ABSTRACTS - oia - Portland State University
ABSTRACTS - oia - Portland State University
ABSTRACTS - oia - Portland State University
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
<strong>ABSTRACTS</strong><br />
Tsuneo Akaha<br />
Locating Russia in East Asia: Implications for Regional Integration<br />
Geographically, Russia is very much a part of East Asia. In other dimensions, Russia’s position in this region<br />
today is not as definite. Politically, Russia has more or less normal relations with all East Asian countries,<br />
both small and large, both developed and developing, although the depth, the scope, and the nature of those<br />
relations vary widely, ranging from the “strategic partnership” with China and rather nominal ties with many<br />
of the Southeast Asian countries. Russia’s bilateral trade and economic relations in the region also vary from<br />
somewhat significant, as with China and Japan, to virtually negligible, as with most Southeast Asian countries.<br />
Russia’s impact on the international relations of the region has long been based largely on its ideological and<br />
military interests vis-à-vis the other major contenders for a sphere of influence in Northeast Asia, i.e., Japan in<br />
the first half of the 20 th century and the United <strong>State</strong>s and China during the second half of the 20th century.<br />
However, with the end of the Cold War and the demise of the Soviet Union came the end of the majorpower<br />
ideological and military rivalries in the region. As a consequence, post-Soviet Russia virtually<br />
disappeared from the U.S. strategic radar in East Asia. Today, none of the big powers in the region considers<br />
Russia a major security factor, positively or negatively, Moscow’s wishes to the contrary notwithstanding.<br />
One area where Russia is an important and growing factor is the energy sector. The nation can translate its<br />
energy resources – namely oil and natural gas – into economic power and political influence. The energy<br />
sector is no longer simply an economic asset of the nation but holds important implications for its strategic<br />
position in the world. With some of the world’s largest oil and natural gas reserves within its territory, Russia<br />
has developed an active energy diplomacy wooing foreign partners into energy trade and foreign investment<br />
in the exploration and exploitation of those rich reserves. Elsewhere Moscow has also used its energy<br />
supplies and foreign partners’ dependence on them as an instrument of foreign policy. Today, one cannot<br />
describe Russia’s role in international relations without reference to the energy dimension. One may go even<br />
further to suggest that energy has become an essential part of Russia’s self-definition and identity.<br />
This brief analysis will locate Russia in East Asia in terms of the main elements of its relations with<br />
the region’s major powers in political, economic, and military-defense fields. The paper’s objective is to<br />
provide an overview, raise some questions to consider, and posit some speculations as to Russia’s role in<br />
regional integration in East Asia.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Anatoliy Anshin<br />
Saving Edo in the Boshin War, 1868/3-4<br />
The diversity of attitudes to the means and goals of martial training among pre-Tokugawa bushi has been<br />
concealed under the seemingly endless chain of descriptions of wars and other violent events in historical<br />
records, traditional storytelling, and popular fiction. These produce a monotonous image of stern and violent<br />
warriors who resorted to arms whenever the chance arose. In this image, the essence of their attitudes<br />
towards peace and the sanctity of human life often seem to be nothing but disdain. This would suggest that,<br />
for many bushi, training in military arts was a mere process of acquiring skills in the art of killing, and also that<br />
the more skillful a warrior was in handling arms, the more he strove to put his skill into practice. Thus, the<br />
stereotypes of the “bellicose samurai” have been recycled in popular culture in Japan and the West for more<br />
than a century. Furthermore, they often have only been strengthened by contemporary scholarship.<br />
A study of the role of a Bakufu retainer, Yamaoka Tesshu (1836-1888), in the bloodless surrender of<br />
Edo Castle during the Boshin civil war of 1868-1869 reveals the existence of a strong humanistic bent in<br />
Japanese warrior culture. Despite the fact that the bloodless surrender predetermined the outcome of the<br />
Mejii Restoration, this event has not received due attention in Western or Japanese historiography. In studies<br />
of the Restoration or the Boshin War, the tendency is to mention this event only in passing and<br />
conventionally emphasize the role of senior individuals, such as the commandment of the Bakufu army,<br />
Katsu Kaishu, Princess Kazunomiya, or the British envoy to Japan, Harry Parkes. In contrast to existing<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
scholarship, I suggest that swordsman Yamaoka Tesshu, driven primarily by the philosophy of the “life-giving<br />
sword,” played the key role during the most important stages of the negotiation and that underestimating his<br />
role distorts our entire understanding of this seminal event.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Cody Bahir<br />
Daoist Ethical Hedonism: Revisiting the Yang Zhu Chapter of the Liezi<br />
The Yang Zhu chapter of the Daoist work the Liezi has been portrayed as advocating hedonism as the best<br />
method to achieve happiness. Considered such an anomaly and entirely philosophically and thematically<br />
unrelated to the rest of the Liezi, some scholars have omitted the Yang Zhu chapter entirely when compiling<br />
a critical translation. Others have viewed it as a complete contradiction to the Laozi and Zhuangzi and<br />
characterized it as a degeneration of classical Daoist Philosophy. Due to this trend, only a few modern studies<br />
have been conducted on this chapter. Those that have, merely compared its contents with the various<br />
references to the teaching of the historical Yang Zhu found in the writings of his critics and opponents.<br />
Though the philosophy of this chapter is highly individualistic, when closely and unbiasedly examined it<br />
presents an extremely realistic, practical and even ethical code of conduct to live by while pursuing an<br />
extremely pleasurable life. Such a philosophy is highly relevant to contemporary American culture which<br />
emphasizes individuality and materialism as well as modern China whose relatively newfound economic<br />
power is transforming it into an ever increasingly individualistic and materialistic society. This study takes a<br />
closer look at the Yang Zhu chapter of the Liezi in an attempt to explicate its clearly articulated philosophical<br />
paradigm and what values it prescribes. This is done in order to illuminate its historical influence over<br />
Chinese thought and explore its applicability to contemporary American and Chinese culture.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Brittain Barber<br />
Moving Past Security: New Directions in the Japan – Middle East Economic Relationship<br />
Most of the extant literature on the Japan-Middle East relationship maintains a systemic paradigm. It places<br />
Japan in a difficult position, balanced precariously between energy needs and the stern demands of the United<br />
<strong>State</strong>s. This perspective is easily justified. Japan imports more than 80% of its oil from the Middle East, while<br />
the Middle East countries have, at best, checkered relationships with Japan's staunch defender. Recent<br />
unconnected, but parallel, developments in both Japan and the Middle East, however, are adding new<br />
dynamics to this relationship.<br />
All roads in the Middle East do eventually lead to oil, but the economic relationship with Japan is<br />
now about much more. Domestic issues in both have allowed Japan and the Middle East countries to at least<br />
partly escape the instabilities inherent in the relationship of oil producers and consumers. Circumstances are<br />
emerging that are not immediately related to oil, but drawing Japan and the Gulf together – things like<br />
banking, railroad building, and bond markets.<br />
The central question posed by this study is the nature of the relationship between Japan and the<br />
countries in the Gulf Cooperation Council (Saudi Arabia, Kuwait, Qatar, Oman, Bahrain, and the United<br />
Arab Emirates). For answers, this study examines issues of infrastructure development, foreign direct<br />
investment and Islamic finance. The answer that emerges is somewhat surprising. Though oil remains a<br />
powerful determinant, actors in both Japan and the Middle East are finding other common interests,<br />
deepening the relationship between the two into other, sometimes unexpected sectors.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Allan Barr<br />
New Perspectives on the Ming History Inquisition of 1663<br />
The Ming History Inquisition of 1663, precipitated by the publication by the Zhuang family of Huzhou of a<br />
history of the Ming dynasty offensive to the Manchus, has often been seen as the first major literary<br />
inquisition of the Qing period, and it is commonly understood within a broad historical framework stretching<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
back to earlier inquisitions and forward to similar episodes in the Yongzheng and Qianlong eras. As seen by<br />
contemporary observers in the Kangzi period, however, it was understood more as the culmination of trends<br />
that afflicted Huzhou prefecture during the Shunzhi and early Kangxi eras, sharing a number of features with<br />
other traumatic events that affected elite families in Huzhou during the Ming-Qing transition. This paper,<br />
drawing on rare archival materials such as Fei Zhichi’s Wuxing dashi ji, an invaluable account by a<br />
contemporary observer in the late seventeenth century, reassesses the Ming History Inquisition in light of the<br />
specific historical situation shaping social dynamics in Huzhou in the early 1660s.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Shane Barter<br />
Strong <strong>State</strong>, Smothered Society: Explaining Violence in Thailand’s Deep South<br />
Why have militants in the Patani region utilized anonymous and at times indiscriminate terrorist violence?<br />
This paper tests three hypotheses: resource wealth and opportunistic rebellions, weak states and lawlessness,<br />
and strong states and weak rebels. The chaotic form of violence in Patani is explained primarily by the<br />
considerable institutional strength of the Thai state, which reaches into education, religion, and village life, as<br />
well as presenting a vast array of security actors. This helps sustain the conflict, providing an additional<br />
grievance, and it also structures the form of violence, forcing militants underground, giving locals nowhere to<br />
turn for help, and leading to a crisis of information. The major implication is to weaken the state, namely at<br />
its front lines.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Kathryn Barton<br />
Disclosed Mysteries: Investigating Women's Social Critiques in Kirino Natsuo and Japanese Detective Fiction<br />
Even though women in contemporary Japanese society are assuming greater degrees of agency and<br />
autonomy, the mass media continues to depict women in traditional roles as mothers, wives and homemakers.<br />
Insofar as the mass media depicts women as engaged in life outside of the home, women are cast as<br />
consumers, rather than producers, of culture and goods. Successful female writers of detective fiction such as<br />
Kirino Natsuo, have begun a critical engagement with a variety of social issues and concerns: the role of<br />
identity in the creation of self, sexual harassment, discrimination, issues of gender, the family institution and<br />
its attendant roles, sexual violence and the corrosive effects of consumerism. In Kirino's ground shaking<br />
novel 'Out' nominated for the Edgar Allen Poe award, she addresses many of these issues through her<br />
characters’ lives, actions, and reactions, which drew international attention. I will also look at the formal<br />
features of detective fiction, a genre historically dominated by male writers and marketed as mass<br />
entertainment, or popular literature, to explain why this group of writers has appropriated it as a vehicle for<br />
social criticism. I believe it is due to the general disregard of popular fiction, and the further marginalization<br />
that occurs when written by a woman, that makes this genre particularly attractive for a feminist critic. It frees<br />
these authors to create a social space for women to critic society. More importantly it provides a vehicle of<br />
self-assertion and a platform for moral pontification that is not afforded in traditional society.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jason Blazevic<br />
The Strait Dynamic: China, Japan and the Taiwan Security Dilemma<br />
Strategically astride the East and South China Seas lies the island of Taiwan, which sits upon significant<br />
conduits considered vital by China and Japan for national security. For China, this quandary concerns<br />
outstanding issues emanating from the Chinese Civil War and resources, such as oil, as well as, the long term<br />
objective of power projection for and within a growing and developing “security boundary.” In Japan, leaders<br />
fear the loss of Taiwan’s “long-standing defacto independence” may lead to a sea lane blockade, loss of<br />
energy resources and loss of territory, which would devastate economic and thereby, national security. As<br />
such, both China’s and Japan’s governments have looked to strategies to ensure clear sea lanes of<br />
transportation, continued energy supplies and other particular aims of national security.<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
According to realism, this dilemma is characterized by the belief in threats of force, which may<br />
compel certain behavior thereby securing national survival. A tenet of realism, known as defensive realism,<br />
stipulates the only way to counteract vulnerability to threats of force is to pursue ambitious military and<br />
diplomatic strategies to increase security. In attempting to solve this dilemma, the Chinese and Japanese<br />
governments have expanded the scope of their nations’ interests through declaration, treaty, harassment, and<br />
military modernization. However, by utilizing such actions both nations believe each other to be engaging in<br />
power maximization strategies which inevitably threaten national security. A security dilemma may then<br />
ensue in which a series of reactive security strategies dangerously destabilize relations possibly leading to a<br />
“war in the strait, which would be a disaster” for both nations and the entire region.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
W. Puck Brecher<br />
On De-disciplining Edo Japan: In Favor of Imprudent Experiments in Interdisciplinarity<br />
Though the disciplinary (exclusionary) nature of scholarly training has long imposed theoretical and<br />
methodological boundaries on Asian Studies, recently the field has experienced a disciplinary loosening. As<br />
social theory and historiographical rubrics lose their clutch hold on scholarly inquiry, they are superseded by<br />
innovative projects that transcend both disciplinary and geopolitical boundaries. And although this gravitation<br />
toward interdisciplinarity is being widely embraced and a worthy body of scholarship being produced, ample<br />
room remains for further experimentation.<br />
The proposed paper will use three radically interdisciplinary research projects on early modern Japan<br />
(1600-1868) to consider the potentials and pitfalls of further de-disciplining historical research. The first uses<br />
the neighborhood of Negishi (near Edo) to connect urban planning, status, and aesthetics; the second uses<br />
the obsolete notion of historical cycles to reinterpret the life and art of Hon’ami Kôetsu (1558-1637); the final<br />
example views haikai poetry through the lens of industry to illustrate processes of collective identity<br />
formation in the saké brewing town of Itami. All three examples demonstrate potential benefits and<br />
drawbacks of attempting to connect fields traditionally divided by disciplinary or theoretical boundaries. In<br />
the process of de-disciplining their respective subjects, each yields unexpected (and perhaps controversial)<br />
conclusions about self-making and space-making in early modern Japan.<br />
Patrick Buckley<br />
Delphi Evaluation of a US-Japan Sister City Relationship<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Across the Pacific sister cities and urban twinning continue to grow in number, importance, and complexity,<br />
yet the scholastic record of their study remains sparse. Further, most studies focus on economic benefits<br />
through trade, association, and development. Fewer have investigated areas of emerging commonality of<br />
thought or social behavior, especially absent appears to be a one to one comparisons of small sized cities,<br />
where impacts are expected to be greatest. This study seeks to address this with a detailed investigation of a<br />
long running exchange of city hall staffers between a pair of mid-sized twinned cities, Bellingham, WA and<br />
Tateyama, Japan, utilizing a semi-structured yet open ended Delphi methodology. The process starts by<br />
independently asking participants from each city, Bellingham and Tateyama, to draw upon their exchange<br />
experience to evaluate and reflect on indicators of Quality of Life in their city and their sister city, thus<br />
forming a benchmark for comparison. Second, participants, still working independently by city, are given the<br />
opportunity to make suggestions for improving the QOL in each city and then rank order all suggestions. In<br />
a final round the group as a whole, both Bellingham and Tateyama participants, are provided with a<br />
combination of top suggestions developed by participants from their home city and sister city to investigate<br />
commonality and differences of outcomes. Statistical analysis is then performed to evaluate areas of<br />
convergence and divergence of thought and exploration for latent structure underlying the responses.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Setsuko Buckley<br />
Cooperation and Group Harmony vs. Individualism in Japanese Education<br />
Today, Japanese schools are facing a challenge due to Japan's socio-economic and demographic shifts plus<br />
advanced information technology. Thus, Japanese education need to meet the needs of these drastic changes.<br />
However, current education practice in Japan still is rigid or mind only, as represented by the entrance<br />
examination system, so called, "examination hell." The essence of Japanese culture is cooperation and harmony<br />
in a group. However, today groupism is being lost in schools in Japan due to students' high competition for<br />
academic achievement and growing diversification of values in a rapidly changing world. Consequently, the<br />
form of Japanese cultural tradition represented by "intimacy" is being lost and students tend to become more<br />
elite-oriented and isolated. This trend might be greatly influenced by the United <strong>State</strong>s which highly values<br />
individualism and competition. The difference is that Japanese students still need to live in a tight grouporiented<br />
society; they do not posses "integrity." Japanese culture as software is changing, yet the structure of<br />
the Japanese education system as hardware remains unchanged. There is a great gap between the two<br />
components. This paper will investigate how groupism (intimacy) and individualism (integrity) could be<br />
integrated in Japanese education. In other words, how could we reshape both the rigid education structure<br />
and our mindset as individuals and part of a group in pursuing a global perspective in modern Japan.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Kristina Buhrman<br />
Questioning the Stars: Competition, Expertise, and Doubt in Late Heian Astrology<br />
Many factors contributed to the increased circulation of astrological knowledge in mid- and late Heian Japan<br />
(11 th -12 th centuries). New bureaucratic procedures eased the restrictions on who could present astrological<br />
reports to the throne, and increased the number of non-astrologers who came in contact with such reports.<br />
Once astrology was no longer the exclusive domain of the official Doctors and Students of Astrology,<br />
competition between practitioners brought debates about the correct identification and meaning of signs into<br />
the public sphere. The growing importance of personal retainer links between the high nobility and those of<br />
lower rank meant that astrological expertise, like legal or martial, would now be leveraged for sponsorship or<br />
promotions at court. Furthermore, although astrology, like other esoteric knowledge, was considered the<br />
special property of certain lineages, popular tales show that astrology was also considered a skill/knowledge<br />
set that could be taught, and learned by anyone.<br />
This new marketplace of ideas about the natural world, omens and their meaning, forms the<br />
backdrop for debate and uncertainty concerning the true implications of astrological events during the late<br />
Heian period. This paper explores the influence the competition between astrologers exerted on how much<br />
the high nobility knew about the night sky, and how readily this elite accepted the pronouncements of<br />
diviners. Authority, expertise and power all interacted in this space between proto-scientific observation and<br />
political magic; the crème of Heian society are shown to be not blind followers of “superstition,” as they have<br />
previously depicted as being.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Orianna Cacchione<br />
Lin Fengmian and the Chinese Avant-Garde<br />
To introduce Western art; To reform tradition; To reconcile Chinese and Western art; To create contemporary art. –<br />
Lin Fengmian<br />
Lin Fengmian had a profound effect on Modem art in China. Upon his return to China from studying in<br />
Europe in 1925, Lin advocated a progressive style of contemporary art, which "reconciled" Chinese and<br />
Western styles. His views were placed in the center of a debate on the current state of Chinese art. No longer<br />
was the debate solely between Western art and traditional Chinese art, but rather which type of Western art<br />
should be used to best represent the new Chinese society. At a time when Western Realism was gaining<br />
government sponsorship, Lin's work negated this opposition. He insisted that works of art needed to<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
embrace and utilize both cultures; he advocated, however, for the use of the styles of the European avantgarde,<br />
not Realism. He founded the Hangzhou Academy of Art in 1928. At the Hangzhou Academy, Lin was<br />
able to institutionalize his theory by merging the departments of traditional and modem painting. The<br />
Hangzhou Academy became one of the most progressive art schools in China before the Communist<br />
Revolution. This paper will analyze Lin's role in the short-lived establishment of a Chinese avant-garde<br />
through his own work and his position at the Hangzhou Academy.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Elena Caprioni<br />
Uyghur women in Xinjiang: The Delicate Balance Between Islamic Culture and Chinese Social Modernization<br />
Xinjiang Uyghur Autonomous Region (XUAR), the northwestern region of the People’s Republic of China<br />
(PRC), is historically, culturally, religiously, and ethnically the eastern part of Central Asia. XUAR is also the<br />
region in which- before the “peaceful liberation” of Xinjiang- the Uyghur Islamic society believed in the<br />
differences in gender roles and duties between men and women. The man’s responsibility was to earn money,<br />
while the woman’s responsibility was to manage the household. It is well recognized that the PRC, after<br />
having annexed Xinjiang as an integral and inalienable part of the country, committed itself to promote and<br />
extend to this peripheral area the concept of equality between men and women, based on the total equality of<br />
roles and responsibilities. Uyghur women are faced with a dilemma: preserving local traditions directly<br />
implicated to the Islamic culture or accepting the social modernization promoted by China to “liberate<br />
women.” I explore how/if the current status or women is directly influenced by local values, Islamic culture<br />
and/or by Han reforms. Using the ethnographic and linguistic approach, I aim to identify the theories and<br />
practices regarding women and gender, accompanied by an overview on the material conditions of women<br />
throughout the twentieth century.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Chanda L. Carey<br />
After Po’mo: Zhang Daqian's Splashed Ink Paintings and American Art<br />
"As far as I can see, there is no rigid line of demarcation between Chinese painting and Western painting,<br />
whether in the initial approach or in the highest ultimate attainment. Whatever difference there is in the form<br />
of representation, it is a mere result of the regional divergence in custom and usage and in the media and<br />
materials of the painter."<br />
The larger than life story of painter Zhang Daqian (1899-1983) is marked by many episodes that<br />
invite attention and consideration. In the past decades, Zhang's global legacy has been revisited repeatedly.<br />
This paper will reconsider Zhang's po'mo (splashed ink) works of the 1960s and 70s, and recontextualize the<br />
work's transcultural aesthetic within the operations of abstract painting. While relationships to Abstract<br />
Expressionist painters are well established, this paper draws on Yve-Alain Bois and Rosalind Krauss'<br />
reformulation of Modernism as informe (formless) to re-examine the historical position of Zhang Daqian's<br />
practice --with particular attention to works of the period by Helen Frankenthaler, Sam Gilliam, and Andy<br />
Warhol's Oxidation paintings of 1977-78.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Chia-ning Chang<br />
Yamaguchi Yoshiko: Negotiating Transnational Identity in Wartime Manchurian Films<br />
The aim of my paper is to elucidate the dialectic and to explore the anxieties inherent within the claims of<br />
nationalism and transnationality in connection with the professional career and private life of Yamaguchi<br />
Yoshiko (1920- ), the most acclaimed actress to emerge from Japan-occupied Manchuria from 1937-45 and<br />
the brightest star to blossom transnationally under the auspices of the Manchurian Film Association (Manshū<br />
eiga kyōkai, or Man’ei). Widely known in Manchuria, Japan, and many other parts of China particularly in<br />
Shanghai and Hong Kong by her stage name of Li Xianglan (Ri Kōran in Japanese), Yamaguchi carefully<br />
masqueraded her Japanese identity in both her public and private life by allowing herself to be reinvented as a<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Manchurian-born Chinese woman with the explicit or implicit purpose to legitimize and promote Japan’s<br />
imperialist enterprise in occupied territories in China. Narrowly escaping treason charges and possible<br />
execution by Chiang Kai-shek’s Kuomintang (Nationalist Party) after Japan’s surrender by finally revealing<br />
her Japanese identity, Yamaguchi proceeded to rehabilitate her cinematic career after 1945 by first appearing<br />
as Shirley Yamaguchi in Hollywood and Broadway productions in the 1950s. Upon returning to Japan, she<br />
emerged as a popular Japanese television host in 1967 and served as a three-term representative in the Upper<br />
