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January 3, 2013 Issue of KONK Life - KONK Network

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<strong>KONK</strong><br />

<strong>Life</strong><br />

Vol. 3 No. 1<br />

C<br />

O NTENTS<br />

INSIDE!<br />

UPFRONT<br />

04<br />

HOT DISH!<br />

07<br />

FUN TIMES<br />

14<br />

COLUMNS<br />

08 WINING THE KEYS<br />

09 THEATER ONSTAGE<br />

18 ARTS CALENDAR<br />

18 TROPIC SPROCKETS<br />

20 DEAR VENUS<br />

www.konklife.com 3<br />

n<br />

Cover<br />

In Key West tradition<br />

and style, Schooner<br />

Wharf Bar mainstay<br />

wrench, Evalena<br />

Worthington, descends<br />

the schooner’s mast<br />

to “rig in” the new year.<br />

| DAN KOLBE


up<br />

front<br />

P A R T I I<br />

Sailing partners Birch Ohlinger, right, and Guy deBoer<br />

Mayday! Mayday!<br />

That is the international radio call made by yachts in distress.<br />

Looking back on that Saturday, December 15,<br />

morning with a bright, clear sky surrounded by the warm clear waters<br />

<strong>of</strong> Rebecca Shoals, I found myself hailing those infamous<br />

words. In last week’s story I wrote about myself and Birch<br />

Ohlinger’s sail to Fort Jefferson at Dry Tortugas and our Hobie 18<br />

beach catamaran. We made this journey as part <strong>of</strong> training for our<br />

participation in the Everglades Challenge, a 300-mile trek from<br />

Fort deSoto at the entrance <strong>of</strong> Tampa Bay down the West Coast <strong>of</strong><br />

Florida with several checkpoints that include sailing into Everglades<br />

Park with a finish at Sunset Cove in Key Largo. Yes, Birch and I<br />

seek adventure, and this morning it came and found us.<br />

Just one day prior, we sailed from the Key West Community<br />

Sailing Center to Fort Jefferson arriving at 10:30 p.m. after eight<br />

hours at sea. It proved to be an easy sail, but sitting here now<br />

aboard a damaged boat awash in seas made me think about how<br />

things could have been different if our hull had cracked last night.<br />

We were not alone out there. We could see shrimp boat lights illuminating<br />

the horizon. Someone would have heard our radio call,<br />

but with it being dark the chances <strong>of</strong> us getting a working shrimp<br />

boat to save anything more than our lives would have been slim.<br />

e morning <strong>of</strong> our sinking was a beautiful day with 18 knots<br />

blowing out <strong>of</strong> the northeast. For non-sailors, that makes our return<br />

trip to Key West into the wind. So with 70-plus miles to go, Birch<br />

and I shove <strong>of</strong>f the beach at 9:30 a.m. and head out across the shallow<br />

banks that surround the fort, then into deep Rebecca Channel.<br />

Coming quickly over the horizon is the fort’s tourist ferry, Yankee<br />

Freedom. As we pound into the steep, confused seas created by<br />

high winds and adverse current, the Yankee Freedom flies past with<br />

crew and anxious passengers as they see the fort and its beaches.<br />

At sea, a boat’s crew learns the nuances and sounds <strong>of</strong> the vessel<br />

as she moves along. Every sound, every movement is noticed, even<br />

if it is subliminal. When there is a change, you notice it, and this<br />

morning our Hobie called out first with a sound. Crack she said,<br />

and we noticed.<br />

| Continued on page 6<br />

4 ww.konklife.com<br />

LOCAL<br />

OBSERVATION<br />

<strong>Life</strong> with Pie<br />

My penultimate move<br />

before I left town,<br />

on my way to New York for Christmas<br />

parties, was to drop my bicycle<br />

at the bike shop for a tune-up, which<br />

would include getting the chain back<br />

on the gears. I have been harsh on<br />

my green bicycle, plunging <strong>of</strong>f sidewalks<br />

and knocking the air out <strong>of</strong> the<br />

tires, all in the name <strong>of</strong> fun. I knew<br />

it was time to take the bugger in<br />

when, while riding, a powerful<br />

clanking could be heard over my<br />

headphones.<br />

e absolute last thing I did<br />

before driving myself to Key West<br />

International Airport was to stop by<br />

Kermit’s Key Lime Pie Factory and<br />

purchase myself one frozen Key<br />

Lime pie, with my Monroe County<br />

resident’s discount. e pie, resplendent<br />

in its carrying case <strong>of</strong> bright<br />

yellow plastic bag with Kermit’s logo<br />

emblazoned, caught the attention<br />

<strong>of</strong> locals who called out, “at’s the<br />

best pie in town!”<br />

Had I known the exponential<br />

beneficial effects <strong>of</strong> traveling with a<br />

pie I would always have travelled<br />

with one. Usually unsmiling airport<br />

staff and security guards and fellow<br />

passengers bent over backwards reverentially,<br />

you’d think I had the Dalai<br />

Lama in a bag. Even the security<br />

team <strong>of</strong> screeners broke from their<br />

mean glares and <strong>of</strong>fered jokes about<br />

how it wouldn’t be their fault if only<br />

half the pie made it out the other<br />

end <strong>of</strong> the X-ray machines. ey<br />

were all abuzz and smiling at the<br />

very thought <strong>of</strong> pie.<br />

New York was raucous fun with<br />

Christmas parties, each <strong>of</strong> my fourday<br />

visit devouring more <strong>of</strong> me until<br />

| Continued on page 20<br />

CHRISTINA<br />

O X E N B E R G<br />

LEIGH VOGEL photo


<strong>KONK</strong><br />

REACTOR<br />

JOURNEY THROUGH THE PAST<br />

Happy New Year and all that<br />

jazz…. Wow, <strong>2013</strong>! Far<br />

out. Early Beatlemania is now longer ago<br />

than all <strong>of</strong> WWI was in those days.<br />

Time marches on… Hey, while in the<br />

retro mindset, I think Ill look over my<br />

last year <strong>of</strong> <strong>KONK</strong> <strong>Life</strong> columns (about<br />

