ALL'APERTO 2012 - Roman Signer - Press Room
ALL'APERTO 2012 - Roman Signer - Press Room
ALL'APERTO 2012 - Roman Signer - Press Room
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Fondazione Zegna presents ALL’APERTO, fourth edition. Horloge, the new<br />
project by Swiss artist <strong>Roman</strong> <strong>Signer</strong>, opening September 22 nd , <strong>2012</strong>.<br />
For the next chapter of the contemporary art project ALL’APERTO (curated by<br />
Andrea Zegna and Barbara Casavecchia), <strong>Roman</strong> <strong>Signer</strong> will realize in Trivero (Biella)<br />
a grand “time-sculpture”, as the artist defines his work.<br />
Entitled Horloge (<strong>2012</strong>), it will be <strong>Signer</strong>’s first permanent public project in Italy.<br />
Horloge is a four metre high structure recalling an oversized station clock, with an<br />
enamelled dial and no hands, that every quarter of an hour marks the time with a long<br />
puff of high pressure steam, as if it were an ironic grandfather clock.<br />
Horloge will be located in via Roma, in front of Lanificio Zegna’s main entrance. The<br />
concept for the project unfolded during a walk the artist took on top of the factory’s<br />
roof, dominated by the presence of a high chimney and ongoing emissions of vapour<br />
from the plant working underneath. <strong>Signer</strong> thus decided to use that trail of smoke to<br />
establish a connection between work time and free time, and also between Trivero<br />
and his homeland landscape of Canton of St. Gallen (delimited by Lake Constance<br />
and the Rhine Valley), where the hills are studded with the brick chimneys of the local<br />
lace factories. With its clock movement puffs, Horloge wants to surprise the viewer but
also simply and quietly mingle with the town pace, where the daily existence is still<br />
marked by the sound of the factory sirens and the bells of the chiesa Matrice.<br />
Saturday September 22 nd , <strong>2012</strong>, at 3.30 pm, on the opening of Horloge, <strong>Signer</strong> will<br />
offer the visitors and the inhabitants of Trivero a pyrotechnic action to celebrate the<br />
fleeting moment with a little flash of sense of humour. On the same day a selection of<br />
videos that <strong>Signer</strong> shot over the last years will be screened under the arcades of the<br />
Centro Zegna, where many recreation activities and facilities are located (public<br />
library, gym, swimming pool, retirement home, shops, etc.). During the days before<br />
the opening the artist will present his work to the students of the primary and<br />
secondary schools, with a video projection at the Cinema Giletti in Ponzone.<br />
On Tuesday September 18 th , <strong>2012</strong>, at 6.30 pm, <strong>Roman</strong> <strong>Signer</strong> will hold a Lectio<br />
magistralis at the Milan branch of the Istituto Svizzero di Roma, on this occasion<br />
collaborating with Fondazione Zegna, introduced by Barbara Casavecchia and<br />
Salvatore Lacagnina (Head of Arts Programme, Istituto Svizzero di Roma).<br />
The process that led to Horloge and the opening action will be illustrated in a<br />
catalogue published and distributed by Mousse, with texts by Anna Zegna and Andrea<br />
Zegna, and a conversation on artworks and public space between Giovanni Carmine<br />
(director of Kunsthalle St. Gallen), Barbara Casavecchia and <strong>Roman</strong> <strong>Signer</strong>.<br />
The ALL’APERTO project is under the patronage of the Municipality of Trivero, the<br />
Province of Biella and the Region Piedmont.<br />
Tuesday September 18 th , <strong>2012</strong>, at 6.30 pm<br />
Lectio magistralis<br />
Istituto Svizzero di Roma – Milan branch<br />
via del Vecchio Politecnico 3<br />
tel. +39 02 76016118<br />
milano@istitutosvizzero.it www.istitutosvizzero.it<br />
Saturday September 22 nd , <strong>2012</strong>, at 2.30 pm<br />
opening of ALL’APERTO fourth edition<br />
Trivero (Biella), Fondazione Zegna<br />
Via Marconi, 23<br />
http://www.fondazionezegna.org/allaperto/<br />
Fondazione Zegna<br />
information<br />
ALL’APERTO<br />
press office . adicorbetta<br />
t. +39 02 89053149<br />
stampa@adicorbetta.org<br />
adicorbetta . adicorbetta stampa<br />
FONDAZIONE ZEGNA<br />
press office . Federico Amato<br />
t. +39 02 89077394 .<br />
federico.amato@efficere.it
Biographical notes<br />
