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ALUMNI News - Fanshawe College

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INTERNATIONAL NEWS<br />

12<br />

“I would strongly<br />

recommend this kind of<br />

exchange program,” says<br />

Wendy. “I know I am a<br />

better teacher. I’m not only<br />

bringing home new course<br />

materials on textiles, but<br />

certainly a<br />

deeper level<br />

of skill...”<br />

When <strong>Fanshawe</strong> was offered the<br />

chance to deliver its world-class<br />

Fashion Design program in India, the<br />

opportunity was a perfect fi t. The<br />

<strong>College</strong> was already well into a strategic<br />

plan to internationalize that began<br />

in the mid-90s. Through concerted<br />

efforts, recruitment levels had risen to<br />

more than 300 international students<br />

each year and exchange programs<br />

and international partnerships were<br />

fl ourishing.<br />

What worked so well in this case<br />

was that Georgian <strong>College</strong> in Barrie,<br />

Ontario already had a viable working<br />

arrangement with CIIS, the Canadian<br />

Institute for International Studies, in<br />

Chandigarh in the Punjab state in North<br />

India. The modern campus of about 650<br />

full-time students focuses on delivering<br />

North American diploma and degree<br />

programs. <strong>Fanshawe</strong> became a partner<br />

with Georgian and CIIS in 2005.<br />

It is a very attractive feature to Indian<br />

students that the curriculum at CIIS is<br />

equivalent to what the student would<br />

be learning in Canada. Their diploma in<br />

Fashion Design will be from <strong>Fanshawe</strong><br />

<strong>College</strong> and students may transfer to<br />

study at <strong>Fanshawe</strong> in Canada and get<br />

full standing for their credits.<br />

One key step was selecting a<br />

<strong>Fanshawe</strong> professor willing to travel<br />

to India and work for the year. Enter<br />

Wendy Sperry, a 17-year veteran within<br />

<strong>Fanshawe</strong>’s Fashion Merchandising and<br />

Fashion Design programs. She taught<br />

part-time in London for 13 years and<br />

full-time for the past four years. For<br />

many of those years, she also ran her<br />

own business, designing, manufacturing<br />

and marketing a high-end line of<br />

children’s clothing.<br />

When she arrived in Chandigarh<br />

in August 2005, she was warmly<br />

welcomed by her Georgian colleagues,<br />

her Indian hosts, and her fresh-faced<br />

students. India is the world’s 12th<br />

largest economy with a population of<br />

one billion. While its fashion design<br />

industry is only about 10 years old,<br />

it is growing exponentially within an<br />

incredibly rich textile base. Textiles form<br />

a huge part of the national economy<br />

and culture in India.<br />

As program coordinator and<br />

professor, Wendy got the program up<br />

and running at CIIS. She purchased<br />

equipment, hired staff, interviewed<br />

students, and even worked with<br />

carpenters to build the design studio.<br />

She mentors other staff members so<br />

that they understand the <strong>Fanshawe</strong><br />

curriculum and Canadian teaching<br />

methods.<br />

Admittedly the work environment<br />

is quite different. Virtually everyone<br />

speaks either Hindi or Punjabi with<br />

very little spoken English. There is a<br />

strictly defi ned level of hierarchy, so no<br />

one wants to take action without an<br />

OK from the top. “One strange thing<br />

that happens almost daily in India is<br />

power outages,” says Wendy. “Now,<br />

we don’t even notice if the lights go<br />

out except in sewing class.”<br />

The assignment has been<br />

challenging both personally and<br />

professionally. “I am away from<br />

everything I know and love,<br />

especially my family, which has been<br />

pretty hard at times,” she admits.<br />

“Plus there is such a lack of privacy<br />

and autonomy. Indians would not<br />

even understand these concepts but I<br />

miss them dearly.”<br />

While her Indian students seem<br />

younger and have different priorities<br />

in terms of their education and<br />

career, they have become very<br />

dear to her heart. “It is culturally<br />

unacceptable for students to hold part<br />

time jobs. They’ve had servants all<br />

their lives and most still live at home<br />

with their parents,” says Wendy.<br />

“Since their educational system is<br />

based largely on memorization,<br />

our type of hands-on learning and<br />

creative thinking is new for them.<br />

But I must say they like it and have<br />

adjusted well.”<br />

Students in India tend to work<br />

as a unit not as individuals. Wendy<br />

has had to adapt her teaching style<br />

because they all want to do every<br />

assignment together. “Their approach<br />

means that the whole class will make<br />

the same mistakes on the assignment<br />

so I have to watch for that.”<br />

Overall, Wendy feels she has<br />

connected very well with her<br />

students. They are quite sensitive<br />

to her needs and really seem to<br />

appreciate what she is giving them in<br />

terms of knowledge and skill.<br />

As she prepared to return home in<br />

May, she refl ected on an incredible<br />

year. “I would strongly recommend<br />

this kind of exchange program,”<br />

says Wendy. “I know I am a better<br />

teacher. I’m not only bringing home<br />

new course materials on textiles but<br />

certainly a deeper level of skill in<br />

dealing with international students.”<br />

<strong>Fanshawe</strong> <strong>College</strong> Alumni <strong>News</strong> Spring 2006

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