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June 14 - KONK Network

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tropic<br />

sprocketS<br />

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I N R E V I E W W I T H<br />

Ian Brockway<br />

Sound of My Voice<br />

Sound of My Voice"<br />

plunges us deep in an<br />

obsessional space and there are no<br />

easy answers. Many will be tempted<br />

to call this film a thriller, a spook<br />

show, or a "Twilight Zone" Saturday<br />

chiller. While it has these aspects in<br />

it, it is really none of these things.<br />

is film slips and slides and seems<br />

to toy with the audience, intentionally<br />

moving to satisfy our desire for<br />

convention, only to pull away. In<br />

mood, "Sound of My Voice" resembles<br />

the claustrophobia and peer<br />

pressure of Roman Polanski, but<br />

even this illustration doesn't do it<br />

justice. ere is more than a bit of<br />

melancholic dark humor within this<br />

film, the mark of Mike Cahill's "Another<br />

Earth" is clearly seen as well as<br />

Baumbach's "Greenberg" and Jay<br />

Duplass' "Jeff Who Lives at Home".<br />

Rather than a post Millenial<br />

Woody Allen character study, however,<br />

we are now in the life of a cult.<br />

Peter (Christopher Denham) is an elementary<br />

school teacher who has an<br />

ambition to make a documentary<br />

film about cults. Somehow Peter and<br />

his girlfriend Lorna (Nicole Vicius)<br />

get an Internet tip that one Maggie<br />

is a delusional zealot from the future<br />

who is amassing followers.<br />

We are plunged in the action immediately.<br />

We see blindfolds, white<br />

spaces and bottles of chemicals. Are<br />

these two going to be killed instantly?<br />

We do not know. ey are<br />

taken to a blinding corridor and told<br />

to make no sudden moves. en we<br />

see a pair of bare feet ominously<br />

rolling an oxygen tank across the<br />

smooth floor. Who is this person? Is<br />

he / she sick or hideously deformed.<br />

e being is wrapped in white. e<br />

tank reminds us of one terminally Ill<br />

and we may well fear the worst. e<br />

sheet is pulled back to reveal the innocent,<br />

peaceful and cream-complexioned<br />

face of Maggie (Brit Marling)<br />

www.konklife.com 17<br />

a young ingenue presumably from<br />

the year 2050.<br />

Right away we sense that life in<br />

this small room is not all that much<br />

fun and even scary. e other members<br />

frequently look puffy and moist<br />

as if they have just finished their periodic<br />

crying bout. We see strange<br />

and needlessly long handshakes that<br />

would seem like something out of<br />

e ree Stooges were it not for the<br />

odd sinister silences that punctuate<br />

each gesture. For the most part we<br />

are left in the dark as too the cult's<br />

importance or meaning. What it<br />

stands for is anybody's guess.<br />

Most provocative is Britt Marling<br />

here in her portrayal of Maggie who<br />

is equally compassionate, gentle and<br />

brutal as she tells people to vomit on<br />

command. is scene is probably the<br />

most difficult to watch, but those<br />

who hold out will be entertained by<br />

sleight of hand if not revelation.<br />

is is not a shock film or a seat<br />

jumper but rather a curious dream<br />

that is well worth watching. More<br />

than once for some reason, I was reminded<br />

of clinics and hospitals. Just<br />

when you see the character of Maggie<br />

one way, she shifts and turns,<br />

even twisting her back as if repelled<br />

by us, her third audience.<br />

rough my research, as the director<br />

Zal Batmangilij, Mike Cahill<br />

and Brit Marling have all worked together<br />

on projects, these three can be<br />

seen as single minded pioneers,<br />

breaking new ground just as Sam<br />

Pekinpah, Roman Polanski and<br />

William Friedkin seared the limits of<br />

cellulose before them.<br />

Taken as a group of three, Zal<br />

Batmangilij, Mike Cahill and Brit<br />

Marling are this decade's Paradox<br />

Pack. ey confound as much as<br />

they entertain and have the ability to<br />

turn the sonatas of our lives into<br />

knots. Yet delight they do by giving<br />

us occasional visual snaps relating to<br />

each character and condition. ese<br />

moments like the light of the Unexpected,<br />

fall upon us as poetry, rich in<br />

riddles with angles all oblique.<br />

Continued on page 20<br />

Pruning the Pomp<br />

Keys Energy Services Tree Trimmer David Cottar Jr. trims Poinciana<br />

flowers from a tree in Bayview Park to be used to line the field of<br />

Tommy Roberts Memorial Stadium for Key West High School graduation<br />

ceremony. Given recent budget cuts, Monroe County School<br />

District no longer has staffing required to perform this task. KEYS<br />

provides this in-kind service assistance to continue the tradition of<br />

having graduates enter the field via a Poinciana flower-lined path.

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