House of the Japanese Diet from 1974-92. This was followed by her stint as a vice-president of the Asian<br />
Women’s Fund to assist former comfort women in Asia. While publicly expressing shame, guilt, and remorse<br />
as she contemplated her wartime role as a theatrical puppet in the puppet state of Manchukuo, it is also<br />
undeniable that Yamaguchi had at the same time been a convenient pawn and a willing accomplice of Japan’s<br />
colonial ideology and its pan-Asian rhetoric. By studying Yamaguchi’s Man’ei career and her postwar writings<br />
including her well-known autobiography Ri Kōran: My Early Life (Ri Kōran: Watashi no hansei, Tokyo:<br />
Shinchōsha, 1987), my paper seeks to illuminate the boundaries and ambivalence between colonizing<br />
hierarchies and transracial cinema in the politics of imperialism, between national identity and transnational<br />
performance, as well as between the intricate roles of the colonial victimizer and the colonized victim.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Zhongping Chen<br />
The Reformist Wave Across the Pacific: Kang Youwei and the Empire Reform Society in Canada, 1899-1911<br />
This paper examines how the well-known Chinese exile, Kang Youwei, first founded the Empire Reform<br />
Society (Baohuang hui) in Canada in 1899 and then used it to promote sociopolitical changes in Canadian<br />
Chinatowns and late Qing China. Because Kang’s organization later spawned more than one hundred<br />
branches in the Americas, Asia and Australia, its early leaders and activities in Canada were especially<br />
influential in the transpacific Chinese politics. While previous scholarship has often stressed how Kang and<br />
his organization used overseas Chinese support to promote constitutional reform in China, this study will<br />
further investigate how such political struggle inspired sociopolitical changes in Canadian Chinatowns,<br />
including the development of new community associations, educational institutions, and social movements<br />
such as an anti-opium campaign. It will also reveal how Kang’s organization helped the Chinese in Canada<br />
fight racism and push for new relations with the Canadian government and society. In particular, this paper<br />
will go beyond previous studies of competition between reformers and revolutionaries in the Chinese<br />
diaspora, and intead will highlight how Kang’s organization linked up Chinatowns throughout the entire<br />
Pacific area, especially Western Canada. Based on previously unknown archives and other primary sources,<br />
this paper will provide fresh food for theoretical reflections on modern Chinese history and the Chinese<br />
diaspora.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Gaye Christoffersen<br />
Chinese Approaches to East Asian Maritime and Energy Cooperation: China's Evolving Identity in Multilateral Regimes<br />
China's participation in East Asian multilateral regimes has been explained using the concept of the<br />
"Harmonious World," a "Harmonious East Asia," and "Harmonious Seas." Chinese scholars have offered<br />
various theoretical explanations for the existence of the "Harmonious World," offerings that range from<br />
Realist to Social Constructivist to Neo-Liberal Institutionalist. Additionally, these scholars attempt to create<br />
a more Chinese theory of international relations within a Chinese framework. This scholarly work seeps into<br />
Chinese policy thinking because Chinese academics also serve as policy advisors to the government. This<br />
interaction of scholars and policy practitioners facilitates a redefinition of China's identity and role in the<br />
world and enables Chinese participation in regional multilateral regimes by redefining Chinese national<br />
interests within these regimes. This paper will examine contemporary Chinese scholarly theoretical work and<br />
assess to what extent it is used as a framework for China's evolving role in energy multilateral regimes and<br />
maritime cooperation projects.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Ha Mie Chung<br />
A Study on the Matumae Han’s castaway policy and the Arrival of Perry<br />
Hakodate is widely known as one of the first city Ports with Shimoda, opened following the Kanagawa Treaty<br />
in 1854. It is possible to analyze specifically the historical data on the opening process of the Port through<br />
the digitalized sources available. This study mainly focuses on the information exchanges under the remote<br />
control of the main government: Bakufu over the local feudal clan: Han, before the beginning of the Meiji<br />
Period: considering the situation at the time of and after the Perry’s arrival. The Matsumae feudal clan had<br />
not received only 1 among seven suggestions that Perry demanded over his stay in Hakodate. I could find<br />
what problem had been the most important at the time of opening the port by examining it concretely. The<br />
interchange between Perry’s party and the Hakodate inhabitants is of interest, too. What would have been<br />
the reaction of the Matsumae feudal clan facing the information of Perry’s visit to Hakodate?<br />
Since the Matsumae feudal clan was in charge of cases of Western castaways till then, how was the policy<br />
towards conventional castaways affected by the landing of Perry?<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Millie Creighton<br />
Transnational (or Transformational) Encounters of the Popular Culture Kind: Japanese Fandom, the Korean Wave,<br />
Shifting Inter-Asian and Global Dynamics<br />
This presentation looks at Japanese fandom of Korean popular culture (known as the Korean Wave), along<br />
with the Korean Wave’s impact elsewhere in Asia, and among Asian diaspora groups. It explores how, for<br />
Japanese women, the ethnic erotic economy shifted from White to Korean men and the backlash against this.<br />
It explores the intensive fandom of so-called middle-aged women over young male Korean stars, Japanese<br />
tourism to Korea, recent Japanese engagement in Korean language learning, and the impact of Japan’s<br />
resident Koreans as a minority group. In doing so, it addresses larger issues concerning the relative impact of<br />
stated political policies versus popular culture in changing international relations or attitudes towards<br />
minorities. Rather than accepting Japanese women’s espoused devotion to Korean drama and music stars as<br />
simple fandom, it reveals women’s attempts to invert gender hierarchies that constrain them by challenging<br />
ethnic and age hierarchies. It addresses how a popular culture boom links to historic tensions surrounding<br />
pre-war and war issues still overwhelming in regional Asian relations. Through the vehicle of the Korean<br />
Wave’s impact on Japan particularly, as well as on other areas of Asia and among Asian diaspora groups in<br />
North America or elsewhere, the paper bridges study of various countries and regions of Asia, along with the<br />
persisting- though problematic – concept of an East-West divide. It also attempts to bring together issues of<br />
various disciplinary interest, through a focus on anthropological research into popular culture that addresses<br />
concerns which involve economics, political science, sociology, geography, the arts and humanities.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Andysheh Dadsetan<br />
A New Silk Road? Sino-Tajik Relations n the 21 st Century<br />
The Central Asian states have been politically adrift since the fall of the Soviet Union. While these states<br />
traditionally fell under the Russian sphere of influence, China has emerged as one of the region’s most<br />
prominent partners. However, European and Russian interests are also heavily invested in the area, vying for<br />
oil and natural gas access, which greatly offsets China’s influences. Nonetheless, Beijing has been effectively<br />
courting its Central Asian neighbors, potentially tipping the scales in its favor. This is best exemplified on<br />
China’s Western-most border in Tajikistan, as it is most likely to move, albeit gradually, from Russia’s sphere<br />
of influence to China’s. This paper will examine the factors that will forge this stronger Sino-Tajik<br />
relationship in the future.<br />
China has actively contributed to Tajik development in the hopes of avoiding political and social<br />
destabilization there, which could have domestic consequences in China’s bordering Muslim province of<br />
Xinjiang, consequently slowing Chinese economic growth. China’s active involvement in Tajikistan has been<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
received well form the government and general population as “aid without conditions,” while at the same<br />
time, Dushanbe has been gradually distancing itself from Moscow, as illustrated by the Tajik Language Law of<br />
October 2009.<br />
China’s increased presence in Central Asia will lead to stronger infrastructure, borders, and economic<br />
access, Tajikistan will again fulfill its role as a transit area and economic passage into the Middle East,<br />
reinforcing Central Asia’s historical role on the Silk Road. This strategy would facilitate the regional transition<br />
from fractured states under Russian dominance into stable, new markets for Chinese products.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jeffer Daykin<br />
The Reception of Eiichi Shibuawa’s Trade Mission to the United <strong>State</strong>s<br />
In 1909, the Japanese industrialist Eiichi Shibusawa brought a group of over fifty Japanese men and women<br />
to undertake a cross-country tour of the United <strong>State</strong>s at the invitation of the Associated Chambers of<br />
Commerce of the Pacific Coast. The mission was comprised of a wide range of leaders in business, finance,<br />
education, and journalism who were interested in establishing professional contacts and observing the<br />
functioning of various industries and enterprises. Though technically a private sector undertaking, the<br />
mission was conceived by Eiichi Shibusawa had an important diplomatic goal in that he hoped to improve<br />
relations between the two nations that had been marred by the eruption of anti-Japanese immigration along<br />
the Western United <strong>State</strong>s in 1907.<br />
This paper will present information about this little known example of non-governmental diplomacy<br />
and the context of transpacific relations in which it occurred. Far from being an isolated event, the 1909<br />
mission was one in a series of exchanges between United <strong>State</strong>s and Japanese businessmen that included a<br />
joint tour of China and was also tied to the international exposition held in Seattle that same year. A study of<br />
these events and the American reception of the mission in the cities and towns visited – including several<br />
stops in California, the epicenter of anti-Japanese agitation – helps illuminate the surprising good will that<br />
existed and reveals that perhaps another course of history between the United <strong>State</strong>s and Japan was possible.<br />
Mahesh Ranjan Debata<br />
International Response to Uyghur Separatism in Xinjiang<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
China's Xinjiang region has been witness to separatism, religious extremism and international terrorism. There<br />
were a couple of major revolts in Xinjiang by the Uyghur separatists (one in August 2008 and the other in July<br />
2009). However, the Chinese government has been too strong for the minuscule Uyghur separatists. The PLA<br />
has so far been able to quell any sort of rebellion in its northwest, may it be Xinjiang or Tibet. The Uyghur<br />
separatists don't have the support of major powers. The USA does not support Uyghurs as it remains<br />
engaged in Afghanistan and Iraq. Now China and USA have common concern for international terrorism.<br />
The separatist cadres of East Turkistan Islamic Movement (ETIM) have been labeled as 'terrorists' both by<br />
the USA and the UN. The Uyghurs living in Turkey, Germany and other parts of Europe have failed in their<br />
efforts to internationalise the issue. After 9111, the Uyghur separatists are facing greater difficulty. Pakistan is<br />
cautioned by China to stay away from Uyghur separatists. The Central Asian Republics have been endorsing<br />
China's position in Xinjiang. India having its own problems of separatism and terrorism in the <strong>State</strong> of<br />
Jammu and Kashmir, has been cultivating a friendly relationship with China. There is no support from<br />
domestic neighbours like Tibet and Inner Mongolia. Against this background, this paper will discuss the<br />
problem of separatism and terrorism in Xinjiang and China's response in this regard. This paper will analyse<br />
the international response to separatism, religious extremism and terrorism in Xinjiang.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Lisa Donnelly<br />
Cold Blooded Murder or Cool Leadership: Reassessing the Death of Begter in The Secret History of the Mongols<br />
The Secret History of the Mongols has been accepted by scholars as both a valid historical account of the founding<br />
of the Mongol Empire in the thirteenth century and a record of Mongol cultural values at that time. It is also<br />
a history of one man, Temujin, the boy who would become Chinggis Khan. Western scholars in particular<br />
have puzzled over the inclusion of a number of seemingly negative portrayals of the character of Chinggis<br />
Khan, including the incident where a 10-year-old Temujin kills his half-brother, Begter.<br />
In the Secret History, the reader who is unfamiliar with steppe culture and social organizations is<br />
presented with a bewildering world where loyalties to any particular group appear to have been arbitrarily<br />
given and revoked. While some attention is given to possible steppe cultural paradigms, these fluid and<br />
shifting political and kinship relationships are usually interpreted by both Western and Asian historians within<br />
a markedly sedentary cultural paradigm. Individual Mongol loyalties and familial relations are also interpreted –<br />
or outright reinterpreted – according to the same.<br />
Ratchnevshy calls the death of Begter in the Secret History of the Mongols “cold-blooded murder,” de<br />
Rachewiltz blames Temujin’s actions on the struggle for succession but also calls it “callous.” Yet if the Secret<br />
History is a repository of true Mongolian values, why should we assume that this and other similar events are<br />
meant to cast Chinggis in a negative light? Was it truly cold-blooded murder, or the first example of the<br />
leadership skills of the young man who would grow up to rule the largest land-based empire the world has yet<br />
seen?<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Connie Earnshaw<br />
Romance and Social Ideal in Ming Painting of Bai Juyi’s Pipa Xing (Lute Song)<br />
Bai Juyi’s Tang poetic narrative about meeting a female musician during his exile to the Jiangnian region for<br />
critiquing the court became a popular subject for professional and literati Ming painters in Nanjing and<br />
Suzhou. The pipa player has lost her former career in the capital, like the poet, and plays poignant music that<br />
moves him to tears. Ming depictions of the theme evolved from figure paintings to figures set in landscape.<br />
The earliest examples are free standing figures by Wu Wei and Guo Xu. Pip axing was illustrated in a<br />
landscape setting in Wen Zhengming’s circle, initially by Tang Yin and Qui Ying. All of these paintings<br />
include the woman with her instrument, and center on her meeting with the poet. This theme of moonlit<br />
encounter on the river may suggest social ideals as well as romance through portraying a bond of sympathetic<br />
resonance between the man and woman strengthened by music, a model of interpersonal harmony in the face<br />
of adversity.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Stephen Epstein<br />
Kisses From Outer Space: South Korean Images of Central Asia<br />
Over the course of the last decade, South Korea has come into increasing contact with the Central Asian<br />
republics of the former Soviet Union. Recent labor migration has seen numerous Uzbekistani citizens arrive<br />
in Korea, for example, and there is now within Seoul a neighborhood known as the Central Asian village<br />
(chungashia ch’on). Nonetheless, if Borat, Sacha Baron Cohen’s putative Kazakhstani, suggests the depth of the<br />
Western ignorance about Central Asia, South Korea has fared little better in developing nuanced<br />
representations of the region. In this paper I explore contemporary Korean images of Central Asia with a<br />
particular focus on Hwang Byeong-guk’s 2005 comedy-drama film My Wedding Campaign (Naui kyorhon<br />
wonjonggi), which follows the journey of two rural Korean men to Uzbekistan to find brides with the help of a<br />
brokerage agency. The characters’ initial lack of familiarity with Uzbekistan, its location and even its actual<br />
name, which is humorously conflated with the Korean words for “outer space” and “kiss” suggests an exotic<br />
fantasy land. I will argue that in contrast to Vietnam, which functions as a quintessential “Asian” nation for<br />
South Korea, the ex-Soviet republics of Central Asia, placed ambiguously in the Korean imagination between<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
East and West, Asia and Europe, development and backwardness, and social freedom and repression off a<br />
fruitful site in which to examine Korean conceptions of “Asia” and to discern where the boundaries of such<br />
constructions lie.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Robert Fisher<br />
The 1860 Japanese Mission to the United <strong>State</strong>s<br />
The 1860 Japanese Mission to the U.S. was a momentous, and now largely forgotten, moment in American<br />
history. The samurai and attendants were the objects of immense public interest and at every stop on their<br />
brief tour were greeted by public throngs hoping to catch a glimpse of the strange “exotic” visitors. Part of<br />
the reason for this intense popular interest was because the Japanese were the first real foreign mission of its<br />
kind to visit the U.S. and was therefore symbolically very important to America’s changing popular image of<br />
itself as an emerging world power. On the other hand this mission, despite its obvious import to the national<br />
self-image, was extremely problematic due to the little issue of the Japanese not being “white.” Race has<br />
always been something of a bugbear in the American psyche, and perhaps at no greater time in American<br />
history that 1860, just five years before the outbreak of the Civil War. This presentation will look at how<br />
these competing and often contradictory views of the Japanese were depicted in the popular imagination at<br />
that time and the impact this visit had on U.S.- Japanese relations.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Miho Fujiwara<br />
Japanese language learners' use of event anaphora in written discourse<br />
Unlike "hard rules" at morphological and syntactic levels, many discourse phenomena are usually governed<br />
by "principles" and "preferences," hence are hard to provide explicit instruction in a systematic way. It is,<br />
thus, undeniable that focus on sentence-level form tends to be prioritized in many foreign language teaching<br />
contexts, but discourse-level research and practice has also been attracting attention (cf. McCarthy, 1991;<br />
Thornbury, 2005).<br />
While grammatical competence focuses mainly on sentence-level grammar in terms of the rules that<br />
govern the formation of acceptable sentence, discourse competence is concerned with intersentential<br />
relationships. Such relationships are often described as cohesion and are realized by lexical or grammatical<br />
devices (Halliday and Hasan, 1976). Among a variety of beyond-sentence phenomena, our main concern is<br />
on referential cohesion. Especially this study will investigate how Japanese native speakers ONSs) and<br />
Japanese language learners (JLs) use event anaphora (demonstratives with sentential antecedent) to maintain<br />
overall coherence of a discourse.<br />
We built a comparable corpus between Japanese university students (JNS) and American university<br />
students (JL). In collecting data, an episode of Pingu, a Swiss clay animation, is presented to students as a<br />
prompt in producing a written narrative (Le., synopsis writing). The Japanese and American students were<br />
asked to reproduce the same Pingu story in their L1 and L2.<br />
The result shows that JNSs used event anaphora in object position rather than in subject positions while<br />
JLs hardly used event anaphora in object positions. In the presentation, we will also discuss implications<br />
of the results for Japanese language teaching.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Michele Gamburd<br />
Demographics and Remittances: Labor Migration and Population Aging in Sri Lanka<br />
Sri Lanka stands at the conference of two major social trends: a demographic shift toward an aging<br />
population, and changing aspirations among migrant families. As time passes, the median age of Sri Lanka’s<br />
population increases. Cultural expectations dictate that daughters-in-law should care for elders in the home.<br />
Simultaneously, three decades of transnational labor migration of guest workers to the Gulf Cooperation<br />
Council (GCC) continues; in 2008, roughly 1.8 million Sri Lankans (over 23% of the country’s working-age<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
population) worked abroad, more than half of them women. Young working-class adults also have migration<br />
aspirations, but unlike their migrant mothers, they do not wish to go to West Asia, where wages are low and<br />
immigration forbidden. They prefer better-paying jobs in countries such as Korea, Australia, or Italy. Unlike<br />
their sojourner parents, members of this generation hope to settle elsewhere with their nuclear families.<br />
Relocation of elders is unlikely, due to both family choice and host-country policy. Thus aging parents and<br />
grandparents are increasingly left in Sri Lankan villages, without family members to see to their everyday<br />
needs. Prospective migrants face a difficult choice: should they continue to migrate (and thus remit muchneeded<br />
financial support to their families) or stay home (and thus provide personal care and attention to<br />
elders)? Drawing on ethnographic analysis of the long-term impact of labor migration on intergenerational<br />
family obligations and relations.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Bruce Gilley, Mel Gurtov, Ron Tammen, David Bachman<br />
President Obama’s China Policy (Roundtable)<br />
This panel will consider the policy towards China of U.S. President Obama in his first year and a half in<br />
office. Participants will offer different aspects of this policy. Each of them will bring distinctive<br />
disciplinarian and methodological assumptions to bear on the issue. The questions to be considered will<br />
include: What has the policy been so far? To what extent does it represent a departure or continuation of<br />
past U.S. policies? What will determine the success of this policy? What has been China’s response so far?<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Noa Grass<br />
Who Left the <strong>State</strong> Out? The Salt-for-Grain Policy of the Early Ming<br />
The narrative of late Ming economic and commercial expansion largely excludes the state as an active<br />
economic agent. Consequently, work on economic policy of the Ming state regards it as either hostile,<br />
indifferent, or too weak to promote economic development. The Grain-for-Salt Policy (kaizhong fa) of the<br />
early Ming challenges these assumptions. This was a system of merchant grain transportation to border<br />
garrisons in return for monopoly salt licenses. Whereas traditionally, the Chinese imperial state depended on<br />
forced labor for the transportation of grain, through this system the government utilized its monopoly on salt<br />
to attract resourceful merchants through a favorable exchange rate.<br />
This paper treats the Grain-For-Salt Policy as a system of state finance and suggests that the early<br />
Ming state actively acknowledged the importance of private economic forces, consciously sought to create<br />
trading circuits that connected north and south and used this policy as a means of credit in a system which<br />
showed much financial acumen.<br />
The study of the relationship between the state and the economy in the late imperial period<br />
contributes to the discipline of Chinese economic history in the wake of Marxist historiography, which<br />
relegated the state to the realm of the superstructure. It also exposes the inadecuesy of Eurocentric<br />
assumptions regarding economic development which viewed the Ming state as a stifling force in the face of<br />
economic and commercial development.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Satomi Hayashi<br />
Introduction of "Focus on form" approach in Japanese teaching<br />
In the field of foreign language education, the effect of grammar instruction has been controversial: Krashen<br />
(1982) and others contend that grammar should be taught implicitly, while others have argued explicit<br />
grammar instruction has a positive impact on language learning. In recent years, Ellis (1994) proposed that<br />
explicit grammar instruction has a role in language learning, which has been followed by Van Pattan's (2004)<br />
notion of focus on form where he argues that learners need to pay attention to formal structure of the target<br />
language.<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
According to Spada (1997), "focus on form" is any pedagogical effort which is used to draw the<br />
learner's attention to language form within a meaningful context in a course of a communicative activity. In<br />
the "focus on form" instruction, a certain linguistic form is made salient through the two major processes:<br />
input enhancement such as "input flood", "consciousness raising" and "textual enhancement", and output<br />
enhancement which is corrective feedback given to the learners after actual production.<br />
In this paper, I will present results of an analysis of communicative activities aimed at focus on form<br />
instruction presented in Benati (2009). Although Benati claims that the activities draw learner attention to<br />
grammatical forms and, at the same time, they promote communication, they lack contextualization, which is<br />
essential for communication, fail to build form-meaning connection, and disregard multiple-functions that<br />
one form bears, resulting in inefficient instruction. I will also discuss how context can be incorporated into<br />
focus on form instruction.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Wingshan Ho<br />
Cross-dressing and Queer Possibilities in Hong Kong Commercial Cinema in the 90s<br />
“New queer cinema 1” poses a global call to express oneself in terms of sexuality in the current of gay and<br />
lesbian movement around the world. How or do Chinese answer the global call? Informed by gay and lesbian<br />
movements in the “West,” a gay and lesbian or tongzhi (literally comrade) identity emerged in Hong Kong in<br />
the 1990s. Popular culture, of course, has responded to the more visible identities. Hong Kong commercial<br />
cinema is a globally and locally vibrant industry. My paper argues that Hong Kong commercial cinema<br />
responded to such fervent social change by creating sexually ambiguous characters. Exposed to “western”<br />
“new queer cinema” and resonant to Hong Kong local culture, commercial cinema in the 90s used crossdressing<br />
as a technique to offer queer possibilities in response to the call of global queer identity.<br />
My paper will first map out the reason and prominence of cross-dressing in the history of Hong<br />
Kong cinema. Cross-dressing was already there in the first Hong Kong narrative film in 1913 and later saw its<br />
