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AMONG THE PORCELAIN-MAKERS. 1 77<br />
As he was speaking, a middle-aged Japanese, wearing a silk<br />
kimono, came to the gate of the enclosure, and, bowing, said,<br />
"Are you the honorable Dr. Nambo?"<br />
rt<br />
I am that insignificant person," answered Oto.<br />
The man bowed very low, sucked in his breath, and said,<br />
" I have just received a telegram from your honorable father.<br />
Please come into this miserable place and I will show you<br />
everything we have. My soul is filled with regret<br />
cannot exhibit something worth looking at."<br />
that we<br />
Oto introduced his mother and friends, and, referring to<br />
Sallie, said, "This young lady is very much interested in our<br />
keramic art. Will you kindly show her everything from the<br />
beginning. What kind of ware do you make? "<br />
The manufacturer bowed, smiled, and blandly replied,<br />
" Everything. Whatever our customers order. I make<br />
Satsuma, Ilizen, Seto, Karatsu, Shigaraki, Itsumo, Kiyoto,<br />
Raku, Awata, Kaga, Banko, Arita, Okawaji, and Ota," add-<br />
ing, with a knowing air, "We keep pace with the times."<br />
Sallie, who had listened to his<br />
amazement, exclaimed,<br />
speech with undisguised<br />
" How can you make Satsuma and<br />
here in Shiba?"<br />
Kaga,<br />
" I will show you," he answered, smiling like a school-boy.<br />
" Some years ago our foreign customers were obliged to<br />
send to Satsuma for that ware. You know how impatient<br />
your countrymen are. Our slow method of transportation did<br />
not suit them, so in order to supply the demand, we imported<br />
Satsuma potters and brought the clay here infune (junks)."<br />
He led the way into a long shed, containing several hun-<br />
dred bales and tubs, wrapped in rice matting.<br />
r<br />
"<br />
This building," he said, contains clay from fifty different<br />
places. When I receive an order fora fine piece of old Hizen,<br />
I tell my potter to take so much Hizen-clay, and, as soon as the