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ZURICH - In Your Pocket

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12 HISTORY<br />

Romans and Schwyzerdüütsch<br />

100BC - X Century<br />

Around 15 BC the Romans established a military base at<br />

the site of today’s Lindenhof where you can find a copy of<br />

the Roman tomb stone mentioning Turicum, the word from<br />

which Zurich developed. Roman rule ended around 400<br />

AD and nobody really has any idea what went on in Zurich for<br />

the next few centuries. One important change that falls into<br />

this obscure period is the arrival of the Germanic tribe of the<br />

Allemanni, who brought with them the language that was to<br />

become today’s Swiss German dialect (Schwyzerdüütsch).<br />

Zurich in women’s hands<br />

XII - XIV Century<br />

<strong>In</strong> the 13th Century Zurich became<br />

an imperial city, answering only to the<br />

emperor of the Holy Roman Empire.<br />

Formally Zurich was now headed by a<br />

woman - the abbess of the Fraumünster<br />

abbey. <strong>In</strong> 1336 an uprising of Zurich’s<br />

craftsmen made the newly founded<br />

guilds the foundation of Zurich’s political<br />

structure, weakening the power of the church and the<br />

landed gentry. Many of the guild houses, still in use today,<br />

are now also restaurants like the Zunfthaus Zur Schmiden<br />

or the Zunfthaus am Neumarkt (emblem of the guild of the<br />

shoemakers on the left).<br />

Zurich goes Swiss… and Protestant<br />

XIV - XVI Century<br />

The guild revolution left Zurich a little isolated, so in 1351 Zurich<br />

joined ‘Switzerland’, which had existed as a treaty since 1291.<br />

This however didn’t stop the city waging war against fellow<br />

cantons, such as against Schwyz which got in the way of Zurich’s<br />

plans for territorial expansion. Soon the city ruled over lands<br />

all around Lake Zurich and north all the way to the river Rhine.<br />

XVI Century<br />

Huldrych Zwingli, priest at the Grossmünster, was a major<br />

critic of mercenary service. But he had a lot more to say on<br />

moral matters and became the initiator of the Reformation<br />

in Zurich from 1520 on. Apart from banning mercenary<br />

service the Reformation meant an end to all frivolous<br />

behaviour - drinking, prostitution and actually most fun was<br />

forbidden or strictly regulated.<br />

Napoleon causes a little bother<br />

XVI - XVIII Century<br />

During the 16th and 17th Centuries Zurich’s wealth and<br />

influence increased. While political power was increasingly<br />

monopolised by a few families, new ideas and debate<br />

flourished. Among the intellectuals of the time were the<br />

educational reformer Heinrich Pestalozzi or the painter<br />

Johann Heinrich Füssli, whose work you’ll find today in the<br />

Kunsthaus. <strong>In</strong> 1798 Zurich lost its independence as Napoleon<br />

took over, transforming the Swiss Confederacy into the<br />

Helvetic Republic, a centralised puppet state which only<br />

survived for five years.<br />

Railways and radical workers<br />

XIX - XX Century<br />

Modern-day Switzerland was founded in 1848 as a<br />

federation with much closer ties between the cantons than<br />

before. The year before, the first railway line in Switzerland<br />

Zurich <strong>In</strong> <strong>Your</strong> <strong>Pocket</strong> zurich.inyourpocket.com<br />

Löwenbräuareal - an exciting<br />

brew of contemporary art<br />

Dust, noise, a few well-built construction workers – the<br />

scenery at the Löwenbräu site these days is not what<br />

you might expect when you enter an art centre. But don’t<br />

be scared off, the redevelopment of this 19th century<br />

industrial site is actually near completion and many<br />

galleries have already opened shop. So step inside!<br />

Zurich’s somewhat grim reformator Huldrych Zwingli. ZIYP was opened. Railways were the business Alfred Escher<br />