heyday in Cantonese opera genre in the 1950s-60s. It waned dramatically since the 1970s, but interestingly<br />
came back in the 90s. If the Chinese opera convention and the supersession of film genres mainly account for<br />
the rise and fall of cross-dressing during the earlier period, 2 then the reoccurrence of cross-dressing is<br />
associated with the social awareness of homosexuality at fin de siècle.<br />
The next section will draw on Butler’s notion of gender performativity to analyze three mainstream<br />
films involving female to male cross-dressing—He’s a Woman, She’s a Man, Who’s the Woman, Who’s the Man<br />
(Jinzhi yuye1&2) and Swordsman 2 (Xiao’ao jianghu zhi Dongfang Bubai) to explore how cross-dressing<br />
simultaneously opens up and controls queer spaces for representing unconventional mappings of sex, gender<br />
and sexualities. I will demonstrate that cross-dressed cinematic characters transform their gender identity and<br />
subjectivity in the narrative level. Cross-dressing also affords possibilities of queer spectatorship. Movie-goers<br />
may occupy multilayered viewing positions and derive pleasure through identifying with various characters<br />
which are by no means of their gender and sexual identity. Even though female to male cross-dressed<br />
characters’ subversions of fixed and unitary sex, gender and sexuality mapping are contained in a generally<br />
homophobic cinematic culture dominated by economic concerns, such spectatorship offers queer<br />
possibilities.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jon Holt<br />
Teaching Manga as Literature<br />
Despite disagreement about the status of manga, or comic books, in the Japanese literary canon, as a tool to<br />
encourage students to think about storytelling as an art form, they are indispensible. Based on my experience<br />
1 Michele Aaron ed. New queer cinema: a critical reader (Edinburgh: Edinburgh <strong>University</strong> Press, 2004).<br />
2 Xianggang diantai dianshi bu: Xianggang Zhong wen da xue xiao wai jin xiu bu, Dian guang huan ying: dianying yanjiu wen ji<br />
[Light and Shadow: anthology on of film studies](Hong Kong: Xianggang diantai dianshi bu: Xianggang Zhong wen da xue<br />
xiao wai jin xiu bu, 1985), 46-7.<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
utilizing manga in surveys of premodern, early modern, and modern Japanese literature at the <strong>University</strong> of<br />
Washington, I discuss techniques for making manga pertinent to the instruction of Japanese literature. I<br />
present my findings from the classroom about the pros and cons of using supplementary texts and<br />
approaches such as Scott McCloud’s Understanding Comics, Adam Kern’s recent study of Edo-period kibyoshi<br />
(Manga from the Floating World), and Otsuka Eiji’s view of ladies’ comics (“discovery of interiority”).<br />
With their incorporation/exploitation of both the textual and pictorial registers, manga are a unique<br />
means for students to gain more immediate access to literature. At their best, manga shed light on how<br />
storytellers structure their narratives, while their popular appeal acts as a powerful incentive in exciting new<br />
students to the study of more traditional forms of literature.<br />
Thus, manga serve as nexus between the written word and the visual icon, providing fresh insight<br />
into what makes a narrative and playing an indispensible role in creating sustainable literary courses at colleges<br />
and universities.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jonathan Jimin Hong<br />
Kurosawa to Emmerich, Anime to Green Screen, and 1990 to 2010: The Trajectory of Apocalyptic and Post-apocalyptic<br />
Cinema in Japan, Korea, and Hollywood<br />
Whether the problem is a solar flare or decepticon and whether the setting is Mayan civilization or RG. Well's<br />
prophetic future, one thing is clear: Apocalyptic and post-apocalyptic films have been painted onto the movie<br />
screen ever since the art and science of film have been able to match the technology and business of its<br />
industry. The 1990s and 2000s have especially marked twenty years of digital achievement in application and<br />
complexity, allowing filmmakers to use techniques to portray their visions of the world, whether it ends or<br />
not.<br />
Like Hollywood, the cinemas of Japan and Korea have been experiencing more opportunities and<br />
inspirations for creativity due to the progression of technology and rise in high-concept films from 1990 to<br />
2009. Just as the frequency of apocalyptic films increases in Hollywood as investors and technologyentrepreneurs<br />
discover new breakthroughs, the trajectory of apocalyptic films in East Asia is heading towards<br />
a newer standard to what constitutes "the bigger, stronger, louder, and quickly profiteerable" film. Hence, it is<br />
now crucial to investigate the relationship between Korea's and Japan's film industries through the apocalypse<br />
genre and to study its impact on their nations' economy as well. Will more high-concept films, such as<br />
Haeundae (2009), which is rendered nostalgically as a low-budget version of Roland Emmerich's The Day After<br />
Tomorrow (2004), continue to emulate Hollywood films and break South Korean box-office records? Will<br />
Japan's successful apocalyptic and post-apocalyptic anime industry (e.g. Akira, Appleseed) evolve into the<br />
increased production of high-concept non-anime films, unlike their less costly yet still apocalyptic<br />
counterparts (e.g. Karisuma)? And will the cinemas of the East and West experience a greater filmic crossing of<br />
transnational borders to ultimately communicate the spatially and temporally universal dream of humanity:<br />
The notion of an apocalypse? Whatever the relationships turn out to be, it is crucial to understand this postmodern<br />
phenomenon, for the history of cinema has existed since the history of man. And if the history of<br />
man is to end one day, then this historiography of apocalyptic genres has the right to be explained.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Lynne Horiuchi<br />
1746 Post Street, San Francisco: A Building Awash in Diasporic Tides<br />
We often think of buildings as fixed spaces, yet they may be linked to diasporic connections and flows. In this<br />
paper I will explore how buildings at 1746 Post Street in San Francisco in Japantown (Nihon-jin Machi) have<br />
harbored several different stages and types of Japanese diasporic settlement and movement.<br />
In 1923 the Japanese First Evangelical and Reform Church, one of the largest Christian churches in<br />
San Francisco, built an auxiliary Education Building to serve the Japan (Nihon-jin Machi) community. With<br />
the U.S. government's removal and incarceration of Japanese American communities, the building was<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
converted in 1942 into a storage site and, at the end of World War II, into a hostel. With the church's<br />
diminished finances and fragmentation of their community, the Education Building was sold in 1956.<br />
Through redevelopment. the Hohl'bei Mainichi, a daily Japanese-English newspaper, converted the<br />
Education Building into their headquarters in 1976. The building became a community institution once again,<br />
witnessing the progression of printing technology from handset Japanese type to digital production serving<br />
the regional Japanese American community. The New People Center. a commercial center for manga or<br />
Japanese comic book culture, replaced the Education Building in 2009.<br />
What are and where the local, regional, national and internationa1 diasporic flows that link to this<br />
bui1ding site? How did Japanese diasporic connections flow in and out of these buildings when owned by<br />
Japanese and Japanese American entities? How did Japanese citizenship historically affect Japanese diasporic<br />
flows connected to this building site?<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Henry L. HU<br />
The Business of Governing ISPs in China: Perspectives of Net Neutrality<br />
Internet service providers (ISPs) have played an important role in China’s Internet regulation regime. In this<br />
article, I illustrate how the ISPs are governed to serve the government’s regulatory goals. Drawing the<br />
contours of ISPs’ daily operations is far from enough for us to fully understand the intent and logic of<br />
Internet regulation by means of ISPs. The task of explanation involves some of the most extraordinary and<br />
profound insights concerning Internet governance, that is, the theories of Layers Principle, the End-to-end<br />
Argument and the Generative Internet, which to a certain extent justify the regulations in favor of net<br />
neutrality. Although these theories have not been applied in any literature to Chinese Internet, I believe they<br />
will prove to be powerful tools and useful perspectives to analyze the status quo of Chinese Internet regulation.<br />
Chinese ISPs have been the dependent rather than neutral regulatory intermediaries of the government. Their<br />
political action and commercial behaviors can compromise the function of Internet as an open and innovative<br />
platform for culture production, free expression and creative industry. Moreover, in addition to<br />
telecommunications carriers, the radio and TV networks affiliated to the <strong>State</strong> Administration for Radio, Film<br />
and Television (SARFT) are to become a new type of ISP that is capable of choking the free spirit of Internet<br />
as recently demonstrated by the far-reaching policy of “networks convergence”. The latent effects of this<br />
policy remain ignored by the academia. This article argues that the policy has a great potential to drastically<br />
alter the structure and ecology of Internet in China.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Li Hua<br />
Representing Minorities and Social Change in Tuya’s Marriage<br />
This paper will focus on Chinese director Wang Quan’an’s third feature film, Tuya’s Hunshi/Tuya’s Marriage<br />
(Wang Quan’an, 2007). The film not only reveals a rapidly vanishing nomadic life, the glories of the<br />
Mongolian grasslands and the determined heroine’s journey to find a husband, but also exposes a range of<br />
issues the protagonist faces in a fast-changing society: the displacement of the roles of husband and wife, the<br />
tension between a woman’s allegiance to the patriarchal code of conduct and her personal desires, the impact<br />
of urbanization upon the traditional nomadic lifestyle and livelihood, and the fissure between the city and the<br />
countryside. I would argue that Tuya’s Marriage, on the one hand, remains within the cinematic tradition of<br />
the Chinese minority film in that the director Wang Quan’an conveniently uses the genre to explore some<br />
themes that would not be readily explored in ordinary Han-centered genres. On the other hand, the film can<br />
also be viewed as a rural film. It builds upon the sort of images of rural women found in earlier rural films,<br />
such as Li Shuangshuang, Xiang Ersao, Guilan and Ermo, thereby revealing how social change can affect<br />
women’s lives.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Derek Huls<br />
Redrawing Agriculture-Pastoral Boundaries: The Effects of P.R.C. Water and Agriculture Development Policies in<br />
Xunhua County<br />
China’s Northwest has historically existed as a unique borderland where various ethnic groups have lived in a<br />
relative economic symbiosis engaging in trade, commerce, and cultural exchange. The nature of the economic<br />
interactions, to a large degree were shaped by the landscape of Qinghai province; it has produced two distinct<br />
patterns of subsistence in this particular region, that of agriculture and that of pastoralism. Over the course of<br />
the twentieth century, however, this region has undergone significant transformation as a result of the advent<br />
of an agriculturalism which has changed not only to topography of the Northwest, but has affected the<br />
relationships among traditionally herding and agricultural communities. Chinese policies have historically<br />
favored agriculture, though it is particularly aggressive policies toward increasing food supplies, grain yield,<br />
and land cultivation under the People’s Republic of China (P.R.C.) that has upset the balance between these<br />
two groups. This paper analyzes water development projects and the reclamation of degraded land in Xunhua<br />
county in eastern Qinghai, and their effects on the dramatic increase of water usage. This, in turn, has had<br />
profound effects on the economic and social relationships among the Salar and Tibetan minority populations<br />
living in this region.<br />
Water resource projects are, quite understandably, seen in a very positive light but the Chinese<br />
government as a physical demonstration of China’s increasing success in infrastructure development.<br />
Nonetheless, our research has revealed that this development has been accompanied by several important<br />
ethnic and environmental issues that merit attention at the national level. The encouragement of agriculture<br />
has decreased trading between Salar Muslims and Tibetans, furthering the economic divide between the two<br />
groups, and contributing to increased water use and detrimental agricultural practices. It is our contention<br />
that the construction of these water projects disregarded Qinghai’s environmental conditions and ecological<br />
limits and continues to negatively impact the balance between nomadic people and agriculturalists.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Zafreen Jaffery<br />
Literacy, Community and Sustainability: Insights from a rural NGO school in Pakistan.<br />
In Pakistan, less than one third of all children complete primary education, those who are left out mostly<br />
reside in the rural areas (Kronstadt, 2004, The World Bank, 2008). Considerable evidence exist about the work<br />
of Non-Governmental Organizations (NGOs) in education in the developing world (Miller- Grandvaux,<br />
Welmond, Wolf, 2002) however, the documentation of NGOs' work for education in Pakistan and especially<br />
in rural Pakistan is quite limited. In this paper, I will discuss the findings of a case study based on the work of<br />
a rural NGO school in providing access to education for children in rural areas in Pakistan. This study uses<br />
data which was collected through a critical field based approach involving interviews, participant-observations<br />
and focus groups with the NGO administrator, staff and school teachers. The researcher spent time on site<br />
collecting field notes about the procedures and structures involved in managing the schools. The study found<br />
that the NGO school had generated community support through community mobilization and involvement.<br />
The NGO had also created its own methodology for literacy instruction, which produced adult literate women<br />
who were then hired as primary teachers. The accessibility and quality of instruction ensured student<br />
enrollment and retention. The preliminary research findings suggest that an NGO school using community<br />
mobilization is comparatively more sustainable in situations when resource-bound funds are exhausted.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Hye Kyong JEON<br />
A Study of the Clauses mae ni and made ni with Regard to time Limits in Modern Japanese<br />
The clauses mae ni and made ni are used to represent the time relation of two events in modern Japanese. The<br />
clause mae ni corresponds to 'before' and made ni to 'by' in English. Although the two clauses have some<br />
common useages, there also exist differences in the use of the two clauses.<br />
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ASPAC Conference 2010<br />
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One representative common fact is that the two clauses are routinely utilized in the sense that the<br />
main clause occurs before the event of the subordinate clause is realized or completed. The notable difference<br />
may be explained by the possibility ofthe replacement of one clause the other. In other words, the clauses mae<br />
ni and made ni can replace each other in some cases and they should not replace each other in other cases. In<br />
this presentation the conditions for the permissible and impermissible replacement of the two clauses mae ni<br />
and made ni will be investigated with examples.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jordan Johnson<br />
Looking Forward Toward an Idealized Past: Modern Thai Buddhist Approaches to Sustainability<br />
This paper will seek to examine the ways in which prominent members of the modern Thai Buddhist tradition<br />
have sought to articulate a path toward sustainable living that is rooted in Buddhist thought. Buddhism has a<br />
great deal to say on the subject of avoiding over-consumption, and several recent Thai Buddhist thinkers have<br />
sought to employ Buddhism as a tool around which to envision a path forward for Thailand that involves<br />
both sustainable development and the creation of a just society. Recently, “socially engaged Buddhists” in<br />
Thailand have been active in constructing a picture of the “original” intent of the Buddhist tradition that is in<br />
keeping with progressive contemporary values such as sustainability and the establishment of social and<br />
economic justice. This is particularly interesting insofar as the global conversation concerning a “return” to<br />
the original intent of religious traditions tends to focus on the phenomenon of conservative religious<br />
“fundamentalists,” but here we have an example of a movement that construes the “foundations” of the<br />
Buddhist tradition to be in keeping with modern, progressive social values. By examining the writings of<br />
influential members of the Thai tradition of “socially engaged Buddhism,” this paper will critically examine<br />
the phenomenon of Thai Buddhists constructing an idealized notion of “true” Buddhism – and of Thailand as<br />
a Buddhist nation par excellence – that fits with contemporary notions of the importance of just, sustainable<br />
living.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Ann Kaneko<br />
Expanding Asian Studies: Looking at Cross-Cultural Identity in Two Films<br />
As a Japanese American filmmaker, filmmaking has been a way to explore parallel experiences and expand our<br />
knowledge of the Asian diaspora. I have made two feature-length documentaries that explore cross-cultural<br />
identity in different but similar contexts than my own. Both films have been great platforms for discussing<br />
these issues and have successfully made these stories accessible to educators and students-perhaps an<br />
important direction in re-energizing and finding intersection between Asian and Asian American Studies.<br />
Overstay looks at foreign migrant workers in Japan during the late 1990s and was prompted by my<br />
interest in re-examining this country's role as a host. Japan, largely perceived as a homogenous society and the<br />
place my grandparents left behind, was experiencing growing pains, dealing with the complex cultural,<br />
economic and political implications, stirred up by these "new-comers." The film looks at six young people<br />
from Pakistan, Iran, the Philippines and Peru; and, especially, the Peruvian woman, who uses a Nikkei ("of<br />
Japanese descent") pseudonym, raises questions about Japan's reliance on blood relations.<br />
Against the Grain: An Artist's Survival Guide to Peru looks at four political artists and resistance under expresident<br />
Alberto Fujimori. One of them is Japanese-Peruvian and struggles with language differences in his<br />
own family and the backlash associated with being of the same descent as a president who had fallen out of<br />
favor. Through this character, the film looks at the Peruvian Nikkei community and Fujimori's relationship to<br />
it, as I draw parallels to my own experiences as a Japanese-American artist.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Priya Kapoor<br />
Identity and Difference in Transnational Feminism: The South Asian Experience<br />
Transnational feminism is a paradigm that carefully acknowledges the contemporary free flowing movement of<br />
ideas, problematizing gender and sexuality at the intersection of nationhood, class, ethnicity and history. As<br />
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ASPAC Conference 2010<br />
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other transnational movements, transnational feminism does not hold nation sacred, but works toward a logic<br />
that is more multifocal that nationality, which is a shared, just, humanity. My paper explores the transnational<br />
feminist work of two visible figures recognized and respected in the international circuit of activism, resistance,<br />
lectures and conference presentations. They represent the grassroots and the global South, while espousing a<br />
world consciousness and connectedness through their work of taking on governments and corporations alike<br />
to expose mass scale exploitation of communities in the name of progress.<br />
I examine the writings of Vandana Shiva, the founder of the Seed Save movement who has taken on<br />
genetic engineering and corporations such as Monsanto; and Arundhati Roy, the Booker Prize winner for<br />
“God of Small Things,” who has taken on the Indian Government for its nuclear testing, and the World Bank<br />
for funding the multimillion dollar construction of the Narmada Dam (Narmada Bachao Andolan or “Save<br />
the Narmada River,” movement). Their life’s work, which is in no way complete, adheres deeply to the<br />
philosophy of cosmopolitanism, of shared economic, historical, and colonial context in a world with porous<br />
and changeable boundaries. I will examine the work of Gayatri Spivak, Chandra Talpade Mohanty, Lisa<br />
Lowe, Caren Kaplan, Ella Shohat and Kumari Jayawardena to provide theoretical context to the analysis of<br />
their work and writing.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Hiroko Katsuta<br />
Onomatopoeia as discourse modality: Viewer involvement in Japanese TV advertising<br />
This paper shows a link: between the usage of onomatopoeia and mimetic words in Japanese TV<br />
advertisements on the one hand and Maynard's (1993) argument that "language serves the primary purpose of<br />
expressing subjectivity and emotion" on the other. In particular, it attempts to show that the usage of<br />
onomatopoeia and mimetic words in Japanese represents Maynard's concept of Discourse Modality through<br />
the expression of perspective and emotionally, mentally, and psychologically expressive language. In order to<br />
analyze this, clips from Japanese TV advertisements were chosen, transcribed, and analyzed. TV<br />
advertisements were chosen because they have nearly universal and clearly defined goals (to gain the viewer's<br />
interest and highlight features or concepts related to the product) and a focus upon creating an emotional or<br />
psychological connection between the viewer and the product. The collected data indicate that onomatopoeia<br />
are used to create contextualized descriptions providing vivid sensory impact and promoting sensory recall.<br />
The use of contextualized, colorful, and interesting language, and particularly the promotion of sensory recall,<br />
have the general effect of increasing a viewer's involvement in an advertisement. From the perspective of<br />
Discourse Modality, this usage provides an interesting example of the manipulation of discourse for a<br />
particular emotional and psychological effect.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Christopher T. Keaveney<br />
Power to the People: Yamamoto Sanehiko and the Enpon Publishing Revolution in Prewar Japan<br />
Yamamoto Sanehiko (1885-1952), the president of the publishing house Kaizōsha, contributed to the cultural<br />
and intellectual life of interwar Japan (1919-1937) in a number of crucial ways. Yamamoto’s achievements<br />
include his roles in book and magazine publishing and as an interpreter of contemporary China to his<br />
Japanese readership. In 1923, Kaizōsha ushered in a publishing revolution with the release of the first of its<br />
series of its enbon books, each offered at the budget price of one yen. Coming as it did, just after the Kantō<br />
Great earthquake in which libraries had been devastated and entire collections had been lost, the release of<br />
these series of affordable books put a variety of contemporary and classic works back into the hands of<br />
thousands of Japanese readers and set in motion a revolution in the publishing industry that saw Iwanami and<br />
Shichōsha follow suit in the release of similarly priced, affordable books. This paper will explore some of the<br />
motivations for the enbon book series, examine the ways these books were advertised and distributed, and<br />
consider some of the results and long-term ramifications of this publishing revolution set in place by<br />
Yamamoto.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Aekyoung KIM<br />
A Study of the Religious Features in Ukiyo-e: Focus on Hiroshige's Meisho Edo Hyakkei<br />
Customs are a part of a living culture which reflect the times including religion, life, politics, and ideas. Thus<br />
a genre painting whose material deals with customs is closely related to human life. Ukiyo-e is a genre of<br />
Japanese woodblock prints and paintings and are among the most widely known and admired arts of the Edo<br />
period. Hiroshige (1797-1858) was one of the last great masters of the Ukiyo-e and earned his reputation<br />
with a series of views featuring the well-known sights of Japan. Even as he got older, Hiroshige's artwork was<br />
very popular. In 1856 he "retired from the world" to become a Buddhist monk. That same year he began<br />
work on his masterpiece Meisho Edo Hyakkei (One Hundred Famous Views of Edo) just before his death.<br />
Meisho Edo Hyakkei, actually composed of 118 splendid woodblock landscape and genre scenes<br />
depicting mid 19 th<br />
century Edo, is one of the greatest achievements of Japanese art. It is a work that inspired a<br />
number of Western artists including Vincent Van Gogh, to experiment with imitations of Japanese methods.<br />
Meisho is usually translated "famous places," or "celebrated sites". Hiroshige portrayed many Buddhist temples<br />
and Shinto shrines and religious images from various angles. Religion harmonized with the lives of people in<br />
his works. The object of this study is to understand the role of religion at the end of the shogunate era<br />
through Hiroshige's artwork, and to discover why his work has been able to attract the attention of many<br />
different people over a long period of time.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Sung Lim Kim<br />
Ch’aekkori: Still Life Painting of 19 th Century Korea<br />
19 th century Choson dynasty, especially in Seoul, changed dramatically from a traditional Confucian society to<br />
a society of commerce and material consumption. Ch’aekkori painting is the depiction of objects (still life)<br />
including books, stationary implements, luxurious imports, and symbolic and auspicious fruits and accessories,<br />
which reflected the new materialism. Believed to have originated from Chinese treasure walls in Qing<br />
Forbidden Palace, ch’aekkori painting was favored and promoted by King Chongjo (1786-1800), who used it<br />
to deliver his message of scholarly pursuit and to direct his officials toward proper reading material.<br />
Ch’aekkori was first painted by court painters, but it soon became popular and widespread among the elite<br />
yangban as well as commoners. The paper explores how ch’aekkori painting reflected Korea’s active cultural<br />
interactions with China, its own internal social and cultural evolution, and Koreans’ changing perceptions of<br />
material objects.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Young-Cheol Kim<br />
The Green Sea of Dotonborigawa<br />
Born in Kobe in 1947, Miyamoto Teru won the 13 th Dazai Osamu Prize in 1977 for his story Doronogawar; in<br />