18,000 words-worth)….<br />

(In DavidLybrand.com/blog you can<br />

read this article with embedded links<br />

to the stories I reference.)<br />

After introducing myself, I quickly<br />

jumped into Key West local issues with a<br />

warning about the ill effects <strong>of</strong> widening<br />

our ship channel to support bigger cruise<br />

ships. is issue ended up so hot that our<br />

City Commission punted it back to the<br />

voters, which will happen this coming<br />

year. Note that in a later column I clarified<br />

that we need not fear the ships themselves…<br />

Other local-issue columns detailed<br />

impacts from new State-level support for<br />

increasing development (now playing out<br />

with big box stores, higher density on<br />

Perry Court, etc.) and with homeless affairs.<br />

I returned several times to Bahama<br />

Village, with full columns on the Citys<br />

neglect <strong>of</strong> facilities there and with the<br />

mistreatment <strong>of</strong> Village crusader Norma<br />

Jean Sawyer. Parts <strong>of</strong> other columns focused<br />

on the Truman Waterfront property<br />

once assigned to the BCCLT, and<br />

defended Commissioner Lopez for his<br />

position on the use <strong>of</strong> that property.<br />

I jumped on opportunities to respond<br />

in partial columns to issues (some<br />

thoughtful, some idiotic) raised in the<br />

“e Voice,” such as: what is Pickleball?<br />

Why cant people live in their cars? Is the<br />

“Ugly Coyote” coming? Why shouldnt<br />

boats be stored on the street? Why not let<br />

jet skis go where they want? Arent those<br />

Duck vehicles too big? And the one that<br />

fires me up the most: Was any thought<br />

put into the North Roosevelt project?<br />

I also looked at issues on a national<br />

scale, with columns involving the<br />

Presidential election (wary <strong>of</strong> an America<br />

under Romney), on the misguided<br />

movement toward Charter Schools<br />

and with the increasing display <strong>of</strong> the<br />

“Rebel Flag” in some areas. ese invoke<br />

a marked resentment from me and a lot<br />

<strong>of</strong> other people.<br />

I took the time to look inward last<br />

year. I described what it was like to get<br />

your first haircut in ten years. I bid<br />

farewell to the Democratic Party as I<br />

fully embraced my inner Green. I waxed<br />

poetic on the greatest dog that ever lived.<br />

And I solicited readers to assist me in<br />

finding a “real job.” (Unfortunately<br />

that last one is still hanging out in the<br />

wind — please contact me if you have<br />

any ideas…)<br />

Also on the personal front -– but truly<br />

a local story — was my series on e<br />

Beast. I detailed in my own words the<br />

story from a few years ago when I<br />

serendipitously encountered a madman<br />

at Southard and William who was determined<br />

to remove the head <strong>of</strong> a three year<br />

old girl. I also looked at his background,<br />

and what has happened since that fateful<br />

day. (Note that story continues this week,<br />

in the Freeman Justice Center.)<br />

Not all <strong>of</strong> my columns were so serious,<br />

or covered such significant topics.<br />

Gump-style, my columns a box <strong>of</strong><br />

chocolates. You may have gotten the<br />

one where I did an Andy Rooney imitation,<br />

for instance. Or the one where I<br />

returned to my Geek Speak roots with a<br />

column on mobile music. Or where I<br />

provided updates on our Islands displaced<br />

icons (Cookie Lady, Iguana Girl,<br />

etc). Or where I shined a light on Nerd<br />

Culture. Or one <strong>of</strong> my most fervent crusades:<br />

the campaign to get Crazy Horse<br />

into the Rock and Roll Hall <strong>of</strong> Fame.<br />

at, my friends, was 2012 — my<br />

first full year <strong>of</strong> writing for anyone. I<br />

hope youve enjoyed it. If you missed any<br />

<strong>of</strong> it, check it out at the link at the top.<br />

Looking forward to Lucky 13!<br />

e<br />

DAVID<br />

L Y B R A N D<br />

about.me/DavidLybrand<br />

www.konklife.com 5<br />

NEWS DIRECTOR<br />

Guy deBoer<br />

EDITOR|DESIGN<br />

Dawn deBoer<br />

PHOTOGRAPHERS<br />

Larry E. Blackburn<br />

Ralph De Palma<br />

Sheel Sheelman<br />

EDITORIAL CONSULTANT<br />

Connie Gilbert<br />

Vol. 3 No. 1<br />

j a n u a r y 3 - 9<br />

Published Weekly<br />

<strong>KONK</strong> <strong>Life</strong><br />

CONTRIBUTORS<br />

Guy deBoer Key News<br />

Louis Petrone Key West Lou<br />

Steve Calderwood Wining the Keys<br />

Paul Menta Whats Cooking<br />

David Lybrand <strong>KONK</strong> Reactor<br />

Scott McCarthy The Gadabout<br />

Kimberley Denney Bitchin Paradise<br />

Christina Oxenberg Local Observation<br />

JT Thompson Hot Dish<br />

Michele Meck Party Mecca<br />

Jenessa Berger Keep Moving | Wellness<br />

ON-AIR PERSONALITIES<br />

BEV ALLEN, PETER ANDERSON, GUY deBOER, BO FODOR,<br />

STEPHANIE KAPLE, SHAUNA LEE LANGE, VICTORIA LEIGH,<br />

LOUIS PETRONE, M. L. PRICE, MICHAEL SHIELDS, JIM SMITH,<br />

SOPHIA SKOGLUND, ALICE TALLMADGE, RICHARD<br />

TALLMADEGE, MATT GARDI, RICK BOETTGER,<br />

JIM FERRIS, STEP WISCHERTH, MICHELE MECK<br />

ADVERTISING 305.296.1630<br />

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marckeyboard@earthlink.net<br />

Advertising Deadline Every Friday<br />

PRINT-READY advertising materials due by<br />

Friday every week for next issue <strong>of</strong> <strong>KONK</strong> <strong>Life</strong><br />

