Scala - FontShop
Scala - FontShop
Scala - FontShop
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Bl<br />
Light<br />
Mager<br />
Maigre<br />
FontFont digital typefaces convince the reader<br />
through their clarity and sharpness. The quality<br />
of type is a question of know-how and expertise.<br />
What was true for metal type and, during a tense<br />
era of transition, for photo-typesetting, is still true<br />
for digital type: only through craftsmanship and<br />
ff Blur Light 9/10,5<br />
FontFont digital typefaces convince the<br />
reader through their clarity and sharpness.<br />
The quality of type is a question of<br />
know-how and expertise. What was true<br />
for metal type and, during a tense era of<br />
transition, for photo-typesetting, is still a<br />
ff Blur Light 11/13<br />
FontFont digital typefaces convince<br />
the reader through their clarity and<br />
sharpness. The quality of type is a qu<br />
estion of know-how and expertise.<br />
What was true for metal type and, d<br />
ff Blur Light 12/14,5<br />
BLUR<br />
N. Brody<br />
1991<br />
An Original FontFont<br />
ABCDEFGHIJKLMN<br />
OPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyzß<br />
1/123456789<br />
(¡!”§$%&,:;‘”“„»«›‹¿?£$€¥@)<br />
[†‡*'" #°+÷=]<br />
YÄÁÂÀÃÅÆÇÍÎÏÌÑÖÓÔÒÕØO<br />
EËÉÊÈÜÚÛÙŸ äáâàãåæçëéêè<br />
ïíîìñöóôòõøoeüúûùÿfifl<br />
With negative letterspacing<br />
With normal letterspacing<br />
With extra letterspacing<br />
With extreme letterspacing<br />
In general, body types are<br />
measured in the typographi<br />
cal point size. However, be<br />
tween typefaces of the sam<br />
e point size, the optical size<br />
may vary considerably acco<br />
rding to the lenghts of ascen<br />
ders and descenders. This<br />
is also true for sizes of Font<br />
Font digital typefaces. For<br />
measuring point size, a tran<br />
sparent size gauge is recom<br />
mended. To determine the<br />
ff Blur Light 16/19<br />
Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick brown fox<br />
ff Blur Light 18pt<br />
Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick<br />
ff Blur Light 20pt<br />
Zweedse ex-vips geven behoorlijk quantumfysica. FontS<br />
ff Blur Light 24pt<br />
Zweedse ex-vips geven behoorlijk quantumfysica<br />
ff Blur Light 28pt<br />
Zweedse ex-vips behoorlijk quantumfy<br />
ff Blur Light 36pt<br />
Zweedse ex-vips behoorlijk quantu<br />
ff Blur Light 40pt<br />
Zweedse ex-vips behoorlijk q<br />
ff Blur Light 48pt<br />
Zweedse ex-vips behor<br />
ff Blur Light 60pt<br />
FontFont digital typefaces convince the<br />
reader through their clarity and sharp<br />
ness. The quality of type is a question of<br />
know-how and expertise. What was true<br />
for metal type and, during a tense era of<br />
ff Blur Light 11/11<br />
Size<br />
mm pt<br />
1,33 5<br />
1,60 6<br />
1,86 7<br />
2,15 8<br />
2,40 9<br />
2,65 10<br />
2,92 11<br />
3,20 12<br />
3,45 13<br />
3,72 14<br />
3,98 15<br />
4,25 16<br />
Line spacing<br />
kp Ep Ex<br />
1,75 2,06 2,00<br />
2,06 2,50 2,50<br />
2,38 2,88 3,00<br />
2,75 3,31 3,50<br />
3,06 3,75 3,75<br />
3,38 4,13 4,25<br />
3,75 4,50 4,75<br />
4,13 4,94 5,25<br />
4,44 5,38 5,75<br />
4,75 5,75 —<br />
5,06 6,19 —<br />
5,44 6,56 —<br />
100 char.<br />
0 –1<br />
90 87<br />
106 98<br />
122 115<br />
139 129<br />
155 144<br />
172 158<br />
188 174<br />
204 188<br />
220 204<br />
236 218<br />
252 234<br />
268 248<br />
FontFont digital typefaces con<br />
vince the reader through their<br />
clarity and sharpness. The qual<br />
ity of type is a question of know<br />
how and expertise. What was a<br />
