}. see direc<strong>to</strong>r .{E;Es}.<br />

mezcla .{Es} * see dubbing .{E}; mix .{E}; mixing, mixage<br />

.{E}.<br />

mezcla de grabaciones (sonoras) .{Es} * see mixing tracks<br />

.{E}.<br />

mezclacolor .{Es} * see mixer .{E}.<br />

mezclador .{Es} * see mixer (2) .{E}.<br />

mezclar .{Es} * see mix .{E}; mixer (1) .{E}.<br />

147<br />

mezzotint .{E} * 1) A process <strong>of</strong> engraving on copper or<br />

steel in which <strong>the</strong> entire surface <strong>of</strong> <strong>the</strong> plate is slightly<br />

roughened, after which <strong>the</strong> drawing is traced and <strong>the</strong> plate<br />

smoo<strong>the</strong>d in places by scraping, burnishing, etc., <strong>to</strong><br />

produce <strong>the</strong> desired light and shade effect. 2) An<br />

engraving produced by <strong>the</strong> mezzotint process.19. .{D= ?;<br />

Es= mediatinta; mezzotinta; F= manière noire; graveur à<br />

la manière noire}.<br />

mezzotinta .{Es} * see mezzotint .{E}.<br />

micro-ordinateur .{F} * see microcomputer .{E}.<br />

microambiente .{Es} * see microenvironment .{E}.<br />

Microcard .{D;E;Es;F} * 1) A trade-mark <strong>of</strong> <strong>the</strong> Microcard<br />

Corporation which refers exclusively <strong>to</strong> 3-inch x 5-inch<br />

cards with microimages arranged in rows and columns on<br />

pho<strong>to</strong>graphic paper. 2) The term is more generically used<br />

<strong>to</strong> indicate an opaque card <strong>of</strong> varying size on which<br />

microcopies have been reproduced pho<strong>to</strong>graphically. A<br />

micro-card resembles micr<strong>of</strong>iche with eye readable<br />

descriptive data at <strong>the</strong> <strong>to</strong>p <strong>of</strong> <strong>the</strong> card; it differs from o<strong>the</strong>r<br />

micr<strong>of</strong>orms in that <strong>the</strong> prints are positive as well as being<br />

opaque, and cannot be directly reproduced. A microcard<br />

is not readable (except for <strong>the</strong> heading) without optical aid<br />

in <strong>the</strong> form <strong>of</strong> a specially-made reader.(22.19.) Also called<br />

microprint, micro-opaque. .{D= Mikrokarte; Es= micr<strong>of</strong>icha<br />

opaca; F= microcarte}.<br />

microcarte .{F} * see Microcard .{D;E;Es;F}.<br />

microcassette .{E} * see cassette.<br />

microcinema<strong>to</strong>grafía .{Es} * see microcinema<strong>to</strong>graphy .{E}.<br />

microcinéma<strong>to</strong>graphie .{F} * see microcinema<strong>to</strong>graphy<br />

.{E}.<br />

microcinema<strong>to</strong>graphy .{E} * .{D= ?; Es= ?; F=<br />

microcinéma<strong>to</strong>graphie}.<br />

microcinema<strong>to</strong>graphy .{E} * 1) The pho<strong>to</strong>graphing <strong>of</strong><br />

objects intermediate in size between those requiring<br />

magnification by a microscope and those which can be<br />

pho<strong>to</strong>graphed by a normal lens.30. 2) Cinema<br />

pho<strong>to</strong>graphy through a micro-scope.30. .{D= ?; Es=<br />

microcinema<strong>to</strong>grafía; F= microcinéma<strong>to</strong>graphie}.<br />

microclima .{Es} * see microenvironment .{E}.<br />

microcomputer .{E} * 1) A generic term indicating a<br />

computer with limited capabilities. 2) A personal or desk<strong>to</strong>p<br />

computer.22.10. .{D= Mikrocomputer; Es=<br />

microordenador; F= micro-ordinateur}.<br />

microcopia .{Es} * see microcopy; microprint .{E}.<br />

microcopie .{F} * see microcopy .{E}.<br />

microcopy .{E} * A copy, usually obtained by pho<strong>to</strong>graphy,<br />

in a size <strong>to</strong> small <strong>to</strong> be read without magnification.22.23.<br />

.{D= Mikrokopie; Es= microcopia; F= microcopie}.<br />

microcuvette .{F} * see pit .{D;E}.<br />

microdensi<strong>to</strong>meter .{E} * see densi<strong>to</strong>meter.<br />

microenvironment .{E} * Atmospheric conditions inside an<br />

enclosure, generally inside a container for a single item. A<br />

microenvironment cab acts as a buffer against outside<br />

changes in temperature and humidity as well as <strong>to</strong> protect<br />

against most air pollutants, or it can seal <strong>the</strong> varying<br />

harmful elements and gasses <strong>of</strong> decomposition in, thus<br />

potentially increasing <strong>the</strong> rate <strong>of</strong> deterioration <strong>of</strong> <strong>the</strong><br />

packaged item.(32.) .{D= ?; Es= microclima;<br />

microambiente; F= microenvironnement}.


microenvironnement .{F} * see microenvironment .{E}.<br />

micr<strong>of</strong>icha .{Es} * see micr<strong>of</strong>iche .{E;F}; sheet micr<strong>of</strong>ilm<br />

.{E}.<br />

micr<strong>of</strong>icha opaca .{Es} * see Microcard .{D;E;Es;F}.<br />

micr<strong>of</strong>iche .{E;F} * A flat sheet <strong>of</strong> pho<strong>to</strong>graphic film<br />

standardized at 105 x 148-mm (about 4 x 6-inches) and 75<br />

x 125-mm (about 3 x 5-inches), with descriptive data at <strong>the</strong><br />

<strong>to</strong>p which can be read by <strong>the</strong> naked eye. Fiche contain<br />

micro-images <strong>of</strong> data, pho<strong>to</strong>graphs, text, or o<strong>the</strong>r<br />

information in horizontal and vertical rows. The standard<br />

size <strong>of</strong> a frame is 11.25-mm x 16-mm (single) and 23-mm<br />

x 16-mm (double). When a document is <strong>to</strong>o long <strong>to</strong> be<br />

recorded on one micr<strong>of</strong>iche, each subsequent one is<br />

called a 'trailer' micr<strong>of</strong>iche. Micr<strong>of</strong>iche can be ei<strong>the</strong>r a<br />

positive copy printed from strips <strong>of</strong> micr<strong>of</strong>ilm, an actual<br />

frame cut from micr<strong>of</strong>ilm (usually 70-mm film), or made<br />

directly with a step-and-repeat camera. The sheets may be<br />

s<strong>to</strong>red vertically like catalogue cards but require envelopes<br />

<strong>to</strong> protect <strong>the</strong>m from damage; also called 'fiche'; see also<br />

ultrafiche; com.(19.22.) .{D= Mikr<strong>of</strong>iche; Es= micr<strong>of</strong>icha}.<br />

micr<strong>of</strong>iche reader .{E} * see micr<strong>of</strong>orm reader.<br />

micr<strong>of</strong>ilm .{E;F} * Pho<strong>to</strong>graphic film containing<br />

microimages. The term normally refers <strong>to</strong> roll film<br />

sufficiently long <strong>to</strong> be placed on reels, cartridges, or<br />

cassettes and retrieved by manual or au<strong>to</strong>matic means.<br />

Images may be positive or negative and rolls may be 8-,<br />

16-, 35- or 70-mm wide and up <strong>to</strong> several thousand feet<br />

long. Rolls can be cut <strong>to</strong> produce micr<strong>of</strong>iche.01.(22.) .{D=<br />

Mikr<strong>of</strong>ilm; Es= micr<strong>of</strong>ilme}.<br />

micr<strong>of</strong>ilm camera .{E;F} * A camera for making micr<strong>of</strong>ilm;<br />

see also planetary camera; rotary camera; step-and-repeat<br />

camera. .{D= ?; Es= cámara de micr<strong>of</strong>ilm}.<br />

micr<strong>of</strong>ilm de première génération .{F} * see first<br />

reproduction micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm de primera generación .{Es} * see firstgeneration<br />

micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm de seconde génération .{F} * see second<br />

generation micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm de seconde reproduction .{F} * see second<br />

reproduction micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm de segunda generación .{Es} * see first<br />

reproduction micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm en feuille .{F} * see sheet micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm jacket .{E} * A transparent holder in<strong>to</strong> which<br />

individual strips <strong>of</strong> micr<strong>of</strong>ilm may be inserted.22.23. .{D=<br />

Mikr<strong>of</strong>ilm-jacket; Es= funda [jacket] de micr<strong>of</strong>ilm; funda;<br />

jacket; F= pochette micr<strong>of</strong>ilm; jaquette}.<br />

micr<strong>of</strong>ilm/micr<strong>of</strong>orme en entrée d'ordinateur .{F} * see<br />

computer input micr<strong>of</strong>ilm/micr<strong>of</strong>orm (CIM) .{E}.<br />

micr<strong>of</strong>ilm/micr<strong>of</strong>orme en sortie d'ordinateur .{F} * see<br />

computer output micr<strong>of</strong>ilm/micr<strong>of</strong>orm (COM) .{E}.<br />

micr<strong>of</strong>ilm original .{F} * see camera micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm positif .{F} * see positive micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilm reader .{E} * see micr<strong>of</strong>orm reader.<br />

micr<strong>of</strong>ilm strip .{E} * A segment <strong>of</strong> roll micr<strong>of</strong>ilm that is<br />

usually inserted in<strong>to</strong> a micr<strong>of</strong>ilm jacket.22.23. .{D=<br />

Mikr<strong>of</strong>ilmstreifen; Es= tira de película; F= bande de<br />

micr<strong>of</strong>ilm; micr<strong>of</strong>ilm en bande}.<br />

148<br />

micr<strong>of</strong>ilmación de consulta .{Es} * see reference<br />

micr<strong>of</strong>ilming .{E}.<br />

micr<strong>of</strong>ilmación de preservación .{Es} * see preservation<br />

micr<strong>of</strong>ilming .{E}.<br />

micr<strong>of</strong>ilmage de référence .{F} * see reference micr<strong>of</strong>ilming<br />

.{E}.<br />

micr<strong>of</strong>ilmage de substitution .{F} * see disposal<br />

micr<strong>of</strong>ilming .{E}.<br />

micr<strong>of</strong>ilme .{Es} * see micr<strong>of</strong>ilm .{E;F}.<br />

micr<strong>of</strong>ilme de segunda generación .{Es} * see second<br />

generation micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilme de segunda reproducción .{Es} * see second<br />

reproduction micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilme en rollo .{Es} * see roll micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilme para cámara .{Es} * see camera micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>ilme positivo .{Es} * see positive micr<strong>of</strong>ilm .{E}.<br />

micr<strong>of</strong>onías .{Es} * see microphonics .{E}.<br />

micrófono .{Es} * see microphone (mic/mike) .{E;F}.<br />

micrófono cerámico .{Es} * see ceramic microphone .{E}.<br />

micrófono de cristal .{Es} * see crystal mic/mike .{E}.<br />

micrófono de reluctancia variable .{Es} * see reluctance<br />

microphone .{E}.<br />

micrófono dinámico .{Es} * see dynamic microphone .{E}.<br />

micr<strong>of</strong>orm reader .{E} * An optical device for viewing a<br />

projected and enlarged microimage.22. .{D=<br />

Mikr<strong>of</strong>ilmlesegerät; Mikr<strong>of</strong>ichelesegerät; Lesegerät; Es=<br />

apara<strong>to</strong>r lec<strong>to</strong>r de micr<strong>of</strong>ormas; apara<strong>to</strong>r lec<strong>to</strong>r; F=<br />

appareil de lecture; lecteur de micr<strong>of</strong>ormes}.<br />

micr<strong>of</strong>orma .{Es} * see micr<strong>of</strong>orm .{E}.<br />

micr<strong>of</strong>orma sobre soporte óptico .{Es} * see microopaque<br />

.{E}.<br />

micr<strong>of</strong>orme .{F} * see micr<strong>of</strong>orm .{E}.<br />

micr<strong>of</strong>orme sur support opaque .{F} * see microopaque<br />

.{E}.<br />

micr<strong>of</strong>o<strong>to</strong>grafía .{Es} * see micropho<strong>to</strong>graphy .{E}.<br />

micrografía .{Es} * see micrographics .{E}.<br />

micrographics .{E} * The science and technology <strong>of</strong><br />

creating microimages: designing indexing, s<strong>to</strong>rage, and<br />

retrieval systems for <strong>the</strong>m; or using <strong>the</strong>m in a micrographic<br />

system. Micrographics is generally considered a sub-field<br />

<strong>of</strong> reprography.40.(22.) .{D= Mikrographie; Es=<br />

micrografía; F= micrographie}.<br />

micrographie .{F} * see micrographics .{E}.<br />

micrographie .{F} * see micrographics .{E}.<br />

microgroove .{E} * 1) A generic term indicating any form <strong>of</strong><br />

small grooved item. 2) A groove, usually on a disc or a<br />

cylinder, with nominal width at <strong>the</strong> <strong>to</strong>p, or widest part <strong>of</strong> <strong>the</strong><br />

groove, <strong>of</strong> 3 mils. 3) A type <strong>of</strong> disc audio recording having<br />

200 <strong>to</strong> 300 or more grooves per inch, suitable for<br />

reproduction by a stylus having a tip radius <strong>of</strong> 1 mil or less.<br />

Contemporary LP recordings are microgroove, as opposed


<strong>to</strong> 'coarse' groove for older 78-RPM discs.(04.) .{D=<br />

Mikrorille; Es= microsurco; F= microsillon}.<br />

microgroove disc .{E} * see microgroove.<br />

microimage .{E;F} * An image <strong>to</strong>o small <strong>to</strong> be read or<br />

successfully viewed without magnification.(22.23.) .{D=<br />

Mikrobild; Es= microimagen}.<br />

microimagen .{Es} * see microimage .{E}.<br />

micromanchas (naranjas) .{Es} * see microspots .{E}.<br />

micromire .{E} * see mire.<br />

microondas .{Es} * see microwave .{E}.<br />

microonde .{F} * see microwave .{E}.<br />

microopaque .{E} * A copy <strong>of</strong> an object (i.e., page <strong>of</strong><br />

manuscript, book, pho<strong>to</strong>graph, et al.) made by means <strong>of</strong><br />

micropho<strong>to</strong>graphy, <strong>the</strong> textual or o<strong>the</strong>r data being on<br />

opaque paper or card. May be made ei<strong>the</strong>r by<br />

pho<strong>to</strong>graphic or printing methods; see also microcard.(19.)<br />

.{D= ?; Es= micr<strong>of</strong>orma sobre soporte óptico; F=<br />

micr<strong>of</strong>orme sur support opaque}.<br />

microordenador .{Es} * see microcomputer .{E}.<br />

microphone .{F} * see microphone (mic; mike) .{E;F}.<br />

microphone à réluctance .{F} * see reluctance microphone<br />

.{E}.<br />

microphone céramique .{F} * see ceramic microphone .{E}.<br />

microphone dynamique .{F} * see dynamic microphone;<br />

.{E}.<br />

microphone/micro à cristal .{F} * see cube .{E}.<br />

microphonic bars .{E} * Wide horizontal bars on a<br />

television picture caused by interference.10. .{D= ?; Es=<br />

bandas (horizontales) por micr<strong>of</strong>onía; F= barres<br />

microphoniques}.<br />

microphonics .{E} * 1) The audio noise caused by<br />

mechanical vibration or shock. 2) In video transmission,<br />

<strong>the</strong> mechanical vibration <strong>of</strong> <strong>the</strong> elements <strong>of</strong> an electron<br />

tube resulting in a questionable modulation <strong>of</strong> <strong>the</strong> normal<br />

signal, usually resulting in erratically spaced horizontal<br />

bars in <strong>the</strong> picture.(10.) .{D= 1 & 2) Mikrophonie; Es=<br />

micr<strong>of</strong>onías; F= microphonique}.<br />

micropho<strong>to</strong>graphie .{F} * see micropho<strong>to</strong>graphy .{E}.<br />

micropho<strong>to</strong>graphy .{E} * Pho<strong>to</strong>graphy on so reduced a<br />

scale that a visual aid is required <strong>to</strong> discern <strong>the</strong> features <strong>of</strong><br />

<strong>the</strong> resulting micropho<strong>to</strong>graph; 16-mm or 35-mm film is<br />

used, and <strong>the</strong> final form <strong>of</strong> <strong>the</strong> microcopy may be<br />

microcard, micr<strong>of</strong>iche, or micr<strong>of</strong>ilm.(19.) .{D= ?; Es=<br />

micr<strong>of</strong>o<strong>to</strong>grafía; F= micropho<strong>to</strong>graphie}.<br />

microprint .{E;F} * A trade name for a 6-inch x 9-inch<br />

micro-opaque with microimages arranged in rows and<br />

columns on pho<strong>to</strong>graphic paper; see also microcard.01.<br />

.{D= ?; Es= microcopia; F= ?}.<br />

microprocesador .{Es} * see microprocessor .{E}.<br />

microprocesseur .{F} * see microprocessor .{E}.<br />

microprocessor .{E} * 1) An integrated circuit that performs<br />

a variety <strong>of</strong> operations in accordance with a list <strong>of</strong><br />

instructions.39. 2) The primary or central processing unit<br />

<strong>of</strong> a computer; <strong>the</strong> computer's 'brain'.10. .{D= ?; Es=<br />

microprocesador; F= microprocesseur}.<br />

149<br />

microreproducción .{Es} * see microreproduction .{E}.<br />

microreproduction .{E;F} * The process <strong>of</strong> making<br />

microcopies <strong>of</strong> documents, <strong>the</strong> images being <strong>to</strong>o small <strong>to</strong><br />

be read by <strong>the</strong> unaided eye, on ei<strong>the</strong>r opaque or<br />

transparent materials.19. .{D= ?; Es= microreproducción;<br />

F= ?}.<br />

microsillon .{F} * see long-play; long-playing record (Lp)<br />

.{E}.<br />

microsurco .{Es} * see microgroove .{E}; pit .{D;E}.<br />

microvatios .{Es} * see microwatt .{E}.<br />

microwatt .{E;F} * One millionth <strong>of</strong> a watt. .{D= ?; Es=<br />

microvatios; F= ?}.<br />

microwave .{E} * The line-<strong>of</strong>-sight, point-<strong>to</strong>-point<br />

transmission <strong>of</strong> signals.10. .{D= ?; Es= microondas; F=<br />

microonde}.<br />

migración de la capa magnética .{Es} * see coating<br />

transfer .{E}.<br />

MII .{E;Es;F} * Correctly written as MII and pronounced as<br />

"M-2". (Replace #1 meaning with <strong>the</strong> following). Panasonic<br />

introduced M-II as a new format in 1984. It was originally<br />

called <strong>the</strong> M-format because <strong>of</strong> <strong>the</strong> shape <strong>of</strong> <strong>the</strong> tape path.<br />

Improvements were made on that format and in 1986 it<br />

was re-introduced as <strong>the</strong> MII format. It uses two sizes <strong>of</strong><br />

cassettes. The smaller cassette can record up <strong>to</strong> twenty<br />

minutes, while <strong>the</strong> larger one can record up <strong>to</strong> ninety<br />

minutes. It is a helical scan component analogue machine<br />

with two longitudinal audio tracks, two AFM tracks, and a<br />

separate time code channel. The machine accepts<br />

composite analogue inputs and produces component<br />

analogue or composite analogue outputs. The MII format<br />

can also accept SP formulated tapes. .{D= ?; Es= M II<br />

(forma<strong>to</strong> Panasonic); F= ?}.<br />

mike (or mic) .{E} * abbreviation for microphone.<br />

mikro .{D} * see micro (#) .{E}.<br />

Mikrobild .{D} * see microimage .{E}.<br />

Mikrocomputer .{D} * see microcomputer .{E}.<br />

Mikr<strong>of</strong>iche .{D} * see micr<strong>of</strong>iche .{E;F}.<br />

Mikr<strong>of</strong>iche-Kamera .{D} * see step-and-repeat camera .{E}.<br />

Mikr<strong>of</strong>ichelesegerät .{D} * see micr<strong>of</strong>orm reader .{E}.<br />

Mikr<strong>of</strong>ilm .{D} * see micr<strong>of</strong>ilm .{E;F}.<br />

Mikr<strong>of</strong>ilm-jacket .{D} * see micr<strong>of</strong>ilm jacket .{E}.<br />

Mikr<strong>of</strong>ilmlesegerät .{D} * see micr<strong>of</strong>orm reader .{E}.<br />

Mikr<strong>of</strong>ilmstreifen .{D} * see micr<strong>of</strong>ilm strip .{E}.<br />

Mikr<strong>of</strong>onkran .{D} * see boom .{E}.<br />

Mikr<strong>of</strong>ormen .{D} * see micr<strong>of</strong>orm .{E}.<br />

Mikrographie .{D} * see micrographics .{E}.<br />

Mikrokarte .{D} * see Microcard .{D;E;Es;F}.<br />

Mikrokopie .{D} * see microcopy .{E}.<br />

Mikrophon .{D} * see microphone (mic/mike) .{E;F}.<br />

Mikrophonie .{D} * see microphonics .{E}.<br />

Mikrorille .{D} * see microgroove .{E}.


mil .{E;F} * 1) A unit <strong>of</strong> measurement equalling 1/1,000<br />

(0.0001) <strong>of</strong> an inch. 2) In <strong>the</strong> U.S. tape thickness is usually<br />

measured in mils, <strong>the</strong> given value referring <strong>to</strong> <strong>the</strong> thickness<br />

<strong>of</strong> <strong>the</strong> base material only; in European practice <strong>the</strong> <strong>to</strong>tal<br />

tape thickness is given.(50.) .{D= ?; Es= milésimo;<br />

milésima de pulgada; F= ?}.<br />

mildew .{E} * A growth caused by micro-organisms, whose<br />

spores, in a moist, warm environment, become moulds.<br />

They derive <strong>the</strong>ir food from <strong>the</strong> substance on which <strong>the</strong>y<br />

form, e.g., <strong>the</strong> materials <strong>of</strong> a shellac disc. During <strong>the</strong>ir<br />

growth <strong>the</strong>y produce citric, gluconic, oxalic, or o<strong>the</strong>r<br />

organic acids, that can damage <strong>the</strong> surface upon which<br />

<strong>the</strong>y are deposited. They, also, at times produce colour<br />

bodies, leading <strong>to</strong> staining which is difficult <strong>to</strong> remove; see<br />

also fungi; mould.45. .{D= Schimmel; Es= mildíu (sinónimo<br />

de moho); F= moisissure; rouille}.<br />

mildíu (sinónimo de moho) .{Es} * see mildew .{E}.<br />

milésima de pulgada .{Es} * see mil .{E}.<br />

milésimo .{Es} * see mil .{E}.<br />

milli- (m) .{D;E;Es;F} * Prefix for one thousandth (10-3).<br />

mini-cassette .{E} * see cassette.<br />

minimal cataloguing .{E} * see cataloguing.<br />

minimal cinema .{E} * A kind <strong>of</strong> extreme realism.30. .{D=<br />

?; Es= realismo (cine); F= réalisme extrême ?}.<br />

mínimo sistema que puede llamarse CD-I .{Es} * see base<br />

case .{E}.<br />

minimum density (D-MIN) .{E} * The constant density area<br />

in <strong>the</strong> <strong>to</strong>e <strong>of</strong> <strong>the</strong> characteristic curve where less exposure<br />

on negative film or more exposure on reversal film will<br />

produce no reduction in density. In black and -white film,<br />

this area is sometimes called base-plus-fog; see also<br />

density.09. .{D= ?; Es= densidad mínima; F= densité<br />

minimum}.<br />

mint .{E} * A commonly used physical descriptive term<br />

meaning that <strong>the</strong> item appears <strong>to</strong> be new and with no<br />

visible flaws.(04.) .{D= ?; Es= nuevo; no usado; F= en état<br />

neuf; à l'état neuf}.<br />

minuta .{Es} * see draft (1) .{E}.<br />

minuteur .{F} * see timer .{E}.<br />

mira (imagen patrón) para pruebas de resolución .{Es} *<br />

see resolution test chart .{E}.<br />

mire de barres (de couleur) .{F} * see colour bars .{E}.<br />

mire de définition .{F} * see resolution test chart .{E}.<br />

mire de dis<strong>to</strong>rsion .{F} * see cross hatch .{E}.<br />

mire de réglage .{F} * see test pattern .{E}.<br />

mire technique .{F} * see technical target .{E}.<br />

mirroir dichroïque .{F} * see Dichroic mirror .{E}.<br />

mise-en-cadre .{E;F} * see mise-en-shot.<br />

mise-en-scène .{E;F} * 1) The widely used French term<br />

usually used <strong>to</strong> denote that part <strong>of</strong> <strong>the</strong> film making process<br />

which takes place on <strong>the</strong> set, as opposed <strong>to</strong> montage<br />

which takes place afterwards. Literally, <strong>the</strong> 'putting-in-<strong>the</strong>scene'<br />

<strong>the</strong> direction <strong>of</strong> ac<strong>to</strong>rs and <strong>the</strong> decisions <strong>of</strong> cinema<strong>to</strong>graphy.<br />

Mise-en-scène is more important <strong>to</strong> realists,<br />

montage <strong>to</strong> expressionists.(30.) 2) The scenery, props,<br />

camera angles, lighting, etc., <strong>of</strong> a stage setting.10. .{D= ?;<br />

150<br />

Es= puesta en escena}.<br />

mise-en-shot; mise-en-cadre .{E;F} * The widely used<br />

French phrase used <strong>to</strong> denote <strong>the</strong> design <strong>of</strong> an entire shot,<br />

in time, as well as in space.(30.) .{D= ?; Es= encuadre}.<br />

mislights .{E} * A descriptive terms <strong>of</strong> a defect in copying<br />

film-<strong>to</strong>-film meaning that a timing cue was misread,<br />

resulting in <strong>the</strong> appropriate lighting for a given scene<br />

occuring several frames before and/or after its intended<br />

place. .{D= ?; Es= falta de luz; F= défauts d'éclairage}.<br />

Mitarbeiter .{D} * see collabora<strong>to</strong>r .{E}.<br />

mix .{E} * 1) In pho<strong>to</strong>graphic, video, and/or optical work, a<br />

dissolve. 2) In sound, <strong>the</strong> combination <strong>of</strong> several separate<br />

recordings or tracks --such as orchestra, dialogue, and<br />

sound effects-- in<strong>to</strong> one.(30.) .{D= Überblendung;<br />

Mischung; mischen; Es= fundido encadenado; mezcla;<br />

mezclar; F= fondu; mêler; fondu combiné à l'ouverture et<br />

à la fermeture; mélange; mixer; assemblage}.<br />

mix-minus .{E} ** The output <strong>of</strong> an audio console which is<br />

<strong>the</strong> sum <strong>of</strong> all its inputs minus a specific one or group.<br />

Used in audio and video productions where live remote<br />

locations are recorded. .{D= ?; Es= banda de mezcla<br />

parcial; F= bande de mixage partielle}.<br />

mixage .{E} * see mixing; dubbing; mix .{E}.<br />

mixer .{E} * 1) A device by which signals from two or more<br />

sources can be combined and fed simultaneously in<strong>to</strong> a<br />

tape recorder at <strong>the</strong> proper level and balance.(50.16.) 2)<br />

An opera<strong>to</strong>r carrying out a mix. 3) A sound recording<br />

engineer. .{D= Tonmeister (für die Mischung); Es= 1)<br />

mezclar; 2) mezclacolor; mezclador; F= 1) mixeur; console<br />

de mixage; 2) mélangeur}.<br />

mixing, mixage .{E} * The general term for <strong>the</strong> work <strong>of</strong> <strong>the</strong><br />

sound edi<strong>to</strong>r, or mixer, who combines <strong>the</strong> various<br />

soundtracks in<strong>to</strong> final form. With <strong>the</strong> development during<br />

<strong>the</strong> last decade <strong>of</strong> multiple-rack magnetic recording<br />

equipment <strong>the</strong> job <strong>of</strong> <strong>the</strong> mixer has become increasingly<br />

important. .{D= Mischung; Es= acción de mezclar; mezcla;<br />

F= mélange; mixage}.<br />

mixing tracks .{E} * Separate soundtracks which are<br />

combined <strong>to</strong> produce <strong>the</strong> final soundtrack <strong>of</strong> a movingimage<br />

production; mixing tracks may include music, sound<br />

effects, and dialogue tracks.12. .{D= ?; Es= mezcla de<br />

grabaciones (sonoras); F= pistes d'assemblage}.<br />

MM .{E} * acronym for millimetre; moving magnet ( see<br />

pickup).<br />

moaré (efec<strong>to</strong>) .{Es} * see moire .{E}.<br />

mock-up .{E} * A representation <strong>of</strong> a device or process that<br />

may be modified for training or analysis <strong>to</strong> emphasize a<br />

particular part or function; it usually has moveable parts<br />

that can be manipulated.03. .{D= ?; Es= modelo; patrón;<br />

maqueta; F= maquette; pro<strong>to</strong>type; reconstitution grandeur<br />

nature}.<br />

mode 1 and mode 2 .{E} * The two frame formats used in<br />

CD-ROM; mode 1 incorporates EDC/ECC error detection<br />

and correction, and mode 2 incorporates an auxiliary data<br />

field instead; CD-I is based on mode 2.39. .{D= ?; Es=<br />

modo 1 y modo 2; F= mode 1 et mode 2}.<br />

mode 1 et mode 2 .{F} * see mode 1 and mode 2 .{E}.<br />

mode 2 .{E} * see mode 1 and mode 2.<br />

mode ciné .{F} * see ciné mode .{E;F}.<br />

mode de recherche rapise .{F} * see shuttle .{E}.


mode lecture .{F} * see play mode; playback mode .{E}.<br />

mode linéaire .{F} * see linear mode .{E}.<br />

model .{E} * A three-dimensional representation <strong>of</strong> a real<br />

thing.03. .{D= Modell; Es= modelo; pro<strong>to</strong>tipo; maqueta; F=<br />

modèle; maquette}.<br />

model shot .{E} * In still- and moving-image work, a shot<br />

using miniatures or models instead <strong>of</strong> <strong>the</strong> real objects and<br />

locations. Especially im-portant for staging great disasters<br />

and making monster films.30. .{D= Modell; Es= fo<strong>to</strong>grama<br />

pilo<strong>to</strong>; maqueta; F= plan avec maquette; maquette}.<br />

modèle .{F} * see model .{E}.<br />

Modell .{D} * see model; model shot .{E}.<br />

modelo .{Es} * see mock-up .{E}; model .{E}; standard .{E}.<br />

modo 1 y modo 2 .{Es} * see mode 1 and mode 2 .{E}.<br />

modo de lectura .{Es} * see play mode .{E}; playback<br />

mode .{E}.<br />

modo de reproducción estándar .{Es} * see standard play<br />

(SP) .{E}.<br />

modo lineal .{Es} * see linear mode .{E}.<br />

modo XLM .{Es} * see XLM .{E}.<br />

modulación .{Es} * see modulation .{D;E;F}.<br />

modulación (en línea) de impulsos cuantificados .{Es} *<br />

see linear PCM .{E}.<br />

modulación de amplitud de impulsos .{Es} * see pulse<br />

amplitude modulation (PAM) .{D;E}.<br />

modulación de audi<strong>of</strong>recuencias .{Es} * see audio<br />

frequency modulation (afm) .{E}.<br />

modulación de duración de impulsos .{Es} * see pulse<br />

width modulation (PWM) .{D;E}.<br />

modulación de impulsos codificados delta adaptables .{Es}<br />

* see adaptive delta pulse code modulation (ADPCM)<br />

.{D;E}.<br />

modulación de impulsos en amplitud .{Es} * see pulse<br />

amplitude modulation (PAM) .{D;E}.<br />

modulación de impulsos en número .{Es} * see pulse<br />

number modulation (PNM) .{D;E}.<br />

modulación de zumbido .{Es} * see hum modulation .{E}.<br />

modulación del parámetro de impulsos .{Es} * see pulse<br />

parameter modulation .{D;E}.<br />

modulación delta .{Es} * see delta modulation (DM) .{D;E}.<br />

modulación delta adaptable .{Es} * see adaptive delta<br />

modulation (adm) .{E}.<br />

modulación lateral .{Es} * see lateral cut .{E}; lateral<br />

recording .{E}.<br />

modulación ocho a ca<strong>to</strong>rce .{Es} * see eight-<strong>to</strong>-fourteen<br />

modulation (EFM; 8-<strong>to</strong>-14) .{E}.<br />

modulación por amplitud .{Es} * see amplitude modulation<br />

(am) .{E}.<br />

modulación por posición de impulsos .{Es} * see pulse<br />

position modulation (PPM) .{D;E}.<br />

151<br />

modulateur de crête .{F} * see peak programme meter<br />

(PPM) .{E}.<br />

modulation .{D;E;F} * The process <strong>of</strong> varying a carrier<br />

signal according <strong>to</strong> <strong>the</strong> instantaneous value <strong>of</strong> an input<br />

signal.39. .{Es= modulación}.<br />

modulation à amplitudes d'impulsions .{F} * see pulse<br />

amplitude modulation (PAM) .{E}.<br />

modulation à fréquence modifiée ou modulation à retard<br />

.{F} * see modified frequency modulation or delay<br />

modulation (MFM) .{E}.<br />

modulation à impulsions codées (MIC) .{F} * see pulse<br />

code modulation (PCM) x{E}.<br />

modulation à largeurs d'impulsions .{F} * see pulse width<br />

modulation (PWM) .{E}.<br />

modulation à positions d'impulsions .{F} * see pulse<br />

position modulation (PPM) .{E}.<br />

modulation de fréquence .{F} * see frequency modulation<br />

(FM) .{E}.<br />

modulation de fréquence audio (fm) .{F} * see audio<br />

frequency modulation (afm) .{E}.<br />

modulation de huit à qua<strong>to</strong>rze .{F} * see eight-<strong>to</strong>-fourteen<br />

modulation (EFM) .{E}.<br />

modulation de lumière .{F} * see light valve .{E}.<br />

modulation delta (différentielle) .{F} * see delta modulation<br />

(DM) .{D;E}.<br />

modulation dis<strong>to</strong>rtion .{E} * Dis<strong>to</strong>rtion introduced by <strong>the</strong><br />

uneven speed <strong>of</strong> <strong>the</strong> recording medium, e.g. wow and<br />

flutter. .{D= Modulationsverzerrung; Es= dis<strong>to</strong>rsión por la<br />

modulación; F= dis<strong>to</strong>rsion de modulation}.<br />

modulation par codage delta adaptative .{F} * see adaptive<br />

delta modulation(adm) .{E}.<br />

modulation par impulsion et codage différentiel adptative<br />

.{F} * see adaptive delta pulse code modulation (ADPCM)<br />

.{D;E}.<br />

modulation sur le nombre d'impulsions .{F} * see pulse<br />

number modulation (PNM) .{D;E}.<br />

modulation sur paramètres d'impulsions .{F} * see pulse<br />

parameter modulation .{D;E}.<br />

modulation-transfer curve .{E} * A graph which describes<br />

a film's capacity <strong>to</strong> reproduce complex spatial frequencies.<br />

The measurements indi-cate <strong>the</strong> effect on <strong>the</strong> image <strong>of</strong><br />

light diffusion within <strong>the</strong> emulsion.(09.) .{D= ?; Es= curva<br />

de transferencia de modulación; F= courbe de transfert de<br />

modulation}.<br />

Modulationsrauschen .{D} * see asperity noise .{E}.<br />

Modulationsverzerrung .{D} * see modulation dis<strong>to</strong>rtion<br />

.{E}.<br />

module de patch .{F} * see patch field .{E}.<br />

Module-10 .{F} * see Modulus-10 .{E}.<br />

módulo 10 .{Es} * see Modulus-10 .{E}.<br />

Modulus-10 .{E} * A ma<strong>the</strong>matical formula used <strong>to</strong><br />

calculate <strong>the</strong> check digit in <strong>the</strong> Universal Product Code.<br />

.{D= ?; Es= módulo 10; F= Module-10}.<br />

moho .{Es} * see mould .{E}.


moirage .{F} * see moire .{E}.<br />

moire .{E} * An aberration <strong>of</strong> <strong>the</strong> video signal which results<br />

from two frequencies beating <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> produce an<br />

undesirable visual pattern. Also referred <strong>to</strong> as a "herringbone"<br />

pattern; see also aliasing .{D;E}. .{D= ?; Es= (efec<strong>to</strong>)<br />

moaré [moiré; muaré]; F= moirage}.<br />

moiré .{Es} * see meshbeat; moire; herring bone .{E}.<br />

moisissure .{F} * see mildew; mould .{E}.<br />

molde para hacer cilindros .{Es} * see cylinder mould .{E}.<br />

moldeo por inyección .{Es} * see injection moulding .{E}.<br />

moment d'inertie .{F} * see moment <strong>of</strong> inertia .{E}.<br />

moment <strong>of</strong> inertia .{E} * A measure <strong>of</strong> <strong>the</strong> rotational force<br />

required <strong>to</strong> accelerate or decelerate such items as a reel<br />

<strong>of</strong> tape.(46.) .{D= Trägheitsmoment; Es= momen<strong>to</strong> de<br />

inercia; F= moment d'inertie}.<br />

momen<strong>to</strong> de inercia .{Es} * see moment <strong>of</strong> inertia .{E}.<br />

monaural .{E} * see monophonic/monaural.<br />

monaural recorder .{E} * Literally, a tape recorder intended<br />

for listening with one ear only; however, in popular usage<br />

refers <strong>to</strong> single channel recorders, as distinguished from<br />

multichannel (stereophonic, binaural, etc.) types.(16.) .{D=<br />

monauraler Rekorder; Es= magnetófono mon<strong>of</strong>ónico; F=<br />

enregistrement monophonique}.<br />

monauraler Rekorder .{D} * see monaural recorder .{E}.<br />

moniteur .{F} * see moni<strong>to</strong>r .{D;E}.<br />

moni<strong>to</strong>r .{D;E;Es} * 1) An electronic receiver without a<br />

tuner; it, <strong>the</strong>re-fore, can not receive antenna signals, but<br />

can deliver a signal received directly from a generating<br />

source, such as a tape recorder or a computer.(35.) 2) To<br />

check <strong>the</strong> quality, operational techniques, programme<br />

content, etc., by listening and/or viewing <strong>the</strong> programme<br />

during recording and/or re-recording.(04.) .{Es= moni<strong>to</strong>r;<br />

cinescopio de control; F= moniteur; contrôle; récepteur<br />

témoin; écran de contrôle}.<br />

moni<strong>to</strong>r de imagen por línea .{Es} * see jeep .{E}.<br />

moni<strong>to</strong>r head .{E} * The playback device on a magnetic<br />

tape recorder which, when connected <strong>to</strong> <strong>the</strong> proper<br />

circuitry, makes it possible <strong>to</strong> listen <strong>to</strong> or o<strong>the</strong>rwise observe<br />

<strong>the</strong> signal directly <strong>of</strong>f <strong>the</strong> tape while <strong>the</strong> recording is being<br />

made.(50.) .{D= Wiedergabekopf; Es= cabeza moni<strong>to</strong>ra;<br />

F= tête de contrôle}.<br />

moni<strong>to</strong>r speaker .{E} * 1) The loudspeakers used in a<br />

recording studio or labora<strong>to</strong>ry and, hence, implying high<br />

quality. 2) Any loudspeakers used for listening <strong>to</strong><br />

recordings.(04.) .{D= Moni<strong>to</strong>r-Lautsprecher; Abhör-<br />

Kontroll-Lautsprecher; Abhör-Lautsprecher; Es= altavoz<br />

moni<strong>to</strong>r; F= haut-parleur de contrôle; moniteur<br />

d'enregistrement}.<br />

moni<strong>to</strong>r ultravioleta .{Es} * see UV moni<strong>to</strong>r .{E}.<br />

Moni<strong>to</strong>r-Lautsprecher .{D} * see moni<strong>to</strong>r speaker .{E}.<br />

mono .{E} * see monophonic.<br />

mono-line .{E} * A CD manufactur-ing system in which<br />

replication processes are integrated, with au<strong>to</strong>mated<br />

control.39. .{D= ?; Es= monolínea; F= ligne de fabrication}.<br />

monochrome .{F} * see black and white .{E}.<br />

monocroma .{Es} * see black and white; black and white<br />

152<br />

film .{E}.<br />

mon<strong>of</strong>ónico .{Es} * see monophonic .{E}.<br />

monograma .{Es} * see monoscope .{E}.<br />

monographic item .{E} * A non-serial item, ei<strong>the</strong>r complete<br />

in one physical unit or complete in a finite number <strong>of</strong> units;<br />

such items as feature films, television documentaries, and<br />

commercial sound recordings would all generally be<br />

considered monographic items.12. .{D= ?; Es= obje<strong>to</strong><br />

monográfico; F= production monographique}.<br />

Monohalbspur .{D} * see double track .{E}.<br />

monolínea .{Es} * see mono-line .{E}.<br />

monomer .{E} * A molecule <strong>of</strong> low molecular weight<br />

capable <strong>of</strong> reacting with identical or different molecules <strong>of</strong><br />

low molecular weight <strong>to</strong> form a polymer.41. .{D= ?; Es=<br />

monómero; F= monomère}.<br />

monomère .{F} * see monomer .{E}.<br />

monómero .{Es} * see monomer .{E}.<br />

monophon .{D} * see monophonic .{E}.<br />

monophonic .{E} * Sound heard from a single channel as<br />

defined by <strong>the</strong> form <strong>of</strong> recording or transmission, not by <strong>the</strong><br />

number <strong>of</strong> microphones or speakers. In monophonic<br />

sound <strong>the</strong> only spatial movement that can be simulated is<br />

forwards and backwards; <strong>the</strong>re is no sideways spread;<br />

sometimes incorrectly called monaural; see also<br />

stereo.(04.) .{D= monophon; Es= mon<strong>of</strong>ónico; F=<br />

monophonique}.<br />

monophonic recorde-image production work, an idea that<br />

adjacent shots should relate <strong>to</strong> each o<strong>the</strong>r in a dialectic so<br />

that A plus B has ano<strong>the</strong>r meaning, C, which is not actually<br />

recorded on <strong>the</strong> film. 3) In moving-image production work,<br />

also called dynamic cutting, a highly stylized form <strong>of</strong><br />

editing, sometimes for <strong>the</strong> purposes <strong>of</strong> indicating a lot <strong>of</strong><br />

information in a short period <strong>of</strong> time.(30.) .{D= ?; Es= ?}.<br />

monophonic recorder .{E} * A machine capable <strong>of</strong><br />

recording only a single channel or track <strong>of</strong> sound; see also<br />

monaural recorder. .{D= ?; Es= magnetófono mon<strong>of</strong>ónico;<br />

grabadora magnet<strong>of</strong>ónica monocanal; F= taché (film)}.<br />

montage à la lame de rasoir .{F} * see razor blade editing<br />

.{E}.<br />

montage alterné .{F} * see cross-cut .{E}.<br />

montage avec recouvrement .{F} * see lap splice .{E}.<br />

montage d'essai .{F} * see rough cut .{E}.<br />

montage électronique .{F} * see electronic editing .{E}.<br />

montage fin .{F} * see fine cut .{E}.<br />

montage master .{F} * see master matching .{E}.<br />

montage par assemblage .{F} * see asperity noise .{E}.<br />

montage par insertion .{F} * see insert edit .{E}.<br />

montage rapide .{F} * see rough cut .{E}.<br />

montage simple .{F} * see linkage .{E}.<br />

montage sur onglet .{F} * see tipping-in .{E}.<br />

montaje .{Es} * see cut editing .{E}; editing .{E}; montage<br />

.{E;F}; mount .{E}.


montaje con corte (de cuchilla) .{Es} * see razor blade<br />

editing .{E}.<br />

montaje con ventana (de obra gráfica plana) .{Es} * see<br />

mat (matte) (2) .{E}.<br />

montaje de elemen<strong>to</strong>s escénicos .{Es} * see set-up .{E}.<br />

montaje for corte fisico .{Es} * see cut editing .{E}.<br />

montaje original .{Es} * see master matching .{E}.<br />

montaje previo .{Es} * see rough cut .{E}.<br />

montant .{F} * see upright .{E}.<br />

montante .{Es} * see upright .{E}.<br />

montar .{Es} * see mounting .{E}.<br />

monté .{F} * see mounted .{E}.<br />

monter .{F} * see cut .{E}.<br />

monture .{F} * see mount .{E}.<br />

MOR .{E} * acronym for magne<strong>to</strong>-optical recording.<br />

MOS .{E} * acronym for metal oxide semi-conduc<strong>to</strong>r.<br />

Mosse .{D} * see ground .{E}.<br />

most significant bit (MSB) .{E} * The bit within a digital<br />

word that is <strong>the</strong> highest weighted.39. .{D= ?; Es= bit<br />

[dígi<strong>to</strong>] más significativo; F= bit le plus significatif}.<br />

mot (numérique) .{F} * see word .{E}.<br />

mot clé .{F} * see keyword .{E}.<br />

moteado .{Es} * see foxing .{E}; mottled .{E}.<br />

mo<strong>the</strong>r .{E} * In disc replication, <strong>the</strong> negative mould<br />

intermediate between a fa<strong>the</strong>r and a stamper; formed by<br />

nickel plating <strong>of</strong> <strong>the</strong> metal fa<strong>the</strong>r.(10.) .{D= Mutter; Es=<br />

madre; F= mère}.<br />

motion pictures .{E} * A series <strong>of</strong> still-images collected on<strong>to</strong><br />

a flexible and transparent piece <strong>of</strong> film so that <strong>the</strong>y can be<br />

projected in a rapid sequence so as <strong>to</strong> give <strong>the</strong> illusion <strong>of</strong><br />

motion; also called cinefilm (Canada), cinema<strong>to</strong>graph film<br />

(Australia).(22.) .{D= Film; Spielfilm; Es= película<br />

cinema<strong>to</strong>gráfica; película de cine; cine; filme; película; F=<br />

film; film cinéma<strong>to</strong>graphique}.<br />

mo<strong>to</strong>rboating .{E} * Audio frequency interference caused<br />

by oscillation in an amplifier. .{D= ?; Es= interferencia<br />

acústica; F= bruit d'interférence}.<br />

mottled .{E} * A film with a cloudy or spotted surface. .{D=<br />

?; Es= moteado; manchado; F= tache}.<br />

moulage de cylindre .{F} * see cylinder mould .{E}.<br />

moule .{F} * see mould .{E}.<br />

mount .{E} * A board on<strong>to</strong> which something is pasted <strong>to</strong><br />

protect, preserve, or display it.(19.) .{D= ?; Es= montaje;<br />

F= monture; car<strong>to</strong>n de montage}.<br />

mounted .{E} * A cutting, print, pho<strong>to</strong>graph, page, or similar<br />

item which is pasted on a mount.19. .{D= ?; Es= montado;<br />

F= monté}.<br />

mounting .{E} * The activity <strong>of</strong> attaching graphics or o<strong>the</strong>r<br />

tw-dimensional materials <strong>to</strong> cloth, cardboard, or o<strong>the</strong>r<br />

surfaces. These materials may be attached by paste or<br />

glue or by a dry-mount-ing process in which a heat-<br />

153<br />

sensitive intermediary paper is used and heat and<br />

pressure are applied <strong>to</strong> meld <strong>the</strong> materials <strong>to</strong> <strong>the</strong><br />

surface.01. .{D= ?; Es= montar; F= installation; montage}.<br />

mounting plate .{E} * In magnetic tape recording, a device<br />

for holding <strong>the</strong> head body and mounting it in<strong>to</strong> <strong>the</strong> tape<br />

transport. It is <strong>the</strong> reference surface for most mechanical<br />

measurements.46. .{D= Kopfträger; Es= placa [platina] de<br />

montaje; F= plan de montage (bloc de têtes)}.<br />

mouvement de caméra .{F} * see roll .{E}.<br />

mouvement intermittent .{F} * see intermittent movement<br />

.{E}.<br />

mouvement saccadé .{F} * see intermittent movement .{E}.<br />

movimien<strong>to</strong> de cámara .{Es} * see roll (2) .{E}.<br />

movimien<strong>to</strong> intermitente .{Es} * see intermittent movement<br />

.{E}.<br />

movimien<strong>to</strong> rápido .{Es} * see fast motion (accelerated<br />

motion) .{E}.<br />

movimien<strong>to</strong> retardado .{Es} * see stretch (1) .{E}.<br />

moving coil .{E} * Synonymous for electrodynamic<br />

transducer. .{D= Elektrodynamisch; dynamisch; Es=<br />

bobina móvil; F= bobine mobile}.<br />

moving magnet .{E} * Synonymous for a electromagnetic<br />

transducer. .{D= Elektromagnetisch; magnetisch; Es=<br />

imán móvil; F= aimant mobil}.<br />

moving-image materials .{E} * A generic term for <strong>the</strong> range<br />

<strong>of</strong> physical forms upon which visual images, with or without<br />

sound, have been recorded or registered and which create<br />

<strong>the</strong> illusion <strong>of</strong> movement when projected, broadcast, or<br />

played back; includes flip cards, motion picture film,<br />

television, and video.(12.) .{D= ?; Es= animación por<br />

imágenes; F= système de prise de vue; see also aimant<br />

mobile}.<br />

Moviola .{D;E;Es;F} * A motion picture editing machine<br />

for both picture and sound. see also Steenbeck.30.<br />

MP .{E} * acronym for metal particle tape.<br />

MR .{E} * acronym for magnetic recorder/ing.<br />

MSB .{E} * acronym for most significant bit.<br />

muaré .{Es} * see meshbeat .{E}; moire .{E}.<br />

muchacha de china literalmente, (retra<strong>to</strong> usado para<br />

comprobar el color y la alineación de vídeo) .{Es} * see<br />

china girl .{E}.<br />

muddy .{E} * An expression that refers <strong>to</strong> a lack <strong>of</strong><br />

definition or clarity in an audio recording, playback system,<br />

or sound reinforcement system. Can be caused by many<br />

fac<strong>to</strong>rs, including dis<strong>to</strong>rtion, excess bass, or deficient mid<br />

and high frequencies.(04.) .{D= ?; Es= turbio; empañado;<br />

F= confus; turbidité}.<br />

mudo .{Es} * see mute .{E}.<br />

muesca .{Es} * see notch .{E}.<br />

muestreo .{Es} * see sampling .{E}.<br />

muestreo discre<strong>to</strong> del tiempo .{Es} * see discrete time<br />

sampling .{E}.<br />

muet .{F} * see mute .{E}.<br />

mull .{E} * A s<strong>of</strong>t, sheer fabric <strong>of</strong> cot<strong>to</strong>n or silk.(10.) .{D= ?;


Es= muselina; F= ?}.<br />

multi-part items .{E} * A limited series or serial comprising<br />

two or more distinct items, no one <strong>of</strong> which is identifiable<br />

as being <strong>of</strong> primary importance.12. .{D= ?; Es= obje<strong>to</strong>s<br />

compues<strong>to</strong> por varias partes de importancia equivalente;<br />

F= ?}.<br />

multiburst .{E} * A television test signal made up <strong>of</strong> a<br />

series <strong>of</strong> "burst" <strong>of</strong> signals at distinct frequencies for<br />

evaluating <strong>the</strong> frequency response <strong>of</strong> video equipment.<br />

.{D= ?; Es= ráfaga [frecuencia] múltiple; F= multisalve}.<br />

multimedia item .{E} * An item containing two or more<br />

categories <strong>of</strong> material, no one <strong>of</strong> which is identifiable as<br />

<strong>the</strong> predominant constituent <strong>of</strong> <strong>the</strong> item; see also kit.(03.)<br />

.{D= ?; Es= obje<strong>to</strong> multimedia; F= article multimedia<br />

multisuppor}.<br />

multipath .{E} * In television broadcast reception, multipath<br />

is when <strong>the</strong> main transmitted signal arrives at <strong>the</strong> receiver<br />

along with a secondary reflected duplicate signal which<br />

combine <strong>to</strong> cause a visual ghost <strong>to</strong> be displayed on <strong>the</strong><br />

screen. Multipath is an undesirable dis<strong>to</strong>rtion; see also<br />

ghost-image. .{D= ?; Es= transmisión por trayec<strong>to</strong>ria<br />

múltiple; F= dis<strong>to</strong>rsion de réception}.<br />

multiple analogue component (MAC) .{E} * A technical<br />

term which describes a family <strong>of</strong> time-division multiplex<br />

signal formats in which <strong>the</strong> video luminance and its<br />

chrominance components are time-compressed and<br />

transmitted sequentially. Also referred <strong>to</strong> as MAC. The<br />

MAC family includes several formats including ACLE, A-<br />

MAC, B-MAC, C-MAC, D-MAC, HD-MAC, HD-MAC60, and<br />

MUSE. .{D= ?; Es= componente análogo múltiple; F=<br />

composantes analogiques multiplexées (dans le temps)}.<br />

multiple exposure .{E} * A double or triple exposure <strong>of</strong> film<br />

materials; NB not <strong>to</strong> be confused with multiple image.30.<br />

.{D= ?; Es= imagen múltiple; F= expositions multiples;<br />

surimpression}.<br />

multiple sub-Nyquist sampling and encoding system<br />

(MUSE) .{E} ** A proposed simulcast television format<br />

developed in Japan for <strong>the</strong> transmission <strong>of</strong> HDTV signals<br />

by satellite in which <strong>the</strong> signal is subjected <strong>to</strong> repeated<br />

sampling processes, at least one <strong>of</strong> which is below <strong>the</strong><br />

Nyquist rate. MUSE is one <strong>of</strong> <strong>the</strong> MAC family <strong>of</strong> formats.<br />

Also see narrow MUSE. .{D= ?; Es= sistema múltiple sub-<br />

Nyquist de muestreo y codificación; F= ?}.<br />

multiplexage .{F} * see multiplexing .{E}.<br />

multiplexing .{E} * The process <strong>of</strong> combining independent<br />

signals and conveying <strong>the</strong>m along a single conduc<strong>to</strong>r; see<br />

also FM-stereo.39. .{D= ?; Es= combinación de señales<br />

independientes; F= multiplexage; multiplex}.<br />

multisalve .{F} * see multiburst .{E}.<br />

mündliche Überlieferung .{D} * see oral his<strong>to</strong>ry .{E}.<br />

muñeca cilíndrica parlante .{Es} * see talking doll record<br />

.{E}.<br />

murmure .{F} * see chatter .{E}.<br />

MUSE .{E} * acronym for multiple sub-Nyquist sampling<br />

and encoding system.<br />

MUSE à bande étroite .{F} * see narrow MUSE .{E}.<br />

MUSE de banda estrecha .{Es} * see narrow MUSE .{E}.<br />

muselina .{Es} * see mull .{E}.<br />

music and effects track .{E} * 1) In moving-image<br />

productions, a sound tape or track containing all sound<br />

154<br />

except <strong>the</strong> spoken word, <strong>of</strong>ten intended for international<br />

use <strong>to</strong> allow <strong>the</strong> easier production <strong>of</strong> different language<br />

versions. 2) The mixed wild track and narration used for<br />

final mixing on<strong>to</strong> answer prints from a and b rolls; see also<br />

mixing tracks.(06.) (12.06.) .{D= Musik- und Geräuschspur;<br />

internationales Tonband; IT-and; Es= banda sonora<br />

internacional; danda internacional de sonido; banda de<br />

música y efec<strong>to</strong>s; F= 1) bande musique et effets sonores<br />

2) bande son de mixage; son international; bande son<br />

internationale; piste sonore internationale}.<br />

music box disc .{E} * see perforated disc.<br />

Musik- und Geräuschspur .{D} * see music and effects<br />

track .{E}.<br />

musique surajoutée .{F} * see over-dub .{E}.<br />

Musterkopie .{D} * see checkprint .{E}.<br />

mute .{E} * A moving-image production whose content<br />

leads one <strong>to</strong> expect that a soundtrack may be added, but<br />

which lacks sound.(12.) .{D= stummscholfen; Es= mudo;<br />

F= muet}.<br />

Mutter .{D} * see mo<strong>the</strong>r .{E}.<br />

Mylar .{D;E;Es;F} * A clear polyester film plastic<br />

manufactured by <strong>the</strong> Dupont Co., used in many types <strong>of</strong><br />

magnetic recording tape; see also polyester.(04.).<br />

n --n<br />

.{E} * abbreviation for nano-.<br />

N.G. .{E} * acronym for no good.<br />

N-A .{F} * see D-A .{E}.<br />

NA .{E} * acronym for numerical aperture.<br />

NA .{F} * see DA .{E}.<br />

NAB curve .{E} * The standard playback equalization curve<br />

for audio tape recording set by <strong>the</strong> National Association <strong>of</strong><br />

Broadcasters. .{D= NAB-Entzerrung; Es= curva NAB<br />

(acrónimo de Asociación Nacional de Radiodifusores de<br />

EEUU); F= courbe NAB}.<br />

NAB hub .{E} * A standard set by <strong>the</strong> National Association<br />

<strong>of</strong> Broadcasters for <strong>the</strong> hubs <strong>of</strong> 10½-inch and 14-inch<br />

diameter reels <strong>of</strong> pr<strong>of</strong>essional recording tape. .{D= NAB-<br />

Kern; Es= cubo tipo NAB; F= noyau NAB}.<br />

NAB-A, -B, -C .{E;F} * The three standard sizes <strong>of</strong> audio<br />

magnetic tape cartridges: A = 4-inches x 5½-inches; B = 6inches<br />

x 7-inches; C = 7#-inches x 8¼-inches; all are a<br />

maximum height <strong>of</strong> .9375-inch.(10.) .{D= ?; Es=<br />

contnedores estándar de cintas audio magnéticas usados<br />

por la NAB; F= ?}.<br />

NAB-Kern .{D} * see NAB hub .{E}.<br />

Nach-Bearbeitung .{D} * see post-production .{E}.<br />

Nachaufnahme .{D} * see retake .{E}.<br />

Nachgiebigkeit (Nadel) .{D} * see compliance .{E}.<br />

Nachlaß .{D} * see collection .{E;F}.<br />

Nachsynchronisation .{D} * see dubbing; postsynchronization<br />

.{E}.<br />

nacré .{F} * see beaded screen .{E}.<br />

Nadel .{D} * see stylus .{E}.


Name .{D} * see Cinecittà .{D;E}.<br />

Namensvorspann .{D} * see credits .{E}.<br />

NAND gate .{E} * see AND gate .{E}.<br />

nano- (n) .{D;E;Es;F} * A prefix for one billionth (10-9).<br />

Nasskopie .{D} * see liquid gate printing .{E}.<br />

National Television Systems Committee (NTSC)<br />

.{D;E;Es;F} * A U.S. industry wide committee organized in<br />

1940 that formulated <strong>the</strong> NTSC standard <strong>of</strong> 525 lines, 60<br />

fields.(06.10.)<br />

naturalism .{E} * A <strong>the</strong>ory <strong>of</strong> literature and film which<br />

supposes a scientific determinism, i.e., that <strong>the</strong> actions <strong>of</strong><br />

a character are predetermined by biological, psychological<br />

or sociological laws. Often wrongly confused with realism,<br />

it does not simply mean 'natmeaning a spiral scratch<br />

caused by <strong>the</strong> stylus leaving <strong>the</strong> modulated groove and<br />

skipping across <strong>the</strong> surface during playback.(04.) .{D= ?;<br />

Es= ?; F= ?}.<br />

needle-cut records .{E} * see lateral-cut.<br />

négatif .{F} * see copy negative .{E}.<br />

négatif image .{F} * see picture negative .{E}.<br />

négatif original .{F} * see master negative; original negative<br />

.{E}.<br />

négatif séparé .{F} * see separation negative .{E}.<br />

négatif son .{F} * see sound negative .{E}.<br />

négatif sur plaque de verre .{F} * see glass plate negatives<br />

.{E}.<br />

Negativ Bild .{D} * see picture negative .{E}.<br />

Negativ-Positiv-Verfahren .{D} * see negative-positive<br />

process .{E}.<br />

negative .{E} * 1) Developed film that contains a reversed<strong>to</strong>ne<br />

image <strong>of</strong> <strong>the</strong> original object. Light areas <strong>of</strong> <strong>the</strong> image<br />

are represented by heavy or dark deposits <strong>of</strong> silver, and<br />

<strong>the</strong> dark portions are light or transparent. When negatives<br />

are printed on paper or film, positive images are produced<br />

in which <strong>the</strong> <strong>to</strong>ne values are similar <strong>to</strong> what <strong>the</strong>y were on<br />

<strong>the</strong> original object.43. 2) Used <strong>to</strong> desig-nate any <strong>of</strong> <strong>the</strong><br />

following (in ei<strong>the</strong>r black-and-white or colour): (a) <strong>the</strong> raw<br />

s<strong>to</strong>ck specifically designed for negative images; (b) <strong>the</strong><br />

negative image; (c) negative raw s<strong>to</strong>ck that has been<br />

exposed but has not been processed; or (d) processed film<br />

bearing a negative image.(09.) {D= Negativmaterial; Es=<br />

negativo; F= négatif; épreuve négative}.<br />

negative curl .{E} * see curl.<br />

negative image .{E} * 1) A pho<strong>to</strong>graphic image in which <strong>the</strong><br />

values <strong>of</strong> light and shade <strong>of</strong> <strong>the</strong> origi-nal pho<strong>to</strong>graphed<br />

subject are repre-sented in inverse order. In a negative<br />

image light objects <strong>of</strong> <strong>the</strong> original subject are represented<br />

by high densities and dark objects are represented by low<br />

densities. In a colour negative. Colours are rep-resented<br />

by <strong>the</strong>ir complementary colour.09. 2) An image in which<br />

blacks are white and vice-versa; see also solarization.30.<br />

.{D= ?; Es= imagen invertida (negativa); F= image<br />

négative}.<br />

negative-positive process .{E} * Any pho<strong>to</strong>graphic<br />

operation in which a positive image is obtained by primary<br />

development <strong>of</strong> a latent image made by printing from a<br />

negative.09. .{D= Negativ-ositiv-Verfahren; Es= proceso<br />

de positivado; procedimien<strong>to</strong> de positivado; F= processus<br />

négatif-positif; procès négatif-positif; procédé négatif-<br />

155<br />

positif}.<br />

negativo .{Es?} * see negative .{E}.<br />

negativo .{Es} * see master (3); master negative .{E}.<br />

negativo de imagen .{Es} * see picture negative .{E}.<br />

negativo de separación (cine en color) .{Es} * see<br />

separation negative .{E}.<br />

negativo de separación (cine en color) .{Es} * see<br />

separation negative .{E}.<br />

negativo de sonido .{Es} * see sound negative (2) .{E}.<br />

negativo imágen .{Es} * see picture negative .{E}.<br />

negativo intermedio .{Es} * see intermediate negative;<br />

internegative .{E}.<br />

negativo original .{Es} * see master negative .{E}; original<br />

negative .{E}.<br />

negativo original de preservación .{Es} * see preservation<br />

master negative .{E}.<br />

negativo para cámara .{Es} * see camera negative .{E}.<br />

negativo sonoro .{Es} * see sound negative (1) .{E}.<br />

negativos en placas de vidrio .{Es} * see glass plate<br />

negatives .{E}.<br />

néga<strong>to</strong>scope .{F} * see light box .{E}.<br />

nega<strong>to</strong>scopio .{Es} * see light table .{E}.<br />

nega<strong>to</strong>scopio [mesa luminosa] .{Es} * see light table .{E}.<br />

nègre .{F} * see gobo .{E}.<br />

nègre : tableau noir .{F} * see cue card .{E}.<br />

negro de humo .{Es} * see carbon black .{E}.<br />

negro neutro .{Es} * see neutral-black .{E}.<br />

neige .{F} * see noise .{E}.<br />

neo-réalisme .{F} * see neorealism .{E}.<br />

neorealism .{E} * A kind <strong>of</strong> film making characterized by<br />

<strong>the</strong> use <strong>of</strong> non-pr<strong>of</strong>essional ac<strong>to</strong>rs, socially-conscious<br />

<strong>the</strong>mes, and some hand-held camera work; see also<br />

realism.30. .{D= ?; Es= neorealismo; F= neo-réalisme}.<br />

neorealismo .{Es} * see neorealism .{E}.<br />

nerviosismo .{Es} * see di<strong>the</strong>r .{D;E}.<br />

netteté .{F} * see sharpness .{E}.<br />

net<strong>to</strong>yage .{F} * see cleaning .{E}.<br />

net<strong>to</strong>yage aux ultra-sons .{F} * see ultrasonic cleaning .{E}.<br />

net<strong>to</strong>yage-bobinage .{F} * see winder-cleaner .{E}.<br />

network .{E} * 1) A group <strong>of</strong> broadcast stations, ei<strong>the</strong>r radio<br />

and/or television, in different locations that share facilities<br />

and programmes. 2) The parent company which<br />

coordinates functions for its participating group <strong>of</strong><br />

broadcast stations, <strong>of</strong>ten producing programmes for<br />

broadcast within <strong>the</strong> network.(12.) 3) In computer<br />

workstations, a system where one computer program or<br />

data file can be accessed from a number <strong>of</strong> terminals.{D=<br />

?; Es= red; cadena; F= station; réseau (radio-télévision);


éseau}.<br />

Netzgerät .{D} * see power supply .{E}.<br />

Netzkabel .{D} * see power cord .{E}.<br />

Netzteil .{D} * see power supply .{E}.<br />

Neuausgabe .{D} * see rerelease/reissue .{E}.<br />

neutral .{E;Es} * Concerning acidity, having a pH <strong>of</strong> 7.0;<br />

nei<strong>the</strong>r acid nor alkaline; see also neutral ph.(17.) .{D= ?;<br />

Es= neutro; F= neutre}.<br />

neutral density filters .{E} * A refining device used in stilland<br />

moving-image film processing <strong>to</strong> reduce <strong>the</strong> intensity<br />

<strong>of</strong> light reaching <strong>the</strong> film without affecting <strong>the</strong> <strong>to</strong>nal<br />

rendition <strong>of</strong> colours in <strong>the</strong> scene, thus making it possible <strong>to</strong><br />

film in bright sunlight using high-speed film without having<br />

<strong>to</strong> use very small lens openings.(09.) .{D= ?; Es= filtro<br />

neutro; filtro gris; filtro de gris neutro; F= filtre de densité<br />

neutre}.<br />

neutral pH .{E} * Exhibiting nei<strong>the</strong>r acid nor base (alkaline)<br />

qualities; 7.0 on <strong>the</strong> pH scale; see also neutral; pH. .{D= ?;<br />

Es= pH neutro; F= pH neutre}.<br />

neutral test card .{E} * In pho<strong>to</strong>graphy and moving-image<br />

work, a commercially prepared card, one side <strong>of</strong> which has<br />

a neutral 18% reflection that has <strong>the</strong> appearance <strong>of</strong><br />

medium grey, <strong>the</strong> o<strong>the</strong>r side has a neutral reflection <strong>of</strong><br />

90% and has <strong>the</strong> visual appearance <strong>of</strong> stark white.09. .{D=<br />

?; Es= carta [tarjeta] de la prueba neutra [o del neutro]; F=<br />

carte test neutre}.<br />

neutral-black .{E} * In pho<strong>to</strong>graphy, an image in which <strong>the</strong><br />

picture is a dark grey without any observable tints such as<br />

blue-black or brown-lack.42. .{D= ?; Es= negro neutro; F=<br />

noir neutre}.<br />

neutralization and alkalization .{E} * see deacidification.<br />

neutre .{F} * see infrasonic; neutral .{E}.<br />

neutro .{Es} * see neutral .{E}.<br />

new candle .{E} * see candela.<br />

new wave .{E;Es} * Basically film makers who got <strong>the</strong>ir<br />

start as critics on Cahiers du Cinema in <strong>the</strong> late 1950s and<br />

who owe a debt <strong>to</strong> <strong>the</strong> influence <strong>of</strong> André Bazin. The term<br />

is also used more widely <strong>to</strong> include all <strong>the</strong> young French<br />

film makers <strong>of</strong> <strong>the</strong> 1960s.(30.) .{D= ?; Es= nueva ola;<br />

nouvelle vague/; F= nouvelle vague}.<br />

New American cinema .{E} * The 'personal cinema' <strong>of</strong><br />

indepen-dent film makers in <strong>the</strong> U.S. since World War II,<br />

characterized by a lyric, poetic, and experimental<br />

approach.(30.) .{D= ?; Es= Nuevo Cine Americano; F=<br />

cinéma nouvelle Amérique}.<br />

news clip .{E} * One or more segments edited from<br />

newsreels and/or television news broadcasts.12. .{D= ?;<br />

Es= cortes [clips] de noticias [de actualidades]; F=<br />

séquence d'actualités}.<br />

news film .{E} * 1) In television broadcasts, such materials<br />

as spot news, interviews, features, sports, etc. 2) A term <strong>to</strong><br />

describe footage which appears <strong>to</strong> have been intended for<br />

a <strong>the</strong>atrical newsreel or pho<strong>to</strong>graphed by a newsreel<br />

company, but can not be positively identified as such.(12.)<br />

.{D= ?; Es= noticiario; película de actualidades; F= film<br />

d'actualités; bande d'actualités}.<br />

newsreel .{E} * A non-fiction film, or series <strong>of</strong> such films,<br />

released <strong>the</strong>atrically in periodic issues, each issue<br />

consisting <strong>of</strong> a number <strong>of</strong> s<strong>to</strong>ries reporting and<br />

commenting on recent events.12. .{D= Wochenschau;<br />

156<br />

Reportage-Film; Es= noticiario; pélicula de reportaje;<br />

reportaje; diario cinema<strong>to</strong>gráfico; F= actualités; film<br />

d'actualité; film de reportage; journal cinéma<strong>to</strong>graphique}.<br />

NFPA .{E} * acronym for National Fire Protection<br />

Association.<br />

NFPA 40 .{D;E;Es;F} * The current standard in <strong>the</strong> U.S. for<br />

s<strong>to</strong>rage and handling <strong>of</strong> cellulose nitrate based motion<br />

picture film developed by <strong>the</strong> U.S.'s National Fire<br />

Protection Association as NFPA 40 : standard for <strong>the</strong><br />

s<strong>to</strong>rage and handling <strong>of</strong> cellulose nitrate motion picture<br />

film. (NFPA, 1988.)<br />

nichtlineare Verzerrung .{D} * see non-linear dis<strong>to</strong>rtion .{E}.<br />

nichtwässrige Lösung .{D} * see nonaqueous solvent .{E}.<br />

nick .{E} * Commonly used defect term for sound<br />

recordings referring <strong>to</strong> a visible pit, dig, or break in <strong>the</strong><br />

surface <strong>of</strong> <strong>the</strong> recording which will probably cause some<br />

degree <strong>of</strong> sonic dis<strong>to</strong>rtion; similar <strong>to</strong> needle dig.(04.) .{D=<br />

?; Es= mella; melladura; F= "paille"}.<br />

Nipkow disk .{E} * Early video image pickup devices were<br />

termed scanners because <strong>the</strong>y formed a raster <strong>of</strong> a scene<br />

or film by scanning it with a bright spot <strong>of</strong> light. The Nipkow<br />

disk was <strong>the</strong> earliest mechanical image scanner and was<br />

replaced by <strong>the</strong> Farnsworth image dissec<strong>to</strong>r. .{D= ?; Es=<br />

disco Nipkow; F= disque de Nipkov}.<br />

Nipper .{E} * see Little Nipper.<br />

nitidez .{Es} * see sharpness .{E}.<br />

nitrate based film .{E} * see cellulose nitrate film.<br />

nitrate film .{E} * see cellulose nitrate film.<br />

Nitratfilm .{D} * see cellulose nitrate .{E}.<br />

nitra<strong>to</strong> de celulosa .{Es} * see cellulose nitrate (1) .{E}.<br />

niveau .{F} * see level .{E}.<br />

niveau de bruit .{F} * see noise level .{E}.<br />

niveau de noir .{F} * see set-up .{E}.<br />

niveau de perception sonore .{F} * see loudness .{E}.<br />

niveau de suppression .{F} * see blanking level .{E}.<br />

niveau du noir .{F} * see black level .{E}.<br />

niveau du noir (signal vidéo) .{F} * see pedestal .{E}.<br />

niveau moyen (d'un signal vidéo) .{F} * see average picture<br />

level (apl) .{E}.<br />

nivel .{Es} * see level .{E}.<br />

nivel de borrado .{Es} * see blanking level .{E}.<br />

nivel de error .{Es} * see error ratio .{E}.<br />

nivel de luminancia .{Es} * see luminance ratio .{E}.<br />

nivel de luminosidad .{Es} * see brightness range .{E}.<br />

nivel de ruido .{Es} * see noise level .{E}.<br />

nivel de supresión (del haz) .{Es} * see blanking level .{E}.<br />

nivel del negro .{Es} * see black level .{E}.<br />

nivel medio de la señal de imagen .{Es} * see average<br />

picture level (apl) .{E}.


niveles de audiencia .{Es} * see cool and hot media .{E}.<br />

NMA .{E} * acronym for National Micrographics<br />

Association.<br />

no compatible .{Es} * see noncompatibility .{E}.<br />

no usado .{Es} * see mint .{E}.<br />

node .{E} * A point <strong>of</strong> zero amplitude <strong>of</strong> vibration on a<br />

stationary wave.39. .{D= ?; Es= nodo; F= point nodal}.<br />

nodo .{Es} * see node .{E}.<br />

noir codé .{F} * see black burst .{E}.<br />

noir couleur .{F} * see colour black .{E}.<br />

noir et blanc .{F} * see black and white .{E}.<br />

noir neutre .{F} * see neutral-black .{E}.<br />

noir-vidéo-noir (NVN) .{F} * see black-video-black (BVB)<br />

.{E}.<br />

noise .{E} * 1) In audio and moving-image media, any<br />

spurious signal.39. 2) In magnetic tape recording, any<br />

unwanted electrical disturbances in <strong>the</strong> transmission and<br />

reception <strong>of</strong> data over a communications channel,<br />

generally created by such as electron-ic equipment,<br />

heads, and also by rough or non-homogeneous oxide<br />

coatings on magnetic tape. Mostly confined <strong>to</strong> <strong>the</strong><br />

extremes <strong>of</strong> <strong>the</strong> audible frequency spectrum where it<br />

occurs as hum and/or hiss. May be reduced <strong>to</strong> negligible<br />

levels by good machine and tape design; see also ambient<br />

noise; low noise tape; random noise; white noise.(16.07.)<br />

.{D= Geräusch; Rauschen; Es= ruido; F= neige; bruit}.<br />

noise floor .{E} * The level at which noise exists in an<br />

electronic device, audio system, or tape recorder,<br />

measured in <strong>the</strong> absence <strong>of</strong> sound signal; see also<br />

quiescent noise.04. 2) The lowest thresh-old <strong>of</strong> useful<br />

signal level.39. .{D= Rauschpegel; Es= ruido de fondo; F=<br />

bruit de fond}.<br />

noise level .{E} * The level <strong>of</strong> rms electronic noise in dBm<br />

measured over a defined noise bandwidth.46. .{D=<br />

Rauschpegel; Es= nivel de ruido; F= niveau de bruit}.<br />

noise pulse .{E} * A spurious signal <strong>of</strong> short duration that<br />

occurs during reproduction <strong>of</strong> a tape and is <strong>of</strong> a magnitude<br />

considerably in excess <strong>of</strong> <strong>the</strong> average peak value <strong>of</strong> <strong>the</strong><br />

ordinary system noise.46. .{D= ?; Es= impulso de ruido; F=<br />

impulsion de bruit}.<br />

noise-shaping circuit .{E} * A numer-ical feedback circuit<br />

used in some CD players <strong>to</strong> increase signal-<strong>to</strong>--noise<br />

ratio.39. .{D= ?; Es= circui<strong>to</strong> formador [configurador] de<br />

ruidos; F= circuit de conformation de bruit}.<br />

noise-suppression system .{E} * In <strong>the</strong> broadest meaning,<br />

<strong>the</strong> recognition and removal <strong>of</strong> unwanted audio data in an<br />

audio record and/or playback system. Non-linear, or<br />

transient noise and continuous noise suppression systems<br />

include OWL and Packburn; linear noise suppression<br />

systems include ANSR, CEDAR, Dbx, Dolby, and No-<br />

Noise. The various systems are incompatible, thus a<br />

recording made incorporating one <strong>of</strong> <strong>the</strong> systems can only<br />

be satisfac<strong>to</strong>rily replayed by decoding it with <strong>the</strong> proper<br />

decoder. .{D= geräuschunterdrückungs-System; ?; Es=<br />

sistema de supresión de ruidos; F= système de réduction<br />

de bruit}.<br />

nom d'étiquette .{F} * see label name .{E}.<br />

nom prédominant (cat) .{F} * see predominant name .{E}.<br />

nombre d'ouverture .{F} * see numerical aperture (NA) .{E}.<br />

157<br />

nombre de archivo en pantalla .{Es} * see title screen<br />

(computer files) .{E}.<br />

nombre de su ubicación .{Es} * see broadcast station (2)<br />

.{E}.<br />

nombre identificativo .{Es} * see label name .{E}.<br />

nombre predominante .{Es} * see predominant name .{E}.<br />

nombres décimaux codés binaires .{F} * see Binary-Coded<br />

Decimal numbers (BCD) .{E}.<br />

nomograma .{Es} * see nomograph .{E;F}.<br />

nomograph .{E;F} * A device used for calculating <strong>the</strong> effect<br />

<strong>of</strong> a filter on colour temperature.(09.) .{D= ?; Es=<br />

nomograma; ábaco}.<br />

non modulé .{F} * see blank groove .{E}.<br />

non piqué .{F} * see s<strong>of</strong>t focus .{E}.<br />

non re<strong>to</strong>ur à zéro .{F} * see non-return-<strong>to</strong>-zero (NRZ) .{E}.<br />

non re<strong>to</strong>ur à zéro inversé .{F} * see non-return-<strong>to</strong>-zeroinverted<br />

(NRZI) .{E}.<br />

non synchrone .{F} * see asynchronous .{E}.<br />

non synhrone .{F} * see out <strong>of</strong> sync .{E}.<br />

non-book materials .{E} * see non-print materials.<br />

non-drop frame .{E} * A type <strong>of</strong> time code used <strong>to</strong> label<br />

every video frame consecutively. It is not altered <strong>to</strong> reflect<br />

<strong>the</strong> slower frame rate <strong>of</strong> colour television, i.e. it is not<br />

precisely clock accurate. .{D= ?; Es= código de<br />

numeración del tiempo de cada fo<strong>to</strong>grama de un vídeo<br />

consecutivamente; F= codage temporel "non-drop frame"}.<br />

non-linear dis<strong>to</strong>rtion .{E} * Spectral artifacts introduced by<br />

<strong>the</strong> dis<strong>to</strong>rtion <strong>of</strong> <strong>the</strong> waveform, including harmonic and<br />

inter-modulation dis<strong>to</strong>rtion. .{D= nichtlineare Verzerrung;<br />

Es= dis<strong>to</strong>rsión no lineal; F= dis<strong>to</strong>rsion non linéaire}.<br />

non-pho<strong>to</strong>resist (NPR) .{E;F} * An alternative CD mastering<br />

method.39. .{D= ?; Es= (NPR) sistema no-fo<strong>to</strong>resistente<br />

(grabación de discos compac<strong>to</strong>s)}.<br />

non-print materials .{E} * Those archive and/or library<br />

materials which do not come within <strong>the</strong> definition <strong>of</strong> a book,<br />

periodical or pamphlet, e.g. audiovisual materials, vertical<br />

file materials, micr<strong>of</strong>orms or computer s<strong>of</strong>tware.19. .{D= ?;<br />

Es= materiales no impresos [copiados, editados]; F=<br />

matériaux non imprimés}.<br />

non-return-<strong>to</strong>-zero (NRZ) .{E} * A digital code in which<br />

polarity changes positively with a 0/1 sig-nal change, and<br />

negatively with a 1/0 signal change.39. .{D= ?; Es= sin<br />

re<strong>to</strong>rno a cero; F= non re<strong>to</strong>ur à zéro}.<br />

non-reversing film .{E} * see direct image film.<br />

nonaqueous solvent .{E} * Chemicals (o<strong>the</strong>r than water)<br />

used <strong>to</strong> dissolve o<strong>the</strong>r chemicals. Nonaqueous solvents<br />

used in deacidification techniques include methanol.53.<br />

.{D= nichtwässrige Lösung; Es= disolvente no acuoso; F=<br />

solvent non aqueux}.<br />

noncompatibility .{E} * Composite colour is said <strong>to</strong> be<br />

compatible with <strong>the</strong> monochrome format if its<br />

transmissions can be received on monochrome receivers<br />

and, and monochrome transmissions can be received on<br />

colour receivers. The NTSC system is fully compatible. If<br />

a system fails <strong>the</strong>se test it is noncompatible. .{D= ?; Es=<br />

no compatible [incompatible]; F= incompatibilité}.


norma .{Es} * see standard .{E}.<br />

norma de sensibilidad .{Es} * see pattern sensitivity .{E}.<br />

norma de sincronización .{Es} * see synchronization<br />

pattern .{E}.<br />

norma de televisión NTSC .{Es} * see NTSC television<br />

standard .{E}.<br />

normalspiel .{D} * see standard play (SP) .{E}.<br />

normas de archivo (calidad de los materiales) .{Es} * see<br />

archival standards .{E}.<br />

norme .{F} * see standard .{E}.<br />

norme basse fréquence .{F} * see lowband standard<br />

.{D;E}.<br />

norme de télévision NTSC .{F} * see NTSC television<br />

standard .{E}.<br />

normes d'archivage .{F} * see archival standards .{E}.<br />

normes de teinture bleue .{F} * see blue wool light fastness<br />

standards .{E}.<br />

nota (aclara<strong>to</strong>ria) .{Es} * see note .{E}.<br />

nota analítico (-a) .{Es} * see analytical note .{E}.<br />

notch .{E} * 1) A recess cut in<strong>to</strong> <strong>the</strong> edge <strong>of</strong> negative film<br />

that is read by some printers <strong>to</strong> change <strong>the</strong> light intensity.<br />

2) A physical mark made on film for identification in a<br />

darkroom.(10.) .{D= ?; Es= corte; incisión; muesca; F=<br />

encoch; entaille}.<br />

notch-filter .{E} * An electronic screen with a characteristic<br />

reject <strong>of</strong> very specific band frequencies (ideally a single<br />

frequency) which allows <strong>the</strong> frequencies above and below<br />

<strong>to</strong> remain unaffected. .{D= notch-Filter; Es= filtro de<br />

muesca; F= filtre sélectif}.<br />

notch-Filter .{D} * see notch-filter .{E}.<br />

note .{E} * In a bibliographic record, a brief comment or<br />

explanation about <strong>the</strong> bibliographic description, his<strong>to</strong>ry, or<br />

content <strong>the</strong> cited item, which does not fit in<strong>to</strong> o<strong>the</strong>r areas<br />

<strong>of</strong> a standardized bibliographic citation. Notes are formal<br />

when <strong>the</strong>y are introduced by a standardized word or<br />

phrase, followed by a colon, space; o<strong>the</strong>rwise, <strong>the</strong>y are<br />

considered informal.(12.) .{D= ?; Es= nota (aclara<strong>to</strong>ria); F=<br />

note d'explication}.<br />

note analytique .{F} * see analytical note .{E}.<br />

note d'explication .{F} * see note .{E}.<br />

notice catalographique .{F} * see contents note .{E}.<br />

notice catalographique .{F} * see main entry .{E}.<br />

noticiario .{Es} * see news film .{E}; newsreel .{E}.<br />

noticiario de televisión .{Es} * see television news .{E}.<br />

Notstandsplan .{D} * see disaster control plan .{E}.<br />

Notstandsplanung .{D} * see disaster control plan .{E}.<br />

nouveau pressage .{F} * see re-pressing .{E}.<br />

nouvelle sortie .{F} * see rerelease/reissue .{E}.<br />

nouvelle vague .{Es;F} * see new wave .{E}.<br />

nouvelle version .{F} * see remake .{E}.<br />

158<br />

Nova Sina Mik 3000 .{D;E;Es;F} * see electronic<br />

hygrometer.<br />

novela o película en episodios .{Es} * see serial (2,3,4)<br />

.{E;F}.<br />

noyau .{F/B} * see core; hub; s<strong>of</strong>t core material .{E}.<br />

noyau DIN (Deutsche Industrie Normen) .{F} * see DIN hub<br />

.{E}.<br />

noyau NAB .{F} * see NAB hub .{E}.<br />

noyau see s<strong>of</strong>t core material .{E}.<br />

NPR .{E} * acronym for non-pho<strong>to</strong>resist; National Public<br />

Radio .{E}.<br />

NR .{E} * acronym for needle run.<br />

NRMM .{E} * acronym for National Register <strong>of</strong> Micr<strong>of</strong>orm<br />

Masters.<br />

NRZ .{E} * acronym for non-return-<strong>to</strong>-zero.<br />

NRZI .{E} * acronym for non-return-<strong>to</strong>-zero-inverted.<br />

NTSC .{E} * acronym for National Television Systems<br />

Committee.<br />

NTSC signal .{E} * see NTSC-m.<br />

NTSC standard .{E} * see NTSC-m.<br />

NTSC video format .{E} * see NTSC-m.<br />

NTSC-m .{D;E;Es;F} * The colour television standard used<br />

in <strong>the</strong> U.S., Japan, and elsewhere (mainly <strong>the</strong> Pacific basin<br />

area), prepared by <strong>the</strong> National Television Systems<br />

Committee <strong>of</strong> <strong>the</strong> Electronics Industries Association, using<br />

