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Educational Psychology Third Edition Kelvin Seifert and Rosemary ...

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This book is licensed under a Creative Commons Attribution 3.0 License<br />

3. Student development<br />

When one of our authors (<strong>Kelvin</strong> <strong>Seifert</strong>) was growing up, he was provided with piano lessons. Daily<br />

practice was a staple of childhood—365 days a year, <strong>and</strong> in a home that was deliberately kept quiet<br />

to facilitate practice. Music—especially the piano—defined a major part of his emerging self-identity.<br />

Altogether he studied piano for 13 years, from age 4 to the end of high school, with only occasional<br />

interruptions.<br />

At any one time, <strong>Kelvin</strong> witnessed small changes in his skills. He performed a simple piece a bit<br />

better than he had the previous week, or he played more of it from memory. There were direct,<br />

obvious connections between his skills at one moment <strong>and</strong> at the moment just before or after. Back<br />

then, if you had asked him what accounted for the changes, he would have stated without hesitation<br />

that they were because he was “learning” specific piano pieces.<br />

Across broader spans of time, however, he noticed changes that were more dramatic. <strong>Kelvin</strong> learned<br />

much more complex pieces than he had several years earlier, for example. He also played with<br />

significantly more “finesse”, sensitivity <strong>and</strong> polish than as a young child. He was even listening to<br />

classical music on the radio some of the time! <strong>Kelvin</strong>'s musical talent became transformed over the<br />

long term, <strong>and</strong> in some sense he did not have the “same” talent that he had had as a beginner.<br />

If you had asked what accounted for these longer-term changes, he would have had a harder time<br />

answering than when asked about the short-term changes. He might have said simply <strong>and</strong> a bit<br />

vaguely: “I have been getting better at piano.” If you ask the same question now, however, he would<br />

say that his music skills had developed, that their development had been slow <strong>and</strong> gradual, <strong>and</strong><br />

that the changes resulted not just from simple practice, but also from becoming more widely skilled<br />

about music in general.<br />

Development refers to long-term personal changes that have multiple sources <strong>and</strong> multiple effects. It is like<br />

the difference between <strong>Kelvin</strong>'s music at age fifteen compared to his music at age five, rather than the difference<br />

between his music one week <strong>and</strong> his music the next. Some human developments are especially broad <strong>and</strong> take years<br />

to unfold fully; a person's ever-evolving ability to “read” other's moods, for example, may take a lifetime to develop<br />

fully. Other developments are faster <strong>and</strong> more focused, like a person's increasing skill at solving crossword puzzles.<br />

The faster <strong>and</strong> simpler is the change, the more likely we are to call the change “learning” instead of development.<br />

The difference between learning <strong>and</strong> development is a matter of degree. When a child learns to name the planets of<br />

the solar system, for example, the child may not need a lot of time, nor does the learning involve a multitude of<br />

experiences. So it is probably better to think of that particular experience—learning to name the planets—as an<br />

example of learning rather than of development (Salkind, 2004; Lewis, 1997).<br />

Why development matters<br />

Students’ development matters for teachers, but the way it matters depends partly on how schooling is<br />

organized. In teaching a single, “self-contained” grade-level, the benefits of knowing about development will be less<br />

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