Ad Dimensions<br />

Horizontal and Vertical:<br />

Full, 1/2, 1/3, 1/4, 1/8 page, bizcard<br />

Ad Submissions<br />

JPG, TIFF, PDF — digital formats only<br />

Send to production@konkbroadcasting.com<br />

<strong>KONK</strong> <strong>Life</strong> is published weekly by<br />

<strong>KONK</strong> Broadcasting <strong>Network</strong> in Key West,<br />

Florida. Editorial materials may not be reproduced<br />

without written permission from the network.<br />

<strong>KONK</strong> Broadcasting <strong>Network</strong><br />

RADIO y TELEVISION y INTERNET<br />

Key West, Florida<br />

(305) 768-0282 Fax| (305) 296-1630 Office<br />

www.konklife.com


UPFRONT<br />

MAYDAY! MAYDAY<br />

| Continued from page 4<br />

P A R T I I<br />

Birch recalls me asking, “Am I being paranoid, or<br />

does the boat feel burdened?” e bows were not responding<br />

to the approaching seas. No sooner the Hobie<br />

stopped sailing, our port hull sank. When your boat<br />

sinks 70 miles from home, it should be a time for concern.<br />

But we calmly went about securing sails and gear<br />

before pulling out our waterpro<strong>of</strong> VHF radio and making<br />

that unwanted call for help. Immediately lobster<br />

boat Second Destiny responded. ankfully were not in<br />

immediate danger, and Adam the skipper <strong>of</strong> Second<br />

Destiny dropped his remaining pots.<br />

Adam must not have had many pots to drop, for in<br />

no time Second Destiny arrived aside and rendered assistance.<br />

A plan was quickly devised for a tow back to<br />

the fort. Adam must have radioed ahead for as we approached<br />

the fort a park ranger boat crewed by Tree and<br />

David approached and a transfer was made <strong>of</strong> our tow<br />

from Second Destiny to the park’s boat.<br />

We arrived safe and sound. After three hours <strong>of</strong> sailing<br />

and sinking and a return tow, we found ourselves<br />

back at the fort safe and sound. e big question now is<br />

what to do with a broken boat 70 miles from home.<br />

After phone calls to family and friends, we still had to<br />

figure a way out <strong>of</strong> the mess we found ourselves<br />

No sooner had we sat down to scratch our heads did<br />

Corey, the skipper <strong>of</strong> the Yankee Freedom, approached<br />

us with the idea that if we could take the Hobie apart<br />

by 3 p.m., he could carry her on the afterdeck and we’d<br />

be home by 5:30 p.m. I did not feel we could have said<br />

yes and thank you fast enough, but we did.<br />

Long story short is that Birch and I experienced a<br />

surreal event where even though a sinking is not considered<br />

good form, witnessing every possible extension <strong>of</strong><br />

human kindness and assistance, made the entire experience<br />

worthy relating in words to you. If you ever find<br />

yourself in need, I hope you will find that complete<br />

strangers have the ability to come to your aid as these<br />

fine people did for Birch and I.<br />

Many thanks to Adam and crew <strong>of</strong> Second Destiny,<br />

park rangers Tree and David <strong>of</strong> Fort Jefferson, Dry<br />

Tortugas, and Corey and crew <strong>of</strong> the Yankee Freedom.<br />

e<br />

6 www.konklife.com


HOT<br />

DISH!<br />

J T<br />

T H O M P S O N<br />

JT@DesignKW.com<br />

Delizioso!<br />

Italian recipes passed down through the<br />

Pacelli family for generations have come<br />

to delight us in Key West. And Luigi<br />

Pacelli makes sure each and every serving<br />

from his new restaurant lives up to that<br />

delicious tradition. Located on the corner<br />

across from Faustos on Fleming, you cant<br />

miss the colorful and charming handpainted<br />

Tuscan murals glowing through<br />

the windows ... or Luigis genuine and welcoming<br />

smile. Walk on in and ask him<br />

about his signature pizza, “e Godfather.”<br />

You wont be able to resist the Garden-<br />

Fresh Tomato Sauce Luigi makes from<br />

scratch; its not acidic, just sweet and<br />

perfect. Each wedge <strong>of</strong> “e Godfather”<br />

delivers generous chunks <strong>of</strong> Pepperoni,<br />

Italian Sausage, Mushrooms, Red Onions<br />

& Black Olives. You can also order Whole<br />

Wheat or Sicilian (ick Crust). Its meaty<br />

and stacked full, totally satisfying. Luigis<br />

Signature Pizzas, from Greek to Hawaiian<br />

and from Margherita to BBQ Chicken,<br />

come in three sizes, ranging from $15.95<br />

to $19.95. Or you can create your own<br />

custom Pie from his lists <strong>of</strong> fresh ingredients.<br />

If youre a Pizza lover, you definitely<br />

need to experience Luigis!<br />

ere are other unique delights to<br />

discover besides Pizza, though, like the<br />

Marinated Portobello Sandwich. e<br />

Gourmet Mushroom is marinated and<br />

served topped with Mixed Greens, Roasted<br />

Red Onion, a Balsamic Reduction with<br />

Roasted Garlic, and Herbed Goat Cheese<br />

... panini-pressed on a Grilled Ciabatta<br />

Roll ($7.95). is was Gregorys favorite<br />

and is hearty without being heavy, juxtaposing<br />

the savory Mushroom with a<br />

Balsamic zing and a creamy-tasting<br />

Goat Cheese. Its definitely a full meal,<br />

complete with Pickle and Chips.<br />

And if you are sitting around with<br />

friends and all starving, we dare you to<br />

tackle “e Stoner” Super Sandwich: 18<br />

www.konklife.com 7<br />

K E Y B U S I N E S S I N K E Y W E S T<br />

inches <strong>of</strong> Cuban Bread, piled till your eyes<br />

pop with Prosciutto di Parma, Sopressata,<br />

Capicola Ham, Mozzarella, Provolone, Romaine<br />

Lettuce, Tomato, Pickled Red<br />

Onions, Jalapeños, Avocado, Garlic Aioli<br />

and a drizzle <strong>of</strong> Oil & Vinegar ($17.95).<br />

At $17.95, this monster is a bargain and<br />

can feed three to four hungry stoners!<br />

We sampled the house “Pacelli Salad”<br />

and it was an unexpeced delight. Luigi<br />

takes Fresh Mixed Greens and adds Sliced<br />

Candied Almonds, Dried Apricot Slices,<br />

Gorgonzola Cheese and a Hazelnut Balsamic<br />

Dressing ($8.95). Light and fresh,<br />

it weaves tastes and textures you wouldnt<br />

expect to find together, layering the sweet<br />

<strong>of</strong> the Candied Almonds & Apricots with<br />

the tart Vinaigrette and creamy Cheese.<br />

is is a really new taste sensation, and<br />

its highly recommended!<br />

| Continued on page 20<br />

INFO Luigis, 521 Fleming St.,<br />

(305) 292-4962


wining the keys KEY<br />

HAPPENINGS<br />

W I N E A B I T, Y O U L L F E E L B E T T E R<br />

Ya think theyd learn<br />

after the first time<br />

So, if you’re reading this, you’ve<br />

survived Christmas. You survived<br />

that epic amateur night — New Year’s Eve.<br />

You even survived the Mayan end <strong>of</strong> the world!<br />

Well done!<br />

Well, what if I told you there was an event<br />

in the wine world that made people question<br />

whether wine would continue to exist?!? One<br />

single event that wiped out vines all across the<br />

globe — including places as geographically diverse<br />

as France, South Africa, Australia, and<br />

California?!? And what if I told you that this<br />

event was one-thirtieth <strong>of</strong> an inch long and<br />

one-sixth <strong>of</strong> an inch wide?!? And what if I told<br />

you it almost happened again?!?!<br />

First, it’s important to understand that almost<br />

all <strong>of</strong> the grapes used to make wine come<br />

from the European vinifera species. Cab, merlot,<br />

chardonnay, etc. are all vinifera grapes.<br />

But back in the 1860s, French vintners started<br />

doing some experimentation with native<br />

American vines, and vintners across the globe<br />

were experimenting with the vinifera grapes in<br />

their own terroirs. Unbeknownst to the<br />

French, there was a little hitchhiker on those<br />

American vines that became known<br />

as Phylloxera vastatrix, the devastator.<br />

(Take that Arnold!)<br />

ey had no idea <strong>of</strong> what was<br />

happening. Phylloxera, now known<br />

as the insect Dactylasphaera vitifoliae<br />

(boy, is my spell checker having<br />

fits today) is a minute little bug that<br />

fed on the European rootstock and<br />

sucked the life out <strong>of</strong> the vines.<br />

Nobody had any clue as to what<br />

was happening, and they tried just about anything<br />

to cure it, including countless chemicals<br />

and even irrigating the vineyards with wine.<br />

In about two decades almost all <strong>of</strong> the<br />

vineyards around the world were destroyed,<br />

and there was nothing they could do about it.<br />

ey seriously thought it was the end <strong>of</strong> wine.<br />

But, just as the Europeans were experimenting<br />

with American vines, the Californians were experimenting<br />

with the vinifera vines, and all <strong>of</strong><br />

their vinifera vines were killed as well. But, the<br />

native American vines didn’t suffer at all. Soon<br />

they found the little insect was living on the<br />

root stalk and discovered the American rootstock<br />

was immune to the little bastard, so they<br />

started grafting the superior vinifera vines onto<br />

the American rootstock. It worked so well that<br />

pretty much all <strong>of</strong> the world’s vines were<br />

pulled up and replanted with American rootstock.<br />

So, we as proud Americans can say, we<br />

saved the wine industry from total devastation<br />

and those sniveling little French should thank<br />

their luck stars for us Yanks, not to mention<br />

WW1 and WW2! Let’s just not mention they<br />

were the ones that caused the problem in the<br />

first place. (Hee-hee).<br />

So, you’d think that thats the end <strong>of</strong> the<br />

story, right? Nope! You know that we don’t<br />

learn anything from just one disaster. It’s gotta<br />

happen at least twice, and it did.<br />

In 1983, Phylloxera started showing up in<br />

California and started burning through the<br />

vineyards, again. It was affecting some <strong>of</strong> the<br />

most important vineyards in the state, including<br />

such notables as Heitz Cellar’s Martha’s<br />

Vineyard. e problem turned out to be that<br />

we just can’t learn anything the first time. As it<br />

turned out, the pest was affecting one particular<br />

rootstock — AxR1. is just happened to<br />

be the rootstock <strong>of</strong> choice for California at the<br />

time. It had been developed in California by<br />

biologists who combined American rootstock<br />

with vinifera rootstock. In their testing, they<br />

found it very tolerant <strong>of</strong> Phylloxera, but the little<br />

bastard had morphed into what is now<br />

known as biotype B, and it started sucking the<br />

life out <strong>of</strong> all AxR1 vines throughout California,<br />

Oregon and Washington.<br />

By 1995, every AxR1 vine<br />

that had been planted had to be<br />

ripped out. In California alone<br />

the cost was estimated to be over<br />

$1 billion. On top <strong>of</strong> that, it<br />

takes about three years for new<br />

vines to become productive, so<br />

you can imagine the devastation<br />

<strong>of</strong> the U.S. wine industry. It’s important<br />

to point out the European<br />

growers thought those crazy Americans<br />

were playing with fire when they started toying<br />

with the vinifera rootstock again, and they<br />

chose to stay with the pure American rootstock.<br />

Oh well, we eventually learn, maybe.<br />

Finally as always, remember if you want to<br />

get the most important email newsletter <strong>of</strong> all<br />

time, Smokin Vines, a listing <strong>of</strong> all food and<br />

booze events in the Keys, send your name and<br />

email to wineslut@me.com and Ill add you to<br />

the list.<br />

at’s it for this week, so until the next<br />

time — wine a bit, you’ll feel better.<br />

STEVE<br />

C A L D E R W O O D<br />

e<br />

8 www.konklife.com<br />

<strong>January</strong> 4<br />

Open studio<br />

During Upper Duval’s First Friday Art Stroll on <strong>January</strong> 4,<br />

5-9pm, the artist’s creative workspace opena for a reception. Kate<br />

Peachey and Karen Moore will be on hand to discuss their work.<br />

Gem enthusiast and jewelry<br />

designer Karen Moore introduces<br />

a new interactive<br />

monthly series, Gem Sessions,<br />

featuring a different<br />

precious stone and its characteristics<br />

each month. ZEN<br />

by Karen Moore designs<br />

available at Blue Eye Images<br />

Gallery, Shakti Yoga Studio,<br />

Wine Cottage on Eaton,<br />

Wanderlust and Out <strong>of</strong> the<br />

Blue in Big Pine. Learn more<br />

at zenbykarenmoore.com<br />

Painter Kate Peachey continues her foray into textured abstracts,<br />

preparing canvasses with added shapes that lend dimension<br />

to images described by color. Kate creates island fantasies<br />

and faces on bare canvass, wood, coconuts and found objects.<br />

Visit for a preview, katepeachey.com<br />

<strong>January</strong> 5<br />

Old Town New Folk: Peter Mayer<br />

Peter Mayer, lead guitarist for Jimmy Buffett’s Coral Reefer<br />

band, returns to e Studios <strong>of</strong> Key West for a solo show. Mayer<br />

performs original songs from<br />

a career <strong>of</strong> more than 13<br />

CDs and songs. He’ll include<br />

a few selections from his latest<br />

release, Goodbye Hello, a<br />

collection <strong>of</strong> 15 Beatles songs<br />

with new arrangements and<br />

musical settings.<br />

Peter Mayer appears as<br />

part <strong>of</strong> e Studios <strong>of</strong> Key West’s Old Town New Folk in the<br />

main hall <strong>of</strong> the Historic Armory. His appearance followed by<br />

Jonathan Edwards, <strong>January</strong> 25; John Gorka, February 8; Livingston<br />

Taylor, March 8. Historic Armory series concludes with<br />

local music-maker Ben Harrison, March 23.<br />

Doors open 7pm. Mayer takes the stage 8pm. Seats limited<br />

to 200 and now available at www.keystix.com<br />

INFO (305) 295-7676<br />

<strong>January</strong> 12<br />

Volunteer for iron distance<br />

Inaugural race <strong>of</strong> southernmost iron distance event in the<br />

United States spans 140.6 miles <strong>of</strong> swimming, biking and running.<br />

Volunteers receive T-shirts and dinner, 5:30-7:30 p.m.<br />

ursday, <strong>January</strong> 10, at DoubleTree Grand Key Resort. Volunteers<br />

