Download a pdf - FOH Online
Download a pdf - FOH Online
Download a pdf - FOH Online
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
10<br />
News<br />
Church “Gymnatorium” Equipped with Danley Loudspeakers, Ashly DSP<br />
The Hollowel Brethren in Christ Church “Gymnatorium”<br />
JANUARY 2011<br />
WAYNESBORO,<br />
PA — Steve Christiano<br />
of G.A.D.G.e.T.<br />
Media saw some red<br />
flags when Hollowell<br />
Brethren in Christ<br />
Church opted to<br />
scrap plans for a new<br />
facility in favor of<br />
converting the gymnasium<br />
into a multipurpose<br />
facility.<br />
“To me, the<br />
word ‘gymnatorium’<br />
screams compromise,<br />
as in, ‘does nei-<br />
www.fohonline.com<br />
ther one well,’” said Christiano, who ended up<br />
designing and installing all of the project’s<br />
sound, lighting, and projection, as well as<br />
much of the acoustics. “It makes me nervous.”<br />
Adding to Christiano’s anxiety was the<br />
“absolutely amazing ear” of the person who<br />
would judge the project a success or failure:<br />
Paul Beard, maker of top-quality resonator<br />
guitars, who is the senior sound reinforcement<br />
tech at Hollowell.<br />
“People like Jerry Douglas use Paul’s<br />
guitars,” said Christiano. “The system had to<br />
deliver superlative midrange clarity and a<br />
transparent, balanced response from top to<br />
bottom. Paul would be sure to hear any shortcomings,<br />
however minor.”<br />
But careful planning, abundant acoustical<br />
treatment, and top-rate gear, including<br />
Danley Sound Labs loudspeakers and Ashly<br />
DSP, helped the project win Beard’s approval,<br />
and also an award recognizing successful<br />
renovations among churches with 800 seats<br />
or fewer.<br />
Christiano and acoustician Neil Thompson<br />
Shade of akustx developed a plan to<br />
knock the gym’s five-second, 500Hz-centered<br />
reverb down to an even one second. They<br />
built “clouds” of perforated aluminum filled<br />
with twelve-inches of unfaced fiberglass,<br />
which, in addition to damping reflections,<br />
served to protect the lighting and projection<br />
equipment from errant basketballs. In<br />
addition, Shade had the idea of repurposing<br />
an overhang that ran all the way around the<br />
room. The team filled it with four feet of fiberglass<br />
and replaced the sheetrock of the soffit<br />
with perforated aluminum, effectively building<br />
a huge bass trap.<br />
The choice of loudspeakers for Christiano<br />
was an easy one. “I’ve been doing live sound<br />
now for 26 years,” he said. “Danley Sound Labs<br />
builds the very finest sound reinforcement<br />
loudspeakers that I have ever heard. The midrange<br />
clarity, three-dimensional depth, and<br />
separation are fantastic.”<br />
Because of their efficiency, Christiano<br />
only needed two full-range cabinets with fill<br />
from a center cluster of three Fulcrum eightinch<br />
loudspeakers. On either end of the stage,<br />
a flown Danley SH-96 delivers full program<br />
content with stereo imaging. Powersoft K3<br />
and K10 amplifiers provide power.<br />
To provide the system with the modest<br />
conditioning required of the Danley speakers<br />
and, perhaps more importantly, flexibility,<br />
Christiano installed a modular Ashly<br />
ne24.24M DSP with four inputs and eight<br />
outputs. Together with a Crestron touch-panel<br />
interface, the Ashly ne24.24M affords Hollowell<br />
tremendous flexibility to deploy the<br />
technology to match the scale of a particular<br />
event.<br />
“The Ashly programming interface is<br />
remarkably easy,” Christiano said, also crediting<br />
the ne24.24M’s reliability and audio<br />
quality. Because the Ashly ne24.24M is network<br />
ready, Christiano was able to attach the<br />
sound system to the church’s local wireless<br />
network and adjust settings from a netbook.<br />
Consistent with its “gymnatorium” functionality,<br />
Christiano installed a Roland M<br />
400 digital mixer, which is capable of being<br />
disconnected and rolled away in a matter of<br />
moments. The church also opted for Roland’s<br />
on-stage monitoring system, affording each<br />
band member his or her own mix with integrated<br />
ambient mics to facilitate band banter.<br />
“The whole point of doing this was certainly<br />
not to have the technology be an<br />
end unto itself,” said Christiano. “Rather, the<br />
church wanted to be able to communicate in<br />
the most effective way, and they wanted to<br />
be a resource for the community. Perhaps the<br />
coolest testament to their content-centered<br />
vision is the fact that by going with a ‘gymnatorium,’<br />
they ensured that money would<br />
be left over to fund the programming in that<br />
space.<br />
“I think that other churches can learn<br />
from Hollowell’s example,” Christiano continued.<br />
“Often, church leaders are afraid that the<br />
older members will be turned off by technology.<br />
At Hollowell, the exact opposite is true.<br />
The older members enjoy seeing and hearing<br />
clearly, and, perhaps more importantly, they<br />
enjoy seeing the younger members of the<br />
church fully engaged.”