525 lines, 60 fields, and 30 frames per second; see also<br />

PAL; SECAM.(39.06.)<br />

nuance .{F} * see hue .{E}.<br />

NUC .{E/US} * acronym for National Union Catalog.<br />

núcleo .{Es} * see core; hub .{E}.<br />

núcleo (cintas magnéticas) .{Es} * see s<strong>of</strong>t core material<br />

(1) .{E}.<br />

núcleo de un disco laminado .{Es} * see core (2) .{E}.<br />

núcleo DIN .{Es} * see DIN hub .{E}.<br />

nueva versión .{Es} * see remake .{E}.<br />

nuevo .{Es} * see mint .{E}.<br />

nuevo prensado .{Es} * see re-pressing .{E}.<br />

nuevo registro .{Es} * see rerecording .{E}.<br />

Nuevo Cine Americano .{Es} * see New American cinema<br />

.{E}.<br />

Nullkopie .{D} * see answer print .{E}.<br />

Number System Character (NSC) .{E} * see Universal<br />

Product Code (UPC).<br />

numeración con tinta visible .{Es} * see visible ink edge<br />

numbering .{E}.<br />

numeración en el borde de la imagen latente (proceso de<br />

la casa Kodak para numerar sus películas en los bordes)<br />

.{Es} * see latent image edge numbering .{E}.


numerical aperture (NA) .{E} * A measure <strong>of</strong> <strong>the</strong> relative<br />

capacity <strong>of</strong> an optical system <strong>to</strong> accept light from an<br />

outside medium.39. .{D= ?; Es= abertura mecánica; F=<br />

nombre d'ouverture; diaphragme; aperture numérique}.<br />

numérisation .{F} * see digitization .{E}.<br />

numérisation des images .{F} * see image scanner .{E}.<br />

numéro (de bord) de l'image latente .{F} * see latent image<br />

edge numbering .{E}.<br />

numéro d'édition .{F} * see publisher's number .{E}.<br />

numéro d'identification du film .{F} * see film identification<br />

number .{E}.<br />

numéro de matrice .{F} * see issue number; matrix number<br />

.{E}.<br />

numéro de production .{E} * see production number .{E}.<br />

numéro de référence du film .{F} * see film strip reference<br />

number .{E}.<br />

Numéro International Normalisé des Enregistrements .{F}<br />

* see International Standard Record Numbering (ISRN)<br />

.{D;E}.<br />

Numéro International Normalisé des Publications en Série<br />

.{F} * see International Standard Serial Numbering (ISSN)<br />

{E}<br />

Numéro International Normalisé des Livres .{F} * see<br />

International Standard Book Numbering (ISBN) .{E}.<br />

número arbitrario de bits que comprende una unidad<br />

operacional de información .{Es} * see byte .{E}.<br />

número de catálogo .{Es} * see catalogue number (cat.<br />

no.) .{E}.<br />

número de copias de una publicación .{Es} * see edition<br />

(2) .{E}.<br />

número de edi<strong>to</strong>r .{Es} * see publisher's number .{E}.<br />

número de emisión .{Es} * see issue number .{E}.<br />

número de identificación de una película .{Es} * see film<br />

identification number .{E}.<br />

número de producción .{Es} * see production number .{E}.<br />

número de referencia de tira de película .{Es} * see film<br />

strip reference number .{E}.<br />

número del catálogo del album .{Es} * see album number<br />

.{E}.<br />

número estándar .{Es} * see standard number .{E}.<br />

número marginal .{Es} * see edge numbers .{E}.<br />

número matriz .{Es} * see matrix number .{E}.<br />

Número Internacional Normalizado para Publicaciones<br />

Seriadas o Revistas .{Es} * see International Standard<br />

Serial Numbering (ISSN) .{E}.<br />

numéros d'index .{F} * see index numbers .{E}.<br />

numéros de bord .{F} * see edge numbers .{E}.<br />

numéros de piste .{F} * see track numbers .{E}.<br />

números de dígi<strong>to</strong>s decimales codificados binariamente<br />

.{Es} * see Binary-Coded Decimal numbers (BCD) .{E}.<br />

159<br />

números de pista .{Es} * see track numbers .{E}.<br />

números índice .{Es} * see index numbers .{E}.<br />

Nummer .{D} * see volume .{E;F}.<br />

NVN .{F} * see BVB .{E}.<br />

Nyquist <strong>the</strong>orem .{E} * see sampling <strong>the</strong>orem (Nyquist).<br />

o --o<br />

del neutro .{Es} * see neutral test card .{E}.<br />

o-phenyl phenol .{E} * see ortho-phenyl phenol.<br />

Oberflächen-Eindruckmarken .{D} * see surface imprint<br />

.{E}.<br />

Oberflächenbehandlung .{D} * see surface treatment .{E}.<br />

Oberflächenstörungen .{D} * see surface noise .{E}.<br />

objectif .{F} * see target .{E}.<br />

objectif (lentille) .{F} * see lens .{E}.<br />

objectif achromatique .{F} * see achromatic lens .{E}.<br />

objectif anamorphoseur .{F} * see anamorphic lens .{E}.<br />

objectif anastigmatique .{F} * see anastigmatic lens .{E}.<br />

objectif astigmatique .{F} * see asynchronous; astigmatic<br />

lens .{E}.<br />

objectif de longue focale .{F} * see telepho<strong>to</strong> lens .{E}.<br />

objectif grand angulaire .{F} * see wide-angle lens .{E}.<br />

objectif traité .{F} * see coated lens .{E}.<br />

objectif très grand angulaire .{F} * see fish-eye lens .{E}.<br />

objective lens .{E} * The optical component used in optical<br />

media pickups <strong>to</strong> focus LASER light on <strong>the</strong> disc data<br />

surface.39. .{D= Transfoka<strong>to</strong>r (Gummilinse); Es= objetivo;<br />

lente de foco variable (trafocador); F= lentille d'objectif;<br />

lentille objectif; objectif à distance focale variable}.<br />

objetivo .{Es} * see mire; objective lens .{E}; target (3) .{E}.<br />

objetivo acromático .{Es} * see achromatic lens .{E}.<br />

objetivo anamórfica .{Es} * see anamorphic lens .{E}.<br />

objetivo anastigmática .{Es} * see anastigmatic lens .{E}.<br />

objetivo astigmática .{Es} * see astigmatic lens .{E}.<br />

objetivo catadipótrico .{Es} * see catadioptric lens .{E}.<br />

objetivo cilíndricas .{Es} * see cylindrical lens .{E}.<br />

objetivo de ojo de pez .{Es} * see fish-eye lens .{E}.<br />

objetivo técnico .{Es} * see technical target .{E}.<br />

obje<strong>to</strong> cilíndrico para enrollar cintas .{Es} * see core (1)<br />

.{E}.<br />

obje<strong>to</strong> en tres dimensiones .{Es} * see realia .{E}.<br />

obje<strong>to</strong> monográfico .{Es} * see monographic item .{E}.<br />

obje<strong>to</strong> multimedia .{Es} * see multimedia item .{E}.<br />

obje<strong>to</strong>s compues<strong>to</strong> por varias partes de importancia


equivalente .{Es} * see multi-part items .{E}.<br />

oblique light .{E} * A light which is viewed as reflected from<br />

a surface at a shallow angle and which shows <strong>the</strong><br />

maximum relief <strong>of</strong> <strong>the</strong> reflecting surface.42. .{D= ?; Es= luz<br />

oblicua; F= lumière oblique}.<br />

obra de arte original (en contraposición a una<br />

reproducción) .{Es} * see art original .{E}.<br />

obstrucción del cabezal .{Es} * see head clog .{E}.<br />

obturador .{Es} * see shutter .{E}.<br />

obturador de borrado .{Es} * see blanking shutter .{E}.<br />

obturateur .{F} * see shutter .{E}.<br />

octava .{Es} * see octave .{D;E;F}.<br />

octave .{D;E;F} * The interval between two frequencies <strong>of</strong><br />

sound or electrical energy having a ratio <strong>of</strong> 2:1.16. .{Es=<br />

octava}.<br />

octet .{F} * see byte .{E}.<br />

octe<strong>to</strong> .{Es} * see byte .{E}.<br />

ocul<strong>to</strong> .{Es} * see concealment .{E}.<br />

odd field .{E} * see field.<br />

Oe .{E} * abbreviation for Oersted.<br />

OEM .{E} * acronym for original equipment manufac-turer.<br />

Oersted (Oe) .{D;E;Es;F} * 1) A unit measurement <strong>of</strong><br />

magnetic field strength.46. 2) The CGS unit for<br />

coercivity.57. 3) The CGS unit <strong>of</strong> magnetizing force,<br />

(symbol H), equal <strong>to</strong> a magne<strong>to</strong>motive force <strong>of</strong> 1 gilbert<br />

acting over a length <strong>of</strong> 1 cm; named after Hans C.<br />

Oersted, a Danish physicist.10.<br />

oeuvre originale (non reproduite) .{F} * see art original .{E}.<br />

oeuvre reproduite .{F} * see art print .{E}.<br />

<strong>of</strong>f-Line .{E} * An audio or video editing procedure where<br />

<strong>the</strong> end product is an edit decision list (EDL) capable <strong>of</strong><br />

being assembled in an on-line mode. .{D= ?; Es= fuerza de<br />

línea; independencia de línea; F= procédé de montage<br />

audio ou vidéo}.<br />

<strong>of</strong>fene Spule .{D} * see open reel .{E}.<br />

<strong>of</strong>fener Wickel .{D} * see pancake .{E}.<br />

<strong>of</strong>fset .{E} * The difference in <strong>the</strong> number <strong>of</strong> frames<br />

between begin -access time and actual start time. A safety<br />

margin for player muting/de-muting.39. .{D= Offset; Es=<br />

balance; compensación; desviación; desnivel; F=<br />

décalage; désaxer}.<br />

Offset .{D} * see <strong>of</strong>fset .{E}.<br />

ohm .{D;E;Es;F} * The basic unit <strong>of</strong> electrical resistance<br />

and reactance named after Georg Simon Ohm, German<br />

physicist. Ohm's law was a result <strong>of</strong> his researches in<br />

electricity, and <strong>the</strong> measure <strong>of</strong> resistance is called<br />

ohm.(10.)<br />

ombrage continu .{F} * see drop shadow .{E}.<br />

ombre .{F} * see shadow .{E}.<br />

ombre projetée .{F} * see drop shadow .{E}.<br />

omega .{E} * see alpha .{E}.<br />

160<br />

omni-player .{E} * A CD-VIDEO player that will play CD-I<br />

discs. .{D= ?; Es= reproduc<strong>to</strong>r de vídeo y CD-I; F= lecteur<br />

multi format}.<br />

on-line .{E} * An audio or video editing procedure where<br />

<strong>the</strong> end product is <strong>the</strong> complete finished tape. .{D= ?; Es=<br />

en línea; de entrada directa; acoplado al sistema; F= en<br />

ligne}.<br />

onda estacionaria .{Es} * see stationary wave .{E}.<br />

onda portadora intermedia .{Es} * see subcarrier .{E}.<br />

onda sinusoidal .{Es} * see sine wave .{E}.<br />

onde sinusoïdale .{F} * see sine wave .{E}.<br />

onde stationnaire .{F} * see stationary wave .{E}.<br />

ondear una bandera .{Es} * see flag-waving .{E}.<br />

ondulación .{Es} * see curl/curling .{E}; edge roll/lift .{E};<br />

flutter .{E}.<br />

ondulación de la cinta .{Es} * see tape weave .{E}.<br />

ondulaciones .{Es} * see cockle/cockling .{E}; waviness<br />

.{E}.<br />

ondulado .{Es} * see blocked pack .{E}.<br />

ondulado (cintas) .{Es} * see blocked pack .{E}.<br />

ondulation .{F} * see curl/curling .{E}.<br />

ondulation de la bande .{F} * see tape-<strong>to</strong>-head separation<br />

changes; tape weave .{E}.<br />

ondulation de la bordure .{F} * see edge fluting .{E}.<br />

onduleux .{F} * see waviness .{E}.<br />

op amp .{E} * abbreviation for operational am-plifier.39.<br />

opal glass .{E} * A glass which has a translucent white tint<br />

throughout its thickness.42. .{D= ?; Es= vidrio opalino;<br />

vidrio opal; F= verre opalisé}.<br />

opaque support .{E} * A non-translucent, non-transparent<br />

material used as base or support for o<strong>the</strong>r materials.(42.)<br />

.{D= ?; Es= soporte opaco; placa opaca; F= support<br />

opaque}.<br />

open reel .{E} * In magnetic tape recording and/or<br />

playback, a reel-<strong>to</strong>-reel tape recording/playing system, as<br />

opposed <strong>to</strong> quick-lo-ading types such as cassette and<br />

cartridge; see also reel <strong>to</strong> reel tape.(16.) .{D= Spule; <strong>of</strong>fene<br />

Spule; Es= bobina [carrete] abier<strong>to</strong>; F= bobine libre;<br />

bobines "ouvertes"}.<br />

operador jefe .{Es} * see SC/H (2) .{E}.<br />

operario que hace las copias .{Es} * see printer (2) .{E}.<br />

operating environment .{E} * 1) The physical conditions at<br />

<strong>the</strong> time <strong>of</strong> or while operating a piece <strong>of</strong> equipment. 2) The<br />

recommended physical conditions for operating a piece<br />

equipment, frequently including a maximum and minimum<br />

temperature and relative humidity range, a maximum dew<br />

point, <strong>the</strong> range <strong>of</strong> altitude, <strong>the</strong> allowable levels <strong>of</strong> shock,<br />

and <strong>the</strong> allowable duration.(46.) .{D= klimatische<br />

Betriebsbedingungen; Betriebsbedingungen; Es=<br />

ambiente operativo; F= environnement d'exploitation}.<br />

operational amplifier .{E} * An ana-logue device <strong>of</strong>ten used<br />

as a gain block.39. .{D= Operationsverstärker; Es=<br />

amplificador operacional; F= amplificateur opérationnel}.


opérations en temps réel (disques optiques) .{F} * see<br />

real-time operating system (RTOS) .{E}.<br />

Operationsverstärker .{D} * see operational amplifier .{E}.<br />

OPP .{E} * acronym for ortho-phenyl phenol.<br />

optical .{E} * 1) In general, having <strong>to</strong> do with light and its<br />

behaviour and control, as in optical properties, optical<br />

rotation.40. 2) In moving-image production technology, any<br />

device which is accom-plished in <strong>the</strong> labora<strong>to</strong>ry ra<strong>the</strong>r than<br />

in <strong>the</strong> cutting room or on <strong>the</strong> set, such as dissolves, freeze<br />

frames, wipes, ghost images, and matte shots.30. .{D=<br />

optisch; Es= óptico; F= optique}.<br />

optical beam accessible zone .{E} * The annular subset <strong>of</strong><br />

<strong>the</strong> mechanically accessible zone on an optical disc which<br />

can be accessed by <strong>the</strong> read or write beam.(46.) .{D= ?;<br />

Es= zona accesible del haz óptico; F= plage accessible}.<br />

optical density .{E} * see density.<br />

optical disc .{E} * Any (i.e., read-only, write-once, erasable<br />

disc, etc.) flat, circular medium <strong>the</strong> surfaces <strong>of</strong> which are<br />

sandwiched between transparent layers <strong>of</strong> glass or plastic,<br />

permitting <strong>the</strong> recording, s<strong>to</strong>rage, and retrieval <strong>of</strong> data in<br />

digital form; see also compact disc; digital optical<br />

recording; video disc.(22.39.) .{D= optische Platte;<br />

Bildplatte; Es= disco óptico; F= disque optique}.<br />

optical effects .{E} * In moving-image production, <strong>the</strong><br />

alteration <strong>of</strong> a motion picture scene, commonly introduced<br />

in duplication, includes fades, dissolves, and wipes, as<br />

well as many o<strong>the</strong>r effects.(09.) .{D= ?; Es= efec<strong>to</strong>s<br />

ópticos; F= trucages; effets optiques}.<br />

optical path length .{E} * The sum <strong>of</strong> <strong>the</strong> products <strong>of</strong> <strong>the</strong><br />

index <strong>of</strong> refraction (n) and <strong>the</strong> thickness <strong>of</strong> each layer<br />

(micrometres) between <strong>the</strong> entry face and <strong>the</strong> recording<br />

layer.46. .{D= ?; Es= longitud del rayo óptico; F= longueur<br />

du chemin optique}.<br />

optical pickup .{E} * The device which uses LASER light <strong>to</strong><br />

convey data from a disc.(39.) .{D= optischer<br />

Tonabnehmer; Es= cabezal óptico; F= tête optique}.<br />

optical printer .{E} * A piece <strong>of</strong> equipment that combines<br />

<strong>the</strong> functions <strong>of</strong> a film projec<strong>to</strong>r and a film camera.(10.)<br />

.{D= Truco; optische Bank; Es= impresor [-a] óptico [-a];<br />

truco; F= tireuse optique; truca}.<br />

optical printing .{E} * The reproduction <strong>of</strong> a still- or movingimage<br />

transparent film by projecting <strong>the</strong> image on<strong>to</strong> <strong>the</strong><br />

pho<strong>to</strong>graphic paper or film s<strong>to</strong>ck.(10.) .{D= optisches<br />

Kopieren; Es= copia óptica; positivado óptico; triaje óptico;<br />

F= triage optique}.<br />

optical prints .{E} * see answer print.<br />

optical recorder .{E} * The piece <strong>of</strong> equipment in motion<br />

picture film production which transfers <strong>the</strong> audio<br />

information from an electrical signal <strong>to</strong> an optical<br />

image.(09.) .{D= ?; Es= grabador óptico; F=<br />

enregistrement optique}.<br />

optical soundtrack .{E} * An audio signal on a motion<br />

picture film in which <strong>the</strong> sound recording takes <strong>the</strong> form <strong>of</strong><br />

density variation in a pho<strong>to</strong>graphic image, also called<br />

pho<strong>to</strong>graphic soundtrack.(09.) .{D= ?; Es= pista óptica; F=<br />

piste optique}.<br />

óptico .{Es} * see optical .{E}.<br />

optique .{F} * see optical .{E}.<br />

optisch .{D} * see optical .{E}.<br />

optische Bank .{D} * see op-isola<strong>to</strong>r .{E} * Optical<br />

161<br />

components which convert electrical signals <strong>to</strong> light and<br />

<strong>the</strong>n back <strong>to</strong> electrical. Used in some CD players <strong>to</strong> isolate<br />

<strong>the</strong> noise <strong>of</strong> digital circuitry from analogue circuitry.39. .{D=<br />

?; Es= desconectador [seccionador] óptico; F= isolant<br />

optique}.<br />

oral his<strong>to</strong>ry .{E} * The result <strong>of</strong> interviews, usually planned,<br />

with individuals, usually in <strong>the</strong> form <strong>of</strong> sound recordings or<br />

transcripts <strong>the</strong>re<strong>of</strong>.(22.) .{D= mündliche Überlieferung; Es=<br />

archivo/s oral/es; F= archives orales; his<strong>to</strong>ire orale}.<br />

orange spots .{E} * see microspots.<br />

órbita .{Es} * see orbit, geosynchronous .{E}.<br />

orbite géostationnaire .{F} * see orbit geosynchronous .{E}.<br />

orden de pago .{Es} * see draft; draft (2) .{E}.<br />

ordenador .{Es} * see console (1, 2) .{E;F}.<br />

order number .{E} * see issue number.<br />

Ordnung .{D} * see arrangement .{E}.<br />

Ordnungsarbeit .{D} * see arr{E}.<br />

orificio anti-explosión .{Es} * see explosion vent .{E}.<br />

origen .{Es} * see provenance .{E}.<br />

Origin .{D} * see original album/box .{E}.<br />

original .{E;Es;F} * 1) The initially created document as<br />

distinguished from any copy <strong>the</strong>re<strong>of</strong>.22. 2) In pho<strong>to</strong>graphy,<br />

<strong>the</strong> object, person, or scene that is <strong>the</strong> source <strong>of</strong> an image.<br />

3) The initial pho<strong>to</strong>graphic record, usually made in a<br />

camera. 4) In reprography, <strong>the</strong> source document or<br />

intermediate copy from which copies are produced; thus<br />

<strong>the</strong> original may be a positive or a negative.01. 5) An initial<br />

pho<strong>to</strong>graphic image or sound recording, whe<strong>the</strong>r<br />

pho<strong>to</strong>graphic or magnetic, as opposed <strong>to</strong> some stage <strong>of</strong><br />

duplication <strong>the</strong>re<strong>of</strong>.(09.) .{D= Original; Urschrift}.<br />

original .{F} * see also first-generation videotape; master;<br />

metal master; mo<strong>the</strong>r .{E}.<br />

original (grabación) de metal .{Es} * see metal master .{E}.<br />

original a partir del que se obtienen copias .{Es} * see<br />

master (2) .{E}.<br />

original album/box (or o<strong>the</strong>r container) .{E} * In sound<br />

recordings, may refer <strong>to</strong> <strong>the</strong> container in which <strong>the</strong><br />

recording was first issued, <strong>the</strong> sound recording itself, or<br />

both.(04.) .{D= Originalalbum; Originalbehälter;<br />

Originalbox; Es= álbum [caja] original; F= album/boîte<br />

original}.<br />

original broadcast date .{E} * The day, month, and year,<br />

and, optionally, <strong>the</strong> time (indicated by <strong>the</strong> use <strong>of</strong> <strong>the</strong><br />

twentyfour hour clock) at which a programme was first<br />

broadcast in <strong>the</strong> country <strong>of</strong> origin.(12.) .{D= ?; Es= fecha<br />

original de difusión; F= date de première diffusion}.<br />

original film .{E} * see camera film; camera micr<strong>of</strong>ilm.<br />

original label .{E} * The tag or slip attached in <strong>the</strong><br />

publication process <strong>to</strong> <strong>the</strong> first published release <strong>of</strong> a<br />

sound recording.(04.) .{D= Originallabel; Es= etiquetado<br />

original; F= étiquette originale}.<br />

original negative .{E} * The film negative exposed in <strong>the</strong><br />

camera from which subsequent original prints are made;<br />

see also camera film; copy negative.(43.) .{D= Original-<br />

Negativ; Es= negativo original; F= négatif original}.<br />

original performance .{E} * A distinction between a


ecording in question from subsequent, sometimes<br />

revised, recorded performances.(04.) .{D=<br />

Originallaufführung; Es= ejecución [actuación] original; F=<br />

éxecution originale}.<br />

original pressing .{E} * First issue <strong>of</strong> <strong>the</strong> disc recording in<br />

question.(04.) .{D= Originalpressung; Es= impresión<br />

original (disco); F= pression originale}.<br />

original print .{E} * Copy made from an original negative<br />

and contemporary with <strong>the</strong> time <strong>the</strong> pho<strong>to</strong>graph was made;<br />

see also copy print.43. .{D= ?; Es= copia original; F= tirage<br />

original}.<br />

original recording .{E} * 1) The first issued version <strong>of</strong> <strong>the</strong><br />

recorded performance in question. 2) An unedit-image<br />

item was first <strong>of</strong>fered for distribution. 2) For motionpictures,<br />

in certain circumstances may also be <strong>the</strong> date <strong>of</strong><br />

first public screening in <strong>the</strong> form finally <strong>of</strong>fered for<br />

distribution.(12.) .{D= ?; Es= ?; F= ?}.<br />

original release title .{E} * The title used on <strong>the</strong> first release<br />

or broadcast in <strong>the</strong> country <strong>of</strong> origin <strong>of</strong> <strong>the</strong> version <strong>of</strong> <strong>the</strong><br />

sound recordings or moving-image production being<br />

described in a catalogue entry. In recognition <strong>of</strong> <strong>the</strong><br />

impermanence <strong>of</strong> film title, <strong>the</strong> original title is used as <strong>the</strong><br />

title proper for archival film and video recordings.(12.) .{D=<br />

?; Es= título de publicación original; F= titre original}.<br />

original secundario .{Es} * see second original .{E}.<br />

original take .{E} * see original performance.<br />

original telecast date .{E} * see original broadcast date.<br />

Original .{D} * see master; original .{E;Es;F}.<br />

Original-Negativ .{D} * see original negative .{E}.<br />

Originalaufnahme .{D} * see original recording .{E}.<br />

Originalband .{D} * see master tape .{E}.<br />

Originalbehälter .{D} * see original album/box (or o<strong>the</strong>r<br />

container) .{E}.<br />

Originalbesetzung .{D} * see original cast .{E}.<br />

Originalbox .{D} * see original album/box (or o<strong>the</strong>r<br />

container) .{E}.<br />

Originallabel .{D} * see original label .{E}.<br />

Originalnegativ .{D} * see master negative .{E}.<br />

Originalpressung .{D} * see original pressing .{E}.<br />

originating system .{E} * An information processing system<br />

which can create a set <strong>of</strong> files on a volume set for <strong>the</strong><br />

purpose <strong>of</strong> data interchange with ano<strong>the</strong>r system.20. .{D=<br />

?; Es= sistema de origen; F= dispositif d'échange de<br />

données}.<br />

origination film .{E} * see camera film.<br />

ortho-phenyl phenol (OPP) .{E} * A phenolic chemical that<br />

has been used for non-residual mould, mildew, and fungi<br />

control on library materials. This chemical is not registered<br />

for such control in many countries, but has been used in<br />

<strong>the</strong> past for extensive infestations <strong>of</strong> such growths brought<br />

about by flooding and fires. It is also used in starch-based<br />

adhesives <strong>to</strong> inhibit mould/mildew/fungi growth and <strong>to</strong><br />

prolong <strong>the</strong> shelf-life <strong>of</strong> paste. It is a solid at room<br />

temperature and is usually mixed with ethanol for aqueous<br />

or spray application. Many recommend that ortho-phenyl<br />

phenol be substituted for thymol; see also anti-fungus<br />

agent.(38.) .{D= ?; Es= ort<strong>of</strong>enilfenol; F= phénol orthophényl}.<br />

162<br />

orthochromatic film .{E} * A silver emulsion film sensitive <strong>to</strong><br />

yellow and green light as well as <strong>to</strong> blue and violet. Not<br />

being sensitive <strong>to</strong> red, dark red is reproduced <strong>the</strong> same as<br />

black; see also panchromatic film.01. .{D=<br />

or<strong>to</strong>chromatische Emulsion; Es= emulsión or<strong>to</strong>cromática;<br />

F= film orthochromatique; emulsion ortho}.<br />

orthostereoscopy .{E} * see stereoscopy.<br />

or<strong>to</strong>chromatische Emulsion .{D} * see orthochromatic film<br />

.{E}.<br />

ort<strong>of</strong>enilfenol .{Es} * see ortho-phenyl phenol (OPP) .{E}.<br />

os-9 .{E;Es;F} * The real-time operating system on which<br />

<strong>the</strong> CD-I operat-ing system is based.39. .{D= ?; Es= ?; F=<br />

?}.<br />

oscilloscope .{E;F} * An instrument which displays<br />

electrical signals as graphs on a screen (cathode ray<br />

tube). Used for testing and measuring <strong>of</strong> electrical and<br />

electronic equipment, <strong>to</strong> analyze room acoustics, <strong>to</strong><br />

analyze an electronic signal being recorded, etc.; also<br />

referred <strong>to</strong> as a scope.(04.50.) .{D= ?; Es= osciloscópio}.<br />

oscilloscope vec<strong>to</strong>riel .{F} * see vec<strong>to</strong>rscope .{E}.<br />

osciloscopio .{Es} * see scope (2) .{E}.<br />

osciloscópio .{Es} * see oscilloscope .{E}.<br />

oscuridad .{Es} * see shadow .{E}.<br />

o<strong>the</strong>r title information .{E} * A word or phrase, or a group <strong>of</strong><br />

characters appearing in conjunction with, and subordinate<br />

<strong>to</strong>, <strong>the</strong> title proper <strong>of</strong> <strong>the</strong> item. O<strong>the</strong>r title information also<br />

occurs in conjunction with and subordinate <strong>to</strong>: parallel<br />

titles, variations <strong>of</strong> <strong>the</strong> title proper, episode titles, contents<br />

titles, titles <strong>of</strong> series, or <strong>of</strong> subseries. O<strong>the</strong>r title information<br />

generally qualifies-tîtres.12. .{D= ?; Es= título<br />

complementario [adicional]; F= titre complémentaire}.<br />

out <strong>of</strong> contact .{E} * An expression used in motion picture<br />

film contact printing <strong>to</strong> describe non-contact between<br />

emulsions. This causes problems with <strong>the</strong> desired images,<br />

such as spreading <strong>of</strong> <strong>the</strong> image.(01.) .{D= ?; Es= fuera de<br />

contac<strong>to</strong>; F= perte de contact}.<br />

out <strong>of</strong> phase .{E} * Imperfect coordination or<br />

nonsynchronous operation between or among two or more<br />

components, waves, devices, currents, et al.(10.) .{D= ?;<br />

Es= fuera de fase; desfasado; F= hors phase; déphasé}.<br />

out <strong>of</strong> sync .{E} * An expression used <strong>to</strong> indicate that<br />

sound and image in a moving image production are not in<br />

synchroniza-tion.(30.) 2) In television and video<br />

productions, a descrip<strong>to</strong>r <strong>of</strong> any signal which is<br />

nonsynchronous with <strong>the</strong> master reference. .{D= ?; Es=<br />

desincronizado; desacompasado; fuera de sincronismo;<br />

F= désynchronisé; non synhrone}.<br />

outil graveur .{F} * see stylus .{E}.<br />

output .{E} * 1) Any data leaving a circuit or system.39. 2)<br />

The magnitude <strong>of</strong> <strong>the</strong> reproduced signal voltage, usually<br />

measured at <strong>the</strong> output <strong>of</strong> <strong>the</strong> reproduced amplifier.46. 3)<br />

The signal voltage coming from components, such as preamplifiers<br />

and amplifiers. In tape recorders, <strong>the</strong>re are line<br />

outputs, speaker outputs and moni<strong>to</strong>r outputs.50; see also<br />

input/output. .{D= Ausgang; Ausgangssignal; Es= salida;<br />

rendimien<strong>to</strong>; capacidad; F= sortie; rendement}.<br />

output filter .{E} * see anti-imaging filter.39.<br />

outtake .{E} * In general, any moving-image shot which is<br />

removed from a work; more specifically, shots which are<br />

not included in <strong>the</strong> moving-image work as originally<br />

released or broadcast.(12.) .{D= ?; Es= salida; <strong>to</strong>ma


defectuosa; deshecho; F= chutes}.<br />

ouverture .{F} * see aperture; fade .{E}.<br />

ouverture (graduelle) d'iris/fermeture (graduelle) d'iris .{F}<br />

* see iris-in/iris-out .{E}.<br />

ouverture dans le cache .{F} * see window opening .{E}.<br />

ouverture en fondu .{F} * see fade .{E}.<br />

ouverture géométrique .{F} * see s<strong>to</strong>p .{E}.<br />

over-dub .{E} * An audio processing procedure used in<br />

audio sweetening. .{D= ?; Es= sobregrabación;<br />

regrabación; F= musique surajoutée}.<br />

over-exposure .{E} * Pho<strong>to</strong>graphic condition in which <strong>to</strong>o<br />

much light reaches <strong>the</strong> film producing a dense negative or<br />

a washed-out reversal.(09.) .{D= Überbelichtung; Es=<br />

sobreexposición; F= surexposition}.<br />

over-sampling .{E} * The technique in which <strong>the</strong> number <strong>of</strong><br />

samples is multiplied <strong>to</strong> permit digital filtering <strong>of</strong> <strong>the</strong> signal<br />

prior <strong>to</strong> d/a conversion. A gentle analogue low -pass filter<br />

is still required after over-sampling <strong>to</strong> remove extreme<br />

supersonic frequencies.39. .{D= ?; Es= sobremuestro; F=<br />

suréchantillonnage}.<br />

over-<strong>the</strong>-shoulder shot .{E} * A shot used in dialogue<br />

scenes in which <strong>the</strong> speaker is seen as well as part <strong>of</strong> <strong>the</strong><br />

back <strong>of</strong> <strong>the</strong> head and part <strong>of</strong> <strong>the</strong> shoulder <strong>of</strong> <strong>the</strong><br />

listener.30. .{D= ?; Es= plano con dos ac<strong>to</strong>res, uno de<br />

ellos de espaldas a la cámara; F= plan par-desus l'épaule;<br />

champ; contre-champ}.<br />

overdubbing .{E} * see sound-on-sound.<br />

overhead projec<strong>to</strong>r .{E} * An aparatus for projecting<br />

magnified images <strong>of</strong> graphic materials on<strong>to</strong> a screen. .{D=<br />

?; Es= proyec<strong>to</strong>r de trayec<strong>to</strong>ria de proyección alta;<br />

proyec<strong>to</strong>r con espejo; F= rétroprojecteur}.<br />

overlap sound .{E} * A moving-image production technique<br />

in which a cut, or edit, in <strong>the</strong> soundtrack is not cut at <strong>the</strong><br />

same time as <strong>the</strong> image, but ei<strong>the</strong>r before or after. Often<br />

used in reaction shots.(30.) .{D= ?; Es= sonido solapado;<br />

F= son débordant d'un plan sur l'autre; chevauchement;<br />

intersection}.<br />

overload .{E} * Feeding a component or system more data<br />

than it can handle, <strong>the</strong>reby causing overload dis<strong>to</strong>rtion;<br />

see also clipping.(04.) .{D= ?; Es= sobrecarga; F=<br />

surcharge; surmodulation; poids en surcharge}.<br />

overmodulation .{E} * The exceeding <strong>of</strong> <strong>the</strong> maximum<br />

permissible amplitude <strong>of</strong> a signal for recording or<br />

transmission; <strong>the</strong> result is usually dis<strong>to</strong>rtion.(10.) .{D=<br />

Übersteuerung; Es= sobremodulación; F= surmodulation}.<br />

oxidación .{Es} * see oxidation .{E;F}.<br />

oxidation .{E;F} * 1) Chemical reaction that converts an<br />

element in<strong>to</strong> its oxide. 2) To combine with oxygen.(44.) 3)<br />

In pho<strong>to</strong>graphic materials image silver can react<br />

chemically with oxidizing agents, resulting in <strong>the</strong><br />

discolouration <strong>of</strong> pho<strong>to</strong>graphs.(43.) .{D= Oxydation; Es=<br />

oxidación; F= oxydation}.<br />

oxide .{E} * 1) In magnetic tape, <strong>the</strong> ferromagnetic particles<br />

which, when properly dispersed in a plastic binder and<br />

coated on a base, form <strong>the</strong> magnetic portion <strong>of</strong> <strong>the</strong> tape.<br />

All oxides used in magnetic tape are magnetically 'hard',<br />

main-taining magnetism induced in <strong>the</strong>m until<br />

demagnetized by external magnetic fields <strong>of</strong> approximately<br />

50 oersteds intensity or more. 2) Conventional oxide<br />

particles are chemically known as gamma ferric oxide,<br />

brown in colour, acicular or needle-like in shape, and <strong>of</strong><br />

163<br />

micron length.(16.) .{D= Oxidschicht; Pigment; Es= óxido;<br />

F= oxyde}.<br />

oxide build-up .{E} * In magnetic tape recording, <strong>the</strong><br />

accumulation <strong>of</strong> oxide or, more generally, wear products in<br />

<strong>the</strong> form <strong>of</strong> deposits on <strong>the</strong> surface <strong>of</strong> heads and<br />

guides.46. .{D= Oxidablagerung; Es= acumulación de<br />

óxido; F= formation de poudrette; poudrage; dépôt<br />

d'oxyde}.<br />

oxide loading .{E} * In magnetic tape recording, a measure<br />

<strong>of</strong> <strong>the</strong> density with which oxide is packed in<strong>to</strong> a coating. It<br />

is usually specified in terms <strong>of</strong> <strong>the</strong> weight <strong>of</strong> oxide per unit<br />

volume <strong>of</strong> <strong>the</strong> coating.46. .{D= Füllfak<strong>to</strong>r; Es= medida de<br />

óxido; F= charge en poudre d'oxyde}.<br />

oxide shedding .{E} * In magnetic tape recording, <strong>the</strong><br />

loosening <strong>of</strong> particles <strong>of</strong> oxide from <strong>the</strong> tape coating during<br />

use, generally an indication <strong>of</strong> deterioration.(46.06.) .{D=<br />

Schichtabrieb; Es= desprendimen<strong>to</strong> de óxido; F= perte<br />

d'oxyde}.<br />

óxido .{Es} * see oxide .{E}.<br />

óxido de cobal<strong>to</strong> impuro .{Es} * see cobalt-doped oxide<br />

.{E}.<br />

óxido de etileno .{Es} * see ethylene oxide .{E}.<br />

óxido férrico .{Es} * see ferric oxide .{E}.<br />

óxido férrico gamma .{Es} * see gamma ferric oxide .{E}.<br />

Oxidschicht .{D} * see oxide .{E}.<br />

oxydation .{F} * see oxidation .{E;F}.<br />

Oxydation .{D} * see oxidation .{E;F}.<br />

oxyde .{F} * see oxide .{E}.<br />

oxyde d'éthylène .{F} see ethylene oxide .{E}.<br />

oxyde d'éthylène. .{F} * see evaluation .{E}.<br />

oxyde dopé au cobalt .{F} * see cobalt-doped oxide .{E}.<br />

oxyde ferrique .{F} * see ferric oxide .{E}.<br />

oxyde ferrique .{F}. see ferric oxide .{E}.<br />

oxyde ferrique gamma .{F} * see gamma ferric oxide .{E}.<br />

ozocerite .{E} * see ozokerite.<br />

ozokerita .{Es} * see ozokerite .{E}.<br />

ozokerite .{E} * A wax derived from shale used as <strong>the</strong><br />

coating on <strong>the</strong> 1885 cylinder recording for Chichester Bell<br />

and Charles S. Tainter's Graphophone; also known as<br />

ozocerite. .{D= ?; Es= ozokerita; F= ozokérite}.<br />

ozokérite .{F} * see ozokerite .{E}.<br />

p --p-channel<br />

.{E} * 1) One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), used <strong>to</strong> carry <strong>the</strong> music flag (e.g. indicating<br />

<strong>the</strong> presence or absence <strong>of</strong> a music track) as well as<br />

information on lead-in, lead-out, and play areas <strong>of</strong> <strong>the</strong> disc;<br />

see also sub-code.(39.10.) .{D= ?; Es= canal P; F= canal<br />

p}.<br />

p-w channels .{E} * The eight subcode channels on<br />

compact discs. .{D= ?; Es= canales P-W; F= canaux p-w}.<br />

PAC .{E} * acronym for Preservation Advisory Committee.


pack .{E} * In magnetic tape and strip film usage, <strong>the</strong> form<br />

taken by tape or film as it is wound on a reel or around a<br />

hub. A good pack will be smooth and free <strong>of</strong> ripples,<br />

buckling, cinching, etc.(04.) see also tape pack. .{D= ?;<br />

Es= paquete; material de envolver; envoltura; F=<br />

enroulement}.<br />

packing density .{E} * The amount <strong>of</strong> digital information<br />

recorded on<strong>to</strong> a magnetic film or tape as measured in bits<br />

per inch. .{D= Datendichte; Es= densidad de información;<br />

densidad de relleno; F= densité d'enregistrement}.<br />

padre .{Es} * see fa<strong>the</strong>r .{E}.<br />

paille .{F} * see nick .{E}.<br />

país de origen .{Es} * see country <strong>of</strong> origin .{E}.<br />

PAL .{E} * acronym for 1) permanent artificial lighting, 2)<br />

Phase Alternation Line.<br />

PAL colour system .{D;E;Es;F} * The colour television<br />

system developed in Germany which has 625 lines, 50<br />

fields, and 25 pictures per second; with one <strong>of</strong> <strong>the</strong> colour<br />

signals reversed in polarity bet-image camera, usually from<br />

<strong>the</strong> pivotal point <strong>of</strong> a tripod.09. 2) Movement <strong>of</strong> a movingima-ge<br />

camera from left <strong>to</strong> right or right <strong>to</strong> left around a<br />

vertical axis; see also tilt and roll. A pan is sometimes<br />

confused with a track-ing shot, which is quite different;<br />

although <strong>the</strong> camera swivels in a pan, and <strong>the</strong> image<br />

seems <strong>to</strong> 'move', in reality <strong>the</strong> camera is quite stationary;<br />

see also camera angle.30. 3) Abbrevia-tion for<br />

panchromatic film. .{D= Kasten; Panorama-Schwenk;<br />

Schwenk; Es= eje óptico; panorámica; F= bac;<br />

panoramique}.<br />

Panavision .{D;E;Es;F} * One <strong>of</strong> <strong>the</strong> most widely used<br />

anamorphic processes in 35-mm film, largely superseding<br />

o<strong>the</strong>r similar processes. Ultra-Panavision utilizes 70-mm<br />

film.<br />

pancake .{E} * A roll <strong>of</strong> magnetic tape or strip film that is<br />

wound on<strong>to</strong> a hub without flanges or sides.(04.) .{D=<br />

Pancake; <strong>of</strong>fener Wickel; Es= bobina plana [chata]; F=<br />

bobine sur noyau}.<br />

Pancake .{D} * see pancake .{E}.<br />

panchromatic film .{E} * Black and white, silver emulsion<br />

film which is sensitive <strong>to</strong> <strong>the</strong> entire visible colour spectrum,<br />

and usually <strong>to</strong> ultraviolet, in <strong>to</strong>nes <strong>of</strong> about <strong>the</strong> same<br />

relative brightness as <strong>the</strong> human eye sees. All colours are<br />

reproduced in various shades <strong>of</strong> grey; see also<br />

orthochromatic film. .{D= panchromatisch;<br />

panchromatische Emulsion; Es= película pancromática;<br />

emulsión pancromática; pancromática; F= émulsion<br />

panchromatique; panchromatique}.<br />

panchromatique .{F} * see pan .{E}.<br />

panchromatisch .{D} * see panchromatic film .{E}.<br />

panchromatische Emulsion .{D} * see panchromatic f<br />

panneau d'affichag * see billboard .{E}.<br />

panneau luminescent .{F} * see luminescent panel .{E}.<br />

panneaux mobiles .{F} * see wild walls .{E}.<br />

Panorama-Schwenk .{D} * see pan .{E}.<br />

panorámica .{Es} * see pan .{E}.<br />

panorámica rápida .{Es} * see swish pan .{E}.<br />

panoramique .{F} * see pan .{E}.<br />

164<br />

panoramique filé .{F} * see swish pan .{E}.<br />

panoramique rapide .{F} * see swish pan .{E}.<br />

panoramique vertical .{E}{F} * see tilt shot .{E}.<br />

pantalla .{Es} * see screen; shield front .{E}.<br />

pantalla acústica .{Es} * see baffle .{E}.<br />

pantalla cristalizada .{Es} * see beaded screen .{E}.<br />

pantalla de alta ganancia .{Es} * see high-gain screen .{E}.<br />

pantalla de aluminio .{Es} * see aluminium screen .{E}.<br />

pantalla de medio <strong>to</strong>no .{Es} * see half<strong>to</strong>ne screen .{E}.<br />

pantalla de proyec<strong>to</strong>r .{Es} * see gobo (1) .{E}.<br />

pantalla difusora .{Es} * see scrim frame .{E}.<br />

pantalla dividida .{Es} * see split screen .{E}.<br />

pantalla luminiscente .{Es} * see luminescent panel .{E}.<br />

pantalla panorámica .{Es} * see widescreen .{E}.<br />

papel .{Es} * see character .{E}.<br />

papel (emulsionado) sensible a la luz .{Es} * see sensitive<br />

paper .{E}.<br />

papel al bromuro .{Es} * see bromide paper .{E}.<br />

papel cristal .{Es} * see glassine .{E}.<br />

papel de color azul claro .{Es} * see blues .{E}.<br />

papel de contac<strong>to</strong> .{Es} * see contact paper .{E}.<br />

papel durable .{Es} * see permanent paper .{E}.<br />

papel emulsionado .{Es} * see prepared paper support;<br />

sensitized paper .{E}.<br />

papel fo<strong>to</strong>gráfico .{Es} * see pho<strong>to</strong>graphic paper .{E}.<br />

papel fo<strong>to</strong>gráfico para hacer ampliaciones .{Es} * see<br />

enlarging paper .{E}.<br />

papel fo<strong>to</strong>gráfico para revelado direc<strong>to</strong> .{Es} * see<br />

developing-out-paper (DOP) .{E}.<br />

papel kraft .{Es} * see kraft paper .{E}.<br />

papel permanente .{Es} * see permanent paper .{E}.<br />

papel solarizado .{Es} * see printing-out-paper (POP) .{E}.<br />

papeleta de pedido .{Es} * see production ticket .{E}.<br />

paper marks .{E} * Marks <strong>of</strong> thread or paper which are put<br />

on<strong>to</strong> a film <strong>to</strong> be copied <strong>to</strong> indicate <strong>the</strong> section <strong>to</strong> be<br />

duplicated; also known as paper-up.(06.) .{D=<br />

Absteckmarken; Es= 1) referencias (con tiras de papel) de<br />

secuencias; 2) filigranas; marcas; F= repères de<br />

sequences}.<br />

paper support .{E} * A layer <strong>of</strong> paper on<strong>to</strong> which a lightsensitive<br />

pho<strong>to</strong>graphic emulsion is coated.(42.) .{D= ?;<br />

Es= soporte de papel; F= support papier}.<br />

paper-up .{E} * see paper marks .{E}.<br />

papier à développement direct .{F}. see developing-outpaper<br />

(DOP) .{E}.


papier au bromure .{F} * see bromide paper .{E}.<br />

papier contact .{F} * see contact paper .{E}.<br />

papier d'impression .{F} * see printing-out-paper (POP)<br />

.{E}.<br />

papier kraft .{F} * see kraft paper .{E}.<br />

papier permanent .{F} * see permanent paper .{E}.<br />

papier pho<strong>to</strong>graphique .{F} * see pho<strong>to</strong>graphic paper .{E}.<br />

papier sensibilisé .{F} * see sensitized paper .{E}.<br />

papier sensible .{F} * see sensitive paper .{E}.<br />

Papierkopie .{D} * see hardcopy .{E}.<br />

papillottement .{F} * see flicker; flickering .{E}.<br />

paquete .{Es} * see pack .{E}.<br />

para de empalmar .{Es} * see splicer .{E}.<br />

para sacar copias .{Es} * see duping material .{E}.<br />

para televisión .{Es} * see tv mask .{E}.<br />

para usuario .{Es} * see user bits .{E}.<br />

parada .{Es} * see s<strong>to</strong>p .{D;E}.<br />

parada de imagen .{Es} * see s<strong>to</strong>p frame .{E}.<br />

parada t .{Es} * see t-s<strong>to</strong>p .{E}.<br />

parafinado del borde .{Es} * see edge waxing .{E}.<br />

paraguas (iluminación) .{Es} * see umbrella .{E}.<br />

paralaje .{Es} * see parallax .{E}.<br />

paralelo .{Es} * see parallel .{E}.<br />

paralización .{Es} * see s<strong>to</strong>p .{D;E}.<br />

parallax .{E} * 1) In video and pho<strong>to</strong>graphy, an apparent<br />

change in relative position or shape <strong>of</strong> an object being<br />

pho<strong>to</strong>graphed resulting from a change in viewing angle.<br />

This phenomenon occurs in cameras where <strong>the</strong> view finder<br />

does not focus through <strong>the</strong> lens.(01.) 2) An introduction <strong>of</strong><br />

an apparent shift in position or shape <strong>of</strong> an object when<br />

viewing it on an oscilloscope, waveform moni<strong>to</strong>r,<br />

vec<strong>to</strong>rscope, or o<strong>the</strong>r video display devise through an<br />

attached graticule. .{D= Parallaxe; Es= paralaje;<br />

compensación de paralelaje; F= parallaxe}.<br />

parallaxe .{F} * see parallax .{E}.<br />

Parallaxe .{D} * see parallax .{E}.<br />

parallel .{E} * 1) Two or more comp-ence <strong>of</strong> bits in a data<br />

word on multiple conduc<strong>to</strong>rs.39. .{D= ?; Es= paralelo; F=<br />

parallèle}.<br />

parallel action .{E} * A device <strong>of</strong> narrative in which two<br />

scenes are seen in parallel by cross-cutting.30. .{D= ?;<br />

Es= escenas en paralelo; F= scènes en parallèle}.<br />

parallel edition statement .{E} * 1) The edition statement in<br />

ano<strong>the</strong>r language and/or script. 2) Any edition statement<br />

additional <strong>to</strong> <strong>the</strong> first, corresponding <strong>to</strong> a parallel title.(12.)<br />

.{D= ?; Es= edición (de la exposición) en paralelo; F=<br />

édition parallèle}.<br />

parallel series title .{E} * 1) The title <strong>of</strong> a series in ano<strong>the</strong>r<br />

language and/or script. 2) Any series title qualifying as an<br />

165<br />

original series title but which is not chosen for inclusion as<br />

<strong>the</strong> first named title (o<strong>the</strong>r than variant forms <strong>of</strong> <strong>the</strong> same<br />

title) and reissue/rerelease series titles appearing on <strong>the</strong><br />

item described.(12.) .{D= ?; Es= subtítulo (de la serie); F=<br />

titre traduit de série}.<br />

parallel title .{E} * 1) The title proper in ano<strong>the</strong>r language<br />

and/or script. 2) Any title qualifying as an original tdant<br />

error detection method in which <strong>the</strong> <strong>to</strong>tal number <strong>of</strong> binary<br />

'1's (or 'O's) is always even or odd.(39.) .{D= ?; Es=<br />

paridad; F= parité}.<br />

paroi .{F} * see flat .{E}.<br />

parpadeo .{Es} * see flicker; flickering .{E}.<br />

part title .{E} * The title <strong>of</strong> one <strong>of</strong> <strong>the</strong> subordinate units in<strong>to</strong><br />

which an item has been divided; see also episode title.12.<br />

.{D= ?; Es= título parcial (título de un episodio o capítulo);<br />

F= titre d'un épisode}.<br />

parte .{Es} * see character .{E}.<br />

partición .{Es} * see partition; separation .{E}.<br />

particle orientation .{E} * In magnetic manufacturer, <strong>the</strong><br />

process by which acicular particles are rotated so that <strong>the</strong>ir<br />

longest dimensions tend <strong>to</strong> lie parallel <strong>to</strong> one ano<strong>the</strong>r. .{D=<br />

?; Es= orientación de las partículas; F= orientation des<br />

particules}.<br />

particle size .{E} * The physical dimensions <strong>of</strong> magnetic<br />

particles used in a magnetic tape.46. .{D= Partikelgröße;<br />

Es= tamaño de las partículas (de óxido); F= taille des<br />

particules}.<br />

partícula (ferromagnética) de dominio único .{Es} * see<br />

single domain particle .{E}.<br />

partículas magnéticas .{Es} * see magnetic particles .{E}.<br />

particule monodomaine .{F} * see single domain particle<br />

.{E}.<br />

particules magnétiques .{F} * see magnetic particles .{E}.<br />

partie visible de l'image TV .{F} * see raster .{E}.<br />

Partikelgröße .{D} * see particle s-1-3 <strong>of</strong> NFPA 40.<br />

partition .{F} * see partition .{E}.<br />

pas de perforation .{F} * see pitch .{E}.<br />

pas de pistes des disques optiques .{F} * see pitch .{E}.<br />

pas des sillons .{F} * see pitch .{E}.<br />

pasadizo ocul<strong>to</strong> .{Es} * see crossover .{E}.<br />

pasarela .{Es} * see bridge (1) .{E}.<br />

pase previo .{Es} * see preview .{E}.<br />

pase volante .{Es} * see crossover .{E}.<br />

pasillo lateral .{Es} * see aisle .{E}.<br />

paso .{Es} * see feed through; land; pitch. .{E}.<br />

paso o empalme au<strong>to</strong>mático .{Es} * see change-over .{E}.<br />

Passage .{D} * see change-over .{E}.<br />

passe-par<strong>to</strong>ut .{Es} * see mat (matte) (2) .{E}.<br />

passerelle .{F} * see bridge .{E}.


paste .{E} * A s<strong>of</strong>t, plastic adhesive composition with semisolid<br />

consistency, usually water dispersible. .{D= ?; Es=<br />

engrudo; F= colle}.<br />

pastel (craie) .{F} * see chalk drawing .{E}.<br />

patch .{F} * see patch cord .{E}.<br />

patch cord .{E} * 1) A short cord, or cable, with a plug on<br />

both ends (or with a pair <strong>of</strong> clips on one or both ends) for<br />

conveniently connecting <strong>to</strong>ge<strong>the</strong>r two pieces <strong>of</strong> sound<br />

equipment such as a phonograph and tape recorder, an<br />

amplifier and speaker, etc. Not used for 117 volt current;<br />

sometimes called an 'attachment cord'. 16. 2) 2) A short<br />

cable with a plug on each end for conveniently connecting<br />

<strong>to</strong>ge<strong>the</strong>r two pieces <strong>of</strong> video equipment such as cameras,<br />

amplifiers, and videotape recorders. The patch cord plug<br />

is <strong>the</strong> male connection which mates with its female<br />

counterpart (patch jack) in a patch panel which is part <strong>of</strong> a<br />

patch field. .{D= ?; Es= cordón de conmutación [de<br />

transformación, de interconexión, de extensión y<br />

empalme]; F= patch; cordon de raccordement}.<br />

patch field .{E} * A grouping <strong>of</strong> two or more patch panels<br />

and is used for <strong>the</strong> interconnection <strong>of</strong> audio or video<br />

equipment. The connections are made through <strong>the</strong> use <strong>of</strong><br />

patch cords which plug in<strong>to</strong> patch jacks that are mounted<br />

in <strong>the</strong> patch panels. .{D= ?; Es= campo de conmutación;<br />

F= module de patch}.<br />

patch jack .{E} * The female connection which provides <strong>the</strong><br />

equipment interconnections <strong>to</strong> a piece <strong>of</strong> electronic<br />

equipment through a male patch plug. .{D= ?; Es= jack de<br />

interconexión (de circui<strong>to</strong>s); F= connecteur femelle}.<br />

patch panel .{E} * A single row <strong>of</strong> patch jacks which is used<br />

<strong>to</strong> provide interconnections between two pieces <strong>of</strong><br />

electronic equipment through a patch cord. .{D= ?; Es=<br />

panel de conmutaciones; F= tableau de raccordement}.<br />

patrón de luz .{Es} * see illuminant .{E;F}.<br />

pattern sensitivity .{E} * A magnetic recorder's inability <strong>to</strong><br />

reproduce certain data system combinations (patterns).46.<br />

.{D= ?; Es= norma [pauta] de sensibilidad; F= enregistreur<br />

magnétique incompatible}.<br />

pausa .{Es} * see pause .{D;E}.<br />

pause .{D;E;F} * To s<strong>to</strong>p <strong>the</strong> motion <strong>of</strong> tape<br />

momentarily.(35.) .{F= ?; Es= pausa}.<br />

pause control .{E} * Feature <strong>of</strong> some tape recorders<br />

making it possible <strong>to</strong> s<strong>to</strong>p <strong>the</strong> movement <strong>of</strong> tape<br />

temporarily without switching <strong>the</strong> machine from 'play' or<br />

'record' positions. Essential for a tape recorder used for<br />

dictation or transcription purposes and generally helpful for<br />

editing purposes.16. .{D= Pausetaste; Es= control de<br />

pausa; F= <strong>to</strong>uche pause}.<br />

Pausetaste .{D} * see pause control .{E}.<br />

pauta de sensibilidad .{Es} * see pattern sensitivity .{E}.<br />

pavillon de phonographe .{F} * see horn<br />

phonograph/gramophone .{E}.<br />

PCM .{E} * acronym for pulse code modula-tion.<br />

PCP .{E} * acronym for pentachlorphenol.<br />

peak .{E} * The maximum instantaneous volume <strong>of</strong> a<br />

quantity such as sound, but most frequently as electrical<br />

voltage or power.16. .{D= Spitze; Es= pico; cresta; valor de<br />

cresta; F= pic; crête}.<br />

peak density .{E} * see colour correction.<br />

166<br />

peak programme meter (PPM) .{E} * Meter <strong>to</strong> moni<strong>to</strong>r <strong>the</strong><br />

level <strong>of</strong> tape modulation; see also V/U-meter;<br />

overmodulation; undermodulation. .{D=<br />

Spitzenwertanzeiger; Es= voltímetro de cresta; F=<br />

modulateur de crête}.<br />

peak white .{E} * The maximum white level <strong>of</strong> a video<br />

signal. .{D= ?; Es= cresta del blanco; F= blanc maximal;<br />

crête de blanc}.<br />

pédale .{F} * see foot switch .{E}.<br />

pedestal .{E;Es} * The black level <strong>of</strong> a video signal; also<br />

referred <strong>to</strong> as set-up. .{D= ?; Es= base; F= niveau du noir<br />

(signal vidéo)}.<br />

peeling .{E} * Commonly used term referring <strong>to</strong> <strong>the</strong><br />

separation <strong>of</strong> <strong>the</strong> coating layer <strong>of</strong> a laminated medium from<br />

its base or core. It is used interchangeably with flaking,<br />

although <strong>the</strong> latter usually implies more limited or local<br />

deterioration.(04.) .{D= Schichtablösung; Es= defec<strong>to</strong> de<br />

adherencia; descascarillado; peladura del revestimien<strong>to</strong>;<br />

F= écaillement; épluchage}.<br />

pegado del cabezal .{Es} * see head stick .{E}.<br />

pegamien<strong>to</strong> .{Es} * see blocking .{E}.<br />

Pegel .{D} * see level .{E}.<br />

peladura del revestimien<strong>to</strong> .{Es} * see peeling .{E}.<br />

peldaño .{Es} * see stair step .{E}.<br />

película .{Es} * see film .{D;E;F}; picture (pic; pix); motion<br />

pictures.{E}.<br />

película al cloruro .{Es} * see chloride film .{E}.<br />

película base .{Es} see feature .{E}.<br />

película bicapa .{Es} * see bipack .{E}.<br />

película cinema<strong>to</strong>gráfica .{Es} * see motion pictures .{E}.<br />

película con recubrimien<strong>to</strong> de poliéster .{Es} * see<br />

stamping foil .{E}.<br />

película de (calidad de) archivo .{Es} * see archival film<br />

.{E}.<br />

película de aceta<strong>to</strong> .{Es} * see acetate film .{E}.<br />

película de actualidades .{Es} * see news film .{E}.<br />

película de alta velocidad .{Es} * see high-speed film .{E}.<br />

película de bromuro .{Es} * see bromide film .{E}.<br />

película de cine .{Es} * see motion pictures .{E}.<br />

película de conservación a cor<strong>to</strong> plazo .{Es} * see shortterm<br />

film .{E}.<br />

película de conservación a largo plazo .{Es} * see longterm<br />

film .{E}.<br />

película de conservación a medio plazo .{Es} * see<br />

medium-term film .{E}.<br />

película de contenido erótico .{Es} * see s<strong>of</strong>t core material<br />

(2) .{E}.<br />

película de dos capas .{Es} * see bipack .{E}.<br />

película de explotación .{Es} * see exploitation film .{E}.<br />

película de imagen directa .{Es} * see direct image film


.{E}.<br />

película de inversión .{Es} * see reversal film .{E}.<br />

película de inversión de imagen .{Es} * see image<br />

reversing film .{E}.<br />

película de labora<strong>to</strong>rio .{Es} * see labora<strong>to</strong>ry film .{E}.<br />

película de nitra<strong>to</strong> .{Es} * see cellulose nitrate .{E}.<br />

película de primera generación .{Es} * see first-generation<br />

film .{E}.<br />

película de prueba .{Es} * see test film .{E}.<br />

película de reportaje .{Es} * see newsreel .{E}.<br />

película de sales de plata .{Es} * see silver film .{E}.<br />

película de seguridad .{Es} * see cellulose acetate (1, 2, 3)<br />

.{E}.<br />

película de seguridad (película ininflamable) .{Es} * see<br />

safety film .{E}.<br />

película de seguridad realizada con triaceta<strong>to</strong> de celulosa<br />

.{Es} * see cellulose triacetate (2)(3) .{E}.<br />

película de tiempo acelerado .{Es} * see time-lapse movie<br />

.{E}.<br />

película diazo .{Es} * see diazo film .{E}.<br />

película documental .{Es} * see documentary .{E}.<br />

película educativa .{Es} * see educational film/video .{E}.<br />

película educativa [didáctica] .{Es} * see educational<br />

film/video .{E}.<br />

película electrográfica .{Es} * see electropho<strong>to</strong>graphic film<br />

.{E}.<br />

película en blanco y negro .{Es} * see black and white film<br />

.{E}.<br />

película en episodios (por capítulos) .{Es} * see series (2)<br />

.{E}.<br />

película fija .{Es} * see filmstrip .{E}.<br />

película impresa .{Es} * see print film .{E}.<br />

película intermedia .{Es} * see intermediate film .{E}.<br />

película intermedio .{Es} * see intermediate film .{E}.<br />

película internegativa de inversión del color (CRI) .{Es} *<br />

see colour reversal intermediate-negative film (CRI) .{E}.<br />

película kinescópica .{Es} * see kinescope film .{E;F}.<br />

película negra .{Es} * see film noir .{E}.<br />

película pancromática .{Es} * see panchromatic film .{E}.<br />

película para cámara .{Es} * see camera film .{E}.<br />

película procesada .{Es} * see processed film .{E}.<br />

película vesicular .{Es} * see vesicular film .{E}.<br />

película virgen .{Es} * see blank (1) .{E}.<br />

pélicula de reportaje .{Es} * see newsreel .{E}.<br />

películas (jerga) .{Es} * see celluloid (1, 2) .{E;F}.<br />

167<br />

películas de serie B .{Es} * see b picture .{E}.<br />

películas no convencionales .{Es} * see underground films<br />

.{E}.<br />

películas underground .{Es} * see underground films .{E}.<br />

pellicule inversible .{F} * see reversal film .{E}.<br />

pellicule monochrome .{F} * see black and white film .{E}.<br />

pellicule sensible .{F} * see high-speed film .{E}.<br />

pellicule vierge .{F} * see films<strong>to</strong>ck; raw s<strong>to</strong>ck .{E}.<br />

Pellon .{D;E;Es;F} * A type <strong>of</strong> polyester, non-woven,<br />

long-fibre fabrics which will not stick <strong>to</strong> most adhesives.<br />

Used 1) for interleaving between newly mended or<br />

repaired materials so <strong>the</strong>y will not stick <strong>to</strong>ge<strong>the</strong>r while<br />

adhesive or paste is drying; 2) as a barrier between heatset<br />

tissue and <strong>the</strong> tacking iron; and 3) as a cleaning/buffing<br />

material for magnetic tape; see also polyester web.<br />

pense-bête .{F} * see cue card .{E}.<br />

penta-chlorophénol .{F} * see penta-chlorphenol (PCP)<br />

.{E}.<br />

penta-chlorophénol .{F} * see penta-chlorphenol (PCP)<br />

.{E}.<br />

penta-chlorphenol (PCP) .{E} * A crystalline compound<br />

produced by <strong>the</strong> reaction <strong>of</strong> hexachlorobenzene with<br />

sodium hydrox-ide, or <strong>of</strong> chlorine with phenol, and used, in<br />

concentrations <strong>of</strong> 0.1 percent, as a fungicide, applicable<br />

ei<strong>the</strong>r as an aqueous or non-aqueous solution. Being a<br />

highly chlorinated substance, it must be used in <strong>the</strong><br />

presence <strong>of</strong> sufficient alkali <strong>to</strong> compensate for <strong>the</strong><br />

probable liberation <strong>of</strong> hydrochloric acid, or in such small<br />

quantities, i.e., less than 0.1 percent, so as not <strong>to</strong><br />

endanger <strong>the</strong> paper severely even if it does decompose<br />

slightly. To avoid <strong>the</strong> danger <strong>of</strong> acidity, pcp is sometimes<br />

used as <strong>the</strong> sodium salt, sodium pentachlorophenate,<br />

which is less likely <strong>to</strong> produce difficulty because <strong>of</strong> acidity.<br />

Pcp is colourless and is not likely <strong>to</strong> produce an<br />

appreciable order.(45.) .{D= ?; Es= penta-clor<strong>of</strong>enol; F=<br />

penta-chlorophénol}.<br />

penta-clor<strong>of</strong>enol .{Es} * see penta-chlorphenol (PCP) .{E}.<br />

perche .{F} * see boom .{E}.<br />

pérdida (de señal) por separación entre la cabeza y la<br />

cinta (en registros magnéticos) .{Es} * see separation loss<br />

.{E}.<br />

pérdida de bits .{Es} * see burst error .{D;E}.<br />

pérdida de generación .{Es} * see generation loss .{E}.<br />

pérdida de sincronización .{Es} * see break up .{E}.<br />

pérdida de sonidos .{Es} * see clipping (4) .{E}.<br />

père .{F} * see fa<strong>the</strong>r; metal master .{E}.<br />

perforación .{Es} * see film perforation .{E}.<br />

perforación de la película con la banda sonora .{Es} * see<br />

blooping hole .{E}.<br />

perforaciones .{Es} * see film perforation .{E}.<br />

perforaciones Bell & Howell .{Es} * see Bell & Howell<br />

perforation .{E}.<br />

perforaciónes en la película .{Es} * see film perforation<br />

.{E}.


perforador .{Es} * see punch .{E}.<br />

perforated disc .{E} * A punched disc, usually made <strong>of</strong><br />

metal, made <strong>to</strong> be played by a mechanical music box. As<br />

<strong>the</strong> disc revolves <strong>the</strong> various holes activate a tuned<br />

comblike instrument which reproduces <strong>the</strong> <strong>to</strong>nes <strong>of</strong> <strong>the</strong><br />

melody <strong>the</strong> disc has been punched <strong>to</strong> play. Deluxe<br />

machines from such companies as <strong>the</strong> Regina Music Box<br />

Co. had influence on <strong>the</strong> design or phonograph and<br />

gramophone consoles.(04.) .{D= ?; Es= disco perforado;<br />

F= disque perforé; enregistrement perforé}.<br />

perforateur .{F} * see punch .{E}.<br />

perforation .{F} * see film perforation .{E}.<br />

Perforation .{D} * see film perforation .{E}.<br />

perforations .{E} * see film perforation .{E}.<br />

perforations Bell & Howell) .{F} * see Bell & Howell<br />

perforation .{E}.<br />

périphérie .{F} * see edge .{E}.<br />

périphérique .{F} * see peripheral .{E}.<br />

perlada .{Es} * see beaded screen .{E}.<br />

permanence .{E;F} * The unquantifiable ability <strong>of</strong> a given<br />

item or material <strong>to</strong> resist chemical deterioration; usually<br />

refers <strong>to</strong> specific or implied qualities. As with all o<strong>the</strong>rs, socalled<br />

permanent materials depend for <strong>the</strong>ir longevity upon<br />

parameters built in<strong>to</strong> <strong>the</strong> item when it is manufactured and<br />

proper s<strong>to</strong>rage and handling conditions. .{D= Haltbarkeit;<br />

Es= permanencia}.<br />

permanence archivistique .{F} * see archival permanence<br />

.{E}.<br />

permanencia .{Es} * see permanence .{E;F}.<br />

permanencia (calidad de los materiales de archivo) .{Es}<br />

* see archival permanence .{E}.<br />

permanent elongation .{E} * The percentage <strong>of</strong> stretch<br />

remaining in a tape or length <strong>of</strong> base film after a given load<br />

applied for a given time has been removed.(46.) .{D= ?;<br />

Es= alargamien<strong>to</strong> permanente; F= allongement résiduel}.<br />

permanent paper .{E} * Paper with neutral or slightly<br />

alkaline pH value which does not show degradation over<br />

long periods <strong>of</strong> time.22. .{D= Holzfreies Papier;<br />

Dokumentenpapier; Es= papel permanente; papel durable;<br />

F= papier non acide; papier permanent}.<br />

permuta .{Es} * see interchange .{E}.<br />

perseguir .{Es} * see chase .{E}.<br />

persistence des images .{F} * see persistence <strong>of</strong> vision<br />

.{E}.<br />

persistence <strong>of</strong> vision .{E} * 1) The time-lag effect between<br />

momentary visual stimulation <strong>of</strong> <strong>the</strong> eye and cessation <strong>of</strong><br />

response <strong>to</strong> that stimula-tion. For any intermittently<br />

illuminated source <strong>the</strong>re is a critical frequency (which<br />

depends upon <strong>the</strong> brightness <strong>of</strong> <strong>the</strong> source) above which<br />

<strong>the</strong> average eye can detect no sensation <strong>of</strong> flicker.09. 2)<br />

That physiological phenomenon which makes cinema<br />

possible: an image is retained on <strong>the</strong> retina for a short<br />

period so that, if ano<strong>the</strong>r image takes its place soon<br />

enough, <strong>the</strong> illusion <strong>of</strong> motion is created.(30.) .{D= ?; Es=<br />

persistencia visual; persistencia de las imágenes (en la<br />

retina); F= persistence rétinienne; persistence des<br />

images}.<br />

persistence rétinienne .{F} * see persistence <strong>of</strong> vision .{E}.<br />

168<br />

persistencia .{Es} * see retentivity .{E}.<br />

persistencia de las imágenes (en la retina) .{Es} * see<br />

persistence <strong>of</strong> vision .{E}.<br />

persistencia visual .{Es} * see persistence <strong>of</strong> vision .{E}.<br />

personal record .{E} * Moving-image materials <strong>the</strong> subject<br />

<strong>of</strong> which is normally personal events, usually filmed or<br />

recorded by an amateur. Home movies may be personal<br />

records; see also domestic records.12. .{D= ?; Es=<br />

grabación particular; F= enregistrement personnel;<br />

domestique}.<br />

personnage .{F} * see character .{E}.<br />

perte .{F} * see shedding .{E}.<br />

perte (de niveau) par écartement .{F} * see separation loss<br />

.{E}.<br />

perte d'oxyde .{F} * see oxide shedding .{E}.<br />

perte de contact .{F} * see out <strong>of</strong> contact .{E}.<br />

perte de débris .{F} * see loose pack; loose debris .{E}.<br />

perte de signal .{F} * see dropout .{E}.<br />

perte de signal .{F}. see dropout .{E}.<br />

perte de synchronisation .{F} * see break up .{E}.<br />

perte par duplication .{F} * see generation loss .{E}.<br />

pértiga .{Es} * see boom .{E}.<br />

perturbación procedente de un circui<strong>to</strong> o sistema próximo<br />

.{Es} * see pickup (1, 2) .{E}.<br />

pestaña del carrete .{Es} * see reel flange .{E}.<br />

pet .{E} * see polyester.<br />

pétard .{F} * see squib .{E}.<br />

petit chariot-grue .{F} * see dolly .{E}.<br />

petit projecteur .{F} * see baby spot .{E}.<br />

petit projecteur pour les yeux .{F} * see eye light .{E}.<br />

petit rôle .{F} * see bit .{E}.<br />

pf .{E} * abbreviation for portfolio.<br />

pfeifen .{D} * see squeal .{E}.<br />

pH .{D;E;Es;F} * Chemical abbreviation for hydrogen-ion<br />

concentration; a measure <strong>of</strong> <strong>the</strong> concentration <strong>of</strong> hydrogen<br />

ions in a solution. The pH scale runs from 0 <strong>to</strong> 14, and<br />

each number indicates a ten-fold differential. Seven is pH<br />

neutral; numbers below 7.0 indicate increasing Acidity,<br />

with 1.0 being <strong>the</strong> most acid. Numbers above 7.0 indicate<br />

increasing alkalinity, with 17.0 being most alkaline. Paper<br />

with a pH below 5.0 is considered highly acidic. Buffered<br />

s<strong>to</strong>rage materials typically have a pH between 7.0 and<br />

46.0.17.<br />

pH neutre .{F} * see neutral pH .{E}.<br />

pH neutro .{Es} * see neutral pH .{E}.<br />

pH scale .{E} * see pH.<br />

pH value .{E} * A measure <strong>of</strong> <strong>the</strong> intensity <strong>of</strong> <strong>the</strong> acid<br />

content <strong>of</strong> paper, also referred <strong>to</strong> as hydrogen ion<br />

concentration. pH is expressed in terms <strong>of</strong> a logarithmic


scale from 0 <strong>to</strong> 14; <strong>the</strong> neutral point is 7.0, with values<br />

above 7.0 alkaline, values below, acid; see also pH.22.<br />

.{D= pH-Wert; Es= valor pH; F= valeur pH; acidité pH}.<br />

pH-Wert .{D} * see pH value .{E}.<br />

phase change medium .{E} * An optical s<strong>to</strong>rage method<br />

used in both write-once and erasable optical media in<br />

which a change in reflec-tivity is used <strong>to</strong> encode data.(39.)<br />

.{D= ?; Es= grado de la variación de la fase; grado de<br />

desfasamien<strong>to</strong>; F= système à changement de phase}.<br />

phase de la sous porteuse horizontale .{F} * see subcarrier<br />

horizontal phasing .{E}.<br />

phase différentielle .{F} * see differential phase .{E}.<br />

phase shift .{E} * A displacement in <strong>the</strong> time relationship<br />

between two signals, or two components in one signal.39.<br />

.{D= Phasenverschiebung; Es= desplazamien<strong>to</strong> [variación,<br />

cambio] de fase; F= déphasage; décalage de phase}.<br />

Phase Alteration Line colour system (PAL) .{E} * see PAL<br />

colour system.<br />

phased conservation .{E} * A concept developed at <strong>the</strong><br />

Library <strong>of</strong> Congress, originally conceived <strong>to</strong> meet <strong>the</strong> shortterm<br />

needs <strong>of</strong> items that would eventually be given full<br />

conservation treatment. Surveying is an important aspect<br />

<strong>of</strong> phased treatment: items are categorized by certain<br />

characteristics or conservation problems so that <strong>the</strong>y may<br />

later be retrieved for treatment.32. .{D= ?; Es=<br />

conservación por fases [etapas]; F= conservation légère}.<br />

Phasenverschiebung .{D} * see phase shift .{E}.<br />

phasing .{E} * In sound recording stereo applications, <strong>the</strong><br />

estab-lishment <strong>of</strong> <strong>the</strong> correct relative polarity in <strong>the</strong><br />

connection between amplifier output and loud-speakers so<br />

that one speaker tends <strong>to</strong> reinforce ra<strong>the</strong>r than cancel <strong>the</strong><br />

output <strong>of</strong> <strong>the</strong> o<strong>the</strong>r (particularly evident at low<br />

frequencies).(16.) .{D= Polarität; Es= ajuste de fase;<br />

puesta en fase; F= mise en phase}.<br />

phénol ortho-phényl .{F} * see ortho-phenyl phenol (OPP)<br />

.{E}.<br />

phone plug .{E} * A common circuit connec<strong>to</strong>r popularly<br />

used on home audiovisual equipment. A common audio<br />

connec<strong>to</strong>r used with a phone jack; also known as RCA<br />

plug; telephone plug. .{D= Klinkenstecker; Es= clavija para<br />

auriculares (tipo telefónico); F= connecteur phono;<br />

connecteur RCA}.<br />

phonet .{E} * see phonograph.<br />

phonodisc .{E} * see audiodisc.<br />

phonogram .{E} * An obsolete term for a phonograph<br />

recording; see also phonograph. .{D= Schalaufnahme;<br />

Tonaufnahme; Phonogramm; Es= telegrama por teléfono;<br />

F= phonogramme}.<br />

Phonogramm .{D} * see phonogram .{E}.<br />

phonogramme .{F} * see phonogram .{E}.<br />

phonograph .{E} * 1) Derived from two Greek words: phone<br />

= voice/sound, and graphos = writer/written. The term was<br />

first used in 1835 in <strong>the</strong> short-hand sense; <strong>the</strong>n by <strong>the</strong><br />

American F.B. Fenby in an 1863 patent for electrical<br />

recording and reproduction <strong>of</strong> sound; Edison used <strong>the</strong><br />

word for his first recording/reproducing machine <strong>of</strong> 1877<br />

(although he uses <strong>the</strong> word in his British patent <strong>of</strong> 1878 <strong>to</strong><br />

describe <strong>the</strong> recording instrument as well as <strong>the</strong> whole<br />

machine; <strong>the</strong> reproducing instrument was a phonet; <strong>the</strong><br />

record a phonogram). 2) In general American terms, any<br />

machine reproducing sounds from indented, incised or<br />

169<br />

engraved cylinder or disc records. 3) In general European<br />

terms, a machine reproducing sounds only from cylinder<br />

records.(04.14.) also known as phonogram. .{D=<br />

Phonograph; Es= gramófono; fonógrafo; F= phonographe<br />

(US); gramophone (GB)}.<br />

phonograph record .{E} * see audiodisc.<br />

Phonograph .{D} * see phonograph .{E}.<br />

phonograph-cut records .{E} * see lateral cut.<br />

phonographe .{F} * see gramophone .{E}.<br />

phonographe (US) .{F} * see phonograph .{E}.<br />

phonographe/gramophone à pavillon interne .{F} * see<br />

enclosed horn phonograph/gramophone .{E}.<br />

phonorecord .{E} * see audiodisc.<br />

phonotape .{E} * A sound recording on magnetic tape; also<br />

called audio tape or sound tape.(22.) .{D= Tonband; Es=<br />

banda sonora; F= bande son; bande sonore}.<br />

Phonovision .{D;E;Es;F} * A device developed by John<br />

Logie Baird <strong>to</strong> capture and s<strong>to</strong>re a video signal on a disc.<br />

pho<strong>to</strong>-polymerization (2P) .{E} * An alternative CD<br />

manufacturing method.39. .{D= ?; Es= fo<strong>to</strong> polimerización<br />

(2P); F= pho<strong>to</strong>polymérisation}.<br />

Pho<strong>to</strong>-Zelle .{D} * see pho<strong>to</strong>cell .{E}.<br />

pho<strong>to</strong>cell .{E} * Device for converting variations <strong>of</strong> light<br />

intensity in<strong>to</strong> electrical signals; also called a pho<strong>to</strong>electric<br />

cell. .{D= Pho<strong>to</strong>-Zelle; Es= célula fo<strong>to</strong>eléctrica; F= cellule<br />

pho<strong>to</strong>électrique}.<br />

pho<strong>to</strong>conducteur .{F} * see pho<strong>to</strong>conductive s<strong>to</strong>rage tube<br />

.{E}.<br />

pho<strong>to</strong>copie .{F} * see pho<strong>to</strong>copy .{E}.<br />

pho<strong>to</strong>copy .{E} * A generic term applied <strong>to</strong> copies<br />

produced pho<strong>to</strong>graphically directly on film or paper. The<br />

copies are usually about <strong>the</strong> same size as <strong>the</strong> original,<br />

thus <strong>the</strong> term does not normally include microimages.<br />

Synonymous with pho<strong>to</strong>duplication, pho<strong>to</strong>graphic<br />

reproduction, pho<strong>to</strong>reproduction; see also reprography.01.<br />

(22.) .{D= Fo<strong>to</strong>kopie; Pho<strong>to</strong>kopie; Es= fo<strong>to</strong>copia; F=<br />

pho<strong>to</strong>copie}.<br />

pho<strong>to</strong>diode .{D;E;F} * A semi-conduc<strong>to</strong>r device which<br />

generates an electrical current in proportion <strong>to</strong> re-ceived<br />

illumination. 39. .{Es= fo<strong>to</strong>diódo}.<br />

pho<strong>to</strong>diode à quadrants .{F} * see four quadrant<br />

pho<strong>to</strong>diode .{E}.<br />

pho<strong>to</strong>duplication .{E} * see pho<strong>to</strong>copy.<br />

pho<strong>to</strong>electric .{E} * The property which various substances<br />

have <strong>of</strong> creating an electrical potential when <strong>the</strong>y are<br />

excited by light.(10.) .{D= pho<strong>to</strong>elektrisch; Es=<br />

fo<strong>to</strong>eléctrico; F= pho<strong>to</strong>électrique}.<br />

pho<strong>to</strong>électrique .{F} * see pho<strong>to</strong>electric .{E}.<br />

pho<strong>to</strong>elektrisch .{D} * see pho<strong>to</strong>electric .{E}.<br />

pho<strong>to</strong>graphic film .{E} * see film.<br />

pho<strong>to</strong>graphic paper .{E} * An opaque paper base, coated<br />

on one side (simplex paper) or both sides (duplex paper)<br />

with a light-sensitive emulsion on which images can be<br />

recorded by exposure and subsequent processing.<br />

Processed pho<strong>to</strong>graphic paper may have positive or


negative images, may be ei<strong>the</strong>r black and white or colour,<br />

and is supplied in a number <strong>of</strong> sizes and types, which<br />

include hard, negative, normal, projection, s<strong>of</strong>t, and<br />

contrast paper.01. .{D= ?; Es= papel fo<strong>to</strong>gráfico; F= papier<br />

pho<strong>to</strong>graphique}.<br />

pho<strong>to</strong>graphic records/archives .{E} * A collection or<br />

accumulation <strong>of</strong> pho<strong>to</strong>graphs, including negatives and<br />

prints <strong>to</strong>ge<strong>the</strong>r with related textual records/archives.22.<br />

.{D= Fo<strong>to</strong>archiv/e; Es= archivo fo<strong>to</strong>gráfico; F= archive<br />

pho<strong>to</strong>graphique}.<br />

pho<strong>to</strong>graphic reproduction .{E} * see pho<strong>to</strong>copy.<br />

pho<strong>to</strong>graphic soundtrack .{E} * see optical soundtrack .{E}.<br />

pho<strong>to</strong>graphie .{F} * see pho<strong>to</strong>graph .{E}.<br />

pho<strong>to</strong>graphie à la lumière naturelle .{F} * see availablelight<br />

pho<strong>to</strong>graphy .{E}.<br />

pho<strong>to</strong>graphie aérienne .{F} * see aerial pho<strong>to</strong>graph .{E}.<br />

Pho<strong>to</strong>graphie .{D} * see pho<strong>to</strong>graph .{E}.<br />

Pho<strong>to</strong>kopie .{D} * see pho<strong>to</strong>copy .{E}.<br />

pho<strong>to</strong>meter .{E} * 1) An instrument that measures luminous<br />

intensity or brightness, luminous flux, light distribution,<br />

colour, etc. usually by comparing <strong>the</strong> light emitted by two<br />

sources, one source having certain specified standard<br />

characteristics.41. 2) The measurement <strong>of</strong> <strong>the</strong> intensity <strong>of</strong><br />

light or <strong>of</strong> relative illuminating power.41. .{D= ?; Es=<br />

fotómetro; F= pho<strong>to</strong>mètre}.<br />

pho<strong>to</strong>mètre .{F} * see pho<strong>to</strong>meter .{E}.<br />

pho<strong>to</strong>metry .{E} * The measurement <strong>of</strong> <strong>the</strong> intensity <strong>of</strong> light<br />

or <strong>of</strong> relative illuminating power.41. .{D= ?; Es= fo<strong>to</strong>metría;<br />

F= pho<strong>to</strong>mètrie}.<br />

pho<strong>to</strong>polymérisation .{F} * see pho<strong>to</strong>-polymerization (2P)<br />

.{E}.<br />

pho<strong>to</strong>reproduction .{E} * see pho<strong>to</strong>copy.<br />

pho<strong>to</strong>resist .{E;F} * A substance which becomes soluble<br />

(or insoluble) when exposed <strong>to</strong> light. Used in CD glass disc<br />

mastering.39. .{D= ?; Es= fo<strong>to</strong>resistente}.<br />

pho<strong>to</strong>sensible .{F} * see pho<strong>to</strong>sensitive .{E}.<br />

pho<strong>to</strong>sensitive .{E} * The characteristic <strong>of</strong> an electronic<br />

device which converts an optical image which is focused<br />

upon it in<strong>to</strong> an electrical signal representing <strong>the</strong> same<br />

image. .{D= ?; Es= fo<strong>to</strong>sensible; F= pho<strong>to</strong>sensible;<br />

sensible à la lumière}.<br />

Pho<strong>to</strong>stat .{D;E;Es;F} * 1) A trade name <strong>of</strong> a machine for<br />

reproducing pho<strong>to</strong>graphically pages <strong>of</strong> printed, drawn or<br />

written matter on sensitized paper without films or plates.<br />

2) An optical, right-reading copy made by such a<br />

machine.19.<br />

physical carrier .{E} * The bodily form in which data, sound,<br />

images, etc., are s<strong>to</strong>red. For certain categories <strong>of</strong> material<br />

<strong>the</strong> physical carrier consists <strong>of</strong> a s<strong>to</strong>rage medium (e.g.,<br />

tape, film) sometimes encased in a plastic, metal, etc.,<br />

housing (e.g., cassette, cartridge) that is an integral part <strong>of</strong><br />

<strong>the</strong> item; see also container.(03.) .{D= ?; Es= soporte<br />

físico; F= support physique}.<br />

physical description .{E} * A set <strong>of</strong> physical data recording<br />

and characterizing a sound recording or moving-image<br />

work.(12.) .{D= ?; Es= descripción física; F= description<br />

physique}.<br />

physical recording density .{E} * In magnetic tape<br />

170<br />

recording, <strong>the</strong> number <strong>of</strong> recorded flux reveals per unit<br />

length <strong>of</strong> track (frpi).46. .{D= ?; Es= densidad de grabación<br />

física; F= densité d'enregistrement physique}.<br />

physical thickness .{E} * The thickness as measured by<br />

physical means (e.g., micrometer, calipers, etc.). The<br />

physical thickness is considered <strong>the</strong> real or actual<br />

thickness <strong>of</strong> an item; see also thickness.48. .{D= ?; Es=<br />

espesor físico; F= épaisseur physique}.<br />

Pickett and Lemcoe .{D;E;Es;F} * The authors <strong>of</strong> an<br />

analysis <strong>of</strong> <strong>the</strong> elements involved in <strong>the</strong> preservation and<br />

s<strong>to</strong>rage <strong>of</strong> sound recordings commissioned by <strong>the</strong> Library<br />

