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10<br />

News<br />

Church “Gymnatorium” Equipped with Danley Loudspeakers, Ashly DSP<br />

The Hollowel Brethren in Christ Church “Gymnatorium”<br />

JANUARY 2011<br />

WAYNESBORO,<br />

PA — Steve Christiano<br />

of G.A.D.G.e.T.<br />

Media saw some red<br />

flags when Hollowell<br />

Brethren in Christ<br />

Church opted to<br />

scrap plans for a new<br />

facility in favor of<br />

converting the gymnasium<br />

into a multipurpose<br />

facility.<br />

“To me, the<br />

word ‘gymnatorium’<br />

screams compromise,<br />

as in, ‘does nei-<br />

www.fohonline.com<br />

ther one well,’” said Christiano, who ended up<br />

designing and installing all of the project’s<br />

sound, lighting, and projection, as well as<br />

much of the acoustics. “It makes me nervous.”<br />

Adding to Christiano’s anxiety was the<br />

“absolutely amazing ear” of the person who<br />

would judge the project a success or failure:<br />

Paul Beard, maker of top-quality resonator<br />

guitars, who is the senior sound reinforcement<br />

tech at Hollowell.<br />

“People like Jerry Douglas use Paul’s<br />

guitars,” said Christiano. “The system had to<br />

deliver superlative midrange clarity and a<br />

transparent, balanced response from top to<br />

bottom. Paul would be sure to hear any shortcomings,<br />

however minor.”<br />

But careful planning, abundant acoustical<br />

treatment, and top-rate gear, including<br />

Danley Sound Labs loudspeakers and Ashly<br />

DSP, helped the project win Beard’s approval,<br />

and also an award recognizing successful<br />

renovations among churches with 800 seats<br />

or fewer.<br />

Christiano and acoustician Neil Thompson<br />

Shade of akustx developed a plan to<br />

knock the gym’s five-second, 500Hz-centered<br />

reverb down to an even one second. They<br />

built “clouds” of perforated aluminum filled<br />

with twelve-inches of unfaced fiberglass,<br />

which, in addition to damping reflections,<br />

served to protect the lighting and projection<br />

equipment from errant basketballs. In<br />

addition, Shade had the idea of repurposing<br />

an overhang that ran all the way around the<br />

room. The team filled it with four feet of fiberglass<br />

and replaced the sheetrock of the soffit<br />

with perforated aluminum, effectively building<br />

a huge bass trap.<br />

The choice of loudspeakers for Christiano<br />

was an easy one. “I’ve been doing live sound<br />

now for 26 years,” he said. “Danley Sound Labs<br />

builds the very finest sound reinforcement<br />

loudspeakers that I have ever heard. The midrange<br />

clarity, three-dimensional depth, and<br />

separation are fantastic.”<br />

Because of their efficiency, Christiano<br />

only needed two full-range cabinets with fill<br />

from a center cluster of three Fulcrum eightinch<br />

loudspeakers. On either end of the stage,<br />

a flown Danley SH-96 delivers full program<br />

content with stereo imaging. Powersoft K3<br />

and K10 amplifiers provide power.<br />

To provide the system with the modest<br />

conditioning required of the Danley speakers<br />

and, perhaps more importantly, flexibility,<br />

Christiano installed a modular Ashly<br />

ne24.24M DSP with four inputs and eight<br />

outputs. Together with a Crestron touch-panel<br />

interface, the Ashly ne24.24M affords Hollowell<br />

tremendous flexibility to deploy the<br />

technology to match the scale of a particular<br />

event.<br />

“The Ashly programming interface is<br />

remarkably easy,” Christiano said, also crediting<br />

the ne24.24M’s reliability and audio<br />

quality. Because the Ashly ne24.24M is network<br />

ready, Christiano was able to attach the<br />

sound system to the church’s local wireless<br />

network and adjust settings from a netbook.<br />

Consistent with its “gymnatorium” functionality,<br />

Christiano installed a Roland M<br />

400 digital mixer, which is capable of being<br />

disconnected and rolled away in a matter of<br />

moments. The church also opted for Roland’s<br />

on-stage monitoring system, affording each<br />

band member his or her own mix with integrated<br />

ambient mics to facilitate band banter.<br />

“The whole point of doing this was certainly<br />

not to have the technology be an<br />

end unto itself,” said Christiano. “Rather, the<br />

church wanted to be able to communicate in<br />

the most effective way, and they wanted to<br />

be a resource for the community. Perhaps the<br />

coolest testament to their content-centered<br />

vision is the fact that by going with a ‘gymnatorium,’<br />

they ensured that money would<br />

be left over to fund the programming in that<br />

space.<br />

“I think that other churches can learn<br />

from Hollowell’s example,” Christiano continued.<br />

“Often, church leaders are afraid that the<br />

older members will be turned off by technology.<br />

At Hollowell, the exact opposite is true.<br />

The older members enjoy seeing and hearing<br />

clearly, and, perhaps more importantly, they<br />

enjoy seeing the younger members of the<br />

church fully engaged.”

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