IAPL2012-CB-0531-052.. - The International Association for ...
IAPL2012-CB-0531-052.. - The International Association for ...
IAPL2012-CB-0531-052.. - The International Association for ...
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PLENARIES<br />
ABOUT KERRI KOTTA<br />
One of the most engaging aspects regarding the compositions of Kerri Kotta is the finetuned<br />
and synthesis-oriented “stylistic plurality”. In Kotta’s music, jazz and minimalism<br />
meet grandiose Bach-like rhetoric and a high-strung and fragmented, modernist<br />
approach to sound. This, in most cases, does not entail dramatic contrasts of styles.<br />
Kotta joins together different musics in a playful and delicately humorous manner.<br />
Kerri Kotta studied music theory at the Tallinn Music High School and graduated<br />
from the Tallinn Conservatoire in composition as a student of Jaan Rääts in 1993. In<br />
1997, Kotta obtained a master’s degree in composition with Lepo Sumera in Estonian<br />
Academy of Music and PhD degree in musicology (superviser Mart Humal) in 2004. He<br />
has taken part in courses of composition and music analysis in Schwaz, Stuttgart and<br />
Cracow. Kotta is a teacher of music theory subjects at the Tallinn University since 1994,<br />
from 1998 also at the Estonian Academy of Music and <strong>The</strong>atre. From 2005, Kotta is<br />
Associate Professor and head of the music theory department of Estonian Academy of<br />
Music and <strong>The</strong>atre and Associate Professor of Tallinn University. Kerri Kotta is a member<br />
of the board of the Estonian Musicological Society.<br />
Kerri Kotta’s works have been per<strong>for</strong>med by Estonian National Symphony Orchestra,<br />
NYYD Ensemble, double bass player Mati Lukk, organist Aare-Paul Lattik, pianist Mati<br />
Mikalai and others. His music has been presented at the international new music festival<br />
Nyyd, Estonian Music Days Festival and at festivals in Austria and Poland. In 1997, Kerri<br />
Kotta’s Col legno <strong>for</strong> violin and orchestra got the 4th prize in the competition <strong>for</strong><br />
instrumental concerts organized by Estonian Cultural Endowment.<br />
As a musicologist, Kerri Kotta focuses her research on harmonical-counterpointal<br />
structure of various musical compositions. Kotta has published reviews and articles in<br />
Estonian culture magazine Teater. Muusika. Kino and music magazine Muusika.<br />
Source: Estonian Music In<strong>for</strong>mation Centre, www.emic.ee<br />
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