ZURICH - In Your Pocket
ZURICH - In Your Pocket
ZURICH - In Your Pocket
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12 HISTORY<br />
Romans and Schwyzerdüütsch<br />
100BC - X Century<br />
Around 15 BC the Romans established a military base at<br />
the site of today’s Lindenhof where you can find a copy of<br />
the Roman tomb stone mentioning Turicum, the word from<br />
which Zurich developed. Roman rule ended around 400<br />
AD and nobody really has any idea what went on in Zurich for<br />
the next few centuries. One important change that falls into<br />
this obscure period is the arrival of the Germanic tribe of the<br />
Allemanni, who brought with them the language that was to<br />
become today’s Swiss German dialect (Schwyzerdüütsch).<br />
Zurich in women’s hands<br />
XII - XIV Century<br />
<strong>In</strong> the 13th Century Zurich became<br />
an imperial city, answering only to the<br />
emperor of the Holy Roman Empire.<br />
Formally Zurich was now headed by a<br />
woman - the abbess of the Fraumünster<br />
abbey. <strong>In</strong> 1336 an uprising of Zurich’s<br />
craftsmen made the newly founded<br />
guilds the foundation of Zurich’s political<br />
structure, weakening the power of the church and the<br />
landed gentry. Many of the guild houses, still in use today,<br />
are now also restaurants like the Zunfthaus Zur Schmiden<br />
or the Zunfthaus am Neumarkt (emblem of the guild of the<br />
shoemakers on the left).<br />
Zurich goes Swiss… and Protestant<br />
XIV - XVI Century<br />
The guild revolution left Zurich a little isolated, so in 1351 Zurich<br />
joined ‘Switzerland’, which had existed as a treaty since 1291.<br />
This however didn’t stop the city waging war against fellow<br />
cantons, such as against Schwyz which got in the way of Zurich’s<br />
plans for territorial expansion. Soon the city ruled over lands<br />
all around Lake Zurich and north all the way to the river Rhine.<br />
XVI Century<br />
Huldrych Zwingli, priest at the Grossmünster, was a major<br />
critic of mercenary service. But he had a lot more to say on<br />
moral matters and became the initiator of the Reformation<br />
in Zurich from 1520 on. Apart from banning mercenary<br />
service the Reformation meant an end to all frivolous<br />
behaviour - drinking, prostitution and actually most fun was<br />
forbidden or strictly regulated.<br />
Napoleon causes a little bother<br />
XVI - XVIII Century<br />
During the 16th and 17th Centuries Zurich’s wealth and<br />
influence increased. While political power was increasingly<br />
monopolised by a few families, new ideas and debate<br />
flourished. Among the intellectuals of the time were the<br />
educational reformer Heinrich Pestalozzi or the painter<br />
Johann Heinrich Füssli, whose work you’ll find today in the<br />
Kunsthaus. <strong>In</strong> 1798 Zurich lost its independence as Napoleon<br />
took over, transforming the Swiss Confederacy into the<br />
Helvetic Republic, a centralised puppet state which only<br />
survived for five years.<br />
Railways and radical workers<br />
XIX - XX Century<br />
Modern-day Switzerland was founded in 1848 as a<br />
federation with much closer ties between the cantons than<br />
before. The year before, the first railway line in Switzerland<br />
Zurich <strong>In</strong> <strong>Your</strong> <strong>Pocket</strong> zurich.inyourpocket.com<br />
Löwenbräuareal - an exciting<br />
brew of contemporary art<br />
Dust, noise, a few well-built construction workers – the<br />
scenery at the Löwenbräu site these days is not what<br />
you might expect when you enter an art centre. But don’t<br />
be scared off, the redevelopment of this 19th century<br />
industrial site is actually near completion and many<br />
galleries have already opened shop. So step inside!<br />
Zurich’s somewhat grim reformator Huldrych Zwingli. ZIYP was opened. Railways were the business Alfred Escher<br />
A detail of the new Löwenbräu architecture. MV<br />
was in. He dominated Zurich and Swiss politics for the next<br />
few decades like no other. Escher’s statue can be found, not<br />
surprisingly, just in front of the main train station. Switzerland<br />
remained neutral during the First World War and was refuge<br />
to the artists who started the Dada movement in Zurich. The<br />
war exacerbated the poverty of the working classes and in<br />
1918 a socialist committee called a general strike. Many<br />
of the committee’s demands were later fulfilled, though not<br />
the demand for the right of women to vote, which was not<br />
introduced until 1971!<br />
The Réduit and the war<br />
XX Century<br />
During most of the Second World War Switzerland, formally<br />
neutral, was totally surrounded by the Axis powers, making<br />
it difficult to import food and other goods. General Guisan<br />
prepared for a military attack by literally hollowing out the<br />
Alps, envisaging a guerrilla war from the mountains, the<br />
so-called réduit strategy. From a traditional point of view<br />
this is what saved Switzerland from becoming part of Nazi<br />
Germany, but more recently historians have suggested that<br />
other factors may have been more important, sparking off<br />
intense and emotional public debate in the 1990s.<br />
Zurich today XX - XXI Century<br />
After the war Switzerland’s economy<br />
boomed and mass immigration from<br />
Southern Europe set in, while culturally<br />
and politically Switzerland remained very<br />
conservative. <strong>In</strong> 1968 and 1980 youth<br />
movements clashed with police, but<br />
also brought new cultural life to Zurich.<br />