<strong>of</strong> Congress in <strong>the</strong> 1950s, published in 1959, and reprinted<br />

by <strong>the</strong> ARSC in 1992; generally recognized as being <strong>the</strong><br />

first such study carried out by impartial observers and <strong>the</strong><br />

basis <strong>of</strong> many, if not most, <strong>of</strong> <strong>the</strong> sound practices<br />

employed <strong>to</strong>day in sound archives. (Preservation and<br />

s<strong>to</strong>rage <strong>of</strong> sound recordings. Washing<strong>to</strong>n, D.C. ; Library <strong>of</strong><br />

Congress, 1959).<br />

pickup .{E;F} * 1) The sound received by a microphone. 2)<br />

The picture received by a film or video camera. 3)<br />

Additional music materials recorded after a moving-image<br />

production has been completed. 4) An electromechanical<br />

transducer used <strong>to</strong> convert <strong>the</strong> groove information <strong>of</strong> a<br />

mechanical recording in<strong>to</strong> an analogous electrical signal.<br />

There are piezoelectric (ceramic), electro-magnetic<br />

(moving magnet), and electro-dynamic (moving-coil)<br />

systems; see also cartridge. 5) Occasionally used <strong>to</strong> refer<br />

<strong>to</strong> <strong>the</strong> <strong>to</strong>ne arm containing <strong>the</strong> pickup or cartridge. 6) An<br />

electromechanical transducer used <strong>to</strong> convert <strong>the</strong><br />

information on an optical disc by means <strong>of</strong> a LASER beam<br />

in<strong>to</strong> equivalent electrical signals; see also optical pickup.<br />

.{D= 1 - 3) ?; 4 & 5) Tonabnehmersystem; Tonabnehmer;<br />

Es= 1) cap<strong>to</strong>r; (dispositivo) captador; 2) perturbación<br />

procedente de un circui<strong>to</strong> o sistema próximo; F= 1)<br />

enregistrement microphonique 2) enregistrement d'images<br />

cinéma<strong>to</strong>graphiques ou vidéo 3) post-production audio 4)<br />

cellule phonocaptrice 5) bras avec cellule 6)cellule de<br />

lecture laser}.<br />

pickup arm .{E} * The part <strong>of</strong> a reproducer which holds <strong>the</strong><br />

electromechanical transducer used <strong>to</strong> convert <strong>the</strong> groove<br />

information <strong>of</strong> a mechanical recording in<strong>to</strong> an analogous<br />

electrical signal. .{D= Tonarm; Es= brazo del fonocap<strong>to</strong>r<br />

[<strong>to</strong>cadiscos]; F= bras de lecture; bras de phonocapteur;<br />

bras de pickup}.<br />

pickup cartridge .{E} * The part <strong>of</strong> <strong>the</strong> reproducer which<br />

holds <strong>the</strong> electromechanical translating elements and <strong>the</strong><br />

reproducing stylus.(10.) .{D= Tonabnehmersystem;<br />

Tonabnehmer; Es= cápsula (del <strong>to</strong>cadiscos); F= cellule;<br />

tête de phonocapteur}.<br />

pickup felt .{E} * see felt.<br />

pickup tube .{E} * The light-sensitive part <strong>of</strong> a video<br />

camera that converts optical images in<strong>to</strong> electrical current<br />

or a charge-density image by scanning in order <strong>to</strong> provide<br />

an electric signal; see also cathode ray tube.(10.) .{D=<br />

Videoröhre; Es= tubo <strong>to</strong>mavistas (de cámara); tubo<br />

analizador (de televisión); F= analyseur; tube de caméra;<br />

tube de prise de vue}.<br />

pico .{Es} * see peak .{E}.<br />

pico .{F} * see pico- (p) .{D;E}.<br />

pico- (p) .{D;E;Es} * Prefix for one trillionth (10-12). .{F=<br />

pico}.<br />

picotazo de aguja .{Es} * see needle dig (ND) .{E}.<br />

picture (pic; pix) .{E} * 1) A two-dimensional visual<br />

representation accessible <strong>to</strong> <strong>the</strong> naked eye and generally<br />

on an opaque backing. Used when a more specific term<br />

(e.g., art original, pho<strong>to</strong>graph, study print) is not


appropriate.03. 2) The motion picture industry. 3) A motion<br />

picture film. 4) The video portion <strong>of</strong> a video signal. 5) One<br />

frame <strong>of</strong> a motion picture film.(04.) .{D= Film; Bild; Es=<br />

filme; película; imágen; F= film; image}.<br />

picture element (PIXEL) .{E} * The smallest element <strong>of</strong> a<br />

display space that can be addressed, manipulated, or<br />

effectively reproduced; <strong>the</strong> smallest unit <strong>of</strong> raster<br />

graphics.(10.) .{D= Bildpunkt; Es= superficie elemental de<br />

imagen; pixel; F= point d'image; eldim; pixel}.<br />

picture negative .{E} * A negative upon which only <strong>the</strong><br />

picture has been recorded.(06.) .{D= Bild-Negativ; Negativ<br />

Bild; Es= negativo de imagen; imagen negativa; F= négatif<br />

image}.<br />

picture tube .{E} * A television receiver or moni<strong>to</strong>r cathode<br />

ray tube in which electrical signals are converted in<strong>to</strong><br />

picture information by a scanning beam traversing a<br />

pho<strong>to</strong>sensitive surface; also called a kinescope.(10.) .{D=<br />

Bildröhre; Es= cinescopio; tubo de imagen; válvula<br />

cinéscopica; F= tube image; tube écran; cinescope}.<br />

piece .{E} * see item.<br />

pièce .{F} * see item .{E}.<br />

pièce détachée .{F} * see component .{E}.<br />

pied (de la courbe caractéristique) .{F} * see <strong>to</strong>e .{E}.<br />

pieds/mètres linéaire .{F} * see linear feet/metres<br />

(LnFt/LnMt) .{E}.<br />

pieds par minute .{F} * see feet per minute (FPM) .{E}.<br />

pies .{Es} * see linear feet/metres (LnFt/LnMt) .{E}.<br />

pies por minu<strong>to</strong> .{Es} * see feet per minute (FPM) .{E}.<br />

pieza .{Es} * see item .{E}.<br />

pieza metálica en los cilindros desarrollados por Edison<br />

.{Es} * see cross-head .{E}.<br />

piezoelectric crystal .{E} * A quartz crystal or o<strong>the</strong>r<br />

crystalline substance that generates a voltage when <strong>the</strong><br />

crystal is subjected <strong>to</strong> mechanical stress.10.<br />

piezoelectricidad .{Es} * see piezoelectricity .{E}.<br />

piezoélectricité .{F} * see piezoelectricity .{E}.<br />

piezoelectricity .{E} * Electricity or electric polarity due <strong>to</strong><br />

pressure especially in a crystalline substance, such as<br />

quartz. .{D= ?; Es= piezoelectricidad; F= piezoélectricité}.<br />

pigeon light .{E} * see eye light .{E}.<br />

pigment print .{E} * A print which is made up <strong>of</strong> a colloid<br />

relief image and which will not fade.42. .{D= ?; Es= copia<br />

coloide; F= cliché au colloïde}.<br />

Pigment .{D} * see oxide .{E}.<br />

pin .{E} * A component <strong>of</strong> a motion picture camera or<br />

printer mechanism that engages with a perfo-ration hole <strong>to</strong><br />

secure <strong>the</strong> film at <strong>the</strong> time <strong>of</strong> exposure.09. .{D= ?; Es=<br />

conectador; espiga; alfiler (de contac<strong>to</strong>); vástago; F= griffe;<br />

ergot}.<br />

pin cushioning .{E} * A video aberration that causes <strong>the</strong><br />

picture <strong>to</strong> curve in along its sides. Named after <strong>the</strong> old<br />

style pin cushions used for holding pins for sewing. .{D= ?;<br />

Es= dis<strong>to</strong>rsión en cojín; F= dis<strong>to</strong>rsion en coussinet; en<br />

croissant}.<br />

pince pour le film .{F} * see flats .{E}.<br />

171<br />

pinch roller .{E} * On magnetic tape recording and some<br />

film <strong>to</strong> video transfer machines, a free turning wheel with<br />

a rubber surface which presses <strong>the</strong> tape firmly against <strong>the</strong><br />

capstan <strong>to</strong> ensure consistent tape motion; see also<br />

pressure roller.(04.) .{D= Andruckrolle; Es= rueda [rollo,<br />

bobina] de presión [pellizco]; F= galet presseur}.<br />

piqué de l'image .{F} * see sharpness .{E}.<br />

piracy .{E} * The unauthorized use <strong>of</strong> materials; <strong>of</strong>ten<br />

applied <strong>to</strong> copyright infringement; see also counterfeit;<br />

bootleg. .{D= Raubpressung; Piraterie; Es= piratería; F=<br />

piraterie}.<br />

piratería .{Es} * see piracy .{E}.<br />

piraterie .{F} * see piracy .{E}.<br />

Piraterie .{D} * see piracy .{E}.<br />

pisada .{Es} * see footprint .{E}.<br />

pista .{Es} * see track .{E}.<br />

pista de balance .{Es} * see balance stripe .{E}.<br />

pista de mezclas .{Es} * see scratch track .{E}.<br />

pista de ordenes .{Es} * see cue track .{E}.<br />

pista de sincronización .{Es} * see scratch track .{E}.<br />

pista de sonido .{Es} * see soundtrack .{E}.<br />

pista de sonido simple .{Es} * see single-system sound<br />

.{E}.<br />

pista dúplex .{Es} * see duplex track .{E}.<br />

pista en espiral .{Es} * see spiral track .{E}.<br />

pista magnética .{Es} * see magnetic track .{E}.<br />

pista oblicua .{Es} * see slant track .{E}.<br />

pista óptica .{Es} * see optical soundtrack .{E}.<br />

pista que señala pun<strong>to</strong>s editados .{Es} * see cue track .{E}.<br />

pista sencilla .{Es} * see single track .{E}.<br />

pista sonora de ruido .{Es} * see buzz track .{E}.<br />

pistage .{F} * see au<strong>to</strong> tracking .{E}.<br />

piste .{F} * see track .{E}.<br />

piste bidectionnelle .{F} * see duplex track .{E}.<br />

piste d'asservissement .{F} * see control track .{E}.<br />

piste d'essais de bruit .{F} * see buzz track .{E}.<br />

piste d'ordres .{F} * see cue track .{E}.<br />

piste d'ordres .{F}. see cue track .{E}.<br />

piste de compensation .{F} * see balance stripe .{E}.<br />

piste de localisation .{F} * see buzz track .{E}.<br />

piste de repérage des points d'édition .{F} * see cue track<br />

.{E}.<br />

piste de service de la bande master vidéo .{F} * see edit<br />

black .{E}.


piste de synchronisation .{F}. see cue track .{E}.<br />

piste longitudinale de codage temporel .{F} * see<br />

longitudinal time code (LTC) .{D;E}.<br />

piste magnétique .{F} * see magnetic track .{E}.<br />

piste optique .{F} * see optical soundtrack .{E}.<br />

piste pilote .{F} * see cue track .{E}.<br />

piste son .{F} * see soundtrack .{E}.<br />

piste son (magnétique ou optique) de la pellicule .{F} * see<br />

stripe .{E}.<br />

piste sonore à densité fixe .{F} * see bilateral soundtrack<br />

.{E}.<br />

piste sonore à densité fixe .{F} * see variable-area<br />

soundtrack .{E}.<br />

piste sonore à densité variable .{F} * see variable-density<br />

soundtrack .{E}.<br />

pis<strong>to</strong>la electrónica .{Es} * see electron gun .{E}.<br />

pit .{D;E;F} * 1) Commonly used defect term for sound<br />

recordings which is similar <strong>to</strong> 'dig' and gouge, although it<br />

might be a visible depression in <strong>the</strong> surface <strong>of</strong> <strong>the</strong><br />

recording that causes no break in <strong>the</strong> modulated groove<br />

and, hence, no sonic dis<strong>to</strong>rtion; see also chip; gouge. 2)<br />

The term used <strong>to</strong> describe <strong>the</strong> depressions in <strong>the</strong> surface<br />

<strong>of</strong> an optical disc which contain <strong>the</strong> digitally encoded<br />

programme material <strong>to</strong> be read by <strong>the</strong> tracking LASER<br />

beam in playback.(04.) .{F= microcuvette; fosse<br />

d'orchestre; Es= microsurco}.<br />

pivot .{F} * see spindle .{E}.<br />

pivote .{Es} * see spindle (2) .{E}.<br />

pix .{E} * abbreviation for pictures; <strong>the</strong> singular<br />

abbreviation is pic.<br />

pixel .{E} * abbreviation for picture element.<br />

pixel .{Es} * see picture element (PIXEL) .{E}.<br />

pixel .{F} * see picture element (PIXEL) .{E}.<br />

pixel depth .{E} * 1) The number <strong>of</strong> bits used by a<br />

computer <strong>to</strong> describe each pixel. 2) A measure <strong>of</strong> intensity<br />

<strong>of</strong> resolution.(10.) .{D= ?; Es= resolución de [en] pixel; F=<br />

résolution du pixel}.<br />

pixel manipulation .{E} * In CD-I, a technique used in<br />

decoding pic<strong>to</strong>rial information <strong>to</strong> make high resolution pixel<br />

information compatible with a lower resolution system.10.<br />

.{D= ?; Es= decodificación de pixel (CD); F= décodage de<br />

pixel : CD-I}.<br />

pixel pairing .{E} * The joining <strong>to</strong>ge<strong>the</strong>r <strong>of</strong> two pixels <strong>to</strong><br />

make one byte; <strong>the</strong> pair are <strong>the</strong>n regarded for most<br />

purposes as a single unit.10. .{D= ?; Es= unión [empalme]<br />

de pixel; F= couplage de pixels}.<br />

pixel processor .{E} * A DVI video display mechanism that<br />

is designed <strong>to</strong> process 12.5 million instructions per<br />

second.(10.) .{D= ?; Es= procesador pixel; F= processeur<br />

de pixel (DVI)}.<br />

pixel repeat .{E} * A visual effect function that repeats pixel<br />

values from an image memory <strong>to</strong> produce horizontal<br />

magnification.10. .{D= ?; Es= repetición de pixel; F=<br />

répétition de pixel}.<br />

pixélisation .{F} * see pixillation .{E}.<br />

172<br />

pixillation .{E} * A technique <strong>of</strong> animation in which real<br />

people or events are pho<strong>to</strong>graphed in such a way that <strong>the</strong><br />

illusion <strong>of</strong> continuous, real movement is broken, ei<strong>the</strong>r by<br />

pho<strong>to</strong>graphing one frame at a time or later printing only<br />

selected frames from <strong>the</strong> continuously exposed<br />

negative.(30.) .{D= ?; Es= animación por pixel; F=<br />

pixélisation}.<br />

placa de cuar<strong>to</strong> de onda .{Es} * see quarter wave plate<br />

(QWP) .{E}.<br />

placa de la ventanilla .{Es} * see aperture plate .{E}.<br />

placa de la ventanilla (de proyección) .{Es} * see aperture<br />

plate .{E}.<br />

placa de montaje .{Es} * see mounting plate .{E}.<br />

placa de presión .{Es} * see pressure plate .{E}.<br />

placa ferrotipo .{Es} * see ferrotype plate .{E}.<br />

placa opaca .{Es} * see opaque support .{E}.<br />

plage .{F} * see track .{E}.<br />

plage accessible .{F} * see optical beam accessible zone<br />

.{E}.<br />

plage balayée .{F} * see raster .{E}.<br />

plage de lecture .{F} * see playing area .{E}.<br />

plage de pré-sillon .{F} * see rim .{D;E}.<br />

plages lumineuses .{F} * see highlights .{E}.<br />

Plakat .{D} * see poster .{E}.<br />

plan .{E;F} * A drawing showing relative positions on a<br />

horizontal plane (e.g., relative positions <strong>of</strong> parts <strong>of</strong> a<br />

building; a landscape design; <strong>the</strong> arrangement <strong>of</strong> furniture<br />

in a room or building; a graphic presentation <strong>of</strong> a military<br />

or naval plan).03. .{D= ?; Es= vista de plano}.<br />

plan .{F} * see shot; <strong>to</strong>p plate .{E}.<br />

plan américain .{F} * see two shot .{E}.<br />

plan avec maquette .{F} * see model shot .{E}.<br />

plan cache .{F} * see matte shot .{E}.<br />

plan d'archives .{F} * see library shot .{E}.<br />

plan d'urgence .{F} * see disaster control plan .{E}.<br />

plan de cinémathèque .{F} * see library shot .{E}.<br />

plan de coupe .{F} * see cut-away; reaction shot .{E}.<br />

plan de détail .{F} * see detail shot .{E}.<br />

plan de deux personnages .{F} * see two shot .{E}.<br />

plan de emergencia .{Es} * see disaster control plan .{E}.<br />

plan de montage (bloc de têtes) .{F} * see mounting plate<br />

.{E}.<br />

plan de réaction .{F} * see reaction shot .{E}.<br />

plan de référence .{F} * see reference plane .{E}.<br />

plan de situation .{F} * see establishing shot .{E}.<br />

plan de très grand ensemble .{F}. see extreme long shot<br />

.{E}.


plan dé<strong>to</strong>uré .{F} * see matte shot .{E}.<br />

plan focal .{F} * see focal plane .{E}.<br />

plan général .{F} * see establishing shot .{E}.<br />

plan grue .{F} * see crane shot .{E}.<br />

plan longue focale .{F} * see long shot .{E}.<br />

plan moyen .{F} * see medium shot; two shot .{E}.<br />

plan par-desus l'épaule .{F} * see over-<strong>the</strong>-shoulder shot<br />

.{E}.<br />

plan pris en mouvement .{F} * see tracking shot .{E}.<br />

plan reflétant le point de vue de l'acteur .{F} * see point <strong>of</strong><br />

view shot .{E}.<br />

plan séquence .{F} * see master shot; sequence shot .{E}.<br />

plan serré .{F} * see close-up .{E}.<br />

plan suivant le mouvement .{F} * see follow shot .{E}.<br />

plan travelling .{F} * see tracking shot .{E}.<br />

plan très lointain .{F} * see extreme long shot .{E}.<br />

plan-sequence .{E} * see sequence shot .{E}.<br />

planetary camera .{E} * A type <strong>of</strong> micr<strong>of</strong>ilm camera so<br />

constructed that <strong>the</strong> original document and film are<br />

stationary and in parallel planes during exposure. The<br />

document is changed manually and <strong>the</strong> film au<strong>to</strong>matically<br />

advanced one frame after each exposure; also known as<br />

a flatbed camera; see also rotary camera, step-and-repeat<br />

camera.(40.22.) .{D= Schrittschaltkamera; Es= cámara<br />

planetaria; cámera esática; F= caméra statique; caméra<br />

pas à pas ?}.<br />

planification des classements .{F} * see classification<br />

.{E;F}.<br />

plano .{Es} * see flat .{E}; shot .{E}.<br />

plano americano .{Es} * see two shot .{E}.<br />

plano con catch .{Es} * see matte shot .{E}.<br />

plano con catch máscara .{Es} * see matte shot .{E}.<br />

plano con catch viñeta .{Es} * see matte shot .{E}.<br />

plano con dos ac<strong>to</strong>res, uno de ellos de espaldas a la<br />

cámara .{Es} * see over-<strong>the</strong>-shoulder shot .{E}.<br />

plano de corte .{Es} * see reaction shot .{E}.<br />

plano de enfoque .{Es} * see focus plane .{E}.<br />

plano de reacción .{Es} * see reaction shot .{E}.<br />

plano de referencia .{Es} * see reference plane .{E}.<br />

plano de un personaje u obje<strong>to</strong> .{Es} * see single .{E}.<br />

plano desde abajo hacia arriba .{Es} * see tilt shot .{E}.<br />

plano en el que se recubre parte del fo<strong>to</strong>grama para<br />

realizar efec<strong>to</strong>s a posteriori .{Es} * see matte shot .{E}.<br />

plano focal .{Es} * see focal plane .{E}.<br />

plano general .{Es} * see master shot .{E}.<br />

plano largo .{Es} * see long shot .{E}.<br />

173<br />

plano medio .{Es} * see medium shot .{E}.<br />

plano que refleja el pun<strong>to</strong> de visión del ac<strong>to</strong>r .{Es} * see<br />

point <strong>of</strong> view shot .{E}.<br />

plano secuencia .{Es} * see sequence shot .{E}.<br />

planos de recurso .{Es} * see s<strong>to</strong>ck shot .{E}.<br />

plaque de couloir .{F} * see apert<br />

plaque ferrotype .{F}. see ferrotype plate .{E}.<br />

plaque stéréoscopique .{F} * see stereoscopic slide .{E}.<br />

plastic .{E} * Any <strong>of</strong> various non-metallic compounds,<br />

syn<strong>the</strong>tically produced, which can be moulded and<br />

hardened. .{D= Kunstst<strong>of</strong>f; Plastik; Es= plástico; F=<br />

plastique; matière plastique}.<br />

plasticizer .{E} * An additive <strong>to</strong> materials which makes<br />

<strong>the</strong>m more pliable. Examples are camphor and cas<strong>to</strong>r oil.<br />

The loss <strong>of</strong> plasticizer can lead <strong>to</strong> shrinkage or hardening<br />

<strong>of</strong> <strong>the</strong> coating, causing flaking and peeling.(04.) .{D=<br />

Weichmacher; Es= plastificante; F= ?}.<br />

plástico .{Es} * see plastic .{E}.<br />

plastifiant .{F} * see plasticizer .{E}.<br />

plastificante .{Es} * see plasticizer .{E}.<br />

Plastik .{D} * see plastic .{E}.<br />

plateau .{F} * see platter; set .{E}.<br />

platina (magnet<strong>of</strong>ónica) .{Es} * see tape deck .{E}.<br />

platina de montaje .{Es} * see mounting plate .{E}.<br />

platine .{F} * see tape deck .{E}.<br />

platine d'enregistrement .{F} * see tape deck .{E}.<br />

platine <strong>to</strong>urne disques .{F} * see <strong>to</strong>ne arm .{E}.<br />

platine <strong>to</strong>urne-disque .{F} * see turntable .{E}.<br />

pla<strong>to</strong> (giradiscos) .{Es} * see platter (2) .{E}.<br />

plató .{Es} * see set .{E}.<br />

Platte .{D} * see disc .{E}.<br />

Plattenspieler .{D} * see turntable .{E}.<br />

Plattentasche .{D} * see cover; slipcase .{E}.<br />

Plattenumschlag .{D} * see album .{E}.<br />

Plattenwechsler .{D} * see record changer .{E}.<br />

platter .{E} * 1) A slang term for a disc recording. 2) A thin,<br />

round plate used for holding a quantity <strong>of</strong> tape. 3) Part <strong>of</strong><br />

a disc record player where <strong>the</strong> disc is placed. .{D= 1) ?; 2)<br />

Bandteller; 3) Bandteller; Es= 1) disco (fonográfico); 2)<br />

pla<strong>to</strong> (giradiscos); F= disque (pop); plateau}.<br />

play back .{Es} * see playback head .{E}.<br />

play mode .{E} * The normal playback function <strong>of</strong> a<br />

magnetic tape recorded. .{D= ?; Es= modo de lectura; F=<br />

mode lecture }.<br />

play tension .{E} * The pressure applied <strong>to</strong> tape and film<br />

based materials in <strong>the</strong> play mode by <strong>the</strong> supply and takeup<br />

reel mo<strong>to</strong>rs that keeps <strong>the</strong> tape/film in proper alignment<br />

with <strong>the</strong> various components <strong>of</strong> <strong>the</strong> playback system (i.e.,


<strong>the</strong> playback head/s). .{D= ?; Es= tensión en el modo de<br />

lectura; F= tension en mode lecture}.<br />

playback .{D;E;Es;F} * Reproduction <strong>of</strong> a pre-recorded<br />

signal.50. .{D= Wiedergaben; Es= reproduccion; lecture;<br />

présonorisation; pré-enregistrement}.<br />

playback head .{E} * A device on a magnetic tape recorder<br />

that senses previously recorded signals <strong>of</strong> a medium as it<br />

passes over. Coils in <strong>the</strong> head convert passing magnetic<br />

fields on <strong>the</strong> tape, sensed at <strong>the</strong> head gap, in<strong>to</strong> electronic<br />

signals for playback or reproduction.(04.) .{D=<br />

Wiedergabekopf; Lese-Kopf1; Hör-Kopf; Es= cabeza<br />

lec<strong>to</strong>ra (de reproducción); play back; F= tête de lecture}.<br />

playback mode .{E} * The identification <strong>of</strong> <strong>the</strong> equipment<br />

required <strong>to</strong> reproduce <strong>the</strong> images and/or sound recorded<br />

on<strong>to</strong> a carrier.(12.) .{D= Wiedergabe; Es= modo de<br />

lectura; F= mode lecture}.<br />

player .{E} * The mechanical and/or electrical device used<br />

<strong>to</strong> recover previously recorded data; generally associated<br />

with audio and video signals.(39.) .{D= Spieler;<br />

Wiedergabegerät; Es= reproduc<strong>to</strong>r; lec<strong>to</strong>r; <strong>to</strong>cadiscos;<br />

<strong>to</strong>cacintas; F= lecteur; acteur; interprète; comédien}.<br />

player piano roll .{E} * see piano roll.<br />

playing area .{E} * On a given carrier, <strong>the</strong> area from <strong>the</strong><br />

position <strong>of</strong> <strong>the</strong> beginning <strong>to</strong> <strong>the</strong> position <strong>of</strong> <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

recorded (modulated) region.(04.) .{D= Spielfläche; Es=<br />

espacio [zona] de grabación; zona de registro; F= plage de<br />

lecture}.<br />

pleine piste .{F} * see full track .{E}.<br />

pleines lumières .{F} * see highlights .{E}.<br />

pleurage .{F} * see flutter; wow .{E}.<br />

pleurage et scintillement .{F} * see wow and flutter .{E}.<br />

pliegue .{Es} * see crease (1) .{E}.<br />

plis .{F} * see crease .{E}.<br />

plissement (spires) .{F} * see cinching .{E}.<br />

plug .{E} * A circuit connec<strong>to</strong>r which is inserted in<strong>to</strong> a<br />

jack.16. .{D= Steckdose; Stecker; Es= macho; <strong>to</strong>ma de<br />

corriente; F= connecteur; prise; publicité clandestine}.<br />

pluie (dis<strong>to</strong>rsion de l'image) .{F} * see rain .{E}.<br />

plumbicon .{Es} * see Plumbicon .{E}.<br />

Plumbicon .{E;F} ** A pho<strong>to</strong>conductive video pickup tube<br />

which succeeded <strong>the</strong> image orthicon tube. .{D= ?; Es=<br />

plumbicon}.<br />

plumming .{E} * see bronzing.<br />

PNM .{E} * acronym for pulse number modulation.<br />

POC .{E} * acronym for products <strong>of</strong> combustion (i.e.,<br />

smoke, heat, etc.).<br />

pocédé inversible .{F} * see reversal process .{E}.<br />

poche .{E} * see pocket .{E}.<br />

pochette .{F} * see cover; enclosure; kit; sleeve .{E}.<br />

pochette de film .{F} * see film jacket .{E}.<br />

pochette micr<strong>of</strong>ilm .{F} * see micr<strong>of</strong>ilm jacket .{E}.<br />

pochette. .{F} * see slitting; slipcase .{E}.<br />

174<br />

pocket .{E} * A wallet-like receptacle usually placed inside<br />

a cover <strong>of</strong> a container (i.e., a book, a record album) <strong>to</strong> hold<br />

loose related materials (i.e., diagrams, notes, libretti). .{D=<br />

?; Es= bolsillo; bolsa; receptáculo; F= poche}.<br />

poder de resolución .{Es} * see resolving power .{E}.<br />

poinçon .{F} * see punch .{E}.<br />

poinçon (pour négatif) .{F} * see bloop .{E}.<br />

poinçon sur le film son négatif anti bruit de collure .{F} *<br />

see blooping hole .{E}.<br />

poinçonneuse .{F} * see punch .{E}.<br />

point d'accès .{F} * see access point .{E}.<br />

point d'accès secondaire .{F} * see added entry .{E}.<br />

point d'image .{F} * see picture element (PIXEL) .{E}.<br />

point de calage .{F} * see cue point .{E}.<br />

point de focalisation .{F} * see focus .{E}.<br />

point de montage .{F} * see cue point .{E}.<br />

point de rosée .{F}. see dew point .{E}.<br />

point nodal .{F} * see node .{E}.<br />

point <strong>of</strong> view shot .{E} * A moving-image shot which shows<br />

<strong>the</strong> scene from <strong>the</strong> point <strong>of</strong> view <strong>of</strong> <strong>the</strong> character.30. .{D=<br />

?; Es= plano que refleja el pun<strong>to</strong> de visión del ac<strong>to</strong>r; F=<br />

plan reflétant le point de vue de l'acteur}.<br />

pointe de lecture .{F} * see stylus .{E}.<br />

pointe tronquée .{F} * see truncated stylus .{E}.<br />

polaridad .{Es} * see polarity .{E}.<br />

polarisation .{F} * see bias .{E}.<br />

polariseur .{F} * see PBS .{E}.<br />

polariseur .{F} * see polarization beam splitter (PBS) .{E}.<br />

Polarität .{D} * see phasing .{E}; polarity .{E}.<br />

polarité .{F} * see polarity .{E}.<br />

polarity .{E} * The characteristic <strong>of</strong> an image (moving or<br />

still) <strong>of</strong> being ei<strong>the</strong>r a positive or negative image; see also<br />

negative; positive. .{D= Polarität; Es= polaridad; F=<br />

polarité}.<br />

Polarización del Divisor de Haces (luminosos) .{Es} * see<br />

PBS .{E}.<br />

polarized glasses .{E} * A device used <strong>to</strong> view stereoscopic<br />

prints in which one lens is horizontally polarized, <strong>the</strong> o<strong>the</strong>r,<br />

vertically. .{D= ?; Es= critales polarizados; F= verres<br />

polarisants}.<br />

polarizing filter .{E} * A filter mounted on a lens that<br />

restricts light waves from entering from more than one<br />

angle.(10.) .{D= Polarizatroustfiler; Es= filtro polarizador;<br />

F= filtre polarisant}.<br />

polea guíapelícula .{Es} * see idler .{E}.<br />

policarbona<strong>to</strong> .{Es} * see polycarbonate .{E}.<br />

police (caractères) .{F} * see font .{E}.<br />

poliéster .{Es} * see polyester (PET) .{E}.


poliestireno .{Es} * see polystyrene .{E}.<br />

polietileno .{Es} * see polyethylene .{E}.<br />

polimerización .{Es} * see polymerization .{E}.<br />

polímero .{Es} * see polymer .{E}.<br />

polímero del tinte .{Es} * see dye-polymer .{E}.<br />

polipropileno .{Es} * see polypropylene .{E}.<br />

política de au<strong>to</strong>res .{Es} * see politique des auteurs .{E;F}.<br />

politique des auteurs .{E;F} * A French term identifying <strong>the</strong><br />

auteur <strong>the</strong>ory, first set down in an article in Cahiers du<br />

cinema by François Truffaut in 1954, which postulates that,<br />

despite <strong>the</strong> communal nature <strong>of</strong> film making, a direc<strong>to</strong>r will<br />

leave his personal stamp on all his work.(30.) .{D= ?; Es=<br />

política de au<strong>to</strong>res}.<br />

polycarbonate .{E} * 1) A class <strong>of</strong> resins that are<br />

<strong>the</strong>rmoplastic, <strong>to</strong>ugh, transparent, and non-<strong>to</strong>xic<br />

characterized by high impact strength and high s<strong>of</strong>tening<br />

temperature.(31.) 2) The transparent plastic material used<br />

<strong>to</strong> form <strong>the</strong> substrate for CDs.39. .{D= ?; Es=<br />

policarbona<strong>to</strong>; F= polycarbonate}.<br />

polycarbonate .{F} * see polycarbonate .{E}.<br />

polyester .{F} * see also polyethylene .{E}.<br />

polyester (PET) .{E;F} * abbreviation for polyethylene<br />

glycol terephthalate; a flexible, transparent plastic sheeting<br />

which is generally dimensionally stable, chemically inert,<br />

strong, resistant <strong>to</strong> tearing, and relatively non-flammable,<br />

commonly used as <strong>the</strong> base for film and tape. Sold under<br />

a variety <strong>of</strong> trade names, including Mylar and Melinex, its<br />

thickness is <strong>of</strong>ten measured in mils.(04.) .{D= ?; Es=<br />

poliéster}.<br />

polyester film .{E} * see polyester.<br />

polyethylene .{E} * A chemically inert, stable, highly<br />

flexible, transparent or translucent <strong>the</strong>rmoplastic material.<br />

It is used in preservation as a protective liner or sleeve for<br />

discs and tapes. It furnishes a smooth fungi resistant<br />

surface and is also a moisture barrier for both <strong>the</strong> disc or<br />

tape and <strong>the</strong> external packaging (jacket or box).(04.) It has<br />

a low melting point and is also suitable for an enclosure for<br />

pho<strong>to</strong>graphs when made with no surface coatings or<br />

additives.43. .{D= ?; Es= polietileno; F= polyéthylène;<br />

polyester}.<br />

polyethylene glycol terephthalate .{E} * se<br />

polyéthylène .{F} * see polyethylene .{E}.<br />

polymerization .{E} * The process <strong>of</strong> joining two or more<br />

like molecules in<strong>to</strong> a more complex molecule whose<br />

molecular weight is a multiple <strong>of</strong> <strong>the</strong> original and whose<br />

physical properties are different.53. In recordings,<br />

additives are chosen <strong>to</strong> alter certain physical properties for<br />

a desired effect through polymerization. Sometimes <strong>the</strong>se<br />

additives can also create undesired effects.04. .{D= ?; Es=<br />

polimerización; F= polymérisation}.<br />

polymerized vinyl chloride (PVC) .{E} * see polyvinyl<br />

chloride.<br />

polypropylene .{E} * A stiff, heat-resistant, chemically<br />

stable plastic. Common uses in preservation: sleeves for<br />

35-mm slides or films, containers for such as safety film,<br />

magnetic tapes, CDs.17. .{D= ?; Es= polipropileno; F=<br />

polypropylène}.<br />

polypropylène .{F} * see polypropylene .{E}.<br />

175<br />

polystyrene .{E} * A <strong>the</strong>rmoplastic material used in <strong>the</strong><br />

production <strong>of</strong> discs, chiefly in <strong>the</strong> manufacture <strong>of</strong> 7-inch,<br />

45-rpm single records; not generally acceptable for<br />

archival containers.(04.) .{D= ?; Es= poliestireno; F=<br />

polystyrène}.<br />

polystyrène .{F} * see polystyrene .{E}.<br />

polyvinyl acetate (PVA) .{E} * A colourless transparent<br />

solid plastic, usually used in adhesives, which are<br />

<strong>the</strong>mselves also referred <strong>to</strong> as PVA or PVA adhesives; see<br />

also polyvinyl acetate adhesive.17. .{D= ?; Es= aceta<strong>to</strong> de<br />

polivinilo; F= acétate de polyvynile}.<br />

polyvinyl acetate adhesives .{E} * A family <strong>of</strong> dozens <strong>of</strong><br />

internally plasticized adhesives that dry quickly and remain<br />

flexible over time. Since PVA adhesive/s are one <strong>of</strong> <strong>the</strong><br />

clear, water-white, <strong>the</strong>rmoplastic syn<strong>the</strong>tic resins produced<br />

from its monomer by emulsion polymerization, are readily<br />

diluted with water, are easily applied, and are safe <strong>to</strong> use<br />

because <strong>the</strong>y contain no flammable solvents, <strong>the</strong>y are safe<br />

<strong>to</strong> use in conservation. In addition, <strong>the</strong>re is no need <strong>to</strong> use<br />

preservatives or fungicides with PVA adhesive/s because<br />

<strong>the</strong>y do not deteriorate quickly and are unaffected by<br />

mould or fungi. PVA emulsion does slowly hydrolyze,<br />

however, and should not be s<strong>to</strong>red for more than one or<br />

two years before use. Freezing also destroys <strong>the</strong> emulsion,<br />

<strong>the</strong>refore, precautions must be taken <strong>to</strong> avoid exposing it<br />

<strong>to</strong> temperatures near or below <strong>the</strong> freezing point. PVA<br />

results in a very strong bond (i.e., it is not advisable for use<br />

on materials going in<strong>to</strong> cold s<strong>to</strong>rage). After drying,<br />

however, <strong>the</strong> PVA adhesive/s are not reversible in water,<br />

and <strong>the</strong>refore are not suitable for such use as paper<br />

repairs. They may be used when a flexible fast-drying<br />

adhesive is desired and reversibility is not particularly<br />

important.(17.32.) .{D= ?; Es= adhesivos de aceta<strong>to</strong><br />

polivinílico; F= adhésifs acétate de polyvynile}.<br />

polyvinyl chloride (polymerized vinyl chloride) (PVC) .{E} *<br />

A plastic, manufactured since <strong>the</strong> 1930s, not as chemically<br />

stable as some o<strong>the</strong>r plastics, since it can emit<br />

hydrochloric acid (which in turn can damage archival<br />

materials) as it deteriorates. It, <strong>the</strong>refore, has limited<br />

application in <strong>the</strong> preservation <strong>of</strong> archival materials. Some<br />

plastics called vinyl may, in fact, be PVA. In <strong>the</strong> sound<br />

recording industry it is used in <strong>the</strong> manufacture <strong>of</strong> discs,<br />

magnetic tape backing, and magnetic tape binder; it was<br />

used as a binder in 78-RPM shellac type discs, and is <strong>the</strong><br />

primary ingredient in contemporary LP discs.(04.) .{D= ?;<br />

Es= cloruro polivinílico; F= chlorure de polyvynile}.<br />

Polyvinylchlorid (PVC) .{D} * see vinyl .{E}.<br />

pompage .{F} * see breathing .{E}.<br />

pompe .{F} * see sump pump .{E}.<br />

poner guardas .{Es} * see tipping-in .{E}.<br />

poner obje<strong>to</strong>s en estanterías .{Es} * see shelving (1, 2)<br />

.{E}.<br />

poner un decorado .{Es} * see set-up .{E}.<br />

pont .{F} * see bridge .{E}.<br />

POP .{E} * acronym for printing-out-paper.<br />

pop-stranding .{E} * Lateral displacement <strong>of</strong> a single strand<br />

or wrap <strong>of</strong> tape or film extending beyond <strong>the</strong> level <strong>of</strong> <strong>the</strong><br />

film or tape pack; see also stepped pack.06. .{D=<br />

Querverschiebung; Es= desplazamine<strong>to</strong> lateral; F=<br />

décalage transversal}.<br />

popped strand .{E} * see pop-stranding.<br />

por colores .{Es} * see additive printing .{E}.


por corrosión .{Es} * see corrosion stain .{E}.<br />

por corte fisico .{Es} * see cut editing .{E}.<br />

por los ojos .{Es} * see eye light .{E}.<br />

por modulación .{Es} * see intermodulation dis<strong>to</strong>rtion .{E}.<br />

porción de una vídeocinta .{Es} * see bin .{E}.<br />

pornografía dura .{Es} * see hard core material .{E}.<br />

pornographique léger .{F} * see s<strong>of</strong>t core material .{E}.<br />

porosidad .{Es} * see porosity .{E}.<br />

porosité .{F} * see porosity .{E}.<br />

porosity .{E} * That property a material has <strong>of</strong> containing<br />

inter-stices (i.e., small or narrow spaces). It is defined as<br />

<strong>the</strong> ratio <strong>of</strong> <strong>the</strong> volume <strong>of</strong> <strong>the</strong> interstices <strong>to</strong> <strong>the</strong> volume <strong>of</strong><br />

<strong>the</strong> mass <strong>of</strong> <strong>the</strong> material, and depends upon <strong>the</strong> number,<br />

shape and distribution <strong>of</strong> <strong>the</strong> voids, as well as <strong>the</strong>ir shape<br />

and orientation. It is usually expressed in percentages. The<br />

term is sometimes used incorrectly <strong>to</strong> indicate<br />

permeability.45. .{D= ?; Es= porosidad; F= porosité}.<br />

porta obje<strong>to</strong>s (microscopía) .{Es} * see microscope slide<br />

.{E}.<br />

portador .{Es} * see carrier .{E}.<br />

portador de segunda armónica .{Es} * see second<br />

harmonic carrier .{E}.<br />

portadorea modulada .{Es} * see modulated carrier .{E}.<br />

portafolio .{Es} * see portfolio (PF) .{E}.<br />

portaobje<strong>to</strong>s .{Es} * see slide .{E}.<br />

portapelícula (bastidor) .{Es} * see rack (4) .{E}.<br />

porte coupe-feu .{F} * see fire door .{E}.<br />

porte Et .{F} * see And gate .{E}.<br />

porteuse (onde) .{F} * see carrier .{E}.<br />

porteuse de l'harmonique deux .{F} * see second harmonic<br />

carrier .{E}.<br />

porteuse modulée .{F} * see modulated carrier .{E}.<br />

portfolio (PF) .{E} * An enclosure used <strong>to</strong> protect loose<br />

drawings, plates, papers, and <strong>the</strong> like. It usually consists<br />

<strong>of</strong> two sheets <strong>of</strong> board covered with paper or cloth, with a<br />

wide cloth or paper joint forming <strong>the</strong> spine. It has flaps <strong>to</strong><br />

contain <strong>the</strong> enclosed materi-al; see also protective<br />

enclosure.(45.) .{D= ?; Es= portafolio; F= chemise}.<br />

pose .{F} * see exposure .{E}.<br />

posemètre .{F} * see exposure meter .{E}.<br />

positif copie .{F} * see positive copy .{E}.<br />

positif direct .{F}. épreuve contact; direct positive .{E}.<br />

positif intermédiaire .{F} * see interpositive .{E}.<br />

positif pour contretype .{F} * see master positive .{E}.<br />

positif son .{F} * see sound positive .{E}.<br />

position a .{E} * see cine mode.<br />

position b .{E} * see comic mode.<br />

176<br />

positionnement .{F} * see registration .{E}.<br />

Positiv .{D} * see positive; slide .{E}.<br />

positivado .{Es} * see printing .{E}.<br />

positivado óptico .{Es} * see optical printing .{E}.<br />

positivado por contac<strong>to</strong> .{Es} * see contact printing .{E}.<br />

positivado por reducción .{Es} * see reduction printing .{E}.<br />

positivadora .{Es} * see printer (1) .{E}.<br />

positivar .{Es} * see print .{E}.<br />

positive .{E} * In film based materials, developed film that<br />

has <strong>the</strong> same <strong>to</strong>nal values (ei<strong>the</strong>r black-and-white or<br />

colour) as <strong>the</strong> object pho<strong>to</strong>graphed; also called a positive<br />

image; see also negative; positive copy; positive image;<br />

positive micr<strong>of</strong>ilm.(22.06.) .{D= Positiv; Positivkopie;<br />

Positivfilm; Es= positivo; F= épreuve positif; positif; film<br />

positif}.<br />

positive copy .{E} * In <strong>the</strong> reproduction <strong>of</strong> documents or<br />

pho<strong>to</strong>-graphs, a copy having <strong>the</strong> same <strong>to</strong>nes and image as<br />

in <strong>the</strong> original; also called a positive print; see also<br />

positive.(19.) .{D= ?; Es= copia positiva; F= copie positive;<br />

positif copie}.<br />

positive curl .{E} * see curl .{E}.<br />

positive film .{E} * see positive .{E}.<br />

positive image .{E} * A processed image resulting from <strong>the</strong><br />

negative printing exposure made on positive film. The<br />

positive image looks like <strong>the</strong> original scene .09. .{D= ?;<br />

Es= positivo de imagen; F= image positif}.<br />

positive micr<strong>of</strong>ilm .{E} * A film bearing microcopies with<br />

<strong>to</strong>ne values corresponding <strong>to</strong> those <strong>of</strong> <strong>the</strong> originals.19; see<br />

also positive; positive image.(22.) .{D= Positivfilm;<br />

Positivmikr<strong>of</strong>ilm; Es= micr<strong>of</strong>ilme positivo; F= micr<strong>of</strong>ilm<br />

positif}.<br />

Positivfilm .{D} * see positive; positive micr<strong>of</strong>ilm .{E}.<br />

positivo .{Es} * see positive .{E}.<br />

positivo brillante .{Es} * see glossy print .{E}.<br />

positivo de imagen .{Es} * see positive image .{E}.<br />

positivo de sonido .{Es} * see sound positive (2) .{E}.<br />

positivo original .{Es} * see master positive .{E}.<br />

positivo para copia de archivo .{Es} * see archival positive<br />

.{E}.<br />

positivo sonoro .{Es} * see sound positive (1) .{E}.<br />

post lumination .{F} * see post-flashing .{E}.<br />

post-echo .{E} * see echo.<br />

post-emphasis .{E} * In audio and video playback,<br />

equalization which is applied during playback and/or in <strong>the</strong><br />

reproducer. .{D= Entzerrung; Es= postecualización; F=<br />

désaccentuation}.<br />

post-equalizing pulses .{E} ** In a video signal, <strong>the</strong> six<br />

pulses that occur after <strong>the</strong> vertical sync at twice <strong>the</strong> AC line<br />

frequency. These pulses assure continued synchronization<br />

during <strong>the</strong> vertical retrace as well as proper interlace <strong>of</strong> <strong>the</strong><br />

odd and even fields <strong>of</strong> video. .{D= ?; Es= pulsación de<br />

postecualización; F= pulsation de désaccentuation}.


post-flashing .{E} * A motion picture production technique<br />

in which colour film is ex-posed after shooting <strong>to</strong> a neutral<br />

grey light source <strong>of</strong> a pre-determined quantity in order<br />

ei<strong>the</strong>r <strong>to</strong> mute <strong>the</strong> colour values for a more realistic effect<br />

or <strong>to</strong> decrease <strong>the</strong> contrast range <strong>of</strong> <strong>the</strong> film s<strong>to</strong>ck <strong>to</strong> aid in<br />

available-light pho<strong>to</strong>graphy.(30.) .{D= ?; Es= postdestello;<br />

F= post lumination; latensification}.<br />

post-producción .{Es} * see post-production .{E}.<br />

post-production .{E;F} * In moving-image productions,<br />

editing <strong>of</strong> pre-recorded material, including special effects<br />

and audio dubbing.(06.) .{D= Nach-Bearbeitung; Es= postproduccion;<br />

F= post-synchronisation}.<br />

post-production audio .{F} * see pickup .{E}.<br />

post-sonorisation .{F} * see dubbing .{E}.<br />

post-synchronization .{E} * A moving-image production<br />

technique in which <strong>the</strong> audio is recorded after <strong>the</strong> picture<br />

has been shot. .{D= Nachsynchronisation; Es=<br />

postsincronización; F= post-synchronisation}.<br />

postamble .{E} * In magnetic tape recording, a group <strong>of</strong><br />

special signals recorded at <strong>the</strong> end <strong>of</strong> each block <strong>of</strong> tape<br />

for <strong>the</strong> purpose <strong>of</strong> electronic synchronization; see also<br />

preamble.46. .{D= ?; Es= epílogo (sincronización<br />

electrónica); F= épilogue}.<br />

postdestello .{Es} * see post-flashing .{E}.<br />

postecualización .{Es} * see post-emphasis .{E}.<br />

poster .{E} * 1) An advertising message that is posted on<br />

an outdoor advertising structure; also called a bill.(10.) 2)<br />

A notice posted publicly. 2) A document usually printed on<br />

one side <strong>of</strong> a single sheet <strong>of</strong> paper and <strong>of</strong>ten illustrated,<br />

posted <strong>to</strong> advertise or publicize something; also called a<br />

placard.(22.) .{D= Plakat; Es= cartel; F= affiche}.<br />

postproduction .{F} * see post-production .{E}.<br />

postsincronización .{Es} * see post-synchronization .{E}.<br />

pot .{E} * abbreviation for potentiometer.<br />

potash alum .{E} * Colourless crystals used by film<br />

labora<strong>to</strong>ries as a hardener in fixing baths; also available as<br />

a crystalline powder; also known as <strong>the</strong> common alum.<br />

.{D= ?; Es= aluminio potásico; F= potasse alun}.<br />

potasse d'alun .{F} * see potash alum .{E}.<br />

potassium bromide (K) .{E} * One <strong>of</strong> <strong>the</strong> bromides used in<br />

<strong>the</strong> various pho<strong>to</strong>graphic chemical processing solutions.<br />

.{D= ?; Es= bromuro potásico; F= bromure de potassium;<br />

potassium bromure}.<br />

potence de pavillon .{F} * see horn support .{E}.<br />

potenciómetro .{Es} * see potentiometer (POT) .{E}.<br />

potentiometer (POT) .{E} * An electromechanical device<br />

containing a resistance used <strong>to</strong> control <strong>the</strong> output <strong>of</strong> a<br />

circuit or component; also called an attenua<strong>to</strong>r, fader,<br />

mixer, rotary fader, rotary pot, and variable pad.(10.) .{D=<br />

?; Es= potenciómetro; F= potentiométre}.<br />

poudrette .{F} * see bloom; buildup .{E}.<br />

pounds per point .{E} * The ratio <strong>of</strong> <strong>the</strong> basis weight in<br />

pounds divided by <strong>the</strong> thickness in mils, is used <strong>to</strong><br />

describe density; see also apparent density; basis weight,<br />

thickness.(08.) .{D= ?; Es= pun<strong>to</strong> de fluidez; F= livres par<br />

point}.<br />

pounds per square inch gauge .{E} * A meter for<br />

177<br />

measuring pressure relative <strong>to</strong> atmospheric pressure<br />

which equals 14.7 pounds per square inch.(53.) .{D= ?;<br />

Es= medida de fluidez por pulgada cuadrada; F= pression<br />

en livres par pouce carré}.<br />

poursuite .{F} * see chase .{E}.<br />

pouvoir séparateur .{F} * see resolving power .{E}.<br />

power amplifier .{E} * An amplifier designed <strong>to</strong> operate a<br />

speaker system. .{D= ?; Es= amplificador de potencia; F=<br />

amplificateur de puissance}.<br />

power cord .{E} * Cable used <strong>to</strong> connect a piece <strong>of</strong><br />

electrical equipment <strong>to</strong> an external power source. .{D=<br />

Netzkabel; Es= cordón de alimentación; F= câble<br />

d'alimentation; câble}.<br />

power supply .{E} * A circuit that supplies proper voltages<br />

and currents as required by <strong>the</strong> sys-tem.39. .{D=<br />

Netzgerät; Netzteil; Es= fuente de alimentación; F=<br />

alimentation électrique; alimentation en courant}.<br />

PPM .{E} * acronym for pulse position modulation.<br />

PQ developer .{E} * see developing.<br />

PQ sub-code .{E} * see sub-code.<br />

practical lighting .{E} * 1) Normal light fixtures, such as 100<br />

watt incandescent bulbs. 2) The technique <strong>of</strong> using those<br />

fixtures for available-light pho<strong>to</strong>graphy.30. .{D= ?; Es=<br />

iluminación práctica; F= éclairage fonctionnel}.<br />

practical set .{E} * A realistically built set or an actual<br />

location which does not have wild walls.30. .{D= ?; Es=<br />

decorado práctico; F= décor réel; décor fonctionnel}.<br />

pre-amp .{E} * see pre-amplifier.<br />

pre-amplifier .{E} * also known as pre-amp. An amplifier<br />

that boosts weak signal voltages, such as those from<br />

microphones, magnetic playback heads, or phonograph<br />

pickups, <strong>to</strong> a level that is usable by power amplifiers, and<br />

at <strong>the</strong> same time accomplishes <strong>the</strong> necessary equalization<br />

for industry standards. Some equipment combines <strong>the</strong> preamp<br />

and <strong>the</strong> power amp. (50.) .{D= Vorverstärker; Es=<br />

preamplificador; F= préamplificateur}.<br />

pre-echo .{E} * see echo.<br />

pre-emphasis (pre-equalization) .{D;E} * 1) That portion <strong>of</strong><br />

<strong>the</strong> equalization which is applied during recording.16. 2) A<br />

high frequency boost added during recording, followed by<br />

de-emphasis during playback, de-signed <strong>to</strong> reduce<br />

noise.39. .{D= Akzentuierung; Vor- Verzerrung; Es=<br />

preacentuación; preigualación; precorrección; F=<br />

préaccentuation; expansion des contrastes}.<br />

pré-enregistrement .{F} * see playback .{D;E;Es;F}.<br />

pre-equalization .{E} * see pre-emphasis.<br />

pré-flashage .{F} * see pre-flashing .{E}.<br />

pre-flashing .{E} * A motion picture production technique in<br />

which, before shooting, film is ex-posed <strong>to</strong> a neutral grey<br />

light source <strong>of</strong> a pre-determined quantity in order ei<strong>the</strong>r <strong>to</strong><br />

mute <strong>the</strong> colour values for a more realistic effect or <strong>to</strong><br />

decrease <strong>the</strong> contrast range <strong>of</strong> <strong>the</strong> film s<strong>to</strong>ck <strong>to</strong> aid in<br />

available-light pho<strong>to</strong>graphy. .{D= ?; Es= predestello; F=<br />

pré-lumination; pré-flashage}.<br />

pré-lumination .{F} * see pre-flashing .{E}.<br />

pre-mastering .{D;E} * 1) In recording, <strong>the</strong> process in which<br />

basic programme data is processed <strong>to</strong> produce a master.<br />

2) In optical media, <strong>the</strong> process <strong>of</strong> integration <strong>of</strong> digital


data code, error correction, and sub-codes, and<br />

conversion <strong>to</strong> <strong>the</strong> CD data format prior <strong>to</strong> disc<br />

mastering.(39.10.) .{F= pré-mastering; préparation de la<br />

bande mère; Es= 1) prenegativo (fab. discos); 2)<br />

preparación de la cinta matriz}.<br />

pré-mastering .{F} * see pre-mastering .{D;E}.<br />

pre-recorded tape .{E} * A magnetic tape which is recorded<br />

prior <strong>to</strong> sale or o<strong>the</strong>r distribution, as opposed <strong>to</strong> a tape<br />

which is left blank for <strong>the</strong> use <strong>of</strong> <strong>the</strong> consumer. .{D=<br />

bespietes Band; bespielter Tonträger; Es= cinta<br />

pregrabada; F= bande préenregistrée}.<br />

préaccentuation .{F} * see pre-emphasis (pre-equalization)<br />

.{E}.<br />

preacentuación .{Es} * see pre-emphasis (preequalization)<br />

.{D;E}.<br />

preamble .{E} * In magnetic tape recording, a group <strong>of</strong><br />

special signals recorded at <strong>the</strong> beginning <strong>of</strong> each block on<br />

tape for <strong>the</strong> purpose <strong>of</strong> electronic synchronization; see<br />

also postamble.39. .{D= ?; Es= preámbulo; F= préambule}.<br />

préambule .{F} * see preamble .{E}.<br />

preámbulo .{Es} * see preamble .{E}.<br />

preamplificador .{Es} * see pre-amplifier .{E}.<br />

préamplificateur .{F} * see pre-amplifier .{E}.<br />

préarchivage .{F} * see intermediate s<strong>to</strong>rage .{E}.<br />

precisión de la posición del orificio .{Es} * see centring <strong>of</strong><br />

disc (2) .{E}.<br />

precorrección .{Es} * see pre-emphasis (pre-equalization)<br />

.{D;E}.<br />

predestello .{Es} * see pre-flashing .{E}.<br />

predominant name .{E} * The name or form <strong>of</strong> name <strong>of</strong> a<br />

person or corporate body that appears most frequently (1)<br />

in <strong>the</strong> person's works or works issued by <strong>the</strong> corporate<br />

body, or (2) in reference sources, in that order <strong>of</strong><br />

preference.03. .{D= ?; Es= nombre predominante; F= nom<br />

prédominant (cat)}.<br />

préenroulement .{F} * see preroll .{E}.<br />

preequalizing pulses .{E} * In a video signal, <strong>the</strong> six pulses<br />

that occur before vertical sync at twice <strong>the</strong> AC line<br />

frequency. These pulses assure continued synchronization<br />

during <strong>the</strong> vertical retrace as well as proper interlace <strong>of</strong> <strong>the</strong><br />

odd and even fields <strong>of</strong> video. .{D= ?; Es= impulso de<br />

precorrección; preigualación; F= impulsions de<br />

préégalisation}.<br />

preigualación .{Es} * see pre-emphasis (pre-equalization)<br />

.{D;E}; preequalizing pulses .{E}.<br />

preliminary cataloguing .{E} * see cataloguing.<br />

prémagnétisation .{F} * see bias .{E}.<br />

prenegativo (fab. discos) .{Es} * see pre-mastering (1)<br />

.{D;E}.<br />

prensa de empalmar .{Es} * see splicer .{E}.<br />

prensado (discos fonográficos) .{Es} * see pressing .{E}.<br />

prensado de prueba .{Es} * see test pressing .{E}.<br />

prensor .{Es} * see pressure plate .{E}.<br />

178<br />

préparation de la bande mère .{F} * see pre-mastering<br />

.{D;E}.<br />

préparation pour microscope .{F} * see microscope slide<br />

.{E}.<br />

prepared paper support .{E} * A backing for a still-image<br />

which has been coated with a layer <strong>of</strong> an inert material in<br />

a gelatin solution upon which a pho<strong>to</strong>graphic emulsion is<br />

coated.42. .{D= ?; Es= papel emulsionado; F= support<br />

papier préparé (pho<strong>to</strong>)}.<br />

preroll .{E} * The amount <strong>of</strong> time that video VTR needs <strong>to</strong><br />

stabilize and synchronize before making an edit. .{D= ?;<br />

Es= tiempo de sincronización (vídeo VTR); F= délai<br />

synchronisation; préenroulement}.<br />

prescribed source .{E} * The documents or reference<br />

works, designat-ed by cataloguing codes, from which<br />

information may be taken for entry in each element or area<br />

<strong>of</strong> <strong>the</strong> bibliographic description; see also principal<br />

source.(12.) .{D= ?; Es= fuente de referencia; F= sources<br />

de référence (cat)}.<br />

presence .{E} * A subjective term applied <strong>to</strong> a quality <strong>of</strong><br />

naturalness in sound recording/reproduction so that <strong>the</strong><br />

illusion is such that <strong>the</strong> listener perceives <strong>the</strong> sound as<br />

close and realistic, while not being produced at some<br />

remote location.(04.) .{D= Prösenz; Es= sonido ambiente;<br />

F= présence; bruit d'ambiance}.<br />

présence .{F} * see presence .{E}.<br />

presentación .{Es} * see exhibition .{E}.<br />

presentador .{Es} * see presenter; speaker (2) .{E}.<br />

présentateur .{F} * see presenter .{E}.<br />

présentation des responsibilités .{F} * see statement <strong>of</strong><br />

responsibility .{E}.<br />

presenter .{E} * 1) For motion-picture films, a vanity credit:<br />

in <strong>the</strong> early days <strong>of</strong> motion picture production normally <strong>the</strong><br />

head <strong>of</strong> a studio. Currently a person or corporate body who<br />

is associated with production, finance, or distribution in<br />

some unspecified way. 2) In British television usage, a<br />

newscaster who is in overall control <strong>of</strong> <strong>the</strong> presentation <strong>of</strong><br />

a news or current affairs programme.(12.) .{D= ?; Es=<br />

presentador; F= présentateur}.<br />

preservación .{Es} * see preservation; preservation .{E}.<br />

preservation copy .{E} * The artifact designated <strong>to</strong> be<br />

s<strong>to</strong>red and maintained as <strong>the</strong> preservation master. Such a<br />

designation may be given ei<strong>the</strong>r <strong>to</strong> <strong>the</strong> earliest generation<br />

<strong>of</strong> <strong>the</strong> artifact held by a collection, <strong>to</strong> a preservation<br />

transfer copy <strong>of</strong> such an artifact, and/or <strong>to</strong> both such items<br />

in <strong>the</strong> possession <strong>of</strong> <strong>the</strong> archive. Such a designation<br />

means that <strong>the</strong> item is used only under exceptional<br />

circumstances.(04.) .{D= Archivkopie; Es= copia de<br />

preservación; F= conservation copie; copie de<br />

conservation}.<br />

preservation duplicate .{E} * A duplicate copy <strong>of</strong> an item,<br />

said duplicate <strong>to</strong> be designated <strong>the</strong> preservation copy; not<br />

<strong>to</strong> be confused with ei<strong>the</strong>r a use copy or a<br />

printing/duplicating master.(04.) .{D= Archivduplikat; Es=<br />

duplicado de preservación; F= double de conservation}.<br />

preservation micr<strong>of</strong>ilming .{E} * The use <strong>of</strong> micr<strong>of</strong>ilming <strong>to</strong><br />

preserve <strong>the</strong> information content <strong>of</strong> documents that ei<strong>the</strong>r<br />

are in poor condition or were created utilizing poor quality<br />

materials, as well as <strong>to</strong> preserve originals from<br />

deterioration through repeated handling and use; see also<br />

security micr<strong>of</strong>ilming; disposal micr<strong>of</strong>ilming.22. .{D=<br />

Ersatzverfilm-ung, Ersatzverfilmung aus<br />

Konservierungsgründen; Es= micr<strong>of</strong>ilmación de


preservación; F= micr<strong>of</strong>ilmage de conservation}.<br />

preservation transfer copy .{E} * 1) A dubbing made for<br />

archival keeping <strong>of</strong> an item which cannot be preserved due<br />

<strong>to</strong> ongoing deterioration. 2) A dubbing made <strong>to</strong> serve as a<br />

preservation duplicate <strong>of</strong> a preservation copy.(04.) .{D=<br />

Archivkopie; Es= duplicado [copia] de preservación; F= 1)<br />

copie de conservation (qui remplace l'original) 2) copie de<br />

conservation (duplicatat de conservation)}.<br />

Preservation Advisory Committee (PAC) .{D;E;Es;F} * A<br />

group in <strong>the</strong> U.S. established in 1985 by <strong>the</strong> Council on<br />

Library Resources (CLR) <strong>to</strong> guide initial work on long-term<br />

preservation work at U.S. libraries.(19.)<br />

préservation .{E} * see preservation .{E}.<br />

presión de la aguja (sobre la superficie de un disco<br />

fonográfico) .{Es} * see stylus force .{E}.<br />

Preßmatrize .{D} * see stamper .{E}.<br />

présonorisation .{F} * see playback .{D;E;Es;F}.<br />

pressage .{F} * see pressure pad; pressing .{E}.<br />

pressage original .{F} * see original pressing .{E}.<br />

pressage test .{F} * see test pressing .{E}.<br />

presse à coller .{F} * see splicer .{E}.<br />

presse à collures .{F} * see butt splicer .{E}.<br />

pressen .{D} * see pressing .{E}.<br />

presseur .{F} * see brayer .{E}.<br />

presseur de caméra .{F} * see pressure plate .{E}.<br />

pressing .{E} * 1) The process whereby a machine flattens,<br />

compresses, and squeezes materials <strong>to</strong> a predetermined<br />

shape, such an LP record. 2) Any item produced in such<br />

a process. 3) The items produced via such a process at a<br />

given time (i.e., <strong>the</strong> initial pressing was 1,000 LPs; <strong>the</strong> 2d<br />

pressing was 5,000 LPs).(04.) .{D= 1) pressen; 2&3)<br />

Pressung; 3) Auflage; Es= prensado (discos fonográficos);<br />

F= pressage; pression}.<br />

pression en livres par pouce carré .{F} * see pounds per<br />

square inch gauge .{E}.<br />

Pressung .{D} * see pressing .{E}.<br />

pressure pad .{E} * In a magnetic tape recorder, most <strong>of</strong>ten<br />

a 'one-mo<strong>to</strong>r' machine, <strong>the</strong> piece <strong>of</strong> equipment which<br />

forces <strong>the</strong> tape in<strong>to</strong> intimate contact with <strong>the</strong> head gap,<br />

usually by direct pressure at <strong>the</strong> head assembly. Felt or<br />

similar material, occasionally protected with self-lubricating<br />

plastic, is used <strong>to</strong> apply pressure uniformly and with a<br />

minimum <strong>of</strong> drag <strong>to</strong> <strong>the</strong> base-side <strong>of</strong> <strong>the</strong> tape.(50.16.) .{D=<br />

Andruckfilz; Es= almohadilla prensadora [para prensar]; F=<br />

patin presseur; pressage.; cadre-presseur}.<br />

pressure plate .{E} * The flat metal plate in a camera,<br />

projec<strong>to</strong>r, or optical printer that presses on <strong>the</strong> back <strong>of</strong> <strong>the</strong><br />

film <strong>to</strong> keep <strong>the</strong> emulsion surface in <strong>the</strong> lens focal<br />

length.10. .{D= ?; Es= placa de presión; prensor;<br />

compresor; F= presseur de caméra}.<br />

pressure roller .{E} * a spring -loaded rubber-tyred roller<br />

which holds <strong>the</strong> magnetic tape tightly against <strong>the</strong> capstan,<br />

permitting <strong>the</strong> latter <strong>to</strong> draw <strong>the</strong> tape <strong>of</strong>f <strong>the</strong> s<strong>to</strong>ck reel and<br />

past <strong>the</strong> heads at a constant speed.16. .{D= ?; Es= rodillo<br />

prensador; F= galet presseur; tambour presseur. Also<br />

called pinch roller; puck; capstan idler. {D= ?; Es= ?; F= ?}.<br />

préstamo .{Es} * see loan .{E}.<br />

179<br />

prêt .{F} * see loan .{E}.<br />

prévisualisation .{F} * see preview .{E}.<br />

primer montaje .{Es} * see rough cut .{E}.<br />

primer plano .{Es} * see close-up .{E}.<br />

primera copia .{Es} * see answer print .{E}; checkprint .{E}.<br />

primera copia (original) .{Es} * see master (1) .{E}.<br />

primera copia del día en una película .{Es} * see dailies<br />

(rushes) .{E}.<br />

principal source .{E} * 1) In cataloguing in traditional library<br />

usage, a prescribed portion <strong>of</strong> <strong>the</strong> item being catalogued<br />

which is considered <strong>to</strong> take precedence over any o<strong>the</strong>r<br />

information when seeking elements <strong>of</strong> <strong>the</strong> bibliographic<br />

description (e.g., <strong>the</strong> title page). 2) For moving-image<br />

cataloguing, <strong>the</strong> established body <strong>of</strong> knowledge<br />

concerning original moving-image works as determined by<br />

those involved in <strong>the</strong>ir production and by scholars,<br />

researchers, and archivists; see also prescribed<br />

source.(12.) .{D= ?; Es= fuente principal; F= source<br />

principale}.<br />

print .{E} * 1) A positive copy <strong>of</strong> a film. In archival movingimage<br />

work two categories <strong>of</strong> prints are identified: a<br />

viewing or reference print, which may be used by<br />

individuals within archives, and a distribution or projection<br />

print which was made for projec-tion and can be lent for<br />

screening at o<strong>the</strong>r institutions.(30.12.) 2) A positive picture<br />

usually produced from a negative.(09.22.) 3) A picture or<br />

design printed from a plate, block, roll in <strong>the</strong> form <strong>of</strong> an<br />

etching, woodcut, lithograph, including both pro<strong>of</strong>s and<br />

final versions.22. .{D= 1&2) Abzug; Kopie; 3) Druck; Stich;<br />

Es= 1) positivar; tirar; copiar del positivo; 2) impresión;<br />

copia del positivo; 3) estampa (grabado); F= 1&2) tirage;<br />

copie; épreuve; 3) estampe}.<br />

print film .{E} * Pho<strong>to</strong>graphic film which is used <strong>to</strong> print<br />

both <strong>the</strong> first workprint <strong>of</strong> a motion picture from <strong>the</strong> camera<br />

film and as many copies as needed <strong>of</strong> <strong>the</strong> final edited<br />

version <strong>of</strong> <strong>the</strong> production.(09.) .{D= ?; Es= película<br />

impresa; F= film empreinte}.<br />

print-out .{E} * In pho<strong>to</strong>graphy, <strong>the</strong> increase in minimum<br />

density which occurs in <strong>the</strong> light.(05.) .{D= ?; Es= en<br />

fo<strong>to</strong>grafía, incremen<strong>to</strong> mínimo en la densidad de la luz; F=<br />

?}.<br />

print-out paper .{E} * see printing-out paper.<br />

print-through .{E} * The unwanted transfer <strong>of</strong> a magnetic<br />

field (and its signal) from one layer <strong>to</strong> ano<strong>the</strong>r within a roll<br />

<strong>of</strong> magnetic tape. A result <strong>of</strong> <strong>the</strong> magnetic instability <strong>of</strong> <strong>the</strong><br />

magnetic oxide on <strong>the</strong> tape, <strong>the</strong> magnitude <strong>of</strong> this induced<br />

signal tends <strong>to</strong> increase with <strong>the</strong> s<strong>to</strong>rage time and<br />

temperature and decrease with <strong>the</strong> unwinding <strong>of</strong> <strong>the</strong> tape<br />

roll. It causes echo or repeated sound from one layer <strong>of</strong><br />

tape while <strong>the</strong> next layer is passing over <strong>the</strong> playback<br />

head; see also echo.(04.06.) .{D= Hintergrundecho;<br />

Kopiereffekt; Es= copia inducida; F= écho; effet de copie}.<br />

printer .{E} * 1) In film production, a device used <strong>to</strong> print a<br />

processed film on<strong>to</strong> a piece <strong>of</strong> raw s<strong>to</strong>ck. 2) The person<br />

who operates <strong>the</strong> equipment. .{D= ?; Es= 1) copiadora;<br />

positivadora; 2) operario que hace las copias; F= tireuse;<br />

imprimeur}.<br />

printer lights .{E} * In film production, <strong>the</strong> light source in a<br />

film printer. .{D= ?; Es= luz de positivado; F= éclairage de<br />

la tireuse; éclairage de tirage}.<br />

printing .{E} * In film production, <strong>the</strong> duplication <strong>of</strong> motion<br />

picture images by pho<strong>to</strong>graphic exposure.(09.) .{D=<br />

Kopierung; Es= positivado; tiraje; tirada; F= tirage}.


printing density .{E} * In film production, a measure <strong>of</strong> <strong>the</strong><br />

light-controlling power <strong>of</strong> <strong>the</strong> silver or dye deposited in a<br />

film emulsion when it approximates that <strong>of</strong> a duplicating or<br />

print film s<strong>to</strong>ck.(09.) .{D= ?; Es= densidad del positivado;<br />

F= densité de tirage}.<br />

printing dupe .{E} * A copy <strong>of</strong> <strong>the</strong> edited master film<br />

reserved for printing purposes. .{D= ?; Es= duplicado<br />

[copia] de un positivo original para tirar copias; F= copie<br />

pour tirage}.<br />

printing dupe videotape .{E} * A copy <strong>of</strong> <strong>the</strong> edited master<br />

videotape reserved for printing. .{D= ?; Es= duplicado de<br />

una cinta de vídeo original para tirar copias; F= copie pour<br />

tirage}.<br />

printing-out-paper (POP) {E} * A light-sensitive emulsion<br />

yielding a visible image directly when contact printed in<br />

daylight illumination.42. {F= papier d'impression; papier à<br />

noircissement direct; papier au citratè; papier<br />

héliographique; D= ?; Es= ?}.<br />

prise .{F} * see plug .{E}.<br />

prise (de son) .{F} * see take .{D;E}.<br />

prise d'une scène .{F} * see shot .{E}.<br />

prise de terre .{F} * see ground .{E}.<br />

prise de vue archaïque .{F} * see s<strong>to</strong>ck shot .{E}.<br />

prise de vue en accéléré .{F} * see time-lapse<br />

pho<strong>to</strong>graphy; time-lapse movie .{E}.<br />

prise de vue et enregistrement sonore sur la même bande<br />

.{F} * see single-system sound .{E}.<br />

prise de vue image par image? .{F} * see s<strong>to</strong>p-motion<br />

pho<strong>to</strong>graphy .{E}.<br />

prise de vues aléa<strong>to</strong>ires .{F} * see alea<strong>to</strong>ry filming .{E}.<br />

prise sur un <strong>to</strong>urnage .{F} * see take .{D;E}.<br />

proc amp .{E} ** abbreviation for processing amplifier. .{D=<br />

?; Es= amplificador de procesamien<strong>to</strong> [acondicionamien<strong>to</strong>]<br />

(de señales); F= amplificateur de traitement}.<br />

procédé argentique .{F} * see dry silver process .{E}.<br />

procédé d'anamorphose .{F} * see anamorphic processes<br />

.{E}.<br />

procédé d'animation .{F} * see live animation .{E}.<br />

procédé d'effets spéciaux par chache et contrecache .{F}<br />

* see travelling matte .{E}.<br />

procédé de changement de mise au point pendant le<br />

<strong>to</strong>urnage .{F} * see rack focusing .{E}.<br />

procédé de montage audio ou vidéo .{F} * see <strong>of</strong>f-Line .{E}.<br />

procédé fond bleu .{F} * see blue screen process .{E}.<br />

procédé par imbibition .{F} * see imbibition process .{E}.<br />

procédé <strong>the</strong>rmographique .{F} * see <strong>the</strong>rmographic<br />

process .{E}.<br />

procedencia .{Es} * see provenance .{E}.<br />

procedimen<strong>to</strong> de colores por síntesis aditiva .{Es} * see<br />

additive printing .{E}.<br />

procedimen<strong>to</strong> de síntesis aditiva de colores .{Es} * see<br />

additive printing .{E}.<br />

180<br />

procedimien<strong>to</strong> de efec<strong>to</strong> especial por caché y contracaché<br />

.{Es} * see travelling matte .{D;E;Es;F}.<br />

procedimien<strong>to</strong> de positivado .{Es} * see negative-positive<br />

process .{E}.<br />

procedimien<strong>to</strong> electroestático .{Es} * see electrostatic<br />

process .{E}.<br />

procedimien<strong>to</strong> forzado .{Es} * see forced processing .{E}.<br />

procédure d'asservissement .{F} * see slewing .{E}.<br />

procesado .{Es} * see processing .{E}.<br />

procesado al cloruro de plata en seco .{Es} * see dry silver<br />

process .{E}.<br />

procesado en seco .{Es} * see dry silver process .{E}.<br />

procesado para obtener una copia de calidad de archivo<br />

.{Es} * see archival processing .{E}.<br />

procesador .{Es} * see processor .{E}.<br />

procesador de señal digital .{Es} * see DSP .{E}.<br />

procesador de señales digitales .{Es} * see digital signal<br />

processor .{E}.<br />

procesador pixel .{Es} * see pixel processor .{E}.<br />

procesamien<strong>to</strong> de imagen .{Es} * see image processing<br />

.{E}.<br />

proceso amónico .{Es} * see ammonia process .{E}.<br />

proceso anaglífico .{Es} * see anaglyphic process .{E}.<br />

proceso anamórfico .{Es} * see anamorphic processes<br />

.{E}.<br />

proceso de animación .{Es} * see live animation .{E}.<br />

proceso de da<strong>to</strong>s .{Es} * see au<strong>to</strong>matic data processing<br />

(ADP) .{E}.<br />

proceso de da<strong>to</strong>s au<strong>to</strong>mático .{Es} * see au<strong>to</strong>matic data<br />

processing (adp) .{E}.<br />

proceso de difusión por transferencia .{Es} * see diffusion<br />

transfer process .{E}.<br />

proceso de elaboración de un original .{Es} * see<br />

mastering .{E}.<br />

proceso de inhibición .{Es} * see imbibition process .{E}.<br />

proceso de inversión .{Es} * see reversal process .{E}.<br />

proceso de labora<strong>to</strong>rio para numerar la película en sus<br />

bordes .{Es} * see labora<strong>to</strong>ry ap-positive process .{E}.<br />

proceso del fondo azul .{Es} * see blue screen process<br />

.{E}.<br />

proceso termográfico .{Es} * see <strong>the</strong>rmographic process<br />

.{E}.<br />

process camera .{E} * A device, usually with special<br />

attachments, designed <strong>to</strong> produce images on an<br />

intermediate material from which prints can be made, as in<br />

pho<strong>to</strong>lithography.01. .{D= ?; Es= cámara de procesado; F=<br />

?}.<br />

process shot .{E} * see back projection; matte shot;<br />

opticals.


processed film .{E} * film that has been exposed <strong>to</strong> suitable<br />

radiation and has been treated <strong>to</strong> produce a fixed or<br />

stabilized visible image.40. .{D= ?; Es= película<br />

procesada; F= film développé}.<br />

processeur .{F} * see processor .{E}.<br />

processeur de pixel (DVI) .{F} * see pixel processor .{E}.<br />

processeur de signal numérique .{F} * see digital signal<br />

processor .{E}.<br />

processeur de signaux numériques (DSP) .{F} * see DSP<br />

.{E}.<br />

processing .{E} * 1) A procedure during which exposed<br />

pho<strong>to</strong>graphic film or paper is devel-oped, fixed, and<br />

washed <strong>to</strong> produce ei<strong>the</strong>r a negative image or a positive<br />

image.(09.) 2) A generic term for <strong>the</strong> <strong>to</strong>tal series <strong>of</strong> steps<br />

involved in <strong>the</strong> treatment <strong>of</strong> exposed pho<strong>to</strong>graphic material<br />

<strong>to</strong> make <strong>the</strong> latent image visible and ultimately usable,<br />

e.g., development, fixing, washing, etc. 3) A term used <strong>to</strong><br />

describe all <strong>of</strong> <strong>the</strong> steps involved in receiving, organizing,<br />

inven<strong>to</strong>rying, cataloguing, and carrying out basic<br />

preparation <strong>of</strong> an item before placing it in<strong>to</strong> s<strong>to</strong>rage.(06.)<br />

.{D= Entwicklung; Es= procesado; F= &2) développement}.<br />

processing amplifier .{E} * A video amplifier that<br />

regenerates or reshapes <strong>the</strong> sync portion <strong>of</strong> a video signal.<br />

.{D= ?; Es= ampificador de vídeo frecuencia; F=<br />

amplificateur de traitement}.<br />

processus négatif-positif .{F} * see negative-positive<br />

process .{E}.<br />

producción .{Es} * see production .{E;F}.<br />

producción de campo electrónico .{Es} * see electronic<br />

field production (EFP) .{E}.<br />

producción de un campo electrónico .{Es} * see electronic<br />

field production (EFP) .{E}.<br />

producción sonora .{Es} * see audio .{E}.<br />

produccíon del día .{Es} * see rushes .{E;F}.<br />

producer .{E} * The person who bears <strong>the</strong> ultimate<br />

administrative and financial responsibility for an audio or<br />

moving-image production. In practice, <strong>the</strong> role <strong>of</strong> <strong>the</strong><br />

producer may be much wider and can include artistic<br />

involvement.(12.) .{D= Produzent; Es= produc<strong>to</strong>r; F=<br />

producteur}.<br />

producteur .{F} * see producer .{E}.<br />

production .{E;F} * 1) An imprecise term used <strong>to</strong> describe<br />

<strong>the</strong> multiple steps involved in making all <strong>the</strong> original<br />

material that is <strong>the</strong> basis for a finished sound recording<br />

and/or moving-image creation. 2) A completed movingimage<br />

creation and/or sound recording.(22.) .{D=<br />

Produktion; Es= producción}.<br />

production company .{E} * The name <strong>of</strong> <strong>the</strong> company<br />

under whose financial, technical, and organizational<br />

management a moving-image production is made. In a<br />

broad sense <strong>the</strong> production company is responsible for <strong>the</strong><br />

overall creation <strong>of</strong> <strong>the</strong> work.(12.) .{D= Produktionsfirma;<br />

Es= casa produc<strong>to</strong>ra; F= compagnie de production;<br />

maison de production}.<br />

production date .{E} * The year in which <strong>the</strong> production <strong>of</strong><br />

a moving-image work was completed, or sometimes <strong>the</strong><br />

period <strong>of</strong> time from <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> shooting until<br />

completion <strong>of</strong> <strong>the</strong> work.(12.) .{D= ?; Es= fecha de<br />

producción; F= date de production}.<br />

production légère .{F} * see electronic field production<br />

181<br />

(EFP) .{E}.<br />

production monographique .{F} * see monographic item<br />

.{E}.<br />

production number .{E} * A number given <strong>to</strong> a movingimage<br />

production as a means <strong>of</strong> ensuring accuracy in<br />

assigning costs and o<strong>the</strong>r accounting information.<br />

Production numbers may appear on <strong>the</strong> item itself, <strong>the</strong><br />

leader, can, housing, accompanying documentation,<br />

etc.(12.) .{D= ?; Es= número de producción; F= numéro de<br />

production}.<br />

production rolls .{E} * In a motion picture production, a<br />

general term for <strong>the</strong> various types <strong>of</strong> production elements<br />

(film usually wound on<strong>to</strong> cores) before <strong>the</strong>y are cut and<br />

assembled in<strong>to</strong> reels.(12.) .{D= ?; Es= bobinas [rollos] de<br />

producción; F= bobines de production}.<br />

productions journalières .{F}. see dailies (rushes) .{E}.<br />

Produzent .{D} * see producer .{E}.<br />

pr<strong>of</strong>il d'onde .{F} * see wave form .{E}.<br />

pr<strong>of</strong>il de synchronisation .{F} * see synchronization pattern<br />

.{E}.<br />

pr<strong>of</strong>ondeur de champ .{F} * see deep focus; depth <strong>of</strong> field<br />

.{E}.<br />

pr<strong>of</strong>ondeur de foyer .{F} * see depth <strong>of</strong> focus .{E}.<br />

pr<strong>of</strong>undidad de campo .{Es} * see depth <strong>of</strong> field; depth <strong>of</strong><br />

focus .{E}.<br />

pr<strong>of</strong>undidad de foco .{Es} * see depth <strong>of</strong> focus .{E}.<br />

programa .{Es} * see programme .{E;F}.<br />

programa de aplicación .{Es} * see application programme<br />

.{E}.<br />

Programm .{D} * see programme .{E;F}.<br />

programme d'application .{F} * see application programme<br />

.{E}.<br />

projecteur à arc .{F} * see arc lamp .{E}.<br />

projecteur à arc de carbon .{F} * see carrier; carbon-arc<br />

lamps .{E}.<br />

projecteur d'ambiance .{F} * see broad light .{E}.<br />

projecteur d'appoint .{F} * see filler light .{E}.<br />

projecteur de vues fixes .{F} * see diascope .{E}.<br />

projecteur spot .{F} * see baby spot .{E}.<br />

projection arrière .{F} * see back projection .{E}.<br />

projection kinescope .{E} * An improvement over its<br />

predecessor <strong>the</strong> shadow-mask kinescope. An electronic<br />

device used in large screen television systems. The<br />

projection TV set have three very bright tubes, one for<br />

each primary colour. The images on <strong>the</strong> tubes are<br />

enlarged, converged, and focused on<strong>to</strong> a screen by means<br />

<strong>of</strong> an optical system that may employ mirrors, lenses, or<br />

both. Public Service Announcement. 2) Also referred <strong>to</strong> by<br />

its Acronym PSA. .{D= ?; Es= cinescopio de proyección;<br />

F= écran kinescope}.<br />

projet .{F} * see draft .{E}.<br />

projet architectural .{F} * see architectural rendering .{E}.


prolongement .{F} * see extender .{E}.<br />

promo radio .{F} * see radio promo .{E}.<br />

prompter .{E} * Ei<strong>the</strong>r a paper based or electronically<br />

generated system <strong>of</strong> producing <strong>the</strong> program script visually<br />

for <strong>the</strong> performer in a video production <strong>to</strong> read while<br />

maintaining direct eye contact with <strong>the</strong> video camera. Also<br />

referred <strong>to</strong> as telepromter. .{D= ?; Es= apuntador de tex<strong>to</strong>;<br />