Blur Light 14/11<br />
Fina<br />
Chiarissima<br />
Mager<br />
216 ff Blur by Neville Brody ] Jan MIddendorp<br />
Medium<br />
Normal<br />
Moyenne<br />
FontFont digital typefaces convince the re<br />
ader through their clarity and sharpness.<br />
The quality of type is a question of know-h<br />
ow and expertise. What was true for metal<br />
type and, during a tense era of transition,<br />
for photo-typesetting, is still true for digit<br />
ff Blur Medium 9/10,5<br />
FontFont digital typefaces convince<br />
the reader through their clarity and<br />
sharpness. The quality of type is a<br />
question of know-how and experti<br />
se. What was true for metal type and<br />
during a tense era of transition, for<br />
ff Blur Medium 11/13<br />
FontFont digital typefaces convi<br />
nce the reader through their clari<br />
ty and sharpness. The quality of<br />
type is a qu estion of know-how<br />
and expertise. What was true for<br />
ff Blur Medium 12/14,5<br />
BLUR<br />
N. Brody<br />
1991<br />
An Original FontFont<br />
ABCDEFGHIJKLMN<br />
OPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyzß<br />
1/123456789<br />
(¡!”§$%&,:;‘”“„»«›‹¿?£$€¥@)<br />
[†‡*'" #°+÷=]<br />
YÄÁÂÀÃÅÆÇÍÎÏÌÑÖÓÔÒÕØO<br />
EËÉÊÈÜÚÛÙŸ äáâàãåæçëéêè<br />
ïíîìñöóôòõøoeüúûùÿfifl<br />
With negative letterspacing<br />
With normal letterspacing<br />
With extra letterspacing<br />
With extreme letterspacing<br />
Bl<br />
In general, body types are<br />
measured in the typogra<br />
phical point size. Howev<br />
er, between typefaces of<br />
the same point size, the o<br />
ptical size may vary cons<br />
iderably according to the<br />
lenghts of ascen ders and<br />
descenders. This is also t<br />
rue for sizes of FontFont<br />
digital typefaces. For me<br />
asuring point size, a tran<br />
sparent size gauge is rec<br />
ffBlur Medium 16/19<br />
Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick b<br />
ff Blur Medium 18pt<br />
Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s<br />
ff Blur Medium 20pt<br />
Zweedse ex-vips geven behoorlijk quantumfysica. F<br />
ff Blur Medium 24pt<br />
Zweedse ex-vips geven behoorlijk quantum<br />
ff Blur Medium 28pt<br />
Zweedse ex-vips behoorlijk quantu<br />
ff Blur Medium 36pt<br />
Zweedse ex-vips behoorlijk qua<br />
ff Blur Medium 40pt<br />
Zweedse ex-vips behoorlij<br />
ff Blur Medium 48pt<br />
Zweedse ex-vips beh<br />
ff Blur Medium 60pt<br />
FontFont digital typefaces convince<br />
the reader through their clarity and<br />
sharpness. The quality of type is a<br />
question of know-how and experti<br />
se. What was true for metal type and<br />
ff Blur Medium 11/11<br />
Size<br />
mm pt<br />
1,33 5<br />
1,60 6<br />
1,86 7<br />
2,15 8<br />
2,40 9<br />
2,65 10<br />
2,92 11<br />
3,20 12<br />
3,45 13<br />
3,72 14<br />
3,98 15<br />
4,25 16<br />
Line spacing<br />
kp Ep Ex<br />
1,75 2,06 2,00<br />
2,06 2,50 2,50<br />
2,38 2,88 3,00<br />
2,75 3,31 3,50<br />
3,06 3,75 3,75<br />
3,38 4,13 4,25<br />
3,75 4,50 4,75<br />
4,13 4,94 5,25<br />
4,44 5,38 5,75<br />
4,75 5,75 —<br />
5,06 6,19 —<br />
5,44 6,56 —<br />
100 char.<br />
0 –1<br />
90 87<br />
106 98<br />
122 115<br />
139 129<br />
155 144<br />
172 158<br />
188 174<br />
204 188<br />
220 204<br />
236 218<br />
252 234<br />
268 248<br />
FontFont digital typefaces<br />
convince the reader through<br />
their clarity and sharpness.<br />
The qual ity of type is a quest<br />
ion of know how and expert<br />
Blur Medium 14/11<br />
Medio<br />
Chiaro tondo<br />
Normaal
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