Bl Light Mager Maigre FontFont digital typefaces convince the reader through their clarity and sharpness. The quality of type is a question of know-how and expertise. What was true for metal type and, during a tense era of transition, for photo-typesetting, is still true for digital type: only through craftsmanship and ff Blur Light 9/10,5 FontFont digital typefaces convince the reader through their clarity and sharpness. The quality of type is a question of know-how and expertise. What was true for metal type and, during a tense era of transition, for photo-typesetting, is still a ff Blur Light 11/13 FontFont digital typefaces convince the reader through their clarity and sharpness. The quality of type is a qu estion of know-how and expertise. What was true for metal type and, d ff Blur Light 12/14,5 BLUR N. Brody 1991 An Original FontFont ABCDEFGHIJKLMN OPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyzß 1/123456789 (¡!”§$%&,:;‘”“„»«›‹¿?£$€¥@) [†‡*'" #°+÷=] YÄÁÂÀÃÅÆÇÍÎÏÌÑÖÓÔÒÕØO EËÉÊÈÜÚÛÙŸ äáâàãåæçëéêè ïíîìñöóôòõøoeüúûùÿfifl With negative letterspacing With normal letterspacing With extra letterspacing With extreme letterspacing In general, body types are measured in the typographi cal point size. However, be tween typefaces of the sam e point size, the optical size may vary considerably acco rding to the lenghts of ascen ders and descenders. This is also true for sizes of Font Font digital typefaces. For measuring point size, a tran sparent size gauge is recom mended. To determine the ff Blur Light 16/19 Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick brown fox ff Blur Light 18pt Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick ff Blur Light 20pt Zweedse ex-vips geven behoorlijk quantumfysica. FontS ff Blur Light 24pt Zweedse ex-vips geven behoorlijk quantumfysica ff Blur Light 28pt Zweedse ex-vips behoorlijk quantumfy ff Blur Light 36pt Zweedse ex-vips behoorlijk quantu ff Blur Light 40pt Zweedse ex-vips behoorlijk q ff Blur Light 48pt Zweedse ex-vips behor ff Blur Light 60pt FontFont digital typefaces convince the reader through their clarity and sharp ness. The quality of type is a question of know-how and expertise. What was true for metal type and, during a tense era of ff Blur Light 11/11 Size mm pt 1,33 5 1,60 6 1,86 7 2,15 8 2,40 9 2,65 10 2,92 11 3,20 12 3,45 13 3,72 14 3,98 15 4,25 16 Line spacing kp Ep Ex 1,75 2,06 2,00 2,06 2,50 2,50 2,38 2,88 3,00 2,75 3,31 3,50 3,06 3,75 3,75 3,38 4,13 4,25 3,75 4,50 4,75 4,13 4,94 5,25 4,44 5,38 5,75 4,75 5,75 — 5,06 6,19 — 5,44 6,56 — 100 char. 0 –1 90 87 106 98 122 115 139 129 155 144 172 158 188 174 204 188 220 204 236 218 252 234 268 248 FontFont digital typefaces con vince the reader through their clarity and sharpness. The qual ity of type is a question of know how and expertise. What was a Blur Light 14/11 Fina Chiarissima Mager 216 ff Blur by Neville Brody ] Jan MIddendorp Medium Normal Moyenne FontFont digital typefaces convince the re ader through their clarity and sharpness. The quality of type is a question of know-h ow and expertise. What was true for metal type and, during a tense era of transition, for photo-typesetting, is still true for digit ff Blur Medium 9/10,5 FontFont digital typefaces convince the reader through their clarity and sharpness. The quality of type is a question of know-how and experti se. What was true for metal type and during a tense era of transition, for ff Blur Medium 11/13 FontFont digital typefaces convi nce the reader through their clari ty and sharpness. The quality of type is a qu estion of know-how and expertise. What was true for ff Blur Medium 12/14,5 BLUR N. Brody 1991 An Original FontFont ABCDEFGHIJKLMN OPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyzß 1/123456789 (¡!”§$%&,:;‘”“„»«›‹¿?£$€¥@) [†‡*'" #°+÷=] YÄÁÂÀÃÅÆÇÍÎÏÌÑÖÓÔÒÕØO EËÉÊÈÜÚÛÙŸ äáâàãåæçëéêè ïíîìñöóôòõøoeüúûùÿfifl With negative letterspacing With normal letterspacing With extra letterspacing With extreme letterspacing Bl In general, body types are measured in the typogra phical point size. Howev er, between typefaces of the same point size, the o ptical size may vary cons iderably according to the lenghts of ascen ders and descenders. This is also t rue for sizes of FontFont digital typefaces. For me asuring point size, a tran sparent size gauge is rec ffBlur Medium 16/19 Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s quick b ff Blur Medium 18pt Zweedse ex-vips geven behoorlijk quantumfysica. <strong>FontShop</strong>’s ff Blur Medium 20pt Zweedse ex-vips geven behoorlijk quantumfysica. F ff Blur Medium 24pt Zweedse ex-vips geven behoorlijk quantum ff Blur Medium 28pt Zweedse ex-vips behoorlijk quantu ff Blur Medium 36pt Zweedse ex-vips behoorlijk qua ff Blur Medium 40pt Zweedse ex-vips behoorlij ff Blur Medium 48pt Zweedse ex-vips beh ff Blur Medium 60pt FontFont digital typefaces convince the reader through their clarity and sharpness. The quality of type is a question of know-how and experti se. What was true for metal type and ff Blur Medium 11/11 Size mm pt 1,33 5 1,60 6 1,86 7 2,15 8 2,40 9 2,65 10 2,92 11 3,20 12 3,45 13 3,72 14 3,98 15 4,25 16 Line spacing kp Ep Ex 1,75 2,06 2,00 2,06 2,50 2,50 2,38 2,88 3,00 2,75 3,31 3,50 3,06 3,75 3,75 3,38 4,13 4,25 3,75 4,50 4,75 4,13 4,94 5,25 4,44 5,38 5,75 4,75 5,75 — 5,06 6,19 — 5,44 6,56 — 100 char. 0 –1 90 87 106 98 122 115 139 129 155 144 172 158 188 174 204 188 220 204 236 218 252 234 268 248 FontFont digital typefaces convince the reader through their clarity and sharpness. The qual ity of type is a quest ion of know how and expert Blur Medium 14/11 Medio Chiaro tondo Normaal
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