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Jun-04.pd - Local History Archives

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I<br />

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Now Sheraton<br />

•<br />

Insures<br />

your hotel<br />

reservation.<br />

You get $20<br />

in services free<br />

if we don't<br />

deliver<br />

on a confirmed<br />

reservation<br />

Don't worry. We won't be giving away many $20. This is brand new, and<br />

\>OlySheraton has it. Read carefully: If you hold a r.onfirmed reservation<br />

at any Sheraton Hotel, and if you show up for your room when you<br />

said you would and if, for any reason, you don't get a room, then we give<br />

you a certificate good for $20 worth of food, ~verages and lodging at<br />

any Sheraton Hotel or Motor Inn anywhere. No but's or maybe's. And<br />

you ~~t the $20 certificate even if your reservation called for a $9.10<br />

room. You can't lose. But then, ycu never can at Sheraton. For Insured<br />

Reservations at guaranteed rates (you never pay a penny more than<br />

your reservation calls for), jut ,.... your nearest Sheraton Hotel or<br />

Reservation Office.<br />

85 Sheraton Hotels ES. Motor Inns<br />

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I Three Quick Tricks<br />

I in Outdoor Lighting<br />

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PROBABLY<br />

even in Roman times outdoor<br />

lighting was old stuff-witness the<br />

sculptured alabaster head with a lamp<br />

inside that an archaeologist dug up in a<br />

Pompeian garden. What is new today, however,<br />

is the way we are using lights to<br />

create moods of peace, of drama, of excitement.<br />

We pick out a good feature and<br />

highlight it, sometimes using colored light<br />

to enhance the effect. We see our way<br />

clear after dark, thanks to lighted terraces,<br />

steps, and walks, and we improve the cool<br />

night hours with good lights on croquet<br />

laWilS and shuffleboard beds. There's the<br />

right light for every purpose, and here are<br />

three tips to help you get started:<br />

1. Avoid "Hot Spots": A series<br />

of widely spaced brilliant lights can be<br />

very trying to the eyes. A big hot glare<br />

of light (if used head-on) may flatten out<br />

your picture. It is better to use lamps of<br />

varying intensity, sidelighting the features<br />

-bright on one side, soft on the otherto<br />

bring out modelling and to give depth<br />

to the composition with a subtle play of<br />

light and shadow. Don't attempt to simulate<br />

daylight. Half the charm of night<br />

lighting lies in contrasting the statue, the<br />

irregular tree, ti'e flower bed, with the<br />

mysterJ of the darkness beyond it.<br />

Conceal light sources as much as possible,<br />

placin~ lamps high in trees, on poles,<br />

in boxes on or below grQl1nd, or behind<br />

shrubbery in planting beds, or use indirect<br />

lighting, often most effective of all.<br />

Try a weatherproof fluorescent lig~'lt fixture<br />

or a series of small spotlights trained<br />

on the base of a wall or fence. Lamps are<br />

concealed by day by the shrubbery; at<br />

night the plants are silhouetted against the<br />

glow on the wall. Garden pools can gleam<br />

softly at night with waterproof underwater<br />

lights enhancing water lilies and other<br />

aquatic plants.<br />

2. Place Your Lichts Carefully:<br />

Experiment first with portable lamps to<br />

~ sure the effects are right before you<br />

make the lighting permanent. Steps. walks,<br />

low flower beds, and other plantings are<br />

best illuminated below eye level. Any of<br />

the wide-shaded or "mushroom" lights are<br />

good for this purpose, using only a 25-<br />

24<br />

SubUrbia Todtl}', <strong>Jun</strong>e /964<br />

or .SO-watt bulb. R~ed lighting UIiits<br />

can be set into walls of houses or set<br />

into risers for ground-level lighting of<br />

paths, steps, etc.<br />

For general lllumination, use floodlights.<br />

A new sort recently introduced has a welldesigned<br />

housing with a plastic diffuser;<br />

it fits on poles or it can be 'mounted on<br />

buildings or, clamped on pipes. It can be<br />

used lit terrace level. The other type of<br />

outdoor floodlight most frequently used is<br />

a ISO-watt bulb which screws into a<br />

weatherproof outdoor housing. Placed 10<br />

to 20 feet above ground, the light should<br />

be concealed in a tree or mounted on a<br />

high pole or pipe. A clamp-on louvered<br />

shield will protect the eyes of personS below<br />

and reduce the glare in the lighted area.<br />

Use floodlights to pick out a picturesque<br />

tree or shrub or to bring out a good architectural<br />

feature; for this purpose colored<br />

lOO-watt spotlight bulbs are often effective.<br />

Be careful to set lamps at least a foot away<br />

from evergreens or other plants, otherwise<br />

the heat the light generates could injure<br />

leaves and branches.<br />

3. Take Adv.nblse of the Noveltle.:<br />

Generally white light is best for<br />

bringing out nature'~ colors, but subtleties<br />

can be obtained by the use of colored light.<br />

A green or blue-green light on lawns or<br />

shrubs enables a gardener to catch up on<br />

neglected work or to do chores in the cool<br />

of evening hours. Clip-on portables will<br />

allow you to experiment with different effects<br />

or to move lights to bring out each<br />

particular treasure as the season advances.<br />

You can use strings of outdoor Chri~tmas<br />

lights to provide a gay party atmosphere<br />

any time, using all one color or mixing<br />

lights in confetti fashion. White strings<br />

give a soft illumination, while yellow ones<br />

strung among trees mid high shrubs produce<br />

a starry brilliance that is most<br />

pleasant to see.<br />

Kerosene-burning lamps on poles which<br />

can be set in the lawn give a lovely, soft<br />

flickering glow and can be moved at will.<br />

They can be bought in garden centers and<br />

you can also make your own holders---<br />

ask for a free pattern in the sheet-aluminum<br />

section of your hardware store. 1..ongburning<br />

plumbP.fs' candles glowing through<br />

- <<br />

. > r "<br />

./ ./ ... . , .

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