F= prompteur}.<br />

prompteur .{F} * see prompter .{E}.<br />

propiedades termoquímicas .{Es} * see <strong>the</strong>rmochemical<br />

properties .{E}.<br />

protection master .{E} * 1) A master positive film used <strong>to</strong><br />

make a new dupe negative if <strong>the</strong> original is damaged; also<br />

called protection print. 2) A duplicate made <strong>of</strong> an<br />

audiovisual document for security purposes; also called a<br />

protection copy.(10.) .{D= ?; Es= 1) copia master de<br />

protección; 2) copia de seguridad; F= élément de sécurité;<br />

master de sécurité; copie de sécurité; marron de sécurité}.<br />

protective layer .{E} * On an optical disc, <strong>the</strong> material<br />

between <strong>the</strong> entry face and <strong>the</strong> recording layer provided<br />

for mechanical protection <strong>of</strong> <strong>the</strong> recording layer <strong>to</strong> de-focus<br />

surface dust and scratches. .{D= Schutzschicht; Es=<br />

recubrimien<strong>to</strong> de protección; F= couche de protection}.<br />

pro<strong>to</strong>cole d'échange d'information .{F} * see information<br />

exchange pro<strong>to</strong>col (IXP) .{E}.<br />

pro<strong>to</strong>colo de intercambio de información .{Es} * see<br />

information exchange pro<strong>to</strong>col (IXP) .{E}.<br />

pro<strong>to</strong>tipo .{Es} * see model .{E}.<br />

pro<strong>to</strong>type .{F} * see mock-up .{E}.<br />

provenance .{E;F} * A record or indication <strong>of</strong> previous<br />

ownership <strong>of</strong> an item. .{D= ?; Es= origen; procedencia}.<br />

proyección .{Es} * see projection .{E;F}.<br />

proyección de una película .{Es} * see screening .{E}.<br />

proyección de una película (en pantalla grande) .{Es} * see<br />

screening .{E}.<br />

proyección por transparencia .{Es} * see back projection<br />

.{E}.<br />

proyec<strong>to</strong>r .{Es} * see projec<strong>to</strong>r .{E}.<br />

proyec<strong>to</strong>r con espejo .{Es} * see overhead projec<strong>to</strong>r .{E}.<br />

proyec<strong>to</strong>r de trayec<strong>to</strong>ria de proyección alta .{Es} * see<br />

overhead projec<strong>to</strong>r .{E}.<br />

prueba AB .{Es} * see AB-test .{E}.<br />

prueba de emisión (por radio) .{Es} * see air check .{E}.<br />

prueba de la velocidad entre surcos .{Es} * see speed<br />

testing grooves .{E}.<br />

prueba de modulación cruzada .{Es} * see crossmodulation<br />

test (cross mod) .{E}.<br />

prueba de residuos de tiosulfa<strong>to</strong> .{Es} * see residual hypo<br />

test .{E}.<br />

prueba de resistencia a la rotura .{Es} * see ultimate<br />

tensile strength .{E}.<br />

prueba de resistencia al estallido del papel .{Es} * see<br />

mullen .{E}.<br />

182<br />

prueba de rotura por tracción .{Es} * see breaking strength<br />

.{E}.<br />

prueba de solubilidad en agua .{Es} * see water spot-test<br />

.{E}.<br />

prueba sobre una superficie con alcohol .{Es} * see<br />

alcohol spot-test .{E}.<br />

pruebas de estabilidad de la lana azul expuesta a la luz<br />

.{Es} * see blue wool light fastness standards .{E}.<br />

Prüfliste .{D} * see checklist .{E}.<br />

PSA .{E} * acronym for Public Service Announcement.<br />

.{D= ?; Es= acrónimo de Anuncio de Servicio de Utilidad<br />

Pública; F= annonce d'utilité publique}.<br />

pseudoscopic stereoscopy .{E} * see stereoscopy.<br />

pseudostereoscopy .{E} * see stereoscopy.<br />

psicoacústico .{Es} * see psychoacoustics .{E}.<br />

psicrómetro .{Es} * see psychrometer .{E}.<br />

psicrómetro de pilas .{Es} * see battery operated<br />

psychrometer .{E}.<br />

psicrómetro gira<strong>to</strong>rio .{Es} * see sling psychrometer .{E}.<br />

PSIG .{E} * acronym for pounds per square inch gauge.<br />

psychoacoustics .{E} * That branch <strong>of</strong> science which<br />

concerns itself with <strong>the</strong> various subjective fac<strong>to</strong>rs involved<br />

in audio acoustics. .{D= Psychoakustik; Es= psicoacústico;<br />

F= psychoacoustique}.<br />

psychoacoustique .{F} * see psychoacoustics .{E}.<br />

Psychoakustik .{D} * see psychoacoustics .{E}.<br />

psychrometer .{E} * A hygrometer used for determining<br />

relative humidity (i.e., <strong>the</strong> amount <strong>of</strong> moisture in <strong>the</strong> air)<br />

which utilizes wet and dry bulb temperature readings<br />

which, when compared with a chart, shows <strong>the</strong> measure <strong>of</strong><br />

dryness <strong>of</strong> <strong>the</strong> surrounding air; see also hygrometer;<br />

recording hygro<strong>the</strong>rmograph; sling psychrome-ter.(45.)<br />

.{D= ?; Es= psicrómetro; F= psychromètre}.<br />

psychromètre .{F} * see psychrometer; sling psychrometer<br />

.{E}.<br />

psychromètre au<strong>to</strong>nome .{F} * see battery operated<br />

psychrometer .{E}.<br />

public service announcement (PSA) .{E} * A short movingimage<br />

or audio production presented by a nonpr<strong>of</strong>it<br />

organization which attempts <strong>to</strong> persuade <strong>the</strong> audience <strong>to</strong><br />

take some specific action or adopt a particular view <strong>to</strong>ward<br />

some service, institution, issue, or cause generally<br />

considered <strong>to</strong> be in <strong>the</strong> public interest.(12.) .{D= ?; Es= ?;<br />

F= annonce de service public}.<br />

Public service responsibility <strong>of</strong> broadcast licencees .{E} *<br />

see Blue Book .{E}.<br />

publication .{E} * see distribution.<br />

publicité clandestine .{F} * see plug .{E}.<br />

publicitée .{F} * see commercial .{E;F}.<br />

puce .{F} * see chip .{E}.<br />

puck .{E} * see pressure roller.<br />

puerta .{Es} * see gate .{E}.


puerta contra incendios .{Es} * see fire door .{E}.<br />

puerta lógica Y .{Es} * see And gate .{E}.<br />

puesta en circulación (de una película) .{Es} * see release<br />

.{E}.<br />

puesta en escena .{Es} * see mise-en-scène .{E;F}.<br />

puesta en fase .{Es} * see phasing .{E}.<br />

puesta en fase horizontal subportadora .{Es} * see SC/H<br />

(1) .{E}.<br />

Puffer .{D} * see buffer .{E}.<br />

puffern .{D} * see buffering .{E}.<br />

Pufferspeicher .{D} * see buffer .{E}.<br />

Pufferung .{D} * see deacidification (neutralization) .{E}.<br />

puisard .{F} * see sump .{E}.<br />

pulgada .{Es} * see inch .{E}.<br />

pulgadas por segundo .{Es} * see inches per second (IPS)<br />

.{E}.<br />

pull-down mechanism .{E} * The apparatus in a motionpicture<br />

camera and/or projec<strong>to</strong>r that controls precisely <strong>the</strong><br />

movement <strong>of</strong> <strong>the</strong> film, pulling one frame in<strong>to</strong> position while<br />

<strong>the</strong> shutter is closed, holding it <strong>the</strong>re while <strong>the</strong> shutter<br />

opens and captures and/or projects <strong>the</strong> image, and <strong>the</strong>n<br />

repeats <strong>the</strong> process for <strong>the</strong> next frame when <strong>the</strong> shutter<br />

closes. .{D= ?; Es= mecanismo trac<strong>to</strong>r; F= mécanisme<br />

d'entraînement et de contrôle de vitesse du film}.<br />

pulsación de postecualización .{Es} * see post-equalizing<br />

pulses .{E}.<br />

pulsación del cuadro de color .{Es} * see colour frame<br />

pulse .{E}.<br />

pulsaciones horizontales de la señal de ataque .{Es} * see<br />

horizontal drive pulses .{E}.<br />

pulsador .{Es} * see key .{E}.<br />

pulsation de désaccentuation .{F} * see post-equalizing<br />

pulses .{E}.<br />

pulsation tansversale .{F} * see pulse cross .{E}.<br />

pulse amplitude modulation (PAM) .{D;E} * An analogue <strong>to</strong><br />

digital conversion method in which <strong>the</strong> amplitudes <strong>of</strong><br />

pulses in a pulse train represent <strong>the</strong> analogue<br />

information.(39.) .{F= modulation à amplitudes<br />

d'impulsions; Es= modulación de impulsos en amplitud;<br />

modulación de amplitud de impulsos}.<br />

pulse code modulation (PCM) .{D;E} * An analogue <strong>to</strong><br />

digital conversion method in which <strong>the</strong> analogue signal is<br />

sampled at a rate equal <strong>to</strong> at least twice <strong>the</strong> maximum<br />

signal frequency component, and <strong>the</strong> sampled value is<br />

represented by a fixed-length binary number, <strong>the</strong> binary<br />

number <strong>the</strong>n being transmitted as a corresponding set <strong>of</strong><br />

pulses.(10.) .{F= modulation à impulsions codées (MIC);<br />

Es= código de impulsos}.<br />

pulse cross .{E} * see cross pulse. .{D= ?; Es= cruce de<br />

impulsos; impulso transversal; F= pulsation tansversale;<br />

impulsion transversale}.<br />

pulse number modulation (PNM) .{D;E} * An analogue <strong>to</strong><br />

digital conversion method in which <strong>the</strong> number <strong>of</strong> pulses in<br />

a pulse train represents <strong>the</strong> analogue information.39. .{F=<br />

modulation sur le nombre d'impulsions; Es= modulación<br />

183<br />

de impulsos en número}.<br />

pulse parameter modulation .{D;E} * The general type <strong>of</strong><br />

modulation in which information is encoded by pulse<br />

representation.39. .{F= modulation sur paramètres<br />

d'impulsions; Es= modulación del parámetro de impulsos}.<br />

pulse position modulation (PPM) .{D;E} * An analogue <strong>to</strong><br />

digital conversion method in which <strong>the</strong> positions <strong>of</strong> pulses<br />

in a pulse train represent <strong>the</strong> analogue information.39. .{F=<br />

modulation à positions d'impulsions; Es= modulación por<br />

posición de impulsos}.<br />

punched paper tape .{E} * 1) A strip <strong>of</strong> paper used for<br />

s<strong>to</strong>ring information by <strong>the</strong> calculated placement <strong>of</strong><br />

punched holes.(10.) 2) In motion picture processing, <strong>the</strong><br />

tape used <strong>to</strong> initiate light changes in <strong>the</strong> printing process.<br />

.{D= ?; Es= cinta de papel perforada; F= bande perforée}.<br />

punched tape .{E} * see punched paper tape.<br />

punta cortada .{Es} * see truncated stylus .{E}.<br />

pun<strong>to</strong> de acceso .{Es} * see access point .{E}.<br />

pun<strong>to</strong> de acceso adicional .{Es} * see added entry .{E}.<br />

pun<strong>to</strong> de condensación .{Es} * see dew point .{E}.<br />

pun<strong>to</strong> de flotación .{Es} * see floating point .{E}.<br />

pun<strong>to</strong> de fluidez .{Es} * see pounds per point .{E}.<br />

pun<strong>to</strong> de partida para revisar (audio y vídeo) .{Es} * see<br />

cue point .{E}.<br />

pun<strong>to</strong> del haz de electrones .{Es} * see aperture (4) .{E}.<br />

punzar .{Es} * see punch .{E}.<br />

pupitre de mélange vidéo .{F} * see switcher .{E}.<br />

purpur .{D} * see magenta .{E;F}.<br />

push processing .{E} * see<br />

q --q<br />

channel .{E} * When referring <strong>to</strong> <strong>the</strong> television signal, it<br />

is correctly written as "Q". .{D= ?; Es= canal q; F= canal q}.<br />

Q channel .{E} * 1) The band <strong>of</strong> frequencies used <strong>to</strong><br />

transmit <strong>the</strong> red and green colour television information. 2)<br />

One <strong>of</strong> <strong>the</strong> eight compact disc subcode channels (p-w),<br />

this used <strong>to</strong> carry <strong>the</strong> main control and display information.<br />

It identifies tracks, indices, running times, and absolute<br />

playing time <strong>of</strong> <strong>the</strong> disc. It also indicates whe<strong>the</strong>r <strong>the</strong><br />

recorded information is audio or o<strong>the</strong>r, whe<strong>the</strong>r preemphasis<br />

is applied, and whe<strong>the</strong>r digital copying is<br />

permitted. It includes its own cyclic redundancy check.(10.)<br />

.{D= ?; Es= canal Q; F= canal Q}.<br />

QC .{E} * acronym for quality control.<br />

QCI .{E} * acronym for quality control inspection. .{D= ?;<br />

Es= Inspección del Control de Calidad; F= Inspection de<br />

contrôle qualité}.<br />

QI .{E} * acronym for quality index.<br />

quad .{E;F} * abbreviation for quadruplex. .{D= ?; Es=<br />

cuádruple; F= quadruplex}.<br />

quadraphonic .{E} * System <strong>of</strong> recording and reproducing<br />

sound using four separate channels and four separate<br />

loudspeakers in an attempt <strong>to</strong> recreate a 360 degree<br />

sound field around <strong>the</strong> listener.04. .{D= quadrophon; Es=<br />

cuadrafónico; F= quadrophonique}.


quadrophonic .{E} * see quadraphonic .{E}.<br />

quadruplex .{F} * see also quad .{E}.<br />

Qualitätskontrolle .{D} * see quality control (QC) .{E}.<br />

qualité d'archivage .{F} * see archival quality .{E}.<br />

quality control (QC) .{E} * The series <strong>of</strong> tests and<br />

measurements used <strong>to</strong> maintain acceptable <strong>to</strong>lerances -for<br />

example, those <strong>of</strong> discs in mass production, or <strong>of</strong><br />

transfer quality in preservation re-recordi-ng. .{D=<br />

Qualitätskontrolle; Es= control de calidad; F= contrôle (de<br />

la) qualité (CQ)}.<br />

quality index .{E} * For micropho<strong>to</strong>graphy, <strong>the</strong> subjective<br />

relationship between legibility <strong>of</strong> printed text and <strong>the</strong><br />

resolution pattern resolved in a microimage.(40.) .{D= ?;<br />

Es= índice de calidad; F= indice de qualité (micropho<strong>to</strong>)}.<br />

quantification .{F} * see quantization .{E}.<br />

Quantisierung .{D} * see quantization .{E}.<br />

Quantisierungsfehler .{D} * see quantization error .{E}.<br />

quantization .{E} * In analogue <strong>to</strong> digital conversion, <strong>to</strong><br />

assign one <strong>of</strong> a fixed set <strong>of</strong> values <strong>to</strong> an analogue signal<br />

as part <strong>of</strong> an analogue <strong>to</strong> digital conversion process. For<br />

example, in pulse code modula-tion, an analogue signal is<br />

sampled and quantized, and a correspond-ing set <strong>of</strong> binary<br />

pulses is produced; also called quantizing.(10.) .{D=<br />

Quantisierung; Es= cuantificación; F= quantification}.<br />

quantization error .{E} * The dis<strong>to</strong>rted sound caused in<br />

digital audio recording due <strong>to</strong> aliasing problems.(10.) .{D=<br />

Quantisierungsfehler; Es= error de cuantificación; F=<br />

erreur de quantification}.<br />

quart de piste .{F} * see quarter-track .{E}.<br />

quarter wave plate (QWP) .{E} * An optical component<br />

used in some LASER pickups <strong>to</strong> shift <strong>the</strong> plane <strong>of</strong> polarization<br />

<strong>of</strong> <strong>the</strong> LASER light.39. .{D= ?; Es= placa de<br />

cuar<strong>to</strong> de onda; F= lame quart d'onde}.<br />

quarter-track .{E} * An audio magnetic tape format in which<br />

<strong>the</strong>re are four separate tracks on magnetic tape. The tape<br />

runs from left <strong>to</strong> right and <strong>the</strong> <strong>to</strong>p track is usually recorded<br />

first, and <strong>the</strong>n <strong>the</strong> third. To record <strong>the</strong> o<strong>the</strong>r two tracks <strong>the</strong><br />

tape is turned upside down and once again fed left <strong>to</strong> right.<br />

For stereo, <strong>the</strong> first and third tracks are recorded at <strong>the</strong><br />

same time, using a stacked head (one with both gaps in<br />

line). Quarter track recording has a signal <strong>to</strong> noise ratio<br />

which is poorer than that <strong>of</strong> half-track or full track recording<br />

in proportion <strong>to</strong> <strong>the</strong> relative tape widths. 4-channel stereo<br />

uses all four tracks in <strong>the</strong> same direction. Quarter track<br />

tape is primarily intended for <strong>the</strong> consumer market (home<br />

use); also known as four track.(04.) .{D= Viertelspur; Es=<br />

cuar<strong>to</strong> de pista; F= quart de piste; quatre pistes}.<br />

quarter-track recording .{E} * see four-track recording.<br />

quatre pistes .{F} * see quarter-track .{E}.<br />

quebradizo .{Es} * see brittle .{E}.<br />

quedar en forma de rollo .{Es} * see core set .{E}.<br />

Querspuraufzeichnung .{D} * see quadruplex .{E;F}.<br />

Querverschiebung .{D} * see pop-stranding .{E}.<br />

quiescent noise .{E} * The sound <strong>of</strong> an audio system in a<br />

static condition; that is, with no applied signal.(04.) .{D= ?;<br />

Es= ruido estático; F= bruit au repos}.<br />

quietschen .{D} * see squeal .{E}.<br />

184<br />

quitar de una colección una adquisición previa .{Es} * see<br />

deaccession .{E}.<br />

QWP .{E} * acronym for quarter wave plate.<br />

r ---<br />

r channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present allocated <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal r; F= canal r}.<br />

R/H .{E} * acronym for relative humidity.<br />

R-DAT .{E} * acronym for rotary head digital audiotape.<br />

rabotage .{F} * see shaving .{E}.<br />

raboter .{F} * see shaver .{E}.<br />

raccommodage .{F} * see mending .{E}.<br />

racine .{F} * see radix .{E}.<br />

rack .{E;F} * 1) A cabinet used for mounting electronic<br />

equipment. 2) A turret used <strong>to</strong> hold camera lenses. 3) The<br />

process <strong>of</strong> threading film through a camera or projec<strong>to</strong>r. 4)<br />

A combination <strong>of</strong> <strong>the</strong> film rollers, or spools, drive<br />

assemblies, rods, frame mechanism, and o<strong>the</strong>r pertinent<br />

hardware that is put <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> make a spiral path <strong>of</strong><br />

specific length for film that is <strong>to</strong> be immersed in a<br />

processing tank.(09.10.) 5) The action that a camera<br />

opera<strong>to</strong>r performes in rotating <strong>the</strong> lens turret on a video<br />

camera. .{D= 1) Gestell; 2 - 4) ?; Es= 1) armario metálico;<br />

2) bastidor; chasis; 3) estirado de la película; 4)<br />

portapelícula (bastidor); F= 1) chassis; 2) <strong>to</strong>urelle 3) portefilm<br />

4) ?<br />

rack focusing .{E} * A pho<strong>to</strong>graphic technique using a<br />

shallow focus (shallow depth <strong>of</strong> field) in which <strong>the</strong> focus is<br />

pulled <strong>to</strong> change <strong>the</strong> focus plane and <strong>the</strong>refore <strong>the</strong><br />

attention <strong>of</strong> <strong>the</strong> viewer, usually rapidly several times in <strong>the</strong><br />

shot; see also focus pull; focus plane.(30.) .{D= ?; Es=<br />

cambio rápido del plano focal; F= procédé de changement<br />

de mise au point pendant le <strong>to</strong>urnage}.<br />

radiación ultravioleta (UV) .{Es} * see ultraviolet radiation<br />

.{E}.<br />

radial <strong>to</strong>tal truncated run out (TIR) .{E} * Maximum peak-<strong>to</strong>peak<br />

radial displacement (micrometres) <strong>of</strong> any track on <strong>the</strong><br />

recording layer.46. .{D= ?; Es= máximo desplazamien<strong>to</strong><br />

radial cresta a cresta de cualquier pista de la superficie de<br />

grabación; F= ?}.<br />

radial tracking error .{E} * A mea-surement <strong>of</strong> an optical<br />

disc player's radial tracking servo signal, used <strong>to</strong><br />

determine <strong>to</strong>lerance for disc flat-ness.39. .{D= radialer<br />

Abtastfehler; Es= error de grabación de pista; F= erreur de<br />

suivi de piste}.<br />

radialer Abtastfehler .{D} * see radial tracking error .{E}.<br />

radiant flux .{E} * The radiant energy emitted or received<br />

by a surface in a unit <strong>of</strong> time. It is measured in fractions <strong>of</strong><br />

a watt, usually microwatts.25. .{D= ?; Es= flujo energético;<br />

F= flux radiant; flux énergétique}.<br />

radiation ultra violet .{F} * see ultraviolet radiation .{E}.<br />

radio frequency (RF) .{E} * That part <strong>of</strong> <strong>the</strong> general<br />

frequency spectrum between audible sound and infrared<br />

light (about 10 kHz <strong>to</strong> 10,000,000 mHz).16. .{D= ?; Es=<br />

radi<strong>of</strong>recuencia; F= fréquence radio; fréquence radioélectrique}.<br />

radio network .{E} * see network.<br />

radio promo .{E} * A short message intended for radio


oadcast, advertising a radio programme.(12.) .{D= ?;<br />

Es= anuncio; radiopromo; F= promo radio; annonce}.<br />

radio station .{E} * see broadcast station.<br />

radiocast .{E} * see broadcast.<br />

radiodiffusion .{F} * see broadcast .{E;F}.<br />

radi<strong>of</strong>recuencia .{Es} * see radio frequency (RF) .{E}.<br />

radiografía .{Es} * see radiograph .{E}.<br />

radiograph .{E} * A pho<strong>to</strong>graph produced by <strong>the</strong> passage<br />

<strong>of</strong> radiation, such as X-rays, gamma-rays, or neutrons,<br />

through an opaque object.03. .{D= ?; Es= radiografía; F=<br />

radiographie}.<br />

radiographie .{F} * see radiograph .{E}.<br />

radiopromo .{Es} * see radio promo .{E}.<br />

radix .{E} * The number <strong>of</strong> symbols used in a number<br />

system.52. .{D= ?; Es= raíz; base; F= racine}.<br />

ráfaga múltiple .{Es} * see multiburst .{E}.<br />

rafale (signal test vidéo) .{F} * see multiburst .{E}.<br />

raideur .{F} * see stiffness .{E}.<br />

rail (de travelling) .{F} * see track .{E}.<br />

rain .{E} * 1) A television interference pattern consisting <strong>of</strong><br />

small vertical marks. 2) The vertical scratches on film; see<br />

also cinch marks; cinching.(10.) .{D= Regen; Es= lluvia;<br />

efec<strong>to</strong> de lluvia; F= effet de pluie; pluie (dis<strong>to</strong>rsion de<br />

l'image); rayures}.<br />

raíz .{Es} * see radix .{E}.<br />

ralenti .{F} * see slow motion; slow-scan .{E}.<br />

ralentí .{Es} * see Slo-mo; slow motion .{E}.<br />

RAM .{Es} * see random access memory (RAM) .{E}.<br />

RAMP .{E} * acronym for Records and Archives<br />

Management Programme.<br />

rampe .{F} * see float .{E}.<br />

Rand .{D} * see rim .{D;E}.<br />

random access .{E} * A means <strong>of</strong> locating and using data<br />

on an audiovisual carrier without audition or viewing<br />

surrounding signals.(35.) .{D= ?; Es= acceso alea<strong>to</strong>rio; F=<br />

accès aléa<strong>to</strong>ire}.<br />

random access memory (RAM) .{E} * 1) A memory chip<br />

used with microprocessors with which information can be<br />

read from and written in<strong>to</strong> <strong>the</strong> memory, but <strong>the</strong> contents<br />

are lost when <strong>the</strong> power supply is removed. 2) Any form <strong>of</strong><br />

s<strong>to</strong>rage in which <strong>the</strong> access time for any item <strong>of</strong> data is<br />

independent <strong>of</strong> <strong>the</strong> location <strong>of</strong> <strong>the</strong> data most recently<br />

obtained.(10.) .{D= ?; Es= memoria de acceso alea<strong>to</strong>rio;<br />

F= mémoire à accès aléa<strong>to</strong>ire}.<br />

random bit error .{E} * An error in a digital data stream in<br />

which only a few bits are lost. Such ge .{E}.<br />

ranura gruesa .{Es} * see coarse groove .{E}.<br />

ranura rugosa .{Es} * see coarse groove .{E}.<br />

ranura <strong>to</strong>sca .{Es} * see coarse groove .{E}.<br />

rapide .{F} * see fast .{E}.<br />

185<br />

rapide .{F}. sensible .{F}. see fast .{E}.<br />

rápido .{Es} * see fast .{E}.<br />

rapport (amplitude onde) porteuse sur bruit .{F} * see<br />

carrier-<strong>to</strong>-noise ratio (CNR) .{D;E}.<br />

rapport d'erreurs .{F} * see error ratio .{E}.<br />

rapport de brillance .{F} * see brightness range .{E}.<br />

rapport de réduction .{F} * see reduction ratio .{E}.<br />

rapport de Strehl (optique) .{F} * see Strehl ratio .{E}.<br />

rapport hauteur/largeur de l'image .{F} * see aspect ratio<br />

.{E}.<br />

rapport signal .{F} * see dynamic range .{E}.<br />

rapport signal sur erreurs .{F} * see signal-<strong>to</strong>-error ratio<br />

(SE) .{E}.<br />

rapport signal-bruit .{F} * see signal-<strong>to</strong>-noise ratio (S/N)<br />

.{E}.<br />

rare item .{E} * A desirable item (book, record, film, et al.),<br />

sufficiently difficult <strong>to</strong> find that it seldom, or at least only<br />

occasionally, becomes available. .{D= ?; Es= documen<strong>to</strong><br />

raro [único, precioso]; F= document rare}.<br />

rasguño .{Es} * see scrape .{E}.<br />

raspado .{Es} * see shaving .{E}.<br />

raspador (operario) .{Es} * see shaver .{E}.<br />

raspaduras de emulsión y mugre .{Es} * see buildup (3)<br />

.{E}.<br />

raster .{E} * The illuminated area <strong>of</strong> a CRT produced by <strong>the</strong><br />

scanning lines. .{D= ?; Es= trama; cuadrícula; entramado;<br />

F= plage balayée; partie visible de l'image TV}.<br />

raster graphics .{E} * Graphics based on a raster display<br />

in which <strong>the</strong> electron beam <strong>of</strong> <strong>the</strong> CRT scans each line in<br />

turn, illuminating only those points (pixels) where<br />

information is found. .{D= ?; Es= gráficas de tramas; F=<br />

graphiques de trames}.<br />

rastreo .{Es} * see tracing .{E}.<br />

Raubpressung .{D} * see piracy .<br />

Rauschpegel .{D} * see noise floor .{E}.<br />

Rauschunterdrückungssystem .{D} * see noise reduction<br />

.{E}.<br />

Rauschunterdrückung .{D} * see noise reduction .{E}.<br />

Rauschverminderer .{D} * see noise reduction .{E}.<br />

raw s<strong>to</strong>ck .{E} * Unexposed, unprocessed, and/or<br />

unrecorded pho<strong>to</strong>graphic film, pho<strong>to</strong>graphic paper,<br />

magnetic tape, or o<strong>the</strong>r recording material.(06.) .{D=<br />

Rohmaterial; Es= material virgen; F= pellicule vierge; film<br />

vierge}.<br />

rayado .{Es} * see scratch .{E}.<br />

rayado por aguja .{Es} * see needle run (NR) .{E}.<br />

rayo de luz .{Es} * see beam .{E}.<br />

rayon .{F} * see beam .{E}.<br />

rayonnage .{F} * see shelving .{E}.


ayonnage dense .{F} * see compact shelving .{E}.<br />

rayur * see scratch; .{E}.<br />

rayur{F} * see scratch removal; abrasion marks .{E}.<br />

rayures .{F} * see rain .{E}.<br />

rayures verticales .{F} * see lap marks .{E}.<br />

razón de estallido .{Es} * see burst ratio .{E}.<br />

RCA plug .{E} * see phono plug.<br />

ré-édition .{F} * see rerelease/reissue .{E}.<br />

ré-embobinage .{F} * see rewinding .{E}.<br />

ré-exposition .{F} * see burned-in .{E}.<br />

re-pressing .{E} * In commercial record production, an<br />

additional pressing <strong>of</strong> recordings usually from <strong>the</strong> same<br />

stamper as <strong>the</strong> original pressing, although occasionally a<br />

different or duplicate stamper may be used. Such<br />

recordings may differ from <strong>the</strong> original pressings by having<br />

different labels, different logos, different imprints, different<br />

composition <strong>of</strong> materials, different recorded work/s on <strong>the</strong><br />

alternate side/s, and/or different packaging.(04.) .{D=<br />

?;Es= nuevo prensado; F= nouveau pressage}.<br />

reaction shot .{E} * A moving-image shot which cuts away<br />

from <strong>the</strong> main scene in order <strong>to</strong> show <strong>the</strong> reaction <strong>of</strong> a<br />

character <strong>to</strong> it; see also cut-away.(30.) .{D= ?; Es= plano<br />

de reacción; contracampo; plano de corte; F= plan de<br />

réaction; contrechamp; plan de coupe}.<br />

read .{E} * The non-destructive retrieval <strong>of</strong> data from a<br />

medium. .{D= resen; wiedergeben; Es= leer; dar lectura;<br />

descifrar; F= lire}.<br />

read-only-memory (ROM) .{E} * A memory from which<br />

data, after initial s<strong>to</strong>rage, may only be read. .{F= mémoire<br />

à lecture seule; Es= memoria ROM; memoria de lectura<br />

solamente / memoria de da<strong>to</strong>s fijos}.<br />

read-write-erase head .{E} * A three-gap magnetic head<br />

(read, write, and erase gaps) on one body (sometimes <strong>the</strong><br />

erase head is bolted <strong>to</strong> <strong>the</strong> read-write head).(46.) .{D= ?;<br />

Es= cabez borradora de lectura y escritura; F= tête<br />

d'écriture-lecture}.<br />

reader .{E} * 1) A generic term for a person who uses<br />

library/archive materials regardless <strong>of</strong> how <strong>the</strong> medium<br />

<strong>the</strong>y are consulting are accessed; also known as user,<br />

researchers, and --dependent upon <strong>the</strong> type <strong>of</strong> materials<br />

being accessed-- as listener or viewer.(22.) 2) An<br />

electronic device that takes <strong>the</strong> time code signal and<br />

resolves it in<strong>to</strong> <strong>the</strong> 80-bit code word in videotape editing.<br />

.{D= Benützer; Es= 1) lec<strong>to</strong>r; investigador; usario; 2)<br />

máquina lec<strong>to</strong>ra; F= chercheur; lecteur}.<br />

reader (micr<strong>of</strong>iche, -film, - form) .{E} * see micr<strong>of</strong>orm<br />

reader.<br />

reader/printer .{E} * A micr<strong>of</strong>ilm/fiche reader that has a<br />

hard copy printer attached <strong>to</strong> produce hard copies <strong>of</strong> <strong>the</strong><br />

data on <strong>the</strong> micr<strong>of</strong>ilm/fiche.(22.) .{D= Lese- und<br />

Rückvergrößerungsgerät; Es= apara<strong>to</strong> lec<strong>to</strong>r-impresor; F=<br />

lecteur/reproducteur de micr<strong>of</strong>ormes}.<br />

reading file .{E} * see chronological file.<br />

real image .{E} * In optics, an image <strong>of</strong> an object formed by<br />

converging light rays, which exists where it appears <strong>to</strong> be;<br />

see also virtual image.01. .{D= ?; Es= imagen real; F=<br />

image réelle}.<br />

real-time .{E} * Operation which is perceived <strong>to</strong> be<br />

186<br />

instantaneous <strong>to</strong> a user.39. .{D= Realtime; Es= tiempo<br />

real; F= en temps réel}.<br />

real-time operating system (RTOS) .{E} * An operating<br />

system for optical disc systems with real-time<br />

interaction.39. .{D= ?; Es= sistema de operación en tiempo<br />

real; F= opérations en temps réel (disques optiques)}.<br />

realce de imagen .{Es} * see image enhancement .{E}.<br />

realia .{E} * Three-dimensional objects such as museum<br />

materials, dioramas, models and samples.19. .{D= ?; Es=<br />

obje<strong>to</strong> en tres dimensiones; F= ?}.<br />

réalisateur .{F} * see direc<strong>to</strong>r .{E;Es}.<br />

réalisation d'une matrice .{F} * see matrixing .{E}.<br />

realism .{E} * In moving-image productions, that attitude<br />

opposed <strong>to</strong> expressionism which emphasizes <strong>the</strong> subject<br />

as opposed <strong>to</strong> <strong>the</strong> direc<strong>to</strong>r. Usually concerns <strong>to</strong>pics <strong>of</strong> a<br />

socially conscious nature, uses a minimal amount <strong>of</strong> 'technique';<br />

see also neorealism. .{D= ?; Es= realismo; F=<br />

réalisme}.<br />

réalisme .{F} * see realism .{E}.<br />

réalisme extrême ? .{F} * see minimal cinema .{E}.<br />

realismo .{Es} * see realism .{E}.<br />

realismo (cine) .{Es} * see minimal cinema .{E}.<br />

realización .{Es} * see implementation .{E;F}.<br />

Realtime .{D} * see real-time .{E}.<br />

realzador de imagen .{Es} * see image enhancer .{E}.<br />

rear projection .{E} * see back projection.<br />

rebobinado .{Es} * see rewinding; wind .{E}.<br />

reborde .{Es} * see flange .{E}; pitch (2) .{E}.<br />

recadrage .{F} * see crop .{E}.<br />

receiver .{E} * A term used <strong>to</strong> indicate an electronic device<br />

which receives ei<strong>the</strong>r broadcast radio or television signals.<br />

.{D= ?; Es= recep<strong>to</strong>r; F= récepteur}.<br />

receiving system .{E} * An information processing system<br />

which can read a set <strong>of</strong> files from a volume set which has<br />

been created by ano<strong>the</strong>r system for <strong>the</strong> purpose <strong>of</strong> data<br />

interchange.20. .{D= ?; Es= sistema recep<strong>to</strong>r; F= système<br />

de réception; système récepteur}.<br />

recepción vía satélite .{Es} * see downlink .{E}.<br />

receptáculo .{Es} * see pocket .{E}.<br />

récepteur .{F} * see receiver .{E}.<br />

récepteur témoin .{F} * see moni<strong>to</strong>r .{D;E}.<br />

récepteur témoin .{F} * see moni<strong>to</strong>r .{D;E}.<br />

réception .{F} * see downlink .{E}.<br />

recep<strong>to</strong>r .{Es} * see receiver .{E}.<br />

recep<strong>to</strong>r-transmisor .{Es} * see transponder .{E}.<br />

recherche documentaire .{F} * see information retrieval<br />

.{E}.<br />

recherche documentaire .{F} * see retrieval .{E}.


Recherche .{D} * see retrieval .{E}.<br />

rechtlicher Wert .{D} * see legal value .{E}.<br />

recipiente .{Es} * see bin .{E}.<br />

recipiente estanco .{Es} * see seal pot .{E}.<br />

reciprocidad .{Es} * see reciprocity .{E}.<br />

réciprocité .{F} * see reciprocity .{E}.<br />

reciprocity .{E} * The relationship between light intensity<br />

and exposure time with respect <strong>to</strong> <strong>the</strong> amount <strong>of</strong> exposure<br />

received by film. .{D= ?; Es= reciprocidad; F= réciprocité}.<br />

reciprocity effect .{E} * The phenomenon in film exposure<br />

and processing by which <strong>the</strong> relationship between exposure<br />

time and light intensity is nei<strong>the</strong>r constant nor linear.<br />

.{D= ?; Es= efec<strong>to</strong> de reciprocidad; F= effet de réciprocité}.<br />

reciprocity law .{E} * A principle <strong>of</strong> film exposure and<br />

processing that exposure equals intensity <strong>of</strong> light striking<br />

emulsion multi-plied by exposure time (e=it). .{D= ?; Es=<br />

ley de reciprocidad; F= loi de réciprocité}.<br />

recogida electrónica de noticias .{Es} * see electronic<br />

news ga<strong>the</strong>ring (ENG) .{E}.<br />

Recogida Electrónica de Noticias .{Es} * see ENG .{E}.<br />

recompilador .{Es} * see compiler .{E}.<br />

recon .{E} * abbreviation for retrospective conversion.<br />

reconditioning .{E} * Treatment <strong>of</strong> positive film prints with<br />

<strong>the</strong> object <strong>of</strong> removing oil, scratches, and/or abrasions<br />

from <strong>the</strong> surface.(06.) .{D= Regeneration; Es=<br />

regeneración; F= régénération; F/B =renovation}.<br />

reconstitution grandeur nature .{F} * see mock-up .{E}.<br />

recopilación .{Es} * see compilation .{E;F}.<br />

record .{E} * 1) An accumulation <strong>of</strong> information, regardless<br />

<strong>of</strong> form or medium created, received and maintained by an<br />

agency, institution, organization. 2) To register sound<br />

and/or video, as on a grooved disc or cylinder, on a<br />

magnetic tape, or on o<strong>the</strong>r media, so that it can be<br />

reproduced. 3) The artifact resulting from registering<br />

sound; also known as a sound recording. 4) To document,<br />

as on a graph. 5) In computer data processing, a unit <strong>of</strong><br />

data forming <strong>the</strong> basic element <strong>of</strong> a file and consisting, in<br />

turn, <strong>of</strong> a number <strong>of</strong> inter-lated data fields.(22.20.) .{D= 1)<br />

Dokument; Registraturgut; Schriftgut; 2) aufnahmen; 3)<br />

Aufnahme; Schallplatte; Bericht; Tonaufzeichnung; 4) ?; 5)<br />

Datensatz; Es= 1) archivo; documen<strong>to</strong>; testimonio; 2 y 3)<br />

disco; cinta (sonoros); grabación sonora; impresión<br />

sonora; 4) registro (de da<strong>to</strong>s); 5) da<strong>to</strong>/s; F= 1) documents<br />

d'archives; archives; 2/3) enregistrement sonore; 5)<br />

enregistrement}.<br />

record changer .{E} * A mechanism for playing audio discs<br />

au<strong>to</strong>matically; also known as a changer. .{D=<br />

Plattenwechsler; Es= <strong>to</strong>cadiscos au<strong>to</strong>mático; cambiador<br />

de discos; F= changeur de disc}.<br />

record label .{E} * see label.<br />

record margin .{E} * In magnetic tape, <strong>the</strong> change in<br />

signal-<strong>to</strong>-noise ratio achieved by reducing <strong>the</strong> record level<br />

from optimum while maintaining <strong>the</strong> reproduce level<br />

constant <strong>to</strong> reach a specific bit error rate.(46.) .{D= ?; Es=<br />

reducción de ruido; F= réduction de bruit (enr. mag.<br />

numérique)}.<br />

record <strong>of</strong>fice .{E} * see archives.<br />

187<br />

record series .{E} * In archives, a group <strong>of</strong> records<br />

maintained as a unit because <strong>the</strong>y relate <strong>to</strong> a particular<br />

subject or function, result from <strong>the</strong> same activity, have a<br />

particular form, or because <strong>of</strong> some o<strong>the</strong>r relationship<br />

arising out <strong>of</strong> <strong>the</strong>ir creation, receipt, or use, and intended<br />

<strong>to</strong> be kept <strong>to</strong>ge<strong>the</strong>r in a definite arrange-ment.40. .{D= ?;<br />

Es= unidad de registros [grabaciones]; F= unité<br />

d'enregistrements; séries des disques}.<br />

recorder .{E} * 1) A device for making a record, such as for<br />

incising a pattern <strong>of</strong> analogue sound waves in a groove on<br />

a disc, cylinder, or o<strong>the</strong>r recording media (also known as<br />

a cutter) or for placing magnetic charges in<strong>to</strong> magnetic<br />

media. 2) The person who makes a recording. 3) The<br />

pieces <strong>of</strong> equipment on an acoustic recording machine<br />

which receives <strong>the</strong> sound waves directed <strong>to</strong> it by a<br />

recording horn, and which, in turn, directed <strong>the</strong> vibrations<br />

on<strong>to</strong> a diaphragm <strong>to</strong> which was attached, directly or<br />

remotely, a cutting stylus.(14.) .{D= 1) Aufnahmegerät; 2 -<br />

3) ?; Es= registro; apara<strong>to</strong> de registro; técnico de registro;<br />

F= appareil enregistreur; enregisteur}.<br />

recording channel .{E} * see channel.<br />

recording head .{E} * A device on a magnetic tape recorder<br />

which converts signals from a source <strong>to</strong> magnetic fields<br />

that magnetize <strong>the</strong> oxide particles on magnetic tape, thus<br />

'recording' <strong>the</strong> impulse on<strong>to</strong> <strong>the</strong> tape.(04.) .{D=<br />

Aufnahmekopf; Sprechkopf; Es= cabeza registradora<br />

[grabadora]; F= tête d'enregistrement}.<br />

recording horn .{E} * A conical device, without bell or flare,<br />

made <strong>of</strong> a heavier gauge metal than for <strong>the</strong> reproducing<br />

horn, used <strong>to</strong> direct <strong>the</strong> sound <strong>to</strong> <strong>the</strong> recorder and, hence,<br />

<strong>to</strong> <strong>the</strong> diaphragm for an acoustical recording.(14.) .{D=<br />

Aufnahmetrichter; Es= palanquita de registro [grabación];<br />

trompa [bocina] de registro [grabación]; F= pavillon<br />

d'enregistrement}.<br />

recording hygro<strong>the</strong>rmograph .{E} * A device for measspecified<br />

period, normally 24 hours, seven days, or 30<br />

days. The charts are divided in<strong>to</strong> two fields, one for<br />

recording temperature and <strong>the</strong> o<strong>the</strong>r for relative<br />

humidity.(07.) .{D= ?; Es= termohigrógrafo registrador (de<br />

da<strong>to</strong>s); F= <strong>the</strong>rmohydrographe}.<br />

recording layer .{E} * In optical digital disc media, <strong>the</strong> layer<br />

on or in which <strong>the</strong> digital data is recorded.46. .{D=<br />

Aufnahmeschicht; Es= capa [recubrimien<strong>to</strong>] de registro; F=<br />

couche d'enregistrement}.<br />

recording session .{E} * The meeting or series <strong>of</strong> meetings<br />

at which a given recording is made. .{D= Aufnahmesitzung;<br />

Es= sesión de grabación; F= session d'enregistrement;<br />

scéance d'enregistrement}.<br />

recording stylus .{E} * see stylus.<br />

recording tube .{E} * A flexible tube <strong>of</strong> about 15-inches in<br />

length with a vulcanite mouthpiece used for speaking as<br />

directly as possible in<strong>to</strong> <strong>the</strong> recording apparatus <strong>of</strong> cylinder<br />

machines.(14.) .{D= ?; Es= tubo de registro [grabación];<br />

F= tube d'enregistrement}.<br />

recording zone .{E} * An annular (e.g., a thin outer ring)<br />

subset <strong>of</strong> <strong>the</strong> optical beam accessible zone <strong>of</strong> an optical<br />

disc available <strong>to</strong> <strong>the</strong> user for data s<strong>to</strong>rage.(46.) .{D= ?; Es=<br />

zona de grabación [registro]; F= zone d'enregistrement}.<br />

Recording Industry Association <strong>of</strong> America (RIaa)<br />

.{D;E;Es;F} * A non-pr<strong>of</strong>it trade association founded in<br />

1952 <strong>to</strong> work for <strong>the</strong> interests and betterment <strong>of</strong> <strong>the</strong> sound<br />

recording industry in <strong>the</strong> United States. Members are<br />

companies which create, manufacture, and market sound<br />

recordings; established <strong>the</strong> RIAA curve.(04.)<br />

records centre container/car<strong>to</strong>n .{E} * A corrugated<br />

cardboard box designed <strong>to</strong> hold one cubic foot <strong>of</strong> records,


ei<strong>the</strong>r legal or letter size, and used chiefly in records<br />

centres.07. .{D= ?; Es= ycaja; contenedor de<br />

almacenamien<strong>to</strong> de grabaciones (discos; cintas); F=<br />

boîte/car<strong>to</strong>n de s<strong>to</strong>ckage de disques}.<br />

recortar .{Es} * see crop .{E}.<br />

recourbé .{F} * see buckle .{E}.<br />

recouvrement .{F} * see crossover .{E}.<br />

rectificación de error .{Es} * see error correction .{E}.<br />

rectificación de errores .{Es} * see error detection and<br />

correction .{E}; error detection and correction code (EDDC)<br />

.{E}.<br />

recubr-halo .{Es} * see rem jet .{E}.<br />

recubrimien<strong>to</strong> (magnético o en disolución) .{Es} * see<br />

stripe .{E}.<br />

recubrimien<strong>to</strong> de protección .{Es} * see protective layer<br />

.{E}.<br />

recubrimien<strong>to</strong> de registro .{Es} * see recording layer .{E}.<br />

recubrimien<strong>to</strong>s conductivas .{Es} * see conductive<br />

coatings .{E}.<br />

recuperación de la información .{Es} * see information<br />

retrieval .{E}.<br />

recuperación de la plata .{Es} * see silver recovery .{E}.<br />

recuperación documental .{Es} * see retrieval .{E}.<br />

récupération de l'argent .{F} * see silver recovery .{E}.<br />

recycled vinyl .{E} * Vinyl made in a range <strong>of</strong> qualities from<br />

previously used polyvinyl materials. .{D= ?; Es= vinilo<br />

reciclado; F= vinyle recyclé}.<br />

red .{Es} * see network .{E}.<br />

red difrac<strong>to</strong>ra .{Es}. * see diffraction grating .{E}.<br />

red etérea .{Es} * see e<strong>the</strong>rnet .{E}.<br />

Red Book .{D;E} * The specification book for <strong>the</strong> AD-DA<br />

specifica-tion, so named for <strong>the</strong> colour <strong>of</strong> <strong>the</strong> binding <strong>of</strong> <strong>the</strong><br />

book. .{F= Livre Rouge; Es= Libro Rojo}.<br />

red-green-blue (RGB) .{E} * A type <strong>of</strong> video colour output<br />

<strong>to</strong> a display consisting <strong>of</strong> separate signals for red, green<br />

and blue--an alternative <strong>to</strong> composite video.39. When<br />

RGB signals are separate <strong>the</strong>y are referred <strong>to</strong> as<br />

"component" signals. .{D= rot-grün-blau; Es= rojo-verdeazul;<br />

F= rouge-vert-bleu}.<br />

redistribución .{Es} * see rerelease/reissue .{E}.<br />

reducción de la señal de audio .{Es} * see fade (3) .{E}.<br />

reducción de parási<strong>to</strong>s .{Es} * see noise reduction .{E}.<br />

reducción de ruido .{Es} * see noise reduction .{E}.<br />

reducer .{E} * in developing pho<strong>to</strong>graphic and movingimage<br />

materi-als, a chemical agent for reducing <strong>the</strong><br />

density <strong>of</strong> images on materials sensitized with silver<br />

gelatin.01. .{D= ?; Es= reduc<strong>to</strong>r; agente reduc<strong>to</strong>r; F=<br />

réducteur (dev. pho<strong>to</strong> et film); agent réducteur}.<br />

réducteur (dev. pho<strong>to</strong> et film) .{F} * see reducer .{E}.<br />

reduction negative .{E} * see reduction printing.<br />

188<br />

reduction print .{E} * see reduction printing.<br />

reduction printing .{E} * The process <strong>of</strong> producing and<br />

recording pho<strong>to</strong>graphically a smaller image usually on a<br />

smaller film format from a larger image. Film thus made is<br />

referred <strong>to</strong> as a reduction negative or a reduction print.09.<br />

.{D= verkleinert Kopieren; Es= positivado por redución;<br />

tiraje por reducción; F= tirage par réduction}.<br />

réduction de balayage sur un écran vidéo .{F} * see<br />

underscan .{E}.<br />

réduction de bruit .{F} * see noise reduction .{E}.<br />

réduction de bruit (enr. mag. numérique) .{F} * see record<br />

margin .{E}.<br />

réduction de niveau .{F} * see dropout .{E}.<br />

reduc<strong>to</strong>r .{Es} * see reducer .{E}.<br />

Reed-Solomon code .{E} * see cross interleave Reed-<br />

Solomon code.<br />

reedición .{Es} * see rerelease/reissue .{E}.<br />

reel .{E} * 1) The flanged hub, or spool, made <strong>of</strong> various<br />

materials (i.e., metal, glass, plastic, or combinations) for<br />

holding recorded tape, film, or similar strip materials. 2)<br />

The resulting roll <strong>of</strong> such materials.(01.22.06.) .{D= 1)<br />

Spule; 2) Rolle; Filmrolle; Es= 1) carrete; 2) rollo; F= 1)<br />

bobine; 2) rouleau}.<br />

reel flange .{E} * The sides for a reel <strong>of</strong> tape or motion<br />

picture or micr<strong>of</strong>ilm. Pr<strong>of</strong>essional 10½-inch and 14-inch<br />

tape reels have flanges mounted on NAB hubs.04. .{D=<br />

Flansch; Es= pestaña del carrete [rollo]; F= flasque /joue<br />

de bobine; collet de bobine}.<br />

reel pack .{E} * A term denoting <strong>the</strong> quality <strong>of</strong> wind <strong>of</strong> film<br />

or tape on a reel or hub.(06.) .{D= Wickelfestigkeit; Wickel;<br />

Spulstärke; Es= bobinado; F= bobinage}.<br />

reel <strong>to</strong> reel .{E} * The playback, rewinding, or recording<br />

from one reel or spool <strong>of</strong> film or tape <strong>to</strong> a separate take-up<br />

reel or spool.(19.) .{D= Spulengeräte; Es= bobina a<br />

bobina; bobinado libre; F= bobine libre; bobine à bobine}.<br />

reeling .{E} * The operation <strong>of</strong> winding materials on<strong>to</strong> a<br />

reel.08. .{D= ?; Es= bobinado; F= bobinage}.<br />

réenregistrement .{F} * see dub .{E}.<br />

réenregistrement (son) .{F} * see rerecording .{E}.<br />

reference .{E} * In reference <strong>to</strong> a bibliographic entry, a<br />

direction from one heading or entry <strong>to</strong> ano<strong>the</strong>r.(12.) .{D=<br />

Referenz; Bezug-; Standard; ?; Es= referencia; F=<br />

référence}.<br />

reference copy .{E} * 1) A clone, imitation, or duplicate<br />

copy <strong>of</strong> an item which is available for use purposes. 2) A<br />

copy used as a reference against which <strong>the</strong> performances<br />

<strong>of</strong> o<strong>the</strong>r copies are compared; in motion picture parlance,<br />

also known as reference print.(46.) .{D= Referenz; Es=<br />

copia de referencia; copia de consulta; F= copie de<br />

réference}.<br />

reference film .{E} * see reference copy.<br />

reference micr<strong>of</strong>ilming .{E} * The use <strong>of</strong> micr<strong>of</strong>ilming <strong>to</strong><br />

facilitate reference service.23. .{D= Verfilmung für<br />

Benutzungszwecke; Benützung-sverfilmung; Es=<br />

micr<strong>of</strong>ilmación de consulta; F= micr<strong>of</strong>ilmage de référence;<br />

micr<strong>of</strong>ilmage de communication}.<br />

reference plane .{E} * On optical disc media, <strong>the</strong> layer<br />

normal <strong>to</strong> <strong>the</strong> axis <strong>of</strong> rotation <strong>of</strong> <strong>the</strong> disc drive spindle


defined by <strong>the</strong> contact surface with <strong>the</strong> disc drive.(46.) .{D=<br />

Bezugsebene; Bezugfläche; Es= plano de referencia; F=<br />

plan de référence}.<br />

reference print .{E} * 1) A motion picture film release<br />

copy/print that is retained as a comparison for subsequent<br />

prints. 2) A clone, imitation, or duplicate copy <strong>of</strong> an item<br />

which is available for research or reference use; also<br />

known as a reference copy; see also print. .{D= ?; Es=<br />

copia [impresión] de referencia; F= copie de référence}.<br />

reference tape .{E} * see reference copy.<br />

référence .{F} * see reference .{E}.<br />

referencia .{Es} * see reference .{E}.<br />

referencias (con tiras de papel) de secuencias .{Es} * see<br />

paper marks (1) .{E}.<br />

Referenz .{D} * see reference; reference copy .{E}.<br />

refilmer .{F} * see retake .{E}.<br />

reflectance .{E} * A measure <strong>of</strong> <strong>the</strong> intensity <strong>of</strong> light<br />

reflected from a surface, as compared with <strong>the</strong> intensity <strong>of</strong><br />

light incident upon <strong>the</strong> surface. Reflectance is a property<br />

<strong>of</strong> opaque materials, such as paper. Reflectance is<br />

measured with a reflection densi<strong>to</strong>me-ter. The values are<br />

compared with those on a reflectance test target <strong>to</strong> arrive<br />

at a relative measure <strong>of</strong> reflectance; see also reflected<br />

light.(01.) .{D= ?; Es= reflectancia; fac<strong>to</strong>r de reflexión; F=<br />

facteur de réflexion; réflexion de la lumière}.<br />

reflectance test target .{E} * see reflectance.<br />

reflectancia .{Es} * see reflectance .{E}.<br />

reflectancia del nivel de base .{Es} * see baseline<br />

reflectivity .{E}.<br />

reflected light .{E} * A light which leaves <strong>the</strong> surface <strong>of</strong> <strong>the</strong><br />

object at approximately 45 degrees; see also<br />

reflectance.(42.) .{D= ?; Es= luz reflejada; F= lumière<br />

réfléchie}.<br />

réflecteur parapluie .{F} * see umbrella .{E}.<br />

reflection densi<strong>to</strong>meter .{E} * see densi<strong>to</strong>meter.<br />

reflection density .{E} * see density.<br />

reflec<strong>to</strong>r .{Es} * see governor .{E}.<br />

reflec<strong>to</strong>r cóncavo .{Es} * see scoop .{E}.<br />

reflec<strong>to</strong>r de sonido .{Es} * see gobo .{E}.<br />

reflejar .{Es} * see imager .{E}.<br />

reflejo de la luz que entra en un objetivo .{Es} * see bloom<br />

(3) .{E}.<br />

reflex camera .{E} * A camera which incorporates a<br />

mirrored shutter and prisms so that <strong>the</strong> cameraman can<br />

observe <strong>the</strong> scene through <strong>the</strong> same lens through which<br />

<strong>the</strong> film 'sees' <strong>the</strong> scene, <strong>the</strong>reby eliminating problems <strong>of</strong><br />

parallax dis<strong>to</strong>rtion and greatly enhancing <strong>the</strong> cameraman's<br />

ability <strong>to</strong> judge <strong>the</strong> elements <strong>of</strong> <strong>the</strong> scene. Almost all<br />

cameras used <strong>to</strong>day are reflex cameras.30. .{D= ?; Es=<br />

cámara reflex; F= caméra (à vidée) réflex; camera réflexe}.<br />

réflexivité du disque vierge .{F} * see baseline reflectivity<br />

.{E}.<br />

refractive index .{E} * see index <strong>of</strong> refraction.<br />

refuerzo de los (sonidos) agudos .{Es} * see treble boost<br />

189<br />

.{E}.<br />

Regal .{D} * see bay .{E}; shelf .{E}; shelving .{E}.<br />

Regalanlange .{D} * see shelving .{E}.<br />

Regalbrett .{D} * see shelf .{E}.<br />

Regaleinheit .{D} * see bay .{E}.<br />

Regalmeter .{D} * see linear feet/metres (LnFt/LnMt) .{E}.<br />

Regen .{D} * see rain .{E}.<br />

regeneracion .{Es} * see reconditioning .{E}.<br />

Regeneration .{D} * see reconditioning; res<strong>to</strong>ration .{E}.<br />

régénération synchro .{F} * see jam sync .{E}.<br />

régimen de muestreo .{Es} * see sampling rate .{E}.<br />

Regisseur .{D} * see direc<strong>to</strong>r .{E;Es}.<br />

register .{E} * 1) The exact alignment <strong>of</strong> colour plates in <strong>the</strong><br />

colour separation process, or any o<strong>the</strong>r printing images. 2)<br />

An area <strong>of</strong> a computer memory designed for specific<br />

function/s. 3) The range <strong>of</strong> <strong>the</strong> human voice or o<strong>the</strong>r<br />

instrument. 4) To stabilize a film in a camera or projec<strong>to</strong>r<br />

gate.(10.) 5) The action <strong>of</strong> aligning <strong>the</strong> electron beams in<br />

a colour video camera. .{D= ?; Es= registro; archivo;<br />

contador; F= aligner; registre}.<br />

registrador [grabador] a distancia .{Es} * see telerecorder<br />

(2) .{E}.<br />

registradora tipo C .{Es} * see type C recorder .{E}.<br />

registrar .{Es} * see write .{E}.<br />

registration .{E} * 1) The accurate alignment <strong>of</strong> two or more<br />

images on separate animation cels. 2) The accurate<br />

relationship <strong>of</strong> a camera and <strong>the</strong> animation cel being<br />

pho<strong>to</strong>graphed. 3) The accurate alignment <strong>of</strong> <strong>the</strong> three<br />

electron guns in a television camera or receiver.(10.) .{D=<br />

?; Es= registro; asien<strong>to</strong>; lectura; indicación; F= alignement<br />

(images animées); positionnement; alignement (faisceaux<br />

d'électrons); enregistrement}.<br />

registration pin .{E} * A protruding metal point or pin in a<br />

camera mechanism that engages <strong>the</strong> film perforations;<br />

sometimes called pilot pins and register pins.(10.) .{D=<br />

Sperrgreifer; Es= contragarfio; F= contre-griffe}.<br />

Registraturgut .{D} * see record .{E}.<br />

registre .{F} * see register .{E}.<br />

régistre par approximations successives .{F} * see<br />

successive approximation register (SAR) .{E}.<br />

registro .{Es} * see recorder .{E}.<br />

registro (de da<strong>to</strong>s) .{Es} * see record (4) .{E}.<br />

registro (magnet<strong>of</strong>ónico) en hilo .{Es} * see wire recording<br />

.{E}.<br />

registro de aproximación sucesiva .{Es} * see successive<br />

approximation register (SAR) .{E}.<br />

registro de los derechos de au<strong>to</strong>r .{Es} * see copyright<br />

registration .{E}.<br />

registro de los intérpretes principales .{Es} * see created<br />

roll (CR) .{E}.<br />

registro descrip<strong>to</strong>r de ficheros .{Es} * see file descrip<strong>to</strong>r


ecord .{E}.<br />

registro en mdia pista .{Es} * see half-track recorder .{E}.<br />

registro magnético de una sola pista .{Es} * see single<br />

track recorder .{E}.<br />

regla .{Es} * see straight edge .{E}.<br />

regla luminosa para comprobación de daños en<br />

dispositivas .{Es} * see light damage slide rule .{E}.<br />

réglage .{F} * see alignment .{E}.<br />

réglage couleurs système additif (vid) .{F} * see trim setting<br />

.{E}.<br />

réglage d'azimut .{F} * see azimuth adjustment .{E}.<br />

réglage d'exposition .{F} * see exposure setting .{E}.<br />

réglage de <strong>to</strong>nalité .{F} * see <strong>to</strong>ne control .{E}.<br />

réglage des têtes .{F} * see head alignment .{E}.<br />

reglaje exac<strong>to</strong> .{Es} * see tracking (1) .{D;E}.<br />

règle .{F} * see standard .{E}.<br />

réglege de <strong>to</strong>nalité .{E} * see <strong>to</strong>ne control .{E}.<br />

Regler .{D} * see fader .{E}.<br />

regrabación .{Es} * see over-dub .{E}; rerecording .{E}.<br />

régulateur à boules .{F} * see flywheel .{E}.<br />

rehabilitation .{E} * see preservation.<br />

Reibungskoeffifient .{D} * see coefficient <strong>of</strong> friction .{E}.<br />

Reihe .{D} * see row .{E}.<br />

Reinigung .{D} * see cleaning .{E}.<br />

Reinigungsband .{D} * see cleaning film/tape .{E}.<br />

Reinigungsfilm .{D} * see cleaning film/tape .{E}.<br />

Reinigungskassette .{D} * see cleaning film/tape .{E}.<br />

Reinraum .{D} * see clean room .{E}.<br />

Reißfestigkeit .{D} * see tensile strength .{E}.<br />

Reißlast .{D} * see breaking strength .{E}.<br />

reissue .{E} * see rerelease/reissue.<br />

rejilla .{Es} * see grid .{E;F}.<br />

rejilla difrac<strong>to</strong>ra .{Es} * see diffraction grating .{E}.<br />

relación .{Es} * see list .{E}; related body .{E}.<br />

relación de entrega .{Es} * see checklist .{E}.<br />

relación de frecuencia de fo<strong>to</strong>gramas .{Es} * see frame<br />

frequency rate .{E}.<br />

relación de transferencia .{Es} * see checklist .{E}.<br />

relación portadora-ruido .{Es} * see carrier-<strong>to</strong>-noise ratio<br />

(CNR) .{D;E}.<br />

relación señal-error .{Es} * see signal-<strong>to</strong>-error ratio (SE)<br />

.{E}.<br />

190<br />

relación señal-ruido .{Es} * see signal-<strong>to</strong>-noise ratio (S/N)<br />

.{E}.<br />

relais optique .{F} * see light valve .{E}.<br />

related body .{E} * A corporate body that has a relation <strong>to</strong><br />

ano<strong>the</strong>r body o<strong>the</strong>r than a hierarchical relation (e.g., one<br />

that is founded but not controlled by ano<strong>the</strong>r body; one that<br />

only receives financial support from ano<strong>the</strong>r body; one that<br />

provides financial and/or o<strong>the</strong>r types <strong>of</strong> assistance <strong>to</strong><br />

ano<strong>the</strong>r body, such as a 'friends' group; one whose<br />

members have also membership in or an association with<br />

ano<strong>the</strong>r body, such as employees' associations and alumni<br />

associations).03. .{D= ?; Es= relación; F= relation}.<br />

related title .{E} * In relation bibliographic citations, <strong>the</strong><br />

name <strong>of</strong> a separate work upon which <strong>the</strong> item being<br />

cataloged is based, or which has some o<strong>the</strong>r established<br />

connection with it.(12.) .{D= ?; Es= título de referencia; F=<br />

?}.<br />

relation .{F} * see related body .{E}.<br />

relative Feuchtigkeit .{D} * see relative humidity (R/H) .{E}.<br />

releaser .{E} * The agent or agency responsible for <strong>the</strong><br />

distribution <strong>of</strong> moving-image work.12. .{D= ?; Es=<br />

distribuidor; F= distributeur; échappement}.<br />

relief image .{E} * An image which shows a threedimensional<br />

quality between <strong>the</strong> shadows and <strong>the</strong><br />

highlights, and which swells when spot-tested with<br />

water.35; see also flat image. .{D= ?; Es= imagen en<br />

relieve; F= image en relief}.<br />

relief sonore .{F} * see stereophonic sound .{E}.<br />

reloj .{Es} * see clock .{E}.<br />

reluctance microphone .{E} * Inexpensive electro-magnetic<br />

(variable reluctance) type microphone supplied with many<br />

tape recorders which is extremely rugged and durable but<br />

generally not as high quality as crystal or ceramic types.<br />

Employs a metal 'wand' which moves in a magnetic field <strong>to</strong><br />

produce varying voltages.16. .{D= ?; Es= micrófono de<br />

reluctancia variable; F= microphone à réluctance}.<br />

rem jet .{E} * An antihalation layer on <strong>the</strong> back <strong>of</strong> <strong>the</strong> film<br />

base which is removed during processing.09. .{D= ?; Es=<br />

capa [recubrimien<strong>to</strong>] anti-halo; F= revêtement anti-halo}.<br />

remake .{E;Es;F} * A later audio and/or moving-image<br />

production, with different credits, script, and or cast, <strong>of</strong> a<br />

work previously filmed or recorded.(12.) .{D= ?; Es= nueva<br />

versión; F= nouvelle version; refaire}.<br />

remanence .{E;F} * The induction, in lines <strong>of</strong> flux per unit<br />

width <strong>of</strong> tape, which remains when <strong>the</strong> magnetizing field is<br />

reduced <strong>to</strong> zero from a level producing saturation. A figure<br />

<strong>of</strong> merit for magnetic tape indicative <strong>of</strong> relative output,<br />

dis<strong>to</strong>rtion, and response at low frequencies (long wave<br />

lengths).16. The magnetic flux density that remains in a<br />

magnetic circuit after removal <strong>of</strong> applied magne<strong>to</strong>moti-ve<br />

force; see also retentivity.46. .{D= Remanenz; Es=<br />

remanencia}.<br />

rémanence .{F} * see retentivity .{E}.<br />

remanencia .{Es} * see remanence .{E;F}.<br />

Remanenz .{D} * see remanence .{E;F}.<br />

rembobinage .{F} * see wind .{E}.<br />

remote access (computer files) .{E} * The use <strong>of</strong> computer<br />

files via input/output devices connected electronically <strong>to</strong> a<br />

computer; see also direct access (computer files).03. .{D=<br />

?; Es= aceso a distancia (archivos de ordenador); F=


accès à distance}.<br />

rendimien<strong>to</strong> .{Es} * see output .{E}.<br />

renforcement des sons aigus .{F} * see triacetate .{E}.<br />

renforcement des sons aigus{F} * see treble boost .{E}.<br />

rénovation .{F} * see reconditioning .{E}.<br />

repairing .{E} * The partial rehabilitation <strong>of</strong> a worn item, <strong>the</strong><br />

amount <strong>of</strong> work done being less than <strong>the</strong> minimum<br />

involved in res<strong>to</strong>ring and more than <strong>the</strong> maximum involved<br />

in mending.(01.) .{D= ?; Es= restauración; reparación;<br />

subsanación; F= réparation}.<br />

reparación .{Es} -over cue .{E}.<br />

repère de changement de bobine .{F} * see change-over<br />

cue .{E}.<br />

repère de départ .{F} * see start mark .{E}.<br />

repère de positionnement .{F} * see cue .{E}.<br />

repère de positionnement .{F}. <strong>to</strong>p .{E}.<br />

repères de séquences .{F} * see paper marks .{E}.<br />

réper<strong>to</strong>ire .{F} * see direc<strong>to</strong>ry .{E}.<br />

réper<strong>to</strong>ire chronologique .{F} * see chronological inven<strong>to</strong>ry<br />

.{E}.<br />

réper<strong>to</strong>ire numérique détaillé .{F} * see descriptive list .{E}.<br />

Reper<strong>to</strong>rium .{D} * see descriptive list; inven<strong>to</strong>ry .{E}.<br />

repetición de pixel .{Es} * see pixel repeat .{E}.<br />

repetidor .{Es} * see transponder .{E}.<br />

repetidor (proceso de reproducción de fo<strong>to</strong>s con vídeo)<br />

.{Es} * see telop .{E}.<br />

repetidor de vídeo de cinta sin fin .{Es} * see isolated<br />

camera .{E}.<br />

répétition de pixel .{F} * see pixel repeat .{E}.<br />

repicado sonido .{Es} * see rerecording .{E}.<br />

repiquage .{F} * see dubbing; transfer .{E}.<br />

repiquage .{F}. see dubbing .{E}.<br />

repl-video .{Es} * see film-<strong>to</strong>-tape transfer .{E}.<br />

replacement cost .{E} * The cost <strong>of</strong> replacing <strong>the</strong> damaged<br />

property without a depreciation deduction.55. .{D=<br />

Ersatzkosten; Es= coste de reemplazamien<strong>to</strong> [de<br />

sustitución]; F= coût de remplacement}.<br />

replicado cine-vídeo .{Es} * see film-<strong>to</strong>-tape transfer .{E}.<br />

repliement .{F} * see aliasing .{E}.<br />

réponse fréquentielle .{F} * see frequency response .{E}.<br />

reportage télévisuel (JET) .{F} * see electronic news<br />

ga<strong>the</strong>ring (ENG) .{E}.<br />

Reportage-Film .{D} * see newsreel .{E}.<br />

reportaje .{Es} * see newsreel .{E}.<br />

représentation .{F} * see artifact; exhibition .{E}.<br />

191<br />

reprise .{F} * see rerelease/reissue; retake .{E}.<br />

reproducción .{Es} * see playback .{D;E;Es;F};<br />

reproduction .{E;F}.<br />

reproducción arquitectónica .{Es} * see architectural<br />

rendering .{E}.<br />

reproducción de una obra de arte .{Es} * see art<br />

reproduction .{E}.<br />

reproducción instantánea .{Es} * see instant replay .{E}.<br />

reproducer .{E} * A small instrument attached <strong>to</strong> an<br />

acoustical disc or cylinder audio machine for converting<br />

<strong>the</strong> sound waves on <strong>the</strong> record in<strong>to</strong> audible materials,<br />

accomplished by means <strong>of</strong> a stylus linked or attached <strong>to</strong> a<br />

diaphragm suspended inside <strong>the</strong> reproducer's casing; <strong>the</strong><br />

resulting signal was <strong>the</strong>n amplified by its attached horn;<br />

also known as a speaker; <strong>the</strong> reproducer on a<br />

gramophone was known as <strong>the</strong> sound box; see also floatifoa-ting<br />

reproducer.(14.) .{D= ?; Es= reproduc<strong>to</strong>r; F=<br />

système de reproduction; lecteur; défileur}.<br />

reproducing horn .{E} * A conical device, usually with a bell<br />

or flare, for amplifying sound from <strong>the</strong> reproducer or<br />

soundbox <strong>of</strong> an acoustical recording. Such devices were<br />

preceded by hearing tubes, not being generally adopted<br />

for listening <strong>to</strong> sound recordings until <strong>the</strong> mid-1890s,<br />

although <strong>the</strong> Berliner gramophones had small papiermaché<br />

horns from <strong>the</strong>ir inception. Reproducing horns were<br />

generally made <strong>of</strong> brass or sheet metal <strong>of</strong> a lighter gauge<br />

than for recording horns, rolled or spun in<strong>to</strong> a cone with a<br />

brass, copper, or aluminium flare, and were available in<br />

sizes up <strong>to</strong> 56-inches in length.(14.) .{D= Wiedergabe-<br />

Trichter; Es= altavoz en forma de trompa (gramófonos); F=<br />

pavillon de reproduction}.<br />

reproducing stylus .{E} * see stylus.<br />

reproduction .{E;F} * An exact copy <strong>of</strong> a document in<br />

content and form but not necessarily in size and<br />

appearance. 2) The process <strong>of</strong> playing recorded signals;<br />

also known as playback.(22.06.) .{D= 1) Reproduktion; 2)<br />

Wiedergabe; Es= reproducción}.<br />

reproduction .{F} * see also playback .{D;E;Es;F}.<br />

reproduction de l'oeuvre artistique .{F} * see art<br />

reproduction .{E}.<br />

reproduction instantanée .{F} * see instant replay .{E}.<br />

reproduc<strong>to</strong>r .{Es} * see player; reproducer .{E}.<br />

reproduc<strong>to</strong>r de cinta (magnet<strong>of</strong>ónica) .{Es} * see tape<br />

player .{E}.<br />

reproduc<strong>to</strong>r de vídeo y CD-I .{Es} * see omni-player .{E}.<br />

reproduc<strong>to</strong>r flotante .{Es} * see floating reproducer .{E}.<br />

reproduc<strong>to</strong>r semiflotante .{Es} * see semi-floating<br />

reproducer .{E}.<br />

Reproduktion .{D} * see reproduction .{E;F}.<br />

reprografía .{Es} * see reprography .{E}.<br />

reprographie .{F} * see reprography .{E}.<br />

Reprographie .{D} * see reprography .{E}.<br />

reprography .{E} * A general term for <strong>of</strong>fice copying, etc.,<br />

including <strong>the</strong> reproduction <strong>of</strong> printed, typed, or handwritten<br />

material by processes o<strong>the</strong>r than printing or pho<strong>to</strong>graphy,<br />

encom-passing virtually all processes for copying or<br />

reproduction using light, heat, or electrical radiation,


including microreproduction.(08.40.22.) .{D=<br />

Reprographie; Es= reprografía; F= reprographie}.<br />

rerecording .{E} * A dubbing or copy <strong>of</strong> a recording.(04.)<br />

.{D= Rerecording; Übertragung; Überspielung; Es= nuevo<br />

registro; regrabación; transferencia de sonido; F=<br />

réenregistrement (son); réenregistrement; repiquage}.<br />

Rerecording .{D} * see rerecording .{E}.<br />

resalte de una curva .{Es} * see shoulder .{E}.<br />

réseau .{F} * see diffraction grating .{E}.<br />

réseau (radio-télévision) .{F} * see network .{E}.<br />

réseau quadrillé .{F} * see graticule .{E}.<br />

resen .{D} * see read .{E}.<br />

reserva .{Es} * see confidentiality .{E}.<br />

reserva alcalina .{Es} * see alkaline reserve .{E}; buffering<br />

.{E}.<br />

Reserve .{D} * see alkaline reserve .{E}.<br />

réservoir .{F} * see bin .{E}.<br />

résidu de bromures .{F} * see bromide drag .{E}.<br />

residual hypo .{E} * see residual thiosulphate ion.<br />

residual hypo test .{E} * A chemical test for <strong>the</strong> amount <strong>of</strong><br />

hypo remaining on pho<strong>to</strong>graphic film or paper after<br />

washing. Testing methods include methylene blue and<br />

silver densi<strong>to</strong>metric.01. .{D= ?; Es= prueba de residuos de<br />

tiosulfa<strong>to</strong>; F= ?}.<br />

residual magnetic erase .{E} * see residual erase signal.<br />

residual thiosulphate .{E} * see residual thiosulphate ion.<br />

residual thiosulphate ion .{E} * Ammonium or sodium<br />

thiosulphate (hypo) remaining in pho<strong>to</strong>graphic film or<br />

paper after washing. Synonymous with residual hypo.(40.)<br />

.{D= ?; Es= iones residuales de tiosulfa<strong>to</strong>; F= ion de<br />

thiosulfate résiduel}.<br />

residuos de bromuro .{Es} * see bromide drag .{E}.<br />

residuos de polvo de cinta magnética .{Es} * see bloom (2)<br />

.{E}.<br />

residuos del desgaste (de la cinta de vídeo) .{Es} * see<br />

wear product .{E}.<br />

resina acrílica .{Es} * see acrylic resin .{E}.<br />

résine acrylique .{F} * see acrylic resin .{E}.<br />

resistance .{E} * 1) The property <strong>of</strong> a material that impedes<br />

<strong>the</strong> flow <strong>of</strong> current. The unit <strong>of</strong> resistance is <strong>the</strong> ohm and<br />

is deter-mined by dividing <strong>the</strong> voltage in a circuit by <strong>the</strong><br />

current.10. .{D= Wiederstand; Es= resistencia; F=<br />

résistance}.<br />

résistance .{F} * see resistance .{E}.<br />

résistance (électrique) du revêtement .{F} * see coating<br />

resistance .{E}.<br />

résistance à l'éclatement .{F} * see bursting strength .{E}.<br />

résistance à la déchirure .{F} * see tearing resistance .{E}.<br />

résistance à la rupture .{F} * see impact strength .{E}.<br />

192<br />

résistance au pliage .{F} * see folding endurance .{E}.<br />

résistance chauffante .{F} * see tacking iron .{E}.<br />

resistencia .{Es} * see resistance .{E}; resis<strong>to</strong>r .{E}.<br />

resistencia a la tensión .{Es} * see tensile strength .{E}.<br />

resistencia a la tracción .{Es} * see tensile strength .{E}.<br />

resistencia al desgarro .{Es} * see tearing resistance .{E}.<br />

resistencia al estallido .{Es} * see bursting strength .{E}.<br />

resistencia al impac<strong>to</strong> .{Es} * see impact strength .{E}.<br />

resistencia al pegado .{Es} * see folding endurance .{E}.<br />

resistencia al peso de una balda .{Es} * see shelf load .{E}.<br />

resistencia del revestimien<strong>to</strong> .{Es} * see coating resistance<br />

.{E}.<br />

resis<strong>to</strong>r .{E;Es} * A device which impedes <strong>the</strong> flow <strong>of</strong><br />

electric current.10. .{D= Widerstand; Es= resistencia; F=<br />

résis<strong>to</strong>r}.<br />

résis<strong>to</strong>r .{F} * see resis<strong>to</strong>r .{E}.<br />

resolución .{Es} * see resolution (1) .{E}.<br />

resolución de la imagen .{Es} * see image resolution .{E}.<br />

resolución de pixel .{Es} * see pixel depth .{E}.<br />

resolución horizontal .{Es} * see horizontal resolution .{E};<br />

resolution, horizontal .{E}.<br />

resolución vertical .{Es} * see resolution, vertical .{E};<br />

vertical resolution .{E}.<br />

resolution .{E} * 1) In reference <strong>to</strong> dynamic range, <strong>the</strong><br />

average peak-<strong>to</strong>-peak signal amplitude in magnetic<br />

recording at <strong>the</strong> maximum flux reversal divided by <strong>the</strong><br />

average peak-<strong>to</strong>-peak signal amplitude at <strong>the</strong> minimum<br />

flux reversal at <strong>the</strong> desired recording method.(46.) 2) The<br />

ability <strong>of</strong> a pho<strong>to</strong>graphic system <strong>to</strong> record fine detail.<br />

Sharpness <strong>of</strong> images is formally measured in lines per mm<br />

(millimetre). Acceptable resolution for micr<strong>of</strong>ilming can<br />

range from 90 <strong>to</strong> 180 lines per mm. A more subjectively<br />

derived expression <strong>of</strong> resolution is termed definition. To<br />

test for resolution, images are compared with patterns on<br />

a resolution test chart, such as an NBS (National Bureau<br />

<strong>of</strong> Standards) test chart. Synonymous with sharpness and<br />

resolving power.(01.40.) 3) The ability <strong>of</strong> a lens <strong>to</strong> define<br />

visual details. Sometimes used as a synonym for<br />

definition, which is a term that should apply <strong>to</strong><br />

pho<strong>to</strong>graphic film s<strong>to</strong>ck ra<strong>the</strong>r than lenses.(30.) 4) The<br />

ability <strong>of</strong> a video camera <strong>to</strong> define visual details in both <strong>the</strong><br />

horizontal and vertical planes. .{D= Auslösung; Es= 1)<br />

resolución; 2) definición (TV); F= résolution; définition}.<br />

resolution, horizontal .{E} * An evaluation <strong>of</strong> a video signal<br />

bandwidth used <strong>to</strong> determine <strong>the</strong> number <strong>of</strong> vertical black<br />

and white lines that can be distinguished in a dimension<br />

equal <strong>to</strong> <strong>the</strong> picture height. .{D= ?; Es= resolución<br />

[definición] horizontal; F= résolution horizontale}.<br />

résolution .{F} * see definition; resolution .{E}.<br />

résolution de l'image .{F} * see image resolution .{E}.<br />

résolution du pixel .{F} * see pixel depth .{E}.<br />

résolution horizontale .{F} * see resolution horizontal .{E}.<br />

Resonanz .{D} * see echo .{D;E}.


esorte mo<strong>to</strong>r .{Es} * see mainspring .{E}.<br />

resorte principal .{Es} * see mainspring .{E}.<br />

response .{E} * see frequency response.<br />

response plate linéaire{F} * see flat response .{E}.<br />

respuesta en frecuencia .{Es} * see frequency response<br />

.{E}.<br />

respuesta plana .{Es} * see flat response .{E}.<br />

resserrement de l'image .{F} * see image compression<br />

.{E}.<br />

ressort principal .{F} * see mainspring .{E}.<br />

restauración .{Es} * see archive res<strong>to</strong>ration .{E}.<br />

restauración .{Es} * see mending .{E}; repairing .{E};<br />

res<strong>to</strong>ration .{E}.<br />

restauración de materiales de archivo (normas) .{Es} * see<br />

archive res<strong>to</strong>ration .{E}.<br />

restaurador .{Es} * see conserva<strong>to</strong>r .{E}.<br />

restaurador de corriente continua .{Es} * see DC res<strong>to</strong>rer<br />

.{E}.<br />

restauration .{F} * see res<strong>to</strong>ration .{E}.<br />

restauration des archives .{F} * see archive res<strong>to</strong>ration<br />

.{E}.<br />

restricted access .{E} * A limitation on admittance <strong>to</strong><br />

facilities or use <strong>of</strong> materials.22. .{D=<br />

Benutzungsbeschränkung; Sperrung; Archivsperre; Es=<br />

consulta restringida; F= communication restreinte;<br />

restriction de communicabilité}.<br />

resumen .{Es} * see summary .{E}.<br />

resynchronisation .{F} * see jam sync .{E}.<br />

retake .{E} * Refilming <strong>of</strong> a given target or document.(40.)<br />

.{D= Wiederholung einer Aufnahme; Nachaufnahme; Es=<br />

rodar por segunda vez una escena; rodar de nuevo un<br />

plano; F= reprise; refilmer; <strong>to</strong>urner à nouveau reprise;<br />

re<strong>to</strong>urner une scène; re<strong>to</strong>urner un plan}.<br />

retard optique par double passage .{F} * see double-pass<br />

optical retardation .{E}.<br />

retardación (de movimien<strong>to</strong>) .{Es} * see lag .{E}.<br />

retardo .{Es} * see lag .{E}.<br />

retardo óptico de doble paso .{Es} * see double-pass<br />

optical retardation .{E}.<br />

retención de la imagen .{Es} * see image retention .{E}.<br />

retentivity .{E} * Measure <strong>of</strong> an object's or material's ability<br />

<strong>to</strong> retain magnetization after <strong>the</strong> force field has been<br />

removed; equivalent <strong>to</strong> remanence except expressed in<br />

terms <strong>of</strong> flux density <strong>of</strong> flux per unit cross sectional area.<br />

Retentivity serves as an indication <strong>of</strong> <strong>the</strong> item's sensitivity<br />

at high frequencies, as well as a figure <strong>of</strong> merit for coating<br />

dispersions, independent <strong>of</strong> coating thickness, and is<br />

<strong>the</strong>reby useful for estimating coating sensitivity at short<br />

wave lengths; also called residual flux; see also<br />

remanence.(04.16.) .{D= ?; Es= persistencia; retintividad;<br />

F= rémanence; retentavité}.<br />

retícula .{Es} * see graticule .{E}.<br />

193<br />

reticulación .{Es} * see reticulation .{E}.<br />

reticulation .{E} * Wrinkling, cracking, or o<strong>the</strong>r similar<br />

dis<strong>to</strong>rtion <strong>of</strong> <strong>the</strong> emulsion surface <strong>of</strong> pho<strong>to</strong>graphic<br />

materials usually due <strong>to</strong> significant differences in <strong>the</strong><br />

temperature <strong>of</strong> processing solutions. Reticulation can vary<br />

from a coarse, net-like structure <strong>to</strong> an almost invisible<br />

pattern which shows up markedly if <strong>the</strong> image is<br />

subsequently enlarged.(09.05.) .{D= ?; Es= reticulación;<br />

F= réticulation}.<br />

réticulation .{F} * see cross-linking; reticulation .{E}.<br />

réticule .{F} * see graticule .{E}.<br />

retintividad .{Es} * see retentivity .{E}.<br />

re<strong>to</strong>cado .{Es} * see re<strong>to</strong>uching .{E}.<br />

re<strong>to</strong>que .{Es} * see re<strong>to</strong>uching .{E}.<br />

re<strong>to</strong>rno .{Es} * see retrace .{E}.<br />

re<strong>to</strong>rno de línea .{Es} * see breezeway .{E}.<br />

re<strong>to</strong>rno horizontal .{Es} * see horizontal retrace .{E}.<br />

re<strong>to</strong>uche .{F} * see re<strong>to</strong>uching .{E}.<br />

re<strong>to</strong>uching .{E} * Work carried out on a pho<strong>to</strong>graph <strong>to</strong> alter<br />

<strong>the</strong> <strong>to</strong>nal values or blemishes.42. .{D= ?; Es= re<strong>to</strong>que;<br />

re<strong>to</strong>cado; F= re<strong>to</strong>uche}.<br />

re<strong>to</strong>ur du spot .{F} * see retrace .{E}.<br />

re<strong>to</strong>ur horizontal .{F} * see horizontal retrace .{E}.<br />

re<strong>to</strong>ur ligne .{F} * see breezeway .{E}.<br />

retrace .{E} * During <strong>the</strong> scanning <strong>of</strong> a video display,<br />

oscilloscope, or video camera pickup tube, <strong>the</strong> return path<br />

<strong>of</strong> <strong>the</strong> electron beam is referred <strong>to</strong> as <strong>the</strong> retrace. In<br />

properly adjusted equipment, <strong>the</strong> retrace is not viewable<br />

due <strong>to</strong> it being blanked out. .{D= ?; Es= re<strong>to</strong>rno; línea de<br />

re<strong>to</strong>rno; F= re<strong>to</strong>ur du spot}.<br />

retrait rétrécissement .{F} * see shrinkage .{E}.<br />

retraît .{F}. enlèvement .{F}. see disposal .{E}.<br />

retraso .{Es} * see lag .{E}.<br />

retrieval .{E} * The process <strong>of</strong> selectively recovering s<strong>to</strong>red<br />

data.(06.) .{D= Recherche; Es= búsqueda selectiva;<br />

recuperación documen-readable form.; recuperaction<br />

documental; F= recherche documentaire}.<br />

retrospective conversion (RECON) .{E} ** ?? {D= ?; Es=<br />

conversión retrospectiva; F= conversion rétrospective}.<br />

revelado .{Es} * see developing .{E}; development .{E}.<br />

révélateur .{F} * see developer .{E}.<br />

reverberación .{Es} * see reverberation .{E}.<br />

reverberation .{E} * Repeating echoes <strong>of</strong> sound, increasing<br />

in density, decreasing in amplitude.39. .{D= Hall; Es=<br />

reverberación; F= réverbération; répercussion}.<br />

réverbération .{F} * see reverberation .{E}.<br />

reversal film .{E} * A film which, after exposure, is processed<br />

<strong>to</strong> produce a positive image on <strong>the</strong> same film<br />

ra<strong>the</strong>r than a cus<strong>to</strong>mary negative image.(06.09.22.) .{D=<br />