<strong>of</strong> all ages at swim course, bike course, run course, transition<br />

area, aid stations, refreshment area and parking. Assistance<br />

also needed with timing, body marking and radio operation.<br />

Event benefits Florida Keys American Cancer Society.<br />

INFO (305) 896-9182


THEATER<br />

ONSTAGE<br />

Brandon Beach, David Black and Erin McKenna | PETER ARNOW<br />

‘e 39 Steps’<br />

Adapted from the Alfred Hitchcock film<br />

The Waterfront Playhouse, 8pm<br />

December 20 to <strong>January</strong> 12<br />

The 39 Steps,” Broadway’s longest-running comedy, is now a hit<br />

in Paradise! Playing at the Waterfront Playhouse through <strong>January</strong><br />

12, this cheeky spo<strong>of</strong> on Alfred Hitchcock’s iconic 1935 movie has<br />

garnered raves from critics and audiences. Winner <strong>of</strong> Tony, Drama Desk<br />

and Olivier Awards, “e 39 Steps” is packed with non-stop laughs featuring<br />

an onstage train chase, plane crash, handcuffs, evil-doers, missing fingers<br />

and old-fashioned romance. At its heart, “39 Steps” is about the magic<br />

<strong>of</strong> theater as only four actors create a “movie experience” live on stage.<br />

Brandon Beach plays Richard Hannay, a man bored with his life and<br />

longing for adventure. He meets a mysterious and glamorous German spy<br />

at a theater. e spy is played by Erin McKenna who also plays the other<br />

female love interests, a shy Scottish farm wife, and Pamela, the ubiquitous<br />

Hitchcock blonde. When the spy is murdered in his apartment, Hannay<br />

begins to run for his life as well as attempting to save the British Empire.<br />

David Black and J. B. McLendon play over a 100 eccentric characters who<br />

help tell the story: lingerie salesmen, Scottish innkeepers, thugs, vaudevillians,<br />

women, policemen and an out-<strong>of</strong>-control stream.<br />

Heading up this thrill ride <strong>of</strong> a show is director Danny Weathers. e<br />

production is a visually impressive featuring a brilliantly functional set<br />

from Michael Boyer, Leigh Hooten’s beautiful period costumes, Kim Hanson’s<br />

evocative lighting, Carmen Rodriguez’s clever props, Trish Manley’s<br />

diligent stage management and sound design <strong>of</strong> Hitchcock music themes<br />

and sound effects by Danny Weathers and Dan Simpson.<br />

e production is sponsored by Conch Color. 2012-13 season sponsors<br />

are Digital Island Media, Wodu Media and Royal Furniture.<br />

“e 39 Steps” is for the whole family. Tickets sell quickly with soldout<br />

houses. Call the box <strong>of</strong>fice (305) 294-5015 or purchase tickets online,<br />

www.waterfrontplayhouse.org<br />

Student, military and senior rates available, as well as Friday Night Date<br />

Night ticket special. Tickets, memberships, subscriptions and other information<br />

also available on the website or by calling the box <strong>of</strong>fice.<br />

e<br />

ww.konklife.com 9


n L E G A L I T I E S W I T H<br />

Louis Petrone<br />

December 28, 2012, two<br />

hours before the White<br />

House meeting between the President<br />

and Congressional leaders. e<br />

issue: How to avoid the fiscal cliff.<br />

I expect nothing good to come<br />

out <strong>of</strong> the meeting. A proper resolution<br />

is no longer in the cards. A partial<br />

one is as good as none at all.<br />

Our leaders continue to fail us.<br />

I see a plague on both their houses.<br />

ese Washingtonians are out <strong>of</strong><br />

touch with the American public.<br />

Or maybe they are not out <strong>of</strong> touch.<br />

ey just do not care. ey speak<br />

not for you and me.<br />

Some <strong>of</strong> the elected beauties<br />

have political careers set in concrete.<br />

ey have Congressional careers<br />

running 30- to 50-plus years. For<br />

the populace, life-long jobs with an<br />

employer are a thing <strong>of</strong> the past.<br />

Salaries are interesting also. Most<br />

Senators and Congressmen receive<br />

$174,000 per year. With guaranteed<br />

increases they voted for themselves<br />

some 20 years ago. And no union.<br />

How many earn that much and<br />

have the guarantee <strong>of</strong> salary increments?<br />

Few in our society.<br />

e simple solution bandied<br />

about is term limits. A legislator is<br />

elected for a number <strong>of</strong> years or<br />

terms. Maybe two terms at best.<br />

en good bye. ey go home to<br />

farm or run their businesses as the<br />

Constitutional framers intended. In<br />

the latter 1900s, some states were<br />

concerned with the number <strong>of</strong> years<br />

Senators and Congressman were remaining<br />

in Washington and established<br />

term limits for their federally<br />

elected representatives.<br />

You don’t screw with Congress!<br />

Senators and Congressmen went to<br />

Court. eir case ended up in the<br />

U.S. Supreme Court. In 1995, a<br />

conservative Supreme Court ruled<br />

5-4 that term limits were not available<br />

for implementation without a<br />

Constitutional amendment. e<br />

bad guys won! Today, a Constitutional<br />

amendment takes years.<br />

KEY WEST<br />

LOU<br />

WHAT ABOUT TERM LIMITS<br />

10 www.konklife.com<br />

e people screwed again. is<br />

time by the highest Court <strong>of</strong> the<br />

land. e framers <strong>of</strong> the Constitution<br />

envisioned a citizen legislature.<br />

Men would travel to Washington a<br />

few weeks a year, do the people’s<br />

work, then return home to their<br />

farms and businesses. It was that<br />

way once. No more. Now they go to<br />

Washington and do whatever is necessary<br />

to stay as long as they can.<br />

What about the farm or business<br />

back home? ey do not exist.<br />

e framers <strong>of</strong> the Constitution<br />

initially intended term limits be a<br />

part <strong>of</strong> the Constutution. However,<br />

there was a space problem. e<br />

framers wanted the Constiution to<br />

be as short as possible. Since the<br />

framers were farmers and business<br />

persons, they could not envision<br />

how anyone could or would want to<br />

serve 20 or more years.<br />

Another consideration was the<br />

lifespan as it existed at the time.<br />

<strong>Life</strong> expectancy was 35 years.<br />

Term limits were left out <strong>of</strong> the<br />

Constitution.<br />

omas Jefferson is considered<br />

to be the father <strong>of</strong> the Constitution.<br />

He drafted the document. Jefferson<br />

saw the problem with pr<strong>of</strong>essional<br />

legislators. He said: “e two enemies<br />

<strong>of</strong> the people are criminals and<br />

government, so let us tie the second<br />

down with the chains <strong>of</strong> the Constitution<br />

so the second will not become<br />

the . . . . version <strong>of</strong> the first.”<br />

We have a problem! One with no<br />

simple solution. We better find a solution<br />

before these career Washington<br />

politicians screw up our lives<br />

even more.<br />

e<br />

LOU<br />

P E T R O N E<br />

TALK SHOW HOST


A SAN CARLOS HOLIDAY<br />

HOWARD LIVINGSTON IN CONCERT<br />

www.konklife.com 11<br />

GUY deBOER | photographer


BRITISH STYLE HOLIDAY PARTY GUY deBOER | photographer<br />

12 ww.konklife.com<br />

DeRubeis Artworks<br />

Grand Opening<br />

New location 511 Duval St., Key West<br />

Chris DeRubeism, known as “father <strong>of</strong><br />

the conceptual movement,” is defined<br />

as Abstract Sensualism: his paintings bring<br />

you the world <strong>of</strong> celestial abstraction capturing<br />

color-soaked light which appears to<br />

spring from his art. With s<strong>of</strong>t lines, the<br />

artist weaves together forms <strong>of</strong> metal<br />

sculpture and paint to make his composition<br />

flow in harmony. Each work is originial,<br />

using structure and waves <strong>of</strong> light to<br />

build weightlessm diaphanous forms. Colors<br />

flow from one hue to the next, while<br />

the transparency <strong>of</strong> his layers <strong>of</strong> paint creates<br />