<strong>Roman</strong> <strong>Signer</strong> was born in Appenzell (CH) in 1938. He studied at the Schule für<br />
Gestaltung, Zurich, 1966; Schule für Gestaltung, Luzern, 1969-71; Fine Arts<br />
Academy, Warsaw, 1971-72. He currently lives and works at St. Gallen (CH). Since<br />
the early seventies <strong>Roman</strong> <strong>Signer</strong> has focused his artistic research on a new concept<br />
of sculpture, connected to process, transformation and movement. He created kinetic<br />
installations, as well as actions and solitary “experiments” for which he employed<br />
common everyday objects, natural elements like sand, water, wind and real<br />
explosions. To document all his activity he used videos and photographs as a support.<br />
Since the eighties has also realized public installations (Spazierstock, 1997,<br />
Düsseldorf; Wassertor, 2003, Vaduz; Stiefel, 2004, Solothurn, CH; Wassertisch, 2008,<br />
Appenzell; Le Pendule, 2009, Trentemoult a Rezé, Nantes). <strong>Signer</strong> has participated in<br />
the main International art exhibitions, including Documenta 8, Kassel (1987) and<br />
Skulptur Projekte, Münster (1997). In 1999 he represented Switzerland at the Venice<br />
Biennale. Among his numerous recent solo exhibits are: Camden Arts Centre, London<br />
(2001); OK Centrum für Gegenwartskunst, Linz (2005); Ludwig Forum, Aachen;<br />
Aargauer Kunsthaus, Aarau (2006); The Fruitmarket Gallery, Edinburg; Hamburger<br />
Bahnhof, Berlin (2007); Bonnefantenmuseum, Maastricht; Helmhaus Zürich, Zurigo<br />
(2008); Kunsthaus, Zug (2009); Swiss Institute, New York; Sprengel Museum,<br />
Hannover, (2010); Sala de Arte Publico Siqueiros, Mexico City (2011); Hangar à<br />
Bananes, Nantes (<strong>2012</strong>).<br />
www.romansigner.ch
<strong>ALL'APERTO</strong> is an initiative of Fondazione Zegna, a non-profit institution that since<br />
2000 supports cultural, social, medical and environmental projects for communities in<br />
different parts of the world. Born with the goal of making contemporary art and its<br />
values increasingly accessible, ALL’APERTO annually develops in Trivero and its<br />
surroundings site specific interventions by established international artists, relating to<br />
the territory and its inhabitants. The project debuted in 2008 with a spectacular<br />
permanent installation by the French artist Daniel Buren (Boulogne-Billancourt,<br />
1938): a green and blue rainbow of 135 flags framing the roof of the Zegna wool<br />
factory (Le Banderuole colorate, lavoro in situ, 2007, Trivero). In 2009, the protagonist<br />
was Alberto Garutti (Galbiate, Lecco, 1948) who realized a series of cement<br />
benches with one or two portraits of dogs. Each bench bears the following caption,<br />
providing a dedication and a title: Il cane qui ritratto appartiene a una delle famiglie di<br />
Trivero. Quest'opera è dedicata a loro e alle persone che sedendosi qui ne parleranno<br />
(The dog in this portrait belongs to one of the families of Trivero. This artwork is<br />
dedicated to them and to the people that will talk about them while sitting here).<br />
In September 2011 Stefano Arienti (Asola, Mantua, 1961) presented I Telepati, an<br />
artwork comprising a wide Wi-Fi connection, supplying all the inhabitants of Trivero<br />
with free access to the Internet, and a series of stone sculptures also named I Telepati<br />
marking the areas reached by the Wi-Fi signal and whose faces were inspired by the<br />
drawings of the local schools.<br />
The choice of introducing contemporary art in this territory is tied to Ermenegildo<br />
Zegna’s history: for him entrepreneurial quality and effort didn’t exclude the defence of<br />
the natural, social, and cultural environment people live in. To the development and<br />
the enhancement initiatives initiated by the founder of the Group in Trivero, such as<br />
the construction of numerous social works and the road Panoramica Zegna (since<br />
1930), and to those carried out by the generations that followed, like the Oasi Zegna<br />
project (1993), Fondazione Zegna (2000), and Casa Zegna (the company’s historical<br />
archive and cultural centre opened in 2007), adds ALL’APERTO: a further step<br />
bearing witness to the effort and the coherence of Zegna Group’s action on the<br />
territory, where still today the world famous fabric is produced.