Today Zurich is still a major financial<br />
centre and has lost the conservative reputation. It has<br />
become popular as a place to live for highly-skilled workers<br />
from across Europe. This has made the lack of affordable<br />
apartments one of the major topics in Zurich today.<br />
This is probably the best place to go in Zurich if you’re<br />
looking for a large and varied offering of contemporary art<br />
The amount of art on display here is very impressive – it’s<br />
a bit like a modern-art mall. The Kunsthalle, run by the city,<br />
occupies several large rooms, the Migros museum funded<br />
by the eponymous Swiss retailer has its premises here as<br />
well as the private galleries Hauser & Wirth, Bob van Orsouw,<br />
Luma Westbau / Pool etc. and Galerie Freymond-Guth. And<br />
while you need a ticket for the Migros museum and the<br />
Kunsthalle, entry to the galleries is absolutely free.<br />
Originally the Löwenbrau site had nothing to do with art.<br />
Its story is a miniature version of the history of the district<br />
(or kreis) 5 where its located – first came industry, then<br />
failures and closures, then artists and experiments, and now<br />
big money is pouring into new developments. The red-brick<br />
complex was built in 1897 to house a large brewery which soon<br />
took on the name Löwenbräu, i.e. lion’s brew. Malt and hops<br />
were processed here for nearly a hundred years until 1986,<br />
when the new owner, Swiss beer producer Hürlimann, closed<br />
the plant and the lion roared his last. Thanks to the fact that<br />
the building is listed and could not be torn down, art galleries<br />
and art museums opened up in the Löwenbrau grounds.<br />
The latest chapter is the current redevelopment.<br />
Two big names from Zurich’s architecture scene were<br />
commissioned, Anette Gigon and Mike Guyer who have<br />
just finished Zurich’s new landmark – the nearby Prime<br />
Tower. They added an extra storey with a white finish to<br />
the building nearest to Escher-Wyss Platz, while placing a<br />
simple, nine-storey rectangular block with a red façade as<br />
a counterweight at the other end of the site. <strong>In</strong> between<br />
the two, the construction workers have pulled up the most<br />
eye-catching part of the complex, a black, asymmetric<br />
block twice as tall as the rest. This tower rises up from<br />
the yard behind the row of smaller original buildings, and<br />
then extends out over them, with a dozen floors in this<br />
overhanging section. It includes apartments with hefty<br />
price tags, some apparently going for over three million Sfr.<br />
zurich.inyourpocket.com<br />
A CLOSER LOOK<br />
There is also the odd million hanging around in the<br />
exhibition rooms inside, but you can enjoy them with less<br />
money in your pocket. Hauser & Wirth are currently showing<br />
two artists solo, the eminent US artist Paul McCarthy in the<br />
lower rooms and the British Thomas Houseago in the room on<br />
the first floor, both until 20 October. The McCarthy exhibition<br />
named PROPO shows a series of large format photographs<br />
of larger-than-life, soiled objects the artist used in his<br />
performances in the 1960s. Whether soft toys or bottles<br />
of face cream, each item is carefully displayed in front of a<br />
coloured background, formulating a subtle commentary on<br />
consumer culture and the quest for beauty. One floor further<br />
down, in the dungeons so to speak, you can see videos of two<br />
of McCarthy’s performances (e.g. Sailor’s Meat, 1975). These<br />
are nothing for the faint hearted. Using creams, sauces,<br />
pieces of meat and his body, the artist explores sexual, bodily<br />
and conceptual borders. The Houseago exhibition shows<br />
reliefs and masks, as well a new work, a human figure five<br />
metres long lying on the floor, made of flat plaster boards<br />
and iron reinforcement bars, almost ready to jump.<br />
The other exhibitions are well worth a visit too. The<br />
Kunsthalle is showing a series of large-scale prints by<br />
Wolfgang Tillmans with scenes from across the world. Airport<br />
passport queues, sprawling industrial areas, surgeons in<br />
the course of an operation, myriad surfaces of the modern<br />
world. Helen Marten’s work is a combination of understated<br />
sculpture and text elements (both until 4.11). The Bob van<br />
Orsouw gallery is showing a number of drawings and objects<br />
by Hannah Greely, like a shadow figure caught in a steel rain<br />
shower under a cloud (until 13.10). And finally the Freymond-<br />
Guth gallery is showing a film by Dani Gal, Nacht und Nebel,<br />
which examines an episode involving the executed Nazi Adolf<br />
Eichmann (until 6.10).<br />
Paul McCarthy at Hauser & Wirth.<br />
Stefan Altenburger Photography Zürich<br />
So if you have an appetite for contemporary art or<br />
cutting-edge architecture, stop off at the Löwenbräuareal.<br />
With a bit of luck the construction site will be gone. And if<br />
you fancy a beer afterwards, the Markthalle (see p. 31) next<br />
door is a good bet.<br />
Chris Young<br />
Löwenbräukunst<br />
Limmatstrasse 270, 8Dammweg,<br />
www.loewenbraeukunst.ch<br />
Galleries usually open 12:00 - 18:00, Sat 11:00 - 17:00,<br />
Sun & Mon closed. Kunsthalle additionally open on Thu<br />
until 20:00 (free admission 17:00 - 20:00). Galleries: free<br />
admission, Kunsthalle: 12/8Sfr.<br />
The opening of the Migros museum and the art bookshop<br />
Kunstgriff has been postponed to an unknown date.<br />
October - November 2012<br />
13<br />
© Paul McCarthy Courtesy der Künstler und<br />
Hauser & Wirth.