the illusion <strong>of</strong> depth. To view<br />

DeRubeis’ artwork — abstract, figures<br />

and spirits, landscapes . . .<br />

www.derubeisfineart.com<br />

Artist Chris DeRubeis


ocean key’s sunset pier rocks<br />

THE NIGHT REVIVALISTS<br />

www.konklife.com 13<br />

GUY deBOER | photographer


l Green Parrot<br />

Donna the Buffalo (Above)<br />

l Schooner Wharf Bar<br />

Paul Cotton Band (Bottom left)<br />

l Place<br />

Band (Bottom middle)<br />

l The Smokin’ Tuna<br />

Joe Bachman<br />

(Bottom right)<br />

14 www.konklife.com<br />

j a n u a r y 3 - 9


F U N T I M E S<br />

Smokin Tuna Saloon<br />

4 Charles St., <strong>of</strong>f the 200 block<br />

Duval Street, (305) 517-6350<br />

n<br />

Thursday-Saturday<br />

Scott Kirby 5pm<br />

Caffeine Carl & The Buzz 10pm<br />

Friday-Saturday<br />

Scott Kirby 5pm<br />

Rusty Lemmon Band 10pm<br />

Sunday-Monday<br />

Rusty Lemmon 6pm<br />

Wednesday-Thursday<br />

Scott Kirby 5pm<br />

Sunday-Thursday<br />

Joe Bachman 9pm<br />

Green Parrot Bar<br />

601 White St., (305) 294-6133<br />

n<br />

Thursday-Friday<br />

Donna the Buffalo<br />

10pm Thursday,<br />

5:30 and 10 p.m. Friday<br />

Feel-good, groove-oriented,<br />

danceable, socially conscious<br />

music. It began 20 years ago with<br />

roots in old-time fiddle music that<br />

evolved into a soulful electric<br />

Americana mix infused with elements<br />

<strong>of</strong> Cajun/zydeco, rock, folk,<br />

reggae and country. Donna the<br />

Buffalo known for touring the<br />

country as one <strong>of</strong> the industrys<br />

most diverse roots-music bands.<br />

Dynamic songwriting tandem <strong>of</strong><br />

vocalists Jeb Puryear and Tara<br />

Nevins penned 180 songs in collaboration<br />

with DTB.<br />

Saturday-Sunday<br />

Braille Blues Daddy Bryan Lee<br />

10 p.m. Saturday;<br />

5:30 p.m. Sunday<br />

For years the only blues band visitors<br />

to New Orleans would hear<br />

was New Orleans’ fixture, vocalist/guitarist<br />

Bryan Lee at the Old<br />

Absinthe House on Bourbon<br />

Street. Blind since childhood, his<br />

style never strayed from his midwest<br />

sensibilities making him the<br />

most Chicago-sounding band in<br />

town as his Jump Street Five<br />

played blues, developing a following<br />

and solid reputation. Today<br />

Lee is going stronger than ever,<br />

touring the states, Canada and<br />

Europe. Bryan Lee is primed and<br />

ready to take his band on tour in<br />

the wake <strong>of</strong> his latest CD, Katrina<br />

Was Her Name, produced by guitar<br />

great Duke.<br />

Wednesday<br />

Ukulele Assoc. meeting 8pm<br />

www.konklife.com 15<br />

Green Parrot Bar<br />

Bryan Lee<br />

Special guest ukulele master<br />

Marc Revenson joins co-hosts<br />

Jeff Clark, Tim McAlpine and Jay<br />

Gewin for a workshop, concert<br />

and play-along. The Milwaukeebased,<br />

award-winning multi-instrumentalist,<br />

songwriter and<br />

music historian, known as Lil Rev,<br />

will follow the format <strong>of</strong> past<br />

Ukulele Association meetings, beginning<br />

at 8 p.m. with Rev leading<br />

a workshop followed by concertstyle<br />

performance by Rev.<br />

| Continued on page 16<br />

Green Parrot<br />

Lil Rev


F U N T I M E S<br />

| Continued from page 15<br />

Pier House<br />

Larry Smith<br />

Pier House<br />

Wine Gallery Piano Bar,<br />

One Duval, (305) 296-4600<br />

n<br />

Friday-Monday 7pm Larry<br />

Smith performs jazz, popular<br />

standards, originals, with guest<br />

singers, instrumentalists. Larry<br />

Smith New Year’s Eve Band:<br />

singers Christine Cordone and<br />

Schooner Wharf Bar<br />

Paul Cotton Band<br />

Kathleen Peace, drummer Peppy Pabone, guitarist<br />

Ray Sigismondi, bassist Tim McAlpine.<br />

Sunday Showcase 9pm<br />

Pianist/singer Mike Dennis.<br />

Renaissance man Dennis is presently an author <strong>of</strong><br />

noir fiction, a former pr<strong>of</strong>essional poker player, and<br />

a newlywed who two weeks ago married bride<br />

Yleana in Havana, Cuba. Dennis, who owned and<br />

performed at the former CC Ryders Piano Bar on<br />

Duval Street, has impressive credentials as an<br />

entertainer who travelled extensively and entertained<br />

the world. He looks forward to defying the<br />

Mayan predictions to perform the final Larry Smith<br />

Sunday Showcase <strong>of</strong> 2012.<br />

16 www.konklife.com<br />

n Wine Gallery Piano Bar<br />

Monday 9pm<br />

Larry Smith Jazz Jam featuring drummer Richard<br />

Crooks and bassist Tim McAlpine<br />

Schooner Wharf Bar<br />

202 Williams St., 292-3302,<br />

www.schoonerwharf.com<br />

n<br />

Thursday The Doerfels 7pm-Midnight<br />

Exuberant musical family from New York state.<br />

Early on these young musicians wowed audiences<br />

and critics with their bluegrass. Now they’ve<br />

| Continued on page 17


F U N T I M E S<br />

Schooner Wharf Bar<br />

The Doerfels<br />

Schooner Wharf Bar<br />

202 Williams St., 292-3302,<br />

www.schoonerwharf.com<br />

n<br />

Thursday The Doerfels<br />

7pm-Midnight<br />

| Continued from page 16<br />

branched out into other music<br />

genres, blending country, gospel<br />

and bluegrass with a touch <strong>of</strong><br />

blues and rock, plus originals.<br />

With an extensive line-up <strong>of</strong><br />

arrangements with banjo, fiddle,<br />

bass, cello, guitar, and humor,<br />

they form a musical group <strong>of</strong> virtuosity.<br />

Even the youngest members<br />

are veterans <strong>of</strong> the stage.<br />

Friday-Saturday<br />

Paul Cotton 7pm-Midnight<br />

Country rock band Poco’s main<br />

songwriter, lead vocalist and lead<br />

guitarist, Cotton’s 45-year career<br />

yielded countless albums and<br />

acclaim, and his staying power is<br />

endless. Born in the Deep South<br />

and raised on the south side <strong>of</strong><br />

Chicago, the soulful influences <strong>of</strong><br />

his roots can still be heard in his<br />

songs. With local musicians<br />

Marty Stonely, Russ Skabudda,<br />

Joel Nelson, and Greg Shandley,<br />

this band performs favorites like<br />

Poco’s “Heart <strong>of</strong> the Night” and<br />

“Crazy Love”, plus originals, Trop<br />

Rock, and New Orleans-influenced<br />

tunes with southern tinge.<br />

Charlie Mac’s<br />

Quarterback Deck, 528 Front<br />

St., (305) 509-7136<br />

n<br />

Thursday<br />

Black and Skabuddah 7pm<br />

Acoustic duo originally from New<br />

York City. Known for upbeat and<br />

lively performances.<br />

www.konklife.com 17<br />

Friday-Saturday<br />

Nick Norman 7pm<br />

Hailing from South Carolina, Nick<br />

drew on Edwin McCain, Hootie<br />

and the Blowfish, Stevie Wonder<br />

and Michael Jackson to create<br />

his sound. These days shares<br />

stage with musicians Joey<br />

Marchiano <strong>of</strong> Philly and Key<br />

West's “Caffeine Carl” Wagoner.<br />

Cafe Sole<br />

1029 Southard St., 294-0230<br />

n<br />

Libby York Jazz vocalist<br />

lTruman Little White House concerts,<br />

<strong>January</strong> 14-15; lValentine<br />

to the City <strong>of</strong> Light with “To Paris<br />

With Love,” February 22, Studios<br />

<strong>of</strong> Key West. Tickets,<br />

www.keystix.com<br />

e<br />

Music in The Arts<br />

Friday, <strong>January</strong> 4<br />

In the Cabaret: Michael Robinson,<br />

5 PM The Gardens Hotel,<br />

526 Angela St. 294-2661.<br />

gardenshotel.com.<br />

Saturday, <strong>January</strong> 5<br />

In the Cabaret: Bobby Green<br />

on the Piano, 5 PM The Gardens<br />

Hotel, 526 Angela St.<br />

294-2661. gardenshotel.co.<br />

Legends in Concert : The 5th<br />

Dimension Tribute, 8 PM<br />

Tennessee Williams Theatre,<br />

5901 College Rd. 295-7676.<br />

keystix.com<br />

Peter Mayer in Concert, 8 PM<br />

TSKW, 600 White St.<br />

keystix.com<br />

Sunday, <strong>January</strong> 6<br />

Jazz in the Gardens,<br />

5 PM<br />

The Gardens Hotel, 526 Angela<br />

St. 294-2661.<br />

gardenshotel.com<br />

Sunday-Monday,<br />

<strong>January</strong> 6-7<br />

Bobby in the Lobby, 8 PM<br />

Tennessee Williams Cabaret<br />

Theatre, 5901 College Road.<br />

295-7676. keystix.com<br />

Tuesday,<br />

<strong>January</strong> 8<br />

Aqua Idol, 6:30 PM Aqua<br />

Nightclub, 711 Duval.<br />

Come and vote your favorite<br />

contestant. Proceeds benefit<br />

Waterfront Playhouse.<br />

294-5505. aquakeywest.com


Florida Keys Council <strong>of</strong> the Arts<br />

Cultural Calendar: Send in events<br />

by ursday noon to the Florida Keys<br />

Council <strong>of</strong> the Arts, email address<br />

calendar@keysarts.com<br />

Key West Happenings<br />

ART RECEPTIONS / EXHIBITIONS<br />

Thursday, <strong>January</strong> 3<br />

Historic Seaport District Art Walk,<br />

6 PM. Galleries and shops along<br />

Fleming, Caroline and Greene Streets.<br />

Local artists display their work;<br />

local merchants open late.<br />

Friday, <strong>January</strong> 4<br />

Upper Duval Street Stroll,<br />

6 PM Galleries and shops along<br />

Upper Duval, Whitehead and Truman<br />

to United. SoDu Gallery: Vaughn Garner<br />

Photographs and Book Signing,<br />