Umkehrfilm; Es= película de inversión; F= film inversible}.<br />

reversal process .{E} * developing in such a manner that


<strong>the</strong> material exposed in <strong>the</strong> camera shows a positive<br />

instead <strong>of</strong> a negative image. The reversal process is used<br />

extensively in colour pho<strong>to</strong>graphy, and for producing<br />

duplicate negatives.19. .{D= ?; Es= proceso de inversión;<br />

F= pocédé inversible; procédé inverse}.<br />

reverse angle .{E} * A technique used in moving-and stillimage<br />

work in which a subject has first been pho<strong>to</strong>graphed<br />

from his left side, a reverse-angle shot shoots him from <strong>the</strong><br />

right side (and vice-versa).(30.) .{D= Gegeneinstellung;<br />

Gegenschuss; Es= contracampo; F= contre-champ}.<br />

reverse motion .{E} * Moving-image technique in which <strong>the</strong><br />

images are shown in backward motion in order <strong>to</strong> create<br />

<strong>the</strong> illusion, when pro-jected, that time is running<br />

backwards.(30.) .{D= ?; Es= contramarcha; marcha<br />

inversa; F= marche arrière; motion marche arrière}.<br />

reversibilidad .{Es} * see reversibility .{E}.<br />

réversibilité .{F} * see reversibility .{E}.<br />

reversibility .{E} * Ability <strong>to</strong> undo a process or treatment<br />

with no change <strong>to</strong> <strong>the</strong> object. Reversibility is an important<br />

goal <strong>of</strong> conservation treatment, but it must be balanced<br />

with o<strong>the</strong>r treatment goals and options.17. .{D= ?; Es=<br />

reversibilidad; F= inversibilité}.<br />

revestimen<strong>to</strong> dorsal .{Es} * see back coating .{E}.<br />

revestimien<strong>to</strong> .{Es} * see cellulose acetate (4) .{E}; coating<br />

.{E}.<br />

revestimien<strong>to</strong> antihalo .{Es} * see antihalation coating .{E}.<br />

revestimien<strong>to</strong> para reducir reflejos superficiales .{Es} * see<br />

bloom (1) .{E}.<br />

revêtement anti-halo .{F} * see rem jet .{E}.<br />

revêtement antireflet .{F} * see bloom .{E}.<br />

revêtement dorsal .{F} * see back coating .{E}.<br />

revêtements conducteurs .{F} * see conductive coatings<br />

.{E}.<br />

Revisión por Ordenador .{Es} * see CMX EDITING .{E}.<br />

revista cinema<strong>to</strong>gráfica .{Es} * see magazine (2) .{E;Es;F}.<br />

revolutions per minute (RPM; R.P.M.) .{E} * The means <strong>of</strong><br />

expressing <strong>the</strong> turning speed <strong>of</strong> cylinder and disc<br />

recordings. .{D= Umdrehungen pro Minute; UpM; Es=<br />

revoluciones por minu<strong>to</strong>; F= <strong>to</strong>urs par minute (t/mn)}.<br />

rewind control .{E} * But<strong>to</strong>n or lever for rapidly rewinding<br />

tape from <strong>the</strong> take-up reel <strong>to</strong> <strong>the</strong> s<strong>to</strong>ck reel.16. .{D=<br />

Rückwickeltaste; Es= control de rebobinado (rápido); F=<br />

<strong>to</strong>uche de rembobinage}.<br />

rewinding .{E} * The process <strong>of</strong> placing film or tape<br />

materials on a spool or reel so that it is properly arranged<br />

for playback.(06.) .{D= Wiederaufrollen; Rückspulen; Es=<br />

rebobinado; F= réembobinage; rebobinage}.<br />

RF .{D;E} * acronym for radio frequency.<br />

RGB .{D;E} * acronym for red-green-blue.<br />

RGB 5:5:5 .{D;E} * An RGB encoding technique used in<br />

CD-I in which colours are each represented by 5 bits.39.<br />

.{F= RVB; Es= RGB 555 (técnica de codificación para CD-<br />

I}.<br />

RGB 555 (técnica de codificación para CD-I .{Es} * see<br />

RGB 5:5:5 .{D;E}.<br />

194<br />

RIAA .{D;E;Es;F} * acronym for Recording Industry<br />

Association <strong>of</strong> America, Inc.<br />

RIAA curve .{D;E;Es;F} * A widely used standard<br />

phonograph disc record/playback equalization curve set by<br />

<strong>the</strong> RIaa.(04.)<br />

ride .{E} * 1) To control <strong>the</strong> gain or level <strong>of</strong> <strong>the</strong> input <strong>of</strong> a<br />

device or component such as an audio control console. 2)<br />

An ad-libbed musical selection.10. .{D= ?; Es= ajuste del<br />

control de entrada; F= contrôle du gain d'entrée}.<br />

riesgo .{Es} * see hazard .{E;F}.<br />

rigidez .{Es} * see stiffness .{E}.<br />

rill .{E} * The groove on a disc recording linking <strong>the</strong> end <strong>of</strong><br />

one cut (band or selection) with <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> next;<br />

see also cut.(04.) .{D= ?; Es= intersurco (empalme entre<br />

cortes de un disco); F= interplage}.<br />

Rille .{D} * see groove .{E}.<br />

Rillensteigung .{D} * see groove pitch .{E}.<br />

Rillenvorschub .{D} * see groove pitch .{E}.<br />

rim .{D;E} * 1) On a disc recording, <strong>the</strong> area between <strong>the</strong><br />

edge and <strong>the</strong> playing area, which can be sloped, concave,<br />

convex, flat, raised, lowered, etc. 2) On a cylinder<br />

recording, <strong>the</strong> starting rim is <strong>the</strong> same as on a disc. The<br />

run-<strong>of</strong>f rim is <strong>the</strong> area following <strong>the</strong> playing area.04. .{D=<br />

Rand; Es= margen; saliente; orilla (pre-surcos); F= plage<br />

de pré-sillon}.<br />

rinçage .{F} * see washing .{E}.<br />

rinçage à contre-courant .{F} * see countercurrent wash<br />

.{E}.<br />

rinçage de la pellicule d'archivage .{F} * see archival wash<br />

.{E}.<br />

Risiko .{D} * see hazard .{E;F}.<br />

Riss .{D} * see crack/cracking .{E}.<br />

ritmo .{Es} * see sampling rate .{E}.<br />

rizado .{Es} * see fluting .{E}.<br />

rizado del borde .{Es} * see edge fluting .{E}.<br />

RLG .{E} * acronym for Research Libraries Group, Inc.<br />

RLIN .{E} * acronym for Research Libraries Information<br />

Network.<br />

RMS .{E} * acronym for root-mean-square.<br />

robótica .{Es} * see robotics .{E}.<br />

robotics .{E} * The use <strong>of</strong> robots in <strong>the</strong> au<strong>to</strong>mation <strong>of</strong> a<br />

given operation. .{D= ?; Es= robótica; F= robotique}.<br />

robotique .{F} * see robotics .{E}.<br />

roce de aguja .{Es} * see needle dig (ND) .{E}.<br />

roce de la punta (sobre la superficie del disco fonográfico)<br />

.{Es} * see stylus drag .{E}.<br />

rodaje en exteriores .{Es} * see location .{E}.<br />

rodaje imagen por imagen (fo<strong>to</strong>grama a fo<strong>to</strong>grama) .{Es}<br />

* see s<strong>to</strong>p-motion pho<strong>to</strong>graphy .{E}.<br />

rodaje imágen por imágen .{Es} * see s<strong>to</strong>p-motion


pho<strong>to</strong>graphy .{E}.<br />

rodar de nuevo un plano .{Es} * see retake .{E}.<br />

rodar por segunda vez una escena .{Es} * see retake .{E}.<br />

rodillo .{Es} * see brayer .{E}.<br />

rodillo prensador .{Es} * see pressure roller .{E}.<br />

rognure .{F} * see chip .{E}.<br />

Rohmaterial .{D} * see raw s<strong>to</strong>ck .{E}.<br />

Röhre .{D} * see vacuum tube .{E}.<br />

Rohschnitt .{D} * see rough cut .{E}.<br />

rojo-verde-azul .{Es} * see red-green-blue (RGB) .{E}.<br />

rôle de composisition .{F} * see character .{E}.<br />

rôle secondaire .{F} * see bit .{E}.<br />

roll .{E} * 1) A reel wound with a standard length <strong>of</strong> film or<br />

tape.46.(22.) 2) The act placing <strong>the</strong> film or tape on <strong>the</strong> reel.<br />

3) The movement <strong>of</strong> <strong>the</strong> camera which occurs when it is<br />

rotated around <strong>the</strong> axis which runs longitudinally from <strong>the</strong><br />

lens <strong>to</strong> <strong>the</strong> subject; see also tilt, pan.30. .{D= 1) Rolle; Es=<br />

1) rollo; bobina; 2) enrollar, 3) movimien<strong>to</strong> de cámara; F=<br />

1) bobine 2) enrouler; embobiner 3) mouvement de<br />

caméra}.<br />

roll micr<strong>of</strong>ilm .{E} * Micr<strong>of</strong>ilm that is or can be put on a reel,<br />

spool, or core.40. .{D= ?; Es= micr<strong>of</strong>ilme en rollo; F=<br />

rouleau de micr<strong>of</strong>ilm}.<br />

roll-<strong>of</strong>f .{F} * see high frequency roll-<strong>of</strong>f .{E}.<br />

Rolle .{D} * see reel .{E}; roll .{E}.<br />

Rollgestellanlage .{D} * see compact shelving .{E}.<br />

rollo .{Es} * see reel (2) .{E}; reel flange .{E}; roll (1) .{E}.<br />

rollo de cinta .{Es} * see tape pack .{E}.<br />

rollo de papel de un piano mecánico .{Es} * see piano roll<br />

.{E}.<br />

rollo de pellizco .{Es} * see pinch roller .{E}.<br />

rollo de sincronización .{Es} * see sync roll .{E}.<br />

rollo estándar .{Es} * see standard roll .{E}.<br />

rollos de intertítulo .{Es} * see intertitle rolls/title bands .{E}.<br />

rollos de producción .{Es} * see production rolls .{E}.<br />

ROM .{E} * acronym for read-only-memory.<br />

romanización .{Es} * see Romanization .{E}.<br />

Romanization .{E} * The conversion <strong>to</strong> Roman-alphabet<br />

form <strong>of</strong> textual data not written in <strong>the</strong> Roman alphabet.(12.)<br />

.{D= ?; Es= romanización; F= conversion en caractères<br />

Romains; caractère Romain}.<br />

ronflement (sur une image) .{F} * see hum bars .{E}.<br />

ronflette .{F} * see hum; rumble .{E}.<br />

ronronnement .{F} * see hum; rumble .{E}.<br />

room noise, room sound .{E} * In an audio recording, <strong>the</strong><br />

particular quality that sound has in a certain location. Often<br />

recorded separately and added later.(30.) Also referred <strong>to</strong><br />

195<br />

as background (BG) or natural sound. .{D= Raumakustik;<br />

Es= sonido [ruido] ambiente; F= bruit (de fond)<br />

d'ambiance; bruit de salle; bruit de chambre}.<br />

room sound .{E} * see room noise.<br />

Rostfleck .{D} * see corrosion stain .{E}.<br />

rot-grün-blau .{D} * see red-green-blue (RGB) .{E}.<br />

rotación (rápido) .{Es} * see slewing .{E}.<br />

rotary camera .{E} * A type <strong>of</strong> micr<strong>of</strong>ilm camera that<br />

pho<strong>to</strong>graphs documents while <strong>the</strong>y are being moved by<br />

some form <strong>of</strong> transport mechanism. The document<br />

transport mechanism is connected <strong>to</strong> a film-transport<br />

mechanism, and <strong>the</strong> film also moves during exposure so<br />

<strong>the</strong>re is no difference in <strong>the</strong> rate <strong>of</strong> relative movement<br />

between <strong>the</strong> film and <strong>the</strong> image <strong>of</strong> <strong>the</strong> document. Both<br />

sides <strong>of</strong> <strong>the</strong> document can be filmed; see also planetary<br />

camera; step-and-repeat camera.40.(22.) .{D=<br />

Durchlaufkamera; Es= cámera rota<strong>to</strong>ria; F= caméra<br />

cinétique}.<br />

rotary head digital audio tape (R-DAT or DAT) .{D;E;Es;F}<br />

* An audio recording utilizing digital magnetic tape. The<br />

3.81-mm wide high-coercivity metal particle or barium<br />

ferrite metal particle (Mp) cassette housed tape is pulled<br />

across a rotary head for <strong>the</strong> recording <strong>of</strong> helical-scan<br />

tracks. Originally expected <strong>to</strong> replace compact cassettes<br />

in <strong>the</strong> consumer market, it has acquired a remarkable<br />

acceptance in (semi-) pr<strong>of</strong>essional applications.<br />

rotary head digital audio tape recorder (R-DAT or DAT)<br />

.{D;E} * A machine <strong>to</strong> make R-DAT tape recordings; see<br />

also rotary head digital audio tape. .{F= magné<strong>to</strong>phone<br />

numérique à tête <strong>to</strong>urnante (R-DAT ou DAT); Es=<br />

magnetófono digital de cabeza rotacional [rota<strong>to</strong>ria]}.<br />

rota<strong>to</strong>ria .{Es} * see rotary head digital audio tape recorder<br />

(R-DAT or DAT) .{D;E}.<br />

rotulación .{Es} * see label .{E}.<br />

rouge-vert-bleu .{F} * see red-green-blue (RGB) .{E}.<br />

rough cut .{E} * 1) A preliminary trial stage in <strong>the</strong> process<br />

<strong>of</strong> editing a moving-image production in which shots,<br />

scenes, and sequences are laid out in approximate<br />

relationship, without detailed attention <strong>to</strong> <strong>the</strong> individual<br />

cutting points.(09.) 2) The first assembly <strong>of</strong> a movingimage<br />

production which <strong>the</strong> edi<strong>to</strong>r prepares from <strong>the</strong><br />

selected takes, joining <strong>the</strong>m in <strong>the</strong> order planned in <strong>the</strong><br />

script, but leaving finer points <strong>of</strong> timing and editing <strong>to</strong> a<br />

later stage.(30.) .{D= Rohschnitt; Es= montaje previo;<br />

primer montaje; F= bout-à-bout}.<br />

rouille .{F} * see corrosion stain .{E}.<br />

rouleau .{F} * see spool .{E}.<br />

rouleau de micr<strong>of</strong>ilm .{F} * see roll micr<strong>of</strong>ilm .{E}.<br />

rouleau de piano mécanique .{F} * see organ roll; piano roll<br />

.{E}.<br />

roulette .{F} * see brayer .{E}.<br />

Round Table on <strong>Audiovisual</strong> Media .{E} * see International<br />

Federation <strong>of</strong> Library Associations and Institutions.<br />

Round Table on <strong>Audiovisual</strong> Records .{E} * A voluntary<br />

group set up in 1982 by IFLA and ICA which brings<br />

<strong>to</strong>ge<strong>the</strong>r a number <strong>of</strong> UNESCO non-governmental<br />

organizations, all international and all dealing with <strong>the</strong><br />

collection and use <strong>of</strong> audiovisual materials. Member<br />

organizations are FIAF, FIAT, IASA, ICA, IFLA, and<br />

UNESCO. Key areas <strong>of</strong> activity have included all aspects


<strong>of</strong> training, copyright, and related issues, and access <strong>to</strong><br />

materials. A sub-committee <strong>of</strong> <strong>the</strong> Round Table is <strong>the</strong><br />

Technical Coordinating Committee which advises <strong>the</strong><br />

Round Table on technical issues and holds a Joint<br />

Technical Symposium every two or three years which<br />

attracts technical experts worldwide, <strong>the</strong> purpose <strong>of</strong> which<br />

is <strong>to</strong> discuss and develop ways <strong>of</strong> improving <strong>the</strong><br />

preservation prospects <strong>of</strong> audiovisual materials. .{D= ?;<br />

Es= tabla redonda de grabaciones audiovisuales; F= table<br />

ronde sur les enregistrements audiovisuels}.<br />

routing switcher .{E} * An electronically controlled matrix<br />

that allows one <strong>of</strong> a number <strong>of</strong> inputs <strong>to</strong> be connected <strong>to</strong><br />

one or many outputs; an electronic version <strong>of</strong> a patch<br />

panel, but more flexible and without mechanical contacts.<br />

.{D= ?; Es= conmutador de distribución; interrup<strong>to</strong>r;<br />

conmutador-mezclador; F= matrice de commutation}.<br />

row .{E} * Two or more bays <strong>of</strong> shelving connected end <strong>to</strong><br />

end along <strong>the</strong> same axis; also called a run.22. .{D= Reihe;<br />

Es= fila de estanterías; estantería; F= travée en épi simple<br />

face; epi simple face}.<br />

Royal Purple Amberol Records .{D;E;Es;F} * A special<br />

series <strong>of</strong> seventy-seven (77) Blue Amberol cylinders<br />

issued by <strong>the</strong> Edison Co. in 1913 and from 1917 <strong>to</strong><br />

1921.(14.)<br />

rozadura .{Es} * see rub .{E}; rubbing see rub .{E}.<br />

RPM .{E} * acronym for revolutions per minute.<br />

RR .{E} * acronym for re-recording.<br />

rs 232; rs 422 .{D;E;Es;F} * Standard serial data<br />

communications pro<strong>to</strong>cols for transmitting data between<br />

computers; generally limited <strong>to</strong> speeds <strong>of</strong> 56 kilobits per<br />

second.<br />

RTOS .{E} * acronym for real-time operating system.<br />

rub .{E} * Commonly used defect term for sound<br />

recordings which refers <strong>to</strong> a visible mark on <strong>the</strong> surface <strong>of</strong><br />

<strong>the</strong> recording (usually caused by ano<strong>the</strong>r item or material<br />

having come in contact with <strong>the</strong> surface) which may not<br />

actually cause any dis<strong>to</strong>rtion in playback. It is used<br />

interchangeably with scuff.04. .{D= ?; Es= rozadura; F=<br />

défaut d'aspect provoqué par des frottements; défacer par<br />

frottement}.<br />

ruban adhésif .{F} * see pressure-sensitive label/tape .{E}.<br />

ruban de guidage .{F} * see leader tape .{E}.<br />

ruban de montage .{F} * see splicing tape .{E}.<br />

ruban double face .{F} * see double-coated tape .{E}.<br />

rubbing .{E} * see rub.<br />

Rückhalte-Bandzug .{D} * see holdback tension .{E}.<br />

Rückkopplung .{D} * see feedback .{E}.<br />

Rückseitenbeschichtung .{D} * see back coating .{E}.<br />

Rückseitenmattierung .{D} * see back coating .{E}.<br />

Rückspulen .{D} * see rewinding .{E}.<br />

Rückwickeltaste .{D} * see rewind control .{E}.<br />

rueda de pellizco .{Es} * see pinch roller .{E}.<br />

rueda de presión .{Es} * see pinch roller .{E}.<br />

rugosa .{Es} * see coarse groove .{E}.<br />

196<br />

rugosité .{F} * see bump .{E}.<br />

ruido .{Es} * see noise .{E}.<br />

ruido alea<strong>to</strong>rio .{Es} * see random noise .{E}.<br />

ruido ambiente .{Es} * see ambient noise .{E}; room noise<br />

.{E}.<br />

ruido áspero .{Es} * see buzz .{E}.<br />

ruido blanco .{Es} * see white noise .{E}.<br />

ruido de arrastre .{Es} * see scrape .{E}.<br />

ruido de baja frecuencia producido durante la<br />

reproducción y debida a alguna irregularidad en la pista<br />

sonora de la película .{Es} * see bump .{E}.<br />

ruido de fondo .{Es} * see noise floor .{E}.<br />

ruido de superficie (aguja <strong>to</strong>cadiscos) .{Es} * see surface<br />

noise .{E}.<br />

ruido del sistema .{Es} * see system noise .{E}.<br />

ruido estático .{Es} * see quiescent noise .{E}.<br />

ruido ponderado .{Es} * see weighted noise .{E}.<br />

ruido producido por asperezas .{Es} * see asperity noise<br />

.{E}.<br />

ruido seco .{Es} * see click .{E;Es}.<br />

ruido sordo (y prolongado) .{Es} * see rumble .{E}.<br />

ruidos transi<strong>to</strong>rios .{Es} * see transient sounds .{E}.<br />

rumble .{E} * A disagreeable noise <strong>of</strong> very low pitch or<br />

frequency, peculiar <strong>to</strong> <strong>the</strong> turntable and associated drive<br />

mechanisms <strong>of</strong> disc recording and player systems. Rare <strong>to</strong><br />

non-existent in tape systems unless present in prerecorded<br />

tapes and reproduced by <strong>the</strong> tape recorder.16.<br />

Low frequency noise generally caused by <strong>the</strong> playback or<br />

recording equipment (i.e., a turntable or tape transport).<br />

Rumble sometimes can be heard from <strong>the</strong> audio recording<br />

itself, having been induced during <strong>the</strong> recording or cutting<br />

stages.(04.) .{D= Rumpeln; Es= ruido sordo (y<br />

prolongado); F= ronronnement; ronflette; bruire}.<br />

Rumpeln .{D} * see rumble .{E}.<br />

run .{E} * see row.<br />

run-in/run-out grooves .{E} * see lead-in/lead-out.<br />

run-up .{E} * see cue marks.<br />

run-up marks .{E} * see cue marks.<br />

Rundfunksendung .{D} * see broadcast .{E;F}.<br />

run<strong>of</strong>f rim .{E} * see rim.<br />

Runzeln .{D} * see cockle/cockling .{E}.<br />

rushes .{E;F} * prints <strong>of</strong> takes <strong>of</strong> a moving-image<br />

production which are made immediately after a day's<br />

shooting so that <strong>the</strong>y can be viewed before <strong>the</strong> next day's<br />

shooting; see also answer print; dailies.30. .{D=<br />

Bildmuster; Es= produccíon del día; copión; F= rushes;<br />

productions journalières; épreuves; bouts}.<br />

rushes .{F} * see dailies (rushes) .{E}.<br />

RVB .{F} * see RGB 5:5:5 .{D;E}.<br />

s ---


s channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present assigned <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal s; F= canal s}.<br />

S-VHS .{E;Es;F} ** acronym for super-vhs. .{D= ?}.<br />

saccade d'images .{F} * see stroboscope .{E}.<br />

sacudidas (de la imagen) .{Es} * see jitter .{D;E}.<br />

saddle warp .{E} * A description <strong>of</strong> warpage <strong>of</strong> double<br />

sided vinyl discs which may occur if <strong>the</strong> paper grain <strong>of</strong> <strong>the</strong><br />

labels on each side do not run in <strong>the</strong> same direction when<br />

affixed <strong>to</strong> <strong>the</strong> vinyl since <strong>the</strong> natural curl <strong>of</strong> <strong>the</strong> paper may<br />

put unequal stress on <strong>the</strong> record's centre surface.(04.)<br />

.{D= ?; Es= alabeo en forma de silla de montar (discos<br />

fonográficos); F= double déformation}.<br />

safelight .{E} * An enclosed darkroom lamp fitted with a<br />

filter <strong>to</strong> screen out light rays <strong>to</strong> which film is sensitive.09.<br />

.{D= ?; Es= luz de seguridad; F= lumière inactinique;<br />

lampe de sûreté}.<br />

safety film .{E} * A slow-burning film as defined by ANSI<br />

PH1.25, PH22.31. The term is used interchangeably with<br />

acetate base film and polyester base film.(09.40.) .{D=<br />

Sicherheitsfilm; Es= película de seguridad (película<br />

ininflamable); F= film faiblement inflammable; film<br />

inflammable}.<br />

safety master .{E} * A duplicate <strong>of</strong> a master, generally<br />

created and maintained as a protection against <strong>the</strong><br />

damage or loss <strong>of</strong> <strong>the</strong> master; also known as protection<br />

copy; see also security copy.(04.) .{D= Sicherheitskopie;<br />

Es= copia matriz de seguridad; F= master de sécurité}.<br />

sala limpia .{Es} * see clean room .{E}.<br />

salida .{Es} * see output .{E}; outtake .{E}.<br />

salida de ordenador para micr<strong>of</strong>ilme o micr<strong>of</strong>orma .{Es} *<br />

see computer output micr<strong>of</strong>ilm/micr<strong>of</strong>orm (COM) .{E}.<br />

salissure .{F} * see buildup .{E}.<br />

salle blanche .{F} * see clean room .{E}.<br />

Salmiak .{D} * see ammonium chloride .{E}.<br />

sal<strong>to</strong> de imagen .{Es} * see jump cut .{E}.<br />

sample-and-hold circuit (SH) .{E} * A circuit which captures<br />

and holds an analogue signal for a finite period <strong>of</strong> time.<br />

The input s/h proceeds <strong>the</strong> a/d converter, allowing time for<br />

conversion. The output s/h follows <strong>the</strong> d/a converter,<br />

smoothing glitches and compensating for aperture error;<br />

see also aperture circuit.(39.) .{D= Sample-and-hold-<br />

Schaltung; Es= circui<strong>to</strong> de muestreo y retención; F= circuit<br />

échantillonneur-bloqueur; prise d'enchantillions}.<br />

Sample-and-hold-Schaltung .{D} * see sample-and-hold<br />

circuit (SH) .{E}.<br />

sampling .{E} * In digital data, <strong>the</strong> process <strong>of</strong> repre-senting<br />

<strong>the</strong> amplitude <strong>of</strong> a signal at a particular point in time; see<br />

also sampling rate.(39.) .{D= Abtasten; Sampling; Es=<br />

muestreo; conmutación; F= échantillonnage}.<br />

sampling frequency .{E} * see sampling rate.<br />

sampling rate .{E} * The rate or frequency at which an<br />

analogue signal is analyzed during <strong>the</strong> D/A conversion;<br />

generally expressed in Hertz; see also sampling; sampling<br />

<strong>the</strong>orem (Nyquist).(04.39.) .{D= Abtastrate;<br />

Abtastfrequenz; Es= frecuencia [ritmo, régimen] de<br />

muestreo; F= taux d'échantillonnage; fréquence<br />

d'échantillonnage}.<br />

197<br />

sampling <strong>the</strong>orem (Nyquist) .{E} * A <strong>the</strong>orem stating that a<br />

band limited continuous wave form may be represented by<br />

a series <strong>of</strong> discrete samples if <strong>the</strong> sampling frequency is at<br />

least twice <strong>the</strong> highest fre-quency contained in <strong>the</strong><br />

waveform.39. .{D= Abtast<strong>the</strong>orem; Es= teorema del<br />

muestreo (de Nyquist); F= théorème d'échantillonnage}.<br />

Sampling .{D} * see sampling .{E}.<br />

sans relief .{F} * see flat image .{E}.<br />

SAR .{E} * acronym for successive approxi-mation<br />

register.39.<br />

Saticon .{E;F} ** A pho<strong>to</strong>conductive tube which has been<br />

largely replaced by charge-coupled devices (CCD). .{D= ?;<br />

Es= Saticón}.<br />

Saticón .{Es} * see Saticon .{E}.<br />

satinado en un ferrotipo .{Es} * see ferrotyping .{E}.<br />

Sättigung .{D} * see saturation .{E;F}.<br />

saturación .{Es} * see saturation .{E;F}.<br />

saturation .{E;F} * 1) The condition reached in magnetic<br />

tape recording where output does not increase with<br />

increased input; additional input beyond saturation causes<br />

dis<strong>to</strong>rtion. Useful for defining reference output levels, since<br />

it is independent <strong>of</strong> bias current.(04.16.) 2) The intensity <strong>of</strong><br />

<strong>the</strong> colour in a video picture as expressed in <strong>the</strong> ratio <strong>of</strong><br />

luminance <strong>to</strong> chrominance information.(35.) .{D=<br />

Sättigung; Es= saturación}.<br />

saturation .{F} * see also SC/H .{E}.<br />

saturation (acoustique) .{F} * see clipping .{E}.<br />

saturation de l'image vidéo .{F} * see bloom .{E}.<br />

Säure .{D} * see acidity .{E}.<br />

Säuregehalt .{D} * see acidity .{E}.<br />

Säurewanderung .{D} * see acid migration .{E}.<br />

saut de montage .{F} * see<br />

scanning beam .{E} * 1) In television, <strong>the</strong> regular<br />

movement <strong>of</strong> a spot <strong>of</strong> light or electron beam producing<br />

<strong>the</strong> raster in a television sys-tem. 2) In motion picture<br />

projection, a narrow slit <strong>of</strong> parallel rays <strong>of</strong> light that scans<br />

<strong>the</strong> optical soundtrack. .{D= Abtaststrahl; 2) ?; Es= haz<br />

explorador [de exploración]; F= faisceau analyseur; spot<br />

d'analyse; balayer l'image à transmettre}.<br />

scanning electron microscope .{E} * An instrument used <strong>to</strong><br />

examine very small objects, such as record grooves.(04.)<br />

.{D= ?; Es= microscopio electrónico de barrido; F=<br />

microscope électronique à balayage}.<br />

scéance d'enregistrement .{F} * see recording session .{E}.<br />

scénario adaptation .{F} * see treatment .{E}.<br />

scénario-maquette .{F} * see s<strong>to</strong>ry board .{E}.<br />

scénariste .{F} * see screenwriter .{E}.<br />

scene .{E} * The 'paragraph' <strong>of</strong> a moving-image<br />

production; a series <strong>of</strong> shots (or a single shot) which take<br />

place in a single location and deal with a single action; see<br />

also shot, sequence. (30.) .{D= Szene; Es= escena; F=<br />

scène}.<br />

scène .{F} * see scene .{E}.


scènes en parallèle .{F} * see parallel action .{E}.<br />

Schachtel .{D} * see box .{E}.<br />

Schaden .{D} * see defect .{E}.<br />

Schaden durch Schichtverklebung .{D} * see blocking .{E}.<br />

Schädling .{D} * see vermin .{E}.<br />

Schädlingsbekämpfung .{D} * see disinfest .{E}.<br />

Schall .{D} * see sound .{E}.<br />

Schallarchiv .{D} * see audio archives .{E}.<br />

Schallaufnahme .{D} * see phonogram .{E}.<br />

Schallaufnahmegerät .{D} * see sound recorder .{E}.<br />

Schallblech .{D} * see diaphragm .{E}.<br />

Schallgeschwindigkeit .{D} * see speed <strong>of</strong> sound .{E};<br />

sound speed .{E}.<br />

Schallplatte .{D} * see audio disc .{E}; disc .{E}; record .{E}.<br />

Schaltuhr .{D} * see circuit .{E;F}.<br />

scharf einstellen .{D} * see focus .{E}.<br />

Schärfe .{D} * see sharpness .{E}.<br />

Scheinwerfer<strong>to</strong>r .{D} * see barn doors .{E}.<br />

Schicht .{D} * see emulsion .{D;E}.<br />

Schichtablösung .{D} * see peeling .{E}.<br />

Schichtabrieb .{D} * see oxide shedding .{E}.<br />

Schichtdicke .{D} * see coating thickness .{E}.<br />

Schichtseite .{D} * see emulsion side .{E}.<br />

Schichtträger .{D} * see base .{E;Es}.<br />

Schichtweiderstand .{D} * see coating resistance .{E}.<br />

Schiebeblende .{D} * see wipe<br />

Schleier .{D} * see fog .{E}.<br />

Schleife .{D} * see loop .{E}.<br />

Schlupf .{D} * see creep .{E}.<br />

Schneidetisch .{D} * see editing table .{E}.<br />

Schneidkennlinien-Entzerrung .{D} * see characteristic<br />

curve .{E}.<br />

Schneidstichel .{D} * see stylus .{E}.<br />

schneller Vorlauf .{D} * see fast forward .{E}.<br />

schneller Wickel .{D} * see fast wind .{E}.<br />

Schnitt .{D} * see cut; editing .{E}.<br />

Schnittkopie .{D} * see fine cut .{E}.<br />

Schnittmeister .{D} * see edi<strong>to</strong>r .{E}.<br />

Schnittreste .{D} * see trims .{E}.<br />

Schrägspuraufzeichnung .{D} * see helical scan .{D;E}.<br />

198<br />

Schramme .{D} * see scratch .{E}.<br />

Schrammen .{D} * see abrasions .{E}.<br />

schreiben .{D} * see write .{E}.<br />

Schriftgut .{D} * see record .{E}.<br />

Schriftstück .{D} * see document .{E}; item .{E}.<br />

Schrittschaltkamera .{D} * see planetary camera .{E}.<br />

Schrumpfung .{D} * see shrinkage .{E}.<br />

Schutzhülle .{D} * see dust jacket .{E}; sleeve .{E}.<br />

Schutzschicht .{D} * see protective layer .{E}.<br />

Schwärzung .{D} * see density .{E}.<br />

Schwenk .{D} * see pan .{E}.<br />

Schwingung .{D} * see cycle .{E;F}.<br />

scintillement .{F} * see flicker; flickering; flutter .{E}.<br />

scoop .{E} * A floodlight employed <strong>to</strong> illuminate large areas<br />

at close range. .{D= ?; Es= reflec<strong>to</strong>r cóncavo; F= bol;<br />

lampe flood}.<br />

scope .{E} * Abbreviation <strong>of</strong> Cinemascope, and, by<br />

extension, all anamorphic film processes.30. 2) A term<br />

used in electronics and o<strong>the</strong>r technical fields which refers<br />

<strong>to</strong> an oscilloscope. 3) The action <strong>of</strong> measuring electronic<br />

signals with an oscilloscope. .{D= ?; Es= 1) abreviatura de<br />

Cinemascope; 2) coloquialmente, osciloscopio; F= ?}.<br />

scrape .{E} * Commonly used defect term for sound<br />

recordings <strong>to</strong> describe a visible marring <strong>of</strong> <strong>the</strong> surface that<br />

appears <strong>to</strong> be deeper or more serious than a scuff or rub<br />

and which may cause some degree <strong>of</strong> sonic dis<strong>to</strong>rtion.(04.)<br />

.{D= ?; Es= rasguño; arañazo; ruido de arrastre; F=<br />

éraflure; gratter; grincement}.<br />

scratch track .{E} * In video production, a rough (low<br />

quality) audio recording is laid down as a timing reference<br />

<strong>to</strong> insure <strong>the</strong> proper sequence <strong>of</strong> video edits. This rough<br />

track is referred <strong>to</strong> as a scratch track. It is a guide and is<br />

intended <strong>to</strong> be replaced. .{D= ?; Es= pista de<br />

sincronización; pista de mezclas; F= piste de<br />

synchronisation}.<br />

screen .{E} * 1) A surface upon which an image is<br />

projected, such as a motion-picture screen. 2) To show or<br />

project an image upon a screen. .{D= Leinwand; Es=<br />

pantalla; F= écran; trame; grille (visionner)}.<br />

screen brightness .{E} * Measure <strong>of</strong> light reflected from a<br />

screen when a motion picture film projec<strong>to</strong>r is directed on<br />

<strong>to</strong> it with <strong>the</strong> mo<strong>to</strong>r running but no motion picture film in <strong>the</strong><br />

gate. It thus takes in<strong>to</strong> account <strong>the</strong> brightness <strong>of</strong> <strong>the</strong> light<br />

sources, light losses in lens system and shutter, and<br />

screen reflectance. .{D= ?; Es= brillo [iluminancia] de<br />

pantalla; F= brillance de l'écran; clarté d'écran}.<br />

screening .{E} * An event where a motion-picture image is<br />

projected upon a screen. .{D= Laufzeit eines Films; Es=<br />

proyección de una película (en pantalla grande); F=<br />

visionnage; mettre à l'écran; passage d'un film}.<br />

screenplay .{E} * An ambiguous term, generally referring<br />

<strong>to</strong> a scenario or script written in a form suitable for a<br />

moving-image production; may be quite detailed or it may<br />

be a simple outline; see also treatment.(30.) .{D= ?; Es=<br />

adaptación cinema<strong>to</strong>gráfica de una novela o guión; F=<br />

script; mettre une pièce à l'écran}.<br />

screenwriter .{E} * The writer <strong>of</strong> an original script or <strong>the</strong>


adapter <strong>of</strong> a pre-existing work for <strong>the</strong> purposes <strong>of</strong> creating<br />

a moving-image production.(12.) .{D= Drehbuchau<strong>to</strong>r; Es=<br />

guionista; F= écrivain de l'écran; scénariste}.<br />

scrim .{E} * 1) In pho<strong>to</strong>graphic or moving-image parlance,<br />

an opaque plate placed in front <strong>of</strong> a light in order <strong>to</strong> cast a<br />

particular shadow, usually <strong>to</strong> create <strong>the</strong> illusion <strong>of</strong> natural<br />

light. Synonymous with mull; see also gobo; diffuser.(30.)<br />

2) A light diffusion material placed in front <strong>of</strong> a lighting<br />

fixture in video production <strong>to</strong> s<strong>of</strong>ten or diminish <strong>the</strong><br />

intensity <strong>of</strong> light projected. 3) The action <strong>of</strong> placing scrim<br />

material in a light fixture. .{D= ?; Es= gasa difusora;<br />

pantalla translúcida difusora; F= diffuseur; canevas léger;<br />

écran diffuseur}.<br />

scrim frame .{E} * A metal frame used <strong>to</strong> hold scrim in front<br />

<strong>of</strong> a lighting fixture in video production <strong>to</strong> s<strong>of</strong>ten or diminish<br />

<strong>the</strong> intensity <strong>of</strong> light projected. .{D= ?; Es= bastidor en el<br />

que se monta la gasa [pantalla] difusora; F= support de<br />

filtre diffuseur}.<br />

script .{F} * see screenplay .{E}.<br />

seal pot .{E} * Tank containing agents that can neutralize<br />

DEZ; used <strong>to</strong> remove DEZ vapours from effluent vapours<br />

before releasing <strong>the</strong>m <strong>to</strong> <strong>the</strong> atmosphere.(07.) .{D= ?; Es=<br />

recipiente estanco; F= ?}.<br />

secado en cámara de vacío .{Es} * see vacuum drying<br />

.{E}.<br />

SECAM .{D;E;Es;F} * abbreviation for Séquential Couleur<br />

à Mémoire.<br />

SECAM television standard .{D;E;Es;F} * The 625 line, 50<br />

fields, 25 frames per second colour television standard<br />

developed in France which utilizes a single-frequency<br />

modulated subcarrier for transmission <strong>of</strong> <strong>the</strong> chrominance<br />

channel; used in France, Eastern Europe, U.S.S.R., most<br />

<strong>of</strong> French-speaking African, and most Arabian countries;<br />

see also NTSC; PAL.(10.06.)<br />

SECAM video format .{E} * see SECAM television<br />

standard.<br />

sección .{Es} * see archive group .{E}.<br />

sección principal de la descripción bibliográfica .{Es} * see<br />

area .{E}.<br />

seccionador óptico .{Es} * see op<strong>to</strong>-isola<strong>to</strong>r .{E}.<br />

secciones de filme .{Es} * see clips .{E}.<br />

séchage a froid .{F} * see freeze drying .{E}.<br />

séchage par jet d'air .{F} * see air drying .{E}.<br />

séchage par le vide .{F} * see vacuum drying .{E}.<br />

second generation micr<strong>of</strong>ilm .{E} * A micr<strong>of</strong>ilm copy made<br />

from <strong>the</strong> camera film.33 Synonymous with first<br />

reproduction micr<strong>of</strong>ilm. .{D= ?; Es= micr<strong>of</strong>ilme de segunda<br />

generación; F= micr<strong>of</strong>ilm de seconde génération}.<br />

second harmonic carrier .{E} * The RMS carrier level in<br />

dBm in a specified bandwidth centered at 2x <strong>the</strong> carrier<br />

frequency.46. .{D= ?; Es= portador de segunda armónica;<br />

F= porteuse de l'harmonique deux}.<br />

second original .{E} * When original pho<strong>to</strong>graphic prints or<br />

negatives are duplicated by any pho<strong>to</strong>graphic technique,<br />

<strong>the</strong> duplicate is <strong>of</strong>ten called a 'second original' by<br />

conserva<strong>to</strong>rs, cura<strong>to</strong>rs, etc.(05.) .{D= ?; Es= segundo<br />

original; original secundario; F= deuxième<br />

secretaria, adjunta del realizador .{Es} * see script girl<br />

.{D;E;F}.<br />

199<br />

secretario de rodaje .{Es} * see script girl .{D;E;F}.<br />

secteur .{F} * see sec<strong>to</strong>r; cut .{E}.<br />

sec<strong>to</strong>r .{E;Es} * 1) The smallest addressable part <strong>of</strong> <strong>the</strong><br />

recorded area on a CD-ROM that can be accessed<br />

independently <strong>of</strong> o<strong>the</strong>r addressable parts <strong>of</strong> <strong>the</strong> recorded<br />

area.20. 2) A 2352--byte block or frame <strong>of</strong> a CD-OM,<br />

complete with synchroni-zation and header field.(39.) .{D=<br />

Sek<strong>to</strong>r; F= secteur}.<br />

secuencia .{Es} * see sequence .{E}.<br />

secuencial .{Es} * see serial (1) .{E;F}.<br />

security copy .{E} * A copy <strong>of</strong> a document made in order <strong>to</strong><br />

preserve <strong>the</strong> information it contains in case <strong>the</strong> original is<br />

lost or damaged; see also safety master.(22.23.) .{D=<br />

Sicherungskopie; Es= copia de seguridad; F= copie de<br />

sécurité}.<br />

security micr<strong>of</strong>ilming .{E} * The use <strong>of</strong> micr<strong>of</strong>ilm <strong>to</strong> provide<br />

a security copy <strong>of</strong> still-image, printed and/or written textual,<br />

and similar documents.(22.23.) .{D= Sicherungsverfilmung;<br />

Es= micr<strong>of</strong>ilmación de seguridad; F=<br />

micr<strong>of</strong>ilmage de sécurité}.<br />

segment .{E;F} * 1) A constituent part <strong>of</strong> an audio or<br />

moving-image work. 2) In a newsreel, news film, or<br />

magazine format broadcast, one <strong>of</strong> <strong>the</strong> separate s<strong>to</strong>ries <strong>of</strong><br />

a given issue or broadcast.(12.) .{D= ?; Es= segmen<strong>to</strong>}.<br />

segmented scan .{E} * A classification <strong>of</strong> videotape<br />

recording in which each head scans a portion (segment) <strong>of</strong><br />

<strong>the</strong> TV field. An example is 2" quadruplex in which four<br />

video head on a drum scanned each TV field; see also<br />

alpha .{E}. .{D= ?; Es= exploración por segmen<strong>to</strong>s; F=<br />

balayage segmenté; fragmenté}.<br />

segmen<strong>to</strong> .{Es} * see segment .{E;F}.<br />

segregación .{Es} * see separation .{E}.<br />

seguidor catódico .{Es} * see cathode follower .{E}.<br />

seguimien<strong>to</strong> .{Es} * see tracing .{E}.<br />

seguimien<strong>to</strong> (de pista) .{Es} * see tracking (2) .{D;E}.<br />

seguimien<strong>to</strong> au<strong>to</strong>mático .{Es} * see au<strong>to</strong> tracking .{E}.<br />

seguimien<strong>to</strong> de pista lineal .{Es} * see straight line tracking<br />

.{E}.<br />

segundo original .{Es} * see second original .{E}.<br />

Seitenschrift .{D} * see lateral cut .{E}.<br />

Seitenschrift-Aufnahme .{D} * see lateral recording .{E}.<br />

Sek<strong>to</strong>r .{D} * see sec<strong>to</strong>r .{E}.<br />

Selbstentmagnetisierung .{D} * see self erasure .{E}.<br />

Selbstentmagnetisierung .{D} * see self-demagnetization<br />

.{E}.<br />

Selbstklebeband .{D} * see pressure-sensitive label/tape<br />

.{E}.<br />

Selbstschnittfolie .{D} * see lacquer disc .{E}.<br />

Selbstschnittfolte .{D} * see instantaneous disc .{E}.<br />

selección de bandas .{Es} * see cut (7) .{E}.<br />

Selectavision .{D;E;Es;F} * A holographic film process<br />

introduced by RCA and intended for <strong>the</strong> consumer market.


selection .{E} * see cut.<br />

sélection d'évènements sonores ou d'images vidéo<br />

indésirables .{F} * see spotting .{E}.<br />

sélection de programme .{F} * see set .{E}.<br />

selective erasure .{E} * A curative measure for magnetic<br />

tape recorded at <strong>to</strong>o high a level, or which has been<br />

exposed <strong>to</strong> high temperatures or AC fields; in particular,<br />

just prior <strong>to</strong> rerecording. Best accomplished by using a coil<br />

through which <strong>the</strong> tape is passed at recording speeds with<br />

reduced erase current from a recorder. Printthrough can<br />

be accelerated by this process, however; for this and o<strong>the</strong>r<br />

reasons <strong>the</strong> process is justified only in unusual cases and<br />

when <strong>the</strong> information will be lost or useless without <strong>the</strong><br />

procedure.(04.) .{D= selektive Löschung; Es= borrado<br />

selectivo; F= effacement sélectif}.<br />

selektive Löschung .{D} * see selective erasure .{E}.<br />

self erasure .{E} * The process by which a piece <strong>of</strong><br />

magnetized material tends <strong>to</strong> demagnetize itself by virtue<br />

<strong>of</strong> <strong>the</strong> opposing fields created within it by its own<br />

magnetization. This effect becom-demagnetization .{E} *<br />

The process by which a magnetized sample <strong>of</strong> magnetic<br />

material tends <strong>to</strong> demagnetize itself because <strong>of</strong> <strong>the</strong><br />

opposing fields created within it by its own magnetization;<br />

also known as self erasure. This effect becomes<br />

increasingly stronger at short wave lengths (high<br />

frequencies). It can be avoided by refraining from <strong>the</strong> use<br />

<strong>of</strong> excessive equalization boost at high frequen-cies, by<br />

avoiding extremes <strong>of</strong> temperature when s<strong>to</strong>ring tapes, and<br />

by using high quality tapes.(04.46.) .{D=<br />

Selbstentmagnetisierung; Es= ?; F= ?}.<br />

sellado con aceta<strong>to</strong> de celulosa empleando calor .{Es} *<br />

see cellulose acetate (2) .{E}.<br />

sellado herméticamente .{Es} * see hermetically sealed<br />

.{E}.<br />

seme .{E} * see semiology.<br />

semi-floating reproducer .{E} * A reproducer which was<br />

held in a carrier arm or suspended by <strong>the</strong> output tube; see<br />

also floating reproducer.(14.) .{D= ?; Es= reproduc<strong>to</strong>r<br />

semiflotante; F= appareil de reproduction semi-flottant}.<br />

sencillo .{Es} * see single .{E}.<br />

Sendedatum .{D} * see broadcast date .{E}.<br />

senden .{D} * see broadcast .{E;F}.<br />

Sender .{D} * see broadcast station .{E}.<br />

Sendestation .{D} * see broadcast station .{E}.<br />

sensibilidad .{Es} * see emulsion speed; sensitivity .{E}.<br />

sensibilidad (emulsión) .{Es} * see emulsion speed .{E}.<br />

sensibilidad crómatica .{Es} * see colour sensitivity .{E}.<br />

sensibilidad espectral .{Es} * see spectral sensitivity .{E}.<br />

sensibiliser .{F} * see sensitize .{E}.<br />

sensibilité .{F} * see emulsion speed; sensitivity .{E}.<br />

sensibilité chromatique .{F} * see colour sensitivity .{E}.<br />

sensibilité du film .{F} * see film speed .{E}.<br />

sensibilité spectrale .{F} * see spectral sensitivity .{E}.<br />

sensibilizado .{Es} * see sensitized paper .{E}.<br />

200<br />

sensibilizar .{Es} * see sensitize .{E}.<br />

sensible .{F} * see fast .{E}.<br />

sensible à la lumière .{F} * see pho<strong>to</strong>sensitive .{E}.<br />

sensing mark .{E} * In reprography, a mark on film or paper<br />

which activates a-ensitive chemicals for pho<strong>to</strong>graphic<br />

purposes; see also sensitized paper.19. .{D= ?; Es= papel<br />

(emulsionado) sensible a la luz; F= papier sensible}.<br />

sensitivity .{E} * 1) Regarding <strong>the</strong> capabilities <strong>of</strong> magnetic<br />

tape, <strong>the</strong> relative output for a given input in <strong>the</strong> linear (low<br />

dis<strong>to</strong>r-tion) portion <strong>of</strong> a tape's magnetic transfer<br />

characteristics. 2) Sensitivity data plotted as function <strong>of</strong><br />

frequency (or wave length) gives frequency response,<br />

usually relative <strong>to</strong> a standard reference tape.(16.) 3) For<br />

pho<strong>to</strong>graphic materials, <strong>the</strong> ability <strong>of</strong> an emulsion <strong>to</strong> form<br />

a latent image when exposed <strong>to</strong> light.09. .{D=<br />

Empfindlichkeit; Es= sensibilidad; F= efficacité; sensibilité}.<br />

sensitize .{E} * To coat or treat a material such as film,<br />

paper, or tape so as <strong>to</strong> make it sensitive <strong>to</strong> radiant<br />

energy.01. .{D= ?; Es= sensibilizar; activar; F=<br />

sensibiliser}.<br />

sensitized paper .{E} * Paper used in documentary<br />

reproduction which is coated with an emulsion sensitive <strong>to</strong><br />

light or heat as used in a <strong>the</strong>rmographic process.19. .{D=<br />

?; Es= papel emulsionado [sensibilizado]; F= papier<br />

sensibilisé}.<br />

sensi<strong>to</strong>mètre .{F} * see sensi<strong>to</strong>meter .{E}.<br />

sensi<strong>to</strong>metría .{Es} * see sensi<strong>to</strong>metry .{E}.<br />

sensi<strong>to</strong>metric curve .{E} * see characteristic curve.<br />

Sensi<strong>to</strong>metrie .{D} * see sensi<strong>to</strong>metry .{E}.<br />

sensi<strong>to</strong>métrie .{F} * see sensi<strong>to</strong>metry .{E}.<br />

sensitómetro .{Es} * see sensi<strong>to</strong>meter .{E}.<br />

sensi<strong>to</strong>metry .{E} * The study <strong>of</strong> <strong>the</strong> response <strong>of</strong> pho<strong>to</strong>graphic<br />

emulsions <strong>to</strong> light.09. .{D= Sensi<strong>to</strong>metrie; Es=<br />

sensi<strong>to</strong>metría; F= sensi<strong>to</strong>métrie}.<br />

sensor de fin de cinta .{Es} * see end-<strong>of</strong>-tape<br />

marker/sensor .{E}.<br />

señal .{Es} * see cue marks .{E}.<br />

señal acústica .{Es} * see slate <strong>to</strong>ne .{E}.<br />

señal adulterada producida artificialmente .{Es} * see<br />

artifact (1, 2, 3) .{E}.<br />

señal C .{Es} * see C signal .{E}.<br />

señal de crominancia .{Es} * see chrominance signal .{E}.<br />

señal de cuadrícula .{Es} * see grating signal .{E}.<br />

señal de entrada .{Es} * see input signal .{E}.<br />

señal de fin .{Es} * see mark-out .{E}.<br />

señal de fin de cinta .{Es} * see end-<strong>of</strong>-tape marker/sensor<br />

.{E}.<br />

señal de inicio .{Es} * see mark-in .{E}.<br />

señal de prueba .{Es} * see test signal .{E}.<br />

señal de sincronización (TV) .{Es} * see burst .{E}.<br />

señal de sonido .{Es} * see audio .{E}.


señal de vídeo .{Es} * see back porch .{E}.<br />

señal diferencial de color .{Es} * see colour difference<br />

signal .{E}.<br />

señal digital .{Es} * see digital signal .{E}.<br />

señal I .{Es} * see I signal .{E}.<br />

señal Y/C (NTSC) .{Es} * see Y signal .{E}.<br />

señales de sincronización .{Es} * see synchronization<br />

signals .{E}.<br />

separación .{Es} * see gap .{E}; partition .{E}; pitch (1) .{E};<br />

separation .{E}.<br />

separación (CD) .{Es} * see pitch (1) .{E}.<br />

separación de canales .{Es} * see channel separation .{E}.<br />

separación de negativos .{Es} * see separation negative<br />

.{E}.<br />

separación en escamas .{Es} * see flaking .{E}.<br />

separación entre cabeza y cinta .{Es} * see tape-<strong>to</strong>-head<br />

separation .{E}.<br />

separador de Haces (luminosos) .{Es} * see PBS .{E}.<br />

separador de haz .{Es} * see beam splitter .{E}.<br />

separador del haz de polarización .{Es} * see polarization<br />

beam splitter (PBS) .{E}.<br />

separar cortando .{Es} * see cut-away .{E}.<br />

separation .{E} * The degree <strong>to</strong> which two stereo signals<br />

are kept apart. Stereo realism is dependent on <strong>the</strong><br />

successful prevention <strong>of</strong> <strong>the</strong>ir mixture before reaching <strong>the</strong><br />

output terminals <strong>of</strong> <strong>the</strong> power amplifier. Tape systems<br />

have separation capability inherently far superior <strong>to</strong> that <strong>of</strong><br />

disc systems.16. .{D= Kanaltrennung; Es= separación;<br />

segregación; división; partición; F= séparation; extraction;<br />

tirage par extraction}.<br />

separation loss .{E} * The loss in output that occurs when<br />

<strong>the</strong> surface <strong>of</strong> <strong>the</strong> coating <strong>of</strong> a magnetic tape fails <strong>to</strong> make<br />

perfect contact with <strong>the</strong> surface <strong>of</strong> ei<strong>the</strong>r <strong>the</strong> record or<br />

reproduce head.46. .{D= Abstandsdämpfung; Es= pérdida<br />

(de señal) por separación entre la cabeza y la cinta (en<br />

registros magnéticos); F= perte (de niveau) par<br />

écartement}.<br />

séparation .{F} * see separation .{E}.<br />

séparation des voies .{F} * see channel separation .{E}.<br />

Separationsverfarben .{D} * see separation negative .{E}.<br />

sequence .{E} * The 'chapter' <strong>of</strong> moving-image<br />

productions, usually comprised <strong>of</strong> one or more scenes and<br />

forms a natural unit; see also shot, scene.(30.) .{D= ?; Es=<br />

secuencia; F= séquence de film}.<br />

sequence shot .{E} * A long and usually complicated shot<br />

<strong>of</strong>ten including complex camera movements and action;<br />

also called plan-sequence.30. .{D= ?; Es= plano<br />

secuencia; F= plan-séquence}.<br />

séquence d'actualités .{F} * see news clip .{E}.<br />

séquence de film .{F} * see sequence .{E}.<br />

séquense en boucle .{F} * see looping .{E}.<br />

sequential camera .{E} * see step-and-repeat camera.<br />

201<br />

serial .{E;F} * 1) Sequential presence <strong>of</strong> data along one<br />

conduc<strong>to</strong>r.39. 2) A publication in any medium issued in<br />

successive parts bearing numerical or chronological<br />

designations and intended <strong>to</strong> be continued indefinitely.<br />

Serials include periodicals, newspapers, annuals (reports,<br />

yearbooks, etc.), journals, memoirs, proceedings,<br />

transactions, etc., <strong>of</strong> societies, and numbered<br />

monographic series.(12.03.) 3) In film usage, a <strong>the</strong>atrical<br />

serial; a type <strong>of</strong> short subject film which was characterized<br />

principally by <strong>the</strong> episodic development <strong>of</strong> a s<strong>to</strong>ry which<br />

was presented in installments over a period <strong>of</strong> several<br />

weeks. The serial engaged audience interest in a hero or<br />

heroine whose exploits reached an unresolved crisis at <strong>the</strong><br />

end <strong>of</strong> each episode. The predominant genre <strong>of</strong> <strong>the</strong> serial<br />

was melodrama. Serials remained popular with motionpicture<br />

audiences until production <strong>of</strong> <strong>the</strong>m ceased in <strong>the</strong><br />

early 1950s. 4) In broadcast usage, a group <strong>of</strong><br />

programmes with <strong>the</strong>ir s<strong>to</strong>ry-line continued from episode<br />

<strong>to</strong> episode. .{D= ?; Es= 1) secuencial; consecutivo; 2,3,4)<br />

serial; novela o película en episodios}.<br />

serial cataloguing .{E} * see cataloguing.<br />

serial transmission format .{E} * A specification using biphase<br />

modulation for data, and balanced line drivers <strong>to</strong><br />

transmit digital audio data.39. .{D= ?; Es= forma<strong>to</strong> de<br />

transmisión en serie; serial; F= format de transmission<br />

série}.<br />

serie .{Es} * see series (1) .{E}.<br />

serie cronológia .{Es} * see chronological file .{E}.<br />

serie cronológica .{Es} * see chronological file .{E}.<br />

serie de expedientes .{Es} * see file .{E}.<br />

Serie .{D} * see series .{E}.<br />

série close .{F} * see closed record group .{E}.<br />

série de dessins animés .{F} * see strip .{E}.<br />

series .{E} * A group <strong>of</strong> separate items related <strong>to</strong> one<br />

ano<strong>the</strong>r by <strong>the</strong> fact that each item bears, in addition <strong>to</strong> its<br />

own title proper, a collective title applying <strong>to</strong> <strong>the</strong> group as<br />

a whole. The individual items may or may not be<br />

numbered.(12.) .{D= Serie; Es= 1) serie; cadena;<br />

sucesión; 2) película en episodios (por capítulos); F=<br />

séries; film à épisodes; feuille<strong>to</strong>n télévisé}.<br />

serrage de la bande .{F} * see tape pack .{E}.<br />

service copy .{E} * A copy created for use and intended for<br />

repeated playback; generally considered expendable. .{D=<br />

Arbeitskopie; Ansichtskopie; Es= copia para consulta; F=<br />

copie d'utilisation; copie de service; copie de distribution}.<br />

service duplicate .{E} * A duplicate <strong>of</strong> a service copy.(04.)<br />

.{D= Arbeitskopie; Es= duplicado de una copia de<br />

consulta; F= copie de service}.<br />

service transfer copy .{E} * see service copy.<br />

servomo<strong>to</strong>r de doble eje .{Es} * see two-axis actua<strong>to</strong>r .{E}.<br />

sesión de grabación .{Es} * see recording session .{E}.<br />

session d'enregistrement .{F} * see recording session .{E}.<br />

set .{E} * 1) In sound recordings, two or more recordings<br />

distributed as an album by <strong>the</strong> manufacturer, usually with<br />

an album or set number different from <strong>the</strong> individual issue<br />

numbers <strong>of</strong> <strong>the</strong> separate discs. 78-RPM sets were<br />

generally sold in book-like containers, although some<br />

manufacturers, particularly Europeans, occasionally<br />

distributed such sets in individual sleeves with no overall<br />

container or set number; see also album; box.(04.) 2) The


ackdrop in which a moving-image scene takes place. 3)<br />

A selection <strong>of</strong> songs and/or o<strong>the</strong>r musical selections<br />

played by a musical performer or group. .{D= 1) ?; 2)<br />

Dekoration; Bühne; 3) ?; Es= decorado; escenografía;<br />

plató; 1) ?; 2) decorado; escenografía; plató; 3) ?; F= 1)<br />

album; ensemble; 2) décor; plateau; 3) sélection de<br />

programme; ensemble}.<br />

set light .{E} * Auxiliary illumination <strong>of</strong> <strong>the</strong> background or<br />

set, in addition <strong>to</strong> <strong>the</strong> lighting supplied for <strong>the</strong> major<br />

subjects or areas. .{D= ?; Es= iluminación [alumbrado] del<br />

estudio; luces de estudio; F= éclairage d'appoint}.<br />

set-in .{E} * The procedure for establishing <strong>the</strong> beginning<br />

<strong>of</strong> a scene in a computer controlled video editing system.<br />

.{D= ?; Es= fijación de inicio (edición de vídeos); F=<br />

déclenchement début de séquence}.<br />

set-out .{E} * The procedure for establishing <strong>the</strong> end <strong>of</strong> a<br />

scene in a computer controlled video editing system. .{D=<br />

?; Es= fijación de final (edición de vídeos); F=<br />

déclenchement fin de séquence}.<br />

set-up .{E} * 1) The positioning <strong>of</strong> <strong>the</strong> equipment in making<br />

an audiovisual document (i.e., <strong>the</strong> camera/s for<br />

pho<strong>to</strong>graphing still- or moving-images; microphone/s <strong>to</strong><br />

pick-up audio signals, etc.)(30.). 2) The black level <strong>of</strong> a<br />

video signal is <strong>the</strong> set-up; also referred <strong>to</strong> as <strong>the</strong> pedestal.<br />

.{D= ?; Es= montaje de elemen<strong>to</strong>s escénicos; poner un<br />

decorado; instalar equipos portátiles para una emisión; F=<br />

niveau de noir; installation de l'équipement; montagearrangement}.<br />

settling time .{E} * The time required for a circuit, such as<br />

a d/a converter, <strong>to</strong> reach a stable output value.39. .{D= ?;<br />

Es= tiempo de estabilización [fijación]; F= durée de<br />

stabilisation}.<br />

sh circuit .{E} * see sample-and-hold circuit.<br />

shadow .{E} * An area <strong>of</strong> low density in negative images<br />

and a high density in positive images.42. .{D= ?; Es=<br />

sombra; oscuridad; sombra arrojada; F= ombre}.<br />

shadow mask .{E} * see aperture mask .{E}.<br />

shadow-mask kinescope .{E} * An electronic device used<br />

in large screen video. It has largely been replaced by <strong>the</strong><br />

projection kinescope. .{D= ?; Es= cinescopio de placa<br />

perforada; cinescopio de máscara de sombra; F=<br />

kinescope (à masque d'ombre)}.<br />

shallow focus .{E} * A pho<strong>to</strong>graphic technique using<br />

shallow depth <strong>of</strong> field <strong>to</strong> create a shallow focus plane,<br />

usually in order <strong>to</strong> direct <strong>the</strong> attention <strong>of</strong> <strong>the</strong> viewer <strong>to</strong> <strong>the</strong><br />

subject in that plane; see also deep focus, rack focus.(30.)<br />

.{D= ?; Es= enfoque con poca pr<strong>of</strong>undidad de campo; F=<br />

faible pr<strong>of</strong>ondeur de cham}.<br />

sharpness .{E} * 1) The visual sensation (subjective) <strong>of</strong> <strong>the</strong><br />

slope <strong>of</strong> <strong>the</strong> boundary between a light and a dark area. 2)<br />

The degree <strong>of</strong> (line/edge) clarity.40. 3) Visual sensation <strong>of</strong><br />

<strong>the</strong> abruptness <strong>of</strong> an edge.09. .{D= Schärfe; Es= nitidez;<br />

definición; delineación de con<strong>to</strong>rnos; fijar; nitidez; F= bloc<br />

de tête (optique); acuité; finesse; netteté}.<br />

shaver .{E} * 1) The device used <strong>to</strong> carry out <strong>the</strong> shaving<br />

<strong>of</strong> wax cylinders. 2) The person who shaved wax cylinders.<br />

.{D= ?; Es= raspador (operario); F= raboter}.<br />

shaving .{E} * A process <strong>of</strong> removing <strong>the</strong> playing grooves<br />

from a wax cylinder by paring <strong>the</strong> surface so that ano<strong>the</strong>r<br />

recording could be made on it. The standard shaving<br />

device, or shaver, consisted <strong>of</strong> a sapphire edged knife<br />

fixed <strong>to</strong> <strong>the</strong> carrier-arm <strong>of</strong> a cylinder machine and engaged<br />

<strong>to</strong> bear lightly on <strong>the</strong> cylinder's surface while <strong>the</strong> mo<strong>to</strong>r, or<br />

o<strong>the</strong>r power source, was allowed <strong>to</strong> run fast, <strong>the</strong> shaver<br />

advancing down <strong>the</strong> face <strong>of</strong> <strong>the</strong> cylinder until <strong>the</strong> entire<br />

202<br />

surface <strong>of</strong> <strong>the</strong> cylinder was wiped clean <strong>of</strong> <strong>the</strong> previous<br />

recording.(14.) .{D= ?; Es= afeitado; raspado; acción; F=<br />

rabotage; raser}.<br />

shedding .{E} * The loss <strong>of</strong> oxide or o<strong>the</strong>r particles from <strong>the</strong><br />

coating or backing <strong>of</strong> a magnetic tape, usually causing<br />

contamina-tion <strong>of</strong> <strong>the</strong> tape transport and, by redeposit, <strong>of</strong><br />

<strong>the</strong> tape itself.46. .{D= ?; Es= desprendimien<strong>to</strong> (de<br />

partículas de óxido de una cinta magnética); F= perte}.<br />

sheet .{E} * A single piece <strong>of</strong> paper, board, paper pulp,<br />

cellulose acetate film, etc. .{D= ?; Es= hoja; F= feuille}.<br />

sheet micr<strong>of</strong>ilm .{E} * Micr<strong>of</strong>ilm used in sheet ra<strong>the</strong>r than<br />

rolls. Generally <strong>the</strong> term applies <strong>to</strong> micr<strong>of</strong>iche.01. .{D= ?;<br />

Es= micr<strong>of</strong>icha; F= micr<strong>of</strong>ilm en feuille; feuille micr<strong>of</strong>ilm}.<br />

shelf .{E} * A thin, flat length <strong>of</strong> material (wood, metal, etc.),<br />

usually one <strong>of</strong> a set, built or set in<strong>to</strong> a frame or between<br />

two uprights or standards which support it, for <strong>the</strong> s<strong>to</strong>rage<br />

or materials.(22.) .{D= Regal; Regalbrett; Brett; Es= balda;<br />

entrepaño; anaquel; F= tablette}.<br />

shelf load .{E} * The maximum amount <strong>of</strong> weight a given<br />

shelf will hold. .{D= ?; Es= resistencia al peso de una<br />

balda; F= charge d'une tablette}.<br />

shell .{E} * A protective case for tape or film based<br />

materials in cassette or cartridge format. .{D= ?; Es=<br />

estuche [caja] protec<strong>to</strong>ra; F= boîtier}.<br />

shellac .{E} * 1) A term sometimes used, interchangeable<br />

with 78-RPM, <strong>to</strong> modify disc. 2) A <strong>the</strong>rmoplastic resin used<br />

as <strong>the</strong> basic ingredient in <strong>the</strong> production <strong>of</strong> disc recordings<br />

until supplanted by various vinyl formulations with <strong>the</strong><br />

advent <strong>of</strong> <strong>the</strong> microgroove LP disc. Shellac discs could be<br />

solid shellac s<strong>to</strong>ck or laminated on<strong>to</strong> a board, fibre, plastic<br />

or paper core.(04.) .{D= Shellack; Es= goma laca; F=<br />

laque; gomme-laque}.<br />

shellac record .{E} * A disc, usually played at a nominal 78-<br />

RPM, made <strong>of</strong> shellac. .{D= Shellakplatte; Es= disco de<br />

goma laca; F= disc laque}.<br />

Shellack .{D} * see shellac .{E}.<br />

Shellakplatte .{D} * see shellac record .{E}.<br />

shelving .{E} * 1) Collectively, <strong>the</strong> furniture upon which<br />

materials are s<strong>to</strong>red; also called racking. 2) The process <strong>of</strong><br />

placing materials on shelves.(22.) .{D= 1) Regalanlange;<br />

Regal; 2) Einlagerung; Magazinierung; Es= 1) estantería;<br />

2) estantear; poner [colocar] obje<strong>to</strong>s en estanterías; F= 1)<br />

rayonnage; 2) rangement}.<br />

shield front .{E} * A magnetic shield close <strong>to</strong> <strong>the</strong> front (<strong>to</strong>p)<br />

surface <strong>of</strong> <strong>the</strong> read/write head <strong>of</strong> magnetic recorders <strong>to</strong><br />

reduce 'feed through', i.e., cross-feed.(46.) .{D= ?; Es=<br />

blindaje; pantalla; F= blindage}.<br />

shipping environment .{E} * 1) The physical conditions at<br />

<strong>the</strong> time <strong>of</strong> or while shipping is taking place. 2) The<br />

recommended physical conditions for shipping, generally<br />

including a maximum and minimum temperature and<br />

relative humidity range, a maximum dew point, <strong>the</strong> range<br />

<strong>of</strong> altitude, <strong>the</strong> allowable levels <strong>of</strong> shock, and <strong>the</strong> allowable<br />

duration.(46.) .{D= klimatische Versandbedingungen;<br />

Versandbedingungen; Es= 1) estado físico de un obje<strong>to</strong> en<br />

el momen<strong>to</strong> de su envío; 2) condiciones ideales de envío;<br />

F= conditions de transport}.<br />

shock tensile strength .{E} * see impact strength.<br />

short .{E} * 1) A commercially released moving-image<br />

production that is brief in length, especially not more than<br />

three 35-mm reels (or <strong>the</strong> equivalent in time); not a<br />

feature.(12.) 2) In electronics a current path with no<br />

resistance is a short circuit. Usually, this is an abnormal


condition which causes an undesirable effect on <strong>the</strong><br />

electronic circuit. .{D= Kurzfilm; Es= cor<strong>to</strong>metraje; F= court<br />

métrage}.<br />

short-term film .{E} * Processed pho<strong>to</strong>graphic film with a<br />

shelf life expectancy <strong>of</strong> less than ten years; see also<br />

archival film; long-term film; medium-term film.(09.) .{D= ?;<br />

Es= película de conservación a cor<strong>to</strong> plazo; F= film de<br />

conservation à court terme}.<br />

shot .{E} * In still- and moving-image work, 1) a single run<br />

<strong>of</strong> <strong>the</strong> camera, 2) <strong>the</strong> sentence <strong>of</strong> film, and 3) <strong>the</strong> piece <strong>of</strong><br />

film resulting from such a run, regardless <strong>of</strong> however long<br />

or short without cuts, exposed continuously. A film may<br />

include more than a thousand shots or it may seem <strong>to</strong> be<br />

a single shot; see also aerial-, aster-, close--up-, detail-,<br />

dolly-, estab-lishing-, extreme long-, follow-, full long-,<br />

insert-, medium-, point <strong>of</strong> view-, scene sequence-, s<strong>to</strong>ck-,<br />

take-, tracking-, two-hot; camera angle; pan; zoom.(09.30.)<br />

.{D= Aufnahme; Einstellung; Es= <strong>to</strong>ma; plano; instantánea;<br />

fo<strong>to</strong>; F= plan; "prise" d'une scène}.<br />

shoulder .{E} * In still- and moving-image work, <strong>the</strong> high<br />

density portion <strong>of</strong> <strong>the</strong> characteristic curve where <strong>the</strong> slope<br />

changes with constant changes in exposure for a negative<br />

film <strong>the</strong> slope decreases and fur<strong>the</strong>r changes in exposure<br />

(log h) finally produce no increase in density because <strong>the</strong><br />

maximum density <strong>of</strong> <strong>the</strong> film has been reached; for a<br />

reversal film <strong>the</strong> slope increases.(29.) .{D= ?; Es= resalte<br />

de una curva; hombro; F= épaule}.<br />

shrink wrap .{E} * A cellophane-type wrapper enclosing an<br />

item and its slipcase which is <strong>the</strong>rmally sealed before<br />

distribution. Frequently used with disc recordings. Since<br />

<strong>the</strong> material is stretched extremely snugly around <strong>the</strong><br />

packaging and can contract under high temperature,<br />

causing disc and/or container warpage; in spite <strong>of</strong> its<br />

usefulness <strong>to</strong> keep out unwanted pollutants and <strong>to</strong> give a<br />

reasonable buffer against atmospheric change, it should<br />

be removed from all packages.(04.) .{D= ?; Es= embalaje<br />

con papel cel<strong>of</strong>án termosellado; F= voile; emballage sous<br />

film rétractable}.<br />

shrinkage .{E} * The reduction <strong>of</strong> <strong>the</strong> dimensions <strong>of</strong> an item<br />

from its standard size.(06.) .{D= Schrumpfung; Es=<br />

contracción; disminución; merma; F= retrait;<br />

rétrécissemen}.<br />

shutter .{E} * 1) In a motion picture camera, <strong>the</strong><br />

mechanical device that shields <strong>the</strong> film from light at <strong>the</strong><br />

aperture during <strong>the</strong> film movement portion <strong>of</strong> <strong>the</strong> intermittent<br />

cycle. 2) A similar device in motion picture projec<strong>to</strong>rs<br />

for cutting <strong>of</strong>f <strong>the</strong> projection light during <strong>the</strong> time <strong>the</strong> film is<br />

moving at <strong>the</strong> aperture.(09.) .{D= Vershlusz;<br />

Umlaufblende; Es= obturador; F= obturateur}.<br />

shuttle .{E} * The fast fast forward and fast rewind <strong>of</strong> a film<br />

or magnetic tape. .{D= ?; Es= lanzadera; lanzamien<strong>to</strong><br />

(bobinado y rebobinado de una cinta de vídeo a alta<br />

velocidad); F= navette; mode de recherche rapise}.<br />

Sicherheitsfilm .{D} * see acetate film .{E}; safety film .{E};<br />

safety master .{E}.<br />

Sicherheitskopie .{D} * see backup copy .{E}; security copy<br />

.{E}.<br />

Sicherung-sverfilmung .{D} * see security micr<strong>of</strong>ilming .{E}.<br />

sifflement .{E} * see hiss .{E}.<br />

signal C .{F} * see C signal .{E}.<br />

signal d'entrée .{F} * see input signal .{E}.<br />

signal d'interférence (horizontal) .{F} * see glitch .{E}.<br />

203<br />

signal de chrominance .{F} * see chrominance signal .{E}.<br />

signal de différence de couleur .{F} * see colour difference<br />

signal .{E}.<br />

signal de réglage .{F} * see grating signal .{E}.<br />

signal I .{F} * see I signal .{E}.<br />

signal numérique .{F} * see digital signal .{E}.<br />

signal processing equipment .{E} * Any equipment or<br />

circuit that is used intentionally <strong>to</strong> change <strong>the</strong><br />

characteristics <strong>of</strong> a signal (o<strong>the</strong>r than overall level or<br />

intensity). It consists <strong>of</strong> such devices as equalizers,<br />

limiters, phasers, delay lines, etc.(04.) .{D=<br />

Signalbearbeitungsgeräte; Es= equipo procesador de<br />

señales; F= dispositif de traitement du signal}.<br />

signal test .{F} * see test signal .{E}.<br />

Signal-Rausch-Abstand .{D} * see signal-<strong>to</strong>-noise ratio<br />

(SN) .{E}.<br />

signal-<strong>to</strong>-error ratio (SE) .{E} * The ratio <strong>of</strong> signal voltage<br />

<strong>to</strong> quanti-zation error voltage, typically expressed in<br />

deciBels.39. .{D= ?; Es= relación señal-error; F= rapport<br />

signal sur erreurs}.<br />

signal-<strong>to</strong>-noise ratio (S/N) .{E} * 1) The ratio <strong>of</strong> signal<br />

voltage <strong>to</strong> noise voltage, typically expressed in<br />

deciBels.39. 2) The ratio <strong>of</strong> <strong>the</strong> time averaged signal power<br />

<strong>to</strong> <strong>the</strong> <strong>to</strong>tal noise power (dB) over a defined bandwidth.46.<br />

3) The ratio <strong>of</strong> <strong>the</strong> power output <strong>of</strong> a given signal <strong>to</strong> <strong>the</strong><br />

noise ratio in a given bandwidth.46. 4) The ratio, measured<br />

in dB's, between <strong>the</strong> pure sound and <strong>the</strong> noise induced by<br />

<strong>the</strong> recording system itself.50. A high s/n ration means<br />

high quality sound and picture.(35.) .{D= Signal-Rausch-<br />

Abstand; Es= relación señal-ruido; F= rapport signal-bruit}.<br />

Signalbearbeitungsgeräte .{D} * see signal processing<br />

equipment .{E}.<br />

Signaldarstellung .{D} * see component coding .{E}.<br />

Signatur .{D} * see catalogue number (cat. no.) .{E}.<br />

signaux de synchronisation .{F} * see synchronization<br />

signals .{E}.<br />

Silber-Halogen-Film .{D} * see silver film .{E}.<br />

silbido .{Es} * see hiss .{E}.<br />

silica gel .{E} * A colloidal form <strong>of</strong> silica, available in <strong>the</strong><br />

form <strong>of</strong> pale amber coloured, highly absorbent granules,<br />

and used as a desiccant in dehumidifiers. When saturated,<br />

it can be dried by heating. Sometimes colour-coded<br />

particles are added which change colour when <strong>the</strong> gel has<br />

become saturated.45. .{D= Silikagel; Es= gel de sílice; F=<br />

silicagel}.<br />

silicagel .{F} * see silica gel .{E}.<br />

Silikagel .{D} * see silica gel .{E}.<br />

sillon .{F} * see groove .{E}.<br />

sillon à pas variable .{F} * see variable groove pitch .{E}.<br />

sillon concentrique .{F} * see concentric groove .{E}.<br />

sillon de test de vitesse .{F} * see speed testing grooves<br />

.{E}.<br />

sillon en spirale .{F} * see spiral groove .{E}.<br />

sillon excentré .{F} * see eccentric groove .{E}.


sillon fermé .{F} * see guard band .{E}.<br />

sillon final .{F} * see guard band .{E}.<br />

sillon large .{F} * see coarse groove .{E}.<br />

sillon par inch .{F} * see threads per inch (TPI/T.P.I.) .{E}.<br />

sillon vierge .{F} * see blank groove .{E}.<br />

silver bromide .{E} * An extremely light-sensitive<br />

compound that is and one <strong>of</strong> <strong>the</strong> principal components <strong>of</strong><br />

pho<strong>to</strong>graphic emulsions. .{D= ?; Es= bromuro de plata; F=<br />

bromure d'argent; argent bromure}.<br />

silver densi<strong>to</strong>metric method .{E} * see densi<strong>to</strong>metric<br />

method (silver).<br />

silver film .{E} * A still- or moving-image film which is<br />

sensitized with silver halide, includes non-gelatin dry-silver<br />

film as well as silver gelatin film which is coated with silver<br />

halide suspended in gelatin and is developed by a wet<br />

process. Silver film is consid-ered by many <strong>to</strong> be <strong>the</strong> only<br />

film suitable for archival permanence.(40.22.) .{D= Silber-<br />

Halogen-Film; Es= película de sales de plata; F= film<br />

argentique}.<br />

silver gelatin film .{E} * see silver film; gelatin.<br />

silver halide .{E} * A compound <strong>of</strong> silver and one <strong>of</strong> <strong>the</strong><br />

halogens; i.e., chlorine, bromine, iodine, or fluorine.33. see<br />

also silver film. .{D= ?; Es= haluro de plata; F= halide<br />

d'argent ?}.<br />

silver halide film .{E} * see silver film.<br />

silver recovery .{E} * One <strong>of</strong> a number <strong>of</strong> ecological steps<br />

that can be taken in <strong>the</strong> management <strong>of</strong> an audiovisual<br />

archive, this being <strong>the</strong> reclamation <strong>of</strong> precious metal, silver<br />

(Ag), ei<strong>the</strong>r from a film processing facility or from film<br />

which is being destroyed. There are four common methods<br />

<strong>of</strong> recovering silver from film processing solutions: metallic<br />

replacement, electrolytic plating, chemical precipitation,<br />

and ion exchange.(09.) .{D= ?; Es= recuperación de la<br />

plata; F= récupération de l'argent}.<br />

sin re<strong>to</strong>rno a cero invertido .{Es} * see non-return-<strong>to</strong>-zeroinverted<br />

(NRZI) .{E}.<br />

sincrónico .{Es} * see synchronous .{E}.<br />

sincronización .{Es} * see synchronization .{E}.<br />

sincronización de interferencia .{Es} * see jam sync .{E}.<br />

sincronización del diálogo (sonido) con las imágenes .{Es}<br />

* see lip sync .{E}.<br />

sincronización externa .{Es} * see external sync .{E}.<br />

sincronización horizontal subportadora .{Es} * see SC/H<br />

(1) .{E}.<br />

sincronización interior .{Es} * see internal sync .{E}.<br />

sincronizador de audio .{Es} * see audio frame<br />

synchronizer; audio synchronizer .{E}.<br />

sincronizar .{Es} * see synchronize .{E}.<br />

síncrono .{Es} * see synchronous .{E}.<br />

síndrome del vinagre .{Es} * see vinegar syndrome .{D;E}.<br />

sine wave .{E} * A fundamental wave form corresponding<br />

<strong>to</strong> a single frequency, without harmonics. 39. .{D=<br />

Sinusschwingung; Es= onda sinusoidal; F= onde<br />

sinusoïdale}.<br />

204<br />

single .{E} * A commercially issued 45-rpm analogue disc<br />

recording containing one title per side; <strong>the</strong> selection lasting<br />

approximately three (3) minutes duration; see also CDsingle.<br />

.{D= Single; Es= plano [<strong>to</strong>ma] de un personaje u<br />

obje<strong>to</strong>; simple; sencillo; F= disque simple duré; mono<br />

disque}.<br />

single domain particle .{E} * All ferromagnetic materials are<br />

composed <strong>of</strong> permanently magnetized regions in which <strong>the</strong><br />

magnetic moments <strong>of</strong> <strong>the</strong> a<strong>to</strong>ms are ordered. These<br />

domains have a size determined by energy considerations.<br />

When a particle is small enough, it cannot support more<br />

than one domain and is called a single domain particle.46.<br />

.{D= ?; Es= partícula (ferromagnética) de dominio único;<br />

F= particule monodomaine}.<br />

single sided disc .{E} * A sound recording disc which has<br />

an audio signal recorded in<strong>to</strong> only one side <strong>of</strong> <strong>the</strong> disc.<br />

.{D= ?; Es= disco de una sola cara (grabadora); F= disque<br />

simple face}.<br />

single-beam tracking .{E} * An optical pickup design in<br />

which a single LASER spot is used for data recovery,<br />

tracking, and focusing.39. .{D= ?; Es= pista de haz único;<br />

F= suivi de piste avec spot unique}.<br />

single-frame exposure .{E} * The exposure <strong>of</strong> one frame <strong>of</strong><br />

motion picture film at a time, commonly used in animation<br />

and time-lapse.(09.) .{D= Einzelbild-Aufnahme; Einergang;<br />

Es= exposición imagen a imagen; exposición fo<strong>to</strong>grama a<br />

fo<strong>to</strong>grama; marcha imágen por imágen; fo<strong>to</strong>grama a<br />

fo<strong>to</strong>grama; F= exposition image par image; marche image<br />

par image}.<br />

single-system sound .{E} * In moving-image production,<br />

<strong>the</strong> system <strong>of</strong> recording audio directly on<strong>to</strong> <strong>the</strong> film while it<br />

is running through <strong>the</strong> camera, as opposed <strong>to</strong> doublesystem<br />

sound which uses a separate audio recorder <strong>to</strong><br />

record <strong>the</strong> sound while <strong>the</strong> image is being recorded on<strong>to</strong><br />

<strong>the</strong> film.(09.30.) .{D= ?; Es= pista de sonido simple;<br />

grabación del sonido e imagen simultáneamente; F= son<br />

simple système; prise de vue et enregistrement sonore sur<br />

la même bande}.<br />

sinópsis .{Es} * see treatment .{E}.<br />

sintagma .{Es} * see syntagma .{E}.<br />

Sinusschwingung .{D} * see sine wave .{E}.<br />

sistema .{Es} * see system .{E}.<br />

sistema (NPR) no-fo<strong>to</strong>resistente (grabación de discos<br />

compac<strong>to</strong>s) .{Es} * see non-pho<strong>to</strong>resist (NPR) .{E}.<br />

sistema alámbrico .{Es} * see jeep .{E}.<br />

sistema cataóptrico .{Es} * see ca<strong>to</strong>ptric system .{E}.<br />

sistema de asignación de prioridades .{Es} * see triage<br />

.{E}.<br />

sistema de control distributivo .{Es} * see distributive<br />

control system (DCS) .{E}.<br />

sistema de duplicación de alta velocidad .{Es} * see<br />

master/slave .{D;E;Es;F}.<br />

sistema de entrada-salida base .{Es} * see basic<br />

input/output system .{E}.<br />

sistema de operación en tiempo real .{Es} * see real-time<br />

operating system (RTOS) .{E}.<br />

sistema de origen .{Es} * see originating system .{E}.<br />

sistema de producción de micr<strong>of</strong>ichas .{Es} * see strip-up<br />

.{E}.


sistema de supresión de ruidos .{Es} * see noisesuppression<br />

system .{E}.<br />

sistema de televisión por cable .{Es} * see cable antenna<br />

television system .{E}.<br />

sistema de transmisión multicanal por cable .{Es} * see<br />

augmented channel system .{E}.<br />

sistema múltiple sub-Nyquist de muestreo y codificación<br />

.{Es} * see multiple sub-Nyquist sampling and encoding<br />

system (MUSE) .{E}.<br />

sistema para la proyección de un vídeo en un cine .{Es} *<br />

see Eidophor .{E}.<br />

sistema preciso de exposición au<strong>to</strong>mática .{Es} * see<br />

au<strong>to</strong>matic precision exposure system (apex system) .{E}.<br />

sistema protegido .{Es} * see authoring system .{E}.<br />

sistema recep<strong>to</strong>r .{Es} * see receiving system .{E}.<br />

sistema sustractivo de color .{Es} * see subtractive colour<br />

.{E}.<br />

sistema sustractivo de color .{Es} * see subtractive colour<br />

.{E}.<br />

Sistema de Vídeo Casero .{Es} * see VHS .{E}.<br />

Sistema Múltiple sub-Nyquist de Muestreo y Codificación<br />

.{Es} * see MUSE .{E}.<br />

sistematizador .{Es} * see processor .{E}.<br />

Skartierung .{D} * see disposal .{E}.<br />

skating .{D;E;F} * When <strong>the</strong> pickup or stylus climbs over or<br />

rides on <strong>the</strong> <strong>to</strong>p <strong>of</strong> <strong>the</strong> groove walls <strong>of</strong> a disc instead <strong>of</strong><br />

tracking within <strong>the</strong>m; see also groove skating. .{Es=<br />

empuje lateral}.<br />

skew .{E} * see tape skew.<br />

Skew .{D} * see tape skew .{E}.<br />

slant shot .{E} * see helical scan.<br />

slant track .{E} * see helical scan. .{D= ?; Es= pista<br />

oblicua; F= piste en biais}.<br />

slate .{E} * 1) In moving-image productions, <strong>the</strong> identifying<br />

sequence preceding or following a scene or programme.<br />

2) The scenes containing <strong>the</strong> clapper board<br />

information.(10.) 3) In sound recordings, a voice or<br />

talkback signal recording an announcement or identifying<br />

information directly on<strong>to</strong> <strong>the</strong> recording before any<br />

programme content. In some cases it includes only <strong>the</strong><br />

recorder's voice, in o<strong>the</strong>rs it includes <strong>the</strong> voice and a low<br />

frequency <strong>to</strong>ne mixed in. Its purpose is <strong>to</strong> identify material<br />

being recorded and, on a tape recording, <strong>to</strong> enable quick<br />

location <strong>of</strong> a desired portion by counting <strong>the</strong> 'beeps' (sound<br />

