Dobson, 2010.pdf - University of Sheffield

256 Psychology of Music 39(2)
Brodsky, W. (2006). In the wings of British orchestras: A multi-episode interview study among symphony
players. Journal of Occupational Psychology, 79, 673–690.
Burland, K., & Davidson, J. W. (2002). Training the talented. Music Education Research, 4(1), 121–140.
Byrnes, S. (2007, 30 April). Jazz, jazz everywhere … but not on television. The Independent. Retrieved 18
February, 2009, from http://www.independent.co.uk/news/media/jazz-jazz-everywhere–but-noton-television-446769.html
Caldwell, A. E. (1972). La malinconia: Final movement of Beethoven’s Quartet op. 18. no. 6: A musical
account of manic depressive states. Journal of the American Medical Women’s Association, 27(5), 241–248.
Clinton, M., Totterdell, P., & Wood, S. (2006). A grounded theory of portfolio working: Experiencing the
smallest of small businesses. International Small Business Journal, 24(2), 179–203.
Cohen, L., & Malon, M. (1999). The transition from organizational employment to portfolio working:
Perceptions of ‘boundarylessness’. Work, Employment & Society, 13(2), 329–352.
Cooper, C. L., & Wills, G. I. D. (1989). Popular musicians under pressure. Psychology of Music, 17, 22–36.
Corkhill, D. (2005). A young person’s guide to the orchestral profession. British Journal of Music Education,
22(3), 269–285.
Cosper, R. (1979). Drinking as conformity: A critique of sociological literature on occupational differences
in drinking. Journal of Studies on Alcohol, 40(9), 868–891.
Cosper, R., & Hughes, F. (1982). So-called heavy drinking occupations: Two empirical tests. Journal of
Studies on Alcohol, 43(1), 110–118.
Cottrell, S. (2004). Professional music-making in London: Ethnography and experience. Aldershot: Ashgate.
Cottrell, S. (2007). Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1),
85–105.
Davidson, J. W., & Good, J. M. M. (2002). Social and musical co-ordination between members of a string
quartet: An exploratory study. Psychology of Music, 30, 186–201.
Davies, P. J. (1987). Mozart’s manic-depressive tendencies - 1. The Musical Times, 128(1729), 123–126.
Dex, S., Willis, J., Paterson, R., & Sheppard, E. (2000). Freelance workers and contract uncertainty: The
effects of contractual changes in the television industry. Work, Employment & Society, 14(2), 283–305.
Dobson, M. C. (2010). Performing your self? Autonomy and self-expression in the work of jazz musicians
and classical string players. Music Performance Research, Special Issue on Music and Health, 3(1),
42–60.
Fishbein, M., Middlestadt, S. E., Ottati, V., Straus, S., & Ellis, A. (1988). Medical problems among ICSOM
musicians: Overview of a national survey. Medical Problems of Performing Artists, 3(1), 1–8.
Frosch, W. A. (1987). Moods, madness and music: Major affective disease and musical creativity.
Comprehensive Psychiatry, 28, 315–322.
Ginsborg, J., Kreutz, G., Thomas, M., & Williamon, A. (2009). Healthy behaviours in music and nonmusic
performance students. Health Education, 109(3), 242–258.
Gold, M., & Fraser, J. (2002). Managing self-management: Successful transitions to portfolio careers.
Work, Employment & Society, 16(4), 579–597.
Groce, S. B. (1991). What’s the buzz? Rethinking the meanings and uses of alcohol and other drugs
among small-time rock’n’roll musicians. Deviant Behaviour, 12(4), 361–384.
Grønnerød, J. S. (2002). The use of alcohol and cannabis in non-professional rock bands in Finland.
Contemporary Drug Problems, 29(2), 417–443.
Hager, P., & Johnsson, M. C. (2009). Learning to become a professional orchestral musician: Going beyond
skill and technique. Journal of Vocational Education and Training, 61(2), 103–118.
Higgins, C. (2009, 28 February). Drinking problems rife in the great orchestras. The Guardian. Retrieved
13 August, 2009, from http://www.guardian.co.uk/music/2009/feb/28/classical-music-and-operadrugs-alcohol
Downloaded from
pom.sagepub.com at University of Sheffield on November 2, 2011