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I N R E V I E W W I T H<br />
Ian Brockway<br />
Sound of My Voice<br />
Sound of My Voice"<br />
plunges us deep in an<br />
obsessional space and there are no<br />
easy answers. Many will be tempted<br />
to call this film a thriller, a spook<br />
show, or a "Twilight Zone" Saturday<br />
chiller. While it has these aspects in<br />
it, it is really none of these things.<br />
is film slips and slides and seems<br />
to toy with the audience, intentionally<br />
moving to satisfy our desire for<br />
convention, only to pull away. In<br />
mood, "Sound of My Voice" resembles<br />
the claustrophobia and peer<br />
pressure of Roman Polanski, but<br />
even this illustration doesn't do it<br />
justice. ere is more than a bit of<br />
melancholic dark humor within this<br />
film, the mark of Mike Cahill's "Another<br />
Earth" is clearly seen as well as<br />
Baumbach's "Greenberg" and Jay<br />
Duplass' "Jeff Who Lives at Home".<br />
Rather than a post Millenial<br />
Woody Allen character study, however,<br />
we are now in the life of a cult.<br />
Peter (Christopher Denham) is an elementary<br />
school teacher who has an<br />
ambition to make a documentary<br />
film about cults. Somehow Peter and<br />
his girlfriend Lorna (Nicole Vicius)<br />
get an Internet tip that one Maggie<br />
is a delusional zealot from the future<br />
who is amassing followers.<br />
We are plunged in the action immediately.<br />
We see blindfolds, white<br />
spaces and bottles of chemicals. Are<br />
these two going to be killed instantly?<br />
We do not know. ey are<br />
taken to a blinding corridor and told<br />
to make no sudden moves. en we<br />
see a pair of bare feet ominously<br />
rolling an oxygen tank across the<br />
smooth floor. Who is this person? Is<br />
he / she sick or hideously deformed.<br />
e being is wrapped in white. e<br />
tank reminds us of one terminally Ill<br />
and we may well fear the worst. e<br />
sheet is pulled back to reveal the innocent,<br />
peaceful and cream-complexioned<br />
face of Maggie (Brit Marling)<br />
www.konklife.com 17<br />
a young ingenue presumably from<br />
the year 2050.<br />
Right away we sense that life in<br />
this small room is not all that much<br />
fun and even scary. e other members<br />
frequently look puffy and moist<br />
as if they have just finished their periodic<br />
crying bout. We see strange<br />
and needlessly long handshakes that<br />
would seem like something out of<br />
e ree Stooges were it not for the<br />
odd sinister silences that punctuate<br />
each gesture. For the most part we<br />
are left in the dark as too the cult's<br />
importance or meaning. What it<br />
stands for is anybody's guess.<br />
Most provocative is Britt Marling<br />
here in her portrayal of Maggie who<br />
is equally compassionate, gentle and<br />
brutal as she tells people to vomit on<br />
command. is scene is probably the<br />
most difficult to watch, but those<br />
who hold out will be entertained by<br />
sleight of hand if not revelation.<br />
is is not a shock film or a seat<br />
jumper but rather a curious dream<br />
that is well worth watching. More<br />
than once for some reason, I was reminded<br />
of clinics and hospitals. Just<br />
when you see the character of Maggie<br />
one way, she shifts and turns,<br />
even twisting her back as if repelled<br />
by us, her third audience.<br />
rough my research, as the director<br />
Zal Batmangilij, Mike Cahill<br />
and Brit Marling have all worked together<br />
on projects, these three can be<br />
seen as single minded pioneers,<br />
breaking new ground just as Sam<br />
Pekinpah, Roman Polanski and<br />
William Friedkin seared the limits of<br />
cellulose before them.<br />
Taken as a group of three, Zal<br />
Batmangilij, Mike Cahill and Brit<br />
Marling are this decade's Paradox<br />
Pack. ey confound as much as<br />
they entertain and have the ability to<br />
turn the sonatas of our lives into<br />
knots. Yet delight they do by giving<br />
us occasional visual snaps relating to<br />
each character and condition. ese<br />
moments like the light of the Unexpected,<br />
fall upon us as poetry, rich in<br />
riddles with angles all oblique.<br />
Continued on page 20<br />
Pruning the Pomp<br />
Keys Energy Services Tree Trimmer David Cottar Jr. trims Poinciana<br />
flowers from a tree in Bayview Park to be used to line the field of<br />
Tommy Roberts Memorial Stadium for Key West High School graduation<br />
ceremony. Given recent budget cuts, Monroe County School<br />
District no longer has staffing required to perform this task. KEYS<br />
provides this in-kind service assistance to continue the tradition of<br />
having graduates enter the field via a Poinciana flower-lined path.