1100 Duval St; Frangipani Gallery:<br />

David Scott Meier, 1102-A Duval St;<br />

Meet Me at Kate’s Art Studio, Kate<br />

Peachey and Karen Moore, 5 PM<br />

1309 Whitehead St.; Carriage House,<br />

Island Arts Co-op, Siduri’s Place, Cork<br />

& Stogie and Grand Vin wine bars.<br />

Fearless Opening and Reception, 7<br />

PM Lucky Street Gallery, 540 Greene<br />

St. 294-3973. luckystreetgallery.com.<br />

Anne McKee Artists Fund <strong>2013</strong> —<br />

Call to Artists due by <strong>January</strong> 7<br />

Anne McKee Artists Fund <strong>of</strong> the<br />

Florida Keys. Melissa Trader, 296-<br />

2080. Limited to 60 pieces. Entry<br />

forms, mckeefund.org<br />

CLASSES / WORKSHOPS<br />

Sean Callahan Watercolor Classes<br />

TSKW, 600 White St. 296-0458.<br />

Register now for Monday classes,<br />

<strong>January</strong> 7-28. tskw.org<br />

Finding Your Voice in Watercolor<br />

Key West Art Center, 300 Front St.<br />

Karen Beauprie, 517-6806. Register<br />

now for Tuesday classes, <strong>January</strong> 8 to<br />

March 26. All levels welcome.<br />

Renegade Clay Handbuilding Classes<br />

Renegade Clay Studio, 5550 5th Ave.<br />

#7, Stock Island. Handbuilding for all<br />

levels. 8-week class, <strong>January</strong> 9 to<br />

February 27.<br />

<strong>Life</strong> Drawing and Key West Still <strong>Life</strong><br />

combo <strong>Life</strong> Drawing, 11 AM FKCC,<br />

5901 College Roadd. Tuesdays and<br />

Thursdays. Annamarie Giordano,<br />

609-884-8377. airebales@aol.com<br />

n In the Arts<br />

Time and Tide, page 19<br />

THEATER<br />

Thursday-Saturday, <strong>January</strong> 3-5<br />

Alfred Hitchcock’s The 39 Steps, 8 PM<br />

Waterfront Playhouse, 310 Wall St.<br />

294-5015. Tuesdays-Saturdays to<br />

<strong>January</strong> 12. waterfrontplayhouse.org<br />

Oil City Symphony, 8 PM Red Barn<br />

Theatre, 319 Duval St. 296-9911.<br />

Thursdays-Saturdays to <strong>January</strong> 12.<br />

redbarntheatre.com<br />

FILM<br />

Saturday, <strong>January</strong> 5<br />

Kid’s Saturday Movie Club: The Secret<br />

World <strong>of</strong> Arrietty, 10:30 AM<br />

Sunday and Tuesday, December 30<br />

and <strong>January</strong> 1: Opera in Cinema<br />

Series — Carmen, Royal Opera<br />

House, 2 PM, Tuesday, 7 PM.<br />

Tropic Cinema, 416 Eaton St.<br />

877-761-3456, tropiccinema.com<br />

Sunday, <strong>January</strong> 6<br />

Eco Discovery Documentary Film,<br />

2 PM Florida Keys Eco-Discovery<br />

Center, 809-4755. 35 East Quay<br />

Road, Truman Waterfront.<br />

floridakeys.noaa.gov<br />

Monday, <strong>January</strong> 7<br />

Alfred Hitchcock Series: To Catch a<br />

Thief, 7 PM Tropic Cinema, 416 Eaton<br />

St. Mondays, all month long.<br />

877-761-3456, tropiccinema.com<br />

LITERARY<br />

Thursday, <strong>January</strong> 3<br />

Cafe con Libros, 9:30 AM Key West<br />

Library, Conference Room,<br />

700 Fleming St. 292-3595<br />

Saturday, <strong>January</strong> 5<br />

Friends <strong>of</strong> the Library Book Sale,<br />

9:30 AM Key West Library, Palm<br />

Garden, 700 Fleming St. 292-3595.<br />

Sunday, <strong>January</strong> 6<br />

Key West Poetry Guild Meeting, 7 PM<br />

Blue Heaven Restaurant, 729 Thomas<br />

St. — upstairs, J.M. Varela, 293-0902.<br />

MUSEUMS & MORE<br />

Tuesday, <strong>January</strong> 8<br />

Maya Medicine Healing – Lecture, 7<br />

PM Key West Tropical Forest and<br />

Botanical Garden, 5210 College Road.<br />

296-1504.keywestbotanicalgarden.org<br />

Speaker Jennifer O’Hagan on traditional<br />

use <strong>of</strong> plants from Central America<br />

and grown here.<br />

Key West Orchid Society Meeting,<br />

2 PM West Martello Gardens, 1100<br />

Atlantic Blvd. 294-3210.<br />

keywestgardenclub.com<br />

Wednesday, <strong>January</strong> 9<br />

Green Drinks Key West — Sanctuary<br />

Friends <strong>of</strong> The Florida Keys:<br />

Finnegan’s Wake, 320 Grinnell St.<br />

289-2288. sanctuaryfriends.org<br />

18 www.konklife.com<br />

tropic<br />

sprocketS<br />

n I N R E V I E W W I T H<br />

Ian Brockway<br />

e Guilt Trip<br />

Oy vey. We have one<br />

overbearing mom<br />

here folks, and she is played by the<br />

legendary Barbra Streisand. “e<br />

Guilt Trip” is the latest self-deprecating<br />

comedy starring Seth Rogen.<br />

Rogen, who has a natural likable<br />

charm in the manner <strong>of</strong> a young Albert<br />

Brooks, predictably stars as<br />

Andy Brewster, an aspiring corporate<br />

inventor. While this is nothing<br />

inspired for Rogen (he worries, frets,<br />

smirks and frowns as he has done in<br />

many other outings) it is hard not to<br />

like him. He has his friendly, anxious<br />

and irritable persona down to a<br />

science.<br />

Andy’s semi-sloppy helicoptermom<br />

Joyce (Streisand) calls constantly,<br />

seven times a day, and he<br />

duly deletes each message. He decides<br />

to visit mom on the way to a<br />

business trip and gets henpecked:<br />

“Why can’t you settle down and find<br />

a nice girl? Do you have sexual<br />

problems?” Etc, etc. Streisand manically<br />

goes on about her therapist,<br />

her hair, her makeup, non-dating<br />

and the love she has for peanut<br />

M&Ms to her son’s increasing discomfort.<br />

Mom goes on to reveal that<br />

some other man, also named Andy,<br />

was the true love <strong>of</strong> her life with intimate<br />

details. Andrew is confused.<br />

In an apparent stab at being more<br />

amiable to his domineering mom,<br />

he invites her on a business road trip<br />

across the country.<br />

At times Streisand’s histrionics<br />

do become wearing, but just when<br />

you want to throw a whole bag <strong>of</strong><br />

popcorn at Barbra, a frenetic chemistry<br />

builds between Rogen and the<br />

iconic Streisand. is is not to say<br />

she gets a free pass here. is comedy<br />

is filled with some needlessly<br />

silly stuff (like mom finishing a<br />

four-pound steak for $100, not to<br />

mention carrying on at a stripper’s<br />

bar or gambling) and most <strong>of</strong> its sillier<br />

than John Waters. And not very<br />

interesting, given that there is so<br />

much back and forth between it all.<br />

It was reported on David Letterman<br />

show the story is based on an actual<br />

drive screenwriter Dan Fogelman<br />

(Crazy Stupid Love) took with hismom<br />

but I doubt their experience<br />

was as go<strong>of</strong>y as this film.<br />

“e Guilt Trip” does set out on<br />

a novel path: romantic comedy formula<br />

using dynamic <strong>of</strong> mother and<br />

son. At first Andy is reluctant, then<br />

actually likes being with his mom,<br />

then there is the usual miscommunications<br />

and harsh words just like in<br />

usual romantic films.<br />

e two actors do possess a harmony<br />

and solid heartfelt connection.<br />

e scenes that work are the<br />

ones where manic mother and badgered<br />

son are sharing rapid fire repartee.<br />

e film goes bland in its forced<br />

poignance, especially near the end<br />

when it dives into an attempted<br />

meeting with Joyce’s unrequited<br />

love. Overall, the comic strength <strong>of</strong><br />

“e Guilt Trip” is in its recognizability.<br />

We might know guys like<br />

Andy and mothers like Joyce. We<br />

laugh even though we know whats<br />

coming in the manner <strong>of</strong> a lukewarm<br />

Judd Apatow comedy, although<br />

its single joke <strong>of</strong> everpresent<br />

mother who won’t butt out is more<br />

like a skit than a full-length feature.<br />

Be this as it may, “e Guilt Trip”<br />

goes down easy and does manage to<br />

make you laugh a bit. e last scene<br />

with Rogen and Streisand going<br />

their separate ways at an airport (as<br />

both pairs <strong>of</strong> eyes and two smiles tilt<br />

quizzically in similar gestures) is<br />

very touching as is the way in which<br />

they take leave from one another.<br />

ese quick strokes at the end<br />

give “e Guilt Trip” a much<br />

needed push <strong>of</strong>f setting a bit <strong>of</strong> its<br />

warm predictability.<br />

e<br />

| Continued on page 22


Encore event<br />

IN THE<br />

ARTS<br />

TIME AND TIDE<br />

FINDING LIFE AT WATER’S EDGE<br />

Stone Soup Gallery’ special two-hour encore showing <strong>of</strong> “Time and Tide: Finding <strong>Life</strong> at Water’s Edge,” an exhibition <strong>of</strong> fine art paintings by Joe Jackson, 11 a.m.<br />

to 1 p.m. Sunday. e show debuted December 20 to several hundred viewers over a three-hour period and will finalize on Monday.<br />

“In his approach, Joe has been described as a creative perfectionist,” commented gallery owner Melissa Trader. “Yet his ability to simultaneously express both warmth and<br />

solitude through meticulously layered brush-strokes actually extracts a more intuitive and earthy response from his audience. Stone Soup is delighted to have presented this<br />

outstanding artist in his first one-man show.”<br />

Stone Soup Gallery is owned and run by Melissa Trader, assisted by artist Sean P. Callahan<br />

e<br />

INFO For more information on Jackson’s work, call Stone Soup Gallery, (305) 296-2080, or visit joejackson.com<br />

