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52<br />
<strong>FOH</strong>-at-Large<br />
Keeping Busy<br />
in a Taxing Time<br />
the economy<br />
stupid,” and despite<br />
“It’s<br />
it all we still carry<br />
on with our business albeit<br />
on shaky ground. Fortunately,<br />
the bulk of the<br />
summer touring season<br />
ended just before the disastrous<br />
reports from Wall<br />
Street became headline<br />
news — thus leading us to<br />
wild speculation regarding<br />
what the future might<br />
hold in store for the upcoming<br />
winter and spring<br />
season.<br />
By the time this piece<br />
is published the country<br />
will have hopefully chosen<br />
a new president, and quite<br />
possibly, the effects of the<br />
“bail-out” will be reporting<br />
a positive outcome in<br />
all areas of the economy.<br />
Despite an optimistic scenario<br />
where Wall Street<br />
and the world market<br />
does rebound quickly, we<br />
will still have to rely upon<br />
a trickle-down effect from<br />
the “bail-out,” and it may<br />
be a few months or more<br />
before we see results from<br />
the government’s intervention.<br />
Effects on Touring Season <strong>FOH</strong><br />
Nonetheless, last year’s economy has<br />
been nothing less than taxing on all of<br />
us (pun intended, damn it) even though<br />
some tour returns have looked decent<br />
enough. In the July issue of Rolling Stone<br />
magazine it was reported that Bonnaroo<br />
and Coachella, two major summer festivals,<br />
failed to sell out for the first time<br />
in years. The Stevie Wonder, Janet Jack-<br />
COMING NEXT<br />
MONTH...<br />
<strong>FOH</strong> Interview<br />
What’s it like working for<br />
the people’s diva? David<br />
Morgan knows as <strong>FOH</strong><br />
mixer for Bette Midler’s<br />
“The Showgirl Must Go<br />
On” show at Caesars<br />
Palace in Sin City.<br />
Production Profile<br />
Rat Sound provided<br />
audio for the Los<br />
Angeles Detour festival,<br />
a one-day event in<br />
downtown featuring 30<br />
bands on four stages.<br />
Companies and people worried about the state<br />
of the economy have started to cut back on their<br />
events and shows.<br />
son, Maroon 5 and George Michael tours<br />
struggled through the summer, and even<br />
Springsteen tickets were moving slower<br />
than usual. Madonna’s tour posted<br />
strong sales as did Radiohead, Bon Jovi,<br />
the Dave Matthews Band and Jimmy Buffett<br />
to name a few, but the high price of<br />
gasoline, though not overly detrimental<br />
to the upper echelon of the touring business,<br />
did have a far more reaching effect<br />
on the smaller touring bands.<br />
Not to downplay the consequence of<br />
inflation in regard to the larger acts, but<br />
the up-and-coming and mid-level touring<br />
bands that were unable to charge<br />
$100 or more for a ticket to their shows<br />
certainly felt the pinch of the high gas<br />
prices in a more direct manner. Regional<br />
audio companies all fell prey to the budget<br />
crunch, and the busier ones I spoke<br />
with grumbled about less work, while<br />
the smaller companies complained that<br />
there was none at all.<br />
Marketing Tours <strong>FOH</strong><br />
In the past — though having a shallow<br />
concept in regard to the bands —<br />
marketing tours have always had seemingly<br />
deep pockets, but this year they<br />
too felt the walls of the economy closing<br />
in on them. These marketing tours, with<br />
the backing of record labels and major<br />
corporate sponsorship, introduce their<br />
wares while at the same time presenting<br />
young and rising stars to perform in malls<br />
www.fohonline.com<br />
from coast to coast. The past few years<br />
has seen a boom in this kind of marketing,<br />
and the company I work for is often<br />
hired to provide audio for the marketing<br />
firm in charge of presenting artists such<br />
as Ashlee Simpson and The Plain White<br />
T’s to their adoring public.<br />
This year, the negotiations broke<br />
down between the marketing firm and<br />
myself while we were engaged in the<br />
process of trying to plan a 12-week summer<br />
mall tour with Coca Cola and Kate<br />
Voegele. Although my prices had only<br />
been modestly adjusted to account for<br />
higher gas and travel costs, the marketing<br />
company balked at the final price.<br />
After a bit of haggling, we finally settled<br />
upon a flat fee for the equipment rental<br />
with the marketing firm agreeing to<br />
provide travel, accommodations and<br />
salary for my technicians, as well as the<br />
cartage of the equipment from mall to<br />
shining mall. I’m positive that the marketing<br />
company will never again agree<br />
to that type of arrangement, but for<br />
three months this past summer two of<br />
my techs were working and my audio<br />
department had an income from the<br />
tour without having to manage all the<br />
extraneous cost.<br />
Trickle-Down Effect <strong>FOH</strong><br />
Other than that solo three-month<br />
tour, this past summer turned out to be a<br />
bit slower than usual, although business<br />
By BakerLee<br />
Artwork by Andy Au<br />
did pick up a bit in September<br />
just before Lehman<br />
Brothers, AIG and the rest<br />
of Wall Street went belly<br />
up. Although many people<br />
may feel that the Wall Street<br />
investors have finally received<br />
their come-uppance,<br />
the negative trickle-down<br />
effect has already started<br />
to take place as companies<br />
and people worried about<br />
the state of the economy<br />
cut back on their events<br />
and shows.<br />
I don’t mean to imply<br />
that the shows have gone<br />
away altogether, but on my<br />
end I have begun to see more<br />
of a negotiation process in<br />
regard to putting together<br />
audio and other aspects of<br />
any given production. Hopefully,<br />
the government bailout,<br />
in association with our<br />
newly elected president, will<br />
restore confidence and faith<br />
in the economy. This positive<br />
influx of cash will only<br />
trickle down to us on the<br />
heels of the negative trickle<br />
down, however, leaving us<br />
all in a worrisome predicament<br />
for more time than we<br />
would like.<br />
Settling for Less <strong>FOH</strong><br />
Business loans have dried up and the<br />
banks that are still viable are overly cautious<br />
in regard to extending credit. This is especially<br />
worrisome to the smaller and mid-size<br />
sound companies that are already in debt<br />
up to their ears and need to make payments<br />
or even update their equipment. In an atmosphere<br />
like this, the buyer that manages<br />
to still produce an event is now shopping for<br />
a better-than-usual deal to offset their cost<br />
of doing business. Unfortunately, the audio<br />
company that wants to do business may<br />
have to settle for less, and this does not bode<br />
well for any of us since this type of business<br />
environment causes a negative ripple effect<br />
that spreads like rings on a pond.<br />
I apologize for being so downbeat —<br />
maybe all of this will be straightened out by<br />
the time this article is read, but I am furious<br />
about the flagrant abuses of finance and<br />
policy that has taken place over the past few<br />
years and brought us to this point of chaos.<br />
Of course, it would be irresponsible for me<br />
to place all the blame on the lenders since<br />
it is the borrowers that keep the lenders in<br />
business. Regulating the financial industry is<br />
an obvious panacea, but more importantly a<br />
real change of perception is required much<br />
akin to the dieter who benefits more from a<br />
change in lifestyle than just a change of diet.<br />
Anyway, that said, I must confess that I will<br />
miss providing audio for the Lehman Brothers<br />
Christmas party… it was always quite<br />
the blow out.