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century !o u6e ma6ks ro any eatent'. Greac eod Braw<br />
"he<br />
despite itB lnnovative devlce8 i6 Cieu to the leatisEic<br />
thect!e. Ir rcv€E in apac. and tlE rn<br />
e66entia11y realistic way and ita Becrils<br />
rather lhan pBycholosicar -<br />
The Great Cad Btom wag a p1ay, ehich O,NeiIl had<br />
vritteD a s€cond tire. stlippcd ot ir6 conDticar.d use of<br />
86k6, itB llIght of nysticiem .nal rDetic 1an9ua9e Blom<br />
tell. che Eac story a€ o,N.il1,a very fi4r full-lensrh<br />
sork Bread ard auccer. Both th. playd tell the story of a<br />
failed altldt cscified by Iif€ and inprisoned ln halliase,<br />
who takes lefuge in EeIf induc.d deatt!. Just aa Btow is<br />
licher tho the earry d!aM,<br />
60 Dion Anrhony i5 mre<br />
conplq and tntelesting ttFD his precu.so!; both, hovever<br />
like certaln othe! o'Neill plotagoni8t'€, bea! a marked<br />
resemblance Eo thelr aurho!, In Dlon anthony'€ poltrait,<br />
despire the fiction and a(biguities he reveals rcle of<br />
hireetf than eve! before,<br />
allosilg<br />
for cerrain rcdificaEions !€qui!.d by the<br />
Etory, tbe lelationEbip betwcen Dion and Eloen legenlb1es<br />
the one that exiEted between rhe o'Neitt broEh€r6. Yet such<br />
is the conplexity of the play that Dion though 1a!9e1y an<br />
i@ge of Eugene also contaiDg elerents of Janie's<br />
person<strong>alit</strong>y and occasionally leplesents Jam1e. At Euch
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