www.konklife.com 19


DEAR<br />

VENUS JONES<br />

M A Y T H E S T A R S B E W I T H Y O U<br />

Dear Venus Jones: I have had my<br />

own business for 15 years. I have had<br />

many employees. I have always felt they<br />

were an extended family to me. A few <strong>of</strong><br />

their children call me Grandma. I have<br />

had to get hard with them and even fire<br />

some including my supervisor caught<br />

red-handed stealing from me. Why has<br />

this happened? I trusted completely.<br />

What can I do to insure this never<br />

happens again?<br />

Dear Grandma Business with<br />

Pleasure: I understand your pain and<br />

disillusionment. is is why the saying,<br />

“Don’t mix business and pleasure.”<br />

ere have been many who have had<br />

to swallow this bitter pill, but you have<br />

put on rose-colored glasses and denied<br />

the truth as you were seeing. ere have<br />

been many warnings. is is what happens<br />

when we do not follow the direction<br />

<strong>of</strong> a Pluto transit in our charts.<br />

How can you stop this in the future?<br />

at’s simple. Do not repeat the same<br />

process. As hard as it is for you to accept,<br />

there must be a separation from business<br />

and pleasure for it to be successful. ere<br />

must be a chain <strong>of</strong> command, and it<br />

must demand respect. is means one<br />

person is answered to to avoid confusion,<br />

and that person must be you.<br />

ere must be detachment from the<br />

outside world — personal bias or problems<br />

left at the door. Work is not a daycare<br />

situation nor should your door be<br />

open at all times. You need clear guidelines<br />

and set hours <strong>of</strong> business. Everything<br />

has its place.<br />

ere will be times when you get <strong>of</strong>f<br />

the beaten path. at is to be expected.<br />

Remain flexible to handle these detours<br />

and get back on track as soon as possible.<br />

Do not allow any person to cause your<br />

entire operation to become a state <strong>of</strong><br />

confusion or drama because <strong>of</strong> their personal<br />

problems.<br />

If a person cannot or will not do their<br />

job, after having given them whatever<br />

consideration you have set for your particular<br />

situation, then you must terminate<br />

them, thereby setting an example to<br />

the others that you mean business.<br />

Dear Venus Jones: I always tried<br />

to do the right thing with my family and<br />

friends. I feel as if I give and give and<br />

there is never anything that comes back.<br />

I have used up all my resources and still<br />

there seems to be people with their hand<br />

out towards me. What can I do when<br />

they are still asking, and I have no more<br />

to give? Why is it that people never try to<br />

help me? Why do I always seem to be the<br />

one who is doing all the giving? At some<br />

point, you would think they would see<br />

the light and change. I feel as if in some<br />

way I have failed in every way.<br />

Dear inker: Perhaps you expect too<br />

much. Did any <strong>of</strong> these people ask you to<br />

do any <strong>of</strong> the things you do? Here are<br />

some things I would like to “gift” you to<br />

think about.<br />

Stop volunteering your services if you<br />

cannot afford it. Understand it is not a<br />

gift if you are giving something you<br />

need. Understand if someone asks you<br />

for help and you agree to help them,<br />

both parties take responsibility. ere are<br />

no guidelines.<br />

People need to be responsible for<br />

themselves to grow. If you do everything<br />

for them, you can cripple them. is is<br />

where the formula for “tough love” originates<br />

in the first place. If you have<br />

watched a baby when it is trying to walk,<br />

you know how many times it has to fall<br />

down to become strong enough as well as<br />

knowledgeable enough to walk. To deprive<br />

someone <strong>of</strong> their life’s lessons is not<br />

in any way helping them to be strong<br />

and independent. It is making them dependents.<br />

ey will not only hate you for<br />

it but also blame you for making them<br />

that way. How can they possibly know<br />

what the “right thing” to do is if they<br />

have never had to experience the hard<br />

knocks <strong>of</strong> life?<br />

e<br />

DEAR VENUS<br />

COLUMNIST<br />

SYLVIA BOGART<br />

Sylviabogart@yahoo.com<br />

Send questions to venusjones50@yahoo.com<br />

with your date <strong>of</strong> birth.<br />

20 www.konklife.com<br />

HOT<br />

DISH<br />

JT THOMPSON | Luigis<br />

| Continued from page 7<br />

With nothing canned or<br />

processed, Luigi makes everything<br />

from scratch using the freshest ingredients,<br />

and you can taste it! Other<br />

menu items include meals like Calzones<br />

& Strombolis, several tempting<br />

Salads, classic Bruschetta and<br />

hearty Sandwiches like the Meatball<br />

Parm, Smoked Salmon, Roasted Vegetables,<br />

Sesame Tuna and Pesto<br />

Chicken ($7.95-$9.95) ... theres<br />

something for every taste and appetite.<br />

And you can have a Beer with<br />

your meal... or if you stop in during<br />

Happy Hour (3-6PM), enjoy a Domestic<br />

Beer with 2 slices <strong>of</strong> Cheese<br />

Pizza for just $6... what a deal! But<br />

you can drop in any time, even later;<br />

theyre open till midnight Sunday<br />

through ursday, and till 2AM Fridays<br />

& Saturdays. Dine in or take<br />

out. If youre feeling like staying<br />

home, just phone for convenient free<br />

delivery in Old Town. And if youre<br />

planning an event, just call in your<br />

selections for a tasty and effortless<br />

party spread.<br />

Gregory and I were glad to meet<br />

Luigi, a chef who puts his heart into<br />

every handcrafted dish. Plus, Luigis<br />

has the only Sicilian (ick Crust)<br />

on the island. is is not just another<br />

Pizza place, its truly unique,<br />

delicious and very affordably priced.<br />

Stop by 521 Fleming. Go introduce<br />

yourself to Luigi — and sample his<br />

many lovingly made dishes.<br />

Delizioso! e<br />

n First State Bank<br />

makes holiday bright<br />

First State Bank <strong>of</strong> the<br />

Florida Keys’ employees<br />

continued their support <strong>of</strong><br />

Poinciana Elementary<br />

School Christmas Kids<br />

Program with a donation<br />

<strong>of</strong> holiday gifts to needy<br />

local children. Each year,<br />

employees spread cheer<br />

by adopting children in<br />

need <strong>of</strong> assistance to<br />

ensure they have a happy<br />

holiday.<br />

At left, Angie Walterson<br />

and Susan Goldstein<br />

LOCAL<br />

observation<br />

CHRISTINA OXENBERG<br />

| Continued from page 4<br />

I was legless, and it was a huge relief<br />

when I made it home to Key West.<br />

Traveling home sans pie was a<br />

starkly different experience. I will<br />

never leave home without one again.<br />

e first thing I did when I got<br />

back was to fetch my bike, oiled and<br />

fixed up better than new. Last night<br />

I rode around town and everything<br />

certainly looked like Christmas.<br />

Palm trees and houses and front<br />

lawns are decorated with bright<br />

blinking lights and inflatable things,<br />

with moving parts, candy cane<br />

wheels rotating and carrousels set to<br />

music and slowly turning spreading<br />

their litter <strong>of</strong> twinkling lights. Cars<br />

festooned with Rudolph noses and<br />

