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Religious Tourism: The Way to Santiago

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CHAPTER 3 THE WAY TO SANTIAGO<br />

the transept and the ambula<strong>to</strong>ry. <strong>The</strong> exterior part, or triforium, consists of arcades<br />

with sections formed by two smaller arches. <strong>The</strong> gallery is a characteristic<br />

construction of pilgrimage churches due <strong>to</strong> the need for increasing the capacity in<br />

order <strong>to</strong> accommodate a large number of visi<strong>to</strong>rs. <strong>The</strong> central nave is 97 m long and<br />

20 m high; it is covered by barrel vaults and the side naves by groined vaults. <strong>The</strong><br />

present-day Gothic dome replaced the old Romanesque <strong>to</strong>wer that was erected above<br />

the High Altar. Below the dome there is the structure that was designed in the 16th<br />

century in order <strong>to</strong> operate the “botafumeiro”, a large censer made of silver-plated<br />

brass that flies from one end of the transept <strong>to</strong> the other and which was used <strong>to</strong> purify<br />

the atmosphere when the pilgrims slept inside the cathedral. <strong>The</strong> building has three<br />

doors: Azabachería, Platerías and the one leading <strong>to</strong> the Porch of Glory from Praza<br />

do Obradoiro.<br />

A <strong>to</strong>ur was designed according <strong>to</strong> which the cathedral was <strong>to</strong> be accessed via the<br />

north door, formerly called the Door of Paradise, thereafter going through the<br />

transept as far as the High Altar and ambula<strong>to</strong>ry in order <strong>to</strong> visit the Apostle’s <strong>to</strong>mb<br />

and subsequently entering the east arm with sculptural iconography based on the<br />

New Testament.<br />

3.7 Cultural <strong>Tourism</strong> in <strong>Santiago</strong> de Compostela<br />

Gaztelumendi (2006) exposes in his paper how cultural <strong>to</strong>urism could increase in<br />

<strong>Santiago</strong> de Compostela thanks <strong>to</strong> be a religious sacred site place. He exposes how<br />

the increase of the demand creates great opportunities, and the increase of the supply<br />

carries a big competency. <strong>The</strong>refore a new creative, realistic and active strategy<br />

should be done <strong>to</strong> increase the cultural <strong>to</strong>urism there.<br />

<strong>The</strong> competitive advantages that <strong>Santiago</strong> de Compostela has are for example the<br />

label of religious <strong>to</strong>urism place, but also is also an his<strong>to</strong>rical place, not only because<br />

of the Christianity but also for the Celtic culture, where ancient rests can be found in<br />

<strong>Santiago</strong> de Compostela and their proximities. But these attractions are not enough <strong>to</strong><br />

David Mashhadigholam Rojo 37

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