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October, 2007 - Glebe Report

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ART <strong>Glebe</strong> <strong>Report</strong> <strong>October</strong> 12, <strong>2007</strong> 25<br />

260 Fingers returns!<br />

260 fingers<br />

For the third year, Scotton Hall at the <strong>Glebe</strong> Community Centre will be<br />

filled with the ceramic art of our area’s finest potters and clay sculptors on<br />

Remembrance Day weekend. The name of the exhibition refers to the 26<br />

artists who have been invited to participate. This invitational show is different<br />

from other craft shows in that every artist has been selected by virtue of their<br />

reputation of excellence in the field of ceramic art. The exhibition is also<br />

unique in that each of the artists – all excellent designers and technicians – has<br />

created a wonderfully distinctive body of work.<br />

The response to the last two shows has been overwhelming. The look of<br />

delight on people’s faces as they reach the top of the stairs and see what awaits<br />

them in the hall is worth it all for the artists who are on hand to talk to the visitors.<br />

If you have never had the opportunity to see clay work of this calibre you<br />

are in for a treat.<br />

An added feature this year is a panel discussion on Saturday evening in partnership<br />

with the Ontario Crafts Council right after the show closes for the<br />

evening.<br />

Collecting contemporary Canadian ceramics<br />

Sat., Nov. 10, 5:30-7 p.m.<br />

Moderator: Emma Quin, General Manager, Ontario Crafts Council<br />

Panel: Susan Jefferies, Curator, Modern & Contemporary Ceramics,<br />

Curator-in-Charge of the Ancient Collections, Gardiner<br />

Museum of Ceramic Art, Toronto<br />

Lisa Pai and Megan Lafrenière, Lafrenière & Pai Gallery<br />

Paula Murray, RCA, ceramic artist<br />

The organizers of 260 Fingers have added this educational component after<br />

the great response to the mini-tours of the show last year where the artists<br />

talked to groups of visitors about the process and inspiration for their work.<br />

Great pottery and clay sculpture require a huge amount of technical expertise<br />

and years of focused attention to the myriad of skills needed to make such<br />

superior work. From the basic understanding of how mud becomes ceramic in<br />

a kiln and the infinite ways clay can be treated to make the finest translucent<br />

porcelain cup or a raw, rugged wood-fired jar is a long, hard journey. Many<br />

great ceramic artists move their work into the field of sculpture.<br />

We are lucky in this show to be able to include several of the most highly<br />

regarded ceramic sculptors in Canada. 260 Fingers is proud to show the work<br />

of brilliant emerging artists as well as those who are icons within this timehonoured<br />

craft. 260 Fingers is a testament to our luck in the Ottawa area to<br />

have this wealth of talent in ceramic art.<br />

The show opens Fri., Nov. 9, 6-9 p.m. and continues Sat., Nov. 10 and Sun.,<br />

Nov. 11, 10 a.m.-5 p.m. There is no admission fee.<br />

Have your say!<br />

New art for Bank Street in the <strong>Glebe</strong><br />

You are invited to meet the artists who are competing for a public art commission<br />

as part of the Bank Street Rehabilitation project in the <strong>Glebe</strong>. Six<br />

artists or artist teams have been short-listed to create detailed designs of their<br />

creative concepts for the <strong>Glebe</strong>’s main street.<br />

The best public art creates a unique sense of place, a destination, focal<br />

points for activity, or meeting places. They can be a landmark or a surprising<br />

lyrical discovery. Public art is found all around the city in municipal buildings,<br />

open spaces, pedestrian corridors, roadways and transit ways.<br />

The City of Ottawa commissions local artists’ works for display in public<br />

spaces. A percentage of funds for municipal development projects is set aside<br />

for public art in order to beautify the space and make art accessible to everyone.<br />

The city’s Public Art program initiated a competition for a site-specific<br />

work of art that will be integrated into the soon to be rehabilitated Bank Street<br />

in the <strong>Glebe</strong>, from Central Park to Lansdowne Park. Twenty-six local artists<br />

responded enthusiastically to this opportunity with their submissions for the<br />

September deadline. They were asked to submit their ideas for works of art to<br />

be incorporated along Bank Street. The project’s selection criteria include<br />

such things as artistic excellence, experience, reflection of the community, and<br />

character of the site durability.<br />

Six finalists were chosen to develop scale models or maquettes, preliminary<br />

sketches of the proposed artwork, and detailed work plans including budgets.<br />

The finalist artists are:<br />

• Stephen Brathwaite<br />

• Elaine DeCoursey, Don McVeigh and Cairn Cunnane<br />

• Tim desClouds<br />

• Maskull Lasserre<br />

• Jennifer Macklem and Kip Jones<br />

• Chandler Swain and Carolynne Pynn-Trudeau<br />

The public is invited to meet the artists, view the proposals and record their<br />

comments. The Art Selection committee will take the public’s comments into<br />

consideration when they meet again to jury the artworks and choose the winning<br />

design.<br />

The maquettes and sketches will be on display for public viewing on Mon.,<br />

Nov. 12 from 6-8 p.m. at the <strong>Glebe</strong> Community Centre at 175 Third Avenue,<br />

Ottawa.<br />

Plate by Carolynne Pynn-Trudeau<br />

236-0765<br />

5 th Ave. Court<br />

2 nd Floor<br />

Free Parking<br />

France, Tasha, Mila, & Sarah<br />

experienced stylists with the latest techniques<br />

from Montreal’s top academy.

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