<strong>of</strong> a 'slate' at rewind or fast forward speed) until <strong>the</strong> desired<br />

segment is positioned for playback.(04.) .{D= ?; Es=<br />

claqueta; F= annonce; tableau de numérotage; claquette;<br />

clap}.<br />

slating .{E} * see slate.<br />

sleeve .{E} * 1) The container for a disc recording. 2) The<br />

inner paper, glassine, or polyethylene protective envelope<br />

for a disc audio recording within a cardboard/paper outer<br />

jacket (slipcase); usually associated with LPs (NB There<br />

are also specially manufactured, acid-free sleeves used for<br />

record protec-tion in archival situations); sometimes called<br />

205<br />

jacket; inner jacket; liner; slipcase.(04.) .{D= Schutzhülle;<br />

Es= funda [carpeta] (discos fonográficos); F= pochette;<br />

chemise}.<br />

slewing .{E} * A procedure that a computer controlled<br />

videotape editing system uses <strong>to</strong> steer <strong>the</strong> assigned<br />

machines during preroll. The computer slews <strong>the</strong> machines<br />

so that <strong>the</strong>y will be in sync at <strong>the</strong> edit point. .{D= ?; Es=<br />

giro; rotación (rápido); F= procédure d'asservissement}.<br />

slide .{E} * A transparent positive image (usually<br />

pho<strong>to</strong>graphic) on film or glass, intended for projection on<br />

a slide viewer or slide projec<strong>to</strong>r; image area may vary from<br />

microimage <strong>to</strong> 3¼ x 4-inches (called a lantern slide). Most<br />

slides, o<strong>the</strong>r than those which are ei<strong>the</strong>r 3¼ x 4-inches or<br />

2¼ x 2¼-inches, are mounted in a cardboard or plastic<br />

frame whose outside dimensions are 2 x 2-inches. The<br />

predominantly used slide is a transparency <strong>of</strong> 35-mm<br />

colour film mounted in a 2 x 2-inch frame.(01.22.) .{D=<br />

Diapositiv; Standbild; Positiv; Es= diapositiva; vista fija;<br />

transparencia; F= vue fixe; diapositive}.<br />

slide mount .{E} * A cardboard or plastic frame in which a<br />

film slide is placed for s<strong>to</strong>rage and projection. .{D=<br />

Diapositiv-Wechselschlitten; Es= marco para diapositivas;<br />

F= cadre; châssis passe-vues}.<br />

sling psychrometer .{E} * A hygrometer composed <strong>of</strong> two<br />

<strong>the</strong>rmometers, one a dry bulb, <strong>the</strong> o<strong>the</strong>r a wet bulb,<br />

attached <strong>to</strong> a handle so <strong>the</strong>y can be swung around while<br />

taking a temperature reading. The wet bulb <strong>the</strong>rmometer<br />

has a fabric sleeve or wick fitted over <strong>the</strong> mercury bulb.<br />

The wick must be kept wet with distilled water when a<br />

reading is being taken. After swinging <strong>the</strong> instrument for<br />

two or three minutes, readings are taken from both<br />

<strong>the</strong>rmometers, recorded, and entered in<strong>to</strong> a hygrometric<br />

table. Where <strong>the</strong> two readings cross on <strong>the</strong> scale is <strong>the</strong><br />

relative humidity. .{D= ?; Es= psicrómetro gira<strong>to</strong>rio; F=<br />

psychromètre}.<br />

slip sheet .{E} * A smooth, non-damaging protective sheet<br />

which is inserted between <strong>the</strong> window board and art<br />

work.47. .{D= ?; Es= hoja protec<strong>to</strong>ra; F= feuille<br />

intercalaire; feuille de protection pour cellulo}.<br />

slipcase .{E} * 1) A container used for s<strong>to</strong>rage <strong>of</strong> an item.<br />

The simplest form <strong>of</strong> <strong>the</strong> slipcase is a cloth- or papercovered<br />

box made <strong>of</strong> ei<strong>the</strong>r wood or paper board with one<br />

open edge in<strong>to</strong> which <strong>the</strong> item is slipped.(45.) Slipcases do<br />

not provide safe s<strong>to</strong>rage from a conservation standpoint.<br />

Materials are rubbed every time <strong>the</strong>y are slid in and out <strong>of</strong><br />

<strong>the</strong> case.(44.) 2) In phonorecordings, <strong>the</strong> outer container<br />

for a disc recording is usually made <strong>of</strong> paper/cardboard,<br />

and -for LPs- displays credits, pic<strong>to</strong>rial information, titles,<br />

narrative information (sometimes referred <strong>to</strong> as liner<br />

notes), etc. It is usually open on one end only, for slipping<br />

<strong>the</strong> disc in and out <strong>of</strong> <strong>the</strong> container; see also album;<br />

sleeve.04. .{D= Plattentasche; Cover; Es= contenedor;<br />

caja; funda; carpeta; F= 1) boîte 2) pochett; chemise}.<br />

slitting .{E} * Process by which film roll and magnetic tape<br />

is split in<strong>to</strong> narrower widths.(09.) .{D= ?; Es= división de la<br />

bobina; F= division de la bande}.<br />

Slo-mo .{E} * A video production technique referring <strong>to</strong> <strong>the</strong><br />

process, electronic equipment, and <strong>the</strong> opera<strong>to</strong>r who plays<br />

program video back in a slower than real time or in a still<br />

frame. .{D= ?; Es= ralentí; cámara lenta; F= ?}.<br />

slow motion .{E} * A moving-image production technique<br />

in which <strong>the</strong> action or motion is shown slower than was<br />

pho<strong>to</strong>graphed. The effect is produced by shooting at a<br />

higher frame rate than used in projection; see also<br />

speed.(09.30.) .{D= Zeitdehner; Es= ralentí; cámara lenta;<br />

F= ralenti; film <strong>to</strong>urné au ralenti}.<br />

slow-scan .{E} * A video production effect in which <strong>the</strong><br />

speed <strong>of</strong> <strong>the</strong> videotape is reduced as it passes <strong>the</strong> head


drum assembly. This technique is used in recorders <strong>to</strong><br />

document long periods <strong>of</strong> time for surveillance. It is also<br />

used in playback modes <strong>to</strong> examine individual frames <strong>of</strong><br />

<strong>the</strong> video. .{D= ?; Es= exploración lenta; F= ralenti; à<br />

balayage lent}.<br />

SLP .{E} * acronym for super long play.<br />

small computer standard inter-face (SCSI) .{E} * A<br />

standard 8-bit parallel interface for computers used <strong>to</strong><br />

connect peripherals, such as connecting a CD-ROM player<br />

<strong>to</strong> a microcom-puter. (Scsi is pronounced 'scuzzy')39. .{D=<br />

?; Es= interconexión estándar para ordenadores<br />

personales; F= SCSI}.<br />

SMD .{E} * acronym for specific materials designation.<br />

smear .{E} * A video aberration caused by inadequate<br />

frequency or phase response. It visually is seen as white<br />

or black portions <strong>of</strong> <strong>the</strong> picture bleeding over in<strong>to</strong> <strong>the</strong><br />

adjacent video image. .{D= ?; Es= mancha (borrosidad de<br />

la imagen); F= défaut; tâche lumineuse}.<br />

smoothing filter .{E} * see anti-imaging filter.<br />

SMPTE .{E} * acronym for Society <strong>of</strong> Motion-Picture and<br />

Television Engineers.<br />

SMPTE/ANSI Frame Coding .{E} * The electronic process<br />

in which <strong>the</strong> individual frames <strong>of</strong> video are identified by a<br />

unique code. The SMPTE/ANSI TIME CODE was<br />

developed for this purpose and has two formats, <strong>the</strong><br />

longitudinal time code (LTC) and <strong>the</strong> vertical interval time<br />

code (VITC). This timecode can also be recorded in <strong>the</strong><br />

actual video image <strong>to</strong> assist in assembling an edit decision<br />

list (EDL) in an <strong>of</strong>f-line editing system. .{D= ?; Es= marco<br />

de codificación SMPTE/ANSI; F= codage de trame<br />

SMPTE/ANSI}.<br />

SN .{E} * acronym for signal <strong>to</strong> noise<br />

SN ratio .{E} * see signal-<strong>to</strong>-noise ratio.<br />

sobrebarrido .{Es} * see overscan .{E}.<br />

sobrecarga .{Es} * see overload .{E}.<br />

sobrecubierta .{Es} * see dust jacket .{E}.<br />

sobredesviación .{Es} * see overscan; over-exposure .{E}.<br />

sobreexposición .{Es} * see over-exposure .{E}.<br />

sobregrabación .{Es} * see over-dub .{E}.<br />

sobreimpresión de imagen .{Es} * see bleed through .{E}.<br />

sobremodulación .{Es} * see overmodulation .{E}.<br />

sobremuestro .{Es} * see over-sampling .{E}.<br />

Society <strong>of</strong> Motion-Picture and Television Engineers<br />

(SMPTE) .{D;E;Es;F} * A pr<strong>of</strong>essional moving-image<br />

engineering society that, among o<strong>the</strong>r activities, helps<br />

establish standards, including a time code standard.39.<br />

sodium thiosulphate .{E} * see hypo.<br />

SOF .{E} * acronym for sound on film. .{D= ?; Es=<br />

acrónimo de Sonido Sobre la Película; F= son sur film}.<br />

s<strong>of</strong>t core material .{E} * 1) In magnetic tape recording, s<strong>of</strong>t<br />

metal laminations bonded <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> form <strong>the</strong> core; typical<br />

lamination thickness is 0.0005 <strong>to</strong> 0.004-inches; usually a<br />

high nickel/iron alloy. These materials have a relatively<br />

poor wear rate.(46.) 2) Pornographic materials (litera-ture,<br />

film, video, etc.) that contain suggestive material <strong>of</strong> a<br />

sexual nature, but not explicit nor graphic sexual acts; see<br />

206<br />

also hard core material. .{D= ?; Es= 1) núcleo (cintas<br />

magnéticas); 2) película de contenido erótico; F= 1) noyau<br />

2) pornographique léger}.<br />

s<strong>of</strong>t focus .{E} * A moving-image production technique<br />

which uses an image which is slightly out <strong>of</strong> focus.<br />

Produced by means <strong>of</strong> actually controlling <strong>the</strong> focus <strong>of</strong> <strong>the</strong><br />

lens or by means <strong>of</strong> special fil-ters.(30.) .{D=<br />

Weichzeichner; Es= flou; desenfocado artistico; F= flou<br />

artistique; flou; non piqué}.<br />

s<strong>of</strong>tener .{E} * see plasticizer.<br />

s<strong>of</strong>tware .{D;E;Es} * 1) The set <strong>of</strong> programs, procedures,<br />

and related documentation associated with a system,<br />

especially a computer system. 2) Materials for use with<br />

audiovisual equipment, usually contrasted with<br />

hardware.(22.39.) .{F= logiciel; Es= logical; logicial;<br />

elemen<strong>to</strong>s de programación}.<br />

S<strong>of</strong>tware .{D} * see s<strong>of</strong>tware .{E}.<br />

Sohn .{F} .{D} * see stamper .{E}.<br />

solapa .{Es} * see flange .{E}.<br />

solapamien<strong>to</strong> .{Es} * see aliasing (2) .{E}.<br />

solarisation .{F} * see solarization .{E}.<br />

solarización .{Es} * see solarization .{E}.<br />

solarization .{E} * The process <strong>of</strong> reversal or shift <strong>of</strong> <strong>the</strong><br />

colour spectrum in a moving-image production scene <strong>to</strong><br />

create an abstract or dis<strong>to</strong>rted effect. Reds become blues,<br />

blues become yellows, etc.30. .{D= ?; Es= solarización; F=<br />

solarisation}.<br />

solvant .{F} * see solvent .{E}.<br />

solvent .{E} * A liquid that can disolve or disperse one or<br />

more materials. .{D= Lösungsmittel; Es= disolvente; F=<br />

solvant}.<br />

solvent aqueux .{F} * see aqueous solvent .{E}.<br />

solvent non aqueux .{F} * see nonaqueous solvent .{E}.<br />

SOM .{Es} * see computer output micr<strong>of</strong>ilm/micr<strong>of</strong>orm<br />

(COM) .{E}.<br />

sombra .{Es} * see shadow .{E}.<br />

sombra arrojada .{Es} * see shadow .{E}.<br />

sombra visual .{Es} * see drop shadow .{E}.<br />

sommaire .{F} * see summary .{E}.<br />

somme de vérification .{F} * see checksum .{E}.<br />

son .{F} * see audio; sound .{E}.<br />

son asynchrone .{F} * see asynchronous sound .{E}.<br />

son de repérage .{F} * see slate <strong>to</strong>ne .{E}.<br />

son débordant d'un plan sur l'autre .{F} * see overlap<br />

sound .{E}.<br />

son direct (piste son sur pellicule) .{F} * see direct sound<br />

.{E}.<br />

son maîgre .{F} * see boxy .{E}.<br />

son naturel .{F} * see actual sound .{E}.<br />

son réverbéré .{F} * see hard sound .{E}.


son separé synchrone .{F} * see double-system sound;<br />

.{E}.<br />

son simple système .{F} * see single-system sound .{E}.<br />

son sourd .{F} * see boomy .{E}.<br />

son stéréophonique .{F} * see stereophonic sound .{E}.<br />

son sur bande .{F} * see SOT .{E}.<br />

son sur film .{F} * see SOF .{E}.<br />

son synchrone .{F} * see synchronous sound .{E}.<br />

son test .{F} * see test <strong>to</strong>ne .{E}.<br />

sonido .{Es} * see audio .{E}; sound .{E}; <strong>to</strong>ne (1, 4, 5, 6)<br />

.{E}.<br />

sonido acompasado .{Es} * see tick (1) .{E}.<br />

sonido ambiente .{Es} * see presence .{E}; room noise<br />

.{E}.<br />

sonido añadido .{Es} * see commentative sound .{E}.<br />

sonido asincrónico .{Es} * see asynchronous sound .{E}.<br />

sonido de granulación .{Es} * see granulation noise .{E}.<br />

sonido direc<strong>to</strong> .{Es} * see direct sound .{E}.<br />

sonido doblado .{Es} * see commentative sound .{E}.<br />

sonido estere<strong>of</strong>ónico .{Es} * see stereophonic sound .{E}.<br />

sonido natural .{Es} * see actual sound .{E}.<br />

sonido reverberador .{Es} * see hard sound .{E}.<br />

sonido seco breve .{Es} * see tick (2) .{E}.<br />

sonido separado .{Es} * see double-system sound .{E}.<br />

sonido sincrónico .{Es} * see synchronous sound .{E}.<br />

sonido solapado .{Es} * see overlap sound .{E}.<br />

Sonido en la Cinta .{Es} * see SOT .{E}.<br />

Sonido Sobre la Película .{Es} * see SOF .{E}.<br />

sonoridad .{Es} * see loudness .{E}.<br />

sonoriser .{F} * see dub .{E}.<br />

sonorizar .{Es} * see dub .{E}.<br />

sonoro .{Es} * see sound .{E}.<br />

Sonotrack Coating .{D;E;Es;F} * A particular type <strong>of</strong><br />

magnetic oxide coating that can be applied along <strong>the</strong> edge<br />

<strong>of</strong> processed 8-mm, super 8, and 16-mm motion picture<br />

film.09.<br />

soporte .{Es} * see base .{E;Es}; carrier .{E}; celluloid (1,<br />

2) .{E;F}; medium (media) .{E}.<br />

soporte de aceta<strong>to</strong> .{Es} * see acetate base .{E}.<br />

soporte de arrollamien<strong>to</strong> .{Es} * see mandrel .{E}.<br />

soporte de la aguja de un <strong>to</strong>cadiscos .{Es} * see stylus bar<br />

.{E}.<br />

soporte de la película .{Es} * see film base .{E}.<br />

207<br />

soporte de papel .{Es} * see paper support .{E}.<br />

soporte de refuerzo .{Es} * see backing .{E}.<br />

soporte de trompa .{Es} * see horn support .{E}.<br />

soporte de vidrio .{Es} * see glass support .{E}.<br />

soporte físico .{Es} * see physical carrier .{E}.<br />

soporte metálico .{Es} * see metallic support .{E}.<br />

soporte opaco .{Es} * see opaque support .{E}.<br />

soporte película .{Es} * see film base .{E}.<br />

soporte plástico .{Es} * see plastic support .{E}.<br />

soporte sonoro mecánico .{Es} * see mechanical sound<br />

carrier .{E}.<br />

soporte superior .{Es} * see <strong>to</strong>p plate .{E}.<br />

sortie .{F} * see output .{E}.<br />

sortie d'un film .{F} * see release .{E}.<br />

sound {E} * 1) A variation in air pressure which, within<br />

frequency limits from about 20 Hz, <strong>to</strong> 20,000 Hz is audible<br />

<strong>to</strong> <strong>the</strong> human ear.39. 2) Moving-image materials also<br />

carrying soundtracks, as opposed <strong>to</strong> silents.(10.) .{D= Ton;<br />

Schall; Es= sonido; sonoro; F= son; sonore}..<br />

sound archives .{E} * see audio archives.<br />

sound box .{E} * The device which, via <strong>the</strong> stylus and<br />

diaphragm, collects impulses from acoustically recorded<br />

discs and cylinders and conveys <strong>the</strong>m <strong>to</strong> an amplifying<br />

horn; see also reproducer.(14.) .{D= ?; Es= lec<strong>to</strong>r acústico;<br />

F= caisse de résonance}.<br />

sound effects .{E} * Any sound in a moving-image<br />

production from a source o<strong>the</strong>r than <strong>the</strong> tracks bearing<br />

synchronized dialogue, narration, or music. Sound effects<br />

are commonly introduced on<strong>to</strong> a master track in <strong>the</strong> rerecording<br />

step, usually with <strong>the</strong> idea <strong>of</strong> enhancing <strong>the</strong><br />

illusion <strong>of</strong> reality in <strong>the</strong> finished presentation.09. .{D=<br />

Geräusche; Geräuscheffekte; Es= efec<strong>to</strong>s sonoros; F=<br />

bruitage; effets sonores}.<br />

sound magnifier .{E} * A device incorporated in<strong>to</strong> an<br />

acoustic cylinder or disc machine for increasing <strong>the</strong><br />

volume <strong>of</strong> sound output.(14.) .{D= ?; Es= amplificador<br />

sonoro; F= amplificateur sonore}.<br />

sound negative .{E} * Negative film which contains <strong>the</strong><br />

reproduction <strong>of</strong> <strong>the</strong> soundtrack <strong>of</strong> motion picture<br />

production without <strong>the</strong> picture.(06.) .{D= Tonnegativ; Es=<br />

1) negativo sonoro; 2) negativo de sonido; F= négatif son;<br />

son negatif}.<br />

sound positive .{E} * Positive film which contains <strong>the</strong><br />

reproduction <strong>of</strong> <strong>the</strong> soundtrack <strong>of</strong> a moving-image<br />

production without <strong>the</strong> picture. .{D= Tonpositiv; Es= 1)<br />

positivo sonoro; 2) positivo de sonido; F= son positif;<br />

positif son}.<br />

sound recorder .{E} * Equipment for recording and<br />

reproducing sound signals on magnetic tape.06. .{D=<br />

Schallaufnahmegerät; Tonaufnahmegerät; Es= grabador<br />

de sonido; F= emregistreur de son}.<br />

sound recording .{E} * 1) An artifact which has been<br />

constructed and used for <strong>the</strong> specific purpose <strong>of</strong> s<strong>to</strong>ring a<br />

representation <strong>of</strong> energy for <strong>the</strong> fur<strong>the</strong>r purpose <strong>of</strong><br />

reproduction in <strong>the</strong> audio portion <strong>of</strong> <strong>the</strong> spectrum.04. 2)<br />

The fixation <strong>of</strong> audio signals on<strong>to</strong> an appropriate carrier,


such as cylinder, disc, tape, film, or o<strong>the</strong>r medium. 3) The<br />

artifact resulting from such fixation; also called a<br />

phonogram; see also audio.(07.22.) .{D=<br />

Tonaufzeichnung; Es= grabación sonora; cinta sonora;<br />

disco sonora; F= enregistrement sonore; magné<strong>to</strong>phone;<br />

prise de son}.<br />

sound-on-sound .{D;E} * A method in which previously<br />

recorded material on one audio track may be re-recorded<br />

on ano<strong>the</strong>r audio track while simultaneously adding new<br />

audio material; also known as overdubbing.(50.) .{F=<br />

doublage; Es= grabación sobre grabación}.<br />

soundtrack .{E} * 1) The portion <strong>of</strong> a length <strong>of</strong> a movingimage<br />

production reserved for <strong>the</strong> sound record. In motion<br />

picture productions <strong>the</strong> soundtrack <strong>to</strong>day is generally<br />

recorded on<strong>to</strong> <strong>to</strong> film using one <strong>of</strong> two methods (optical or<br />

magnetic), although his<strong>to</strong>rically <strong>the</strong> soundtrack was on<br />

<strong>to</strong>tally separate media (audio cylinders, discs, etc.). Optical<br />

tracks operate by <strong>the</strong> modula-tion <strong>of</strong> a beam <strong>of</strong> light<br />

creating a band on <strong>the</strong> film which widens and narrows, <strong>to</strong><br />

indicate different sounds; magnetic tracks are essentially<br />

magnetic tape recordings which are a part <strong>of</strong> <strong>the</strong> motion<br />

picture film. 2) Any length <strong>of</strong> motion picture film bearing<br />

sound only, or <strong>the</strong> portion <strong>of</strong> a composite film which<br />

contains <strong>the</strong> accompanying audio signal. 3) A track <strong>of</strong><br />

video tape containing an audio recording. 4) The (linear)<br />

zone <strong>of</strong> subsequent data recorded on an magnetic or<br />

optical medium; see also stereophonic sound;<br />

track.(06.09.) .{D= 1&3) Tonfilm; Tonspur; Es= 1) banda<br />

sonora; 3) pista de sonido; F= 1) bande son; 3) piste<br />

sonore}.<br />

soundtrack print .{E} * A motion picture positive <strong>of</strong> a<br />

soundtrack. .{D= ?; Es= impresión [edición] de la banda<br />

sonora; F= tirage positif piste son}.<br />

soupape .{F} * see pallet .{E}.<br />

source de référence .{F} * see reference source .{E}.<br />

source première d'informations .{F} * see chief source <strong>of</strong><br />

information .{E}.<br />

source principale .{F} * see principal source .{E}.<br />

source secondaire .{F} * see B reel .{E}.<br />

sources de référence (cat) .{F} * see prescribed source<br />

.{E}.<br />

sous couche de fixation .{F} * see subbing .{E}.<br />

sous en-tête .{F} * see sub-header .{E}.<br />

sous porteuse chrominance .{F} * see colour subcarrier<br />

.{E}.<br />

sous-code .{F} * see sub-code .{E}.<br />

sous-exposition .{F} * see under-exposure .{E}.<br />

sous-porteuse couleur .{F} * see colour subcarrier .{E}.<br />

sous-porteuse couleur (vid) .{F} * see subcarrier horizontal<br />

phasing .{E}.<br />

sous-porteuse couleur (vid){F} * see subcarrier .{E}.<br />

sous-titre .{F} * see caption .{E}.<br />

SP .{E} * acronym for standard play.<br />

Spaltablagerungen .{D} * see gap smear .{E}.<br />

Spalteinstellung .{D} * see azimuth adjustment .{E}.<br />

Span .{D} * see chip .{E}.<br />

208<br />

Spannungsverstärkung .{D} * see gamma .{E;Es}.<br />

SPARS .{D;E;Es;F} * acronym for Society for Pr<strong>of</strong>essional<br />

Audio Recording Studios.<br />

SPARS code .{D;E;Es;F} * A three-letter code on CDs<br />

which indicates <strong>the</strong> analogue (A) or digital (D) techniques<br />

for recording, mixing and editing, and mastering (i.e., DDD<br />

= digital techniques in all three stages; ADD = analogue<br />

recording, digital mixing and editing, and digital mastering;<br />

aaD = analogue recording, analogue mixing and editing,<br />

and digital mastering).<br />

spatial alias .{E} * see alias.<br />

speaker .{E} * An electroacoustic transducer used for<br />

converting an electrical signal in<strong>to</strong> <strong>the</strong> mechanical<br />

vibrations that cause sound waves; also known as<br />

loudspeaker; see also reproducer. .{D= Lautsprecher; Es=<br />

1) altavoz; 2) locu<strong>to</strong>r; presentador; F= haut-parleur}.<br />

special effects .{E} * 1) A very general term for a wide<br />

range <strong>of</strong> devices and effects used in moving-image<br />

production, including some kinds <strong>of</strong> work by stunt men,<br />

model shots, opticals, in-camera effects, matte shots, front<br />

and rear projection, solarization, and much more.(30.) 2)<br />

Any moving-image shot unobtainable by straight forward<br />

shooting techniques, including multiple-image montages<br />

split screens, vignetting, models, etc.(09.) .{D=<br />

Spezialeffekte; Es= efec<strong>to</strong>s especiales; F= effets<br />

spéciaux}.<br />

specific materials designa<strong>to</strong>r .{E} * In a bibliographic<br />

citation, <strong>the</strong> term indicating <strong>the</strong> special class <strong>of</strong> materials<br />

(usually <strong>the</strong> class <strong>of</strong> a physical object) <strong>to</strong> which an item<br />

belongs, e.g., videocassette.12. .{D= ?; Es= diseñador de<br />

materiales especiales [específicos]; F= désignation<br />

matériel}.<br />

spécifications mécaniques .{F} * see mechanical<br />

specifications .{E}.<br />

spectral distribution .{E} * The range and proportion <strong>of</strong><br />

wavelengths radiated by a particular illuminant.09. .{D=<br />

Spektrale Verterlung; Es= distribución espectral; F=<br />

distribution spectrale}.<br />

spectre .{F} * see spectrum .{E}.<br />

spectre audio .{F} * see audio spectrum .{E}.<br />

spectre visible .{F} * see visual range .{E}.<br />

spectropho<strong>to</strong>meter .{E} * A pho<strong>to</strong>sensitive instrument used<br />

<strong>to</strong> measure <strong>the</strong> relative intensity <strong>of</strong> transmitted or reflected<br />

light in <strong>the</strong> spectrum; see also density.01. .{D= ?; Es=<br />

espectr<strong>of</strong>otómetro; F= spectrophotre}.<br />

spectropho<strong>to</strong>mètre .{F} * see spectropho<strong>to</strong>meter .{E}.<br />

spectrum .{E} * A distribution <strong>of</strong> frequencies in a<br />

bandwidth. 39. .{D= Spektrum; Es= espectro; F= spectre}.<br />

Speicher .{D} * see memory .{E}.<br />

Speichermedium .{D} * see medium (media) .{E}.<br />

Spektrale Empfindlichkeit .{D} * see spectral sensitivity<br />

.{E}.<br />

Spektrale Verterlung .{D} * see spectral distribution .{E}.<br />

Spektrum .{D} * see spectrum .{E}.}.<br />

Sperrgreifer .{D} * see registration pin .{E}.<br />

Sperrung .{D} * see restricted access .{E}.


Spezialeffekte .{D} * see special effects .{E}.<br />

spherical aberration .{E} * In optics, those imperfections in<br />

a lens that cause dis<strong>to</strong>rtion in <strong>the</strong> shapes <strong>of</strong> pho<strong>to</strong>graphed<br />

objects. Rays (abaxial) striking <strong>the</strong> outer or peripheral<br />

portions <strong>of</strong> <strong>the</strong>se lenses focus at a point nearer <strong>to</strong> <strong>the</strong> lens<br />

than <strong>the</strong> light rays (paraxial) falling on <strong>the</strong> lens axis. The<br />

result is that <strong>the</strong> image is never sharp; see anastigmatic<br />

lens; paraxial. .{D= ?; Es= aberración esférica; F=<br />

aberration sphérique}.<br />

Spieler .{D} * see player .{E}.<br />

spine title .{E} * The title that appears on <strong>the</strong> spine <strong>of</strong> a<br />

volume or container. .{D= ?; Es= título del lomo; F= ?}.<br />

spiral groove .{E} * The lead-in or leadout groove <strong>of</strong> a<br />

grooved disc recording, so called because it traces <strong>the</strong><br />

pattern <strong>of</strong> a spiral on <strong>the</strong> surface <strong>of</strong> <strong>the</strong> disc; see also<br />

spiral track.(04.) .{D= spiralige Rille; Es= estría espiral; F=<br />

sillon en spirale}.<br />

spiral track .{E} * The pit track spiral physically encoding<br />

data on a CD, running from <strong>the</strong> innermost region <strong>to</strong> <strong>the</strong><br />

outermost; see also spiral groove.(39.) .{D= ?; Es= pista<br />

en espiral; F= piste en spirale}.<br />

spiralige Rille .{D} * see spiral groove .{E}.<br />

Spitze .{D} * see peak .{E}.<br />

Spitzenwertanzeiger .{D} * see peak programme meter<br />

(PPM) .{E}.<br />

splash .{E} * A video effect that is obtained by using a<br />

single frame recorded from a rapid camera zoom back. It<br />

is an intentional dis<strong>to</strong>rtion that is used as a special effect<br />

in production. .{D= ?; Es= salpicadura (efec<strong>to</strong> vídeo){x; F=<br />

?(effet vidéo)}.<br />

splice .{E} * The joining <strong>of</strong> two pieces <strong>of</strong> film or tape<br />

materials <strong>to</strong>ge<strong>the</strong>r by cementing, taping, or spacing<br />

materials, etc., using various devices (cement, splicing<br />

tape, ultrasonic welding, etc.).(04.06.22.) .{D=<br />

Klebeverbindung; Kleben; Es= empalmar; empalme; F=<br />

collure; collage}.<br />

splicing block .{E} * In magnetic tape recording, a nonmagnetic<br />

metal block with a channel that holds magnetic<br />

tape in precise alignment during <strong>the</strong> act <strong>of</strong> splicing.<br />

Additional straight and diagonal grooves provide a path for<br />

a razor blade <strong>to</strong> follow for cutting <strong>the</strong> tape precisely before<br />

splicing; also known as a splicer.04. .{D= Klebeschiene;<br />

Es= bloque de empalme [montaje]; F= bloc de montage;<br />

gabarit de collag}.<br />

splicing tape .{E} * 1) A special, pressure-sensitive<br />

adhesive strip used in splicing. 2) For magnetic materials,<br />

a special, pressure-sensitive, non-magnetic adhesive strip<br />

used <strong>to</strong> join two pieces <strong>of</strong> recording tape. In order <strong>to</strong><br />

prevent dirt buildup on <strong>the</strong> recording heads or tape guide,<br />

and <strong>to</strong> prevent adjacent layers <strong>of</strong> recording tape from<br />

sticking <strong>to</strong>ge<strong>the</strong>r, splicing tape uses a special<br />

adhesive.(04.) .{D= Klebeband; Es= cinta para hacer<br />

empalmes; F= ruban de montage}.<br />

split screen .{E} * Two separate images within <strong>the</strong> frame <strong>of</strong><br />

a moving-image production, an effect accomplished on film<br />

on an optical printer and on video by electronic means;<br />

see also multiple image.(30.) .{D= ?; Es= pantalla dividida;<br />

divisiones en la imagen; F= écran pour montage}.<br />

spoking .{E} * A form <strong>of</strong> buckling on magnetic tape and<br />

motion picture film in which <strong>the</strong> tape/film is deformed in<strong>to</strong><br />

a shape that approximates a polygon.(46.) .{D= ?; Es=<br />

efec<strong>to</strong> radial; F= déformation en polygone}.<br />

sponsor .{E} * A person or corporate body who<br />

209<br />

commissions and/or finances <strong>the</strong> production <strong>of</strong> an audio<br />

and/or moving-image work, usually for o<strong>the</strong>r than <strong>the</strong>atrical<br />

exhibition, and almost always for fur<strong>the</strong>rance <strong>of</strong> public<br />

relations, or similar purposes.(12.) .{D= Sponsor;<br />

Kommanditist; Gesellschafter; Es= coproduc<strong>to</strong>r;<br />

patrocinador; anunciante; F= garant; commanditaire}.<br />

Sponsor .{D} * see sponsor .{E}.<br />

spool .{E} * 1) A roll with a flange on which strip film,<br />

magnetic tape or wire is wound for handling. 2) The<br />

resulting package; see also reel.(04.06.09.20.) .{D= Rolle;<br />

Spule; Es= bobina; carrete; F= bobine; rouleau; tambour}.<br />

spot d'analyse .{F} * see scanning beam .{E}.<br />

spot ionique .{F} * see ion spot .{E}.<br />

spot recording .{E} * see instantaneous recording.<br />

spotting .{E} * 1) The process <strong>of</strong> listing <strong>the</strong> sound cues,<br />

special effects, narration timing, etc., on a tape or film. 2)<br />

The use <strong>of</strong> spotlights, as opposed <strong>to</strong> floodlights. 3) The<br />

process <strong>of</strong> determining <strong>the</strong> precise location <strong>of</strong> individual<br />

words or sounds on a film soundtrack, usually<br />

accompanied by utilizing a moviola or sound reader.(10.)<br />

4) The act <strong>of</strong> locating a specific point in an audio or<br />

moving-image document for <strong>the</strong> purpose <strong>of</strong> avoiding<br />

having <strong>to</strong> play unwanted materials or portions. .{D= ?; Es=<br />

1) listado de sonidos y efec<strong>to</strong>s especiales; 2) uso de<br />

pun<strong>to</strong>s de luz al<strong>to</strong>s; 3 y 4) localización exacta de palabras<br />

o sonidos en una banda sonora mediante moviola; F= 1)<br />

listage des séquences son 2) utilisation de spots de<br />

lumière 3) localisation d'évènements sonores 4) sélection<br />

d'évènements sonores ou d'images vidéo indésirables}.<br />

Sprechende Puppe .{D} * see talking doll record .{E}.<br />

Sprechkopf .{D} * see recording head .{E}.<br />

Sprechmaschine .{D} * see talking machine .{E}.<br />

spröd .{D} * see brittle .{E}.<br />

Sprödheit .{D} * see brittleness .{E}.<br />

Sprossenschrift .{D} * see variable-density soundtrack .{E}.<br />

Sprtizguß .{D} * see injection moulding .{E}.<br />

Spule .{D} * see open reel .{E}; reel .{E}.<br />

Spulengeräte .{D} * see reel <strong>to</strong> reel .{E}.<br />

Spulstärke .{D} * see reel pack .{E}.<br />

Spur .{D} * see track .{E}.<br />

Spurfehler .{D} * see tracking error .{E}.<br />

Spurlage .{D} * see track configuration .{E}.<br />

square back .{E} * see flat back.<br />

squeal .{E} * The audible noise caused by alternate<br />

sticking and release <strong>of</strong> magnetic tape as it plays or runs<br />

through equipment. May occur at heads, pressure pads, or<br />

guides where friction develops with face or back side <strong>of</strong><br />

magnetic tape. Largely eliminated by regular cleaning <strong>of</strong><br />

suspected surfaces and using a tape employing a built-in<br />

dry silicone lubricant. Generally caused by a deterioration<br />

or loss <strong>of</strong> <strong>the</strong> lubricant in <strong>the</strong> coating <strong>of</strong> <strong>the</strong> tape or when<br />

<strong>the</strong> tape is played in an excessively dry environment; see<br />

also stick-lip.16. .{D= quietschen; pfeifen; Es= chillido; F=<br />

crissement; cri percant}.<br />

squib .{E} * A very small explosive charge in a capsule<br />

which is used <strong>to</strong> simulate a gunshot or <strong>the</strong> like.30. .{D= ?;


Es= de<strong>to</strong>nador; cebo eléctrico; mecha; F= pétard;<br />

amorce}.<br />

SS .{E} * acronym for single sided disc.<br />

ST .{E} * acronym for single track.<br />

stabilisant (d'attaque fongique) .{F} * see fungistat .{E}.<br />

stabilisateurs .{F} * see stabilizers .{E}.<br />

Stabilität .{D} * see stability .{E}.<br />

stabilité chimique .{F} * see chemical stability .{E}.<br />

stabilité de l'image .{F} * see image stability .{E}.<br />

stabilité du colorant .{F} * see dye stability .{E}.<br />

stabilité du colorant .{F}. see dye stability .{E}.<br />

stabilité fixité{F} * see stability .{E}.<br />

stability .{E} * The degree <strong>to</strong> which materials resist change<br />

by <strong>the</strong> action <strong>of</strong> light, heat, or atmospheric gases; see also<br />

chemical stability.(33.) .{D= Stabilität; Es= estabilidad; F=<br />

stabilité}.<br />

stacks .{E} * The s<strong>to</strong>rage area <strong>of</strong> a records centre, library,<br />

or archive; also called strongrooms.22. .{D= Magazin/e;<br />

Archivspeicher; Es= depósi<strong>to</strong>s principales; espósi<strong>to</strong>; F=<br />

magasin de s<strong>to</strong>ckage; magasin; dépôt}.<br />

staging .{E} * see conditioning.<br />

stain .{E} * In pho<strong>to</strong>graphy, changes in minimum density<br />

which occur in <strong>the</strong> dark; see also corrosion stain.05. .{D=<br />

?; Es= mancha; F= étain}.<br />

staining .{E} * The discolouration <strong>of</strong> an object. .{D= ?; Es=<br />

decoloración; F= décoloration}.<br />

stair step .{E} * A type <strong>of</strong> video test signal used <strong>to</strong> check<br />

and adjust for Differential Gain. .{D= ?; Es= escalera;<br />

peldaño; F= marche d'escalier; escalier modimé}.<br />

Stammkopie .{D} * see master .{E}.<br />

standard .{E} * The result <strong>of</strong> a particular standardization<br />

effort, approved by a recognized authority. May take <strong>the</strong><br />

form <strong>of</strong> a (a) document containing a set <strong>of</strong> conditions <strong>to</strong> be<br />

fulfilled.(04.) .{D= Standard; Es= estándar; norma; patrón;<br />

modelo; F= norme; normal; règle}.<br />

standard .{F} * see composite .{E}.<br />

standard amplitude reference tape .{E} * A magnetic tape<br />

that has been selected for given properties as a standard<br />

for signal amplitude.46. .{D= Bezugsband; Testband; Es=<br />

cita de referencia de amplitud estándar; F= bande de<br />

référence d'amplitude normalisée}.<br />

standard cassette .{E} * see cassette.<br />

standard cylinder .{E} * A descriptive term, used beginning<br />

c.1900, <strong>to</strong> distinguish between cylinders <strong>of</strong> 'normal size'<br />

(e.g. 4½-inches in length, 2¼-inches in external diameter,<br />

and a tapered internal diameter from 1 # <strong>to</strong> 1 #-inches)<br />

and larger concert cylinders. After <strong>the</strong> term Gold Molded<br />

.{sic!}was dropped and <strong>the</strong> 4-minute Amberol cylinder was<br />

introduced <strong>the</strong> Edison 2-minute cylinder was identified as<br />

<strong>the</strong> Standard Record. .{D= Standard Zylinder; ?; Es=<br />

cilindro estándar; F= cylindre standard}.<br />

standard deviation .{E} * see root-mean-square.<br />

standard number .{E} * The International Standard Number<br />

(ISN), e.g., International Standard Book Numbering<br />

210<br />

(ISBN), International Standard Record Numbering (ISRN),<br />

<strong>the</strong> International Standard Serial Numbering (ISSN), or any<br />

o<strong>the</strong>r internationally agreed upon standard numbering<br />

system that uniquely identifies an item. At this time <strong>the</strong>re<br />

is no standard number for moving-image materials,<br />

although some items have been assigned an ISBN and<br />

o<strong>the</strong>rs have received a UPC.(12.) .{D= ?; Es= número<br />

estándar; F= numéro standard}.<br />

standard play (SP) .{E} * The two (2) hour speed on a VHS<br />

videocassette recording when using a T120 cassette; see<br />

also long play; super long play; triple play.(35.) .{D=<br />

normalspiel; standardspiel; Es= duración estándar; modo<br />

de reproducción estándar; F= durée standard}.<br />

standard reference tape .{E} * A magnetic tape intended<br />

for daily calibration, <strong>the</strong> performance <strong>of</strong> which has been<br />

calibrated <strong>to</strong> <strong>the</strong> standard amplitude reference tape.46.<br />

.{D= Bezugsband; Testband; Es= cinta de referencia<br />

estándar; F= bande de référence normalisée}.<br />

standard roll .{E} * A roll <strong>of</strong> 35-mm (1# in.) wide and 1000<br />

ft (305 m) long motion picture film, weighing approximately<br />

5 lb. (2.3 kg). The term is used in calculating <strong>the</strong> weight <strong>of</strong><br />

film.(34.) .{D= ?; Es= bobina [rollo] estándar; F= bobine<br />

standard}.<br />

standard Zylinder .{D} * see standard cylinder .{E}.<br />

Standard .{D} * see reference; standard .{E}.<br />

Standard Record .{D;E;Es;F} * The Edison trade name<br />

for <strong>the</strong> 2-minute cylinder after <strong>the</strong>ir 4-minute cylinder was<br />

introduced in 1908; ceased production in 1912. Standard<br />

Record cylinders, Gold Molded .{sic!}cylinders, and<br />

moulded cylinders from o<strong>the</strong>r companies are known <strong>to</strong>day<br />

as black wax cylinders.(14.)<br />

Standardkonverter .{D} * see standards converter .{E}.<br />

standards converter .{E} * In video recordings, equipment<br />

<strong>to</strong> change a television picture from one scanning standard<br />

<strong>to</strong> ano<strong>the</strong>r.(06.) .{D= Standardkonverter; Transcoder; Es=<br />

convertidor de normas; F= transcodeur}.<br />

standardspiel .{D} * see standard play (SP) .{E}.<br />

Standbild .{D} * see slide .{E}.<br />

standing wave .{E} * see stationary wave.<br />

Stange .{D} * see bay .{E}.<br />

Stanze .{D} * see change-over cue .{E}.<br />

Stärke .{D} * see thickness .{E}.<br />

start .{Es} * see start mark .{E}.<br />

start mark .{E} * Indication on an item (motion picture film,<br />

sound recordings, etc.) from which it is possible <strong>to</strong><br />

synchronize playing <strong>of</strong> materials (i.e. synchronization <strong>of</strong><br />

sound and picture), in motion pictures usually entailing<br />

Academy Leader which contains countdown frames.(06.)<br />

.{D= Startmarkierung; Es= marca de inicio [comienzo];<br />

start; F= marque de départ; repère de départ}.<br />

start marks .{E} * see sync marks.<br />

Startband .{D} * see leader .{E}.<br />

starting rim .{E} * see rim.<br />

Startmarkierung .{D} * see start mark .{E}.<br />

statement <strong>of</strong> responsibility .{E} * In a bibliographic citation,<br />

a statement relating <strong>to</strong> <strong>the</strong> identification and/or function <strong>of</strong><br />

any persons credited with participation in <strong>the</strong> creation


and/or production <strong>of</strong> <strong>the</strong> work.(12.) .{D= ?; Es= informe<br />

[declaración, memoria] de responsabilidad; F= exposition<br />

de responsibilité}.<br />

static coefficient .{E} * see coefficient <strong>of</strong> friction.<br />

static deflection .{E} * The maximum distance a surface <strong>of</strong><br />

an optical disc deviates from <strong>the</strong> reference plane (mm) in<br />

a static condition.(46.) .{D= ?; Es= deflexión estática; F=<br />

déflexion statique}.<br />

static marks .{E} * Black spots, streaks, or tree-like marks<br />

produced on sensitive pho<strong>to</strong>graphic materials made by<br />

discharges <strong>of</strong> static electricity during handling or winding<br />

and made visible by developing.(40.) .{D= ?; Es= marcas<br />

de origen electrostático; F= marques d'origine<br />

électrostatique (pho<strong>to</strong>)}.<br />

station .{E} * see broadcast station.<br />

station .{F} * see network .{E}.<br />

station de radiodiffusion ou de télédiffusion .{F} * see<br />

broadcast station .{E}.<br />

station émettrice .{F} * see broadcast station .{E}.<br />

station terrestre .{F} * see earth station .{E}.<br />

stationary wave .{E} * A single-frequency mode <strong>of</strong><br />

reverberation <strong>of</strong> a body or physical system in which <strong>the</strong><br />

amplitude varies from place <strong>to</strong> place, is constantly zero at<br />

fixed points, and has maxima at o<strong>the</strong>r points; also known<br />

as standing wave. .{D= stehende Welle; Es= onda<br />

estacionaria; F= onde stationnaire}.<br />

statique .{F} * see static .{E}.<br />

Staubhülle .{D} * see dust jacket .{E}.<br />

Steckdose .{D} * see plug .{E}.<br />

Stecker .{D} * see plug .{E}.<br />

steeling .{E} * see greying.<br />

Steenbeck .{D;E;Es;F} * 1) A well known brand <strong>of</strong> motion<br />

picture film editing table. 2) A generic name for motion<br />

picture film editing tables; see also moviola.30.<br />

stehende Welle .{D} * see stationary wave .{E}.<br />

Steigung .{D} * see pitch .{E}.<br />

Steigung .{D} * see pitch .{E}.<br />

Steigung .{D} * see threads per inch (TPI/T.P.I.) .{E}.<br />

Stelier .{D} * see studio .{D;E;F}.<br />

step optical printer .{E} * see step printer.<br />

step printer .{E} * An optical or contact film printer that<br />

holds <strong>the</strong> source materials motionless during <strong>the</strong> printing<br />

<strong>of</strong> each frame; known as a step optical printer.(10.) .{D= ?;<br />

Es= copiadora de contac<strong>to</strong>; F= tireuse image par image;<br />

tireuse par contact}.<br />

step-and-repeat camera .{E} * A type <strong>of</strong> micr<strong>of</strong>ilm camera<br />

used <strong>to</strong> produce micr<strong>of</strong>iche that can expose a series <strong>of</strong><br />

separate images on an area <strong>of</strong> film according <strong>to</strong> a<br />

predetermined format, usually in orderly rows and<br />

columns, which is cut after processing <strong>to</strong> create<br />

micr<strong>of</strong>iche; see also planetary camera and rotary<br />

camera.(40.22.) .{D= Mikr<strong>of</strong>iche-Kamera; Es= cámera de<br />

micr<strong>of</strong>ichas; F= caméra pour micr<strong>of</strong>iches}.<br />

stepped pack .{E} * Multiple adjacent strands <strong>of</strong> film or<br />

211<br />

tape extending beyond <strong>the</strong> level <strong>of</strong> a tape/film pack; see<br />

also popped strand. .{D= ?; Es= desplazamien<strong>to</strong> de cinta;<br />

F= déplacement de ruban}.<br />

stereo .{E} * 1) A stereophonic reproduction. 2) A<br />

stereophonic sound system. .{D= ?; Es= estéreo;<br />

estere<strong>of</strong>onía; F= stéréo}.<br />

stéréo .{F} * see stereo .{E}.<br />

Stereobilder .{D} * see stereogram .{E}.<br />

stereogram .{E} * Pairs <strong>of</strong> pho<strong>to</strong>graphs taken from slightly<br />

different angles which, when viewed through a<br />

stereoscope, are seen as a single picture seemingly<br />

having depth or three dimensions.(22.) .{D=<br />

Stereoskopbilder; Stereobilder; Es= estereografías; F=<br />

stéréogramme}.<br />

stéréogramme .{F} * see stereogram .{E}.<br />

stereograph .{E} * A pair <strong>of</strong> opaque or transparent images<br />

which produce a three-dimensional effect when viewed<br />

with stereoscopic equipment.01. .{D= ?; Es= estereógrafo;<br />

F= stéréographe}.<br />

stereograph slide .{E} * see stereoscope slide.<br />

stéréographe .{F} * see stereograph .{E}.<br />

Stereophone Schallaufnahme .{D} * see stereophonic<br />

sound .{E}.<br />

Stereophone Wiedergabe .{D} * see stereophonic sound<br />

.{E}.<br />

stereophonic crosstalk .{E} * An undesired audio signal<br />

occurring in <strong>the</strong> main channel from modulation <strong>of</strong> <strong>the</strong><br />

stereophonic channel or that occurring in <strong>the</strong> stereophonic<br />

channel from modulation <strong>of</strong> <strong>the</strong> main channel.(04.) .{D=<br />

Kanalübersprechen; Es= diafonía estere<strong>of</strong>ónica; F=<br />

diaphonie stéréophonique}.<br />

stereophonic sound .{E} * 1) 'Dimensional' sound<br />

reproduction achieved through <strong>the</strong> use <strong>of</strong> two or more<br />

soundtracks recorded through microphones so placed as<br />

<strong>to</strong> provide separation <strong>of</strong> sounds and heard simultaneously<br />

through speakers arranged somewhat apart from each<br />

o<strong>the</strong>r, according <strong>to</strong> <strong>the</strong> siz-mm film using magnetic<br />

soundtracks can include as many as 6 separate sound<br />

sources.30. .{D= Stereophonie; Stereophone<br />

Schallaufnahme; Stereophone Wiedergabe; Es= sonido<br />

estere<strong>of</strong>ónico; F= son stéréophonique; relief sonore}.<br />

Stereophonie .{D} * see stereophonic sound .{E}.<br />

stereoscope .{E} * An optical device with two lenses,<br />

enabling each eye <strong>to</strong> see a separate image <strong>of</strong> essentially<br />

<strong>the</strong> same scene. The combined image seen by <strong>the</strong> two<br />

gives <strong>the</strong> effect <strong>of</strong> three dimen-sions, as in normal<br />

binocular vision.01. .{D= Stereoskop; Es= estereoscopio;<br />

F= stéréoscope}.<br />

stéréoscope .{F} * see stereoscope .{E}.<br />

stereoscopic slide .{E} * A pair <strong>of</strong> positive pho<strong>to</strong>graphic<br />

slides made from negatives taken from two slightly<br />

different viewpoints <strong>to</strong> give a three-dimensional effect<br />

when viewed through a stereoscope. 19. .{D= ?; Es=<br />

diapositiva estereoscópica; F= plaque stéréoscopique;<br />

stéréograhpe}.<br />

stéréoscopie .{F} * see stereoscopy .{E}.<br />

stereoscopy .{E} * Pho<strong>to</strong>graphy using two separate<br />

images, one for each eye, <strong>to</strong> recreate a sense <strong>of</strong> depth.<br />

There are, however, many psychological and technical<br />

problems. Hyperstereoscopy increases <strong>the</strong> distance


etween <strong>the</strong> cameras <strong>to</strong> more than <strong>the</strong> distance between<br />

a human's eyes creating <strong>the</strong> illusion <strong>of</strong> depth where normal<br />

eyes could not perceive it. Orthostereoscopy is normal<br />

stereoscopic vision. Pseudoscopic stereoscopy reverses<br />

<strong>the</strong> left image with <strong>the</strong> right creating complicated<br />

physiological and psychological reactions.<br />

Pseudostereoscopy is that technique which 2-dimensional<br />

film uses <strong>to</strong> create <strong>the</strong> illusion <strong>of</strong> depth, since that sense<br />

does not entirely depend on binocular vision, but also<br />

utilizes a sense <strong>of</strong> chiaroscuro, movement around and<br />

through <strong>the</strong> subject, perspective and colour; see also<br />

holography.30. .{D= ?; Es= estereoscopía; F=<br />

stéréoscopie}.<br />

Stereoskop .{D} * see stereoscope .{E}.<br />

Stereoskopbilder .{D} * see stereogram .{E}.<br />

Steuer-Spur .{D} * see cue track .{E}.<br />

Stich .{D} * see print .{E}.<br />

Stichelnadelhalter .{D} Stichelhalter .{D} * see stylus bar<br />

.{E}.<br />

Stichwort .{D} * see keyword .{E}.<br />

stick-slip .{E;F} * Generally a low-speed phenomenon, a<br />

relationship between tension, temperature, humidity, wrap<br />

angle, head material, binder material <strong>of</strong> tape, and <strong>the</strong><br />

elastic properties <strong>of</strong> <strong>the</strong> tape. When detected audibly, it is<br />

described as 'squeal'; see also head stick.46. .{D= ?; Es=<br />

chillido}.<br />

sticking .{E} * see image retention.<br />

sticktion .{E} * A term loosely used <strong>to</strong> describe <strong>the</strong><br />

phenomenon <strong>of</strong> magnetic tape adhering <strong>to</strong> transport<br />

components such as heads or guides; see also head<br />

stick.(46.) .{D= ?; Es= adherencia (cinta magnética); F=<br />

adhérence (bande magnétique)}.<br />

stiffness .{E} * In magnetic tape recording, resistance <strong>to</strong><br />

bending <strong>of</strong> <strong>the</strong> tape; a function <strong>of</strong> tape thickness and<br />

modulus <strong>of</strong> elastici-ty.(46.) .{D= ?; Es= rigidez; F= raideur}.<br />

still frame .{E} * A video production technique referring <strong>to</strong><br />

<strong>the</strong> process and electronic equipment used <strong>to</strong> reproduce<br />

a single video frame. .{D= ?; Es= imagen fija; F= arrêt sur<br />

image; image arrêtée; image fixe}.<br />

still picture .{E} * see picture.<br />

still-image .{E} * see picture.<br />

s<strong>to</strong>ck .{E} * see films<strong>to</strong>ck.<br />

s<strong>to</strong>ck shot .{E} * 1) In moving-image productions, a library<br />

shot, one which is literally taken from a library, such as<br />

World War II shots, or jet planes in flight. Often a derisive<br />

term meaning a common or unimaginative shot which<br />

looks as if it might as well have been a library shot.(30.)<br />

.{D= Archivaufnahme; Es= planos de recurso; F= 1)<br />

document d'archives; 2) prise de vue archaïque}.<br />

s<strong>to</strong>ckage .{F} * see s<strong>to</strong>rage .{E}.<br />

s<strong>to</strong>ckage à plat .{F} * see flat-filing .{E}.<br />

s<strong>to</strong>ckage des images .{F} * see image s<strong>to</strong>rage .{E}.<br />

S<strong>to</strong>ckflecken .{D} * see foxing .{E}.<br />

s<strong>to</strong>p .{D;E} * 1) In <strong>the</strong> pho<strong>to</strong>graphic processing <strong>of</strong> silver<br />

halide materials, <strong>the</strong> process <strong>of</strong> bathing pho<strong>to</strong>graphic film<br />

or paper in a mildly acidic solution <strong>to</strong> neutralize <strong>the</strong> alkaline<br />

developer with which <strong>the</strong> materials are saturated upon<br />

removal from <strong>the</strong> developing bath and arrest development<br />

212<br />

beyond a desired point. 2) The relationship between <strong>the</strong><br />

focal length <strong>of</strong> a lens and <strong>the</strong> effective diameter <strong>of</strong> its<br />

aperture. An adjustable diaphragm permits any ordinary<br />

pho<strong>to</strong>graphic lens <strong>to</strong> be used at any s<strong>to</strong>p within its range.<br />

Sometimes used synonymously with f-number as in fs<strong>to</strong>p.09.<br />

.{F= 1) arrêt (bain d'arrêt); 2) ouverture<br />

géométrique; Es= parada; interrupción; suspensión; al<strong>to</strong>;<br />

paralización}.<br />

s<strong>to</strong>p bath .{E} * In <strong>the</strong> pho<strong>to</strong>graphic processing <strong>of</strong> silver<br />

halide materials, <strong>the</strong> mildly acidic solution used <strong>to</strong><br />

neutralize <strong>the</strong> alkaline developer with which <strong>the</strong> materials<br />

are saturated upon removal from <strong>the</strong> developing bath; see<br />

also s<strong>to</strong>p.(09@) .{D= ?; Es= baño de paro; F= bain<br />

d'arrêt}.<br />

s<strong>to</strong>p frame .{E} * 1) An optical printing effect in which a<br />

single-frame image is repeated <strong>to</strong> appear stationary when<br />

projected. 2) Camera exposure made one frame at a time<br />

ra<strong>the</strong>r than by continuous running.09. .{D= ?; Es= parada<br />

de imagen; F= image arrêtée; image fixe}.<br />

s<strong>to</strong>p-motion pho<strong>to</strong>graphy .{E} * A moving-image production<br />

technique in which <strong>the</strong> camera operates one frame at a<br />

time allowing objects <strong>to</strong> be adjusted between frames.30.<br />

.{D= Einzelbildaufnahme; Es= rodaje imágen por imágen;<br />

fo<strong>to</strong>gráma a fo<strong>to</strong>gráma; F= prise de vues image par<br />

image}.<br />

s<strong>to</strong>rage .{E} * 1) The facility used for s<strong>to</strong>ring materials. 2)<br />

The erasable memory <strong>of</strong> a computer. 3) A device, such as<br />

a disc or tape drive,used <strong>to</strong> hold data in a computer for<br />

later retrieval.(04.) .{D= Lagerung; Es= almacenamien<strong>to</strong>;<br />

almacén; depósi<strong>to</strong>; F= s<strong>to</strong>ckage}.<br />

s<strong>to</strong>rage environment .{E} * The physical conditions (i.e.,<br />

tempera-ture, relative humidity, cleanliness <strong>of</strong> facilities and<br />

atmosphere) for s<strong>to</strong>ring materials. .{D= Lagerbedingungen;<br />

Es= condiciones de almacenamien<strong>to</strong>; F= conditions de<br />

s<strong>to</strong>ckage}.<br />

s<strong>to</strong>ry board .{E;Es} * A useful device for illustrating <strong>the</strong><br />

vari-ous plans for a moving-image production <strong>to</strong> crew<br />

members. The s<strong>to</strong>ry board resembles a comic strip and<br />

shows <strong>the</strong> planned camera movements and shot<br />

divisions.(30.) .{D= S<strong>to</strong>ryboard; Es= guión gráfico; guión<br />

visualizado; F= scénario-maquette; conducteur visuel}.<br />

S<strong>to</strong>ryboard .{D} * see s<strong>to</strong>ry board .{E}.<br />

Strahl .{D} * see beam .{E}.<br />

straight edge .{E} * A horizontal bar, <strong>of</strong>ten part <strong>of</strong> <strong>the</strong> main<br />

<strong>to</strong>p plate casting, found on many cylinder machines, set in<br />

front <strong>of</strong> and parallel <strong>to</strong> <strong>the</strong> revolving cylinder and along<br />

which <strong>the</strong> carrier-arm rested and traveled. On some early<br />

machines, (e.g. Edison) <strong>the</strong> straight-edge was adjustable<br />

by end screws.(14.) .{D= ?; Es= filo [borde] rec<strong>to</strong>; regla; F=<br />

axe d'entraînement; sans ambages}.<br />

straight line .{E} * The portion <strong>of</strong> <strong>the</strong> characteristic curve<br />

where <strong>the</strong> slope does not change, because <strong>the</strong> rate <strong>of</strong><br />

density for a given log exposure is constant or linear.-09.<br />

.{D= ?; Es= línea recta; F= ligne droite (de la<br />

caractéristique de densité)}.<br />

straight line tracking .{E} * A method <strong>of</strong> moving a<br />

phonograph <strong>to</strong>ne arm linearly across a record through <strong>the</strong><br />

use <strong>of</strong> a servo mo<strong>to</strong>r, as opposed <strong>to</strong> <strong>the</strong> normal pivotal<br />

arrangement. .{D= ?; Es= seguimien<strong>to</strong> de pista [surco]<br />

lineal; F= bras linéaire}.<br />

Strehl ratio .{E} * In optical media, <strong>the</strong> peak irradiance <strong>of</strong> a<br />

real spot divided by <strong>the</strong> peak irradiance <strong>of</strong> an aberration<br />

free (ideal) spot.46. .{D= ?; Es= cociente de Strehl; F=<br />

rapport de Strehl (optique)}.<br />

stretch .{E} * A defect in film and tape materials in which


<strong>the</strong> carrier elongates longitudinally, causing a longitudinal<br />

blur in image materials and dis<strong>to</strong>rting <strong>of</strong> <strong>the</strong> soundtrack in<br />

audio materials. In film-based image materials can be<br />

caused by poor synchronization between <strong>the</strong> film and <strong>the</strong><br />

original in rotary cameras, or between <strong>the</strong> two film surfaces<br />

in continuous print-ing.(01.) .{D= ?; Es= 1) cámara lenta;<br />

movimien<strong>to</strong> retardado; 2) estiramien<strong>to</strong>; alargamien<strong>to</strong>; F=<br />

allongement; expansion; étiremen}.<br />

strip .{E} * 1) Part <strong>of</strong> a wide roll <strong>of</strong> manufactured film slit <strong>to</strong><br />

its final width for motion picture use. 2) To remove<br />

insulation from a wire. 3) A series <strong>of</strong> comic car<strong>to</strong>ons,<br />

usually in a series <strong>of</strong> horizontal rectangles. 4) To remove<br />

computer codes from memory. 5) To separate an<br />

electroplating from its mold.(04.) .{D= ?; Es= 1) cinta; tira;<br />

2) baño de eliminación; 3) tira cómica (periódicos); F= 1)<br />

barrette 2) dénuder (fil électrique) 3) série de dessins<br />

animés}.<br />

strip-up .{E} * A technique used for <strong>the</strong> production <strong>of</strong><br />

micr<strong>of</strong>iche in which short lengths <strong>of</strong> roll film are attached in<br />

rows <strong>to</strong> a transparent support, which is <strong>the</strong>n used as a<br />

master.40. .{D= ?; Es= sistema de producción de<br />

micr<strong>of</strong>ichas; F= ?}.<br />

stripe .{E} * A narrow band <strong>of</strong> magnetic coating or<br />

developing solution applied <strong>to</strong> a length <strong>of</strong> motion picture<br />

film.09. .{D= ?; Es= recubrimien<strong>to</strong> (magnético o en<br />

disolución); F= piste son (magnétique ou optique) de la<br />

pellicule; raie}.<br />

stroboscope .{E;F} * A device with a high intensity flashing<br />

light whose flashes may be adjusted <strong>to</strong> a frequency equal<br />

<strong>to</strong> a multiple or submultiple <strong>of</strong> <strong>the</strong> rotation <strong>of</strong> <strong>the</strong> equipment<br />

under observation, used <strong>to</strong> measure rotation. Such a light<br />

can be used <strong>to</strong> illuminate a disc which has bars or spots<br />

on it; when <strong>the</strong> time between <strong>the</strong> light flashes is a multiple<br />

<strong>of</strong> <strong>the</strong> period <strong>of</strong> <strong>the</strong> rotating disc <strong>the</strong> disappears <strong>to</strong> be at<br />

rest. Stroboscopes must be used in conjunction with <strong>the</strong><br />

cycles <strong>of</strong> <strong>the</strong> local alternating light current. For example, in<br />

<strong>the</strong> U.S. a phonograph stroboscope needs 45 black bars<br />

<strong>to</strong> function at 60 cycles <strong>to</strong> accurately test <strong>the</strong> playing<br />

speed, while 37 black bars will give a close British figure at<br />

50 cycles <strong>of</strong> alternating current. Some recordings have<br />

included stroboscopes as part-RPM at 60 cycles<br />

alternating current.(04.14.) .{D= Stroboskop; Stroboskopie;<br />

Stroboskopeffekt; Es= estroboscopio; stroboskopie; F=<br />

saccade d'images}.<br />

Stroboskop .{D} * see stroboscope .{E}.<br />

Stroboskopeffekt .{D} * see stroboscope .{E}.<br />

stroboskopie .{Es} * see stroboscope .{E}.<br />

Stroboskopie .{D} * see stroboscope .{E}.<br />

Stromkreislauf .{D} * see circuit .{E;F}.<br />

strongroom .{E} * see stack.<br />

Stück .{D} * see item .{E}.<br />

studio .{D;E;F} * The name <strong>of</strong> a place where audio and/or<br />

moving-image productions are made.(12.) .{D= Stelier;<br />

Es= estudio}.<br />

stummscholfen .{D} * see mute .{E}.<br />

stylus .{E} * A small instrument that ei<strong>the</strong>r 1) engraved a<br />

varying groove on a record (known as a recording stylus or<br />

a cutting stylus) or 2) tracked <strong>the</strong> groove for replaying <strong>the</strong><br />

recorded signal (known as reproducing stylus). The<br />

recording stylus could be sharp, chisel, or cupped shaped.<br />

The reproducing stylus could be conical, elliptical,<br />

rounded, or but<strong>to</strong>n shaped; also referred <strong>to</strong> as a<br />

needle.(04.) .{D= 1) Schneidstichel; 2) Abtastnadel; Nadel;<br />

Es= aguja de lectura ( discos fonográficos); F= outil<br />

213<br />

graveur; pointe de lecture; style}.<br />

stylus bar .{E} * The part <strong>of</strong> an acoustic recorder,<br />

reproducer, or sound box <strong>to</strong> which <strong>the</strong> stylus was fitted and<br />

which was fixed directly <strong>to</strong>, or through linkage <strong>to</strong> <strong>the</strong><br />

diaphragm.(14.) .{D= Stichelnadelhalter; Stichelhalter; Es=<br />

soporte [brazo] de la aguja de un <strong>to</strong>cadiscos; F= support<br />

pointe}.<br />

stylus drag .{E} * In groove media, <strong>the</strong> force resulting from<br />

friction between <strong>the</strong> surface <strong>of</strong> <strong>the</strong> recording medium and<br />

<strong>the</strong> playback stylus.(04.) .{D= ?; Es= roce de la punta<br />

(sobre la superficie del disco fonográfico); F= frottement<br />

pointe / disque; frottement de l'aiguille}.<br />

stylus force .{E} * The vertical or downward force <strong>the</strong><br />

pickup (with stylus) applies <strong>to</strong> <strong>the</strong> record groove,<br />

expressed in grams.(04.) .{D= Auflagekraft; Es= fuerza de<br />

apoyo [presión] de la aguja (sobre la superficie de un<br />

disco fonográfico); F= force d'appui}.<br />

sub-code .{E} * On a CD, encoded data that contains<br />

definable information such as track number, duration <strong>of</strong><br />

selection, copy inhibit, copyright, etc.(39.) .{D= ?; Es=<br />

subcódigo; F= sous-code}.<br />

sub-header .{E} * A field on digital media indicating <strong>the</strong><br />

type <strong>of</strong> data in a sec<strong>to</strong>r. .{D= ?; Es= subcampo; F= sous<br />

en-tête}.<br />

subarrido .{Es} * see underscan .{E}.<br />

subbing .{E} * A clear coating that facilitates adhesion<br />

between an emulsion and a film or tape base.(01.) .{D= ?;<br />

Es= subcapa de fijación; F= sous couche de fixation}.<br />

subcampo .{Es} * see sub-header .{E}.<br />

subcapa de fijación .{Es} * see subbing .{E}.<br />

subcarrier .{E} * see colour subcarrier. .{D= ?; Es=<br />

subportadora; onda portadora intermedia; F= sousporteuse<br />

couleur (vid}.<br />

subcarrier horizontal phasing .{E} * The phase relationship<br />

in a video signal between <strong>the</strong> colour subcarrier and<br />

horizontal sync. .{D= ?; Es= subportadora de fase<br />

horizontal; F= phase de la sous porteuse horizontale}.<br />

subcódigo .{Es} * see sub-code .{E}.<br />

subdesviación (del haz explorador) .{Es} * see underscan<br />

.{E}.<br />

subexposición .{Es} * see under-exposure .{E}.<br />

subjective camera .{E} * A moving-image production style<br />

which allows <strong>the</strong> viewer <strong>to</strong> observe events from <strong>the</strong> same<br />

viewpoint and in <strong>the</strong> same manner as <strong>the</strong> protagonist.<br />

Compare point-<strong>of</strong>-view shot.30. .{D= ?; Es= cámara<br />

subjetiva (<strong>to</strong>ma desde el pun<strong>to</strong> de visión del personaje);<br />

F= caméra subjective; caméra prenant la place de la<br />

personne}.<br />

sublimado .{Es} * see sublimate .{E}.<br />

sublimate .{E} * To cause water <strong>to</strong> pass directly from <strong>the</strong><br />

frozen state in<strong>to</strong> vapour without entering <strong>the</strong> liquid<br />

state.31. .{D= ?; Es= sublimado; F= sublimer}.<br />

sublimer .{F} * see sublimate .{E}.<br />

subordinado (cuerpo) .{Es} * see subordinate body .{E}.<br />

subordinate body .{E} * A corporate body that forms an<br />

integral part <strong>of</strong> a larger body in relation <strong>to</strong> which it holds an<br />

inferior hierarchical rank.03. .{D= ?; Es= (cuerpo)<br />

subordinado; F= subordonné}.


subordonné .{F} * see subordinate body .{E}.<br />

subportadora .{Es} * see subcarrier .{E}.<br />

subportadora cromática .{Es} * see colour under .{E};<br />

colour subcarrier .{E}.<br />

subportadora de fase horizontal .{Es} * see subcarrier<br />

horizontal phasing .{E}.<br />

subsanación .{Es} * see repairing .{E}.<br />

substance neutralisante .{F} * see buffer .{E}.<br />

substitution micr<strong>of</strong>ilming .{E} * see disposal micr<strong>of</strong>ilming.<br />

substrat .{F} * see substrate .{E}.<br />

substrate .{E} * 1) The material upon which a device is<br />

constructed and supported. A CD uses a polycarbonate<br />

substrate; magnetic tape uses a polyester substrate.(39.)<br />

.{D= Träger; Trägermaterial; Es= sustra<strong>to</strong>; F= substrat}.<br />

subtítulo .{Es} * see caption .{E}; parallel title .{E}.<br />

subtítulo (de la serie) .{Es} * see parallel series title .{E}.<br />

subtractive colour .{E} * In motion-picture film, <strong>the</strong><br />

formation <strong>of</strong> colours by <strong>the</strong> removal <strong>of</strong> selected portions <strong>of</strong><br />

<strong>the</strong> white light spectrum by transparent filters or dye<br />

images.(09.) .{D= subtractives Farbverfahren; Es= sistema<br />

sustractivo de color; F= couleur par soustraction; couleurs<br />

primaires soustractives; soustractif}.<br />

subtractive printing .{E} * A method <strong>of</strong> printing in colour<br />

motion-picture film processing in which <strong>the</strong> change in <strong>the</strong><br />

relative amounts <strong>of</strong> red, green, and blue are made by<br />

inserting colour correcting filters in <strong>the</strong> light path between<br />

<strong>the</strong> light source and <strong>the</strong> printing aperture. Used primarily<br />

for making <strong>the</strong> multiple copies <strong>of</strong> release prints after <strong>the</strong><br />

answer print has been made and approved. Subtractive<br />

printing is very difficult on that film which requires a great<br />

deal <strong>of</strong> scene-<strong>to</strong>-scene colour corrections because a new<br />

filter pack must somehow be physically inserted in <strong>the</strong> light<br />

beam for every correction; see also additive printing.(09.)<br />

.{D= ?; Es= impresión sustractiva; F= tirage soustractif}.<br />

subtractives Farbverfahren .{D} * see subtractive colour<br />

.{E}.<br />

successive approximation register (SAR) .{E} * A type <strong>of</strong><br />

analogue-<strong>to</strong>-digital converter using a digital-<strong>to</strong>-analogue<br />

converter <strong>to</strong> determine <strong>the</strong> output word successively, bit by<br />

bit.39. .{D= ?; Es= registro de aproximación sucesiva; F=<br />

régistre par approximations successives}.<br />

sucesión .{Es} * see series (1) .{E}.<br />

sucesión en la propiedad de un archivo .{Es} * see archival<br />

succession .{E}.<br />

suivi de piste .{F} * see au<strong>to</strong> tracking .{E}.<br />

suivi de piste .{F} * see tracking .{D;E}.<br />

suivi de piste à trois faisceaux .{F} * see three-beam<br />

tracking .{E}.<br />

suivi de piste avec spot unique .{F} * see single-beam<br />

tracking .{E}.<br />

suivi de point .{F} * see follow focus .{E}.<br />

sumario .{Es} * see summary .{E}.<br />

sumidero .{Es} * see sump .{E}.<br />

summary .{E} * In a bibliographic citation, a short,<br />

214<br />

accurate, and objective written description <strong>of</strong> <strong>the</strong> contents<br />

<strong>of</strong> a work.(12.) .{D= ?; Es= sumario; resumen; cuadro<br />

sinóptico; F= sommaire}.<br />

sump .{E} * A pit built in<strong>to</strong> a basement floor <strong>to</strong> collect<br />

casual water.31. .{D= ?; Es= sumidero; F= puisard}.<br />

sump pump .{E} * A pump installed permanently in or<br />

above a sump and designed <strong>to</strong> act au<strong>to</strong>matically <strong>to</strong> remove<br />

water from it.31. .{D= ?; Es= bomba de sumidero; F=<br />

pompe}.<br />

super .{E;F} * An electronic procedure where two scenes<br />

are superimposed over each o<strong>the</strong>r in videotape production.<br />

2) It is also <strong>the</strong> electronic superimposition <strong>of</strong> electronic<br />

graphics such as fonts. .{D= ?; Es= superimposición; F=<br />

enchaîné (superimposition)}.<br />

super long play (SLP) .{E} * The six (6) hour speed on a<br />

VHS videocassette recording when using a T120 cassette;<br />

see also standard play; long play.(35.) .{D= ?; Es=<br />

superlarga duración; F= très longue durée}.<br />

super-VHS (S-VHS) .{E;Es;F} * The result <strong>of</strong> ann<br />

improvement in tape oxide using a metal particle tape that<br />

gives a cleaner picture and a better signal-<strong>to</strong>-noise ratio.<br />

It is capable <strong>of</strong> reproducing high resolution than a standard<br />

VHS. .{D= ?}.<br />

superficie de la imagen .{Es} * see image area .{E}.<br />

superficie elemental de imagen .{Es} * see picture element<br />

(PIXEL) .{E}.<br />

superficie vertical de un disco .{Es} * see edge (1) .{E}.<br />

superimposición .{Es} * see super .{E}.<br />

superlarga duración .{Es} * see super long play (SLP) .{E}.<br />

Superorticón .{Es} * see image orthicon (IO) .{E}.<br />

Superortinoscopio .{Es} * see image orthicon (IO) .{E}.<br />

superposición .{Es} * see burned in .{E}.<br />

superposición transparente .{Es} * see bleed through .{E}.<br />

superposición-inversión (de imágenes) .{Es} * see<br />

montage .{E;F}.<br />

suplemen<strong>to</strong> .{Es} * see supplement .{E}.<br />

suport film .{F} * see film base .{E}.<br />

supplement .{E} * An item, usually issued separately, that<br />

complements one already published by bringing up-<strong>to</strong>-date<br />

or o<strong>the</strong>rwise continuing <strong>the</strong> original or by containing a<br />

special feature not included in <strong>the</strong> original. The<br />

supplement has a formal relationship with <strong>the</strong> original as<br />

expressed by common authorship, a common title or<br />

subtitle, and/or a stated intention <strong>to</strong> continue or<br />

supplement <strong>the</strong> original.03. .{D= ?; Es= suplemen<strong>to</strong>; F=<br />

supplément}.<br />

supplément .{F} * see supplement .{E}.<br />

supplied title .{E} * In a bibliographic citation, a title<br />

provided by <strong>the</strong> cataloguer/compiler when an item has no<br />

title, and no title can be identified from any o<strong>the</strong>r<br />

source.(12.) .{D= ?; Es= título sugerido [provisional]; F=<br />

titre fournir}.<br />

support .{E} * see base support .{E}.<br />

support .{F} * see base; medium (media) .{E}.<br />

support (machine cylindre) .{F} * see <strong>to</strong>p plate .{E}.


support (ruban) .{F} * see backing .{E}.<br />

support acétate .{F} * see acetate base .{E}.<br />

support d'émulsion .{F}. see film base .{E}.<br />

support plastique .{F} * see plasticizer; plastic support .{E}.<br />

support pointe .{F} * see stylus bar .{E}.<br />

support sonore mécanique .{F} * see mechanical sound<br />

carrier .{E}.<br />

suppression .{F} * see blanking .{E}.<br />

suppression de rayure rayur{F} * see scratch removal .{E}.<br />

suppression de trame .{F} * see vertical blanking .{E}.<br />

suppression horizontale de lignes .{F} * see horizontal<br />

blanking .{E}.<br />

suppression verticale .{F} * see vertical blanking .{E}.<br />

supresion de rasguños .{Es} * see scratch removal .{E}.<br />

supresión de arañazos [rasguños] .{Es} * see scratch<br />

removal .{E}.<br />

supresión vertical del haz .{Es} * see vertical blanking .{E}.<br />

suramplificateur .{F} * see booster .{E}.<br />

surbalayage .{F} * see overscan .{E}.<br />

surcharge .{F} * see overload .{E}.<br />

surco .{Es} * see groove .{E}.<br />

surco de paso variable .{Es} * see variable groove pitch<br />

.{E}.<br />

surco excéntrico .{Es} * see eccentric groove .{E}.<br />

surco lineal .{Es} * see straight line tracking .-sampling<br />

.{E}.<br />

surexposition .{F} * see over-exposure .{E}.<br />

surface d'image .{F} * see image area .{E}.<br />

surface imprint .{E} * The transfer <strong>of</strong> material from <strong>the</strong><br />

packaging containing a recording <strong>to</strong> <strong>the</strong> surface <strong>of</strong> <strong>the</strong><br />

recording itself due <strong>to</strong> high contact stress (caused by high<br />

temperatures, wrinkled or uneven surfaces <strong>of</strong> <strong>the</strong><br />

packaging material, or improper and uneven s<strong>to</strong>rage<br />

pressure). This can result in poor playback because <strong>the</strong><br />

transferred material may interfere with stylus tracking.04.<br />

.{D= Oberflächen- Eindruckmarken; Es= impresión<br />

(superficial) por transferencia; F= empreinte par transfert}.<br />

surface noise .{E} * In playback <strong>of</strong> groove media, <strong>the</strong> noise<br />

component in <strong>the</strong> electric output <strong>of</strong> a pickup (cartridge) due<br />

<strong>to</strong> irregularities in <strong>the</strong> contact surface <strong>of</strong> <strong>the</strong> grooves. Can<br />

be caused by many fac<strong>to</strong>rs including dust and foreign<br />

particles in <strong>the</strong> groove, use <strong>of</strong> improper stylus and pickup,<br />

poor manufacture, wear on <strong>the</strong> groove caused by previous<br />

improper playback, etc.(04.) .{D= Oberflächenstörungen;<br />

Es= ruido de superficie (aguja <strong>to</strong>cadiscos); F= bruit de<br />

surface}.<br />

surface sensible .{F} * see emulsion .{D;E}.<br />

surface treatment .{E} * Any process by which <strong>the</strong> surface<br />

smoothness <strong>of</strong> magnetic tape coating is improved after it<br />

has been applied <strong>to</strong> <strong>the</strong> base.(46.) .{D=<br />

Oberflächenbehandlung; Es= tratamien<strong>to</strong> superficial; F=<br />

215<br />

traitement de surface}.<br />

surmodulation .{F} * see overmodulation .{E}.<br />

surrealism .{E} * 1) A film and painting style during <strong>the</strong><br />

1920s which is ei<strong>the</strong>r vaguely fan-tastic or dis<strong>to</strong>rted.(30.)<br />

.{D= ?; Es= surrealismo; F= surréalisme}.<br />

surréalisme .{F} * see surrealism .{E}.<br />

surrealismo .{Es} * see surrealism .{E}.<br />

survolteur .{F} * see booster .{E}.<br />

suspensión .{Es} * see s<strong>to</strong>p .{D;E}.<br />

sustancia antiestática .{Es} * see antistatic element .{E}.<br />

sustancia neutralizante .{Es} * see buffer (2) .{E}.<br />

sustitu<strong>to</strong> del aceta<strong>to</strong> de celulosa para grabaciones<br />

cilíndricas .{Es} * see cellulose nitrate (2) .{E}.<br />

sustra<strong>to</strong> .{Es} * see substrate .{E}.<br />

sustra<strong>to</strong> reflectante entre los agujeros pequeños de la<br />

superficie de los CD .{Es} * see land .{E}.<br />

swarf .{E} * The threads <strong>of</strong> waste material removed from a<br />

cylinder or disc blank record face by <strong>the</strong> recording stylus<br />

or, in <strong>the</strong> case <strong>of</strong> wax materials, <strong>the</strong> shaving; see also<br />

chip.(04.14.) .{D= ?; Es= virutas (metálicas); limaduras de<br />

hierro; F= copeau}.<br />

swelling <strong>of</strong> <strong>the</strong> emulsion .{E} * An absorption <strong>of</strong> water by<br />

an emulsion resulting in a swelling or rising <strong>of</strong> <strong>the</strong> emulsion<br />

in that area; see also water spot-est.42. .{D= ?; Es= ?; F=<br />

?}.<br />

swing-arm .{E} * see end gate.<br />

swish pan .{E} * Also called flick pan, zip pan. A pan in<br />

which <strong>the</strong> intervening scenery is panned past <strong>to</strong>o quickly<br />

<strong>to</strong> be observed. It best approximates psychologically <strong>the</strong><br />

action <strong>of</strong> <strong>the</strong> human eye as it moves from one subject <strong>to</strong><br />

ano<strong>the</strong>r.30. .{D= ?; Es= panorámica rápida; F=<br />

panoramique rapide; panoramique filé}.<br />

switcher .{E} * An electronic device in video production that<br />

allows video sources <strong>to</strong> be combined. Switchers come in<br />

varying degrees <strong>of</strong> sophistication from a simple switcher<br />

capable <strong>of</strong> only cuts <strong>to</strong> switchers capable <strong>of</strong> dissolves, and<br />

manipulating <strong>the</strong> actual elements <strong>of</strong> <strong>the</strong> picture. .{D= ?;<br />

Es= conmutador; interrup<strong>to</strong>r; conmutador-mezclador; F=<br />

pupitre de mélange vidéo; ingénieur de la vision;<br />

truquiste}.<br />

symbol .{E} * 1) A letter or simplified design used <strong>to</strong><br />

represent words or components in schematics and<br />

formulas. 2) In CDs, <strong>the</strong> basic unit <strong>of</strong> digitized data, parity,<br />

and subcode data; initially 8 bits long, it is expanded <strong>to</strong> 17<br />

(14 + 3) bits by 8-<strong>to</strong>-14 modulation.(04.) .{D= ?; Es=<br />

símbolo; F= symbole}.<br />

symbole .{F} * see symbol .{E}.<br />

sync .{E} * abbreviation for synchronization, synchronous,<br />

etc.<br />

sync advance .{E} * The number <strong>of</strong> film frames <strong>the</strong> sound<br />

precedes <strong>the</strong> picture.(10.) .{D= ?; Es= avance de<br />

sincronización; F= avance son}.<br />

sync head .{E} * On a videotape deck, <strong>the</strong> head which<br />

plays <strong>the</strong> sync signal <strong>to</strong> "fill in" <strong>the</strong> vertical interval caused<br />

by <strong>the</strong> small gap in <strong>the</strong> tape wrap around <strong>the</strong> head drum<br />

assembly. .{D= ?; Es= cabeza de sincronización; F= tête<br />

de synchronisation}.


sync leader .{E} * A length <strong>of</strong> film leader that contains<br />

numbers indicating <strong>the</strong> number <strong>of</strong> seconds until <strong>the</strong><br />

beginning <strong>of</strong> a picture; usually refers <strong>to</strong> an Academy<br />

leader.(10.) .{D= ?; Es= guía de sincronización; F= amorce<br />

de synchronisation}.<br />

synchronisation de bobines .{F} * see synchronization;<br />

sync roll .{E}.<br />

synchronisation des trames couleur .{F} * see colour<br />

framing .{E}.<br />

synchronisation externe .{F} * see external sync .{E}.<br />

synchronisation labiale .{F} * see lip sync .{E}.<br />

Synchronisation .{D} * see dubbing .{E}.<br />

synchroniser .{F} * see synchronize .{E}.<br />

synchroniseur de trame audio .{F} * see audio frame<br />

synchronizer; audio synchronizer .{E}.<br />

synchroniseur son .{F} * see audio synchronizer .{E}.<br />

synchronisieren .{D} * see synchronize .{E}.<br />

Synchronisierung .{D} * see synchronization .{E}.<br />

synchronization .{E} * 1) In moving-image productions, <strong>the</strong><br />

positioning <strong>of</strong> a soundtrack so that it is in harmony with,<br />

and timed <strong>to</strong>, <strong>the</strong> picture portion <strong>of</strong> a movingimage.(09.06.)<br />

2) The process <strong>of</strong> maintaining common<br />

timing and coordination between two or more operations,<br />

events, or processes, under <strong>the</strong> control <strong>of</strong> CD-ROM.10.<br />

.{D= Synchronisierung; Es= sincronización; F=<br />

synchronisation}.<br />

synchronization field .{E} * In CD-ROM and CD-I, <strong>the</strong> first<br />

