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Brian: So, Ken, why is it that even when<br />

we hire the best help we can find, they never<br />

seem to be able to take the same care with<br />

our gear that we do? I know most of this stuff<br />

is built with the rigors of the road in mind, but<br />

it’s still all got delicate little electronic circuit<br />

boards inside.<br />

Ken: I know exactly what you mean. I<br />

have a guy who, for a while, would break a mic<br />

clip minimum on every gig. And these are the<br />

“unbreakable” ones! It’s like he has to meet<br />

his breakage quota. He is also the type of<br />

guy who can’t push a sub through a doorway<br />

without smacking it on both sides. His asset<br />

and his liability is pure brute force. You need<br />

speakers stacked; he’s your man. You need a<br />

knob sheared off; he’s your man.<br />

Brian: Wow. I can’t say I have anyone<br />

quite that bad recently. But goodness knows<br />

I’m glad my stuff is in shock racks. Guys can’t<br />

seem to get it through their skulls that this<br />

stuff is still relatively fragile. “Set it down there”<br />

doesn’t mean, “drop it where you’re standing.”<br />

I don’t know how many times I have cringed<br />

seeing others handle my gear… or other people’s<br />

equipment for that matter.<br />

Ken: Some of it is my fault. I have powered<br />

wedges that weigh 75 pounds apiece and<br />

don’t have cases or covers on them. I know<br />

those are going to get chewed up a little.<br />

We got some load-in help not too long ago<br />

where a convention set-up person knocked<br />

one off an amp rack. Is that his fault for not<br />

paying attention, or mine for not having<br />

them cased? Actually, I didn’t insist on using<br />

my people for the long load-in push. Because<br />

of the labor cost, the person paying the bill<br />

34<br />

The Anklebiters<br />

MAY 2007<br />

Keep It<br />

Slam, bam,<br />

thank you, man.<br />

was more adamant about<br />

using their people. It’s my<br />

stuff; you’d think I’d know<br />

better by now.<br />

Brian: Well, I keep as much<br />

of my stuff cased or covered<br />

as I can. But at this stage of<br />

the game, I can’t afford to<br />

always buy a set of covers<br />

each time I add a pair of<br />

speaker cabinets to my arsenal.<br />

At the moment, I have<br />

about four padded speaker<br />

covers to order, and I could<br />

use another four trunks to<br />

store wedges in. The gear<br />

that protects the gear isn’t<br />

cheap, either. And I have a<br />

relatively large amount invested<br />

in shock racks and the<br />

like. I know of a few big touring<br />

houses that don’t shock<br />

rack their amps, and I’m<br />

even picky about doing<br />

that. Anything to protect<br />

my gear from my friends,<br />

you know?<br />

Ken: Yeah, one of my<br />

friends has a pretty good<br />

sized regional company, and the case for one<br />

of his big boy consoles costs more than the<br />

desk I use the most. I love shock racks but use<br />

them (can only afford them) on processing. I<br />

use padded covers for speakers and find they<br />

work pretty well. At least once a year, I have<br />

seen a case roll off a truck or seen the resulting<br />

catastrophe. The good news is the case<br />

You don’t need to steal a copy of<br />

www.fohonline.com<br />

By BrianCassell & KenRengering<br />

usually keeps the broken scrap in one vicinity.<br />

So far, I haven’t experienced this myself, knock<br />

on 3 /8 or 1 /2 inch plywood.<br />

Brian: The padded covers are definitely a<br />

wonderful thing. There are some things, like<br />

large P.A. cabinets that just wouldn’t make<br />

sense inside of a road case anyways. I’ve been<br />

fortunate to find most of my racks and road<br />

cases on the used market. The amazing part is<br />

that I have accumulated a set of amplifier and<br />

outboard racks that are all the same make<br />

and footprint. The only difference is that the<br />

amp racks are shorter, and the effects racks<br />

are taller.<br />

Ken: It’s nice to have a couple of ampdepth,<br />

matched-height racks that aren’t<br />

too tall. I use these for my mixer stand,<br />

and at 16 RUs, it brings the console up to<br />

a comfortable level. Although I have noticed,<br />

as I get fatter, having an amp rack<br />

dissipate its heat at my crotch is not as<br />

enjoyable as it once was. Also, with my<br />

added fatness, my arms seem to be getting<br />

shorter. Of course, the consoles are<br />

not too deep, being on the smaller side<br />

of the spectrum. I do think the being fat,<br />

short-armed, with failing vision thing<br />

brings a certain element of heightened<br />

awareness to my mixing.<br />

Brian: As long as we’re not “heightening<br />

our awareness” via the use of mind-altering<br />

substances, all is good. I think most of my<br />

fatness is due to too much Guinness and<br />

shepherd’s pie. And you can hardly consider<br />

that mind-altering. Regardless, I tend to<br />

use my 16 spacers for effects units and other<br />

processing. I figure if I only have 10 or 12<br />

spaces to play with, my amp racks can only<br />

get so heavy. Even so, safe lifting technique<br />

is still a necessity. I still prefer the technique<br />

where I stand and say, “put it there,” while I<br />

hope that I don’t have to cringe too much<br />

when the help drops the thing.<br />

Want a leg up? E-mail the anklebiters at<br />

anklebiters@fohonline.com.<br />

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