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MUNSTER 23<br />
soft Irish," I heard a woman say this year, leaving<br />
some platform in Cork; on her way, evidently, to a<br />
home in the States, where she had lived, no doubt<br />
for many years, with the hard-faced, swaggering<br />
Yankee, who accompanied her, and who looked with<br />
ill-concealed contempt on the tears and emotions of<br />
the "poor soft Irish"; but she at least still kept<br />
the homely tongue and kind heart.<br />
From Queenstown up to Cork is one of the loveliest<br />
waterways in the world, little towns on either bank<br />
under the steep wooded shores, and here and there<br />
some old castle. Cork itself may have no very great<br />
architectural beauties, but the whole lie of the city,<br />
spread between its hills, divided by the various<br />
streams of that delightful river, makes a beauty of<br />
its own: you see it best from the high ground over<br />
against the famous steeple where hang "the bells of<br />
Shandon that sound so grand on the pleasant waters<br />
of the river Lee ".<br />
"Pleasant" is the word for Cork, the county, and<br />
its soft-voiced, quick-speaking people,<br />
little turn upwards<br />
was called "the Athens of Ireland", though<br />
with the odd<br />
at the end of their sentence. It<br />
I would<br />
say rather, the Naples: in any case, Cork has always<br />
sent out far more than its share of brains. In the<br />
days of "Father Prout", who wrote the "Bells of<br />
Shandon" and other immortal ditties, Cork had a