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The Alchemical Patronage of Sir William Cecil, Lord Burghley

The Alchemical Patronage of Sir William Cecil, Lord Burghley

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laming betrayal, setbacks and deception, Medley failed to produce a return on their<br />

investment, and was eventually imprisoned.<br />

Historians <strong>of</strong> the Society have seen it is as the inevitable end <strong>of</strong> a charlatan, echoing<br />

the assessment <strong>of</strong> John Strype‘s <strong>The</strong> Life <strong>of</strong> the Learned <strong>Sir</strong> Thomas Smith (1698). 53 Strype‘s<br />

very broad account glossed over many <strong>of</strong> the project‘s details, and provided no analysis <strong>of</strong><br />

its importance. He relied on two letters written by Thomas Smith and <strong>William</strong> Medley to<br />

<strong>Cecil</strong> explaining their role in the scheme, both <strong>of</strong> which omit significant elements <strong>of</strong> the<br />

project. 54 Because he overlooked the extensive correspondence between these men, Strype<br />

neither grasped the true size and scope <strong>of</strong> the project, nor the amount <strong>of</strong> support and<br />

financing it garnered from the Elizabethan Court. Strype also ignored <strong>William</strong> Medley‘s<br />

biographical background, and assumed that the alchemist met his just ends imprisoned for<br />

debt. 55 As an early enlightenment intellectual Strype struggled to reconcile the intellectual<br />

ability <strong>of</strong> men like Smith and <strong>Cecil</strong> with their support for such an irrational scheme. He<br />

concluded that the project‘s main achievement was to teach otherwise wise and admirable<br />

men ―to trust little to words and promises, nor to experiments made afar <strong>of</strong>f, nor to the<br />

accounts <strong>of</strong> men <strong>of</strong> that faculty [alchemy]‖. 56 Strype‘s analysis, weighed down with all the<br />

scientific age‘s derision for an age <strong>of</strong> superstition, depicted the project as an embarrassing<br />

example <strong>of</strong> the lingering ignorance that pervaded Elizabethan society.<br />

Modern political historians have paid little real attention to the Society <strong>of</strong> the New<br />

Art and have been largely content to follow Strype in castigating it as a transparent fraud.<br />

Mary Dewar‘s biography <strong>of</strong> <strong>Sir</strong> Thomas Smith provides probably the most thorough<br />

examination <strong>of</strong> the project to date. 57 Using a much wider range <strong>of</strong> sources than Strype,<br />

Dewar‘s account goes into greater detail, but essentially tells the same story. Her<br />

chronology <strong>of</strong> events is generally correct, but Dewar ends her account with Medley trying<br />

53 John Strype, <strong>The</strong> Life <strong>of</strong> the Learned <strong>Sir</strong> Thomas Smith.<br />

54 It seems that Strype‘s two sources for his account were: <strong>William</strong> Medley to <strong>William</strong> <strong>Cecil</strong>, 19 April 1572<br />

TNA SP12/86/14; and Thomas Smith to <strong>William</strong> <strong>Cecil</strong>, 15 December 1574, Lansdowne Vol. 19, No. 45.<br />

55 Strype, <strong>The</strong> Life <strong>of</strong> the Learned <strong>Sir</strong> Thomas Smith, p. 105.<br />

56 Ibid., p. 105.<br />

57 Mary Dewar, <strong>Sir</strong> Thomas Smith, London, 1964, pp. 149-55.<br />

129

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