12 bytes <strong>of</strong> a sec<strong>to</strong>r containing synchronization<br />

information.(10.) .{D= ?; Es= campo de sincronización; F=<br />

données de synchronisation; synchronisation}.<br />

synchronization pattern .{E} * A distinctive pattern in a<br />

transmitted waveform, used <strong>to</strong> establish<br />

synchronization.(10.) .{D= ?; Es= norma [pauta] de<br />

sincronización; F= pr<strong>of</strong>il de synchronisation}.<br />

synchronization signals .{E} * In CD-I, realtime s<strong>of</strong>tware<br />

interrupts, <strong>of</strong>ten generated by a device driver during<br />

hardware interrupt processing when a predefined condition<br />

has been met.(10.) .{D= ?; Es= señales de sincronización;<br />

F= signals de synchronisation; ?}.<br />

synchronize .{E} * To make sound correspond <strong>to</strong> a picture<br />

on film. 2) To lock one element <strong>of</strong> a system <strong>to</strong><br />

ano<strong>the</strong>r.(10.) .{D= synchronisieren; Es= sincronizar; F=<br />

synchroniser}.<br />

synchronizing (sync) genera<strong>to</strong>r .{E} * The piece <strong>of</strong><br />

electronic equipment that produces <strong>the</strong> synchronizing<br />

signals, such as horizontal and vertical blanking, horizontal<br />

and vertical sync, colour burst, etc., as well as test signals<br />

that are used in <strong>the</strong> set up <strong>of</strong> video equipment. .{D= ?; Es=<br />

generador de señales de sincronismo; F= générateur de<br />

signaux de synchronisation}.<br />

synchronous .{E} * A simultaneously timed operation in<br />

which a master clock is used <strong>to</strong> control events.39. .{D=<br />

synchron; Es= sincrónico; síncrono; F= synchrone}.<br />

synchronous sound .{E} * In moving-image productions<br />

audio whose source is visible in <strong>the</strong> frame <strong>of</strong> <strong>the</strong> image or<br />

whose source is understandable from <strong>the</strong> context <strong>of</strong> <strong>the</strong><br />

image; see also asynchronous sound.30. .{D=<br />

Synchron<strong>to</strong>n; Es= sonido sincrónico; F= son synchrone}.<br />

Synchronpuls .{D} * see sync pulse .{E}.<br />

216<br />

Synchron<strong>to</strong>n .{D} * see synchronous sound .{E}.<br />

syndrome du vinaigre .{F} * see vinegar syndrome .{D;E}.<br />

synopsis adaptation{F} * see treatment .{E}.<br />

Synopsis .{D} * see treatment .{E}.<br />

syntagma .{E;F} * A semiological term: a unit <strong>of</strong> actual<br />

relationship. Syntagmatic relationships exist between <strong>the</strong><br />

actual or present elements <strong>of</strong> a state-ment in film.<br />

Contrasted with paradigm, a unit <strong>of</strong> potential<br />

relationship.30. .{D= ?; Es= sintagma; F= syntagme ?}.<br />

synthèse additive .{couleur} .{F} * see additive colour .{E}.<br />

system .{E} * For audiovisual media, a combination <strong>of</strong> <strong>the</strong><br />

audiovisual media and <strong>the</strong> necessary hardware and<br />

s<strong>of</strong>tware necessary <strong>to</strong> retrieve <strong>the</strong> recorded information.<br />

.{D= ?; Es= sistema; F= système}.<br />

system noise .{E} * In magnetic tape recording, <strong>the</strong> <strong>to</strong>tal<br />

noise produced by <strong>the</strong> whole recording system, including<br />

<strong>the</strong> tape.46. .{D= Systemrrauschen; Es= ruido del sistema;<br />

F= bruit du système}.<br />

système .{F} * see system .{E}.<br />

système à changement de phase .{F} * see phase change<br />

medium .{E}.<br />

système anaglyphe .{F} * see anaglyphic process .{E}.<br />

système catadioptrique .{F} * see t channel .{E}.<br />

système catadioptrique .{F} see ca<strong>to</strong>ptric system .{E} ** ==<br />

catadioptr-real-time operating system (CD-RTOS) .{D;E}.<br />

système d'exposition au<strong>to</strong>matique de précision (système<br />

APEX) .{F} * see au<strong>to</strong>matic precision exposure system<br />

(apex system) .{E}.<br />

système de blocage des ions .{F} * see ion trap .{E}.<br />

système de conversion .{F} * see combination attachment<br />

.{E}.<br />

système de désentrelacement .{F} * see descrambler .{E}.<br />

système de désentrelacement .{F}. see descrambler .{E}.<br />

système de distribution contrôlé .{F} * see distributive<br />

control system(DCS) .{E}.<br />

système de distribution contrôlé .{F}. see distributive<br />

control system(DCS) .{E}.<br />

système de prise de vue .{F} * see moving-image materials<br />

.{E}.<br />

système de réception .{F} * see receiving system .{E}.<br />

système de réduction de bruit .{F} * see noise-suppression<br />

system .{E}.<br />

système de renforcement des basses .{F} * see bass<br />

boost .{E}.<br />

système de reproduction .{F} * see reproducer .{E}.<br />

système de télévision à résolution améliorée (EDTV) .{F}<br />

* see Enhanced Definition Television (EDTV) .{E}.<br />

système de télévision à résolution améliorée (EDTV) .{F}.<br />

see Enhanced Definition Television (EDTV) .{E}.<br />

système de télévision par câble .{F} * see cable antenna<br />

television system .{E}.


système de transmission multicanaux par câble .{F} * see<br />

augmented channel system .{E}.<br />

système entrée/sortie de base .{F} * see basic input/output<br />

system .{E}.<br />

système protégé .{F} * see authoring system .{E}.<br />

Systemhalterung .{D} * see head shell .{E}.<br />

Systemrrauschen .{D} * see system noise .{E}.<br />

Szene .{D} * see scene .{E}.<br />

t ---<br />

t channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present allocated <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal t; F= canal t}.<br />

T.V.-Film .{D} * see kinescope film .{E;F}.<br />

t-number .{E} * see f-number.<br />

t-s<strong>to</strong>p .{E;F} * A lens marking which indicates <strong>the</strong> true light<br />

transmission <strong>of</strong> <strong>the</strong> lens at a given aperture instead <strong>of</strong> <strong>the</strong><br />

approxi-mate light transmission indicated by <strong>the</strong><br />

conventional f-s<strong>to</strong>p marking; see also f-number.09. 30.<br />

.{D= ?; Es= parada t; F= t-s<strong>to</strong>p ? (opt)}.<br />

tabla de concordancias .{Es} * see concordance .{E}.<br />

tabla redonda de grabaciones audiovisuales .{Es} * see<br />

Round Table on <strong>Audiovisual</strong> Records .{E}.<br />

table de concordance .{F} * see concordance .{E}.<br />

table de concordancias .{Es} * see concordance .{E}.<br />

table de montage .{F} * see editing table .{E}.<br />

table des matières .{F} * see table <strong>of</strong> contents (TOC) .{E}.<br />

table lumineuse .{F} * see light table .{E}.<br />

table model phonograph/gramophone .{E} * see enclosed<br />

horn phonograph/gramophone.<br />

table <strong>of</strong> contents (TOC) .{E} * 1) A listing <strong>of</strong> <strong>the</strong> contents <strong>of</strong><br />

a given work. 2) Non-audio sub-code data contained in <strong>the</strong><br />

lead-in area <strong>of</strong> a CD which s<strong>to</strong>res initialization data,<br />

including track and time information, and is read during<br />

initialization.39. .{D= ?; Es= índice de materias; F= table<br />

des matières}.<br />

table ronde sur les enregistrements audiovisuels .{F} * see<br />

Round Table on <strong>Audiovisual</strong> Records .{E}.<br />

tableau de numérotage .{F} * see slate .{E}.<br />

tableau de raccordement .{F} * see patch panel .{E}.<br />

tablette .{F} * see shelf .{E}.<br />

tache .{F} * see blemish .{E}.<br />

tache (orange) .{F} * see microspots .{E}.<br />

taché (film) .{F} * see mottled .{E}.<br />

tâche lumineuse .{F} * see smear .{E}.<br />

taches de rouille .{F} * see foxing .{E}.<br />

tacking iron .{E} * A small, light-weight iron with an<br />

adjustable <strong>the</strong>rmostatic control used <strong>to</strong> heat and melt dry<br />

mount or heat-set tissue.07. .{D= ?; Es= espátula de calor;<br />

F= résistance chauffante}.<br />

217<br />

tactile materials .{E} * Materials with raised symbols and/or<br />

differently textured surfaces that are intended for use by<br />

<strong>the</strong> visually impaired.03. .{D= ?; Es= materiales táctiles<br />

(concebidos especialmente para ciegos); F= matérials<br />

tactiles}.<br />

tail .{E} * 1) The bot<strong>to</strong>m <strong>of</strong> a book or cassette as it sits<br />

upright, usually implying <strong>the</strong> very edge <strong>of</strong> <strong>the</strong> covers and<br />

spine. 2) The end <strong>of</strong> a piece <strong>of</strong> tape or film. 3) A ghost<br />

image or pulse in a television picture or signal; also called<br />

an afterimage; see also head and tail. .{D= 1) ?; 2)<br />

Bandende; Ende; Bolt; 3) ?; Es= 1) cabeza; cabezada; 2)<br />

extremo (fin de una cinta); 3) derivación; F= amorce de fin;<br />

extrémité; trainée; 1 & 2) extremité; 3) ?}.<br />

taille .{F} * see disk size .{E}.<br />

taille des particules .{F} * see particle size .{E}.<br />

tails out .{D;E} * A tape recording or reel <strong>of</strong> film that is<br />

s<strong>to</strong>red after recording or playback without being rewound,<br />

i.e. with <strong>the</strong> tail-end <strong>of</strong> <strong>the</strong> tape/film outermost on <strong>the</strong> reel;<br />

see also heads out.(04.) .{F= à l'envers (pieds dehors);<br />

Es= cinta guardada sin rebobinar}.<br />

take .{D;E} * 1) In <strong>the</strong> making <strong>of</strong> a recording, a specific<br />

recorded performance. Sound recording manufacturers<br />

normally assign a different indica<strong>to</strong>r <strong>to</strong> each take<br />

(sometimes indicated in <strong>the</strong> matrix number <strong>of</strong> <strong>the</strong><br />

published disc or cylinder sound recording, but not in <strong>the</strong><br />

catalogue or issue numbers). Hence, <strong>the</strong> matrix number <strong>of</strong><br />

such a sound recording will <strong>of</strong>ten indicate whe<strong>the</strong>r a<br />

reissue <strong>of</strong> an earlier recording is actually <strong>the</strong> same or a<br />

different take. One or more takes are done <strong>of</strong> each shot on<br />

<strong>the</strong> set. One <strong>of</strong> <strong>the</strong>se is <strong>the</strong>n chosen <strong>to</strong> be <strong>the</strong> shot used in<br />

<strong>the</strong> fine cut <strong>of</strong> <strong>the</strong> film.(30.) 2) A length <strong>of</strong> film or videotape,<br />

<strong>of</strong>ten one <strong>of</strong> several similar shots. 3) In a moving-image<br />

production, a cut from one camera <strong>to</strong> ano<strong>the</strong>r. 4) A<br />

direc<strong>to</strong>r's command <strong>to</strong> cut, as "take one;" also called a<br />

direct take. 5) In videotape programme production, a<br />

segment <strong>of</strong> <strong>the</strong> <strong>to</strong>tal programme recorded in time isolation<br />

from o<strong>the</strong>r segments for later assembly in<strong>to</strong> <strong>the</strong> complete<br />

programme.(10.) .{F= prise (de son); prise sur un<br />

<strong>to</strong>urnage; 2) prise de vues; Es= 1) <strong>to</strong>ma; escena; 2)<br />

duración de una cinta; 3) corte de una cámara a otra; 4)<br />

<strong>to</strong>ma buena [directa]}.<br />

take-up reel .{E} * The reel <strong>of</strong> <strong>the</strong> tape recorder which<br />

accumulates <strong>the</strong> tape as it is recorded or played.(50.) .{D=<br />

Aufwickelspule; Es= bobina recep<strong>to</strong>ra; bobina de recogida<br />

[arrollamien<strong>to</strong>]; F= bobine enrouleuse; bobine réceptrice}.<br />

take-up tension .{E} * The tension or pulling force which<br />

<strong>the</strong> take-up reel applies <strong>to</strong> <strong>the</strong> tape as it leaves <strong>the</strong><br />

capstan/pinch roller area <strong>of</strong> a tape recorder.04. .{D=<br />

Aufwickelbandzug; Es= tensión de rebobinado; F= tension<br />

de bobine réceptrice}.<br />

talent .{E} * The term used in television <strong>to</strong> identify those in<br />

front <strong>of</strong> <strong>the</strong> camera; also known as cast.(12.) .{D= ?; Es=<br />

repar<strong>to</strong>; elenco (de artistas); F= acteur (face à la caméra);<br />

artiste; la distribution}.<br />

talker .{E} * see talking machine.<br />

talkeries .{E} * see talking machine. .{D= ?; Es= máquinas<br />

parlantes; F= machines parlantes}.<br />

talking doll record .{E} * A white or brown wax cylinder<br />

recording used by Edison in 1888 and 1889 as <strong>the</strong> voice<br />

producer for a child's doll, believed <strong>to</strong> have been <strong>the</strong> first<br />

commercial use <strong>of</strong> a sound recording. .{D= Sprechende<br />

Puppe; Es= muñeca cilíndrica parlante; F= cylindre<br />

poupée parlante}.<br />

tambor .{Es} * see drum .{E}.<br />

tambor (escáner) .{Es} * see headwheel .{E}.


tambour .{F} * see drum; headwheel .{E}.<br />

tambour de tête .{F} * see scanner .{E}.<br />

tambour porte-têtes .{F} * see headwheel .{E}.<br />

tambour presseur .{F} * see pressure roller .{E}.<br />

tape .{E} * see magnetic tape.<br />

tape cassette .{E} * see cassette.<br />

tape deck .{E} * A magnetic tape recorder designed for use<br />

in built-in high fidelity music systems. Generally encased<br />

in a metal case ra<strong>the</strong>r than a carrying case. The<br />

electronics usually consist <strong>of</strong> record amplifiers and<br />

playback pre-amplifier.50. .{D= Tonbandgerät; Es= platina<br />

(magnet<strong>of</strong>ónica); F= platine; platine d'enregistrement}.<br />

tape drive .{E} * see tape transport.<br />

tape guides .{E} * Grooved pins or rollers mounted at each<br />

side <strong>of</strong> <strong>the</strong> recording tape head assembly <strong>to</strong> position <strong>the</strong><br />

magnetic tape correctly on <strong>the</strong> head as it is being recorded<br />

or played.16. .{D= Bandführungen; Es= guías de la cinta;<br />

F= tige-guide du ruban; guide band; guide de bande}.<br />

tape head .{E} * see head.<br />

tape hiss .{E} * see hiss.<br />

tape index counter .{E} * A counter used mostly <strong>to</strong> aid in<br />

referring <strong>to</strong> a particular portion <strong>of</strong> tape.(50.) .{D=<br />

Bandzählwerk; Es= contador índice de cinta; F= compteur<br />

de défilement; indicateur de défiment}.<br />

tape label .{E} * see label.<br />

tape lifter .{E} * A system <strong>of</strong> movable guides which<br />

au<strong>to</strong>matically diverts tape from contact with <strong>the</strong> recorder's<br />

heads during fast forward or rewinding modes <strong>of</strong><br />

operation.16. .{D= Bandabhebung; Es= levantador de la<br />

cinta; F= écarteur de bande}.<br />

tape mark .{E} * A special control block recorded on<br />

magnetic tape <strong>to</strong> serve as a separa<strong>to</strong>r between files and<br />

file labels.46. .{D= ?; Es= marca (registrada) en la cinta;<br />

F= marque de bande}.<br />

tape pack .{E} * The degree <strong>of</strong> tightness with which<br />

magnetic tape is wound on a reel or core.(10.) .{D=<br />

Bandwickel; Es= rollo de cinta; F= serrage de la bande}.<br />

tape player .{E} * A piece <strong>of</strong> equipment <strong>to</strong> play prerecorded<br />

tape.16. .{D= Bandspieler; Es= reproduc<strong>to</strong>r de<br />

cinta (magnet<strong>of</strong>ónica); F= magné<strong>to</strong>phone}.<br />

tape recording .{E} * see audiotape; videotape.<br />

tape setting .{E} * 1) In motion picture film production, <strong>the</strong><br />

control <strong>of</strong> light values while printing film by using a<br />

perforated paper tape; see also trim setting.09. .{D= ?; Es=<br />

control de los valores de luminosidad de una cinta<br />

mediante papel perforado; F= contrôle de lumière pendant<br />

tirage film sur papier}.<br />

tape skew .{E} * The deviation <strong>of</strong> a tape from following a<br />

linear path when transported across <strong>the</strong> heads. The terms<br />

'static' and 'dynamic' are used <strong>to</strong> distinguish <strong>the</strong> physically<br />

fixed and fluctuating components <strong>of</strong> <strong>to</strong>tal tape<br />

skew.(06.46.) .{D= Skew; Es= dis<strong>to</strong>rsion oblicua; F=<br />

déviation de la bande; dis<strong>to</strong>rsion de l'image}.<br />

tape speed .{E} * The speed at which tape moves past <strong>the</strong><br />

head in recording or playback modes. Standard tape<br />

speed for home use is 7½-IPS/19.05-CM/S or half this<br />

speed (3#-IPS/9.5 CM/S). One fourth or even one eighth<br />

this speed is also used for low-fi recordings, and if used for<br />

218<br />

music recordings it utilizes a special high quality tape, and<br />

generally only for home use.(16.) .{D=<br />

Bandgeschwindigkeit; Es= velocidad de avance [recorrido,<br />

deslizamien<strong>to</strong>] de la cinta; F= vitesse de ruban; vitesse de<br />

défilement de la bande bande; vitesse de bande}.<br />

tape splice .{E} * see splice.<br />

tape splicer .{E} * A semi-au<strong>to</strong>matic or au<strong>to</strong>matic device<br />

used for splicing tape.50. .{D= Bandklebemaschine; Es=<br />

empalmador de cinta (operario); F= collant; colleuse à<br />

"scotch"}.<br />

tape squeal .{E} * The sonic dis<strong>to</strong>rtion which may occur in<br />

playback <strong>of</strong> a tape recording which has a deterioration or<br />

loss <strong>of</strong> <strong>the</strong> lubricant in its coating, causing friction as <strong>the</strong><br />

tape passes over <strong>the</strong> playback head <strong>of</strong> <strong>the</strong> machine; also<br />

caused by playing <strong>the</strong> tape in a excessively dry<br />

environment.(04.) .{D= ?; Es= chillido de la cinta; F=<br />

crissement}.<br />

tape transport .{E} * 1) The head assembly, mo<strong>to</strong>r(s), and<br />

control mechanisms in a tape recorder, tape player, or<br />

computer which uses magnetic tape as its data s<strong>to</strong>rage<br />

system which move <strong>the</strong> magnetic tape past <strong>the</strong> heads. The<br />

mechanism extracts tape from a s<strong>to</strong>rage device, moves it<br />

across magnetic heads at a controlled speed and <strong>the</strong>n<br />

feeds it in<strong>to</strong> ano<strong>the</strong>r s<strong>to</strong>rage device. Typical s<strong>to</strong>rage<br />

devices are tape loops, bins, reels, and magazines (i.e.<br />

cassettes and cartridges-amplifiers, power amplifiers,<br />

speakers or carrying case.50. .{D= Bandtransport; Es=<br />

arrastre [transporte] de la cinta; F= défilement de la bande;<br />

mécanisme d'entraînement de la bande}.<br />

tape weave .{E} * A condition in which recording tape<br />

makes unwanted up and down movement as it passes <strong>the</strong><br />

head; may be caused by improper tape slitting, poor<br />

transport mechanical alignment, worn heads or tape<br />

guides, or improper winding <strong>of</strong> <strong>the</strong> tape before<br />

s<strong>to</strong>rage.(04.) .{D= ?; Es= ondulación de la cinta; F=<br />

ondulation de la band}.<br />

tape-<strong>to</strong>-head separation .{E} * The separation between a<br />

magnetic head and <strong>the</strong> magnetic tape caused by 1) <strong>the</strong> foil<br />

bearing effect, 2) improper head con<strong>to</strong>ur, which generates<br />

standing waves in <strong>the</strong> tape, and/or 3) surface roughness<br />

<strong>of</strong> <strong>the</strong> tape surface. These conditions are interrelated and<br />

are greatly influenced by tape tension and tape<br />

compliancy. In a properly designed system, tape<br />

roughness is <strong>the</strong> limit <strong>of</strong> head-<strong>to</strong>-tape separation, usually<br />

less than 10 #m.46. .{D= mangelnder Band-Kopf-Kontakt;<br />

Es= separación entre cabeza y cinta; F= écartement têtebande}.<br />

tape-<strong>to</strong>-head separation changes .{E} * Variations in <strong>the</strong><br />

distance between <strong>the</strong> tape head and <strong>the</strong> tape in magnetic<br />

tape recording. May be caused by such as 1) head<br />

contamination (i.e., debris attached <strong>to</strong> <strong>the</strong> head which<br />

causes <strong>the</strong> tape <strong>to</strong> lift away from <strong>the</strong> head) or 2) tape<br />

contamination (i.e., particles attached <strong>to</strong> <strong>the</strong> tape which<br />

causes <strong>the</strong> tape <strong>to</strong> lift away from <strong>the</strong> head).(46. ) .{D=<br />

Band-Kopf-ontaktprobleme; Es= cambios en la separación<br />

entre cabeza y cinta; F= variations d'écartement têtebande}.<br />

tapeography .{E} * see discography.<br />

target .{E} * In micropho<strong>to</strong>graphy, 1) any document or<br />

chart containing identification information, coding, or test<br />

charts. 2) An aid <strong>to</strong> technical or bibliographic control that<br />

is pho<strong>to</strong>graphed on <strong>the</strong> film preceding and/or following <strong>the</strong><br />

document.40.(22.) 3) The face <strong>of</strong> a video pick up tube that<br />

is scanned by its electron beam. .{D= Vorspann; Es= 1 y<br />

2) cartela; ficha técnica; 3) objetivo; F= mire; cible;<br />

objectif}.<br />

tarjeta de abertura .{Es} * see aperture card .{E}.


tarjeta de la prueba neutra .{Es} * see neutral test card<br />

.{E}.<br />

tarjeta J .{Es} * see j card .{E}.<br />

tarnish .{E} * In pho<strong>to</strong>graphy, a discolouration <strong>of</strong> silver<br />

images by <strong>the</strong> formation <strong>of</strong> silver sulphide. Colours range<br />

from blue-black <strong>to</strong> yellow-brown and occur most frequently<br />

on areas <strong>of</strong> high silver content.(42.) .{D= ?; Es= deslustre;<br />

decoloración; F= ternissure}.<br />

taulen .{D} * see wow .{E}.<br />

Taupunkt .{D} * see dew point .{E}.<br />

taux d'échantillonnage .{F} * see sampling rate .{E}.<br />

taux d'éclatement .{F} * see burst ratio .{E}.<br />

taux d'erreur sur les blocs .{F} * see block error rate<br />

(BLER) .{E}.<br />

taux d'erreurs sur les bits .{F} * see bit error rate (BER)<br />

.{E}.<br />

TCC .{E} * acronym for Technical Coordinating Committee;<br />

see Round Table on <strong>Audiovisual</strong> Records. {D= ?; Es=<br />

acrónimo de Integración de Compresión Temporal; F= ?}.<br />

tearing resistance .{E} * The force required <strong>to</strong> tear a<br />

specimen under standardized conditions. In archival work,<br />

<strong>the</strong> two most important measures <strong>of</strong> tearing resistance are:<br />

1) internal (or continuing) tearing resistance, where <strong>the</strong><br />

edge <strong>of</strong> <strong>the</strong> sheet is cut before <strong>the</strong> actual tear is made; and<br />

2) edge tearing resistance, i.e., <strong>the</strong> resistance <strong>of</strong>fered by<br />

<strong>the</strong> sheet <strong>to</strong> <strong>the</strong> onset <strong>of</strong> tearing at <strong>the</strong> edge, and which<br />

appears <strong>to</strong> be dependent on both <strong>the</strong> extensibility and <strong>the</strong><br />

tensile strength <strong>of</strong> <strong>the</strong> paper.07. .{D= ?; Es= resistencia al<br />

desgarro; F= résistance à la déchirure}.<br />

technical drawing .{E} * A cross section, detail, diagram,<br />

elevation, perspective, plan, working plan, etc., made for<br />

use in engineering or o<strong>the</strong>r technical context; see also<br />

architectural rendering.03. .{D= ?; Es= dibujo técnico; F=<br />

dessin industriel}.<br />

Techniscope .{D;E;Es;F} * A system in which a halfheight<br />

frame <strong>of</strong> 35-mm film is used <strong>to</strong> produce a widescreen<br />

motion picture.(10.)<br />

técnico de registro .{Es} * see recorder .{E}.<br />

Teiltöne .{D} * see harmonics .{E}.<br />

teinte .{F} * see hue .{E}.<br />

teinture .{F} * see dye .{E}.<br />

tejuelo .{Es} * see label .{E}.<br />

telecast .{E} * see broadcast.<br />

telecast date .{E} * see broadcast date.<br />

telecine .{E;Es} * A machine which converts <strong>the</strong> optical<br />

images previously recorded on standard motion picture<br />

film in<strong>to</strong> electrical video signals; also called film chain.(06.)<br />

.{D= Filmabtaster; F= télécinéma}.<br />

télécinéma .{F} * see filmic space .{E}; telecine .{E;Es};<br />

telerecorder .{E}.<br />

télécopie .{F} * see facsimile .{E}.<br />

telediario .{Es} * see television news .{E}.<br />

telefeature .{E} * A movie <strong>of</strong> forty (40) or more minutes in<br />

length, made for television broadcast ra<strong>the</strong>r than for<br />

219<br />

<strong>the</strong>atrical release.(12.) .{D= ?; Es= telefilme; F= téléfilm}.<br />

telefilm .{Es} * see kinescope film .{E;F}.<br />

téléfilm .{F} * see kinescope film; telefeature .{E}.<br />

telefilmadora .{Es} * see telerecorder (1) .{E}.<br />

telefilme .{Es} * see telefeature .{E}.<br />

telefimadora .{Es} * see telerecorder .{E;F}.<br />

télégraphone .{F} * see telegraphone .{E}.<br />

téléobjectif .{E} * see telepho<strong>to</strong> lens .{E}.<br />

teleobjetivo .{Es} * see telepho<strong>to</strong> lens .{E}.<br />

telepho<strong>to</strong> lens .{E} * A lens <strong>of</strong> a very long focal length<br />

which acts like a telescope and has <strong>the</strong> effect <strong>of</strong> greatly<br />

decreasing <strong>the</strong> illusion <strong>of</strong> depth; see also<br />

foreshortening.30. .{D= ?; Es= teleobjetivo; F= téléobjectif;<br />

objectif de longue focale}.<br />

telerecorder .{E;F} * Equipment for recording television<br />

signals on<strong>to</strong> motion picture filmA type <strong>of</strong> telerecorder is <strong>the</strong><br />

Electron Beam Recorder (EBR); see also kinescope.(06.)<br />

.{D= Filmaufzeichnungsgerät; Es= 1) telefilmadora;<br />

grabadora de televisión; 2) registrador [grabador] a<br />

distancia; F= télécinéma}.<br />

television network .{E} * see network.<br />

television news .{E} * Coverage <strong>of</strong> current events on<br />

regularly scheduled television broadcasts.12. .{D=<br />

Fernsehnachrichten; Es= telediario; noticiario de<br />

televisión; F= journal télévisé}.<br />

television promo .{E} * A short message intended for<br />

telecast, advertising a television programme.12. .{D= ?;<br />

Es= anuncio televisivo; F= annonce programme}.<br />

television serial .{E} * see serial.<br />

television sponsor .{E} * see sponsor.<br />

television station .{E} * see broadcast station.<br />

television trailer .{E} * see trailer.<br />

televisión .{Es} * see television .{E}.<br />

televisión de alta definición .{Es} * see high-definition<br />

television (HDTV) .{E}.<br />

televisión de definición intensificada .{Es} * see Enhanced<br />

Definition Television (EDTV) .{D;E}.<br />

télévision .{F} * see television .{E}.<br />

télévision à haute définition (TVHD) .{F} * see highdefinition<br />

television (HDTV) .{E}.<br />

télévision en circuit fermé (CCTV) .{F} * see CCTV .{E}.<br />

telop .{E} * A video production process in which 3" X 5"<br />

pho<strong>to</strong>graphs and opaque art cards were transferred <strong>to</strong><br />

video through a video camera. Some telop machines<br />

inclose 2 banks and a mechanism <strong>to</strong> produce a video<br />

dissolve. Also referred <strong>to</strong> as a belop machine. Some telops<br />

incorporates a metal strip for transport <strong>of</strong> <strong>the</strong> materials<br />

while o<strong>the</strong>rs used a wire frame. telepromter. Ei<strong>the</strong>r a paper<br />

based or electronically generated system <strong>of</strong> producing <strong>the</strong><br />

program script visually for <strong>the</strong> performer in a video<br />

production <strong>to</strong> read while maintaining direct eye contact<br />

with <strong>the</strong> video camera. Also referred <strong>to</strong> as prompter. .{D=<br />

?; Es= ?; F= telop (projecteur telop)}.


telop (projecteur telop) .{F} * see telop .{E}.<br />

témoin .{F} * see jeep .{E}.<br />

Temperatur .{D} * see temperature .{E}.<br />

temperatura .{Es} * see temperature .{E}.<br />

temperatura ambiental .{Es} * see ambient temperature<br />

.{E}.<br />

temperatura del color .{Es} * see colour temperature .{E}.<br />

température .{F} * see temperature .{E}.<br />

température ambiante .{F} * see ambient temperature .{E}.<br />

température de couleur .{F} * see colour temperature .{E}.<br />

temporal alias .{E} * see alias.<br />

temporizador .{Es} * see timer (1) .{E}.<br />

temps codé .{F} * see time code .{E}.<br />

temps codé à trame .{F} * see drop frame time code .{E}.<br />

temps codé intervalle vertical .{F} * see vertical interval<br />

time code .{E}.<br />

temps codé sur l'horloge .{F} * see clock time .{E}.<br />

temps d'accès .{F} * see access time .{E}.<br />

tensile strength .{E} * The property <strong>of</strong> a material which<br />

enables it <strong>to</strong> resist rupture under tension.(45.) Measuring<br />

<strong>the</strong> tensile strength <strong>of</strong> a paper is a way <strong>of</strong> measuring <strong>the</strong><br />

relative bonding between <strong>the</strong> fibres. This is done by an<br />

instrument devised <strong>to</strong> ascertain what strain, expressed in<br />

pounds, is required <strong>to</strong> break a strip <strong>of</strong> paper a given length<br />

and width. Standard-sized strips cut from <strong>the</strong> paper in both<br />

machine direction and cross direction are attached (in<br />

separate tests for each direction) <strong>to</strong>p and bot<strong>to</strong>m <strong>to</strong> clamps<br />

or grips in <strong>the</strong> machine. The lower clamp is pulled down at<br />

a slow, even speed by an electric mo<strong>to</strong>r. The strip <strong>of</strong> paper<br />

pulls down <strong>the</strong> clamp <strong>to</strong> which <strong>the</strong> upper end is attached,<br />

transmitting <strong>the</strong> movement along an arm <strong>to</strong> a weighted<br />

lever, which is pulled along a scale. When <strong>the</strong> test strip<br />

breaks, <strong>the</strong> lever remains fixed and indicates on <strong>the</strong> scale<br />

<strong>the</strong> force in pounds required <strong>to</strong> break <strong>the</strong> paper. The<br />

tensile strength <strong>of</strong> a paper is described by one number<br />

indicating <strong>the</strong> pressure required <strong>to</strong> pull <strong>the</strong> fibres apart in<br />

<strong>the</strong> machine direction and ano<strong>the</strong>r number for <strong>the</strong> cross<br />

direction. Since tensile strength is tested by a pulling<br />

action (instead <strong>of</strong> a tearing action or a bursting action), <strong>the</strong><br />

results should be higher in <strong>the</strong> machine direction than in<br />

<strong>the</strong> cross direction.22. see also breaking length; bursting<br />

strength; tape tension. .{D= Reißfestigkeit; Es= resistencia<br />

a la tracción [tensión]; F= force extensible}.<br />

tension de bobine réceptrice .{F} * see take-up tension<br />

.{E}.<br />

tension débitrice .{F} * see holdback tension .{E}.<br />

tension en mode lecture .{F} * see play tension .{E}.<br />

tensión de bobinado constante .{Es} * see constant<br />

tension wind .{E}.<br />

tensión de rebobinado .{Es} * see take-up tension .{E}.<br />

tensión en el modo de lectura .{Es} * see play tension .{E}.<br />

tensión retenida .{Es} * see holdback tension .{E}.<br />

tentelometer .{E} * A gauge for measuring <strong>the</strong> tension <strong>of</strong><br />

magnetic tape as it is wound on a reel or hub.07. .{D=<br />

220<br />

Bandzugmeßgerät; Bandzugwaage; Es= tentelómetro; F=<br />

tentélomètre}.<br />

tentélomètre .{F} * see tentelometer .{E}.<br />

tentelómetro .{Es} * see tentelometer .{E}.<br />

teorema del muestreo (de Nyquist) .{Es} * see sampling<br />

<strong>the</strong>orem (Nyquist) .{E}.<br />

teoría (cine) que defiende la responsabilidad artística del<br />

direc<strong>to</strong>r .{Es} * see auteur .{E;F}.<br />

termografía .{Es} * see <strong>the</strong>rmography .{E}.<br />

termohigrógrafo .{Es} * see hygro<strong>the</strong>rmograph .{E}.<br />

termohigrógrafo registrador (de da<strong>to</strong>s) .{Es} * see<br />

recording hygro<strong>the</strong>rmograph .{E}.<br />

termómetro .{Es} * see <strong>the</strong>rmometer .{D;E}.<br />

termoplástico .{Es} * see <strong>the</strong>rmoplastic .{E}-test .{E}.<br />

test aérien .{F} * see air check .{E}.<br />

test bars .{E} * see test pattern.<br />

test d'éclatement .{F} * see mullen .{E}.<br />

test d'intermodulation .{F} * see cross-modulation test<br />

(cross mod) .{E}.<br />

test de contact à l'alcool .{F} * see alcohol spot-test .{E}.<br />

test de marque de séchage .{F} * see water spot-test .{E}.<br />

test disc .{E} * A specially prepared disc containing signals<br />

and programme material designed <strong>to</strong> measure and<br />

evaluate players and o<strong>the</strong>r equipment. 39. .{D=<br />

Testschallplatte; Es= disco de prueba; F= disque test}.<br />

test film .{E} * A short film designed <strong>to</strong> determine whe<strong>the</strong>r<br />

a projec<strong>to</strong>r is in proper working order.(10.) .{D= Testfilm;<br />

Es= película de prueba; F= film d'épreuve; film d'essai; film<br />

étalon}.<br />

test pattern .{E} * Any <strong>of</strong> a number <strong>of</strong> charts (i.e., colour<br />

registration chart, linear reflectance chart, linearity chart,<br />

logarithmic reflectance chart, resolution chart, test bar<br />

chart) used for television camera alignment.(10.) .{D= ?;<br />

Es= norma para efectuar pruebas; F= mire; mire de<br />

réglage}.<br />

test tape .{E} * see alignment tape.<br />

test <strong>to</strong>ne .{E} * An alignment <strong>to</strong>ne recorded on a magnetic<br />

tape, usually preceding <strong>the</strong> programme information, which<br />

assists in adjusting <strong>the</strong> playback machine <strong>to</strong> correlate <strong>to</strong><br />

<strong>the</strong> machine on which <strong>the</strong> tape was originally recorded. In<br />

pr<strong>of</strong>essional and archival setting <strong>the</strong>re are generally<br />

agreed standards for recording this <strong>to</strong>ne.(04.) .{D=<br />

Test<strong>to</strong>n; Es= <strong>to</strong>no de prueba; F= son test; <strong>to</strong>n d'épreuve}.<br />

Testband .{D} * see alignment tape; standard amplitude<br />

reference tape; standard reference tape .{E}.<br />

Testfilm .{D} * see test film .{E}.<br />

testimonio .{Es} * see record (1) .{E}.<br />

Testkopie .{D} * see checkprint .{E}.<br />

Testpressung .{D} * see test pressing .{E}.<br />

Testschallplatte .{D} * see test disc .{E}.<br />

Test<strong>to</strong>n .{D} * see test <strong>to</strong>ne .{E}.


tête .{E} * see head .{E}.<br />

tête d'écriture-lecture .{F} * see read-write-erase head .{E}.<br />

tête d'effacement .{F} * see erase head .{E}.<br />

tête d'effacement (vid) .{F} * see flying erase head .{E}.<br />

tête d'effacement <strong>to</strong>tal .{F} * see bulk eraser; master erase<br />

head .{E}.<br />

tête d'enregistrement .{F} * see recording head .{E}.<br />

tête de contrôle .{F} * see moni<strong>to</strong>r head .{E}.<br />

tête de lecture .{F} * see playback head .{E}.<br />

tête de phonocapteur .{F} * see pickup cartridge .{E}.<br />

tête de synchronisation .{F} * see sync head .{E}.<br />

tête début .{F} * see head .{E}.<br />

tête optique .{F} * see optical pickup .{E}.<br />

têtes groupées .{F} * see in-line heads .{E}.<br />

tétrachlorure de carbone .{F} * see carbon tetrachloride<br />

.{E}.<br />

tetracloruro de carbono .{Es} * see carbon tetrachloride<br />

.{E}.<br />

Textarchiv .{D} * see textual records .{E}.<br />

tex<strong>to</strong> de la carátula .{Es} * see liner notes .{E}.<br />

textual records .{E} * A term used <strong>to</strong> distinguish<br />

conventional / traditional documents in manuscript or<br />

typescript from audiovisual, car<strong>to</strong>graphic, and machinereadable<br />

records/archives.(22.) .{D= Textarchiv; Es=<br />

archivos textuales; F= archives textuelles}.<br />

THD .{E} * acronym for <strong>to</strong>tal harmonic dis<strong>to</strong>rtion.<br />

Theaterkopie .{D} * see release print .{E}.<br />

<strong>the</strong>atrical newsreel .{E} * see newsreel.<br />

<strong>the</strong>atrical serial .{E} * see serial.<br />

théorème d'échantillonnage .{F} * see sampling <strong>the</strong>orem<br />

(Nyquist) .{E}.<br />

<strong>the</strong>rmischer Ausdehnungskoeffizient .{D} * see coefficient<br />

<strong>of</strong> <strong>the</strong>rmal expansion .{E}.<br />

<strong>the</strong>rmochemical properties .{E} * Characteristics dealing<br />

with <strong>the</strong> interrelation <strong>of</strong> heat with chemical reaction or<br />

physical change <strong>of</strong> state.53. .{D= ?; Es= propiedades<br />

termoquímicas; F= propriétés <strong>the</strong>rmochimiques}.<br />

<strong>the</strong>rmographic copy .{E} * A copy <strong>of</strong> a document made by<br />

a <strong>the</strong>rmographic process, or <strong>the</strong>rmography.19. .{D= ?; Es=<br />

copia termográfica; F= copie <strong>the</strong>rmographique}.<br />

<strong>the</strong>rmographic process .{E} * A procedure for copying<br />

documents without <strong>the</strong> use <strong>of</strong> liquid chemicals. Heat<br />

sensitive paper is used <strong>to</strong> make copies from an original<br />

having carbon or metallic writing or printing inks.19. .{D=<br />

?; Es= proceso termográfico; F= procédé<br />

<strong>the</strong>rmographique}.<br />

<strong>the</strong>rmographie .{F} * see <strong>the</strong>rmography .{E}.<br />

<strong>the</strong>rmography .{E} * Any printing process which involves<br />

<strong>the</strong> use <strong>of</strong> heat; specifically that method <strong>of</strong> printing from<br />

ordinary type or plates on an ordinary press and in which<br />

221<br />

a special ink is used, <strong>the</strong> type impression being sprinkled<br />

while still wet with a special powder and <strong>the</strong>n subjected <strong>to</strong><br />

a heating process which causes <strong>the</strong> particles <strong>to</strong> adhere <strong>to</strong><br />

<strong>the</strong> printed surface and fuse <strong>to</strong>ge<strong>the</strong>r <strong>to</strong> give <strong>the</strong> printing a<br />

raised effect. The Xerox process is one <strong>of</strong> <strong>the</strong> better known<br />

<strong>the</strong>rmographic processes <strong>to</strong>day.(19.22.) .{D=<br />

Wärmekopierverfahren; Es= termografía; F=<br />

<strong>the</strong>rmographie}.<br />

<strong>the</strong>rmoplastique .{F} * see <strong>the</strong>rmoplastic .{E}.<br />

thickness .{E} * The space between opposite surfaces;<br />

also called caliper; see also apparent thickness; physical<br />

thickness; <strong>to</strong>tal thickness.(08.) .{D= Dicke; Stärke; Es=<br />

espesor; grosor; grueso; F= épaisseur}.<br />

thiocyanate de cobalt .{F} * see cobalt thiocyanate .{E}.<br />

third generation micr<strong>of</strong>ilm .{E} * see second reproduction<br />

micr<strong>of</strong>ilm.<br />

thread marks .{E} * see paper marks .{E}.<br />

threads per inch (TPI/T.P.I.) .{E} * A means <strong>of</strong> citing <strong>the</strong><br />

number <strong>of</strong> sound grooves found per longitudinal inch <strong>of</strong> an<br />

audio cylinder record, or per radial inch on <strong>the</strong> surface <strong>of</strong><br />

a disc record.(04.14.) .{D= Steigung; Es= vueltas [hilos]<br />

por pulgada; F= sillon par inch}.<br />

three-beam tracking .{E} * An optical pickup in which a<br />

LASER beam is split in<strong>to</strong> three spots, <strong>the</strong> centre spot used<br />

for data recovery and focusing, and <strong>the</strong> secondary spots<br />

for tracking.(39.) .{D= ?; Es= lec<strong>to</strong>r óptico de tres haces;<br />

F= suivi de piste à trois faisceaux}.<br />

thymol (isopropyl meta cresol) .{E;F} * A colourless,<br />

crystalline compound obtained from origanum and o<strong>the</strong>r<br />

oils; used as a preservative and a fungicide in adhesive<br />

paste. It can be applied as a solution in alcohol or<br />

vaporized for use as a fungicide.45. It is in crystalline form<br />

at room temperature, and sublimes <strong>to</strong> vapour when heated<br />

above 120°F. Thymol is <strong>to</strong>xic, and can be absorbed<br />

through <strong>the</strong> skin; <strong>the</strong> major hazard is ingestion through<br />

inhalation. Thymol is not registered as a mould control<br />

chemical by <strong>the</strong> environmental protection agency, is<br />

carcinogenic, and not recommended for use in<br />

preservation procedures.07. .{D= ?; Es= timol}.<br />

tic .{F} * see tick .{E}.<br />

tiefe Frequenz .{D} * see low frequency .{E}.<br />

Tiefenschärfe .{D} * see depth <strong>of</strong> focus .{E}.<br />

Tiefenschrift-Aufnahme .{D} * see vertical cut; vertical cut<br />

recording .{E}.<br />

Tiefpaßfilter .{D} * see low-pass filter .{E}.<br />

tiempo de acceso .{Es} * see access time .{E}.<br />

tiempo de estabilización .{Es} * see settling time .{E}.<br />

tiempo de fijación .{Es} * see settling time .{E}.<br />

tiempo de reloj en clave .{Es} * see clock time .{E}.<br />

tiempo de sincronización (vídeo VTR) .{Es} * see preroll<br />

.{E}.<br />

tiempo real .{Es} * see real-time .{E}.<br />

tierischer Leim .{D} * see animal glue .{E}.<br />

tige-guide du ruban bande .{F} * see tape guides .{E}.<br />

tilt shot .{E} * In moving-image productions <strong>the</strong> camera tilts<br />

up or down, rotating around <strong>the</strong> left-right axis <strong>of</strong> <strong>the</strong>


camera head; see also pan, roll.30. .{D=<br />

Froschperspektive; geneigte Kamera; Draufsicht;<br />

Vogelperspektive; Es= <strong>to</strong>ma [plano] desde abajo hacia<br />

arriba; <strong>to</strong>ma desde abajo hacia arriba; llorado del donido;<br />

F= panoramique vertical; contre-longée; plongée}.<br />

timbre .{E;Es;F} * The subjective <strong>to</strong>nal quality <strong>of</strong> a sound,<br />

determined largely by <strong>the</strong> harmonic structure <strong>of</strong> <strong>the</strong> sound<br />

wave. Rich sounding <strong>to</strong>nes or sounds tend <strong>to</strong> have a great<br />

number <strong>of</strong> upper harmonics which contribute <strong>to</strong> <strong>the</strong>ir lush<br />

timbre; thin sounding <strong>to</strong>nes or sounds tend <strong>to</strong> be lacking in<br />

<strong>the</strong> presence <strong>of</strong> harmonics.(04.) .{D= Timbre; Es= código<br />

de tiempo; código horario}.<br />

Timbre .{D} * see timbre .{E;F}.<br />

time base error correc<strong>to</strong>r .{E} * see time-base correc<strong>to</strong>r.<br />

time code .{D;E} * 1) A signal which is recorded on a<br />

longitudinal track <strong>of</strong> a magnetic video tape for later editing<br />

and control use; <strong>the</strong> time information is usually expressed<br />

in hours, minutes, seconds, and television frames.(06.) 2)<br />

In videotape editing, an 80-bit word recorded ei<strong>the</strong>r on an<br />

audio track or within <strong>the</strong> vertical interval. .{F= code<br />

temporel; temps codé; Es= codigo de tiempo}.<br />

time sampling .{E} * see discrete time sampling.<br />

Time Code Genera<strong>to</strong>r (TCG) .{E} * An electronic device<br />

which generates <strong>the</strong> time code signal. .{D= ?; Es=<br />

generador de códigos de tiempo; F= générateur de temps<br />

codé; générateur de code temporel}.<br />

Time Code Reader (TCR) .{E} * An electronic device which<br />

reads <strong>the</strong> time code signal and displays it.{D= ?; Es=<br />

Lec<strong>to</strong>r de Códigos de Tiempo; F= détecteur de temps<br />

codé}.<br />

Time Code Window (TCW) .{E} * A visual window in <strong>the</strong><br />

active portion <strong>of</strong> video which displays <strong>the</strong> associated timesampling<br />

and interpolation technology and is <strong>the</strong> basis <strong>of</strong><br />

<strong>the</strong> MUSE SYSTEM. .{D= ?; Es= ventana [visor, pantalla]<br />

de códigos de tiempo; F= ?}.<br />

time-base correc<strong>to</strong>r .{D;E} * Equipment normally<br />

incorporated in broadcast quality video tape machines<br />

designed <strong>to</strong> correct <strong>the</strong> signals reproduced; also called<br />

time base error correc<strong>to</strong>r.(06.) .{F= correcteur de base de<br />

temps; Es= correc<strong>to</strong>r de base de tiempo}.<br />

time-gamma curve .{E} * A plot <strong>of</strong> <strong>the</strong> rate <strong>of</strong> gamma<br />

change over a series <strong>of</strong> development times used <strong>to</strong><br />

determine optimum devel-opment time for black-and-white<br />

negative or positive film. 31.09. .{F= courbe tempsgamma;<br />

Es= curva de tiempo gamma}.<br />

time-lapse movie .{E} * A movie that shows in a few<br />

minutes or a few seconds events that take hours or even<br />

days <strong>to</strong> occur; accomplished by exposing single frames <strong>of</strong><br />

film at fixed intervals. .{D= ?; Es= película de tiempo<br />

acelerado; F= prise de vue en accéléré}.<br />

time-lapse pho<strong>to</strong>graphy .{E} * 1) The exposure <strong>of</strong> film<br />

frames at times intervals; when replayed it appears that<br />

<strong>the</strong> subject is in fast motion. A typical speed might be one<br />

frame every thirty seconds so that when <strong>the</strong> film is later<br />

projected at normal speed mo-tions such as <strong>the</strong> opening<br />

<strong>of</strong> a flower, which occur <strong>to</strong>o slowly in nature for us <strong>to</strong><br />

observe, are made comprehensible. The opposite <strong>of</strong> timelapse<br />

pho<strong>to</strong>g-raphy is extreme slow motion which has <strong>the</strong><br />

same use in studying reactions which occur <strong>to</strong>o quickly in<br />

nature for us <strong>to</strong> observe <strong>the</strong>m. As a scientific <strong>to</strong>ol, film<br />

accomplishes in time what <strong>the</strong> telescope and microscope<br />

accomplish in space.(10.30.) .{D= Zeitraffer; Es= fo<strong>to</strong>grafía<br />

de tiempo acelerado; acelerado; F= prise de vue en<br />

accéléré; accéléré}.<br />

timer .{E} * 1) A device built in<strong>to</strong> a VCR that, if<br />

222<br />

programmed in advance, will ei<strong>the</strong>r start or s<strong>to</strong>p <strong>the</strong> VCR<br />

at a predetermined time.(35.) 2) The person on a movingimage<br />

production team who carriers out <strong>the</strong> timing. .{D=<br />

Schaltuhr; Es= 1) temporizador; 2) cronometrador<br />

(operario); F= étalonneur; minuteur; compteur horaire}.<br />

timing .{E/U} * see grading .{E}.<br />

timol .{Es} * see thymol (isopropyl meta cresol) .{E;F}.<br />

tinte .{Es} * see dye .{E}.<br />

tinted s<strong>to</strong>ck .{E} * see anti-halation coating.<br />

tintype .{E} * A pho<strong>to</strong>graph made on a wet collodion<br />

emulsion on metal; used in <strong>the</strong> late 19th and early 20th<br />

centureis; also called a ferrotype.(10.) .{D= ?; Es=<br />

ferrotipo; F= ferrotype ?}.<br />

tiociana<strong>to</strong> de cobal<strong>to</strong> .{Es} * see cobalt thiocyanate .{E}.<br />

tipo de cinta de vídeo con carrete abier<strong>to</strong> .{Es} * see EIAJ-<br />

1 .{E}.<br />

tipo de cinta de vídeo con carrete abier<strong>to</strong> con un sistema<br />

de color distin<strong>to</strong> al EIAJ-1 .{Es} * see EIAJ-2 .{E}.<br />

tipo de código aplicable a la medición del tiempo .{Es} *<br />

see drop frame time code .{E}.<br />

tipo de empalme de películas .{Es} * see butt splice .{E}.<br />

tipo M .{Es} * see type M .{E}.<br />

tipping-in .{E} * The insertion <strong>of</strong> a single leaf or sheet <strong>of</strong><br />

paper in<strong>to</strong> a volume by pasting a narrow margin at <strong>the</strong><br />

binding edge.22. .{D= Einkleben; Es= inserción de hojas<br />

sueltas en un libro ya encuadernado; poner guardas; F=<br />

montage sur onglet}.<br />

TIR .{E} * see axial <strong>to</strong>tal indicated run out.<br />

TIR .{Es} * see radial <strong>to</strong>tal truncated run out (TIR) .{E}.<br />

tira .{Es} * see filmstrip .{E}; strip (1) .{E}.<br />

tira cómica (periódicos) .{Es} * see strip (3) .{E}.<br />

tira de cine .{Es} * see cinex .{E}.<br />

tira de control .{Es} * see cinex .{E}; control strip .{E}.<br />

tira de película .{Es} * see micr<strong>of</strong>ilm strip .{E}; unitized film<br />

.{E}.<br />

tira de vistas fijas .{Es} * see film clip .{E}.<br />

tira sin imágenes que precede a la película .{Es} * see<br />

leader .{E}.<br />

tirada .{Es} * see printing .{E}.<br />

tirage .{F} * see print; printing .{E}.<br />

tirage a et b .{F} * see a and b wind printing .{E}.<br />

tirage brillant .{F} * see glossy print .{E}.<br />

tirage contact .{F} * see contact printing .{E}.<br />

tirage humide .{F} * see liquid gate printing .{E}.<br />

tirage optique .{F} * see optical printing .{E}.<br />

tirage optique par agrandissement .{F} * see blow-up .{E}.<br />

tirage original .{F} * see original print .{E}.


tirage par contact .{F} * see contact printing .{E}.<br />

tirage par extraction .{F} * see separation .{E}.<br />

tirage par réduction .{F} * see reduction printing .{E}.<br />

tirage pho<strong>to</strong>graphique .{F} * see copy print .{E}.<br />

tirage positif piste son .{F} * see soundtrack print .{E}.<br />

tirage soustractif .{F} * see subtractive printing .{E}.<br />

tiraje .{Es} * see printing .{E}.<br />

tiraje de copias .{Es} * see release print .{E}.<br />

tiraje por contac<strong>to</strong> .{Es} * see contact printing .{E}.<br />

tiraje por reducción .{Es} * see reduction printing .{E}.<br />

tirar .{Es} * see print .{E}.<br />

tireuse .{F} * see printer .{E}.<br />

tireuse continue .{F} * see continuous printer .{E}.<br />

tireuse image par image .{F} * see step printer .{E}.<br />

tireuse optique .{F} * see optical printer .{E}.<br />

tireuse par contact .{F} * see step printer .{E}.<br />

tireuse par immersion .{F} * see wet gate printer .{E}.<br />

tiro focal .{Es} * see focus pull .{E}.<br />

title .{E} * In a bibliographic citation, a word, phrase,<br />

character, or group <strong>of</strong> words or characters, nominally<br />

appearing in an item, naming <strong>the</strong> item or <strong>the</strong> work<br />

contained in it.(12.) .{D= ?; Es= título; F= titre}.<br />

title bands .{E} * see intertitle rolls/title bands.<br />

title frames .{E} * A frame containing written or printed<br />

material not part <strong>of</strong> <strong>the</strong> subject content <strong>of</strong> <strong>the</strong> item.03. .{D=<br />

?; Es= cuadro [fo<strong>to</strong>grama, imagen] rotulada; F= trame<br />

titre}.<br />

title proper .{E} * In a bibliographic citation, <strong>the</strong> chief name<br />

<strong>of</strong> an item, including any alternative title but excluding<br />

parallel titles and o<strong>the</strong>r title information. In moving-image<br />

production, normally <strong>the</strong> original release title.12. .{D= ?;<br />

Es= título principal; F= titre principale; titre original ?<br />

(ciné)}.<br />

title screen (computer files) .{E} * In <strong>the</strong> case <strong>of</strong> a<br />

computer file, a display <strong>of</strong> data that includes <strong>the</strong> title<br />

proper and usually, though not necessarily, <strong>the</strong> statement<br />

<strong>of</strong> responsibility and <strong>the</strong> data relating <strong>to</strong> publication.03.<br />

.{D= ?; Es= nombre de archivo en pantalla; F= identité de<br />

fichier}.<br />

titration .{E;F} * Chemistry method for determining <strong>the</strong><br />

strength or concentration <strong>of</strong> a solution.53. .{D= ?; Es=<br />

análisis volumétrico; dosificación; titulación; valoración; F=<br />

titration}.<br />

titre .{F} * see heading; title .{E}.<br />

titre alternatif? .{F} * see alternative title .{E}.<br />

titre collectif .{F} * see collective title .{E}.<br />

titre complémentaire .{F} * see o<strong>the</strong>r title information .{E}.<br />

titre d'un épisode .{F} * see part title; episode title .{E}.<br />

titre de série ? (vid) .{F} * see umbrella series .{E}.<br />

223<br />

titre en référence .{F} * see related title .{E}.<br />

titre fourni .{F} * see supplied title .{E}.<br />

titre original .{F} * see original release title .{E}.<br />

titre original ? (ciné) .{F} * see title proper .{E}.<br />

titre parellèle .{F} * see parallel title .{E}.<br />

titre principale .{F} * see title proper .{E}.<br />

titre provisoire .{F} * see working title .{E}.<br />

titre provisoire de montage .{F} * see flash title .{E}.<br />

titre traduit de série .{F} * see parallel series title .{E}.<br />

titre uniforme .{F} * see uniform title .{E}.<br />

titre variant .{F} * see variant title .{E}.<br />

titre-clé .{F} * see key title .{E}.<br />

titres (ciné)? .{F} * see inner titles/interior titles .{E}.<br />

titulación .{Es} * see titration .{E}.<br />

título .{Es} * see heading .{E}; title .{E}.<br />

título alternativo .{Es} * see alternative title .{E}.<br />

título base o principal .{Es} * see key title .{E}.<br />

título colectivo .{Es} * see collective title .{E}.<br />

título complementario .{Es} * see o<strong>the</strong>r title information<br />

.{E}.<br />

título complementario adicional .{Es} * see o<strong>the</strong>r title<br />

information .{E}.<br />

título de publicación original .{Es} * see original release<br />

title .{E}.<br />

título de referencia .{Es} * see related title .{E}.<br />

título del capítulo .{Es} * see episode title .{E}.<br />

título del episodio .{Es} * see episode title .{E}.<br />

título del lomo .{Es} * see spine title .{E}.<br />

título parcial (título de un episodio o capítulo) .{Es} * see<br />

part title .{E}.<br />

título principal .{Es} * see title proper .{E}.<br />

título provisional .{Es} * see supplied title .{E}; working title<br />

.{E}.<br />

título sugerido .{Es} * see supplied title .{E}.<br />

título uniforme .{Es} * see uniform title .{E}.<br />

título variante .{Es} * see variant title .{E}.<br />

títulos de crédi<strong>to</strong> .{Es} * see credit sequence .{E}.<br />

títulos interiores .{Es} * see inner titles/interior titles .{E};<br />

intertitles/interior titles .{E}.<br />

títulos internos .{Es} * see inner titles/interior titles .{E}.<br />

TOC .{E} * 1) acronym for table <strong>of</strong> contents. 2) acronym<br />

for television operation center. .{D= ?; Es= 1) acrónimo de<br />

Indice de Materias; F= ?}.


<strong>to</strong>ma .{Es} * see shot .{E}; take (1) .{D;E}.<br />

<strong>to</strong>ma a larga distancia .{Es} * see extreme long shot .{E}.<br />

<strong>to</strong>ma buena .{Es} * see take (4) .{D;E}.<br />

<strong>to</strong>ma con dolly .{Es} * see dolly shot .{E}.<br />

<strong>to</strong>ma continua .{Es} * see follow shot .{E}.<br />

<strong>to</strong>ma de cámara rodante .{Es} * see dolly shot .{E}.<br />

<strong>to</strong>ma de conjun<strong>to</strong> .{Es} * see master shot .{E}.<br />

<strong>to</strong>ma de corriente .{Es} * see plug .{E}.<br />

<strong>to</strong>ma de detalle .{Es} * see detail shot .{E}.<br />

<strong>to</strong>ma de situación .{Es} * see establishing shot .{E}.<br />

<strong>to</strong>ma de un personaje u obje<strong>to</strong> .{Es} * see single .{E}.<br />

<strong>to</strong>ma defectuosa .{Es} * see outtake .{E}.<br />

<strong>to</strong>ma desde abajo hacia arriba .{Es} * see tilt shot .{E}.<br />

<strong>to</strong>n .{F} * see <strong>to</strong>ne .{E}.<br />

Ton .{D} * see <strong>to</strong>ne .{E}.<br />

Tonabnehmer .{D} * see pickup; pickup cartridge .{E}.<br />

Tonabnehmer-Halterung .{D} * see head shell .{E}.<br />

Tonabnehmersystem .{D} * see pickup; pickup cartridge<br />

.{E}.<br />

<strong>to</strong>nal range .{E} * Number <strong>of</strong> precisely measured gradients<br />

<strong>of</strong> grey that pho<strong>to</strong>graphic materials (prints and negatives)<br />

are capable <strong>of</strong> producing between black and white.43. .{D=<br />

Frequenzumfang; Es= intervalo [rango] <strong>to</strong>nal; F= échelle<br />

<strong>to</strong>nale; gamme de gris}.<br />

Tonarchive .{D} * see audio archives .{E}.<br />

Tonarchivgut .{D} * see audiovisual archives/records data<br />

.{E}.<br />

Tonarm .{D} * see pickup arm; <strong>to</strong>ne arm .{E}.<br />

Tonaufnahme .{D} * see phonogram .{E}.<br />

Tonaufnahmegerät .{D} * see sound recorder .{E}.<br />

Tonaufzeichnung .{D} * see record; sound recording .{E}.<br />

Tonband .{D} * see audio spectrum; audio tape; phonotape<br />

.{E}.<br />

Tonband im Sprossenschrift .{D} * see variable-density<br />

soundtrack .{E}.<br />

Tonband im Zackenschrift-System .{D} * see variable-area<br />

soundtrack .{E}.<br />

Tonbandgerät .{D} * see tape deck .{E}.<br />

Tonbandspule .{D} * see audio reel .{E}.<br />

Tonblubbern .{D} * see bloop .{E}.<br />

Tondokumentation .{D} * see audiovisual archives/records<br />

data .{E}.<br />

Tondraht .{D} * see magnetic wire .{E}.<br />

<strong>to</strong>ne .{E} * 1) A sound that has definite pitch. 2) To blend<br />

or harmonize colour, sound, etc. 3) A colour tint. 4) The<br />

224<br />

mood or atmosphere <strong>of</strong> a moving-image production.(10.)<br />

5) The audio test signals placed at <strong>the</strong> head or beginning<br />

<strong>of</strong> a recording. 6) The degree <strong>of</strong> lightness or darkness in<br />

any given area <strong>of</strong> a pho<strong>to</strong>graphic or motion picture print;<br />

also referred <strong>to</strong> as value. Cold <strong>to</strong>nes (bluish) and warm<br />

<strong>to</strong>nes (reddish) refer <strong>to</strong> <strong>the</strong> colour <strong>of</strong> <strong>the</strong> image in both<br />

black-and-white and colour pho<strong>to</strong>graphs.09. .{D= 1) Ton;<br />

2 ? 3) - 4) - 5) Ton; 6) ?; Es= 1, 4, 5, 6) <strong>to</strong>no; sonido;<br />

timbre; 2) matriz; 3) en<strong>to</strong>nar; virar; F= <strong>to</strong>n}.<br />

<strong>to</strong>ne arm .{E} * 1) The connecting device on an acoustical<br />

disc or cylinder audio machine, usually <strong>of</strong> metal, that<br />

carried <strong>the</strong> output from <strong>the</strong> sound box <strong>to</strong> <strong>the</strong> neck <strong>of</strong> <strong>the</strong><br />

horn, so named because <strong>of</strong> <strong>the</strong> perceived improvement in<br />

<strong>the</strong> quality <strong>of</strong> <strong>the</strong> sound.(04.14.) 2) The device on an<br />

electrical audio recorder/reproducer which carries <strong>the</strong><br />

stylus and its related housing and cartridge. .{D= Tonarm;<br />

Es= brazo de <strong>to</strong>cadiscos o fonógrafo; brazo fonocap<strong>to</strong>r; F=<br />

bras acoustique; platine <strong>to</strong>urne disques}.<br />

<strong>to</strong>ne control .{E} * Control knob on tape recorder amplifier<br />

used <strong>to</strong> vary bass and treble response <strong>to</strong> achieve most<br />

desirable balance <strong>of</strong> <strong>to</strong>ne.16. .{D= Klangregler; Es= control<br />

de <strong>to</strong>no; F= réglege de <strong>to</strong>nalité}.<br />

Tonebuehmersystem .{D} * see cartridge .{E}.<br />

Tonfilm .{D} * see soundtrack .{E}.<br />

<strong>to</strong>ning .{E} ** =F= .{F}.<br />

Tonkanal .{D} * see channel .{E}.<br />

Tonkopf .{D} * see head .{E}.<br />

Tonmeister (für die Mischung) .{D} * see mixer .{E}.<br />

Tonnegativ .{D} * see sound negative .{E}.<br />

<strong>to</strong>no .{Es} * see pitch (3) .{E}.<br />

<strong>to</strong>no .{Es} * see <strong>to</strong>ne (1, 4, 5, 6) .{E}.<br />

<strong>to</strong>no de prueba .{Es} * see test <strong>to</strong>ne .{E}.<br />

<strong>to</strong>nos audibles .{Es} * see audible <strong>to</strong>nes .{E}.<br />

Tonpositiv .{D} * see sound positive .{E}.<br />

Tonspur .{D} * see soundtrack .{E}.<br />

Tonwelle .{D} * see capstan .{E}.<br />

<strong>to</strong>p .{F} * see cue .{E}.<br />

<strong>to</strong>p de synchronisation .{F} * see sync pulse .{E}.<br />

<strong>to</strong>p lighting .{E} * see key light.<br />

<strong>to</strong>p plate .{E} * That part <strong>of</strong> an audio cylinder machine that<br />

carried <strong>the</strong> mo<strong>to</strong>r underneath and <strong>the</strong> visible mechanism<br />

above and which rested in or was fixed upon a hollow<br />

casing.(14.) .{D= ?; Es= soporte superior; F= capot; plan;<br />

support (machine cylindre)}.<br />

<strong>to</strong>rr .{D;E;Es;F} * A unit <strong>of</strong> pressure equal <strong>to</strong> 1/760 <strong>of</strong><br />

atmospheric pressure (i.e., 1,333.22 millibars).53.<br />

<strong>to</strong>rsión de bobinado constante .{Es} * see constant <strong>to</strong>rque<br />

wind .{E}.<br />

<strong>to</strong>rsión de enrollado-bobinado constante .{Es} * see<br />

constant <strong>to</strong>rque winding/spooling .{E}.<br />

<strong>to</strong>tal harmonic dis<strong>to</strong>rtion (THD) .{E} * Undesired harmonics<br />

on an output signal relative <strong>to</strong> <strong>the</strong> input. Often measured<br />

with corresponding noise (thd + n).39. .{D=<br />

Gesamtklirrfak<strong>to</strong>r; Es= dis<strong>to</strong>rsión armónica <strong>to</strong>tal; F=


dis<strong>to</strong>rsion harmonique <strong>to</strong>tale (DHT); dis<strong>to</strong>rsion complet<br />

harmonique}.<br />

<strong>to</strong>tal thickness .{E} * Normally <strong>the</strong> sum <strong>of</strong> <strong>the</strong> thickness <strong>of</strong><br />

<strong>the</strong> base film and <strong>the</strong> magnetic coating, as well as backcoating<br />

when applied, <strong>of</strong> magnetic media. The <strong>to</strong>tal<br />

thickness governs <strong>the</strong> length <strong>of</strong> tape that can be wound on<br />

a given reel; see also thickness.46. .{D= Banddicke; Es=<br />

grosor [espesor] <strong>to</strong>tal; F= épaisseur <strong>to</strong>tale}.<br />

Totale .{D} * see long shot .{E}.<br />

<strong>to</strong>tally diffuse density .{E} * One <strong>of</strong> two practical<br />

measurements <strong>of</strong> transmission density (<strong>the</strong> o<strong>the</strong>r being<br />

specular density), determined by comparing all <strong>of</strong> <strong>the</strong><br />

transmitted light with <strong>the</strong> incident light perpendicular <strong>to</strong> <strong>the</strong><br />

film plane. The recep<strong>to</strong>r is placed so that all <strong>of</strong> <strong>the</strong><br />

transmitted light is collected and evaluated equally. This<br />

setup is analogous <strong>to</strong> <strong>the</strong> contact printer, except that <strong>the</strong><br />

recep<strong>to</strong>r in <strong>the</strong> printer is film.09. .{D= ?; Es= densidad de<br />

difusión <strong>to</strong>tal [absoluta]; F= densité de diffusion <strong>to</strong>tale}.<br />

<strong>to</strong>uche de rembobinage .{F} * see rewind control .{E}.<br />

<strong>to</strong>uche pause .{F} * see pause control .{E}.<br />

<strong>to</strong>urelle see rack .{E}.<br />

<strong>to</strong>urnage aléa<strong>to</strong>ire .{F} * see alea<strong>to</strong><br />

tracing dis<strong>to</strong>rtion .{E} * Harmonic dis<strong>to</strong>rtion in audio<br />

playback <strong>of</strong> groove media due <strong>to</strong> improper pickup stylus tip<br />

size.(04.) .{D= ?; Es= dis<strong>to</strong>rsión de seguimien<strong>to</strong>; F=<br />

dis<strong>to</strong>rsion d'inscription}.<br />

track .{E} * 1) The path on magnetic tape on which <strong>the</strong><br />

signal is recorded. 2) Sometimes used interchangeably<br />

with cut or band on a grooved disc recording; see also<br />

soundtrack.(04.) .{D= Spur; Band; Filmband; Es= banda;<br />

pista; F= piste; plage; bande; bande son; rail (de<br />

travelling)}. bande}.<br />

track configuration .{E} * For magnetic tape, <strong>the</strong> relative<br />

position <strong>of</strong> <strong>the</strong> active recording area references <strong>to</strong> <strong>the</strong><br />

entire cross-sectioned surface <strong>of</strong> <strong>the</strong> magnetic recording<br />

medium.(10.) .{D= Spurlage; Es= configuración de pista;<br />

F= configuration de piste}.<br />

track numbers .{E} * Numbering <strong>of</strong> selections on a sound<br />

recording.39. .{D= Anfahl der Spuren; Es= números de<br />

pista; F= numéros de piste}.<br />

track pitch .{E} * see pitch.<br />

tracking .{D;E} * 1) The precise control <strong>of</strong> a VCR <strong>to</strong> assure<br />

that <strong>the</strong> video heads 'read' <strong>the</strong> signal <strong>of</strong>f <strong>the</strong> tape<br />

accurately. 2) The control on <strong>the</strong> VCR which adjusts <strong>the</strong><br />

way in which tracking is carried out.(35.) .{F=<br />

asservissement; suivi de piste; alignement; centrage de<br />

piste; Es= 1) ajuste [reglaje] exac<strong>to</strong>; 2) seguimien<strong>to</strong> (de<br />

pista)}.<br />

tracking au<strong>to</strong>mático .{Es} * see au<strong>to</strong> tracking .{E}.<br />

tracking error .{E} * An error condition in which <strong>the</strong> optical<br />

pickup or magnetic head deviates from <strong>the</strong> track. .{D=<br />

Spurfehler; Es= error de seguimien<strong>to</strong>{x; F= dis<strong>to</strong>rsion de<br />

gravure; erreur de suivi de piste}.<br />

tracking shot .{E} * A moving-image production technique<br />

in which <strong>the</strong> camera is mounted on a set <strong>of</strong> tracks or a<br />

dolly and moves in or out, left or right; see also dolly shot;<br />

follow shot; also called travelling shot.(30.) .{D= ?; Es=<br />

<strong>to</strong>ma en movimien<strong>to</strong>; F= plan pris en mouvement; plan<br />

travelling; travelling}.<br />

Träger .{D} * see backing .{E}; carrier .{E}; substrate .{E}.<br />

225<br />

Trägerelement einer Regalanlage .{D} * see upright .{E}.<br />

Trägermaterial .{D} * see substrate .{E}.<br />

Trägerschicht .{D} * see backing .{E}.<br />

Trägheitsmoment .{D} * see moment <strong>of</strong> inertia .{E}.<br />

trailer .{D;E} * 1) A blank section <strong>of</strong> tape at <strong>the</strong> end <strong>of</strong> a<br />

reel <strong>of</strong> motion-picture film, filmstrip, or micr<strong>of</strong>ilm for<br />

threading through <strong>the</strong> projec<strong>to</strong>r or o<strong>the</strong>r equipment and for<br />

<strong>the</strong> protection <strong>of</strong> <strong>the</strong> last frames. 2) A blank section at <strong>the</strong><br />

end <strong>of</strong> a reel <strong>of</strong> magnetic tape or punched tape <strong>to</strong> protect<br />

<strong>the</strong> last few inches <strong>of</strong> <strong>the</strong> tape; see also leader. 3) A<br />

publicity film, usually consisting <strong>of</strong> short excerpts from a<br />

forthcoming presentation, <strong>to</strong> be shown in a movie/film<br />

<strong>the</strong>atre; also called a preview.(12.) .{D= 1) -?; 2) Vorluf;<br />

Vorlauf; Vorspann; Es= avance (cine); arrastre (TV);<br />

avance; F= amorce de fin de bobine; bande annonce;<br />

bande de lancement}.<br />

trailing .{E} * see image retention.<br />

train d'erreurs .{F} * see burst error .{D;E}.<br />

traînage .{F} * see lag .{E}.<br />

traînage des blancs .{F} * see bleeding white .{E}.<br />

traînage dynamique .{F} * see comet tail .{E}.<br />

trainée .{F} * see tail .{E}.<br />

trainées de lumière .{F} * see burn-in .{E}.<br />

trait d'aiguille .{F} * see negative image; needle run (NR)<br />

.{E}.<br />

traitement à l'ammoniaque .{F} * see ammonia process<br />

.{E}.<br />

traitement au<strong>to</strong>matique des données .{F} * see au<strong>to</strong>matic<br />

data processing(adp) .{E}.<br />

traitement d'archive .{F} * see archival processing .{E}.<br />

traitement d'image .{F} * see image processing .{E}.<br />

traitement de surface .{F} * see surface treatment .{E}.<br />

trama .{Es} * see raster .{E}.<br />

trama cruzada .{Es} * see cross hatch .{E}.<br />

trama de medio <strong>to</strong>no .{Es} * see half<strong>to</strong>ne screen .{E}.<br />

tramage au<strong>to</strong>matique .{F} * see au<strong>to</strong> framing .{E}.<br />

tramage couleur .{F} * see colour framing .{E}.<br />

trame .{F} * see field; frame; zone .{E}.<br />

trame couleur .{F} * see colour frame pulse .{E}.<br />

trame titre .{F} * see title frames .{E}.<br />

trampa iónica (de iones) .{Es} * see ion trap .{E}.<br />

Transcoder .{D} * see standards converter .{E}.<br />

transcodeur .{F} * see standards converter .{E}.<br />

transcripción .{Es} * see transcript .{E}.<br />

transcripción eléctrica .{Es} * see electrical transcriptio<br />

transcription disc .{E} * A grooved disc recording, usually<br />

slow speed lateral or vertical cut type, specially made for


oadcasting. It is <strong>of</strong>ten 16-inches in diameter, but may be<br />

7, 10, or 12-nches in diameter, also; may be ei<strong>the</strong>r a<br />

direct, instantaneous recording (most <strong>of</strong>ten called an air<br />

check) or a vinyl pressing.(04.) .{D= ?; Es= disco especial<br />

para radiodifusión; F= disque de transcription;<br />

enregistrement de transcription}.<br />

transcription électrique .{F} * see electrical transcription<br />

(ET) .{E}.<br />

transcription électronique .{F} * see electrical transcription<br />

(ET) .{F} .{E}.<br />

transfer .{E} * 1) To convey or transmit from one medium<br />

<strong>to</strong> ano<strong>the</strong>r (e.g. an image from a nitrate based film <strong>to</strong> a<br />

safety based film or video tape; an audio signal from a wax<br />

cylinder <strong>to</strong> a magnetic tape). 2) The resulting artifact from<br />

such action. 3) The act involved in a change <strong>of</strong> physical<br />

cus<strong>to</strong>dy <strong>of</strong> materials. 4) Documents so transmitted; see<br />

also bleed through; coating transfer; preservation transfer;<br />

rerecording.(22.) .{D= 1 - 2) Übertragung; Kopie;<br />

Umschnitt; 2) Archivierung; 3) Abgabe; Ablieferung;<br />

Übergabe; Übernahme; 4) Ablieferung; Abgabe; Es= 1, 2,<br />

3) transferencia; 4) fondos transferidos; F= transfert;<br />

repiquage; kinescope; 1) archiver; 2) archivage; 3&4)<br />

versement}.<br />

transfer characteristics .{E} * see modulation transfer<br />

curve.<br />

transferencia .{Es} * see transfer .{E}.<br />

transferencia de fo<strong>to</strong>grafías a vídeo .{Es} * see belop .{E}.<br />

transferencia de sonido .{Es} * see rerecording .{E}.<br />

transferencia en medio líquido .{Es} * see liquid gate<br />

transfer .{E}.<br />

transfert .{F} * see transfer .{E}.<br />

transfert (spire à spire) de la couche magnétique .{F} * see<br />

coating transfer .{E}.<br />

transfert de film sur bande video .{F}. télécinéma;<br />

kinescope see film-<strong>to</strong>-tape transfer .{E}.<br />

transfert en milieu liquide .{F} * see liquid gate transfer<br />

.{E}.<br />

transfert spire à spire .{F} * see interlayer transfer .{E}.<br />

Transfoka<strong>to</strong>r (Gummilinse) .{D} * see objective lens .{E}.<br />

transformación de la imagen .{Es} * see image transform<br />

.{E}.<br />

transformateur .{F} * see inverter .{E}.<br />

transient dis<strong>to</strong>rtion .{E} * Signal dis<strong>to</strong>rtion which occurs<br />

when an electronic component fails <strong>to</strong> accurately<br />

reproduce transient sounds.(04.) .{D=<br />

Transientenverzerrung; Es= dis<strong>to</strong>rsión transi<strong>to</strong>ria; F=<br />

dis<strong>to</strong>rtion transi<strong>to</strong>ire; parasite; clic}.<br />

transient sounds .{E} * A signal <strong>of</strong> very short duration, such<br />

as those created by cymbal crashes, percussive effects,<br />

etc.(04.) .{D= Transiente; Es= ruidos transi<strong>to</strong>rios; F=<br />

transi<strong>to</strong>ires; sons trans<strong>to</strong>ires}.<br />

Transiente .{D} * see transient sounds .{E}.<br />

Transientenverzerrung .{D} * see transient dis<strong>to</strong>rtion .{E}.<br />

transition .{F} * see edge .{E}.<br />

transmisión por trayec<strong>to</strong>ria múltiple .{Es} * see multipath<br />

.{E}.<br />

226<br />

transmisión vía satélite .{Es} * see uplink .{E}.<br />

transmission density .{E} * A measure <strong>of</strong> <strong>the</strong> lightcontrolling<br />

power <strong>of</strong> <strong>the</strong> silver or dye deposit in a film<br />

emulsion. In colour films <strong>the</strong> density <strong>of</strong> <strong>the</strong> cyan dye<br />

represents its controlling power <strong>to</strong> red light, that <strong>of</strong><br />

magenta dye <strong>to</strong> green light, and that <strong>of</strong> yellow dye <strong>to</strong> blue<br />

light. It may be ma<strong>the</strong>matically defined as <strong>the</strong> common<br />

logarithm (log base 10) <strong>of</strong> <strong>the</strong> ration <strong>of</strong> <strong>the</strong> light incident on<br />

processed film (p0) <strong>to</strong> <strong>the</strong> light transmitted by <strong>the</strong> film (pt).<br />

The measure value <strong>of</strong> <strong>the</strong> density depends on <strong>the</strong> spectral<br />

distribution <strong>of</strong> <strong>the</strong> exposing light, <strong>the</strong> spectral absorption <strong>of</strong><br />

<strong>the</strong> film image, and <strong>the</strong> spectral sensitivity <strong>of</strong> <strong>the</strong> recep<strong>to</strong>r.<br />

Transmission density is measured in two ways: <strong>to</strong>tally<br />

diffuse density and specular density; see also visual<br />

density; printing density.09. .{D= ?; Es= densidad de<br />

transmisión; F= densité de transmission}.<br />

transmitted light .{E} * Light which has travelled through a<br />

material.42. .{D= ?; Es= luz transmitida; F= lumirtransmisor;<br />

lumière transmettre}.<br />

transponder .{E} * A transmission process in which a<br />

satellite uplink is received and retransmitted <strong>to</strong> <strong>the</strong> receive<br />

point by means <strong>of</strong> a downlink. The electronic components<br />

which combine <strong>the</strong> processes <strong>of</strong> receive and transmit is<br />

termed a transponder. .{D= ?; Es= ?; F= transpondeur}.<br />

transpondeur .{F} * see transponder .{E}.<br />

transporte de la cinta .{Es} * see tape transport .{E}.<br />

transverse filter .{E} * A kind <strong>of</strong> numerical filter used in<br />

digital filtering in CD players <strong>to</strong> perform low-pass filtering<br />

<strong>of</strong> <strong>the</strong> output signals; used in an over sampling -based<br />

architecture.39. .{D= ?; Es= filtro transversal; F= filtre<br />

traverse}.<br />

tratamien<strong>to</strong> superficial .{Es} * see surface treatment .{E}.<br />

travée .{F} * see bay .{E}.<br />

travée en épi simple face .{F} * see row .{E}.<br />

travel image .{E} * see afterimage.<br />

travelling .{Es;F} * see dolly shot .{E}.<br />

travelling .{F} * see dolly; tracking shot .{E}.<br />

travelling "dolly" .{F}. see dolly .{E}.<br />

travelling matte .{D;E;Es;F} * 1) A matte film which travels<br />

through a printer with <strong>the</strong> printing film <strong>to</strong> create a certain<br />

effect. 2) A technique for combining two or more separate<br />

images, moving in relation <strong>to</strong> one o<strong>the</strong>r, on a finished<br />

motion picture film so that each image occupies a portion<br />

<strong>of</strong> each frame without overlapping <strong>the</strong> o<strong>the</strong>r image.<br />

Commonly used <strong>to</strong> combine live action and animation.(09.)<br />

.{D= Englisches Trickfilm-Verfahren; Es= procdeimien<strong>to</strong> de<br />

efec<strong>to</strong> especial por caché y contracaché; F= procédé<br />

d'effect spécial par chache et contrecache}.<br />

traversing mandrel .{E} * Known only on Edison cylinder<br />

machines, a mandrel which moved under laterally a<br />

stationary reproducer and its stylus instead <strong>of</strong> <strong>the</strong> normal,<br />

which had <strong>the</strong> reproducer moving, via a feed screw, over<br />

<strong>the</strong> mandrel carried cylinder. .{D= ?; Es= mandril<br />

transversal; F= mandrin à mouvement transversal}.<br />

traza .{Es} * see trace .{E}.<br />

treatment .{E} * In moving-image productions, a general<br />

description <strong>of</strong> <strong>the</strong> production somewhere between an<br />

outline and a full screenplay.30. .{D= Synopsis; Es=<br />

adaptación; sinópsis; F= synopsis; scénario; adaptatio}.<br />

treatment .{F} * see syntagma .{E}.


treble boost .{E} * An accentuation <strong>of</strong> higher audio<br />

frequencies, normally produced by an equalizer or <strong>to</strong>ne<br />

control, a questionable practice in archival sound<br />

recordings.(04.) .{D= Höhenanhebung; Es= refuerzo de los<br />

(sonidos) agudos; F= renforcement des sons aigu}.<br />

Treffrequente Gleichlaufschwankung .{D} * see wow .{E}.<br />

trémolo .{Es} * see flutter .{E}.<br />

Trennspur .{D} * see guard band .{E}.<br />

trepidación .{Es} * see chatter .{E}.<br />

très longue durée .{F} * see super long play (SLP) .{E}.<br />

Tresorraum .{D} * see vault .{E}.<br />

tría .{Es} * see disposal .{E}.<br />

triacetate .{E}<br />

triaceta<strong>to</strong> .{Es} * see triacetate .{E}.<br />

triaceta<strong>to</strong> de celulosa .{Es} * see cellulose triacetate (1)<br />

.{E}.<br />

triage .{E;F} * The process <strong>of</strong> sorting materials, especially<br />

during or after a disaster, <strong>to</strong> determine priority or<br />

appropriate treatment; also <strong>the</strong> determination <strong>of</strong> priorities<br />

for action in an emergency.07. .{D= ?; Es= sistema de<br />

asignación de prioridades}.<br />

triaje óptico * see optical printing .{E}.<br />

trial print .{E} * see answer print.<br />

triax .{E} * abbreviation for coaxial cable.??<br />

Triazetat .{D} * see triacetate .{E}.<br />

Trichter .{D} * see horn .{E}.<br />

Trihydroxybenzene .{E} * see pyrigallic acid 1:2:3.<br />

trim setting .{E} * The manual control <strong>of</strong> <strong>the</strong> light values in<br />

additive printing; see also tape setting.09. .{D= ?; Es=<br />

control manual de luz (artificial); F= réglage couleurs<br />

système additif (vid)}.<br />

trim-in .{E} * The procedure for modifying <strong>the</strong> time code<br />

which defines <strong>the</strong> beginning <strong>of</strong> a scene in a computer<br />

controlled audio or video editing system. This requires <strong>the</strong><br />

edi<strong>to</strong>r <strong>to</strong> enter a number <strong>of</strong> frames, ei<strong>the</strong>r positive or<br />

negative, representing <strong>the</strong> amount <strong>of</strong> modification <strong>to</strong> start<br />

<strong>of</strong> <strong>the</strong> scene. .{D= ?; Es= inserción del pun<strong>to</strong> de entrada<br />

