PROJECT_Greek Vases + The Golden Ratio

More documents

Recommendations

Info

$Level 6 (Course 1) – Summer Math Packet - Middletown High School$

THE SURFACE: Mishima or Punch’ong inlay A slip inlay technique perfected in Korea (Punch’ong) during the Choson Dynasty in the 15 th century and then Japan (Mishima) during the 19 th century.
Mishima 1: Japan, tea bowl with small bottle Note: <strong>The</strong> white motif is actually inlaid white slip. Step 1: When the piece is leatherhard the gray-brown clay is impressed or incised with a design. Step 2: <strong>The</strong>n, white slip is painted over the entire surface of the piece. Step 3: Finally, the entire piece is scraped clean when the slip is dry, but the slip remains inside the impressed design.
Page 1 and 2: Hellenistic Torsos Sculpting Moveme
Page 3 and 4: Hellenistic Sculpture 1. The zenith
Page 5 and 6: Venus de Milo
Page 7 and 8: Venus of Arles
Page 9 and 10: Winged Victory of Samothrace (drape
Page 11 and 12: LAOCOON & HIS SONS
Page 13 and 14: Dying Gaul
Page 15 and 16: Bartolini’s Dirce
Page 17 and 18: Crouching Aphrodite (bathing pose)
Page 19 and 20: Serapis
Page 21 and 22: Silenus, Prado
Page 23: MO·TIF (mo-teef) n. 1. A recurrent
Page 27 and 28: Punch’ong, 15 th c
Page 29 and 30: Shellac Resist—H20 Erosion Great
Page 31 and 32: Shellac Resist—H20 Erosion
Page 33 and 34: Shellac Resist—H20 Erosion, Arne

PROJECT_Greek Vases + The Golden Ratio

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?