1978 he was awarded the 78 th Akutagawa Prize for Hotorugawa; and in 1981 he completed his Three Rivers<br />
trilogy with the publication of Dotonborigawa. These early works are based on the author’s experiences, but not<br />
to the extent that they would be called autobiographical. These stories depict the lives of people in the redlight<br />
district and feature two main characters; Takeuchi, a middle-aged man who runs a cafeteria in Dotonbori,<br />
and his part-time worker Kunihiko. Miyamoto describes the affair between the fortune teller Sugiyama and<br />
Takeuchi’s wife, Suzuko; he describes the relationship between Kunihiko and Hiromi who was his father’s<br />
mistress; and he shows us the lives of the dancer, Satomi and the profiligate, Kaoru. The sympathetic author<br />
wants his readers to share the joys sorrows as well as the dreams of these people living in the midst of the redlight<br />
district. A painting, “The Green Sea,” and a jade water pitcher, Giyaman, symbolize the dreams of these<br />
people struggling to survive in Dotonbori and hoping for a better future.<br />
Sugiyama’s painting, “The Green Sea,” reflects the hope that only be recognized by people who long<br />
for what is missing in reality. The fortuneteller Sugiyama can tell the future of others, but not his own as he<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
causes the breakup of the Takeuchi family by his affair with Suzuko. So the question arises, why does he long<br />
so badly to paint The Green Sea, and what function does this painting have in the novel?<br />
Takeuchi could sense the feelings of his dead wife only after hearing the story of how Kayama<br />
dreamed of his hometown Shotojima while gazing at the jade gyaman pitcher. Just as Kayama could only<br />
reconstruct his hometown seashore by thinking of it from afar, so too, the people of Dotonburi can only see<br />
the illusions of light from their neighborhood from a distance.<br />
When Kunihiko and Machiko look at Dotonbori from Saiwai Bridge, it appears like splendidly<br />
decorated ship ablaze with lights, but devoid of human beings. The dazzling lights of Dotonbori reflect only<br />
the illusion of life. This is true for all the people within the boundary of Dotonbori. Just as Dotonbori is a<br />
stagnant waterway rather than a flowing river, the people there are also seen as dreamers of the green sea<br />
which glitters in the distance, but is devoid of meaning.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Stephen W. Kohl<br />
Dealing With Unruly Visitors: Korean and American Castaways in Japan<br />
The Lagoda castaways who where in Japan in 1848-49 complained loudly about their brutal mistreatment at<br />
the hands of Japanese authorities. The governments of Western nations raised an outcry saying that Japan<br />
should be forced to treat helpless castaways in a humane and compassionate manner. Commodore Perry’s<br />
chief objective in negotiating a treaty with Japan was to insure kind treatment for sailors shipwrecked on<br />
Japanese shores.<br />
That officials in Japan should assume the authority to treat foreigners in this way may seem surprising<br />
in view of the heavily centralized control maintained by the bakufu. This paper will examine an edict issued in<br />
1784 to all coastal domains regarding the treatment of foreign castaways. This edict was the result of<br />
complaints by several domains of the unlawful behavior of certain Korean castaways who were being escorted<br />
to Nagasaki and Tsushima for repatriation. This situation resulted in a three way discussion among Nagasaki,<br />
Tsushima, and Edo over how to handle foreign castaways. The result of this discussion was the edict of 1784<br />
which was to severe repercussions resulting in growing world opinion regarding the need to open Japan from<br />
its policy of seclusion.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Samuel T. Lederer<br />
Code and Success: The Shimbun Nishiki-e of Yoshitoshi and Yoshiiku<br />
Among the many changes in Japanese society brought about by The Meiji Restoration, the increased flow of<br />
information was surely one of the most important. Whereas the Tokugawa bakufu had sought to restrict and<br />
monopolize the circulation of information in Edo Japan, the nascent Meiji government supported the creation<br />
of newspapers under its program of Western-inspired enlightenment, bunmei kaika. By 1875, newspapers<br />
reached almost every corner of Japan through delivery services and reading rooms. Ukiyo-e experienced a<br />
similar explosion of information, as the ban on depicting contemporary events was lifted; in the 1870s, print<br />
artists made dramatic triptychs of the Imperial Army’s military campaigns.<br />
These two liberated media, newspapers and ukiyo-e, came together in the new format, shimbun nishiki-e.<br />
These single sheet prints, bearing a color scene, the name of a newspaper, and a short article excerpt, grew as<br />
vehicles for depicting sensational events in a familiar format to consumers hungry for contemporary news.<br />
Two of Utagawa Kuniyoshi’s pupils, Ochiai Yoshiiku and Taiso Yoshitoshi were the most talented and widely<br />
published of the many shimbun nishiki-e artists active in the 1870s. Yoshiiku was cofounder and illustrator of<br />
115 prints for the Tokyo Nichi Nichi Shimbun, which commenced publication in 1872. Yoshitoshi was<br />
commissioned to make a series of 62 prints for the Yubin Hochi Shimbun in April 1875.<br />
After providing an introduction to Meiji newspapers and the two artists, I will use Roland Barthes’<br />
theory of the coding of drawings as a framework to conduct a comparative analysis of both artists’ shimbun<br />
nishiki-e. Since Barthes touches on the interaction between text and image in his essay, “Rhetoric of the<br />
Image,” his theory of drawing is useful for an analysis of shimbun nishiki-e, a format in which differing visual<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
arrangements of kanji characters had important effects. Barthes’ theory is most useful because the two artists<br />
made choices to code reality, to create the impression of viewing actual events in their shimbun nishiki-e.<br />
Indeed, this goal was explicitly stated in the frontispiece to both shimbun nishiki-e series.<br />
I will show that the visual arrangement of text and image, the use of figural motifs, and the<br />
incorporation of stylistic techniques from Kuniyoshi affected the success of Yoshiiku’s and Yoshitoshi’s<br />
shimbun nishiki-e. The intermingling of text and image constrained Yoshiiku’s coding of reality in his prints; as<br />
a result, he appropriated his master’s figural motifs and often omitted background elements. Yoshitoshi, by<br />
contrast, utilized a text-free space to create dramatic images endowed with visual depth that created the<br />
impression of witnessing actual events. This paper provides a fresh perspective on shimbun nishiki-e, by<br />
situating them within the context of both artists’ lineages and professional careers. This paper also raises<br />
important questions about the relationship between text and image in Japanese art works.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Eun Lye Lee<br />
Japanese Novels and the Consumption Culture in the 1920s: Based on the Works of Kaji Motojiro<br />
The 1920s in the United <strong>State</strong>s was the era of consumption culture. The 1920s in Japan was the change of the<br />
era name from Taisho to Showa. It was the time when foreign literature trends flew into Japan with no time<br />
difference. In addition, it is called the era of establishing Japan’s modern city. As international events, there<br />
were World War I and the Great Depression, which had large and small effects within Japan. Moreover, in<br />
establishing cities, especially in the case of Tokyo, the Great Kanto Earthquake in 1923 has been the start of<br />
building a new and full-fledged modern city.<br />
Around this time, the United <strong>State</strong>s consumption culture had sunken into 1920s Japanese society.<br />
The United <strong>State</strong>s’ new consumption culture is described in Japanese novels at that time. For example,<br />
published in 1924, Tanizaki Junichiro’s “Chizinnoai” portrays an urban young adult who enjoys the US<br />
consumption culture. City dwellers who roam the modern city and are assimilated into the consumption<br />
culture often appear in Japanese novels published in the 1920s. From this point of view consumption culture<br />
as an important keyword in investigating modernity, this essay will look at how Kajii Motojiro’s stories<br />
“Lemon,” “Doudei,” “Rozyou.” “Kako,” and “Huyunohi,” published in the 1920s, depict the deluge of<br />
consumption culture in Japan’s society. A novel written at the time depicts a modern consumption city. The<br />
novel portrays modern consumption culture as (1) Purchasing merchandise (2) Stores with overflowing goods<br />
(3) Streetcars and more. Thus, the city and its residents have been infiltrated by modern capitalism and<br />
becomes reconstructed as a place with a completely strange and new experience. Of course, the background<br />
of a modern city is not the only aspect that is deployed. All the more, as modern city and tradition coexist,<br />
the new image of consumption culture is more arousing and vivid. I would like to add that with this new<br />
image, new feelings stand out. Nevertheless, how the consumer’s feelings are expressed should not be<br />
overlooked. In Kajii Motojiro’s work consumption culture is reflected in a single lemon. It can be seen as a<br />
lighting up the copious emotions, the new utopic world that is being captured in product and consumption.<br />
However, emotions are not abundant in a consumption culture, it is rather being isolated. The objective of<br />
this essay will be on the process of isolation found by reading novels of the 1920s.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Junghee Lee<br />
The Lineage of Apotropaic Monsters in the Tomb Paintings of Koguryo<br />
“I eat and eat but I am still hungry,” reads the cartouche of a monster-mask on the lantern-roof ceiling of a<br />
tomb in Jian, presumably showing the monster’s insatiable desire to swallow evil. Monster figures loom in<br />
dark burial chambers and create an atmosphere of fear in the tombs of Koguryo, which contain numerous<br />
wall painting exhibiting a rich variety of scenes, including mythical beasts, gods, material culture, and even<br />
everyday life in addition to the monsters. The majority of these scenes were influenced by Chinese funerary<br />
art, but some examples, such as the monsters depicted from the rear and seems to be shrieking on the four<br />
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ASPAC Conference 2010<br />
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corners of the walls supporting the ceiling in the Tomb of Four Dieties in Jian, reflect a prototype not found<br />
in China, The poignant and provocative images are unique to Korea, with roots that recall Siberian culture in<br />
the Steppes.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Moosung Lee<br />
The Construction of Value Systems and Network Formations for the East Asian Community: The Roles of Local<br />
Governments and Multi-Level Governance<br />
The question of regional integration in Northeast Asia has been one of the key issues of regional politics.<br />
Notwithstanding the efforts to realize the regional integration, both its feasibility and the scope are very<br />
limited: the loosely integrated economic integration, such as a free trade zone, seems to be available option at<br />
the moment. Past historical grudges among, for example, Korea, Japan and China have been a big hurdle to<br />
jump for a greater initiative for the regional integration. Different economic interests have also discouraged<br />
them from serious talks. Thus intergovernmental negotiations to initiate the first move have not shown any<br />
substantial progress. Even so, any countries aspiring for integration may well recognize its positive economic<br />
and political implications. Under these circumstances, this paper aims to examine not only the limitation of<br />
the conventional scholarly wisdom, but the alternative view to the existing debates. If the top-down style of<br />
intergovernmental negotiations is not easy, the local level of initiatives may come first, which in turn acts as a<br />
bridgehead for further moves. To test this hypothesis, this paper will examine the roles of the local and<br />
regional governments in creating networks and value systems to strengthen the infrastructure of regional<br />
integration. To this aim, this paper will undertake its study with particular reference to the economic, political<br />
and cultural level of network formation process between China and South Korea.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Timothy Lim<br />
South Korea as an ‘Ordinary’ Country: A Comparative Inquiry into the Prospects for ‘Permanent’ Immigration to Korea<br />
Will South Korea become a country of immigration? That is, will it follow the same path as other ‘historical<br />
countries’ that also attempted to resist the permanent immigration of foreign migrant workers? My short<br />
answer to the last set of questions is yes. Briefly put, I argue that South Korea is quite ‘ordinary’. It is<br />
ordinary in the sense that it is similar, in a basic way, to other industrialized democracies. And it is the<br />
‘ordinary’ institutions, practices, and norms of democratic governance- combined with the imperatives of<br />
capitalist industrialization- that are key: they help create a common social and political context within which<br />
the process of international migration plays out. The result is a generally foreseeable sequence of events that<br />
leads from temporary migration to permanent immigration (including denizenship and citizenship). I support<br />
this conclusion through both an analysis of contemporary developments in South Korea and through a<br />
comparative examination focusing on Germany.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Meiru Liu<br />
Engaging the Community: The Non-Governmental Role of CI-PSU in Promoting Chinese Culture and Language<br />
Since signing the contract with Hanban back in January 2007, the Confucius Institute at <strong>Portland</strong> <strong>State</strong><br />
<strong>University</strong> has been in operation for more than three years. Over the past several years, CIPSU has been<br />
playing the role of non-governmental ambassador in vigorously promoting Chinese language and culture<br />
through entering the community and establishing friendly and cooperative relations with different regional<br />
and local organizations. Through activities such as Chinese language programs, China and Chinese culturerelated<br />
lecture series and Experiencing Chinese Culture events, weekly Chinese Corner activities, international<br />
conferences, K-12 Chinese language teachers training program, Chinese Textbook Exhibition, Chinese-bridge<br />
summer camps, and Chinese Proficiency Tests, the Institute is rapidly becoming an important window for<br />
<strong>Portland</strong> <strong>State</strong> <strong>University</strong> and the local community and the general public in the region to learn about China<br />
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and Chinese culture, thus broadening the network between the two countries and the peoples and building a<br />
bridge between the Chinese and Western cultures.<br />
This paper will discuss the positive non-governmental role the CIPSU has been playing in reaching<br />
and educating the community about China and Chinese culture.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Wenjia Liu<br />
Jiang Dehua and Her doubles: Girls’ Resistance to Marriage in the 1857 Flowers Growing from Writing Brushes<br />
The late-Qing tanci Flowers Growing from Writing Brushes (Bi sheng hua 笔生花; preface dated 1857), attributed to<br />
Qiu Xinru, is unusual for its intensive focus on girls’ resistance to marriage, highlighted by the characterization<br />
of Jiang Dehua and her two foils. The tanci gives scholars a unique opportunity to see how a gentry woman<br />
addressed the theme of arranged marriage in fictional writing.<br />
In the fantasized world of the tanci, the various means to resist marriage used by the female protagonists<br />
reveals a search for female agency by the author. The tanci narrates events in the life of the female character<br />
Jiang Dehua, including her cross-dressing and marriage to another woman, the ultimate disclosure of her<br />
gender when she assumes her new role as a wife in relationship to her husband’s concubines and her own<br />
previous “wife.” The cross-dressed Jiang Dehua, who serves as a high official, tries to avoid the disclosure of<br />
her sex under the name of filial piety as long as she can. Parallel to her, Hu Yuexian, a fox-spirit who is<br />
Dehua’s double, manages to outwit all the men around her and leave the mundane world. Xuexian, Dehua’s<br />
complement in terms of literary talent, pursues Daoist immortality and rejects the idea of marriage to a man<br />
sating it would pollute her. The three fictional women’s active resistance to arranged marriage endows them<br />
with autonomous agency within the system of traditional patriarchal power represented by their would-be<br />
husbands.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Yang Liu<br />
Read Her Mind Through Her Poetry: Reevaluation ofYu Xuanji's Social Poetry<br />
Yu Xuanji (844?-869) was a Tang dynasty Daoist nun famous for her poetry. Although she lived a short life,<br />
Yu Xuanji left us a number of valuable poetic works, many of which were criticized as decadent and depraved<br />
by Huang-fu Mei (dates unknown) and Sun Guangxian (900?-968). Both of these men made hostile references<br />
to Yu, significantly influencing how scholars of later periods perceived her. Yu thus became notorious for her<br />
allegedly "dissolute" life and "immoral" works. However, a careful investigation of her poetry reveals the need<br />
to reevaluate her works and her personality. To a certain extent, Yu Xuanji was relatively independent, as she<br />
lived in a Daoist convent that was a public social place, free from restrictions of family, which facilitated her<br />
active social life. In fact, of Yu's 49 poems preserved in Quan Tangshi, more than 24<br />
are addressed to her friends. This study will examine Yu Xuanji's social poetry, the controversial part among<br />
the corpus of her works, and will also take into account some of the praise and criticisms that have been<br />
expressed about her life and work. The purpose of this study is to obtain a more rounded and balanced view<br />
of Yu Xuanji and her works by focusing on close readings of her own literary output, rather than relying on<br />
the commentaries of others.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Lina Lu<br />
The Confucius Institute and Professional Development of Localized K-12 Chinese Language Teacher<br />
One of the main functions of the Confucius Institute is to promote Chinese language education and train<br />
Chinese language teachers. There are approximately 5000 people learning Chinese language in the great<br />
<strong>Portland</strong> wares. Along with an increasing demand for Chinese instruction, needs for qualified Chinese<br />
language teachers are getting greater and greater. The Confucius Institute at <strong>Portland</strong> <strong>State</strong> <strong>University</strong><br />
successfully sponsored/organized two K-12 Chinese teacher training programs in summer 2008 and 2009 to<br />
meet the need for professional development of K-12 Chinese language teachers in the great <strong>Portland</strong> area and<br />
state of Oregon.<br />
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The paper will introduce the summer K-12 Chinese language teacher training program, with a focus on:<br />
• How to assess the need for professional development of K-12 Chinese teachers in the greater <strong>Portland</strong> area;<br />
• How to cooperate and incorporate the academic requirements with those by the Graduate School of education<br />
at PSU in regard to creating an appropriate curriculum which helps the teachers with their pursuit for their<br />
Oregon teacher licensure;<br />
• How to invite experts from China to conduct workshops on specific topics that the local K-12 Chinese<br />
language are interested and needed; and<br />
• How to collaborate with the partner university in Suzhou, China for creating opportunities and potentials in<br />
developing a special master’s program in teaching Chinese as a foreign language for the interested participating<br />
teachers.<br />
The paper also discusses issues and challenges of the K-12 Chinese language training program.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Hui Luo<br />
In Pursuit of Modem Sensibilities: Wang Zengqi's Rewriting of Liaozhai zhiyi<br />
From 1987 to 1991, the veteran writer Wang Zengqi rewrote thirteen tales from Pu Songling's Liaozhai zhiyi,<br />
the 17 th century collection of strange records and marvelous tales. Through editing, stylistic innovation, and<br />
recasting the classic tales in modern vernacular Chinese, Wang Zengqi seeks to inject what he called "modern<br />
sensibilities" into Pu Songling's much-contested literary classic. Wang in particular takes issue with Pu's<br />
cliched endings, calling them the compromised results of an "internal war" between Pu's artistic ideal and<br />
Chinese literary and social conventions. Wang believes that a latent modem sensibility, both ethical and<br />
aesthetic, is already present in Pu Songling's writing. Thus Wang sees his rewriting as a means to reveal the<br />
hidden vision in Liaozhai that has been obscured by Pu Songling's own limitations as well as by the<br />
"misinterpretation" of Liaozhai by critics and scholars. Upon closer reading, however, Wang's modem<br />
updating of the Liaozhai stories seems to mirror Pu Songling's "internal war": On the one hand, Wang's<br />
rewriting is guided by his own literary vision. On the other hand, he falls into a new set of cliches by<br />
succumbing to the pressures of prevailing ideology and popular taste. Wang's project to "rescue" Liaozhai<br />
from its muddled history of reception, though modest in scale, nevertheless brings out a plethora of issues<br />
related to literary tradition, modernism, and the question of the classical tale as an alternative to Western<br />
conceptions of fiction.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Lesley Ma<br />
The Chinese Women's Calligraphy and Painting Society and Multiple Female Modernities in 1930s Shanghai<br />
When established in Shanghai in 1934, the Chinese Women's Calligraphy and Painting Society (Zhongguo<br />
nuzi shuhua hui) was more than merely one of the many artists' societies to spring up during this era. The<br />
women artists involved in the society, though from disparate hometowns, backgrounds, and training, worked<br />
towards a unified goal of promoting and securing careers for its members in the fields of traditional painting<br />
and calligraphy. Their collective aspirations could perhaps categorize them as activists, as they carved out their<br />
own territory in the artistic and social world of the day. As one may see from the proliferation of pictorials<br />
and magazines featuring commodities and the ideal female physique, even the urban cultural milieu was still<br />
patriarchal. The women artists held salons and exhibitions and, with their art and activities, made their names<br />
as both individuals and as a group. The Society thus provided exhibition opportunities, publicity, support, and<br />
business assistance for fellow women artists.<br />
From various accounts in art history and film history, however, the way they performed and<br />
functioned in the public sphere was quite different from the positioning of other female public figures, such<br />
as film stars or anonymous models for commercial art. Interestingly, their treatment of their art and craft was<br />
also different from that of their male peers. In other words, the female artists' choices of activities and<br />
painting styles suggest that there are multiple "modernities," and to be precise, "female modernities," existing<br />
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in 1930s Shanghai. The public expectation of what "modernity" means did not always align with how<br />
individuals understood or embodied it. This paper aims to examine the painting styles and society activities<br />
that the Chinese Women's Calligraphy and Painting Society put forward as they sought to construct various<br />
alternatives of modernity against the backdrop of the objectified, mass-and media produced "New Woman"<br />
of the time.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Sean H. McPherson<br />
Architecture, Cultural Identity and Religious Practice in Japanese America<br />
The social biography and architectural form of Buddhist churches established by Japanese immigrants and<br />
their descendants in the 20 th century suggest complex and changing relationships among religious beliefs,<br />
cultural identities and social contexts. These institutions functioned as social anchors of ethnic communities,<br />
as well as visual markers of Japanese-American cultural identity within a larger social context of indifference<br />
or outright hostility. Buddhist churches served as centers of socio-economic advancement, political activism,<br />
religious ritual and cultural performance.<br />
This exploratory study addresses the founding, funding, design and construction of the 1920 Fresno<br />
Buddhist Church and the 1965 Placer Buddhist Church in Penryn. as well as their maintenance amidst the<br />
climate of extreme hostility toward Asian immigrants in California; the shifting activities hosted and promoted<br />
by churches~ the inculcation and representation of cultural identity through church architecture, and the<br />
diverse ways in which cultural identity was communicated (or elided) through architectural form and spatial<br />
organization. A comparison of the architectural form, structural logic and spatial layout of these two buildings<br />
suggests generational differences in interpretations of Japanese cultural identity in built form.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Georgia A. Mickey<br />
<strong>State</strong> Legitimacy and the Rule of Law: Founding the Bank of China in 1912<br />
The Bank of China was founded in 1912 at a pivotal moment when radicals and moderates alike after the<br />
1911 Revolution fixed their hopes on a new and modern Chinese nation state. It was during this unsettled<br />
political environment that a group of Chinese elites, all private shareholders of the imperial Da Qing Bank,<br />
which had collapsed during the revolution, devised a plan to create a central bank for the fledgling republic<br />
out of the remaining tangible and intangible assets of the failed Da Qing Bank. I argue that these shareholders<br />
wanted to exchange their worthless Da Qing Bank shares for new Bank of China shares in order to recoup<br />
their personal investments in the failed imperial bank. They also planned as shareholders to structure the new<br />
bank for their own personal advantage. Although scholars typically treat the Bank of China within the<br />
framework of China’s financial modernization during the first half of the twentieth century, I am also<br />
proposing that the founding of the bank served political ends by helping to establish the new state’s<br />
legitimacy. Furthermore, in the conflict that ensued over the bank’s founding during 1912, successive<br />
ministers of finance in the new government affirmed two critical principles: (1) that it was the state and not<br />
private stakeholders who were responsible for governmental institutions such as the central bank, and (2) that<br />
rights under the imperial regime carried over into the new republic.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Barbara Mori<br />