A detail of the new Löwenbräu architecture. MV<br />

was in. He dominated Zurich and Swiss politics for the next<br />

few decades like no other. Escher’s statue can be found, not<br />

surprisingly, just in front of the main train station. Switzerland<br />

remained neutral during the First World War and was refuge<br />

to the artists who started the Dada movement in Zurich. The<br />

war exacerbated the poverty of the working classes and in<br />

1918 a socialist committee called a general strike. Many<br />

of the committee’s demands were later fulfilled, though not<br />

the demand for the right of women to vote, which was not<br />

introduced until 1971!<br />

The Réduit and the war<br />

XX Century<br />

During most of the Second World War Switzerland, formally<br />

neutral, was totally surrounded by the Axis powers, making<br />

it difficult to import food and other goods. General Guisan<br />

prepared for a military attack by literally hollowing out the<br />

Alps, envisaging a guerrilla war from the mountains, the<br />

so-called réduit strategy. From a traditional point of view<br />

this is what saved Switzerland from becoming part of Nazi<br />

Germany, but more recently historians have suggested that<br />

other factors may have been more important, sparking off<br />

intense and emotional public debate in the 1990s.<br />

Zurich today XX - XXI Century<br />

After the war Switzerland’s economy<br />

boomed and mass immigration from<br />

Southern Europe set in, while culturally<br />

and politically Switzerland remained very<br />

conservative. <strong>In</strong> 1968 and 1980 youth<br />

movements clashed with police, but<br />

also brought new cultural life to Zurich.<br />

Today Zurich is still a major financial<br />

centre and has lost the conservative reputation. It has<br />

become popular as a place to live for highly-skilled workers<br />

from across Europe. This has made the lack of affordable<br />

apartments one of the major topics in Zurich today.<br />

This is probably the best place to go in Zurich if you’re<br />

looking for a large and varied offering of contemporary art<br />

The amount of art on display here is very impressive – it’s<br />

a bit like a modern-art mall. The Kunsthalle, run by the city,<br />

occupies several large rooms, the Migros museum funded<br />

by the eponymous Swiss retailer has its premises here as<br />

well as the private galleries Hauser & Wirth, Bob van Orsouw,<br />

Luma Westbau / Pool etc. and Galerie Freymond-Guth. And<br />

while you need a ticket for the Migros museum and the<br />

Kunsthalle, entry to the galleries is absolutely free.<br />

Originally the Löwenbrau site had nothing to do with art.<br />

Its story is a miniature version of the history of the district<br />

(or kreis) 5 where its located – first came industry, then<br />

failures and closures, then artists and experiments, and now<br />

big money is pouring into new developments. The red-brick<br />

complex was built in 1897 to house a large brewery which soon<br />

took on the name Löwenbräu, i.e. lion’s brew. Malt and hops<br />

were processed here for nearly a hundred years until 1986,<br />

when the new owner, Swiss beer producer Hürlimann, closed<br />

the plant and the lion roared his last. Thanks to the fact that<br />

the building is listed and could not be torn down, art galleries<br />

and art museums opened up in the Löwenbrau grounds.<br />

The latest chapter is the current redevelopment.<br />

Two big names from Zurich’s architecture scene were<br />

commissioned, Anette Gigon and Mike Guyer who have<br />

just finished Zurich’s new landmark – the nearby Prime<br />

Tower. They added an extra storey with a white finish to<br />

the building nearest to Escher-Wyss Platz, while placing a<br />

simple, nine-storey rectangular block with a red façade as<br />

a counterweight at the other end of the site. <strong>In</strong> between<br />

the two, the construction workers have pulled up the most<br />

eye-catching part of the complex, a black, asymmetric<br />

block twice as tall as the rest. This tower rises up from<br />

the yard behind the row of smaller original buildings, and<br />

then extends out over them, with a dozen floors in this<br />

overhanging section. It includes apartments with hefty<br />

price tags, some apparently going for over three million Sfr.<br />

zurich.inyourpocket.com<br />

A CLOSER LOOK<br />

There is also the odd million hanging around in the<br />

exhibition rooms inside, but you can enjoy them with less<br />

money in your pocket. Hauser & Wirth are currently showing<br />

two artists solo, the eminent US artist Paul McCarthy in the<br />

lower rooms and the British Thomas Houseago in the room on<br />

the first floor, both until 20 October. The McCarthy exhibition<br />

named PROPO shows a series of large format photographs<br />

of larger-than-life, soiled objects the artist used in his<br />

performances in the 1960s. Whether soft toys or bottles<br />

of face cream, each item is carefully displayed in front of a<br />

coloured background, formulating a subtle commentary on<br />

consumer culture and the quest for beauty. One floor further<br />

down, in the dungeons so to speak, you can see videos of two<br />

of McCarthy’s performances (e.g. Sailor’s Meat, 1975). These<br />

are nothing for the faint hearted. Using creams, sauces,<br />

pieces of meat and his body, the artist explores sexual, bodily<br />

and conceptual borders. The Houseago exhibition shows<br />

reliefs and masks, as well a new work, a human figure five<br />

metres long lying on the floor, made of flat plaster boards<br />

and iron reinforcement bars, almost ready to jump.<br />

The other exhibitions are well worth a visit too. The<br />

Kunsthalle is showing a series of large-scale prints by<br />

Wolfgang Tillmans with scenes from across the world. Airport<br />

passport queues, sprawling industrial areas, surgeons in<br />

the course of an operation, myriad surfaces of the modern<br />

world. Helen Marten’s work is a combination of understated<br />

sculpture and text elements (both until 4.11). The Bob van<br />

Orsouw gallery is showing a number of drawings and objects<br />

by Hannah Greely, like a shadow figure caught in a steel rain<br />

shower under a cloud (until 13.10). And finally the Freymond-<br />

Guth gallery is showing a film by Dani Gal, Nacht und Nebel,<br />

which examines an episode involving the executed Nazi Adolf<br />

Eichmann (until 6.10).<br />

Paul McCarthy at Hauser & Wirth.<br />

Stefan Altenburger Photography Zürich<br />

So if you have an appetite for contemporary art or<br />

cutting-edge architecture, stop off at the Löwenbräuareal.<br />

With a bit of luck the construction site will be gone. And if<br />

you fancy a beer afterwards, the Markthalle (see p. 31) next<br />

door is a good bet.<br />

Chris Young<br />

Löwenbräukunst<br />

Limmatstrasse 270, 8Dammweg,<br />

www.loewenbraeukunst.ch<br />

Galleries usually open 12:00 - 18:00, Sat 11:00 - 17:00,<br />

Sun & Mon closed. Kunsthalle additionally open on Thu<br />

until 20:00 (free admission 17:00 - 20:00). Galleries: free<br />

admission, Kunsthalle: 12/8Sfr.<br />

The opening of the Migros museum and the art bookshop<br />

Kunstgriff has been postponed to an unknown date.<br />

October - November 2012<br />

13<br />

© Paul McCarthy Courtesy der Künstler und<br />

Hauser & Wirth.

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