May Issue - FOH Online
May Issue - FOH Online
May Issue - FOH Online
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Brian: So, Ken, why is it that even when<br />
we hire the best help we can find, they never<br />
seem to be able to take the same care with<br />
our gear that we do? I know most of this stuff<br />
is built with the rigors of the road in mind, but<br />
it’s still all got delicate little electronic circuit<br />
boards inside.<br />
Ken: I know exactly what you mean. I<br />
have a guy who, for a while, would break a mic<br />
clip minimum on every gig. And these are the<br />
“unbreakable” ones! It’s like he has to meet<br />
his breakage quota. He is also the type of<br />
guy who can’t push a sub through a doorway<br />
without smacking it on both sides. His asset<br />
and his liability is pure brute force. You need<br />
speakers stacked; he’s your man. You need a<br />
knob sheared off; he’s your man.<br />
Brian: Wow. I can’t say I have anyone<br />
quite that bad recently. But goodness knows<br />
I’m glad my stuff is in shock racks. Guys can’t<br />
seem to get it through their skulls that this<br />
stuff is still relatively fragile. “Set it down there”<br />
doesn’t mean, “drop it where you’re standing.”<br />
I don’t know how many times I have cringed<br />
seeing others handle my gear… or other people’s<br />
equipment for that matter.<br />
Ken: Some of it is my fault. I have powered<br />
wedges that weigh 75 pounds apiece and<br />
don’t have cases or covers on them. I know<br />
those are going to get chewed up a little.<br />
We got some load-in help not too long ago<br />
where a convention set-up person knocked<br />
one off an amp rack. Is that his fault for not<br />
paying attention, or mine for not having<br />
them cased? Actually, I didn’t insist on using<br />
my people for the long load-in push. Because<br />
of the labor cost, the person paying the bill<br />
34<br />
The Anklebiters<br />
MAY 2007<br />
Keep It<br />
Slam, bam,<br />
thank you, man.<br />
was more adamant about<br />
using their people. It’s my<br />
stuff; you’d think I’d know<br />
better by now.<br />
Brian: Well, I keep as much<br />
of my stuff cased or covered<br />
as I can. But at this stage of<br />
the game, I can’t afford to<br />
always buy a set of covers<br />
each time I add a pair of<br />
speaker cabinets to my arsenal.<br />
At the moment, I have<br />
about four padded speaker<br />
covers to order, and I could<br />
use another four trunks to<br />
store wedges in. The gear<br />
that protects the gear isn’t<br />
cheap, either. And I have a<br />
relatively large amount invested<br />
in shock racks and the<br />
like. I know of a few big touring<br />
houses that don’t shock<br />
rack their amps, and I’m<br />
even picky about doing<br />
that. Anything to protect<br />
my gear from my friends,<br />
you know?<br />
Ken: Yeah, one of my<br />
friends has a pretty good<br />
sized regional company, and the case for one<br />
of his big boy consoles costs more than the<br />
desk I use the most. I love shock racks but use<br />
them (can only afford them) on processing. I<br />
use padded covers for speakers and find they<br />
work pretty well. At least once a year, I have<br />
seen a case roll off a truck or seen the resulting<br />
catastrophe. The good news is the case<br />
You don’t need to steal a copy of<br />
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By BrianCassell & KenRengering<br />
usually keeps the broken scrap in one vicinity.<br />
So far, I haven’t experienced this myself, knock<br />
on 3 /8 or 1 /2 inch plywood.<br />
Brian: The padded covers are definitely a<br />
wonderful thing. There are some things, like<br />
large P.A. cabinets that just wouldn’t make<br />
sense inside of a road case anyways. I’ve been<br />
fortunate to find most of my racks and road<br />
cases on the used market. The amazing part is<br />
that I have accumulated a set of amplifier and<br />
outboard racks that are all the same make<br />
and footprint. The only difference is that the<br />
amp racks are shorter, and the effects racks<br />
are taller.<br />
Ken: It’s nice to have a couple of ampdepth,<br />
matched-height racks that aren’t<br />
too tall. I use these for my mixer stand,<br />
and at 16 RUs, it brings the console up to<br />
a comfortable level. Although I have noticed,<br />
as I get fatter, having an amp rack<br />
dissipate its heat at my crotch is not as<br />
enjoyable as it once was. Also, with my<br />
added fatness, my arms seem to be getting<br />
shorter. Of course, the consoles are<br />
not too deep, being on the smaller side<br />
of the spectrum. I do think the being fat,<br />
short-armed, with failing vision thing<br />
brings a certain element of heightened<br />
awareness to my mixing.<br />
Brian: As long as we’re not “heightening<br />
our awareness” via the use of mind-altering<br />
substances, all is good. I think most of my<br />
fatness is due to too much Guinness and<br />
shepherd’s pie. And you can hardly consider<br />
that mind-altering. Regardless, I tend to<br />
use my 16 spacers for effects units and other<br />
processing. I figure if I only have 10 or 12<br />
spaces to play with, my amp racks can only<br />
get so heavy. Even so, safe lifting technique<br />
is still a necessity. I still prefer the technique<br />
where I stand and say, “put it there,” while I<br />
hope that I don’t have to cringe too much<br />
when the help drops the thing.<br />
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