Chinese College Women's Spousal Choice<br />
This paper will explore the attitudes of young women in China toward a future spouse. First it will discuss the<br />
traditional ways of selecting a husband and then it will discuss the responses of young university women to a<br />
list of characteristics desirable in a spouse.<br />
The Information is based on 416 surveys and interviews with freshmen, sophomores, juniors and<br />
seniors at thirteen universities throughout China conducted between January 1995 and April 1996. Additional<br />
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interviews were conducted during the fall of 1998 and 2002 and spring of 2003. The women were surveyed at<br />
a variety of colleges and universities, including students from a two-year all women's college In Xian, a<br />
technical college in Wuhan, and a university specializing in science and technology In Kunming. Respondents<br />
also included students from teacher's colleges in Hanzhong, Xian, Changchun, Ningbo and Lhasa, a total of<br />
13 in all from all over China (See Table 1). Students' majors reflect the diversity of women's education. They<br />
included women in sciences as well as liberal arts but the greatest number were English majors as they were<br />
the students most readily available for me to survey. (see Tables II and III)<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Robert F. Mullen<br />
Ralph Waldo Emerson and Comparative Vedantic Thought with Emphasis on the Wisdom of Rarnanujachiirya<br />
Two birds, alike in every respect, sit on the same branch of a tree: "one of them eats the sweet pippala fruit,<br />
while the other shines in splendour without eating at all" Sri Rarniinuja references various Upanishads to<br />
establish his position anent the essential oneness of the individual self and the Supreme Self.<br />
Ralph Waldo Emerson's (1803-1882) equanimous, sagacious, and romantic essays and poems<br />
assimilate similar Indian religious thought, which helped establish the foundation for American<br />
transcendentalism. Early in his career Emerson espoused a personal viewpoint which simulated Vedantic<br />
concepts of pantheism, the soul's immortality, illusion, and a universal identity between God and all things.<br />
His later oeuvre of works affirmed a resonance with karma, causality and mindfulness. My presentation<br />
concentrates primarily on one aspect of comparison between Vedantic teachings and Emerson-those of<br />
Ramanuja, whose commentaries on the Katha, Mundaka, and Svesasvatara Upainshads, the Bhagavid-Gita, his<br />
own Sri Basha, and other works offer a vivid and beautiful analogy to the works of Emerson, especially<br />
evident in "Nature," The Over-Soul," and "Brahrna" to name only a few. While there is vast evidence for<br />
Emerson's affirmation of his beliefs in both Buddhist and broader Hindu writings, this presentation focuses<br />
primarily on the comparative findings between those of Emerson and Sri Rarniinuja.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Miki Murakami<br />
A study of face-threatening acts in service encounters in Japan and America<br />
This study examines how people compensate for their inability to accommodate the needs of others in service<br />
encounters. Not being able to meet others' needs violates the positive face of one of the participants in a<br />
discourse. Many previous studies on speech acts demonstrate how people control their utterances to avoid<br />
causing a face threatening act. However, language behavior following a face-threatening act has not yet<br />
received much focus. I collected two different kinds of data in Japan and the U.S. using two different<br />
approaches: observation and role-play. In the first phase, I acted as a customer in several convenience stores<br />
in Japan and asked for an item which they did not carry. In the U.S., I had a native English speaker interact<br />
with a store clerk as the customer. (No recording device was used.) All exchanges were immediately recorded<br />
by hand and later coded by semantic formulae. In the second phase, native speakers were asked to role-playa<br />
parallel situation in which they acted as a store clerk and had to react to not being able to satisfy customer<br />
requests. Although many previous studies on speech acts show differences in language behavior depending on<br />
culture, the sequence of utterances in this study were very similar. The results suggest a re-thinking of a<br />
simplistic view of speech acts and emphasize the importance of experimental design.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Taira Nakamura<br />
Beyond the Colonial Male’s Violence: Tsushima Yuko’s Much Too Brutal<br />
Tsushima Yuko’s Much Too Brutal (2008, Kodansya) is a work of Japanese literature that describes colonialism<br />
and gender as well as a family’s interwined relationship between Japan and Taiwan, and at the same time it<br />
questions the concept of male-centered national history.<br />
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First it describes colonizer Japanese male and female’s self-fashioning as a middle class people in<br />
1930’s colonial Taiwan. Secondly, it describes communication with the dead, in other words bun-yuu (partage)<br />
of violent memories and death using the techniques of magical realism. The dead in this novel include both<br />
Japanese and indigenous Taiwanese people, the Sedrq in the “Musya” incident of 1930 and the Japanese<br />
female heroine Micha’s child as well as her niece, Lili’s child, and also Tsushima’s lost child.<br />
Third, this report considers how Tsushima’s perception of colonial Taiwan and the effect of the bunyuu<br />
of memory can be related to recent historical fruit. Nakamura Masau’s Captivity: Historical Anthropology on<br />
Subjective Nature and Social Power in Colonial Taiwan (2009, Ha-besuto) describes the colonial expansion of<br />
Japanese capital and the Emperor system of the modern state in relation to Japan and the indigenous<br />
Taiwanese peoples. The recent works of Tsushima (born in 1947) and Nakamura (born in 1944) who are of<br />
the same generation, overlap at the point of reflexive description of modern Japan’s behavior in relation to<br />
colonial Taiwan, especially its indigenous peoples. This report will investigate both memory and historical<br />
recognition from the point of how to take responsibility for colonial rule.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Pramila Neupane<br />
Globalization and Education in Asia: A Comparison between Success and Failure<br />
Link between education and globalization is one of the major subjects of interest in the contemporary<br />
discourse on international development. Increasing global interaction and interdependence has expanded<br />
opportunities for those countries in Asia with better levels of education but has made progress more difficult<br />
for countries with low levels of education. Thus, what are the relationships between globalization and<br />
education in the region and to how important is investment in human resources for gaining more benefits<br />
from the increasing trend of globalization and ultimately for the development of a country? To answer these<br />
questions, this paper compares the education, globalization, income and health indicators of successful and<br />
unsuccessful countries in terms of per capita income growth over the period of 1970 to 2006. The study finds<br />
that countries with high levels of education, savings and good socioeconomic policies have attracted foreign<br />
direct investment and advanced technology, and have achieved rapid export growth and other aspects of<br />
globalization. For example, South Korea, Malaysia, Thailand, and China represent such success stories. On the<br />
other hand, countries with low levels of education, such as Bangladesh, Nepal, Pakistan and Papua New<br />
Guinea have found it more difficult to achieve progress. They have experienced very slow growth in per<br />
capita income and have not been able to effectively integrate with the global economy and society. Rather,<br />
globalization has made it more difficult to secure investment in education in these countries, because<br />
government expenditures in the social sector have been severely reduced to adjust to the negative<br />
consequences of globalization. Consequently, the development gap has been widening in the region.<br />
Successful countries have a good spread of education that leads to high growth and more resources for<br />
further educational development, whereas failing countries have poor human resources that lead to very low<br />
growth and limit their capacity to build up their educational systems. Thus, how to secure the necessary<br />
investment in the education sector in such countries is the urgent issue for further research.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jeffrey Newmark<br />
Confucian Diplomacy in Early Modern Japan and Korea: Amenomori Hōshū (1668–1755)<br />
In the narrative of Tokugawa era Confucianism, Amenomori Hōshū represents an aberration of sorts. Even<br />
after Ogyū Sorai’s (1666-1728) spearheaded the turn toward kogaku (ancient studies), Amenomori levied<br />
criticism on his contemporary by criticizing Sorai’s emphasis on philology over virtue. In contrast,<br />
Amenomori’s philosophy relied on the Song Confucian interpretation of the Confucian Classics and offered a<br />
series of didactic platitudes that at times inverted or simply restated the teachings of Han Yu (768-824) and<br />
Chu Hsi (1130-1200). Yet, Amenomori’s principal contribution to Edo Confucianism was not in the realm of<br />
thought, but rather in the diplomatic world. Amenomori Hōshū served as a quasi-diplomat for the Tokguawa<br />
Shogunate in the mid eighteenth century. While his predecessor in intellectual diplomacy, Arai Hakuseki<br />
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(1657-1725), presented Japan to Korea as a divine realm, Amenomori represented his country with a more<br />
forthright disposition, maintaining a nearly unprecedented equality between the Korean and Japanese people.<br />
Amenomori garnered a reputation among his Japanese and Korean counterparts as a naïve ideologue that<br />
benefited neither country in a period when official ties between Japan and its neighbors had been severed.<br />
Yet, he played an instrumental role in masking the historically tense and adversarial relationship between the<br />
two lands until the end of the nineteenth century. Exploring Amenomori Hōshū’s reflections and unofficial<br />
proposals from his account, Kōrinteisei (Neighboring Proposals), I argue that Amenomori’s account directs a<br />
nostalgic gaze toward an idyllic past in a rather patent attempt to reconstruct relations between Japan and its<br />
neighbors.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Ka-yi Ng<br />
Towards a Sustainable Mode of Truth Production: Opening up the Channel Between East-West Exchange With<br />
Différance -- Case Study of Zhenren’s Translations as an Explicatory Case<br />
Sustainability and boundary-traversing have become the leitmotifs of the times. In China studies, however,<br />
the East’s and the West’s modes of truth production stay under-communicated, resulting in their both being<br />
unsustainable: the Western paradigm held ancient China to be a fixed stock of researchable materials ever<br />
lessened by each of the one-off discoveries, thus concentrates, rather, on consuming the ever-emerging<br />
current issues; the East has been content with moving bones from one tomb to another, evincing a intellectual<br />
lethargy.<br />
This paper exemplifies how this academic unsustainability is surmountable with (1) methodological<br />
innovation and (2) transnational and cross-disciplinary research.<br />
Paradigmatically, by introducing Derrida’s différance into (a) the philosophical study and (b) the<br />
translation of classical Chinese thinking, it challenges the ego-centrism and truth monism the East, for the<br />
reasons of lingual and geo-cultural affinity, typically committed in China studies.<br />
Methodologically, this possibility is exemplified through a concrete case study of the Taoist classic<br />
Zhuangzi 莊子. Chased is how the Chinese ideal personality, zhenren 真人, got proteanly translated in the<br />
Anglo-American and the Eastern academias, the reasons behind, and the implications for how the concept has<br />
actually been received on different cultural and philosophical soils.<br />
This study thus serves strict illustrative purpose, showing how, by forsaking both a monistic view on<br />
truth and the obsession with some most faithful, “correct” translation, made realistically possible is a more<br />
flexible, self-reflective mode of truth production facilitating a facile bilateral flow of cultural resources<br />
between the East and the West.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Stephen Noakes<br />
Intellectuals and Authoritarian Resilience: The Development of Political Science in China<br />
What is the role of the social sciences in non-democratic regimes? In his 1987 Presidential address to the<br />
American Political Science Association, Samuel P. Huntington posited a close relationship exitsts between the<br />
development of political science and democratization. “Political science,” he writes, “is not just an intellectual<br />
discipline (but) also a moral one… the impetus to do good in the sense of promoting political reform is<br />
embedded in our profession.” By contrast, this article demonstrates the complicity of political research in<br />
upholding authoritarianism in China. Because of the historically close association of the discipline to state<br />
interests there, periodic changes in the logic of authoritarian survival. Under the current Hu-Wen<br />
administration, political science has become more nation-centered and service-oriented, concerned with<br />
solving China’s governance challenges while support for democratization, prominent in the late 1980’s, has<br />
largely been silenced. Now more focused on improving that replacing the communist regime, political science<br />
in China today provides the CCP with a means to re-legitimate itself, and thereby serves to strengthen and<br />
perpetuate authoritarian rule rather than end it.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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Nicole Nowlin<br />
Scanlations: Copyright Infringement for Literature and Art Fans Brought to You by the Internet<br />
In the US, Japanese film, anime, manga, food, fashion, cars, and music have a growing impact in pop culture.<br />
Now, with the addition of the internet to the equation, scanlations come into play. The paper is an<br />
examination of the pop culture phenomenon of Japanese manga comics in the United <strong>State</strong>s and the world of<br />
illegal scanlations. Scanlating is the practice of scanning and translating Japanese manga from its native<br />
language into English. Scanlations, especially when viewed as a parallel to the current lawsuits for illegal<br />
music downloading, is inherently an unacceptable practice from a legal standpoint, yet is widely accepted and<br />
used in the anime/manga subculture in the United <strong>State</strong>s. Explanations and analysis will be drawn from US<br />
Copyright laws, interviews conducted with publishers, authors, and fans, and a survey of user demographics.<br />
The paper concludes with a look at the likelihood of the trend changing in the near future, and the overall<br />
theme behind the movement to continue scanlations.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Takeshi Odaira<br />
Regional Environmental Cooperation in East Asia: From Track 1 ODA to Track 1.5 Business Arrangement<br />
Now the concept of East Asian Community is discussed in both the political and academic realms much more<br />
often than the past. Besides, the need of international environmental cooperation is claimed in the same<br />
realms. Therefore, it is meaningful to produce a paper on the study of regional environmental cooperation in<br />
East Asia, as global frameworks of the environmental cooperation such as UNFCCC have not developed to<br />
universally effective means of protecting the environment. This logic is equivalent to that of FTA researchers<br />
and policy makers who tend to deal more with regional economic arrangements when the development of<br />
universal trade arrangements such as negotiations at WTO are much less prospective in its speed of progress.<br />
How does the regional environmental cooperation develop in East Asia? To this research question, a few<br />
researchers have given their answers. Matsuoka, Matsumoto and Iwamoto (2008) assumed that the track 1<br />
official environmental cooperation leads to the track 1.5 cooperation as a part of the first stage of the<br />
development of the regional environmental regime. However, they did not examine how this process in the<br />
first stage proceeds in East Asia. Therefore, it is necessary for the following researchers to conduct case<br />
studies to examine the relevance of the aforementioned assumption. The proposed paper conducts a<br />
qualitative case analysis on verifiable official documents and press releases. This analysis illustrates that<br />
bilateral track 1 de jure environmental cooperation such as ODA is leading to the emergence of track 1.5 de<br />
facto cooperation involving the corporate sector in East Asia.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Sujin Oh<br />
Hazu da and Wake da as Logical Conclusion<br />
Hazu da and wake da are contemporary Japanese terms expressing the perceptions of a speaker as a logical<br />
conclusion. Hazu da refers to coming to a conclusion inevitably via the laws of nature or certain<br />
circumstances. It is also used when judging that the current circumstances can be the natural consequence<br />
based on your understanding of a certain fact about which you have doubted. This is an expression to let<br />
others know the circumstances from which your inferences are made are true based on your current<br />
knowledge while you may not be able to speak positively when you want to judge whether they are true or<br />
not. Wake da refers to coming to a conclusion inevitable such as a certain fact, circumstance, or<br />
reasonableness. Like hazu da, it is used when the current circumstances are natural consequences based on<br />
your understanding of the truth of a fact while you may still have doubts about it. It is the expression of a<br />
speaker to listeners indicating that it is a natural consequence of a certain thing. The expression shows that we<br />
reach a natural consequence through inferences from obvious facts in order to explain why a certain fact is as<br />
it is. As for the difference between the two, wake da is an expression used to make a decision by presenting<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
logical conclusions based on a premise on a fact, while hazu da is used to infer a logical conclusion from a<br />
premise on an undecided fact.<br />
While both terms are based on the subjective judgments of the speaker, hazu da expresses the<br />
speaker's subjectivity more strongly. Hence, while hazu da is based on a certain amount of objective facts,<br />
there is an implication that it has come from the speaker's inferences and it tends to be accompanied with<br />
aspirations of expected realization, or wishes to win the agreement of the other party. In conclusion, hazu da is<br />
used to infer a logical conclusion based on undecided facts, and wake da is used to infer a logical conclusion<br />
based on established facts. Hence, in this presentation the parallels and differences between the two terms will<br />
be clarified based on the identification of their interchangeability from examples from Japanese novels.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Miwako Okigami<br />
Speaking Flowers in Utopia: Yoshiya Nobuko and Girls' World of esu in Shojo gaho during the Taisho Period<br />
Magazines for girls in the early 20th century played crucial roles to construct and disseminate ideologies of<br />
girlhood by mediating female voices to form girls' community. Shojo gaho (Girls' Pictorial 1912-1942) discovered<br />
a female writer, Yoshiya Nobuko, who charmed young female readers by depicting sisterhood of schoolgirls<br />
called esu with lyrical language. While descriptions of heterosexual relationships were considered inappropriate,<br />
intimacy of two young females grew to be a popular motif. However esu is not a mere substitute for<br />
heterosexual romance or simply a platonic lesbian relationship. Girls' desires, dreams, and ideals are projected<br />
through esu, but at the same time their fragility and powerlessness were exposed. Yoshiya's writings crystallized<br />
the girls' world of purity and spoke their yearnings to love and to be loved in the absence of male figures.<br />
Yoshiya and her works became a target of yearning for young girls; however, girls were also active participants<br />
in writing about esu by submitting letters to the magazines. My presentation will analyze how writing about esu<br />
was an important voice to express their girlhood identities in the Taisho era (191Os and 1920s). I will examine<br />
Yoshiya's works including Flower Tales and readers' writings about esu on Shojo gaho during this time. The girls<br />
treasured their own writings and recognized their identities through magazines outside of their family ties.<br />
Though under supervision of editors, girls imagined their ideal girlhood and began voicing their own desires<br />
in writings.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Bernard Ong<br />
The United <strong>State</strong>s of Asia-Pacific? A Game Theory Approach<br />
Abstract: The paper aims to address the prospect of uniting the states of Asia-Pacific in tandem with recent<br />
overtures by United <strong>State</strong>s, the world’s hegemon, in wooing the region. In a stinging response to calls for a<br />
new regional framework, President Barack Obama declared in November 2009 that “as an Asia-Pacific nation,<br />
the US expects to be involved in the discussions that shape the future [of the region] … and to participate<br />
fully in appropriate organizations as they are established and evolve.” Avoiding the main stream approaches in<br />
the study of regionalism, the paper will use game theory techniques to examine whether a Nash equilibrium,<br />
where all players’ expectations are met and their chosen strategies are optimal, may be realized in regional<br />
integration.<br />
While game theory has been heavily utilized in the discipline of security cooperation, its application to<br />
the understanding of regionalism from a political-economist’s lens is limited.<br />
The paper will discuss the rational considerations of the key rainmakers of Asia-Pacific cooperation (e.g., the<br />
US, China, Japan, ASEAN, and Australia) and examine how their gaming decisions will determine the<br />
outcome of Asia-Pacific regionalism. As a preliminary conclusion, the paper is likely to contend that a Nash<br />
equilibrium in Asia-Pacific regionalism with US participation is plausible through two strategies, namely,<br />
raising the expectations that each playing state will cooperate and adjusting the incentives for cooperation.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
30
Blair Orfall<br />
Resistance and Adaptation: The Bollywood Model<br />
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
India’s popular Hindi film industry’s, or Bollywood’s, ability to adapt to aesthetic and market demands<br />
demonstrates how Asian studies can not only be sustained, but reinvigorate academic disciplines. Formerly<br />
marginalized in academic film discourse and considered a parasitic industry, Bollywood has become a creative<br />
well for artists and scholars of multiple mediums. As Bollywood’s resistance to Hollywood formulas is being<br />
recognized, and ironically re-appropriated into the Hollywood model, Bollywood continues to reinvent itself.<br />
This paper takes two recent Indian-cross over films as case-studies of the influence of Bollywood on global<br />
film-making. Chandni Chowk to China (2009), Warner Brothers’ first Hindi film, illustrates one American<br />
company’s necessary foray into two of the most important foreign territories for future economic success:<br />
Indian and China. Slumdog Millionaire (2008) created an unexpected international sensation by re-working<br />
popular Hindi formulas into the classic Hollywood romance. Through an examination of these two films, this<br />
paper will argue that adaptation itself, as a discipline, with all its thorny issues of intellectual property, culture<br />
as commodity, and its ability to marginalize other mediums is one of the keys to understanding the future of<br />
Asian studies.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Syeda Naushin Parnini<br />
Institutionalization of Linkages between ASEAN and Bangladesh Name and Affiliation:<br />
Dynamic shift of ASEAN in its structure and relations enables neighboring countries like Bangladesh to seek<br />
institutionalization of linkages with ASEAN. Bangladesh’s moderate economic growth intertwined with<br />
economic liberalization and cultural affinity with ASEAN countries are expected to strengthen the ASEAN-<br />
Bangladesh Relations. Institutionalization of this relationship between ASEAN and Bangladesh fosters<br />
investment and trade flows, social and cultural exchanges as well as technical cooperation to cope with the<br />
challenges of 21 st century stemming from global economic recession and other transnational forces<br />
worldwide. This paper explores the recent trends and future prospect of ASEAN- Bangladesh relations taking<br />
into consideration the policy options within a trans-regional context evolving under the framework of<br />
economic realism. The study examines that the convergence and dissonance in ASEAN-Bangladesh relations<br />
and their concurrent ties would be determined by a mix of different factors on the basis of equal partnership.<br />
This work also demonstrates that ASEAN-Bangladesh relationship is expected to be further facilitated and<br />
strengthened by the future changes and streamlining of the ASEAN future directions.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Kristen Parris<br />
Intermediary Organizations and <strong>State</strong> Building in Contemporary China: Chambers of Commerce and Community Building<br />
in Zhejiang Province<br />
This paper will examine the question of intermediary organizations in Contemporary China. Of particular<br />
interest are the Chambers of Commerce and the Shequ committees that have emerged as a part of the<br />
marketization and other economic and social changes that have occurred in the past thirty years. Intermediary<br />
organizations here refers to that is those organizations that play a role in mediating the relationship between<br />
state and society, often helping to define and redefine citizenship, negotiate differences, orient individuals, and<br />
provide the basis for old and new identities and perhaps other functions. The paper will focus on the recent<br />
history of the Chambers of Commerce and the on-going Shequ Jianshe (Community building or Community<br />
Development) Program that is ongoing all over China. Zhejiang is of special interest because Hangzhou has<br />
been on the forefront of the community building program while Wenzhou has witnessed the emergence of<br />
some influential Chambers of Commerce. That the province itself has become known for its so called<br />
“Zhejiang model” of development itself suggests the importance of the region.<br />
While Chambers of Commerce and Shequ occupy different, but equally ambiguous positions in<br />
China’s political economy, they are both promoted as “minjian” organizations, or organizations that are “of<br />
the people” rather that state, government or party agencies. At the same time, they have very close<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
relationship with the state and the CCP clearly see these organizations as taking on important responsibilities<br />
