The Making of an HDTV Lens - PBS

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Workflow • HDCAM is used for the HD Closed Captioned Master • DVCPRO 25 is used for the SD Closed Captioned Master • HD <strong>an</strong>d SD versions Captioned in a single pass • Additional copies are made by repeating the Closed Captioning process
CC Block Diagram PDW-F70 XDCAM HD Player/Rec SDI HD- SDI Time Code Evertz HD9084 CC Encoder Computer Windows 98 SDI HD- SDI AJ-D750 DVCPRO 25 Player/Rec HDW-2000 HDCAM Player/Rec
Page 1 and 2:
The Making of an HDTV Lens A Look i
Page 3 and 4:
The Making of an HDTV Lens What mak
Page 5 and 6:
2/3-Inch Image Format 9.6mm 5.4mm 1
Page 7 and 8:
HD Camera Resolution • Lens-camer
Page 9 and 10:
• 2/3-Inch Format Resolution of a
Page 11 and 12:
One Millimeter 480-Line SDTV For th
Page 13 and 14:
Overall HDTV Lens Performance 1. Se
Page 15 and 16:
Hierarchy of HDTV Production Budget
Page 17 and 18:
Hierarchy of Tri-Imager Digital Cam
Page 19 and 20:
Difference between Full Size Studio
Page 21 and 22:
Full Size Studio • Primary consid
Page 23 and 24:
Difference between Full Size Studio
Page 25 and 26:
The Bottom Line The Essential Diffe
Page 28 and 29:
ENG Field capture typically places
Page 30 and 31:
100 MTF % Typical MTF of a High-end
Page 32 and 33:
Resolution of a 1/2-inch HDTV Lens
Page 34 and 35:
Resolution of a 1/3-inch HDTV Lens
Page 36 and 37:
The Making of an HDTV Lens • To p
Page 38 and 39:
The Making of an HDTV Lens The Mark
Page 40 and 41:
Introducing the Concept of Portable
Page 42 and 43:
Lens Platform 1: 2/3-inch LENS PLAT
Page 44 and 45:
Lens Platform 3: 2/3-inch and 1/2-i
Page 46 and 47:
Hierarchy of EFP/Cine/ENG Lens Plat
Page 48 and 49:
Image Format Size and Camera Imager
Page 50 and 51: Current HD Image Sensors 2/3-inch 1
Page 52 and 53: Two Limitations on Lens Sharpness D
Page 54 and 55: Resolution LP/mm 250 200 150 100 50
Page 56 and 57: Resolution LP/mm Resolution Charact
Page 58 and 59: HDTV Lens-Camera Sensitivity Lens S
Page 60 and 61: HDTV Lens-Camera Sensitivity Lens S
Page 62 and 63: Sweet Zone of Lens Operation Each l
Page 64 and 65: 3.9 mm 9.6 mm 7.0 mm Center 3.5 mm
Page 66 and 67: 100 90 80 70 MTF % MTF Profile with
Page 68 and 69: The Making of an HDTV Lens Contempo
Page 70 and 71: Concept of the Light Ray Bundle Pro
Page 72 and 73: Spot Diagram and On Axis Ray Bundle
Page 74 and 75: Light Bundles On and Off Axis
Page 76 and 77: Construction Factors Of Lens Parame
Page 78 and 79: Incident Light 100% 4% 96% 4% 92% R
Page 80 and 81: Effect of Multilayer Antireflective
Page 82 and 83: The New TV
Page 84 and 85: The New TV
Page 87 and 88: 2D Image 11 mm Diagonal
Page 89 and 90: 2/3-Inch image format Glass to Glas
Page 91 and 92: Summary • Contemporary 2/3-inch H
Page 93 and 94: Production Super Session XDCAM HD J
Page 95 and 96: Why XDCAM HD • HDCAM equipment wa
Page 97 and 98: Hardware Three PDW-F350 Camcorders
Page 99: Workflow • Timeline includes Blac
Page 103 and 104: Questions
Page 105 and 106: Cameras • Sony HDCam HDW-730S •
Page 107 and 108: Sony HDW-730S HDCam
Page 109 and 110: Panasonic Varicam AJ-HDC27FP
Page 111 and 112: Canon XH-A1 HDV
Page 113: Sony HVR-Z1U HDV
Page 129: • DCT codec • 100 mb/sec • 1:
Page 134: Panasonic HPX-3000
Page 142: Sony XDCamEX1
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The Making of an HDTV Lens - PBS

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