Achilles and the Caucasus - Université de Montréal
Achilles and the Caucasus - Université de Montréal
Achilles and the Caucasus - Université de Montréal
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<strong>Achilles</strong> <strong>and</strong> <strong>the</strong> <strong>Caucasus</strong> (K. Tuite) — août 17, 2007 — pg. 49<br />
for purposes of exploitation he is un<strong>de</strong>r <strong>the</strong> sponsorship of <strong>the</strong><br />
patron of males, this being <strong>the</strong> supreme <strong>de</strong>ity <strong>and</strong>/or a ‘St. George’<br />
equivalent. (In <strong>the</strong> Greek account Zeus is Peleus’ gr<strong>and</strong>fa<strong>the</strong>r, <strong>and</strong><br />
it is he who chooses <strong>the</strong> latter to be <strong>the</strong> mate of Thetis). The hunter<br />
gets <strong>the</strong> god<strong>de</strong>ss pregnant, but through a careless or rash action —<br />
intruding on her immortalization of <strong>the</strong> child, refusing to leave<br />
Dæl’s cave before his wife finds <strong>the</strong>m, allowing her to be<br />
humiliated — causes <strong>the</strong> child to be thrust into <strong>the</strong> world, or even<br />
ripped prematurely out of <strong>the</strong> maternal womb, before he can fully<br />
become his mo<strong>the</strong>r’s son. Because of this original sin, so to speak,<br />
Proto-<strong>Achilles</strong> is caught between <strong>the</strong> fundamentally different<br />
worlds of his parents: <strong>de</strong>prived of immortality, he w<strong>and</strong>ers in <strong>the</strong><br />
savage spaces, living off <strong>the</strong>ir riches, but nei<strong>the</strong>r dwelling in<br />
harmony with nature as his mo<strong>the</strong>r’s people do, nor leaving it,<br />
bearing meat or wood back to <strong>the</strong> village, as men do.<br />
By <strong>the</strong> end, <strong>the</strong> semi-divine hero has wrought <strong>de</strong>struction upon<br />
all within reach, including nature itself; Amiran leaves nought but<br />
“three blind ogres <strong>and</strong> three oak trees”. The final punishment<br />
serves both to reinforce <strong>the</strong> sovereignty of <strong>the</strong> supreme divinity,<br />
<strong>and</strong> <strong>the</strong> world or<strong>de</strong>r he represents, in which men have dominion<br />
over nature, but dare not aspire to be <strong>the</strong> equal of God. The texts<br />
analyzed here are <strong>the</strong> products of countless elaborations <strong>and</strong><br />
appropriations over <strong>the</strong> centuries, having been utilized <strong>and</strong><br />
contextualized in a slightly different way with each retelling. 50<br />
50 The rea<strong>de</strong>r cannot but be awestruck by <strong>the</strong> ingenuity <strong>and</strong> artistry of Homer<br />
drawing upon <strong>the</strong> characteristics of <strong>the</strong> Thessalian <strong>Achilles</strong> — his marginality,<br />
ambiguity, tragic nature — to create his monumental representation of <strong>the</strong> Greek<br />
heroic i<strong>de</strong>al, with all of its tensions between glory <strong>and</strong> shame, short life <strong>and</strong><br />
incorruptible fame, submission to communal goals <strong>and</strong> <strong>the</strong> touchiness of honor<br />
(Friedrich 1973; King 1987). Consi<strong>de</strong>r <strong>the</strong> following remarks on <strong>the</strong> marginality<br />
of “Achille, personnage à la fois exemplaire et ambigu, en qui s’inscrivent toutes<br />
les exigences mais aussi toutes les contradictions <strong>de</strong> l’idéal héroïque. Si Achille<br />
semble pousser jusqu’à ses <strong>de</strong>rnières conséquences — jusqu’à l’absur<strong>de</strong> — la<br />
logique <strong>de</strong> l’honneur, c’est qu’il se situe en quelque façon au-<strong>de</strong>là <strong>de</strong>s règles<br />
ordinaires <strong>de</strong> ce jeu. ... Cet extrémisme <strong>de</strong> l’honneur fait d’Achille un être en<br />
marge, retranché dans la solitu<strong>de</strong> hautaine <strong>de</strong> son courroux. Les autres Grecs