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like \tfts .royce, fi€ u6eat .aide. and aoliloquies in a<br />
trlafrer that it in@1ved trc reEr6 of alialogle one thar is<br />
lecognizeat as legula! sFeech<br />
to ,htch the other chalacterg<br />
leapond and one rhar 13 lccognized as what in fitn<br />
lechnique kould be a $voiceover'-1n ehich the characrer<br />
eDunciatea his o! he! rboughrg lnd wbich are heard by rhe<br />
author anit not by rhe orhe! char.cre!. It waE like freezing<br />
the actlon vhile the agide wa8 b.ing Epoken. The asideE<br />
lhelefore blended ercochly wirh rhe dialogue, rre effecr<br />
achieved raa eddying rcreDts ln t1@, sMlt pels of<br />
feeling se! our oa rh€ G1n cufr.nr in an exrraordinary<br />
couteirDinr of tMeenl aDd 6rasis, of tide and<br />
tirete6dneEE and ot sosal aDd 6ilence. The play ha6 rrc<br />
tine scheres blr it iE rhe rituI.ss ercrional parrea rhich<br />
plovide6 the 6ense ot .tepth and *hlch rh€ play in irs finat<br />
in defjance ol Eerpo!.I loglc.<br />
The qu<strong>alit</strong>y of Btitt life cleaced by rhe duat rime<br />
PatternB accounts fo! lhe !€a1 gubEC.nce of the uork. The<br />
non temporal wofld 1IeE ou! of time in 6imple beins,a kiDd<br />
of etehity of feeling wlrhour rcrive o! volftion. The<br />
action of the chalaclelE on rhi6 plan€ iE not unlike lhar<br />
of the Eailors in Tne M@r of rh. C.ribees where the<br />
sailora had no poee! o! rill, indeed no exi6rerce rhat ras<br />
eay boud up rirh lhe life forc€ mvins in rhe
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