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sacral rule and the Christian Church: An ... - ResearchSpace

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ecome an institution for <strong>the</strong> edification <strong>and</strong> organisation of <strong>the</strong> converts. The African<br />

church leaders focused on <strong>the</strong> organisation of <strong>the</strong> <strong>Church</strong>. However, <strong>the</strong> Presbyterian<br />

structure of <strong>the</strong> Reformed <strong>Church</strong>es which <strong>the</strong>y adopted seemed to be very similar to<br />

<strong>the</strong> organisational structure of African <strong>sacral</strong> <strong>rule</strong> in <strong>the</strong> societies in which <strong>the</strong>y found<br />

<strong>the</strong>mselves. But <strong>the</strong> churches have not investigated <strong>the</strong> meaning of Mrican ruling<br />

systems in order to initiate a possible transformation <strong>and</strong> conservation of native culture.<br />

The near uniform attitude of converts towards <strong>the</strong>ir pastors <strong>and</strong> <strong>the</strong>ir church elders was<br />

probably deeply affected by <strong>the</strong> usual attitude towards <strong>the</strong> <strong>rule</strong>rs <strong>and</strong> nobles of<br />

traditional society. The converts have <strong>the</strong> same attitude towards <strong>the</strong> missionary <strong>and</strong> <strong>the</strong><br />

traditional leaders. It will be interesting to discover to what extent <strong>the</strong> converts are <strong>the</strong><br />

couriers ofintegration <strong>and</strong> assimilation.<br />

While a strict boundary was observed between <strong>Christian</strong>ity <strong>and</strong> African culture<br />

in relation to <strong>the</strong> governing system in church regulations, that was not done in relation<br />

to liturgy. The missionary songs, rites <strong>and</strong> attitudes were generally maintained but<br />

enriched with new cultural elements. The Bamoun "Yaya" <strong>and</strong> <strong>the</strong> Bamileke<br />

"Tambour", <strong>the</strong> <strong>Christian</strong> dances initiated by <strong>the</strong> indigenous leaders around 1914, <strong>and</strong><br />

accepted by <strong>the</strong> French missionaries, were improved by <strong>the</strong> movement for <strong>the</strong><br />

"Africanisation of <strong>the</strong> <strong>Church</strong>" championed in <strong>the</strong> Evangelical <strong>Church</strong> of Cameroon by<br />

<strong>the</strong> Reverends T6toum Abraham <strong>and</strong> Nkwindji Abel in <strong>the</strong> 1970s. This movement<br />

resulted in introducing African traditional instruments <strong>and</strong> rhythms into <strong>Christian</strong><br />

worship by <strong>the</strong> people who st<strong>and</strong> at <strong>the</strong> intersection of <strong>Christian</strong> worship <strong>and</strong> African<br />

spiritual heritage.<br />

As far as African <strong>rule</strong> is concerned, some native church leaders crossed <strong>the</strong><br />

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