antlers are double parked outside<br />

well-lit houses, while chimneys chuff<br />

and scent the mild chill with earthy<br />

rich smoke, mingling with the briny<br />

sea air, and making it smell like<br />

Christmas.<br />

I came home to find the perfect<br />

party invites. Friends Christmas Eve,<br />

and other friends Christmas Day.<br />

And, <strong>of</strong> course, I plan on presenting<br />

Key Lime pies at every stop. I’m already<br />

feeling glutted and spoiled and<br />

I plan on overdoing everything. Especially<br />

the fun. I hope the same for<br />

everyone.<br />

And Happy New Year!! e


Funday<br />

with LARRY BLACKBURN | photographer<br />

www.konklife.com 21


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HITCHCOCK<br />

| Continued from page 18<br />

Holy Motors<br />

Watching “Holy Motors” is to<br />

cheer (or jeer) that the cinema <strong>of</strong><br />

Dada circa 1920 through 2012 is<br />

alive again. Duchamp, Man Ray or<br />

Rene Clair had never seen such<br />

things, or maybe they did.<br />

is is Leos Carax’s fourth main<br />

feature (e Lovers on e Bridge)<br />

who is fond <strong>of</strong> eccentric plots with<br />

imagery that recalls the psychedelic<br />

director Alejandro Jodorowski (El<br />

Topo). “Holy Motors” has a sweep<br />

and a slickness to it. With its detached<br />

urban flavor, it recalls Cronenberg’s<br />

“Cosmopolis,” if Eric<br />

Packer’s limo had been waxed with<br />

hallucinogens.<br />

At the start <strong>of</strong> “Holy Motors,”<br />

we have Oscar (Denis Lavant) who<br />

is sleeping, I assume, in a dingy<br />

motel with a dog. After several<br />

minutes, the forest-patterned<br />

wallpaper dissolves to reveal Oscar<br />

with a screwdriver for a finger<br />

entering a crowded cinema. ere<br />

is a baby, followed by a scary<br />

growling dog.<br />

Instantly we are in Paris with<br />

Oscar in a stretch white limo. He is<br />

on the phone with a file in front <strong>of</strong><br />

him. Quickly the limo turns into a<br />

makeup room, and Oscar sets to<br />

work, applying makeup and masks.<br />

He dons a black skin suit and enters<br />

a warehouse equipped with lasers.<br />

He has an Uzi-type gun.<br />

Is Oscar a video game actor<br />

or an assassin?<br />

What follows is one <strong>of</strong> the more<br />

poetic passages <strong>of</strong> the film with<br />

Oscar writhing in video ecstasy<br />

as he turns into a reptilian sex<br />

creature who becomes fused to a<br />

red-leathered female counterpart.<br />

Another file is placed in Oscar’s<br />

seat, and he turns into a gluttonous<br />

and violent, grimy leprechaun.<br />

He strips naked and gorily upsets<br />

a photo shoot with the beautiful<br />

Eva Mendes.<br />

22 www.konklife.com<br />

Oscar savagely gobbles flowers<br />

and bites a secretary’s finger clean<br />

<strong>of</strong>f. He ransacks a cemetery. In one<br />

fine touch, the gravestones read<br />

“Visit My Website.”<br />

e imagery is stirring and<br />

although I’m not quite sure what<br />

the point is, it’s never boring.<br />

In tone and spirit, much <strong>of</strong> the<br />

sequences echo the art films <strong>of</strong><br />

Matthew Barney.<br />

Oscar drives on, barely communicating<br />

to the chauffeur, the Hitchcockian-blonde<br />

Celine (Edith<br />

Schob) and getting increasingly ill,<br />

the more he impersonates others.<br />

With every new character, Oscar<br />

takes nothing with him. Like the<br />

wallpaper in the cinema, he is flat.<br />

For the moment, people know him,<br />

but then he vanishes becoming little<br />

more than tinsel in a Parisian sky.<br />

ere are many vivid touches in<br />

keeping with its iconoclastic tone,<br />

not least <strong>of</strong> which is a jubilant<br />

accordion disco number which runs<br />

throughout a gothic cathedral.<br />

At one point, we think that<br />

Oscar is returning home to his wife<br />

in a futurist apartment ala “2001.”<br />

Our man Oscar is apparently<br />

married to a chimpanzee, and they<br />

have two chimp <strong>of</strong>fspring.<br />

Juxtaposed against a modernist<br />

and spacey environment, this is both<br />

haunting and silly, as is the last scene<br />

with the limos actually talking<br />

to each other, which feels as go<strong>of</strong>y<br />

as Disney.<br />

What does it mean? Perhaps it<br />

doesn’t matter. It is enough to go<br />

ahead and enjoy or just absorb<br />

“Holy Motors” for its mania.<br />

I don’t think the ghost<br />

<strong>of</strong> Antonin Artaud will utter<br />

a peep.<br />

e<br />

Write Ian at redtv_2005@yahoo.com<br />

www.TropicCinema.com<br />

Tropic Cinema, the only nonpr<strong>of</strong>it art<br />

multiplex in South Florida. Rated”Best<br />

Cinema in Florida 2009-2012”


the gadabout<br />

WHY STRIPPERS ARE BETTER<br />

THAN BOYFRIENDS<br />

If anyone ever wonders why I<br />

spend my time with strippers instead<br />

<strong>of</strong> being in a relationship it’s<br />

simply better. First <strong>of</strong> all, strippers<br />

smell better than the general populace;<br />

that should be reason enough<br />

right there. ey are groomed to the<br />

nines, but it’s still best to get to<br />

them early in their shift before<br />

they’ve been picked over. ey are<br />

pawed and get all germy. I can’t even<br />

think about the foreign fluids aspect<br />

or I’ll never touch one again.<br />

I don’t care who they are, and<br />

they only want me for my money.<br />

Perfect. Lets’ fool around. No dinner.<br />

Nothing. ere’s a lot to be said<br />

for keeping it light. Strippers are<br />

very uncomplicated creatures. I don’t<br />

have to wonder what he wants or<br />

thinks. I already know. He wants to<br />

take as much from me as he can get<br />

and move on. All the while he is<br />

looking at the hot girl behind me. At<br />

least I know where I stand. Civilian<br />

men usually don’t know what they<br />

want, much less capable <strong>of</strong> communicating<br />

it. I just spent a little time<br />

with one, and I don’t need someone<br />

with issues. I’m sure strippers have<br />

plenty <strong>of</strong> issues, but I’ll never know<br />

about them nor do I care. I’m not<br />

sure where my Mexican fits into all<br />

<strong>of</strong> this.<br />

It’s definitely cheaper hanging<br />

with dancers than having a partner.<br />

At least it is in the long run. I still<br />

get to sleep alone and don’t have to<br />

www.konklife.com 23<br />

clean up after anyone.<br />

I am painfully aware most strippers<br />

are out <strong>of</strong> my league, so I could<br />

not get them without money anyway.<br />

Okay, I can live with that fact.<br />

ey laugh at my jokes. I don’t care<br />

if it is because I am peeling <strong>of</strong>f a $20<br />

or not. Superficial exchange is just<br />

fine with me.<br />

Our busy season is coming, so<br />

there should be plenty <strong>of</strong> fresh meat<br />

for a while. Nice. I love the idea <strong>of</strong><br />

getting paid to take your clothes <strong>of</strong>f.<br />

Once again, I would like to blame<br />

my Catholic upbringing for such<br />

things, titillations.<br />

Keep in mind to never, ever have<br />

a stripper as a boyfriend. I’ve done<br />

it, and you get the worst <strong>of</strong> both<br />

worlds and lose the good stuff.<br />

e<br />

SCOTT<br />

M c C A R T H Y<br />

GadaboutKeyWest@gmail.com

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