that might otherwise be done by the state. My interest is not in testing to see if these organizations fit some<br />
definition of “civil society” but rather to understand what role or potential role they do play in the<br />
transformation of the relationship between the state and society in China, in particular in the definition of a<br />
new, loyal post-communist citizen. Preliminary research suggests that although Chambers of Commerce in<br />
Wenzhou have had considerable influence, the Shequ development has lagged well behind the Hangzhou and<br />
the rest of the province. In Hangzhou, on the other hand, Chambers of Commerce seem to have captured<br />
little attention, while the Shequ building program has seen as both lively and crucial to China’s future, at least<br />
by the local press and leadership. Thus, I engage in an interpretive examination of these groups as<br />
intermediary organizations and then seek to explain the apparent differences in development between<br />
Wenzhou and Hangzhou in Zhejiang Province. Research is based on documentary sources in Chinese and<br />
English as well as interviews in Zhejiang.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Gonzalo Paz<br />
China Goes Global: Reaching Latin America in the 21 st Century<br />
As China reaches new levels of economic development and political confidence, its presence and influence is<br />
increasing in most areas of the world. At the end of the first decade of the century, the relations between<br />
China and Latin America are now an established feature of international relations. Trade, the most visible<br />
aspect of the relations has skyrocketed during the decade. Three Free Trade Areas have been established or<br />
are being negotiated currently between China and Latin American countries (with Chile, Peru, and Costa<br />
Rica). The political relation has also been expanded: there are now regular and frequent high level visits, of<br />
head of state and government, political parties’ authorities, even military exchanges are today routinely<br />
conducted. Several “strategic partnerships” have also deepened the relations, particularly with Brazil, which is<br />
also a member of the so-called BRICs, and at the G20 (in which Argentina, Brazil, and Mexico are also<br />
members). Now China has an institutional presence in both the organization of American <strong>State</strong>s (OAS) since<br />
2004 and the Inter American Development Bank (IADB) since 2009. The United <strong>State</strong>s has also monitored<br />
these changes, and keeps following this emerging relationship on a day-to-day base, trying to some extent to<br />
influence them.<br />
The goals of the paper are threefold: first, to analyze how and why this relationship has emerged in its<br />
present form; Second, to take stock of the economic and political relations between China and Latin America<br />
& the Caribbean; Third, to try to chart probable trends in coming years.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Frank Phillips and Xia Yun<br />
Confucius Classrooms: Programs, Potential, and Possibilities<br />
In 2008, St. Mary’s school was awarded the first Confucius Classroom at a K-12 school in North or South<br />
America. St. Mary’s has extended its Confucius Classroom and Chinese language and culture programs far<br />
beyond the walls of the school. The Confucius Classroom at St. Mary’s School partnered with the Southern<br />
Oregon Educational Service District to win $600,000, three-year FLAP grant from the U.S. Department of<br />
Education to teach Mandarin from grades 3-8 via interactive video conferencing. Currently, 300+ students<br />
are taking Mandarin in three southern Oregon counties with the program expected to grow to 1500. The<br />
Confucius Classroom at St. Mary’s School is also working with two local public school districts to bring fulltime<br />
Hanban teachers into middle and high school classrooms. Added to these initiatives is an array of<br />
cultural outreach programs in the community including a hands-on China Exploratorium at Science Works<br />
museum in Ashland, Oregon as well as visits by Chinese musicians and kung fu troupes from China’s Shaolin<br />
Temple. The presenters will explain how to go about applying for Confucius Classroom status and the<br />
mechanisms for obtaining funding from Hanban to help execute them. The challenges and logistics of<br />
instituting programs, selecting texts and other learning materials, and hosting teachers from China will also be<br />
covered.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
32
David Pietz<br />
Water and History on the North China Plain<br />
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
This paper will explore how the government of the People’s Republic of China managed the Yellow River<br />
after 1949. Specifically, the paper will formulate conclusions about the environmental consequences of<br />
different hydraulic engineering projects as China pursued different developmental paradigms during the Mao<br />
and post-Mao periods. The state pursued Soviet-style central planning for much of the 1950s, Great Leap<br />
Forward decentralization and communalization between 1958-1961, a blend of state planning and mass<br />
mobilization during the 1960s and 1970s, and “market socialism” during the post-Mao era (1978-). The<br />
project will be organized around these four eras and it will examine the implications that each of these<br />
developmental approaches had on North China’s water resources. Comparative conclusions about the<br />
environmental consequences of these four developmental periods will be guided by several fundamental<br />
options that faced state and party leaders throughout the post-1949 period: 1) modern hydraulic engineering<br />
vs. traditional water conservancy and mass mobilization, 2) central vs. local planning, 3) international technical<br />
cooperation vs. self-reliance, and 4) economic development vs. environmental protection.<br />
As China migrated to and from different developmental paradigms, the fundamental goal of building<br />
“wealth and power” remained consistent. Central to all these differing modernizing approaches was the<br />
effective management of water. Flood control, transportation, irrigation, hydroelectric generation, and<br />
pollution control were water management issues that the state sought to address. The challenge of the<br />
Chinese state after 1949 has been to formulate effective institutional patterns and policies to effectively<br />
manage water to serve modernizing goals. At the same time, however, many of these institutions and policies<br />
have had unexpected consequences on the same resources they sought to maximize.<br />
The paper will suggest the potential environmental consequences of water policy choices that were<br />
made in China. Whether the issues in centralization versus decentralization, reliance on contemporary<br />
standards of hydraulic engineering versus traditional mass mobilization, or self-reliance versus international<br />
cooperation, an examination of the experience of water management in China since 1949 will point to the<br />
environmental consequences of hydraulic engineering choices.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
John Porter<br />
Cholera 1886: Poverty, Disease and Urban Governance in Meiji Osaka<br />
This paper examines the relationship between poverty, disease, and urban governance in Osaka’s largest late<br />
nineteenth-century slum, Nagomachi. Characterized throughout the nineteenth century as a principal source<br />
of urban crime and social instability, during the 1880s Nagomachi came to be identified in both popular and<br />
official discourse as a “den of squalor and disease.” Citing public health concerns, in 1886 the Osaka<br />
prefectural government unveiled a citywide slum clearance proposal, which sought the demolition of the city’s<br />
largest slums and the relocation of Osaka’s poor to a walled residential compound on the city’s periphery.<br />
Announced at the height of the deadliest cholera epidemic in Japanese history, the proposal’s primary target<br />
was Nagomachi’s built environment and the “paupers and thieves” that found shelter in its flophouses and<br />
back-alley tenements.<br />
Focusing on proposals, such as the one described above, much of the scholarship on poverty in<br />
modern Japan has characterized the relationship between the urban poor and local government primarily in<br />
terms of discrimination and social exclusion. While it is certain that efforts were undertaken during the late<br />
nineteenth century in a number of Japanese cities to segregate the poor from other parts of the urban<br />
population, this paper argues that such efforts were paralleled by a broader “civilizing” project, which aimed<br />
not to exclude the poor, but to transform them into healthy, productive and docile citizens capable of<br />
contributing to the growth and prosperity of the Japanese nation.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
33
E. Bruce Reynolds<br />
Julean Arnold: America’s Salesman, China’s Friend<br />
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Although a largely forgotten figure, <strong>University</strong> of California-Berkeley graduate Julean Arnold compiled a<br />
unique and remarkable record in representing the United <strong>State</strong>s in China for 38 consecutive years. A member<br />
of the <strong>State</strong> Department’s first class of student interpreters in 1902, he served in the consular service until<br />
1915 when he transferred to the Commerce Department. Named commercial attaché, he filled that role for<br />
25 years with astonishing energy and panache.<br />
As one would expect, Arnold was a relentless promoter of U.S.-China trade, but more interesting, and<br />
perhaps surprising, was his unshakeable faith in China’s potential and his sincere interest in encouraging that<br />
nation’s development. This sympathetic attitude facilitated his establishment of friendly relations with many<br />
leading Chinese public figures of his era.<br />
Arnold held a special interest in transportation issues, sharing Dr. Sun Yat-sen’s belief that an<br />
extended rail network was a key to China’s economic development. He also recognized in the early 1920’s<br />
that air transportation would shrink the world, predicting flights between China and the United <strong>State</strong>s in less<br />
than 24 hours decades before they became a reality.<br />
Of particular interest to Asianists were Arnold’s efforts to promote Asian studies. He prodded<br />
American schools in China to educate their expatriate students about the country they were living in, and in<br />
countless speeches and articles promoted Chinese studies in the United <strong>State</strong>s.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Richard Rice<br />
Image and Identity: Ainu Representations in Japanese Museums<br />
In the 2003 inaugural issue of Museum and Society, Sharon Macdonald argued that museums “…act as<br />
manifestations of identity or sites for the contestation of identities.” After establishing a theoretical<br />
framework that follows her argument, I look at how the Ainu of Japan are breaking away from their former<br />
proscribed identity at a number of museum and cultural sites, representations that reflect both recent<br />
scholarship and a growing political awareness.<br />
My evidence is based on a trip in the summer of 2008 to many sites in Hokkaido and Honshu, as well<br />
as discussions with scholars and museum staff and a survey of the current literature. I argue that museums<br />
are important expressions of political as well as cultural existence. Traditionally organized museums imply<br />
marginality by visual and spatial organization that regulates ethnic and racial groups to smaller and separate<br />
spaces that depict historical visions of the past without reference to the present. This tends to make<br />
minorities “invisible men” and privileges the culture of the dominant elite. In the case of Japan the dominant<br />
culture is that of the wajin.<br />
Edward Rothstein puts it well: “The identity museum is created by a group to recount its past trials<br />
and present achievements. It is also a community center and meeting place, meant to solidify the identity it<br />
celebrates…. We had to overcome many difficulties, some of which tempted us to forget who we were….<br />
The museum is a monument to a reforged identity in which our past is a hyphenated part of our future.” In<br />
the case of the Ainu, this claims a self-identification rooted in the present.<br />
My paper will be augmented, and indeed requires, visualization of sites and displays, via PowerPoint<br />
presentation.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Clare Richardson-Barlow<br />
Green Security: Regional Cooperation & Energy in East Asia<br />
As an area of the world that is both heterogeneous and intraregional, East Asia offers a unique combination<br />
of both developed and developing nations with the potential to provide benefits for all countries involved in<br />
regional cooperation over energy security. Particularly in East Asia, regional cooperation has been a<br />
continuing goal of nation-states in an attempt to strengthen economic and military security. As energy<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
security becomes more important to developing and developed countries new tactics must be taken to ensure<br />
the security of not just energy in a particular country, but also in regions that can benefit from mutual<br />
cooperation. Shared goals between wealthier nations and developing nations can only create stronger<br />
relations between governments, but also increased economic growth for all parties involved.<br />
In this thesis, the following questions will be addressed: What does current regional cooperation over<br />
energy security in East Asia look like? What areas can be improved upon? Does economic integration<br />
precede regional integration, visa versa, or are the two the same? Can energy security be addressed in a<br />
“green manner?” What do current regional climate change initiatives look like? How do they address energy<br />
security? Does the presence of international regimes make regional cooperation on energy security more or<br />
less likely? Should current international regimes be utilized for regional cooperation initiatives, or should new<br />
ones be created? And finally, what can be expected for regional cooperation on energy security in East Asia<br />
in the next 5 to 10 years.<br />
It is the unique combination of regional cooperation in East Asia and energy security that make this<br />
paper significant and will provide the greatest contribution to the field of security and development. First,<br />
the use of East Asian international regimes will play an integral role in outlining a strategy for cooperation<br />
that all parties can benefit from. Better use of current international regimes may be possible; as current<br />
evidence suggests new and different regimes may be needed in order to correct past weaknesses. Further, the<br />
author posits that East Asia can learn many lessons from past examples of regional integration but must adapt<br />
such examples to developed and developing countries in the region.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Gregory Rohlf<br />
Filipino Volunteers Overseas in Global Perspective<br />
International voluntary service (IVS) continues to grow in popularity all around the world. Japan, the United<br />
Kingdom, South Korea, Canada, Australia, the United <strong>State</strong>s and Switzerland each send their citizens abroad<br />
to help people improve their lives. It is clear that sending volunteers overseas marks a significant milestone in<br />
a country’s development. In the same way, choosing to volunteer in a distant, ethnically alien and poorer<br />
country marks a milestone in the evolution of the Self in a global context. This paper explains and analyzes<br />
Filipinos’ participation in IVS as part of a global history of caring for distant Others. Given the history and<br />
ongoing pattern of overseas and diasporic labor migration, Filipino IVS is both poignant and illustrative of<br />
the global appeal of the ideas that underlay helping ethic others from home.<br />
This study examines the history of IVS and considers the Phillipines as a case study. IVS is examined<br />
in an interdisciplinary framework – drawing on geography, international politics, anthropology, ethics,<br />
economics and the history of modernity itself – that takes the human quest for meaning as its metric.<br />
Research suggests that IVS is at once a search for the true Self and the true Other, an existential struggle<br />
against nature and poverty that volunteers feel they lack at home, and a uniquely twentieth century fusion of<br />
narcissism and altruism made possible by revolutions in transportation and communication. Although these<br />
findings are preliminary, it is anticipated that field research in 2010 and 2011 will confirm that Filipino<br />
volunteers fit within these norms, and thus are active shapers of global civil society.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Nilanthi Samaranayake<br />
Are Sri Lanka-China Relations Growing Closer? An Overview of Bilateral Economic, Military, and Political Ties<br />
During the past few years, Sri Lanka and China appear to be forging closer economic, military, and political<br />
relations. While most observers would expect Sri Lanka’s ties to neighboring India to be stronger than those<br />
to distant China, Sri Lanka has welcomed Chinese investment in building a port in Hambantota, arms from<br />
China for use in its civil war, and “dialogue partner” status in the Shanghai Cooperation Organization. Highprofile<br />
moves such as these have unnerved observers fearing the rise of Chinese influence in the Indian<br />
Ocean. Consequently, news reports addressing bilateral relations have been filled with fleeting references to<br />
these developments, based on anecdotal accounts and speculation instead of substantive data. The purpose of<br />
this paper is to undertake a first-time, systematic analysis of the patterns of economic, military, and political<br />
35
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
activities between China and Sri Lanka. Through this investigation, academics and policymakers will be<br />
introduced to comprehensive research depicting rising economic, military, and political ties between China<br />
and Sri Lanka in order to understand the implications of this relationship for the region.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Atsuko Sato<br />
Can Japan Achieve a Gender-Equal Society? A shift in Government Approaches<br />
The evolution of Japan’s gender-based equality reveals a shift in concepts and strategies: from “equal<br />
opportunity” to a “gender-equal society.” This paper analyzes the development of policy orientations in the<br />
1980’s and 1990’s to the present, and their outcomes and consequences in Japanese society. Using a<br />
methodology of frame analysis, the paper, first, analyzes, how gender equality and family policy were framed<br />
in the 1986 Equal Employment Opportunity Law (EEOL) and in related measures throughout the 1980’s.<br />
Second, my paper analyzes the period after the so-called “1.57 shock” in 1990 (the fertility rate his 1.57),<br />
when the government shifted significantly the framing of gender and family policy through a series of<br />
measures, including the 1999 Basic Law for a Gender-Equal Society. The paper reveals, however, that public<br />
policies based on the concept of “equal opportunity” were never intended to bring about equality. And<br />
further, that the introduction of a “gender-equal society” in politics as been essentially framed as a solution<br />
for the population and economic problem, namely low fertility rates. As with “equal opportunity,” genderequal<br />
policies are not intended to create gender equality in Japan. The question remains: Can Japan achieve a<br />
gender-equal society? I argue that, while this is possible, the recent framing of gender issues in Japan make<br />
this extremely unlikely.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jill Scantlan and Richard S. Lockwood<br />
Barriers to Community Participatory Development in North-Indian Urban Slums: An Ethnographic Study<br />
Community participatory development principles have been accepted as the de facto approach to “doing<br />
development” in resource-poor communities around the world. India has some of the largest income<br />
inequalities, health disparities and slum populations in the world and could greatly benefit from grassroots<br />
community participatory development. This pilot study reveals the limitations of utilizing community<br />
participatory principles in health-related development projects in urban Indian slums. In summer 2009<br />
qualitative research was conducted with three North-Indian NGOs who focus on maternal and child health<br />
development within seven different urban slums. Grounded theory was utilized as a methodological approach<br />
in order to allow for findings to emerge as research was conducted. The main data collection methods<br />
included open-ended interviewing of key stakeholders, participant observation (via field visits), and analysis of<br />
secondary data. Preliminary analysis centered on three findings: (1) that the current national healthcare<br />
policies implemented in urban slums follow the same vertical and hierarchical power structures that have<br />
traditionally made the incorporation of community participatory principles difficult or impossible; (2) the legal<br />
status of a slum community is the main determinant of the amount of community participation that is<br />
possible; (3) local politicians competing for votes and power within urban districts purposefully prevent<br />
community development and manipulate slum dwellers, which leads to their disengagement with the<br />
community participatory process. Recommendations: in order to bring more international and local attention<br />
to community participatory development in urban Indian slums, further research into these three obstacles is<br />
needed.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jae-ho Shin<br />
Translation of Xiao Jing in Conquest Dynasties: Cases of Touba Wei and Mongol Yüan<br />
In 1307 prince Khaishan came to power as a new Khaghan of the Yüan Ulus. Interestingly, the new<br />
Khaghan, who is known a one of the most steppe-oriented Khaghan in the Yüan dynasty, ordered to<br />
distribute the Mongolian version of Book of Filial Piety, or Xiao Jing, in ‘Phags-pa script only about three<br />
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months after his enthronement. The translation of Xiao Jing and its distribution may be seen as an example of<br />
Confucianization in a conquest dynasty. However, it seems unreasonable to think that the Yüan court<br />
encouraged the spread the Confucian family ethics in the book among the Mongols; the controversies over<br />
widow remarriage and levirate in the Yüan society exemplify how much the Mongolian family ethics differed<br />
from those of Han Chinese people.<br />
The aim of this paper is to provide an explanation for the appearance of Xiao Jing in the history of the<br />
Mongol Empire. By comparing the multifaceted roles of Xiao Jing in the Han, Touba Wei and Mongol Yüan<br />
dynasties, I concluded that Khaishan’s decree to distribute the Mongolian version of Xiao Jing had been a<br />
political tactic to strengthen his emperorship. To distinguish himself from other Mongol princes, Khaishan<br />
introduced the Confucian emperorship by means of spreading Xiao Jing. However, unlike Touba Wei’s case,<br />
Khaishan’s Xiao Jing distribution policy did not mean an unconditional imitation of Chinese culture. Rather,<br />
the Mongol court efficiently and selectively exploited Confucian ethics as a political tool by translating the<br />
classic.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
John L. S. Simpkins<br />
Judicial Power in a Time of People Power: Indonesian and Philippine Experiences<br />
This paper examines the effect of modern constitutional reform and populist political movements on judicial<br />
empowerment in Indonesia and the Philippines. It focuses on the judicial resolution of contested elections to<br />
highlight the unique character of electoral disputes as a test of the degree of entrenchment of constitutional<br />
norms. Equally important, judicial decisions in contested elections have the potential to frustrate the popular<br />
will.<br />
The Indonesian and Philippine cases turn on the question of how judiciaries establish legitimacy and<br />
institutional security during a period of democratic consolidation. In both countries, popular discontent with<br />
post-authoritarian constitutional reform posed a significant threat to governmental stability. The political and<br />
legal skills employed by both courts provide valuable instruction on how courts gain public trust while<br />
simultaneously asserting themselves within a new governing structure.<br />
Indonesia and the Philippines are particularly instructive cases because of their recent experiences of<br />
judicial involvement in electoral politics and shared post-colonial traditions of populist-inspired protest<br />
politics. This paper examines the intersection between “people power” and judicial power as new<br />
constitutional regimes have taken root in each country. Specifically, the paper considers cases involving<br />
election results, candidate eligibility, and forms of government to assess judicial performance in the midst of<br />
popular protest movements against centralized executive authority in post-Soeharto and post-Marcos regimes.<br />
Kuldeep Singh<br />
Bhunda in Himachal Hills<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
This paper describes the various aspects of Bhunda Mahayajna, which is one of the age old traditions being<br />
celebrated in the hills of Shimla, Kullu and Mandi districts of Himachal Pradesh. According to the Sanskrit<br />
dictionary 'Nighanta' the word 'Bhund, means to support. According to another definition the word 'Bhunda' is<br />
related with the demon 'Bhundasur' which has been described in Brahmanda Purana. The word 'Bhanda' can be<br />
extracted from the commonly use word 'Bhandara'. Nowadays it is considered as the 'Narmedh Yajna' which<br />
seems to be true according to the clues which could be extracted from the Vedic literature. The study is based<br />
on the intensive field work which has been carried out in fifteen different places where it is being celebrated.<br />
Some work has been done by the scholars and writers on this topic, the few of them are, A.H.Diack (1887),<br />
J.F.Fleet (1888) H.W. Emerson (1921), O.C.Handa (1965), S.C.Rattan (1969), Sudarshan Vashishtha (1980,<br />
2006) etc. The primary data has been collected by various research methods including, participatory<br />
research; interview and by personal observation methods etc. The interviews are recorded in the videos then<br />
transcribed and translated. The documentary of the two festivals has been prepared. The festival is culturally<br />
very rich. It has the glimpse of rare customs and tradition of the hill people. This includes the symbolic<br />
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human sacrifice and the animal sacrifice on the name of the local deities of the village. The festival is a<br />
collective venture of all the villagers which can be a good example of community participation. The villager of<br />
all castes participates in this big festival of faith. The preparation starts a year before the main festival is being<br />
held. The people have a reason behind the celebration of this festival; according to them it brings prosperity<br />
for the region in the form of snow, rain and favorable weather conditions. The villagers gather on the call of<br />
the head and decide the contribution in the from of money and other essential items required in this. On the<br />
first day of the festival all the invited deities are welcomed by the host deity according to the hierarchy based<br />
