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By JamieRio<br />

I<br />

love the New Year. It’s a chance for us<br />

all to do better than we did during the<br />

last year. This is true for all aspects of<br />

life. However, I am discussing live worship<br />

sound and how you can improve yourself in<br />

that arena this New Year. As for everything<br />

else, there are plenty of TV and radio shrinks<br />

to help you there. So, where do we begin?<br />

200,000 Opportunities <strong>FOH</strong><br />

There is no doubt that worship sound<br />

has continued to be a growing and very<br />

lucrative market. There is more room for<br />

growth in this niche of live sound than any<br />

other that I am aware of. Let me give you a<br />

few statistics; right now there are approximately<br />

38,000 Baptist churches, 37,500<br />

Methodist churches and 23,000 Catholic<br />

churches in America. If you add up all the<br />

religious groups that have gathering places<br />

you will find that there are close to 200,000<br />

houses of worship in the U.S. Compare that<br />

to about 15,500 high school auditoriums<br />

and 7,000 Catholic schools. As you can see,<br />

this is not only a big niche, it is the biggest.<br />

There really is no limit to how much sound<br />

can be poured into these houses of worship.<br />

That said, I have been in this biz for a<br />

decade, and I have seen not only a lot of<br />

growth but also a lot of changes in what a<br />

congregation wants from their sound system<br />

and engineers. I know many of you are<br />

volunteering your time as a worship sound<br />

mixer rather than installing sound systems<br />

and working at a variety of worship houses,<br />

so these statistics may not be of that much<br />

interest to you, but you still need to keep up<br />

with what is new and exciting (and many<br />

times better) in the live sound world.<br />

Ahead of the Curve <strong>FOH</strong><br />

Let me give you a quick example. Just a<br />

few days ago, I used a matched pair of AKG<br />

C214 microphones on a choir and was really<br />

pleased with the overall improvement<br />

in sound quality that the mics delivered.<br />

Diving Into the Big Niche in 2011<br />

The AKGs were simply better than the mics I<br />

had been using for the last few years in that<br />

particular church. There will always be new<br />

gear to check out (or at least read about),<br />

and staying up on the latest and greatest<br />

should be part of your job description.<br />

Actually, the fact that you are reading<br />

this magazine is a good sign that you already<br />

instinctively know this. I realize that<br />

you may not be able to purchase every<br />

new sound toy that you want in your worship<br />

house. But when the time comes, it<br />

will be easy to choose a new piece of gear<br />

if you have kept up with what is available<br />

out there in the audio world.<br />

Besides keeping up on what is new,<br />

having a good reference book (or two) is<br />

always helpful in your quest to do your job<br />

better. My book, House of Worship Sound<br />

Reinforcement, is one example, and it’s<br />

Visit the church next door (or down the<br />

street) and exercise your God-given<br />

ears. There is no doubt that you will learn<br />

something.<br />

worth checking out, (even if the author is<br />

not above using his column in <strong>FOH</strong> for a<br />

shameless plug!).<br />

Get Out Much? <strong>FOH</strong><br />

Now that you have decided to sharpen<br />

your overall knowledge of sound and<br />

equipment, you may want to dial in on the<br />

needs of your own worship house. How<br />

many of you visit other worship houses to<br />

listen to their sound systems? If you are an<br />

installer, you listen to various systems out<br />

of the necessity of your job. However, you<br />

may simply volunteer and mix at the worship<br />

house of which you are a member and<br />

nowhere else. This is great if you want to<br />

become proficient in the operation of your<br />

house system, but at the same time you<br />

may have separated yourself from the rest<br />

of the sound world. It becomes the goldfish<br />

in a bowl syndrome. You are only aware of<br />

the environment immediately around you.<br />

I suggest you get out and listen to some<br />

other worship sound systems as well as<br />

check other house environments. Visit the<br />

church next door (or down the street) and<br />

exercise your God-given ears. There is no<br />

Bill Gibson, an educator, music pastor and technical director for<br />

a large contemporary music-oriented church in the Seattle area, also<br />

N has taught a 12-week-long Live Sound: Mixing and Recording online<br />

course to 20 students or less at Berklee College of Music. He notes advantages<br />

with online education that include the ability for teachers<br />

to give each student more personalized attention and deal with students progressing at different<br />

rates. But an issue that remains is situational consistency — each of 20 students could potentially<br />

be listening to disparate systems in disparate environments, even though the program material<br />

may be the same. Gibson notes that the online courses still meet a key goal: “to learn the importance<br />

of listening.” …Dana Roun, director of audio programs at Full Sail University, observes that<br />

“actually having the gear and venue is important. Do you say, ‘Imagine you are in a concert hall and<br />

imagine the band is a five-piece metal band and you have a giant <strong>FOH</strong> rig. Okay, push your laptop<br />

key and pretend you hear the crowd roar?’ I don’t think so.”<br />

—Dan Daley, from “The Biz,” <strong>FOH</strong>, Dec. 2010<br />

<strong>Online</strong> Education and Live Sound<br />

www.fohonline.com<br />

doubt that you will learn something. You<br />

may find out that you rock as a worship<br />

house sound mixer. Or you may hear tones<br />

and frequencies that you never knew existed.<br />

Whatever the outcome, you should find<br />

it enlightening. The more worship systems<br />

you can listen to, the more objective you<br />

can become about your own house system.<br />

Besides, all the listening you do will just improve<br />

your ear training and frequency discernment.<br />

I realize that this exercise will take extra<br />

time and effort on your part, but we already<br />

decided we want to do a better job this<br />

year. Right?<br />

H.O.W. Improvement <strong>FOH</strong><br />

Back to your own worship house. One<br />

of the most common areas of improvement<br />

in any church is the acoustic environment<br />

of the building itself. This will<br />

involve discovering what materials were<br />

used in the construction of your space<br />

and how those materials react to live<br />

sound and all the frequencies that are<br />

produced. Whatever condition your space<br />

is in, I am sure the acoustics can be im-<br />

Sound Sanctuary<br />

proved. And just like new and innovative<br />

audio gear is always being produced, new<br />

sound treatment materials are regularly<br />

introduced into the sound market. The<br />

understanding and treatment of sound<br />

wave frequencies in any space can be a<br />

very deep study. So, you have your work<br />

cut out for you in investigating your own<br />

house of worship.<br />

I think that in the next few months I<br />

will write something on the latest ideas<br />

on acoustically treating your worship<br />

space. For those of you who work with a<br />

variety of worship houses, you need to<br />

read up on what materials and items are<br />

currently available for sound treatment.<br />

As a matter of fact, the more you know<br />

about sound and controlling it, the better<br />

you will be able to do your job and serve<br />

your clients.<br />

If you make a plan to increase your<br />

personal knowledge this year, you will become<br />

a greater asset to you yourself and<br />

to your house of worship. Good luck!<br />

It’s 2011. Resolve to e-mail Jamie Rio at<br />

jrio@fohonline.com.<br />

2011 JANUARY<br />

33

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