October, 2007 - Glebe Report
October, 2007 - Glebe Report
October, 2007 - Glebe Report
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ART <strong>Glebe</strong> <strong>Report</strong> <strong>October</strong> 12, <strong>2007</strong> 25<br />
260 Fingers returns!<br />
260 fingers<br />
For the third year, Scotton Hall at the <strong>Glebe</strong> Community Centre will be<br />
filled with the ceramic art of our area’s finest potters and clay sculptors on<br />
Remembrance Day weekend. The name of the exhibition refers to the 26<br />
artists who have been invited to participate. This invitational show is different<br />
from other craft shows in that every artist has been selected by virtue of their<br />
reputation of excellence in the field of ceramic art. The exhibition is also<br />
unique in that each of the artists – all excellent designers and technicians – has<br />
created a wonderfully distinctive body of work.<br />
The response to the last two shows has been overwhelming. The look of<br />
delight on people’s faces as they reach the top of the stairs and see what awaits<br />
them in the hall is worth it all for the artists who are on hand to talk to the visitors.<br />
If you have never had the opportunity to see clay work of this calibre you<br />
are in for a treat.<br />
An added feature this year is a panel discussion on Saturday evening in partnership<br />
with the Ontario Crafts Council right after the show closes for the<br />
evening.<br />
Collecting contemporary Canadian ceramics<br />
Sat., Nov. 10, 5:30-7 p.m.<br />
Moderator: Emma Quin, General Manager, Ontario Crafts Council<br />
Panel: Susan Jefferies, Curator, Modern & Contemporary Ceramics,<br />
Curator-in-Charge of the Ancient Collections, Gardiner<br />
Museum of Ceramic Art, Toronto<br />
Lisa Pai and Megan Lafrenière, Lafrenière & Pai Gallery<br />
Paula Murray, RCA, ceramic artist<br />
The organizers of 260 Fingers have added this educational component after<br />
the great response to the mini-tours of the show last year where the artists<br />
talked to groups of visitors about the process and inspiration for their work.<br />
Great pottery and clay sculpture require a huge amount of technical expertise<br />
and years of focused attention to the myriad of skills needed to make such<br />
superior work. From the basic understanding of how mud becomes ceramic in<br />
a kiln and the infinite ways clay can be treated to make the finest translucent<br />
porcelain cup or a raw, rugged wood-fired jar is a long, hard journey. Many<br />
great ceramic artists move their work into the field of sculpture.<br />
We are lucky in this show to be able to include several of the most highly<br />
regarded ceramic sculptors in Canada. 260 Fingers is proud to show the work<br />
of brilliant emerging artists as well as those who are icons within this timehonoured<br />
craft. 260 Fingers is a testament to our luck in the Ottawa area to<br />
have this wealth of talent in ceramic art.<br />
The show opens Fri., Nov. 9, 6-9 p.m. and continues Sat., Nov. 10 and Sun.,<br />
Nov. 11, 10 a.m.-5 p.m. There is no admission fee.<br />
Have your say!<br />
New art for Bank Street in the <strong>Glebe</strong><br />
You are invited to meet the artists who are competing for a public art commission<br />
as part of the Bank Street Rehabilitation project in the <strong>Glebe</strong>. Six<br />
artists or artist teams have been short-listed to create detailed designs of their<br />
creative concepts for the <strong>Glebe</strong>’s main street.<br />
The best public art creates a unique sense of place, a destination, focal<br />
points for activity, or meeting places. They can be a landmark or a surprising<br />
lyrical discovery. Public art is found all around the city in municipal buildings,<br />
open spaces, pedestrian corridors, roadways and transit ways.<br />
The City of Ottawa commissions local artists’ works for display in public<br />
spaces. A percentage of funds for municipal development projects is set aside<br />
for public art in order to beautify the space and make art accessible to everyone.<br />
The city’s Public Art program initiated a competition for a site-specific<br />
work of art that will be integrated into the soon to be rehabilitated Bank Street<br />
in the <strong>Glebe</strong>, from Central Park to Lansdowne Park. Twenty-six local artists<br />
responded enthusiastically to this opportunity with their submissions for the<br />
September deadline. They were asked to submit their ideas for works of art to<br />
be incorporated along Bank Street. The project’s selection criteria include<br />
such things as artistic excellence, experience, reflection of the community, and<br />
character of the site durability.<br />
Six finalists were chosen to develop scale models or maquettes, preliminary<br />
sketches of the proposed artwork, and detailed work plans including budgets.<br />
The finalist artists are:<br />
• Stephen Brathwaite<br />
• Elaine DeCoursey, Don McVeigh and Cairn Cunnane<br />
• Tim desClouds<br />
• Maskull Lasserre<br />
• Jennifer Macklem and Kip Jones<br />
• Chandler Swain and Carolynne Pynn-Trudeau<br />
The public is invited to meet the artists, view the proposals and record their<br />
comments. The Art Selection committee will take the public’s comments into<br />
consideration when they meet again to jury the artworks and choose the winning<br />
design.<br />
The maquettes and sketches will be on display for public viewing on Mon.,<br />
Nov. 12 from 6-8 p.m. at the <strong>Glebe</strong> Community Centre at 175 Third Avenue,<br />
Ottawa.<br />
Plate by Carolynne Pynn-Trudeau<br />
236-0765<br />
5 th Ave. Court<br />
2 nd Floor<br />
Free Parking<br />
France, Tasha, Mila, & Sarah<br />
experienced stylists with the latest techniques<br />
from Montreal’s top academy.