Achilles and the Caucasus - Université de Montréal
Achilles and the Caucasus - Université de Montréal
Achilles and the Caucasus - Université de Montréal
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<strong>Achilles</strong> <strong>and</strong> <strong>the</strong> <strong>Caucasus</strong> (K. Tuite) — août 17, 2007 — pg. 37<br />
4.2. THE BIOGRAPHY OF A HERO. <strong>Achilles</strong> <strong>and</strong> his cousins from<br />
<strong>the</strong> o<strong>the</strong>r si<strong>de</strong> of <strong>the</strong> Black Sea share many of <strong>the</strong> features of<br />
mythical heroes from around <strong>the</strong> world: semi-divine origin,<br />
ab<strong>and</strong>onment at birth, youth spent in a liminal space, choice of<br />
everlasting fame over long life (Meletinsky 1991, in press). 37<br />
Several elements characterizing <strong>the</strong> careers of <strong>Achilles</strong> <strong>and</strong> Amiran<br />
appear in <strong>the</strong> cycle of legends featuring <strong>the</strong> Irish hero Fionn mac<br />
Cumhail (Finn MacCool), for example, though <strong>the</strong>ir sequence <strong>and</strong><br />
distribution among <strong>the</strong> members of his lineage are not always <strong>the</strong><br />
same. Fionn’s fa<strong>the</strong>r, Cumhail, secretly wed<strong>de</strong>d <strong>the</strong> daughter of a<br />
king who had received, from <strong>the</strong> mouth of a Druid, <strong>the</strong> prophecy<br />
that his daughter’s son would overthrow him. Cumhail died before<br />
his son was born, <strong>and</strong> <strong>the</strong> child was “reared in <strong>the</strong> wilds, where,<br />
while still a child, he strangled a polecat <strong>and</strong> had o<strong>the</strong>r<br />
adventures.” The written accounts <strong>and</strong> folk ballads link Fionn with<br />
several shape-changing women, including Saar (Sedb), <strong>the</strong> mo<strong>the</strong>r<br />
of his son Oísin (Ossian), “whom a Druid changed into a <strong>de</strong>er.<br />
Spells were laid on Fionn to marry <strong>the</strong> first female creature whom<br />
he met, <strong>and</strong> this was Saar, as a <strong>de</strong>er…” (MacCulloch 1918/1964:<br />
164-168).<br />
4.3. THE ANCIENT NEAR EAST AND THE AEGEAN.<br />
Archeological evi<strong>de</strong>nce — most notably Mesopotamian cylin<strong>de</strong>r<br />
seals excavated in mainl<strong>and</strong> Greece <strong>and</strong> <strong>the</strong> isl<strong>and</strong>s — indicates<br />
contact between <strong>the</strong> Aegean world <strong>and</strong> <strong>the</strong> Near East since at least<br />
<strong>the</strong> early Bronze Age (Crowley 1989; Lambrou-Phillipson 1990).<br />
While contact most likely was interrupted during <strong>the</strong> Dark Ages,<br />
Burkert (1992) argues for an “orientalizing period”, marked by an<br />
intensive renewal of Eastern influence, in <strong>the</strong> Homeric epoch<br />
(roughly 750-650 BCE). The art of writing, which had been lost in<br />
mainl<strong>and</strong> Greece after <strong>the</strong> fall of <strong>the</strong> Mycenean civilization, was<br />
reintroduced at this time from <strong>the</strong> Semitic world. The epics of <strong>the</strong><br />
37 Stories of this kind clearly have an ineluctable appeal, at least to certain<br />
audiences working through <strong>the</strong> often difficult <strong>and</strong> conflict-rid<strong>de</strong>n stages leading<br />
toward adulthood (perhaps <strong>the</strong> ancient counterparts to <strong>the</strong> consumers of<br />
Hollywood action films <strong>and</strong> interactive vi<strong>de</strong>o games? One is remin<strong>de</strong>d of<br />
Bettleheim’s celebrated <strong>the</strong>ory on <strong>the</strong> eternal appeal of folktales).