(vídeo); F= insertion du point d'entrée (montage vidéo)}.<br />

trim-out .{E} * The procedure for modifying <strong>the</strong> time code<br />

defining <strong>the</strong> end <strong>of</strong> a scene in a computer controlled audio<br />

or video editing system. Trim-out requires <strong>the</strong> edi<strong>to</strong>r <strong>to</strong> type<br />

in a number <strong>of</strong> frames, ei<strong>the</strong>r positive or negative,<br />

representing <strong>the</strong> amount <strong>of</strong> modification <strong>to</strong> end <strong>of</strong> <strong>the</strong><br />

scene. .{D= ?; Es= inserción del pun<strong>to</strong> de salida (vídeo);<br />

F= insertion du point de sortie (montage vidéo)}.<br />

trims .{E} * Unused remnants cut from shots in a motionpicture<br />

film. Trims may be carefully classified and put away<br />

since, in <strong>the</strong> progress <strong>of</strong> working from a rough cut <strong>to</strong>wards<br />

a fine cut, <strong>the</strong>y may be needed for incorporation in <strong>the</strong><br />

finished film.(12.) .{D= Schnittreste; Es= descartes<br />

(montaje de película); F= chutes de montage; chutes}.<br />

triple duración .{Es} * see triple play .{E}.<br />

triple durée .{F} * see triple play .{E}.<br />

triple play .{E} * An extra long-play magnetic tape for<br />

227<br />

maximum recording time. In general, such tape is thinner<br />

and, thus, less acceptable for archival use. .{D=<br />

Dreifachspiel; Es= triple duración; F= triple durée; tripler<br />

longeur}.<br />

Trockenschrank .{D} * see drying cabinet .{E}.<br />

Trockensilber-verfahren .{D} * see dry silver process .{E}.<br />

Trocknen von Luft .{D} * see dehumidify .{E}.<br />

trompa .{Es} * see horn .{E}.<br />

trompa acústica de fonógrafo .{Es} * see enclosed horn<br />

phonograph/gramophone .{E}.<br />

trompa acústica de gramófono .{Es} * see enclosed horn<br />

phonograph/gramophone .{E}.<br />

trompa de fonógrafo .{Es} * see horn<br />

phonograph/gramophone .{E}.<br />

trompa de gramófono .{Es} * see horn<br />

phonograph/gramophone .{E}.<br />

trompa de registro [grabación] .{Es} * see recording horn<br />

.{E}.<br />

trompa [bocina] de registro [grabación] .{Es} * see<br />

recording horn .{E}.<br />

tronquer .{F} * see truncate .{E}.<br />

trope .{E;F} * Any artistic device, such as a figure <strong>of</strong><br />

speech or a symbol. A moving-image production, being a<br />

comprehensive art, can avail itself <strong>of</strong> <strong>the</strong> tropes <strong>of</strong> music,<br />

paint-ing, literature, drama, architecture, and o<strong>the</strong>r arts. In<br />

addition it has tropes <strong>of</strong> its own which it does not share<br />

with o<strong>the</strong>r arts: <strong>the</strong> zip pan, for example, or rack<br />

focusing.30. .{D= ?; Es= tropo}.<br />

tropo .{Es} * see trope .{E;F}.<br />

troquel .{Es} * see punch .{E}.<br />

trou d'aiguille .{F} * see needle dig (ND) .{E}.<br />

trouble .{F} * see blur .{E}.<br />

trozo de cinta .{Es} * see lap splice .{E}.<br />

trozo de cinta empalmado .{Es} * see lap splice .{E}.<br />

trucages .{F} * see effects .{E}.<br />

trucages .{F} * see effects; optical effects .{E}.<br />

truco .{Es} * see optical printer .{E}.<br />

Truco .{D} * see optical printer .{E}.<br />

trucos .{Es} * see mat (matte) .{E}.<br />

truncada .{Es} * see truncated stylus .{E}.<br />

truncado .{Es} * see truncate .{E}.<br />

truncar .{Es} * see truncate .{E}.<br />

truncate .{E} * In digital recording, <strong>to</strong> eliminate without<br />

round-ff some low-order bits after performing an arithmetic<br />

computation.39. .{D= abkappen; kappen; Es= truncado;<br />

truncar; cortar; F= tronquer}.<br />

truncated stylus .{E} * Specially formed conical or elliptical<br />

stylus for audio disc reproduction. .{D= gekoppter<br />

Abtastnadel; Es= punta cortada [truncada]; F= pointe<br />

tronquée}.


truquiste .{F} * see switcher .{E}.<br />

tubby .{E} * see boomy.<br />

tube .{E} * see vacuum tube.<br />

tube à pho<strong>to</strong>conduction .{F} * see pho<strong>to</strong>conductive s<strong>to</strong>rage<br />

tube .{E}.<br />

tube à rayons cathodiques (TRC) .{F} * see CRT .{E}.<br />

tube à vide .{F} * see vacuum tube .{E}.<br />

tube analyseur .{F} * see camera tube .{E}.<br />

tube cathodique .{F} * see cathode-ray tube (CRT) .{E}.<br />

tube d'enregistrement .{F} * see recording tube .{E}.<br />

tube de caméra .{F} * see camera tube; pickup tube .{E}.<br />

tube de prise de vue .{F} * see pickup tube .{E}.<br />

tube écran .{F} * see picture tube .{E}.<br />

tube image .{F} * see picture tube .{E}.<br />

tube orthicon .{F} * see image orthicon tube .{E}.<br />

tube pho<strong>to</strong>émetteur .{F} * see pho<strong>to</strong>emissive s<strong>to</strong>rage tube<br />

.{E}.<br />

tube trameur d'image .{F} * see image dissec<strong>to</strong>r tube .{E}.<br />

tube viticon .{F} * see vidicon .{E}.<br />

tubes d'écoute .{F} * see hearing tubes .{E}.<br />

tubo analizador (de televisión) .{Es} * see pickup tube;<br />

camera tube .{E}.<br />

tubo de almacenamien<strong>to</strong> fo<strong>to</strong>emisor .{Es} * see<br />

pho<strong>to</strong>emissive s<strong>to</strong>rage tube .{E}.<br />

tubo de grabación .{Es} * see recording tube .{E}.<br />

tubo de imagen .{Es} * see picture tube .{E}.<br />

tubo de rayos catódicos .{Es} * see cathode-ray tube<br />

(CRT) .{E}.<br />

tubo de registro .{Es} * see recording tube .{E}.<br />

tubo de vacío .{Es} * see vacuum tube .{E}.<br />

tubo disec<strong>to</strong>r de imagen .{Es} * see image dissec<strong>to</strong>r tube<br />

.{E}.<br />

tubo Superorticón .{Es} * see image orthicon tube .{E}.<br />

tubo <strong>to</strong>mavistas .{Es} * see camera tube .{E}.<br />

tubo <strong>to</strong>mavistas (de cámara) .{Es} * see pickup tube .{E}.<br />

Tubo de Rayos Catódicos .{Es} * see CRT .{E}.<br />

tubos de escucha .{Es} * see hearing tubes .{E}.<br />

tuerca de avance .{Es} * see feed nut .{E}.<br />

tuilage .{F} * see fluting .{E}.<br />

Tüll .{D} * see diffuser .{E}.<br />

tungsten light .{E} * Light produced by an electrically<br />

heated filament having a continuous spectral<br />

distribution.09. .{D= ?; Es= luz de tungsteno; F= lumière<br />

au tungstène; lumière tungstèere}.<br />

228<br />

turbio .{Es} * see muddy .{E}.<br />

turntable .{E} * The equipment which turns a disc recording<br />

at <strong>the</strong> proper speed for playback, includes a mo<strong>to</strong>r or o<strong>the</strong>r<br />

power source, a drive system (belt or direct drive), and<br />

platter for holding <strong>the</strong> disc.(04.) .{D= Plattenspieler; Es=<br />

<strong>to</strong>cadiscos; giradiscos; F= platine <strong>to</strong>urne-disque}.<br />

tv mask .{E} * A cover used in <strong>the</strong> viewfinder <strong>of</strong> a camera<br />

<strong>to</strong> block <strong>of</strong>f those areas which will not be reproduced on a<br />

tv screen so that no important action will be included in<br />

<strong>the</strong>m.(30.) .{D= ?; Es= máscara de [para] televisión; F=<br />

masque; masque (tv)}.<br />

TV .{E} * abbreviation for television.<br />

TVHD .{F} * see HDTV .{E}.<br />

tweeter .{E;F} * A loudspeaker designed <strong>to</strong> reproduce only<br />

<strong>the</strong> treble or high frequencies <strong>of</strong> <strong>the</strong> audible spectrum.16.<br />

.{D= Höhenlautsprecher; Es= altavoz de agudos}.<br />

two shot .{E} * A pho<strong>to</strong>graphic shot <strong>of</strong> two people.<br />

Likewise, three-shot.(30.) .{D= Halbnah; Es= plano<br />

americano; F= plan américain; plan moyen; plan de deux<br />

personnages}.<br />

two track .{E} * Designation <strong>of</strong> <strong>the</strong> number <strong>of</strong> recorded<br />

channels on a magnetic tape recording which use two<br />

channels <strong>of</strong> sound on <strong>the</strong> tape, with both channels going<br />

in <strong>the</strong> same direction. The resulting tape recording is<br />

generally stereophonic, although monophonic signals may,<br />

also, be so recorded; see also half-track. .{D= Zweispur;<br />

Halbspur; Es= dos pistas; F= deux pistes; bi piste}.<br />

two track recording .{E} * The arrangement in which only<br />

two channels <strong>of</strong> sound may be recorded, ei<strong>the</strong>r as a stereo<br />

pair in one direction or as separate monophonic tracks<br />

(usually in opposite directions).16. .{D=<br />

Halbspuraufnahme; Es= grabación en [de, por] dos pistas;<br />

F= enregistrement deux pistes; bi-piste}.<br />

two-axis actua<strong>to</strong>r .{E} * Mechanical device holding <strong>the</strong><br />

objective lens <strong>of</strong> an optical pickup, able <strong>to</strong> move <strong>the</strong> lens<br />

horizontally and vertically for tracking and focus-ing.39.<br />

.{D= ?; Es= accionador [servomo<strong>to</strong>r] de doble eje; F=<br />

actuateur deux axes (pho<strong>to</strong>)}.<br />

two-minute cylinder .{E} * Those audio cylinder recordings<br />

which have 100 t.p.i. and a playing duration <strong>of</strong> about two<br />

minutes.(14.) .{D= Zweiminutenzylinder; Es= cilindro de<br />

dos minu<strong>to</strong>s (de duración); F= cylindre deux minutes}.<br />

type a .{F} * see a-wind picture .{E}.<br />

type A reel .{E} * A metal or plastic audio tape reel with a<br />

three-inch center hole that has a diameter <strong>of</strong> 10.5inches.(10.)<br />

.{D= ?; Es= bobina tipo A; F= bobine type A}.<br />

type b .{F} * see b-wind picture .{E}.<br />

type B reel .{E} * A plastic 5/16-inch center hole audio tape<br />

reel that has a diameter <strong>of</strong> 3, 5, 7, or 10.5-inches.(10.) .{D=<br />

?; Es= bobina tipo B; F= bobine type B}.<br />

type C recorder .{E} * A helical videotape format using one<br />

inch magnetic tape that wraps around a rotating upper<br />

drum which is mounted on a stationary lower drum. The<br />

upper drum makes a complete revolution each TV field<br />

and each videotape track records a complete TV field. .{D=<br />

?; Es= grabadora [registradora] tipo C; F= enregistreur<br />

type C}.<br />

type M .{E;F} * The halfinch VHS videotape format.(10.)<br />

.{D= ?; Es= tipo M}.<br />

u ---


u channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present allocated <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal U; F= canal u}.<br />

U-matic .{D;E;Es;F} * The Sony trade name for a semipr<strong>of</strong>essional,<br />

#-inch, composite video tape format in a<br />

cassette; also refers <strong>to</strong> <strong>the</strong> recording <strong>of</strong> PCM-coded digital<br />

audio signals, used in some areas in <strong>the</strong> mastering <strong>of</strong><br />

CDs.(06.)<br />

U-matic H .{D;E;Es;F} * The Sony trade name for a<br />

broadcast quality, semi-pr<strong>of</strong>essional, non-segmented field<br />

#-inch, composite videotape format in a cassette recording<br />

system in which each television field is recorded on<strong>to</strong> a<br />

single track.(06.)<br />

U-matic SP .{D;E;Es;F} * A videotape cassette format<br />

compatible with U-matic, but with improved video using a<br />

special oxide tape.(10.)<br />

Überbelichtung .{D} * see over-exposure .{E}.<br />

Überblendung .{D} * see dissolve .{E}; mix .{E}.<br />

Übergabe .{D} * see transfer .{E}.<br />

Übernahme .{D} * see transfer .{E}.<br />

Übersetzer .{D} * see compiler .{E}.<br />

Überspielung .{D} * see rerecording .{E}.<br />

Überspielung Film auf Magnetband .{D} * see film-<strong>to</strong>-tape<br />

transfer .{E}.<br />

Übersprechen .{D} * see crosstalk .{E}.<br />

Übersteuerung .{D} * see overmodulation .{E}.<br />

Übertragung .{D} * see rerecording .{E}.<br />

Übertragung .{D} * see transfer .{E}. UL .{E} * acronym for<br />

Underwriters Labora<strong>to</strong>ries.<br />

ultaviolette Strahlung .{D} * see ultraviolet radiation .{E}.<br />

ultimate tensile strength .{E} * The force per unit crosssectional<br />

area required <strong>to</strong> break a tape or length <strong>of</strong> base<br />

film. Usually given in pounds per square inch.46. .{D= ?;<br />

Es= prueba de resistencia a la rotura; F= charge de<br />

rupture à la traction}.<br />

ultra violet .{F} * see ultraviolet (UV) .{E}.<br />

ultra-grand angulaire .{F} * see fish-eye lens .{E}.<br />

ultra-micr<strong>of</strong>iche .{E} * see ultrafiche.<br />

Ultra-Panavision .{D;E;Es;F} * see Panavision.<br />

ultraficha .{Es} * see ultrafiche .{E;F}.<br />

ultrafiche .{E;F} * Micr<strong>of</strong>iche containing images with a<br />

reduction ratio <strong>of</strong> 90x or more; see also micr<strong>of</strong>iche.(01.22.)<br />

.{D= Ultrafiche; Es= ultraficha}.<br />

Ultrafiche .{D} * see ultrafiche .{E;F}.<br />

Ultraschall .{D} * see ultrasonic .{E}.<br />

Ultraschallreinigung .{D} * see ultrasonic cleaning .{E}.<br />

ultrasonic .{E} * Sound frequencies <strong>to</strong>o high <strong>to</strong> be audible<br />

<strong>to</strong> humans (generally, beyond 20 kHz). .{D= Ultraschall;<br />

Es= ultrasónico; F= ultrasonique}.<br />

ultrasonic cleaning .{E} * A method <strong>of</strong> cleaning materials in<br />

a system consisting <strong>of</strong> a tank, a cleaning solution, and an<br />

229<br />

oscilla<strong>to</strong>r operating in <strong>the</strong> ultrasonic wave frequencies.(04.)<br />

.{D= Ultraschallreinigung; Es= limpieza ultrasónica; F=<br />

net<strong>to</strong>yage aux ultra-sons}.<br />

ultrasónico .{Es} * see ultrasonic .{E}.<br />

ultraviolet (UV) .{E} * Electromagnetic radiation at<br />

frequencies higher than visible light yet lower than those <strong>of</strong><br />

x-rays.39. .{D= Ultraviolet; Es= ultravioleta (UV); F= ultra<br />

violet}.<br />

ultraviolet light (UV) .{E} * Light waves beyond <strong>the</strong> violet<br />

portion <strong>of</strong> <strong>the</strong> visible spectrum, shorter than those <strong>of</strong> visible<br />

violet light and longer than those <strong>of</strong> x-rays.01. .{D=<br />

ultraviolettes Licht; Es= luz ultravioleta (UV); F= lumière<br />

ultra violet}.<br />

ultraviolet radiation .{E} * Radiation at <strong>the</strong> very short<br />

wavelength end <strong>of</strong> <strong>the</strong> spectrum, not visible <strong>to</strong> <strong>the</strong> eye. It<br />

produces fluorescence in some materials. The effects are<br />

more easily registered on film than visually. Some<br />

unwanted ultra-violet radiation can be controlled by filters;<br />

see also UV.09. .{D= ultaviolette Strahlung; Es= radiación<br />

ultravioleta (UV); F= radiation ultra violet}.<br />

Ultraviolet .{D} * see ultraviolet (UV) .{E}.<br />

ultravioleta (UV) .{Es} * see ultraviolet (UV) .{E}.<br />

ultraviolettes Licht .{D} * see ultraviolet light (UV) .{E}.<br />

umbrella .{E} * In video production, an reflec<strong>to</strong>r is used <strong>to</strong><br />

produce s<strong>of</strong>t fill lighting by bouncing and diffusing <strong>the</strong> light<br />

source on<strong>to</strong> <strong>the</strong> subject. <strong>the</strong> device used physically<br />

resembles a rain umbrella. .{D= ?; Es= paraguas<br />

(iluminación); F= réflecteur parapluie}.<br />

umbrella series .{E} * A broad title identification for a group<br />

<strong>of</strong> separate television series which have been linked<br />

<strong>to</strong>ge<strong>the</strong>r, primarily for publicity purposes.12. .{D= ?; Es=<br />

identificación de series de televisión; F= titre de série ?<br />

(vid)}.<br />

Umdrehungen pro Minute .{D} * see revolutions per minute<br />

(RPM) .{E}.<br />

Umgebungslärm .{D} * see ambient noise .{E}.<br />

Umkehrfilm .{D} * see reversal film .{E}.<br />

Umlaufblende .{D} * see shutter .{E}.<br />

Umschlag .{D} * see cover .{E}.<br />

Umschlingung .{D} * see wrap; wraparound .{E}.<br />

Umschlingungswinkel .{D} * see warping angle .{E}.<br />

Umschnitt .{D} * see transfer .{E}.<br />

under-exposure .{E} * A pho<strong>to</strong>graphic condition in which<br />

<strong>to</strong>o little light reaches <strong>the</strong> film, producing a thin negative or<br />

a dark reversal or print.(09.) .{D= Unterbelichting; Es=<br />

subexposición; F= sous-exposition}.<br />

undercranked .{E} * see fast motion.<br />

underground films .{E} * A moving-image production made<br />

on a small budget; non--commercial cinema which usually<br />

purports <strong>to</strong> be more 'artistic' or 'relevant' than commercial<br />

cinema.30. .{D= Untergrundfilme; Es= películas<br />

underground; películas no convencionales; F= films d'art<br />

et d'essais}.<br />

underscan .{E} * Normally a video moni<strong>to</strong>r will cut <strong>of</strong>f<br />

approximately 10 % <strong>of</strong> <strong>the</strong> picture and is referred <strong>to</strong> as<br />

overscan. In underscan, <strong>the</strong> picture is reduced so that <strong>the</strong><br />

entire video area is displayed on <strong>the</strong> moni<strong>to</strong>r. .{D= ?; Es=


subarrido; subdesviación (del haz explorador); F=<br />

réduction de balayage sur un écran vidéo}.<br />

unedited materials .{E} * Audio and moving-image<br />

materials which have not been subjected <strong>to</strong> any systematic<br />

selection, arranging, or cutting procedures.(12.) .{D=<br />

unveröffentlichte Materialien; Es= materiales inédi<strong>to</strong>s; F=<br />

documents inédits (son & vid); matériels inedités}.<br />

Ungeziefer .{D} * see vermin .{E}.<br />

unidad central central de procesado .{Es} * see central<br />

processing unit .{E}.<br />

unidad de da<strong>to</strong>s .{Es} * see field (6) .{E}.<br />

unidad de fichero .{Es} * see file section .{E}.<br />

unidad de flujo luminoso .{Es} * see lumen (LM) .{D;E}.<br />

unidad de grabaciones .{Es} * see record series .{E}.<br />

unidad de registros .{Es} * see record series .{E}.<br />

uniform title .{E} * In a bibliographic citation, <strong>the</strong> particular<br />

title by which a work that has appeared under varying titles<br />

is <strong>to</strong> be identified for cataloguing purposes; see also<br />

original release title.(12.) .{D= ?; Es= título uniforme; F=<br />

titre uniforme}.<br />

uniforme linéaire .{F} * see flat response .{E}.<br />

uniformidad .{Es} * see uniformity .{E}.<br />

uniformité .{F} * see uniformity .{E}.<br />

uniformity .{E} * In magnetic tape recording, <strong>the</strong> extent <strong>to</strong><br />

which <strong>the</strong> output remains free from variations in amplitude.<br />

Uniformity is usually specified in terms <strong>of</strong> <strong>the</strong> positive and<br />

negative deviations from <strong>the</strong> average output within a roll <strong>of</strong><br />

tape.46. .{D= Abweichung; Es= uniformidad; constancia;<br />

F= uniformité}.<br />

unión de dos cortes de sonido .{Es} * see bridge (2) .{E}.<br />

unión de pixel .{Es} * see pixel pairing .{E}.<br />

unité centrale .{F} * see central processing unit .{E}.<br />

unité d'enregistrement .{F} * see entry .{E}.<br />

unité d'enregistrements .{F} * see record series .{E}.<br />

unité de programme enregistrable .{F} * see file section<br />

.{E}.<br />

unité lecteur/enregistreur de disque dur .{F} * see disc<br />

drive .{E}.<br />

unmodulated groove .{E} * see blank groove.<br />

unobstructed access .{E} * Access is termed <strong>to</strong> be<br />

unobstructed in optical digital data discs when <strong>the</strong><br />

recording zone may be accessed by <strong>the</strong> read/write optical<br />

head scanning in from outside <strong>the</strong> outer disc edge without<br />

raising or lowering <strong>the</strong> optical lens assembly, with <strong>the</strong> disc<br />

mounted <strong>to</strong> <strong>the</strong> spindle.46. .{D= ?; Es= acceso libre; F=<br />

accès libre; accès inobstrué}.<br />

unripe disc .{E} * see green disc.<br />

unscharf .{D} * see blur .{E}.<br />

Unschärfe .{D} * see blur .{E}.<br />

unsteady .{E} * A defect term for moving-image<br />

productions signifying that <strong>the</strong> image moves when it should<br />

remain steady. .{D= ?; Es= inestable; F= instable; peu<br />

230<br />

stable}.<br />

Unterbelichting .{D} * see under-exposure .{E}.<br />

Untergrundfilme .{D} * see underground films .{E}.<br />

Unterrichtsfilm .{D} * see educational film/video .{E}.<br />

Unterrichtsvideo .{D} * see educational film/video .{E}.<br />

Unverletzlichkeit (eines provenienzmässigen<br />

Archivbestands) .{D} * see archival integrity .{E}.<br />

unveröffentlichte Materialien .{D} * see unedited materials<br />

.{E}.<br />

up cut .{E} * 1) A procedure that creates over-records.<br />

Typically when <strong>the</strong> previous scene is laid longer than<br />

desired. The next scene is cued <strong>to</strong> begin before <strong>the</strong> end <strong>of</strong><br />

<strong>the</strong> first scene. 2) An editing error which allows <strong>the</strong> second<br />

scene or sound <strong>to</strong> begin before <strong>the</strong> previous one is<br />

completed. .{D= ?; Es= error de montaje; F= 1) ? 2) erreur<br />

de montage}.<br />

UPC .{E} * acronym for Universal Product Code.<br />

uplink .{E} * A technical facility for <strong>the</strong> transmission <strong>of</strong> a<br />

signal <strong>to</strong> a satellite. 2) The process <strong>of</strong> transmitting a signal<br />

<strong>to</strong> a satellite. .{D= ?; Es= conexión [transmisión] vía<br />

satélite; F= liaison montante; liaison terre / satellite}.<br />

UpM .{D} * see revolutions per minute (RPM;R.P.M.) .{E}.<br />

upright .{E} * The shelving segment which frames <strong>the</strong> width<br />

<strong>of</strong> <strong>the</strong> bay and supports <strong>the</strong> shelves within <strong>the</strong> bay.22. .{D=<br />

Trägerelement einer Regalanlage; Es= montante;<br />

larguero; F= montant}.<br />

Urheberrecht .{D} * see copyright .{E;F}.<br />

Urschrift .{D} * see original .{E;Es;F}.<br />

Ursprungsland .{D} * see c-use .{E}.<br />

usage grâcieux .{F}. usage non commercial .{F}. see fairuse<br />

.{E}.<br />

usage non commercial .{F} * see fair-use .{E}.<br />

usario .{Es} * see reader (1) .{E}; user .{E}.<br />

USASI .{E} * acronym for United States <strong>of</strong> America<br />

Standards Institute.<br />

user .{E} * A person who consults documents in an<br />

archive; also called a listener, reader, researcher,<br />

viewer.(22.) .{D= Benutzer; Benützer; Es= lec<strong>to</strong>r;<br />

investigador; usario.; F= chercheur; utilisateur; lecteur}.<br />

user bits .{E} * Unassigned portions <strong>of</strong> <strong>the</strong> time code signal<br />

used by <strong>the</strong> user <strong>to</strong> indicate various things such as reel<br />

numbers, shot or take I.D., location, date or o<strong>the</strong>r<br />

personnel data. .{D= ?; Es= bites de [para] usuario; F= bits<br />

utilisateu}.<br />

user friendly .{E} * Computer equipment, hardware, and<br />

s<strong>of</strong>tware that is easy <strong>to</strong> learn and operate. Primarily used<br />

<strong>to</strong> indicate computer hardware and s<strong>of</strong>tware.(10.) .{D=<br />

benützerfreundlich; Es= máquina amiga; máquina de fácil<br />

manejo; F= appareil de mesure des ultraviolets}.<br />

UV filter .{E} * A material used <strong>to</strong> filter <strong>the</strong> ultraviolet rays<br />

out <strong>of</strong> visible light. Ultraviolet radiation is potentially<br />

damaging <strong>to</strong> library, archival, and museum objects. More<br />

is present in sunlight and fluorescent light than in<br />

incandescent light. Removing UV radiation from s<strong>to</strong>rage,<br />

use, and exhibition spaces can reduce <strong>the</strong> rate <strong>of</strong><br />

deterioration <strong>of</strong> library materials s<strong>to</strong>red <strong>the</strong>re. Usually a UV


filtering material is placed over windows or fluorescent light<br />

tubes or built in<strong>to</strong> glass used in framing or exhibition<br />

cases. Certain acrylic sheet materials have UV filtering<br />

properties built in.17. Filtration is necessary when <strong>the</strong><br />

proportion <strong>of</strong> UV in <strong>the</strong> light is more that 75 #w/lm. The<br />

simplest way <strong>to</strong> reduce UV radiation from fluorescent<br />

lamps is <strong>to</strong> install filtering sleeves, tubes or shields which<br />

incorporate various organic compounds with ultraviolet<br />

absorbing properties. Plexiglas UF-1 is practically<br />

colourless and does not interfere with colour rendering.<br />

Plexiglas uf-3 is somewhat yellow but also a better UV<br />

absorber; see also UV moni<strong>to</strong>r.17. .{D= UV-Filter; Es= filtro<br />

ultravioleta; F= filtre UV}.<br />

UV moni<strong>to</strong>r .{E} * A device which measures <strong>the</strong> proportion<br />

<strong>of</strong> ultraviolet radiation in <strong>the</strong> light as microwatts <strong>of</strong> UV<br />

radiation per lumen (<strong>of</strong> visible light). If a light source emits<br />

more than about 75 #w/lm it requires a UV filter or<br />

absorbing material; see also Crawford UV moni<strong>to</strong>r type<br />

760.(53.) .{D= ?; Es= moni<strong>to</strong>r ultravioleta; F=<br />

moni<strong>to</strong>rultraviolet}.<br />

UV-Filter .{D} * see UV filter .{E}.<br />

v ---<br />

v channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present allocated <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal v; F= canal v}.<br />

V/U .{E} * acronym for volume unit.<br />

V/U-meter .{E} * A piece <strong>of</strong> equipment which indicates<br />

audio frequency power levels in deciBels relative <strong>to</strong> a fixed<br />

reference level. The meter movement differs from those <strong>of</strong><br />

ordinary voltmeters in that it has a specified ballistic<br />

response adapted <strong>to</strong> moni<strong>to</strong>ring speech and music. Used<br />

in many home and most pr<strong>of</strong>essional recorders <strong>to</strong> moni<strong>to</strong>r<br />

recording levels and maintain <strong>the</strong>m within dis<strong>to</strong>rtion<br />

limits.16. .{D= V/U-Meter; Es= medidor V/U; F= ?}.<br />

V/U-Meter .{D} * see V/U-meter .{E}.<br />

vacuum drying .{E} * The treatment <strong>of</strong> water soaked paper<br />

documents by placing <strong>the</strong>m at room temperature in a<br />

vacuum chamber, slowly evacuating <strong>the</strong> air until <strong>the</strong><br />

temperature reaches <strong>the</strong> freezing point and <strong>the</strong>n<br />

proceeding through a series <strong>of</strong> cycles, <strong>the</strong> number<br />

dependent on <strong>the</strong> wetness <strong>of</strong> <strong>the</strong> documents, in which <strong>the</strong><br />

chamber is alternately filled with hot, dry air and evacuated<br />

until <strong>the</strong> temperature <strong>of</strong> <strong>the</strong> documents is raised <strong>to</strong><br />

10°C/50°F; see also freeze drying.22. .{D=<br />

Vakuumtrocknung; Es= secado en cámera de vacio; F=<br />

séchage par le vide}.<br />

vacuum tube .{E} * A sealed shaft containing a rarefied air<br />

or gas and electrodes; used <strong>to</strong> control, detect, amplify,<br />

etc., <strong>the</strong> flow <strong>of</strong> electrons. Most operations performed by<br />

vacuum tubes are now carried out by transis<strong>to</strong>rs and/or<br />

integrated circuits; also called a tube or a valve. .{D=<br />

Elektronenröhre; Röhre; Vakuumröhre; Es= tubo de vacío;<br />

F= tube à vide; lampe à vide; tube vide}.<br />

valeur marchande .{F} * see fair market value .{E} .<br />

valor archivístico .{Es} * see archival value .{E}.<br />

valor como obje<strong>to</strong> .{Es} * see artifactual value .{E}.<br />

valor de cresta .{Es} * see peak .{E}.<br />

valor evidente .{Es} * see evidential value .{E}.<br />

valor histórico .{Es} * see archival value .{E}.<br />

valor intrínseco .{Es} * see intrinsic value .{E}.<br />

valor jus<strong>to</strong> de mercado .{Es} * see fair market value .{E}.<br />

231<br />

valor jus<strong>to</strong> de venta .{Es} * see fair market value .{E}.<br />

valor jus<strong>to</strong> de venta [de mercado] .{ES} * see fair market<br />

value .{E}.<br />

valor legal .{Es} * see legal value .{E}.<br />

valor patente .{Es} * see evidential value .{E}.<br />

valor permanente .{Es} * see archival value .{E}.<br />

valor pH .{Es} * see pH value .{E}.<br />

valor pH .{Es} * see pH value .{E}.<br />

valor proba<strong>to</strong>rio .{Es} * see evidential value .{E}.<br />

valoración .{Es} * see titration .{E}.<br />

valve .{E} * see vacuum tube.<br />

válvula (de luz) .{Es} * see light valve .{E}.<br />

válvula cinéscopica .{Es} * see picture tube .{E}.<br />

vameur intrinsèque .{F} * see intrinsic value .{E}.<br />

Van der Waals' forces .{E} * Weak, nonspecific forces<br />

between molecules.41. .{D= ?; Es= ?; F= ?}.<br />

variable-area soundtrack .{E} * Optical sound record on<br />

motion picture film in which <strong>the</strong> modulations are<br />

represented by <strong>the</strong> varying width <strong>of</strong> <strong>the</strong> image.(09.) .{D=<br />

Zackenschrift; Tonband im Zackenschrift-System; Es=<br />

banda sonora de área [zona] variable; F= piste sonore à<br />

densité fixe}.<br />

variable-density soundtrack .{E} * Optical sound record on<br />

motion picture film in which <strong>the</strong> modulations are shown in<br />

<strong>the</strong> gradations from dark <strong>to</strong> light.(09.) .{D= Sprossenschrift;<br />

Tonband im Sprossenschrift; Es= banda sonora de<br />

densidad fija; F= ?}.<br />

variable-density soundtrack .{E} ** =F= piste sonore à<br />

densité variable .{F}.<br />

variabler Rillenrorschub .{D} * see variable groove pitch<br />

.{E}.<br />

variación, cambio de fase .{Es} * see phase shift .{E}.<br />

variación con cambios mínimos .{Es} * see variation with<br />

minor changes .{E}.<br />

variant edition .{E} * A publication (i.e., a commercially<br />

issued sound recording or video tape) which differs in any<br />

way from o<strong>the</strong>r copies <strong>of</strong> that publication. For sound<br />

recordings it is similar <strong>to</strong> a repressing except that <strong>the</strong><br />

difference might even occur in <strong>the</strong> course <strong>of</strong> a single<br />

pressing run.(04.) .{D= ?; Es= edición variante; F= édition<br />

variente}.<br />

variant title .{E} * In a bibliographic citation, any variation<br />

<strong>of</strong> <strong>the</strong> title proper, including such as <strong>the</strong> parallel title,<br />

rerelease/reissue title, translation title, working title,<br />

etc.(12.) .{D= ?; Es= título variante; F= titre variante}.<br />

variante avec peu de changements .{F} * see variation with<br />

m-image production with minor (i.e., non-significant)<br />

changes from <strong>the</strong> original issue. A variation with minor<br />

changes is distinguished from a version with major<br />

changes by <strong>the</strong> type and extent <strong>of</strong> <strong>the</strong> alterations; see also<br />

edition.(12.) .{D= ?; Es= variación con cambios mínimos;<br />

F= variante avec peu de changements}.<br />

variations d'écartement tête-bande .{F} * see tape-<strong>to</strong>-head<br />

separation changes .{E}.


varilla guía .{Es} * see back rod (guide rod) .{E}.<br />

vástago .{Es} * see pin .{E}.<br />

Vater .{D} * see fa<strong>the</strong>r .{E}.<br />

vault .{E} * 1) For nitrate based film, a facility constructed<br />

and equipped in accordance with NFPA 40 .{section 4-3 or<br />

4-5}.(34.) 2) A maximum security s<strong>to</strong>rage area constructed<br />

<strong>of</strong> fire-resistant material and structurally independent from<br />

<strong>the</strong> building in which it is located.22. .{D= Depot; Gewölbe;<br />

Tresorraum; Es= almacén; cámera de seguridad; F=<br />

casemate; local de s<strong>to</strong>ckage de films à humidité et<br />

température contrôlées; dépôt; chambre forte}.<br />

VBV .{E;Es;F} ** acronym for video-black-video. .{D= ?;<br />

Es= ?; F= ?}.<br />

vecteur .{F} * see vec<strong>to</strong>r .{E}.<br />

vecteurscope .{F} * see vec<strong>to</strong>rscope .{E}.<br />

vec<strong>to</strong>r .{E;Es} * A ma<strong>the</strong>matical representation <strong>of</strong> a force<br />

in a particular direction. In television, it is used <strong>to</strong> measure<br />

colour information where <strong>the</strong> angle represents <strong>the</strong> he and<br />

<strong>the</strong> length represents <strong>the</strong> saturation. .{D= ?; F= vecteur}.<br />

vec<strong>to</strong>reoscopio .{Es} * see vec<strong>to</strong>rscope .{E}.<br />

vec<strong>to</strong>rscope .{E} * A specialized oscilloscope that is used<br />

<strong>to</strong> display <strong>the</strong> saturation and hue <strong>of</strong> a video signal. .{D= ?;<br />

Es= vec<strong>to</strong>reoscopio; F= vecteurscope; oscilloscope<br />

vec<strong>to</strong>riel}.<br />

velado .{Es} * see fogging .{E}.<br />

veladura (en películas) a causa de la luz .{Es} * see light<br />

piping .{E}.<br />

velo .{Es} * see fog .{E}.<br />

velocidad .{Es} * see speed .{E}.<br />

velocidad (de película) sonora .{Es} * see sound speed<br />

.{E}.<br />

velocidad angular constante .{Es} * see constant angular<br />

velocity (CAV) .{E}.<br />

velocidad BSI .{Es} * see BSI speeds .{E}.<br />

velocidad de (la) máquina .{Es} * see machine speed (1)<br />

.{E}.<br />

velocidad de (transferencia) de bits .{Es} * see bit rate .{E}.<br />

velocidad de avance de la cinta .{Es} * see tape speed<br />

.{E}.<br />

velocidad de cámara .{Es} * see camera speed .{E}.<br />

velocidad de la proyección .{Es} * see machine speed (2)<br />

.{E}.<br />

velocidad de película .{Es} * see film speed .{E}.<br />

Verblassen .{D} * see fade .{E}.<br />

Verfilmung für Benutzungszwecke .{D} * see reference<br />

micr<strong>of</strong>ilming .{E}.<br />

Verformung .{D} * see buckle .{E}.<br />

Vergrößerungsgrad .{D} * see magnification .{E}.<br />

Vergröszerung .{D} * see enlargement .{E}.<br />

verkleinert Kopieren .{D} * see reduction printing .{E}.<br />

232<br />

Verkleinerungsmaßstab .{D} * see reduction ratio .{E}.<br />

verre opalisé .{F} * see opal glass .{E}.<br />

verres polarisants .{F} * see polarized glasses .{E}.<br />

verrouillage .{F} * see interlock .{E}.<br />

verrouillage de trame .{F} * see framing .{E}.<br />

Versandbedingungen .{D} * see shipping environment .{E}.<br />

Verschlußsache .{D} * see closed file .{E}.<br />

Verschlußsache/n .{D} * see closed file .{E}.<br />

Verschwommenheit .{D} * see blur .{E}.<br />

Vershlusz .{D} * see shutter .{E}.<br />

version avec changements majeurs .{F} * see version with<br />

major changes .{E}.<br />

versión con grandes cambios .{Es} * see version with<br />

major changes .{E}.<br />

verstärken .{D} * see amplify .{E}.<br />

Verstärker .{D} * see amplifier .{E}.<br />

Vertaulichkeit .{D} * see concordance .{E}.<br />

vertical cut .{E} * A description <strong>of</strong> a type <strong>of</strong> an analogue<br />

audio signal in which <strong>the</strong> sound vibrations are cut or<br />

indented in<strong>to</strong> <strong>the</strong> bot<strong>to</strong>m <strong>of</strong> <strong>the</strong> groove <strong>of</strong> equal width (e.g.<br />

Edison's Diamond Disc, Pathé discs); also known as hilland-dale,<br />

because <strong>of</strong> <strong>the</strong> ridges and valleys in <strong>the</strong> bot<strong>to</strong>m<br />

<strong>of</strong> <strong>the</strong> groove, or phonograph-cut records; see also lateral<br />

cut. .{F= gravure verticale .{F}. gravure en pr<strong>of</strong>ondeur .{D=<br />

Tiefenschrift-Aufnahme; Edisonschrift-Aufnahme; Es=<br />

corte vertical; F}; ?; coupe vertical}.<br />

vertical cut recording .{E} * A sound recording in which <strong>the</strong><br />

audio signal is cut or indented in<strong>to</strong> <strong>the</strong> bot<strong>to</strong>m <strong>of</strong> <strong>the</strong><br />

groove instead <strong>of</strong> <strong>the</strong> sides (lateral recording) causing <strong>the</strong><br />

stylus <strong>to</strong> move up and down within <strong>the</strong> groove; used in<br />

cylinders, in some early acoustic discs, and in some<br />

transcription disc recordings. Its advantage in early<br />

recording was that <strong>the</strong> depth <strong>of</strong> cut dictated <strong>the</strong> volume <strong>of</strong><br />

sound, while in lateral recording heavy engraving could<br />

cause <strong>the</strong> stylus <strong>to</strong> break in<strong>to</strong> an adjoining groove.(04.)<br />

.{D= Tiefenschrift-Aufnahme; Es= grabación de corte<br />

vertical; F}; enregistrement vertical; enregistrement à<br />

gravure verticale}.<br />

vertical drive pulse .{E} * Moves <strong>the</strong> electron beam down<br />

<strong>the</strong> face <strong>of</strong> <strong>the</strong> pick up tube one line at a time during field<br />

scanning. Also moves <strong>the</strong> beam back <strong>to</strong> <strong>the</strong> <strong>to</strong>p <strong>of</strong> <strong>the</strong><br />

picture during vertical blanking. .{F= impulsions verticales<br />

(vid) .{D= ?; Es= impulso de desviación vertical; impulso<br />

de cronización de barrido vertical; F= impulsions verticales<br />

(vid)}.<br />

vertical filing .{E} * The s<strong>to</strong>rage <strong>of</strong> documents in a upright<br />

position as distinguished from flat filing or horizontal<br />

filing.(22.) .{F= rangement vertical .{D= Vertikalablage; Es=<br />

instalación vertical; F}; rangement vertical}.<br />

vertical interval .{E} * That portion <strong>of</strong> <strong>the</strong> video signal that<br />

includes <strong>the</strong> vertical blanking, <strong>the</strong> vertical sync pulses and<br />

<strong>the</strong> pre- and post-equalizing pulses. It is also <strong>the</strong> area<br />

where o<strong>the</strong>r information that is carried with <strong>the</strong> television<br />

signal, such as captioning, teletext and satellite<br />

instructions, are inserted. .{F= intervalle de trame .{D= ?;<br />

Es= intervalo vertical; F= intervalle de trame}.<br />

vertical interval time code (VTIC) .{E} * A SMPTE/ANSI<br />

time code developed <strong>to</strong> identify <strong>the</strong> individual frames <strong>of</strong>


video; has two formats, <strong>the</strong> longitudinal time code (LTC)<br />

and <strong>the</strong> vertical interval time code (VITC). .{D= ?; Es=<br />

código de tiempo de intervalo vertical; F= temps codé<br />

intervalle vertical; code temporel inséré danrant l'intervalle<br />

de suppression de trame (VITC); code horaire inscrit dans<br />

l'espace de suppression trame (VITC)}.<br />

vertical mode .{E} * see cine mode.<br />

vertical recording .{E} * see vertical cut recording.<br />

vertical resolution .{E} * The maximum number <strong>of</strong> horizo<br />

Verwahrung .{D} * see cus<strong>to</strong>dy; preservation .{E;F}.<br />

Verwerfung .{D} * see warp .{E}.<br />

Verzeichnung .{D} * see description .{E}.<br />

Verzeichnungseinheit .{D} * see item .{E}.<br />

Verzerrung .{D} * see dis<strong>to</strong>rtion .{E;F}.<br />

Verzerrungen im tiefen Frequenzbtereich .{D} * see low<br />

frequency dis<strong>to</strong>rtion .{E}.<br />

vesicular film .{E} * A duplicating film, usually signreversing,<br />

which uses heat alone <strong>to</strong> develop latent images<br />

after exposure <strong>to</strong> ultraviolet light. The light-sensitive<br />

component <strong>of</strong> <strong>the</strong> film is suspended in a plastic layer. On<br />

exposure, <strong>the</strong> component creates optical vesicles<br />

(bubbles) in <strong>the</strong> layer. These imperfections form <strong>the</strong> latent<br />

image. The latent image becomes visible and permanent<br />

by heating <strong>the</strong> plastic layer and <strong>the</strong>n allowing it <strong>to</strong> cool. It<br />

is not generally considered <strong>to</strong> be <strong>of</strong> archival quality. At one<br />

time <strong>the</strong> film was referred <strong>to</strong> as Kalvar, after <strong>the</strong> company<br />

that originally produced it.01.(22.) .{D= Vesikularfilm; Es=<br />

película vesicular; F= film vesiculaire; vesiculaire}.<br />

Vesikularfilm .{D} * see vesicular film .{E}.<br />

vestigio .{Es} * see trace .{E}.<br />

VHS-C .{E;Es;F} * A mini-cassette about a third <strong>the</strong> size <strong>of</strong><br />

<strong>the</strong> standard VHS cassette. It was designed for use in VHS<br />

camcorders. The VHS-C cassettes can be used in a<br />

standard VHS play back machine with <strong>the</strong> use <strong>of</strong> an<br />

adapter. .{D= ?}.<br />

VHS-C (ver VHS) .{Es} * see VHS-C .{E}.<br />

vibración .{Es} * see chatter .{E}; flutter .{E}.<br />

vibración (de la imagen) .{Es} * see jitter .{D;E}.<br />

vice interne .{F} * see inherent vice .{E} .<br />

vicio inherente .{Es} * see inherent vice .{E}.<br />

vicio inherente [intrínseco] .{Es} * see inherent vice .{E} .<br />

vide .{F} * see blank .{E}.<br />

video .{D;E;Es;F} * 1) From <strong>the</strong> Latin videre, meaning <strong>to</strong><br />

see. 2) A synonym for television, but generally applied <strong>to</strong><br />

non-broadcast recordings. 3) A prefix used for numerous<br />

television components and circuits.(10.)<br />

video archives .{E} * 1) Archives which collect television<br />

recordings with related documents (i.e., pic<strong>to</strong>rial, textual,<br />

etc.). 2) An institution responsible for <strong>the</strong> acquisition,<br />

preservation, and communication <strong>of</strong> television and related<br />

materials; see also archives.(06.23.) .{F= archives video<br />

.{D= Video-Archiv; Es= videoteca; F= archives video}.<br />

Video Cassette Recorder (VCR) .{D;E;Es;F} * The trade<br />

name <strong>of</strong> a Philips video recording system on 1/2-inch<br />

videotape in cassettes.(06.)<br />

233<br />

Video Home System (VHS) .{D;E;Es;F} * Trade name <strong>of</strong><br />

<strong>the</strong> JVC ½-inch videocassette system.(19.06.)<br />

vidéo éducative .{F} * see educational film/video .{E}.<br />

vidéo éducative/film éducatif .{F} * see educational<br />

film/video .{E}.<br />

vidéo légère (EFP) .{F} * see electronic field production<br />

(EFP) .{E}.<br />

vidéo numérique interactive .{F} * see digital video<br />

interactive (DVI) .{E}.<br />

vídeo interactivo digital .{Es} * see digital video interactive<br />

(DVI) .{E}.<br />

Video-Archiv .{D} * see video archives .{E}.<br />

video-black-video (VBV) .{E;Es;F} * A preview mode <strong>of</strong> a<br />

computer edi<strong>to</strong>r that shows <strong>the</strong> human edi<strong>to</strong>r previously<br />

recorded video from <strong>the</strong> record machine, black for <strong>the</strong><br />

duration <strong>of</strong> <strong>the</strong> new video, and previously recorded video<br />

from <strong>the</strong> record machine. Also refer <strong>to</strong> VVV and BVB. .{D=<br />

?}.<br />

Video-Video-Video (VVV) .{E;Es;F} * A preview mode <strong>of</strong> a<br />

computer edi<strong>to</strong>r which shows <strong>the</strong> human edi<strong>to</strong>r previously<br />

recorded video from <strong>the</strong> record machine, new video <strong>to</strong> be<br />

added, and previously recorded video from <strong>the</strong> record<br />

machine. Also refer <strong>to</strong> VBV and BVB. .{D= ?}.<br />

Videoband .{D} * see videotape .{E}.<br />

videocassette .{E} * A cassette carrying videotape. .{F=<br />

vidéocassette .{D= Videokassette; Es= vídeocinta; cinta de<br />

vídeo; F= vidéocassette}.<br />

vidéocassette .{F} * see videocassette .{E}.<br />

videocinta .{Es} * see videotape .{E}.<br />

vídeocinta .{Es} * see videocassette .{E}; videotape .{E}.<br />

videodisc .{E} * A flat, circular platter on which both audio<br />

and video information can be s<strong>to</strong>red for playback by<br />

means <strong>of</strong> ei<strong>the</strong>r a LASER or a stylus; see also LASER<br />

disc.(04.46) .{F= vidéodisque .{D= Bildplatte; Videoplatte;<br />

Es= vídeodisco; F= vidéodisque}.<br />

videodisco .{Es} * see videodisc .{E}.<br />

vidéodisque .{F} * see videodisc .{E}.<br />

Videokassette .{D} * see videocassette .{E}.<br />

Videoplatte .{D} * see videodisc .{E}.<br />

Videorecorder .{D} * see videotape recorder .{E}.<br />

Videoröhre .{D} * see pickup tube .{E}.<br />

videoteca .{Es} * see video archives .{E}.<br />

vidicón .{Es} * see vidicon .{E}.<br />

vidrio opal .{Es} * see opal glass .{E}.<br />

vidrio opalino .{Es} * see opal glass .{E}.<br />

vieillissement .{F} * see ageing .{E}.<br />

vieillissement accéléré .{F} * see accelerated ageing .{E}.<br />

vierge .{F} * see blank .{E}.<br />

Viertelspur .{D} * see four-track recording; quarter-track<br />

.{E}.


viewing copy .{E} * The duplicate <strong>of</strong> a still- or movingimage<br />

item intended for consultation or use purposes in<br />

order <strong>to</strong> preserve <strong>the</strong> original item.(06.) .{D=<br />

Ansichtskopie; Es= copia de visionado; F= copie<br />

visionnement}.<br />

vignette .{E} * A masking device used in moving-image<br />

production; see also iris-in, -out.30. .{D= ?; Es= máscara<br />

(de objetivo); F= masque d'objectif; cache; masque}.<br />

vinegar syndrome .{D;E} * An au<strong>to</strong>catalytic selfdecomposition<br />

process <strong>of</strong> acetate cellulose under <strong>the</strong><br />

evaporation <strong>of</strong> acetic acid. Affected thus far are mainly<br />

films, but <strong>the</strong> presumption is that all cellulose acetate<br />

based materials will go through <strong>the</strong> same process. .{F=<br />

syndrome du vinaigre; Es= síndrome [enfermedad] del<br />

vinagre}.<br />

vinilo .{Es} * see vinyl .{E}.<br />

vinilo reciclado .{Es} * see recycled vinyl .{E}.<br />

vinyl .{E} * 1) Abbreviation <strong>of</strong> polyvinyl chloride (PVC). 2)<br />

Imprecisely used <strong>to</strong> refer <strong>to</strong> any <strong>of</strong> a number <strong>of</strong> plastics,<br />

many <strong>of</strong> which are not appropriate for use in preservation.<br />

For specific safe plastics; see also acrylic; polyester;<br />

polypropylene; polyvinyl acetate. 3) A contemporary slang<br />

term for a disc record; see also polyvinyl chloride<br />

(PVC).04. .{D= 1) Polyvinylchlorid (PVC); Es= vinilo; F=<br />

vinyle}.<br />

vinyl chloride .{E} * see polyvinyl chloride (PVC).<br />

visera de cámara .{Es} * see flag .{E}; gobo (3).<br />

visible ink edge numbering .{E} * One <strong>of</strong> two ways in which<br />

Kodak places edge numbers on its camera film (<strong>the</strong> o<strong>the</strong>r<br />

being latent image edge numbering), in which <strong>the</strong> film<br />

s<strong>to</strong>ck is numbered with a visible ink at <strong>the</strong> perfora<strong>to</strong>rs. The<br />

number is, in turn, printed on <strong>the</strong> emulsion surface <strong>of</strong> <strong>the</strong><br />

film and <strong>the</strong> numbers are, consequently, visible on both<br />

<strong>the</strong> raw s<strong>to</strong>ck and <strong>the</strong> processed film.(09.) .{F= numéro de<br />

bord à l'encre visible .{D= ?; Es= numeración con tinta<br />

visible; F= numéro de bord à l'encre visible}.<br />

visionnage .{F} * see screening .{E}.<br />

visor, pantalla de códigos de tiempo .{Es} * see Time Code<br />

Window (TCW) .{E}.<br />

vista de plano .{Es} * see plan .{E;F}.<br />

vista fija .{Es} * see slide .{E}.<br />

Vistavision .{D;E;F} * A non-anamorphic process used<br />

by Paramount Pictures in which none <strong>of</strong> <strong>the</strong> action <strong>to</strong>ok<br />

place at <strong>the</strong> <strong>to</strong>p or at <strong>the</strong> bot<strong>to</strong>m <strong>of</strong> <strong>the</strong> screen so that<br />

exhibi<strong>to</strong>rs with <strong>the</strong> proper aperture masks could choose<br />

<strong>the</strong>ir own aspect ratio from 1.33 <strong>to</strong> 2.0. The negative was<br />

made on 70-mm s<strong>to</strong>ck and reduced <strong>to</strong> 35-mm during<br />

printing in order <strong>to</strong> reduce graininess.30. {Es=<br />

Vistavisión}.<br />

Vistavisión .{Es} * see Vistavision .{E}.<br />

visual density .{E} * A measure <strong>of</strong> <strong>the</strong> light-controlling<br />

power <strong>of</strong> <strong>the</strong> silver or dye deposited in a film emulsion<br />

when it approximates <strong>to</strong> that <strong>of</strong> a human eye; see also<br />

transmission density.09. .{D= ?; Es= densidad visual; F=<br />

densité visuelle}.<br />

visual range .{E} * That portion <strong>of</strong> light spectrum between<br />

<strong>the</strong> infrared and <strong>the</strong> ultraviolet which can be seen by <strong>the</strong><br />

human eye.01. .{D= ?; Es= alcance visual; F= spectre<br />

visible}.<br />

visualisation du signal vidéo composite .{F} * see flat finish<br />

.{E}.<br />

234<br />

VITC .{E} * acronym for vertical interval time code. .{D= ?;<br />

Es= acrónimo de Código de Tiempo del Intervalo Vertical;<br />

F= code horaire inscrit dans l'espace de suppression<br />

trame}.<br />

vitesse (de défilement) .{F} * see speed .{E}.<br />

vitesse angulaire constante (VAC) .{F} * see constant<br />

angular velocity (CAV) .{E}.<br />

vitesse BSI .{F} * see BSI speeds .{E}.<br />

vitesse contrôlée .{F} * see library wind .{E}.<br />

vitesse d'émulsion .{F} * see emulsion speed .{E}.<br />

vitesse de défilement de la bande bande .{F} * see tape<br />

speed .{E}.<br />

vitesse de défilement son .{F} * see sound speed .{E}.<br />

vitesse de prise de vues .{F} * see camera speed .{E}.<br />

vitesse de projection * see machine speed .{E}.<br />

vitesse de ruban .{F} * see tape speed .{E}.<br />

vitesse du film .{F} * see film speed .{E}.<br />

vitesse du son .{F} * see speed <strong>of</strong> sound .{E}.<br />

vitesse linéaire constante (VLC) .{F} * see constant linear<br />

velocity (CLV) .{E}.<br />

vitesse machine projection .{F} * see machine speed .{E}.<br />

vitrina .{Es} * see display case .{E}.<br />

Vitrine .{D} * see display case .{E}.<br />

Vogelperspektive .{D} * see tilt shot .{E}.<br />

voice-over .{E} * In moving-image productions, <strong>the</strong><br />

narra<strong>to</strong>r's comments when <strong>the</strong> narra<strong>to</strong>r is not seen; see<br />

also commentative sound. Not <strong>to</strong> be con-fused with<br />

overlap sound.(30.) .{D= ?; Es= voz en <strong>of</strong>f; F= voix<br />

commentaire; voix "<strong>of</strong>f"}.<br />

void .{E} * An area where material is missing on <strong>the</strong><br />

surface <strong>of</strong> a head track or on tape surface.46. .{F= lacune<br />

.{D= ?; Es= laguna; F= lacune}.<br />

voie .{F} * see channel .{E}.<br />

voile .{F} * see fog; fogging; shrink wrap .{E}.<br />

voile sur film nitrate .{F} * see nitrate bloom .{E}.<br />

voix commentaire .{F} * see commentative sound; voiceover<br />

.{E}.<br />

voix <strong>of</strong>f .{F} * see commentative sound; voice-over .{E}.<br />

volant .{F} * see flywheel .{E}.<br />

volante .{Es} * see flywheel .{E}.<br />

volatilisation .{F} * see volatilization .{E}.<br />

volatilización .{Es} * see volatilization .{E}.<br />

volatilization .{E} * 1) A process frequently used in <strong>the</strong><br />

description <strong>of</strong> decomposition <strong>of</strong> materials whereby a<br />

material is altered in<strong>to</strong> a vapour. 2) Vaporization, caused<br />

by a reaction <strong>to</strong> o<strong>the</strong>r materials with which it is combined<br />

or <strong>to</strong> environmental conditions.(04.) .{D= ?; Es=<br />

volatilización; F= vaporisation; volatilisation}.


volets articulés .{F} * see barn doors .{E}.<br />

Vollspur .{D} * see full track .{E}.<br />

voltaje del blanco .{Es} * see au<strong>to</strong>matic target control .{E}.<br />

voltímetro de cresta .{Es} * see peak programme meter<br />

(PPM) .{E}.<br />

volume .{E;F} * 1) Latin for 'a thing rolled up'. 2) A single<br />

item which carries information (i.e. a book, a disc sound<br />

recording, a CD-ROM). 3) The acoustical, ra<strong>the</strong>r than<br />

electrical, measurement <strong>of</strong> <strong>the</strong> level setting <strong>of</strong> a sound<br />

recording. Refers <strong>to</strong> <strong>the</strong> pressure <strong>of</strong> sound waves in terms<br />

<strong>of</strong> dynes per square centimetre. The louder <strong>the</strong> sound, <strong>the</strong><br />

greater <strong>the</strong> pressure. Most technicians prefer <strong>to</strong> talk in<br />

terms <strong>of</strong> deciBels.16. .{D= 2) Band; Nummer; 3)<br />

Lautstärke; Es= volumen; F= intensité; volume}.<br />

volume descripteur de fichier .{F} * see file structure<br />

volume descrip<strong>to</strong>r .{E}.<br />

volume set .{E} * A collection <strong>of</strong> one or more volumes, on<br />

which a set <strong>of</strong> files is recorded.20. .{D= ?; Es= ajuste de<br />

volumen; F= ensemble de plusieurs volumes}.<br />

volume unit meter .{E} * see V/U-meter.<br />

volumen .{Es} * see volume .{E;F}.<br />

voluta .{Es} * see scroll .{E}.<br />

Vor-Verzerrung .{D} * see pre-emphasis (pre-equalization)<br />

.{D;E}.<br />

Vorführkopie .{D} * see release print .{E}.<br />

Vorführung .{D} * see exhibition .{E}.<br />

vorgereckt .{D} * see tensilized .{E}.<br />

Vorlauf .{D} * see trailer .{D;E}.<br />

Vorluf .{D} * see trailer .{D;E}.<br />

Vormagnetisierung .{D} * see bias .{E}.<br />

Vorspann .{D} * see leader; target; trailer .{D;E}.<br />

Vorverstärker .{D} * see pre-amplifier .{E}.<br />

Vorverzerrung .{D} * see emphasis .{E}.<br />

voz en <strong>of</strong>f .{Es} * see voice-over .{E}.<br />

VPD .{E} * acronym for vapour phase deacidification.<br />

VTR .{E} * acronym for video tape recorder.<br />

VU-mètre .{F} * see VU-meter .{E}.<br />

vuelta de contac<strong>to</strong> (con la cabeza) .{Es} * see wrap .{E}.<br />

vulcanite .{D;E;Es;F} * A type <strong>of</strong> hard rubber which was <strong>the</strong><br />

first material used commercially by Emile Berliner in <strong>the</strong><br />

manufacture <strong>of</strong> his Gramophone disc recordings.04.<br />

VVV .{E;Es;F} ** acronym for video-video-video.<br />

w .{E} * abbreviation for wavelength.07.<br />

w ---<br />

w channel .{E} * One <strong>of</strong> <strong>the</strong> eight compact disc subcode<br />

channels (p-w), at present allocated <strong>to</strong> CD graphics.(10.)<br />

.{D= ?; Es= canal W; F= canal w}.<br />

Wachsplatte .{D} * see wax disc .{E}.<br />

235<br />

Wachszylinder .{D} * see wax cylinder .{E}.<br />

Wärmekopierverfahren .{D} * see <strong>the</strong>rmography .{E}.<br />

warp .{E} * 1) A vertical mechanical dis<strong>to</strong>rtion <strong>of</strong> discs. 2)<br />

A bend or dis<strong>to</strong>rtion caused by unequal pressure on one<br />

side <strong>of</strong> a material. May occur when an item, such as a disc<br />

recording, is s<strong>to</strong>red with inadequate pressure <strong>to</strong> keep it<br />

upright. .{D= Verwerfung; Höhenschlag; Es= alabeo;<br />

curvatura; F= déformation; gauchissement}.<br />

water spot test .{E} * A pho<strong>to</strong>graphic test involving <strong>the</strong> local<br />

application <strong>of</strong> water by means <strong>of</strong> a swab <strong>to</strong> an emulsion.<br />

The swelling <strong>of</strong> <strong>the</strong> emulsion by this solvent is a positive<br />

test; see also alcohol spot-est.35. .{D= ?; Es= prueba de<br />

solubilidad en agua; F= test de marque de séchage}.<br />

watt .{D;E;Es;F} * The unit <strong>of</strong> electrical power equal <strong>to</strong> <strong>the</strong><br />

rate <strong>of</strong> work done by one ampere under a pressure <strong>of</strong> one<br />

volt; named after <strong>the</strong> Scottish engineer, James Watt.(10.)<br />

wave form .{E} * A periodic propagated disturbance in a<br />

medium.39. .{D= Wellenform; Es= forma de onda; F= pr<strong>of</strong>il<br />

d'onde}.<br />

wave length (w) .{E} * In tape recording, and referring<br />

specifically <strong>to</strong> <strong>the</strong> tape magnet-ization created by pure<br />

single <strong>to</strong>ne recording, <strong>the</strong> shortest physical distance<br />

between two points <strong>of</strong> <strong>the</strong> same magnetic polarity and<br />

intensity; also, when expressed in mils, <strong>the</strong> ratio <strong>of</strong> tape<br />

speed (in IPS) <strong>to</strong> recorded frequency (in kHz).(16.) .{D=<br />

Wellenlänge; Es= longitud de onda; F= longeur d'onde}.<br />

waviness .{E} * Non-flat head <strong>to</strong>p surface perpendicular <strong>to</strong><br />

tape motion due <strong>to</strong> different wear rates in <strong>to</strong>p surface<br />

materials in magnetic tape recording.07. .{D= ?; Es=<br />

ondulaciones; F= onduleux}.<br />

wavy pack .{E} * see blocked pack .{E}.<br />

wax cylinder .{E} * A descriptive term used <strong>to</strong> distinguish<br />

cylinder sound recordings made <strong>of</strong> wax as opposed <strong>to</strong><br />

celluloid or tinfoil. .{D= Wachszylinder; Es= cilindro de<br />

cera; F= cylindre de cire}.<br />

wax disc .{E} * A disc audio recording made <strong>of</strong> various<br />

types <strong>of</strong> wax used widely for most instantaneous<br />

recordings prior <strong>to</strong> <strong>the</strong> introduction <strong>of</strong> lacquer discs. .{D=<br />

Wachsplatte; Aufnahmewachs; Es= disco de cera; F=<br />

disque de cire}.<br />

way-<strong>of</strong>f-line .{E} * An editing procedure where <strong>the</strong> end<br />

product is an edit decision list written on paper. This list<br />

cannot be au<strong>to</strong>matically entered in<strong>to</strong> an on-line or <strong>of</strong>f-line<br />

system, it must be manually typed in. Way-<strong>of</strong>f-line editing<br />

is accomplished with inexpensive equipment and video<br />

that has <strong>the</strong> time code displayed in <strong>the</strong> picture. .{F= édition<br />

de la liste de décisions .{D= ?; Es= lista de edición final;<br />

F= édition de la liste de décisions}.<br />

wear product .{E} * Any material that is detached from a<br />

carrier (i.e., magnetic tape, motion picture film) during<br />

use.(46.) .{D= ?; Es= residuos del desgaste (de la cinta de<br />

vídeo); F= produits d'usure}.<br />

wear test .{E} * see durability.<br />

wearability .{E} * see durability.<br />

weave .{E} * see tape weave.<br />

weich .{D} * see blur .{E}.<br />

Weichmacher .{D} * see plasticizer .{E}.<br />

Weichzeichner .{D} * see s<strong>of</strong>t focus .{E}.<br />

weighted noise .{E} * The noise measured within <strong>the</strong> audio


frequency pass band using a measuring instrument which<br />

has a frequency selective characteristic. The sensitivity is<br />

usually greatest in <strong>the</strong> frequency range where <strong>the</strong> ear is<br />

most sensitive.16. .{D= bewertete Rauschspannung;<br />

Geräuschspannungsabstand; Fremdspannungsabstand;<br />

Es= ruido ponderado; F= bruit pondéré}.<br />

weighted resis<strong>to</strong>r converter .{E} * A type <strong>of</strong> digital-<strong>to</strong>analogue<br />

converter using resis<strong>to</strong>rs with values varying as<br />

powers <strong>of</strong> two, used <strong>to</strong> generate a current proportional <strong>to</strong><br />

<strong>the</strong> input word.39. .{D= ?; Es= convertidor de resistencias<br />

ponderadas; F= convertisseur à résistance pondérée}.<br />

weighting characteristic .{E} * The shaped responsefrequency<br />

characteristic <strong>of</strong> a measuring device used <strong>to</strong><br />

produce more realistic indications <strong>of</strong> <strong>the</strong> subjective effects<br />

than are obtained with unweighted (flat) measurements.16.<br />

.{D= Bewertungskurve; Es= característica de ponderación;<br />

F= courbe caractéristique pondérée}.<br />

weißer Wachszylinder .{D} * see white wax cylinders .{E}.<br />

weißes Rauschen .{D} * see white noise .{E}.<br />

Wellenform .{D} * see wave form .{E}.<br />

Wellenlänge .{D} * see wave length (w) .{E}.<br />

wellig werden .{D} * see curl/curling .{E}.<br />

Werbefilm .{D} * see commercial .{E;F}.<br />

Werbesendung .{D} * see commercial .{E;F}.<br />

Wert .{D} * see legal value.<br />

wet gate printer .{E} * Special motion picture film printer in<br />

which film is immersed in liquid with <strong>the</strong> same refrac-tive<br />

index as film which minimizes <strong>the</strong> effect <strong>of</strong> fine scratches<br />

on <strong>the</strong> original.09. .{D= ?; Es= impresión [impresora] por<br />

inmersión; F= tireuse par immersion}.<br />

wet gate printing .{E} * see liquid gate printing.<br />

wet silvering .{E} * In optical discs, a method <strong>of</strong> metallizing<br />

a disc data surface.(39.) .{D= ?; Es= baño de plata en<br />

seco; F= argenture à sec}.<br />

white level compression .{E} * see analogue compression<br />

.{E}.<br />

white noise .{E} * 1) In lacquer discs, <strong>the</strong> increase in<br />

playback noise caused by <strong>the</strong> drying out or loss <strong>of</strong><br />

plasticizer which creates a shrinkage <strong>of</strong> <strong>the</strong> coating,<br />

exposing modules <strong>of</strong> imperfectly dispersed carbon black<br />

as well as minute pores. 2) A specific type <strong>of</strong> random noise<br />

in audio equipment or recordings.(04.) .{D= weißes<br />

Rauschen; Es= ?; F}; blanc}.<br />

white noise .{E} ** =Es= ruido blanco .{Es}.<br />

white noise .{E} ** =F= bruit blanc .{F}.<br />

Wickel .{D} * see reel pack .{E}; wind .{E}.<br />

Wickelfestigkeit .{D} * see reel pack; blocked pack .{E}.<br />

wide-angle lens .{E} * A lens with a very wide angle <strong>of</strong> view<br />

which increases <strong>the</strong> illusion <strong>of</strong> depth and also in-creases<br />

linear dis<strong>to</strong>rtion; see also fish-eye lens, tele-pho<strong>to</strong> lens,<br />

foreleng<strong>the</strong>ning.30. .{D= ?; Es= (objetivo) gran angular; F=<br />

objectif grand angulaire; grand angulaire}<br />

Widerstand .{D} * see resis<strong>to</strong>r .{E}.<br />

widescreen .{E} * An aspect ratio <strong>of</strong> 1.65 or greater. Almost<br />

all motion picture films <strong>to</strong>day are in some way widescreen,<br />

but widescreen processes are not necessarily anamorphic.<br />

236<br />

Some processes simply mask <strong>the</strong> <strong>to</strong>p and bot<strong>to</strong>m <strong>of</strong> <strong>the</strong><br />

aperture during filming in order <strong>to</strong> widen <strong>the</strong> image.<br />

Techniscope utilizes a two-hole pull-down mechanism<br />

when shooting, in order not <strong>to</strong> waste <strong>the</strong> masked frame<br />

area. The most common non-anamorphic widescreen<br />

ratios in use <strong>to</strong>day are 1:1.66 and 1:1.85; see also<br />

Cinemascope; Panavision; Vistavision.30. .{D= Breitwand;<br />

Es= pantalla panorámica; F= écran large; écran<br />

panoramique}<br />

Wiederaufrollen .{D} * see rewinding .{E}.<br />

Wiedergabe .{D} * see playback mode; reproduction .{E;F}.<br />

Wiedergabe-Trichter .{D} * see reproducing horn .{E}.<br />

Wiedergabegerät .{D} * see player .{E}.<br />

Wiedergabekopf .{D} * see moni<strong>to</strong>r head .{E}.<br />

Wiedergaben .{D} * see playback .{D;E;Es;F}.<br />

Wiedergabetreue .{D} * see fidelity .{E}.<br />

wiedergeben .{D} * see read .{E}.<br />

Wiederholung einer Aufnahme .{D} * see retake .{E}.<br />

Wiederstand .{D} * see resistance .{E}.<br />

wild shooting .{E} * A moving-image production technique<br />

in which <strong>the</strong> sound and picture are not captured<br />

simultaneously; see also post-synchronization direct<br />

sound.(30.) .{D= ?; Es= <strong>to</strong>ma muda (desincronización<br />

sonido-imagen); F= <strong>to</strong>urnage en muet}.<br />

wild walls .{E} * Partitions <strong>of</strong> a moving-image production<br />

set which have been constructed <strong>to</strong> be moved easily out <strong>of</strong><br />

<strong>the</strong> way so that camera posi-tions are possible that would<br />

not be available on a practical set.30. .{D= ?; Es= paredes<br />

móviles; F= cloisons mobiles; panneaux mobiles}.<br />

wind .{E} * 1) The way in which film or tape is wound on<strong>to</strong><br />

a hub or reel; in film <strong>the</strong> wind may be ei<strong>the</strong>r a-wind or bwind.<br />

2) The process <strong>of</strong> transferring a film or tape from one<br />

spool or reel <strong>to</strong> ano<strong>the</strong>r.(46.06.) .{D= 1) Wickel; 2)<br />

Umspulen; Es= enrollado; bobinado; rebobinado; F=<br />

rembobinage; enroulement}.<br />

winder-cleaner .{E} * A device designed <strong>to</strong> wind and clean<br />

magnetic tape. .{D= ?; Es= limpieza de bobinado; F=<br />

net<strong>to</strong>yage-bobinage}.<br />

winding .{E} * see a-wind raw s<strong>to</strong>ck; b-wind raw s<strong>to</strong>ck.<br />

window board .{E} * A piece <strong>of</strong> board in a matte in which<br />

an opening is cut <strong>to</strong> allow art work <strong>to</strong> be displayed.47. .{D=<br />

?; Es= marco de cartón (para montaje de obra gráfica); F=<br />

cache ? (ciné)}.<br />

window opening .{E} * The aperture in a window board.47.<br />

.{D= ?; Es= apertura de una ventana en un cartón; F=<br />

ouverture dans le cache}.<br />

Winkel mit konstanten Drehmoment .{D} * see constant<br />

<strong>to</strong>rque winding/spooling .{E}.<br />

wipe .{E} * 1) A moving-image production technique in<br />

which one image appears on <strong>the</strong> screen seeming <strong>to</strong> wipe<br />

<strong>of</strong>f <strong>the</strong> preceding image.(30.) 2) The process <strong>of</strong> removing<br />

all previously recorded signals from a write-many medium,<br />

such as a magnetic tape.(06.) 3) The generic term used <strong>to</strong><br />

describe a video transition where one picture is replaced<br />

with ano<strong>the</strong>r by a pattern moving across <strong>the</strong> screen. .{D=<br />

Wischblende; Schiebeblende; löschen; Es= cierre por<br />

caché móvil; cortinilla; borrado; F= ; volet; effacement; 1)<br />

transition par fondu masqué 2) effacement; fermeture par<br />

cache mobile}.


wire recording .{E} * An audio magnetic recording medium<br />

which uses metal wire as <strong>the</strong> carrier <strong>of</strong> <strong>the</strong> recorded signal.<br />

fil .{D= Magnetdrahtaufnahme; Drahtaufnahme; Es=<br />

registro (magnet<strong>of</strong>ónico) en hilo; F= enregistreur à fil}.<br />

Wischblende .{D} * see wipe .{E}.<br />

Wochenschau .{D} * see newsreel .{E}.<br />

wo<strong>of</strong>er .{E;F} * A loudspeaker designed specifically <strong>to</strong><br />

reproduce <strong>the</strong> bass or low frequencies <strong>of</strong> <strong>the</strong> audible<br />

spectrum.16. .{D= Baßlautsprecher; Es= altavoz para<br />

graves; F= haut-parleur de graves}.<br />

word .{E} * In digital data s<strong>to</strong>rage a convenient collection<br />

<strong>of</strong> bits, commonly 16 bits.(39.) .{D= Wort; Es= palabra; F=<br />

mot (numérique)}.<br />

word length .{E} * In digital data s<strong>to</strong>rage <strong>the</strong> number <strong>of</strong> bits<br />

in a word.(39.) .{D= Wortlänge; Es= longitud [largo] de<br />

palabra; F= longueur de mot}.<br />

work copy .{E} * see service copy.<br />

work print .{E} * 1) In motion picture technology a quick<br />

print made from <strong>the</strong> negative, <strong>of</strong>ten without having been<br />

corrected in any way, which is used for screening rushes,<br />

assembling <strong>the</strong> rough cut, and o<strong>the</strong>r edi<strong>to</strong>rial work; see<br />

also answer print.(30.) 2) Any picture or soundtrack print,<br />

usu-ally a positive, intended for use in <strong>the</strong> editing process<br />

<strong>to</strong> establish through a series <strong>of</strong> trial cuttings <strong>the</strong> finished<br />

ver-sion <strong>of</strong> a moving-image production. The purpose is <strong>to</strong><br />

preserve <strong>the</strong> original intact (and undam-aged) until <strong>the</strong><br />

cutting points have been established.(09.) .{D=<br />

Arbeitskopie; Es= copia de trabajo; F= copie de travail}.<br />

working title .{E} * A title given <strong>to</strong> a moving-image creation<br />

during <strong>the</strong> course <strong>of</strong> its production.(12.) .{D= ?; Es= título<br />

provisional; F= titre provisoire}.<br />

Wort .{D} * see word .{E}.<br />

Wortlänge .{D} * see word length .{E}.<br />

wow .{E} * A form <strong>of</strong> dis<strong>to</strong>rtion in sound reproducing<br />

systems caused by periodic variation in <strong>the</strong> speed <strong>of</strong> <strong>the</strong><br />

medium (such as tape), and characterized by its effect on<br />

pitch.16. .{D= Jaulen des Tones; Treffrequente<br />

Gleichlaufschwankung; taulen; Es= llorado del sonido; F=<br />

pleurage}.<br />

wow and flutter .{E} * 1) Phrase used in audio recording <strong>to</strong><br />

describe changes in signal output frequency caused by<br />

speed variations occurring at relatively low and relatively<br />

high rates, respectively; however, <strong>the</strong> term wow is less<br />

frequently used since it is incorporated in<strong>to</strong> <strong>the</strong> flutter<br />

measurement.(46.) 2) Dis<strong>to</strong>rtion <strong>of</strong> <strong>the</strong> soundtrack caused<br />

by inconstant mo<strong>to</strong>r speeds.30. .{D=<br />

Gleichlaufschwankbungen; Es= llorado y centelleo<br />

(variación de velocidad); F= pleurage et scintillement;<br />

fluctuation de vitesse}.<br />

wrap .{E} * The length <strong>of</strong> <strong>the</strong> tape's path along which tape<br />

and head are in intimate physical contact. Sometimes<br />

measured as <strong>the</strong> angle <strong>of</strong> arrival and departure <strong>of</strong> <strong>the</strong> tape<br />

with respect <strong>to</strong> <strong>the</strong> head; see also head alignment.16. .{D=<br />

Umschlingung; Es= vuelta de contac<strong>to</strong> (con la cabeza); F=<br />

enveloppement}.<br />

wrapar-once media .{D;E} * Systems in which data may be<br />

written once, but not erased and rewritten.39. .{F=<br />

mémoire à écriture unique; Es= memoria de escritura<br />

única}.<br />

x ---<br />

xerografía .{Es} * see electrostatic process .{E}<br />

237<br />

Xérographie .{F} * see Xerography .{D;E;Es}.<br />

Xerography .{D;E;Es} * A dry method <strong>of</strong> making positive<br />

copies on ordinary paper by <strong>the</strong> use <strong>of</strong> light, heat, and an<br />

electrostatically charged plate invented by Chester F.<br />

Carlson, patented by him in 1937 and developed in <strong>the</strong><br />

graphic arts research labora<strong>to</strong>ry at <strong>the</strong> Battelle Memorial<br />

Institute. The process depends on <strong>the</strong> ability <strong>of</strong> static<br />

electricity <strong>to</strong> attract particles <strong>of</strong> black powder <strong>to</strong> unexposed<br />

areas <strong>of</strong> <strong>the</strong> image. A selenium-coated surface is<br />

given a positive electrostatic charge and <strong>the</strong> image is <strong>the</strong>n<br />

exposed <strong>to</strong> it through a camera. Where light is reflected,<br />

<strong>the</strong> charge will be dissipated, leaving a positive charge in<br />

<strong>the</strong> image areas. When a negatively-charged black<br />

resinous powder (<strong>to</strong>ner) is cascaded over <strong>the</strong> selenium it<br />

is attracted <strong>to</strong> <strong>the</strong> charged area. Paper which is <strong>the</strong>n<br />

placed over <strong>the</strong> selenium and charged positively will have<br />

<strong>the</strong> powder image transferred <strong>to</strong> it, and <strong>the</strong> image is fused<br />

permanently <strong>to</strong> <strong>the</strong> paper by <strong>the</strong> application <strong>of</strong> heat; see<br />

also electrostatic process.(07.) {F= Xérographie}.<br />

xilografía .{Es} * see cut (4 y 5) .{E}.<br />

XLR .{E;F} ** acronym for ??. A pr<strong>of</strong>essional three pin<br />

audio female connec<strong>to</strong>r. Also called <strong>the</strong> A3F jack. .{D= ?;<br />

Es= hembra (clavija) XLR; F= fiche cannon}.<br />

y ---<br />

Y/C recording .{E} * In NTSC, a method <strong>of</strong> recording where<br />

<strong>the</strong> luminance information (Y) and <strong>the</strong> chrominance<br />

information (C) are recorded as separate tracks. They are<br />

combined at <strong>the</strong> output <strong>of</strong> <strong>the</strong> machine. .{D= ?; Es=<br />

grabación Y/C (NTSC); F= enregistrement Y/C}.<br />

Y signal .{E} * The video luminance information signal in<br />

NTSC. .{D= ?; Es= señal Y/C (NTSC); F= signal Y}.<br />

Yellow Book .{D;E} * The compact disc-read only memory<br />

(CD--ROM) standards document, so named because <strong>of</strong><br />

<strong>the</strong> colour <strong>of</strong> its binding.39. .{F= Livre jaune; Es= Libro<br />

Amarillo}.<br />

yield strength .{E} * The minimum force per unit crosssectional<br />

area at which a material, such as magnetic tape<br />

or film, deforms without fur<strong>the</strong>r increase in <strong>the</strong> load. Units<br />

are pounds per square inch or pounds per tape sample <strong>of</strong><br />

given width and base film thickness.46. .{D= ?; Es= límite<br />

elástico; límite aparente de elasticidad; F= élasticité; limite<br />

de fluage}.<br />

yuv .{D;E} * A symbol used in video and CD-I denoting <strong>the</strong><br />

luminance signal (y) and <strong>the</strong> two chrominance signals (u<br />

and v).(10.) .{F= yux; Es= yux}.<br />

yuv delta .{Es} * see delta yuv (DYUV) .{D;E}.<br />

yuv encoding .{D;E} * A video encoding scheme taking<br />

advantage <strong>of</strong> <strong>the</strong> human eye's reduced sensitivity <strong>to</strong> colour<br />

variations, as opposed <strong>to</strong> intensity variations. In each<br />

picture line <strong>the</strong> luminance (y) information is encoded at full<br />

bandwidth, whereas on alternate lines <strong>the</strong> chrominance (u<br />

and v) signals are encoded at half bandwidth; see also<br />

delta yuv.10. .{F= codage yuv; Es= código yux}.<br />

yux .{Es;F} * see yuv .{D;E}.<br />

z ---<br />

Z39 .{E} * abbreviation for National Information Standards<br />

Organization.<br />

Zackenschrift .{D} * see variable-area soundtrack .{E}.<br />

Zahlungsanweisung .{D} * see draft .{E}.<br />

zapon .{F} * see blooping ink .{E}.


zapon (pour positif) .{F} * see bloop .{E}.<br />

Zeichen .{D} * see character .{E}; cue marks .{E}.<br />

Zeitdehner .{D} * see slow motion .{E}.<br />

Zeitraffer .{D} * see time-lapse pho<strong>to</strong>graphy .{E}.<br />

Zelle .{D} * see cel .{E}.<br />

Zelluloid .{D} * see celluloid .{E;F}.<br />

Zellulose .{D} * see cellulose .{E;F}.<br />

Zelluloseazetat .{D} * see cellulose acetate .{E}.<br />

Zelluloseazetatfolie * see cellulose acetate .{E}.<br />

Zellulosenitrat .{D} * see cellulose nitrate .{E}.<br />

zenith adjustment .{E} * A mechanical adjustment <strong>of</strong> a<br />

magnetic tape head <strong>to</strong> obtain uniform contact with <strong>the</strong> <strong>to</strong>p<br />

and bot<strong>to</strong>m <strong>of</strong> <strong>the</strong> tape; zenith refers <strong>to</strong> <strong>the</strong><br />

forward/backward tilting <strong>of</strong> <strong>the</strong> head.(04.) .{D= Zenith-<br />

Justage; Kopfjustage; Es= ajuste cenital (zenith); F=<br />

ajustement zénith; adjustement}.<br />

Zentrieren .{D} * see centring <strong>of</strong> disc .{E}.<br />

Zerfall .{D} * see deterioration .{E}.<br />

Zerreissen .{D} * see crazing .{E}.<br />

ziehende Blende .{D} * see ghost-image .{E}.<br />

zip pan .{E} * see swish pan.<br />

Zoll .{D} * see inch .{E}.<br />

Zoll pro Sekunde .{D} * see inches per second (IPS) .{E}.<br />

zona accesible del haz óptico .{Es} * see optical beam<br />

accessible zone .{E}.<br />

zona accesible mecánicamente .{Es} * see mechanically<br />

accessible zone .{E}.<br />

zona de fuerte iluminación .{Es} * see highlights .{E}.<br />

zona de grabación .{Es} * see playing area .{E}; recording<br />

zone .{E}.<br />

zona de identificación de la densidad (de una grabación)<br />

.{Es} * see density identification area .{E}.<br />

zona de luz .{Es} * see highlights .{E}.<br />

zona de manejo .{Es} * see handling zone .{E}.<br />

zona de ordenador para da<strong>to</strong>s .{Es} * see field (3) .{E}.<br />

zona de registro .{Es} * see playing area .{E}.<br />

zona de <strong>to</strong>ma .{Es} * see field (5) .{E}.<br />

zona del mecanismo sujetador .{Es} * see clamping zone<br />

.{E}.<br />

zona variable .{Es} * see variable-area soundtrack .{E}.<br />

zone .{F} * see field .{E}.<br />

zone d'enregistrement .{F} * see recording zone .{E}.<br />

zone d'identification de la densité d'enregistrement .{F} *<br />

see density identification area .{E}.<br />

zone d'identification de la densité d'enregistrement .{F}.<br />

238<br />

see density identification area .{E}.<br />

zone de description bibliographique .{F} * see area .{E}.<br />

zone de lecture .{F} * see mechanically accessible zone<br />

.{E}.<br />

zone de manutention .{F} * see handling zone .{E}.<br />

zone de serrage.(Alignement au<strong>to</strong>matique du niveau de<br />

noir) .{F} * see clamping zone .{E}.<br />

zone départ .{F} * see <strong>to</strong>e .{E}.<br />

zone usée d'un disque noir .{F} * see greying .{E}.<br />

zoom .{E;Es;F} * A moving-image production technique<br />

using a special lens which can be adjusted during <strong>the</strong> shot<br />

<strong>to</strong> a variety <strong>of</strong> focal lengths from wide-ngle <strong>to</strong> telepho<strong>to</strong>.<br />

Zoom shots can be confused with tracking shots, but <strong>the</strong><br />

effect is really quite different.(30.) .{D= Zoom}.<br />

Zoom .{D} * see zoom .{E;F}.<br />

Zugriff .{D} * see access .{E}.<br />

Zugriffszeit .{D} * see access time .{E}.<br />

zumbido .{Es} * see buzz .{E}.<br />

zumbido (sonido de baja frecuencia) .{Es} * see hum .{E}.<br />

Zusatz .{D} * see additive .{E}.<br />

Zutrittsberechtigung .{D} * see access .{E}.<br />

Zweiband - Aufnahmeverfahren .{D} * see double-system<br />

sound .{E}.<br />

Zweigarchiv .{D} * see branch reposi<strong>to</strong>ry .{E}.<br />

Zweiminutenzylinder .{D} * see two-minute cylinder .{E}.<br />

Zweispur .{D} * see two track .{E}.<br />

Zwischenlagerung .{D} * see intermediate s<strong>to</strong>rage .{E}.<br />

Zyklus .{D} * see cycle .{E;F}.<br />

Zylinder .{D} * see cylinder .{E}.<br />

Zylinder-Phonograph .{D} * see cylinder machine .{E}.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!