on the places. On the second day the Jal Pooja (water worship) and the Shikha Pher (Encircling around the<br />
village by sacrificing different types of animals like Goats, Sheep's, Pigs, Chicken and fish) so as to satisfy the<br />
bad spirits which may create hurdles during the main ceremony. Third day is the day of the main ceremony<br />
of the festival i.e. 'Rope Slide'. This is the main attraction of the festival. Thousands of people attend the<br />
festival on this day. The festival revolves around a person known as 'Beda' by the locals. In fact 'Beda' is a<br />
caste found in the hills of above stated districts those have the special right to perform the slide ceremony.<br />
No one else can perform this ritual accept the person from this caste which is otherwise treated as<br />
untouchable by the upper castes. Bedas are being used as lamb for sacrifices in this. One of the major<br />
objectives of this paper is to highlight the caste system related to such kind of festivals of these hills.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Lindsay A. Skog<br />
Sherpa Sacred Landscapes in Khumbu, Nepal<br />
Khumbu, part of Sagarmatba(Mt Everest) National Park in eastern Nepal, and an UNESCO World Heritage<br />
site, is home to the Sherpa people, ethnic Buddhist Tibetans who migrated to the region more than 500 years<br />
ago. Khumbu residents identify the landscape as a beyu, a large scale sacred place and hidden valley<br />
protecting Buddhist people and beliefs in times of turmoil and need, accentuated by sacred mountains, mainly<br />
associated with the BonP,9, and Tibetan yullhtt cults, and animated with localized water, tree, rock; and land<br />
spirits. These beliefs protect the natural environment through religious practices and taboos against<br />
environmentally harmfu1 behaviors and activities, while associated ritual practice, perceptions, and mythology<br />
encode Sherpa culture and beliefs in the landscape. This paper discusses study results documenting Sherpa<br />
residents' perceptions of Khumbu as a sacred landscape) examining the landscape at several scales, and<br />
discussing how varying belief systems operating at different scales reflect Sherpa cultural, economic, and<br />
political landscapes. Drawing on anthropological and geographical place making and landscape identity<br />
frameworks, this research explores both ontological and epistemological conceptions of Khumbu, Nepal as a<br />
sacred place. Interviews and participant observations reveal a more thorough understanding of Khumbti's<br />
sacred landscapes.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Teresa Sobieszczyk<br />
Gender, International Labor Migration, and Remittances in Northern Thailand<br />
Using data from ethnographic research and in-depth interviews with 104 returned international labor<br />
migrants, this paper examines the extent and impact of foreign labor migration and remittances in rural<br />
agrarian villages in Thailand, an industrializing country experiencing rapid economic, demographic, and social<br />
transformations. Findings indicate that while the vast majority of migrants send money back home, the<br />
amount and meaning of their remittances differ for male and female migrants. Community gender norms and<br />
gender differences in migration experiences influence remittance levels and the eventual use of remittances by<br />
migrants and their families.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Shirley Hsaio-Li Sun<br />
National Policies and Citizens’ Responses: Pronatalism in Singapore<br />
The total fertility rates in post-industrial nation states in Asia such as Japan, South Korea, and Singapore have<br />
been fallen below the replacement rates since 1970s, engendering the formulation and implementation of<br />
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ASPAC Conference 2010<br />
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pronatalist policies. The policy effectiveness has been in question, however; for instance, the total fertility<br />
rate in Singapore was 1.28 in 2008. In this case study, drawing on data collected from 165 in-depth interviews<br />
with individuals and 39 focus group discussions in 2007 and 2008 in Singapore, I found that, among other<br />
things, citizens actively questioned the effectiveness of policies by comparing them with policies found in<br />
other national contexts. By highlighting the latter, they showed how the financial and work-life balance<br />
policies in Singapore were not encouraging. France and the Quebec Province in Canada were noted to<br />
proved generous cash benefits to larger families. China and Denmark were mentioned to suggest that three<br />
month maternity leave was too short by comparison; Germany and the United Kingdom were used as<br />
reference points that employers in Singapore were not as respectful of employees’ request for parental leave.<br />
Interviewees also characterized the Australian government as pro-family in providing stay-home mothers<br />
monthly allowance, and providing families with sustained education and health subsidies and facilitating<br />
reduced work hours. While such responses remained as neutral comparisons in individual interviews, they<br />
became more serious and intense during focus group discussions when interviewees talked about instances of<br />
migration to other countries among family and friends, as well as their own intention to migrate, for reasons<br />
related to lack of supportive pronatalist policies.<br />
This paper, therefore, highlights the importance of the state policy on paper and the context in which<br />
such policies are viewed by the citizens. Citizens are not passive recipients of top-down policies. Instead,<br />
they are acting agents in weighing up policies by drawing upon their awareness and perceptions of exemplary<br />
policies in other nation states.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Ayumi Susai<br />
Health care migration and vocational language training in Japan<br />
In the context of demographic change --a rapidly aging and dwindling population -Japan is facing a<br />
particularly sensitive moment which will influence the country's future. In 2008, the country, which still views<br />
itself as a racially and culturally homogeneous country, decided to open its labor market (the health care<br />
industry) to foreign workers under a bilateral Economic Partnership Agreement (EPA). The country<br />
succeeded in launching a new policy to import more foreign skilled workers into Japan; however, this<br />
acceptance also gives rise to ethical questions of integrating foreign workers into society. Japan born residents<br />
have high expectation of Japanese language ability from caregivers, and the language barrier and unfamiliar<br />
workplace environment pose daily challenges to foreign candidates for nursing and certified care jobs. The<br />
slow intake of foreign workers is believed to stem from concerns by hospitals and nursing care facilities about<br />
the obligations that they would take on in accepting foreign nurses and certified care workers from Indonesia<br />
and the Philippines-such as having to teach them Japanese, cover their living expenses and so forth. The six<br />
months of Japanese language training for foreign candidates under the scheme of EP As is not sufficient for<br />
many of the immigrants. This paper discusses Japan's demographic need for labor and the potential of<br />
integrating foreign workers in terms of language, and suggests the need for the inclusion of a language<br />
requirement in the immigration policy.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Willa Jane Tanabe<br />
Japanese Buddhist Temples of Hawai’i<br />
From the earliest temples built in the late nineteenth century to the present day, the architectural styles of<br />
Japanese Buddhist temples in Hawai’i reflect the Japanese immigrant's changing relationship to his ancestral<br />
country, to his American environment and to his understanding of Buddhism. This paper presents an<br />
overview of the five distinct styles of Japanese temple architecture and their possible significance. Temples<br />
undergo a transition and sometimes an abrupt disjuncture from a "plantation house style," to a more<br />
traditional Japanese design, followed by a simplification of traditional design, to a deliberate creation of an<br />
international style combining elements of India and the West, and finally to the contemporary, often<br />
mediocre, "house of worship" style. The interior of temples undergo less radical change. The altar area of<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
the inner sanctuary, in particular, retains a conservative orthodoxy in furnishings and arrangement. However<br />
the outer sanctuary undergoes striking adaptations to fit into an American context. The changes in<br />
architectural styles can be linked to circumstances of the congregation, influence of the sectarian<br />
headquarters, and specific architects. They also reveal the impact of labor strikes and immigration policies,<br />
Americanization, internationalization, the decline of sugar and pineapple plantations and the migration of<br />
fourth and fifth generation young people away from their temple communities. The temples as text clearly<br />
reveal the growth and decline of Japanese Buddhism in Hawai’i.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Robban Toleno<br />
Tasteful Tropes: Sweet and Bitter in Pre-Qin Chinese Moral Thought<br />
Pierre Bourdieu famously argued that aesthetic preferences are products of social environment and not of<br />
universal rational ideals. His thesis has had a major impact on how modern scholars talk about aesthetic<br />
experience, but his separation of aesthetic experience from a universalizing discourse on morality leaves a<br />
haunting question: Are there no natural links between aesthetic and moral categories of experience? I argue<br />
that there are natural links, when we ground our definitions of aesthetics and morality in understandings of<br />
how the human body (including the mind) functions. Using a theory of ‘affordances’ from the ecological<br />
approach in psychology to help frame a notion of what in ‘natural’ in human experience, I investigate the<br />
vocabulary of taste in early Chinese moral philosophy. Noting an early emphasis in the Shi jing (Book of Odes)<br />
on gan (sweet) and ku (bitter) as tropes for pleasant and unpleasant experiences, respectively, I trace these two<br />
flavors in a selection of Warring <strong>State</strong>s texts, and then focus attention on how taste factors in the moral<br />
philosophy of the Mengzi (Mencius), a text that came to have a profound impact on East Asian society<br />
following its emphasis within ZhuXi’s system of Neo-Confucian thought in the twelfth century. Results of<br />
this investigation suggest that early Chinese thinkers accepted the faculty of taste, and especially the flavors<br />
sweet and bitter, as relatively consistent across individuals, but that they also concurred that aesthetic pursuits<br />
can have a deleterious effect on the development of moral virtues. Although positing different images of<br />
virtue as exemplary and worthy of emulation, these thinkers exhibit a consistent understanding that aesthetic<br />
experiences connect with emotions in a powerful way, and that appropriate use of control of emotion is an<br />
important part of exemplary moral character. I conclude with a discussion of how these views can help us<br />
appreciate Bourdieu without dismissing aesthetic and moral discourses as entirely subjective or socially<br />
relative.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Kathleen Tomlonovic<br />
Fathers and Sons: Literary Inheritance in the Song Dynasty<br />
During the Song Dynasty (960-1279), figures who achieved literary fame desired to transmit respect for<br />
learning to their sons. Emphasis on education, even on a family tradition, brought forth strong new<br />
contributors to the literary scene. The imperial examinations of the mid-eleventh century proved to be a<br />
catalyst for families that had not previously achieved political or economic status. Efforts to bring the next<br />
generation into the realm of prestige and power prompted some families to educate sons, while the desire to<br />
transmit a family style prompted others.<br />
The Su family of the southwest are of Shu exemplifies complex motivating factors in the education of<br />
sons. Su Xun, himself unsuccessful in the imperial exams, was able to instruct sons who achieved fame in the<br />
examinations of 1057 and who were thus launched into important political positions. Even though upheavals<br />
in the affairs of state proved to be an obstacle to the political rise of their children, both Su Shi (1037-1101)<br />
and his younger brother, Su Zhe (1039-1112) took a serious interest in the education of their sons and<br />
grandsons.<br />
A comparison between Su Shi’s education of his son Su Guo (1071-1123) and Su Zhe’s education of<br />
his grandsons reveals different motives. The education Su Guo received from his father came primarily when<br />
he accompanied his father into exile and gained individual instruction as personal cultivation. During the<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
final years of his life, Su Zhe, once a prime-minister for the Zhao emperors of the Northern Song, chose<br />
retirement and the education of his grandsons as an alternative to personal struggles to regain political power.<br />
Nonetheless, he anticipated that success for his sons.<br />
The literary heritage of Su Xun, of his two sons and his grandsons, did not extend to the Su<br />
descendants of the Southern Song, but the Su Family style and the prominence they accorded literary features<br />
of writing had profound influence throughout the Song and subsequent dynasties.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Rebecca L. Twist-Schweitzer<br />
Patronage, Devotion and Politics: Royal Women Donors of the Patola Sahi Dynasty<br />
The concept of patronage, especially royal, is an important discourse in all visual arts because it bears a direct<br />
affect on the construct of the art itself. Buddhist art serves as a primary exemplar of this notion where a royal<br />
commission may convey a multitude of purposes such as worship, attaining merit, and political propaganda.<br />
When the patronage includes royal women, however, another discipline is added to the discourse – that of<br />
Women’s Studies. To illustrate this, I will focus on a number of Buddhist artworks that can be attributed<br />
through inscriptions to a donation by members of the royal Patola Sahi dynasty that ruled during the 6th-8th<br />
centuries over the country of Bolor, in what is today, Northern Pakistan.<br />
In this paper, I will explore how the royal donor women of this dynasty played an integral role in the<br />
iconography which constructed a coded visual language through which not only political aspirations of the<br />
dynasty were made manifest, but also suggest that the Patola Sahis were devout Buddhist practitioners, some<br />
of them adherents of early Vajrayana Buddhism. Specifically, by situating the depicted female donors into the<br />
Buddhist iconography and iconology of the images and understanding the specific titles chosen to relate to<br />
their level of spiritual practice and devotion, it is evident that many of these female royal donors were initiates<br />
into and practitioners of the esoteric teachings of the Vairocana Buddha. As such, when considered within a<br />
larger framework of discourses and methodology, the motives and impetus for these royal women donors can<br />
be gleaned, helping to fill in the lacuna in the field regarding royal female patronage of Buddhism.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Kiki Verico<br />
Does Intratrade Affect Investment Creation in Southeast Asia? Case Study of FTA’s effect on FDI flows in Indonesia,<br />
Malaysia and Thailand<br />
ASEAN implemented ASEAN Free Trade Agreement (AFTA) that generates trade discrimination between<br />
its member and non member states. AFTA is supposed to increase intratrade among its members. According<br />
to the history of the Customs Union (CU) in Western Europe, trade discrimination will create trade diversion<br />
in which members will import goods from a less-efficient member rather than from an efficient non-member.<br />
If a non-member requires special treatment of FTA, she has to invest in member states as her product will be<br />
classified as a member’s product and received FTA facilities. FTA is less strict than CU. FTA does not<br />
regulate equal tariff between members and non-members. It may open trade leakages because non-member<br />
states still have a chance to make trade relations with members which have lower tariff barriers. In the case of<br />
AFTA, Singapore, Brunei, and the Philippines applied lower tariff barriers than other members such as<br />
Indonesia, Malaysia, and Thailand (IMT). This study argues that trade and investment relations is the core of<br />
regional integration process which is significant to transform a regional cooperation from trade (free flow of<br />
goods) to investment cooperation (free flow of capital and people). Free trade and investment liberalization<br />
are necessary conditions in achieving financial integration with its ultimate objective: “single currency”.<br />
This study focuses on IMT because they still keep relatively high common tariff barriers for nonmembers.<br />
Questions to be addressed are: Does AFTA generate intratrade? Does intratrade affect FDI? AFTA has<br />
vulnerability in attracting FDI inflows from non-member states compared to CU. Currently ASEAN is facing<br />
a serious threat from the double-track agreement, i.e., AFTA and bilateral FTA with non-members. This<br />
double-track agreement creates a “spaghetti bowl effect” in ASEAN. AFTA is believed to have become<br />
weakened ever since bilateral FTA’s emerged. This study tries to see the recent role of AFTA at the sub-<br />
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ASPAC Conference 2010<br />
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regional level (IMT) after those bilateral FTA’s. It is important to identify the most appropriate way for<br />
generating trade and investment through AFTA and bilateral FTA’s. This paper adopts some<br />
macroeconomic variables which affect FDI. All of them have been examined by previous scholars. This<br />
paper will use Asian Development Bank statistics, World Bank database, WTO database, ASEAN Secretariat<br />
information and data, etc. The methodology is econometric analysis of time series (OLS, Original TSLS,<br />
TSLS-IV, and Group SURE & SEM) and Pooled Data Analysis.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Brad Washington<br />
Role of Sino-American 1+2+1 Dual Degree Programs in the Globalization of Higher Education<br />
There is a lack of understanding regarding the development and effectiveness of Sino-American 1 +2+ 1 dual<br />
degree programs. These programs offer undergraduate students from the People's Republic of China (PRC)<br />
residency and degrees from both a Chinese and United <strong>State</strong>s (U.S.) university. Juan-Aradl (1989) and Labi<br />
(2009) review the initial development of dual degree programs among nations and universities in Europe.<br />
Data exists regarding the successes and challenges of dual degree graduate programs developed for multiple<br />
disciplines within an American university (Dewey, 1985; Gupta, 2006). Cushner and Karim (2004) analyze<br />
how course credit from study abroad programs contributes to the granting of a degree awarded by a student's<br />
home institution. However, opportunities exist to expand on literature that addresses the development and<br />
expansion of Sino-American dual degree programs.<br />
In order to further explore dual degree programs between American and Chinese institutions, this<br />
study will utilize a collective case study research model. It is not the intent of the study to claim the<br />
complexity of Sino-American dual degree programs can be determined within the framework of one study.<br />
Yet, the research will contribute to discussions of political engagement and social mobility regarding the<br />
globalization of higher education. The study will attempt to address the origin of Sino-American 1+2+1 dual<br />
degree programs and how these programs impact the globalization of participating universities in the U.S. and<br />
PRC.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Suwako Watanabe<br />
Context as a guiding resource in teaching Japanese conversation<br />
In this presentation, I will demonstrate problematic consequences of unrestricted oral production by showing<br />
examples of constructed discourse by learners, and suggest instructional strategies to guide learners in how to<br />
carryon a conversation in a pragmatically appropriate way. The role of pragmatic competence is undeniably<br />
important in conducting everyday interaction (Thomas 1982). People rely on pragmatic knowledge and sociocultural<br />
norms to carry out conversation as they maintain amicable relationships. Such pragmatic knowledge<br />
serves as a resource for speakers of the target language to conduct day-to-day routine tasks that involve verbal<br />
communication. And members of the target culture draw on various factors that are available in the<br />
surrounding context to build pragmatic and socio-cultural competence.<br />
Context embraces an innumerable number of clues that guide communicators in making sense out of<br />
an interlocutor's utterances. Christensen and Warnick (2003:74) emphasize the importance of<br />
contextualization in presenting dialogues. Context includes such elements as identity, role, and social status of<br />
participants (and relationships among them), shared background information, setting (formal vs. informal),<br />
purpose and time of communication.<br />
How is context integrated in oral exercises in textbooks? An examination of oral exercises in three Japanese<br />
textbooks shows that they lack contextualization. An explanation of a situation is sometimes provided, but<br />
these typically fail to identify who the interlocutor is, why the conversation is initiated, and when it is taking<br />
place. As a result, a student may produce an unnecessarily voluminous amount of speech without knowing<br />
what course the conversation should take.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
42
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Erin Watters<br />
The Global Citizen Workshop – US/Pakistan: A virtual exchange between American and Pakistani students<br />
The Study: In 2009, Minnehaha Elementary participated in a discovery of Pakistan with a group of students in<br />
Quetta. Even though due to regional armed conflicts in Pakistan it was impossible to complete the actual<br />
exchange with the group in Pakistan, the students in Vancouver, WA, were able to discover many things<br />
about Pakistani students that they had not heard on the news. The experience was a positive one for the<br />
students and we look forward to making more progress in exchanges with Pakistani students and other<br />
regions of the world.<br />
The Context: The Global Citizen Workshop is a month-long series of ½ hour lessons that include a<br />
virtual exchange between groups of youth from different regions of the globe. This exchange gives each<br />
youth an opportunity to build relationships and learn about a new culture. Participants develop a better<br />
understanding about their exchange partners and learn more than they could know of each other through the<br />
media or books. This workshop is developed with the intent to expand a culture of peace encouraging a<br />
continued exchange between participants, respect and hopefully lifelong friendships. This project also<br />
provided opportunities for college students to participate as mentors or facilitators for the youth, providing<br />
practice in facilitation, peace education and educational methods related to technology and linguistics.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Peipei Wei<br />
Finding Her "Mi" Hiding behind Fans and Screens--Through Textual Study of Kagero Nikki by Michitsuna's Mother<br />
In retrospect of literary history in Japan there are scattered periods where women's voices came to the<br />
forefront. Aristocratic women's nikki or diary writing practices in the tenth century of Heian Japan are among<br />
one of these periods. Heian nikki writers were already in a well-off social position or mi. However, the<br />
examination of the diary form reveals that high social status does not guarantee feelings of social and<br />
emotional security. This diary genre provides a legitimate medium for us to explore their hidden concerns and<br />
insecurities in a time when social norms prevented them from expressing these concerns publicly. By citing<br />
textual evidences from Kagero nikki written by Michitsuna's mother from three perspectives: self-awareness of<br />
her unsecure mi as well as aspiration to security; vulnerability of her mi; and the attempt of securing her mi<br />
through securing her position in marriage, I conclude that her mi concealed underneath layers of clothing,<br />
covering of fans and screens is actually an insecure one. Although the diary was full of her turmoil and her<br />
insecurities, voicing these concerns actually provided her with some validation and possibility of augmented<br />
her sense of security.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Albert Welter<br />
Chan Yulu (Zen Goroku) as a Means of Integration Across Culture: Reflections on the Fictional Background to<br />
Chan/Zen’s Encounter Dialogues<br />
Yulu/goroku (Dialogue Records or Records of Sayings), constitute one of Chan/Zen Buddhism’s original<br />
contributions to East Asian literature. The rise of Chan from an obscure movement to an officially<br />
recognized and dominant form of Buddhism in China provided the foundation for the dispersion of Chan<br />
throughout East Asia, Sŏn in Korea, Thiên in Vietnam, and Zen in Japan. As a result, the yulu literary style<br />
became an integrating component of East Asian Buddhist literature, and it became a normative practice to<br />
compile yulu collections of Chan masters in China, Korea, Vietnam, and Japan. The present study is<br />
concerned with exploring the origins of the yulu genre, particularly as it relates to the employment of fictional<br />
and fictionalized elements in the creation of Chan identity. Important in this regard was the formation of<br />
encounter dialogues, the records of dharma-battles between and among Chan masters and monks over the<br />
true nature of spiritual awakening. Presented as eye witness accounts of the existential revelations of the<br />
mind-nature, these encounters were actually highly contrived and structured literary artifices parading as<br />
actual historical events, filtered through the skilful interpretation of sympathetic literati. Compilers of yulu did<br />
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ASPAC Conference 2010<br />
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not work from a vacuum, but called upon numerous literary techniques and conventions common to the<br />
Chinese literati tradition. In doing so, they raised significant questions regarding the nature of literature and<br />
the role fiction and literary device has, not only in the pursuit of creating a compelling story, but also in<br />
divulging incipient truths embedded in a literary framework.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Ann Wetherell<br />
Best Wishes for an Elegant Gathering: An auspicious Presentation Painting from the Ming Dynasty<br />
A monumental 16th century hanging scroll, now in the collection of the <strong>Portland</strong> Art Museum, depicts a<br />
gathering of nine scholars on large secluded estate in the full flower of summer. The painting conveys a lush,<br />
paradisiacal setting through blue-green coloration and fine details on silk. In the absence of any signature,<br />
seals or inscriptions, we are required to 'read' and hypothesize the meaning and function of the painting<br />
through the internal evidence of auspicious symbols and artistic and literary allusion. This paper explores the<br />
signs, metaphors, and compositional structure of the work, congratulations and wishes for success in a<br />
bureaucratic career. Although this painting suggests that the patron or recipient has 'arrived' at his station in<br />
life, there is an unusual aspect to narrative time and a twist on the popular theme of the elegant gathering,<br />
suggesting that such a gathering has not yet occurred.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Clare Wilkinson<br />
How do I look? Observations on costume, realism, and change in Bombay film<br />
This paper reviews findings based on research over the past eight years in Mumbai (still known in film circles<br />
as Bombay). The primary argument of this paper is that the ambitions and goals of film producers influenced<br />
by global trends in media, advertising and fashion have been grafted somewhat incompletely upon the<br />
longstanding structures and practices of the industry as a whole. Critics and filmmakers themselves are fully<br />
aware of the difficulties of imposing a contract-based culture on one previously based on oral agreements, of<br />
bringing in scripts where previously a story narration sufficed (as dialogues written on set as the shooting<br />
went on). Less remarked upon is the pressure that is put upon the practices of technicians and craftspeople<br />
in the industry. Focusing in particular upon the production of costume and make-up, I shall illustrate the<br />
change in productive conventions that new standards of fashion and beauty have created, and how workers<br />
have responded – some well, some not so well – to a new set of expectations flowing from the industry’s<br />
cultural and power elite.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Philip Williams<br />
A Topical Approach to Structuring a Survey Course in Chinese Poetry<br />
Basic survey courses in traditional Chinese literature tend to be structured either chronologically by dynastic<br />
progression or else typologically by literary genre. Although neither the dynastic setting not the generic<br />
affiliation of a literary work is lacking in significance, might there be a more engaging way to provide an<br />
overall structure to the survey course – especially for the plurality of non-specialist undergraduate students<br />
whose interest in the subject might wane from an overly technical or academic approach to Chinese literary<br />
studies.<br />
This paper suggests that a topical approach to Chinese poetry could better engage the general student<br />
and lay reader, and draws upon patterns in arboreal imagery in the time-honored collection Three Hundred Tang<br />
Poems to illustrate how certain trees tend to be associated with specific themes of historical allusions. For<br />
example, verses from the above anthology are cited to indicate how cypresses tend to be associated with<br />
memorials to exemplary figures in Chinese history such as Zhuge Liang of the Three Kingdoms period, while<br />
peach trees often serve as an allusion to the small agrarian utopia of Peach Blossom Spring devised by the Six<br />
Dynasties poet Tao Yuanming. Taking note of some of Burton Watson’s observations on patterns of nature<br />
imagery in Tang poetry, the paper demonstrates how poets of that era tend to turn back again and again to a<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
very limited set of conceptually drenched arboreal images rather than simply referring in their poetry to any<br />
and every tree that one might encounter in a stroll through a Chinese forest.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Christian Wirth<br />
Maritime Governance, Nation-Building, and Regional Cooperation in Northeast Asia<br />
High economic growth rates, the revolution in telecommunication, and the end of the Cold War have<br />
brought about rapid and profound changes to the domestic as well as regional environments of Northeast<br />
Asian governments. The maritime sphere, in which increasingly militarized state boundaries delineate<br />
political authority while at the same time economic activities link increasingly interdependent communities<br />
therein, bears significance for the study of regional integration in several respects. This paper looks at how the<br />
Chinese and Japanese governments, in response to processes of globalization, have cooperated in the spheres<br />
of traditional security and maritime governance such as environmental and fishery management since the<br />
mid-1990s. Based on several case studies, the paper seeks to shed light on current dynamics underlying<br />
bilateral and regional cooperation. It assesses transactional processes in these areas in view of the emergence<br />
of norms conducive to the generation of dependable expectations of peaceful change (Adler, Barnett 1998). It<br />
finds that the two governments, despite potentially conflict-generating interests in all areas examined, have<br />
managed their relations in ways that indicate the emergence of norms of regional governance, particularly in<br />
maritime governance. At the same time, the combination of the absence of a third party to monitor<br />
compliance with such norms, the lack of a regional actor able to project a new sense of purpose, the lacunae<br />
of ideas of progress and a vision for the future, and domestic problems of governance results in mixed results<br />
in the traditional security sphere. It is suggested that the lack of mutual trust stems from the shortage of<br />
knowledge, not only about each other’s purpose and intentions but also about each other’s views on society,<br />
politics, economics, and culture. In view of the fragmentation of the once coherent national identities<br />
resulting from the rapid socio-economic changes in recent years, China and Japan generally continue to locate<br />
the history of their nation-states in storylines that emphasize their emergence as independent and unitary<br />
nations with long individual histories, rather than being part of a Northeast Asian region. Some evidence,<br />
such as the strengthening of transnational and international networks, as well as the largely absent use of<br />
coercive power, suggests, however, that these conceptions are about to change in favor of national identities<br />
aligned with a newly imagined Northeast Asian region.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Zhiwei Xiao<br />
Beautiful Imperialists: A Century of Chinese Cinematic Images of the U.S.<br />
This paper examines the representation of America in the Chinese cinema from the early 20 th century to the<br />
present and traces some important shifts and turns in the Chinese popular imagination about the U.S. It<br />
argues that, with the exception of the Mao years {1949-1976}, and despite the official ideology in the post<br />
Mao era, Americans have largely been casted in the positive light in Chinese films, which provide an<br />
interesting contrast to the way Hollywood has portrayed China and the Chinese on the screen.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jiaxin Xie<br />
Confucius Institute at San Francisco <strong>State</strong> <strong>University</strong><br />
The study of Chinese will not just connect American students with the language, but also with the culture,<br />
literature, and rich history of China. SFSU’s goal to provide international experiences, perspectives and<br />
competencies complements the Confucius Institute’s mission to meet the surging demand for Chinese<br />
language instruction at all educational levels. The Institute’s resolution, “Making Chinese language instruction<br />
readily available to anyone who needs or wishes to learn Chinese in Northern California,” reflects our<br />
function as a Research and Service organization at the <strong>University</strong>, to promote Chinese language and culture<br />
and support local Chinese teaching. We agree to provide programs and services including but not limited to<br />
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Chinese courses, teacher training, cultural exchanges, instructional materials for the communities, and a<br />
platform for research on Chinese language education in the U.S.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Zhihai Xie<br />
MacArthur’s Missionary Policy and the Christian Boom in Occupied Japan 1945-1952<br />
Right after World War Ⅱ, the United <strong>State</strong>s conducted an occupation policy toward Japan from 1945 to<br />
1952. Japan under Occupation witnessed an unprecedented development of Christianity which was called<br />
“Christian boom” by many scholars. The Christian boom owed to both U.S. Occupation policy and Japanese<br />
domestic momentum. On the one hand, SCAP (Supreme Commander of the Allied Powers) and MacArthur<br />
regarded the spiritual reformation of Japanese people as the basis of the reconstruction of Japan. Therefore, a<br />
missionary policy was executed by SCAP to encourage the spread of Christianity to fill the “spiritual vacuum”<br />
in Japan. In addition, Christianity was also seen as a political value to accomplish the democratization of<br />
Japan as well as a strategic tool to contain the rampant Communism in Japan. On the other hand, the<br />
Japanese, both the government and the common people showed great interests and embracement towards<br />
Christianity. Katayama Tetsu, the first Prime Minister elected under the new Constitution was the first<br />
Christian leader in Japanese history. He declared that Japan should be guided by Christian morality and based<br />
on moral principles. The United Church of the Christ in Japan (Kyodan) also saw a great opportunity for its<br />
enlargement and actively exerted its influence on social and political affairs. The U.S. missionary policy and<br />
the Japanese Christian movement interacted with each other and made the “Christian boom” happen in<br />
occupied Japan.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Catherine Xiaowen Xu<br />
Revival: When a Tang Lady Lives in Wang Xiaobo's Contemporary Fiction<br />
This paper aims to explore the intertextual possibilities between contemporary Chinese fiction and Tang tales<br />
of the marvels, taking Wang Xiaobo's rewriting of a popular Tang tale as an example. With a contextualized<br />
reading of Wang Xiaobo's multiple re-writing of a Tang tale "Qiuran Ke" (The Bearded Stranger), I hope to<br />
uncover the marvelous dimension in the Tang text and reconstruct its revival in the contemporary text of a<br />
highly ironic nature. Hongfu, the Tang lady in the tale, has been taking a journey toward cliched image ever<br />
since the day she was created by the Tang literati. Her marvelous quality in her contemporary world was<br />
tamed by later adaptations, until Wang Xiaobo comes to her rescue in late 20th century. Her revival in Wang's<br />
texts showcases how a literary yearning for intellectual independence and literary imagination is reincarnated<br />
by contemporary contextualization of the cliches. Wang's texts present a continuation of the great marvelous<br />
tradition in the Chinese narrative literature, a tradition that gives more weight to imagination than to<br />
mundane reality, that pays more respect to aesthetic emancipation than to discursive regulation, and that<br />
endows literature a penetrating force across time and space.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Tongyun Yin<br />
Nationalism and the Construction of the Chinese Art Canon: Gugong Weekly 1929-1936<br />
Throughout the prolonged turmoil of modern Chinese history, the Forbidden City and its imperial collections<br />
have been inextricably intertwined with the culture, society, ideology, and politics of that era. Concomitant<br />
with the construction of new nation-state, the Forbidden City was transformed from the imperial palace to a<br />
public museum, with all the imperial family property being recast into national patrimony. This paper<br />
examines how the Palace Museum used modern media and printing technology to create new ways of seeing<br />
Chinese traditional art in general, and paintings in particular, through the lens of a periodical, the Gugong<br />
Weekly, published between 1929 and 1936. It argues that by using photography and printing technologies and<br />
by situating its art collections in the historical context created by the mass reproduction format, this periodical<br />
encouraged a general perception of the historical continuity and significance of Chinese art tradition. The<br />
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ASPAC Conference 2010<br />
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intellectualization of these art collections, achieved by the Gugong Weekly, played a significant role in shaping<br />
the modern concept of Chinese art and in constructing the canon of historical art in modern China.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Zhou Ying<br />
Evaluating China’s Soft Power Diplomacy in Asia and Its Relationships with East Asian Integration<br />
It goes without saying that China is growing visibly and practically at a fantastic speed compared to decades<br />
ago or to other actors. Many analysts and experts spare no effort to assess China’s power, both hard power<br />
and soft power, for government policy recommendations. Their evaluations of China’s hard power are made<br />
difficult by the opaque Chinese government while their evaluations of China’s soft power are empirically<br />
lacking and methodologically problematic. These problems contribute to their hasty conclusions regarding<br />
China’s rising soft power. However, a report, Soft Power in Asia: Results of a 2008 Multinational Survey of Public<br />
Opinion, conducted by the Chicago Council on Global Affairs (CCGA) in partnership with the East Asia<br />
Institute (EAI), produced a number of counterintuitive and counter-popular findings through a survey in the<br />
United <strong>State</strong>s and five Asian countires, including China, Japan, South Korea, Vietnam, and Indonesia. In<br />
terms of soft power in Asia, China ranks well below the U.S., Japan, and South Korea in five key areas<br />
addressed in this survey: economics, culture, human capital, diplomacy, and politics. Two main findings about<br />
China’s soft power diplomacy are: first, in aggregate China’s soft power diplomacy lags far behind other Asian<br />
great powers. Second, there is a huge gap between China’s own assessment of its soft power diplomacy and<br />
that of others. Given the growing importance of and rising international interest in the Asian region, along<br />
with the role of China’s soft power diplomacy in the regional integration, this paper focuses exclusively on<br />
soft power in the diplomatic area, examines the factors behind Asians’ evaluation of China’s diplomatic soft<br />
power from the 2008 suvey. The paper will argue that China’s performance in improving the regional<br />
integration elicits the lower scores from its neighbors. The paper looks at China’s soft power diplomacy<br />
through the ideas, interaction, institutions, and responsibilities on the bi- and multilateral level that is shaping<br />
China’s foreign relations in Asia. Then it will examine the relations between China’s soft power diplomacy<br />
and the East Asian integration. The paper concludes that in order to improve the effectiveness of its soft<br />
power diplomacy in Asia, China will need to more actively engage in and contribute to the regional processes<br />
and institutions in the region.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
MaryAnn Young<br />
Sustainability of Japanese City Festivals: Tensions Between Tradition and Tourism in Asahikawa’s Natsu Matsuri<br />
The topic of Japanese festivals (matsuri) has traditionally held the attention of scholars in the fields of<br />
ethnomusicology, religious studies, and anthropology. Traditionally focusing on understanding the structure<br />
and organization of matsuri (Chapin 1934; Morarity 1972; Grim and Grim 1982), scholarship has now turned<br />
to sustainability of festivals and the role of tourism in Japanese Shinto matsuri as “folk performing arts”<br />
(Thornbury 1993; Hashimoto 2003). Unfortunately, this interest in the traditional matsuri ignores the growing<br />
tensions between matsuri traditions and tourism demands in the sustainability of city festivals. Drawing on<br />
ethnographic fieldwork, this paper presentation places a cultural performance-centered approach (Singer<br />
1955) to Asahikawa’s Natsu Matsuri with particular focus on the examination of music occasions (Herndon<br />
1971) throughout the three-day festival.<br />
Ethnomusicologist Marcia Herndon defines a music occasion as “an encapsulated expression of the<br />
shared cognitive forms and values of a society, which includes not only the music itself but also the totality of<br />
associated behavior and underlying concepts” (Herndon 1971, 340). In the context of this study, each music<br />
occasion sheds light on issues facing city festival sustainability with nostalgia for traditional Shinto matsuri<br />
amid tourism demands. The city of Asahikawa provides an interesting challenge as tourism is promoted not<br />
only for cultural outsiders, such as Japanese tourists from other cities or regions, but also cultural insiders in<br />
the form of previous residents generally leaving for education or work. For this reason, music occasions range<br />
from processions of mikoshi and odaiko to competitions featuring enka, yosakoi, disco, and hip-hop.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
47
Xiaoduo Zhang<br />
Feminist Study of the Poetry of Li Shangyin<br />
ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
It has been a convention in Chinese poetry to write about women. This convention can be traced back to the<br />
Classic of Poetry (shijing), the earliest existing anthology of Chinese poems back in 1000 Be By conjecturing<br />
the psychological world of female, male poets inevitably adopt the so-called feminine language". Sometimes,<br />
in order to write like a woman, they even impersonate the female persona and voice. This is the case in the<br />
poetry of Li Shangyin, a renowned late Tang poet famous for the allusive and imagist nature of his cryptic<br />
poems. A large portion of his collection is about women, ranging from deities, legendary female figures, to<br />
ordinary female characters.<br />
Feminist theory will be employed as the theoretical frame of the study in order to demonstrate that<br />
(1) The poetic language employed by Li is feminine; (2) The representation of the images of women in Li's<br />
poetry reveal man's conception of what an idealized female should be like in the 7th Century China; (3) The<br />
adoption of female voice and impersonation of female persona not only reinforce the hierarchy of capable<br />
male power and female dependency, but also provide male poets an outlet to reveal their repressed self It is<br />
expected to find the significance of the feminine characteristics in Li Shangyin's poem in influencing later<br />
development of poetry and the emergence of a novel poetic genre -song lyrics.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Xiaohua Zhang<br />
Dissidence or Distance—Bei Dao’s Poems after 1989<br />
The dissident label has been following Bei Dao ever since he became famous internationally in the mid-1980s.<br />
It has been a most important factor in the reception of his work in the West. My paper aims to challenge the<br />
Western obsession with Bei Dao’s dissident status. It argues that continuing to label Bei Dao as dissident<br />
writer runs the risk of pigeonholing a writer whose work has increasingly shown thematic diversity,<br />
conceptual complexity and stylistic maturity. It could mislead some into trying to find political messages in<br />
his poems, an effort doomed to fail. It could also furnish others with an excuse to dismiss his poems as<br />
political kitsch without even looking at them. Indeed, a closer look at Bei Dao’s poems after 1989 shows that<br />
the poet distances himself increasingly from the public and the political. Through close readings of some of<br />
his poems, my paper demonstrates that Bei Dao’s poetry after 1989 goes through three phases. A gradual<br />
move away from the past and an increasing focus on the private, the personal and the poetic potential of the<br />
language are discernible in his poems. Especially in the third phase, after the poet’s resigned acceptance of<br />
exile, he expands his poetic horizon to cover a whole range of topics, including exile, poetry, travel, life in a<br />
foreign country, landscapes and the night, to name but a few. Therefore, the dissident label is no longer<br />
adequate for his work after 1989.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Yu Zhang<br />
Cross-dressed Courtesans in Late Qing Shanghai7<br />
In this paper I examine the new, striking and out of order images of cross-dressed courtesans in late Qing<br />
Shanghai. They are mainly presented in three media: lithographs such as Diashizhai huabao(点石斋画报<br />
Dianshizhai Pictorial Magazine); narrative fictions including haishang fanhua meng(海上繁华梦Dream of the<br />
flourishing Shanghai) and Jiu wei hu(九尾狐The nine-tailed fox); and photographs that courtesans took to<br />
record their beauty as well as for commercial advertising. Although in late Qing Shanghai, female crossdressing<br />
was no longer a taboo, in male representation and narration, their cross-dressed images were either<br />
constructed as an exotic variation on traditional objects of male desire, or were attacked as a cause of social<br />
disorder. However, as a seductive fashion set by Shanghai courtesans, cross-dressing was not only a playful<br />
gesture and a unique sexy fascination, but also an expression of their agency. The phenomenon of crossdressing<br />
courtesans was not a simply passive reflection of social change. Rather, these women were projecting<br />
their own interests and concerns thorough their identity performance. In this sense, the cross-dressed female<br />
body was connected to the emerging Shanghai modern at the turn of the twentieth century.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
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ASPAC Conference 2010<br />
June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />
Yan Zhou<br />
Who's Knocking My Door? --A Reading of a Late Ming Homosexual Romance<br />
Do the characters in the late Ming homosexual romance court differently as those in heterosexual stories?<br />
This paper takes the "Story of Four Golden Orchid Friends" as an example to explore the gender<br />
representations of male homosexuality in classical romance novella of the late Ming China, concentrating on<br />
the perspectives of identity, poetic performance and gift exchange inside the narrative. The author attempts to<br />
analyze the dynamic milieu created by the two major characters: how their homosocial friendship is carefully<br />
developed through the poetry exchanges, and how it leads to homosexual panic, reaches the stage of<br />
homosexual love but ends with a traditional heterosexual marriage.<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Jingjing Zhu<br />
From Buddhist Monks to Buddhist Ministers - Buddhist Ordination Across the Pacific, Past, Present and Future<br />
In this paper, I will discuss the origin of Chinese Buddhist ordination, and compare this with the<br />
contemporary condition of Buddhist ordination in Asia (mainly in China) and as practiced in Chinese expatriot<br />
communities in the United <strong>State</strong>s. From this analysis, I intend to explore what has changed and how<br />
these changes may impact Buddhism as it is practiced in the United <strong>State</strong>s. The author will refer to recently<br />
developed Buddhist chaplaincy programs, which have rapidly come about to adapt to the spiritual and<br />
emotional needs of American Buddhists. I find there are some striking and intriguing similarities between<br />
reception of Buddhism in United <strong>State</strong>s and the dynamic between Chinese people and their culture when<br />
Buddhism was first transmitted to China. The innovation of Buddhist Chaplaincy stands to act as a medium<br />
of communication between the needs and desires of American Buddhists and their Chinese Buddhist<br />
counterparts, ex-patriot or otherwise.<br />
I will examine this issue in three parts. In the first section I outline and highlight the history of<br />
Chinese monastics and ordination in early Han dynasty. In second section, I will discuss ordination as it is<br />
understood and practiced in American Buddhism. The final section is about the developments in Buddhist<br />
ordination in response to the advent of Buddhist chaplaincy: in particular, the ministerial "ordination." This<br />
will address the academic, psychological, religious and even theological implications of these innovations. The<br />
paper will talk about the issues includes the questions as follows: What's the future of American Buddhism?<br />
What will American Buddhism come to look like? How will the generations after the first, who are born in<br />
American, understand their Buddhism in contrast to the form introduced by their forebears from the<br />
continent?<br />
~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />
Adam Zollinger<br />
The Manufacture and Procurement of “Daimyo Masks” as Revealed Through Original Records and Hereditary<br />
Possessions of the Saga-Nabeshima Domain<br />
By the early Edo period, noh had become the official ceremonial music of the Tokugawa government and<br />
daimyo, inspired both by duty and genuine personal interest, grew intensely dedicated to the practice of the<br />
art. In accommodation to their noh activities, daimyo actively sought out and acquired masks, assembling<br />
collections far and beyond the practical necessity of the stage. Commonly referred to as “daimyō-men,” a vast<br />
majority of the masks making up these collections were reproductions of earlier works. Mask makers, no<br />
longer focused on creating original works, directed their energies towards emulating works from the past.<br />
Supported by a consistent stream of commissions, primarily from daimyo, hereditary guilds of specialized<br />
reproduction mask makers emerged, forming the almost exclusive core of noh mask making throughout the<br />
period. This study explores the fundamental character of the daimyo mask industry based on an analysis of<br />
hereditary materials of the Saga-Nabeshima domain.<br />
With no surviving noh masks and only a few surviving costumes to account for, there has been little<br />
discourse up to this point regarding noh-related activities of the Saga-Nabeshima domain. The scale and<br />
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ASPAC Conference 2010<br />
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significance of Saga-Nabeshima noh is however unquestionably realized in the existence of three ancestral<br />
noh mask inventories – Oyuzuri omen, Onō omen sonohoka odōgu, and Onōji men-ishō-dōguchō – in which an<br />
extraordinary 421 masks are recorded. In regards to the Kashima-Nabeshima domain, branch domain of<br />
Saga-Nabeshima, an important scroll of rare early modern noh mask templates survives: “Nōmen kirigata<br />
zu,” a traditional tool and reference for transmitting technologies of reproduction. Here a detailed analysis<br />
reveals an explicit relationship to the Ōmi Izeki line of hereditary mask makers, indicative of the underlying<br />
foundation of reproduction masks.<br />
“Nōmen kirigata zu” and the Saga-Nabeshima noh mask inventories represent two distinct varieties<br />
of data in regards to the study of daimyo masks: the data of “Nōmen kirigata zu” concerned with the ancestry<br />
and practice of their manufacture, and the data of the inventories with the culture of their procurement and<br />
management. Viewed together, a uniquely comprehensive and profound understanding of the daimyo mask<br />
industry is achieved.<br />
50