Honouring the Dead in the Peloponnese - University of Nottingham
Honouring the Dead in the Peloponnese - University of Nottingham
Honouring the Dead in the Peloponnese - University of Nottingham
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Archaic funerary and votive jewellery<br />
Geometric period, with <strong>in</strong>cisions on <strong>the</strong> fix<strong>in</strong>g plate, represent<strong>in</strong>g fish<br />
flanked by geometric motifs (FIG. 4), as well as a triangular bead made <strong>of</strong><br />
blue glass and decorated with white concentric circles on each corner. 8<br />
FIG. 3. Drepanon. Late Geometric<br />
jewellery from <strong>the</strong> funerary pithos 2.<br />
FIG. 4. Kalyvia, Elis. Late<br />
Geometric jewellery from<br />
funerary pithoi.<br />
A pair <strong>of</strong> earr<strong>in</strong>gs, today <strong>in</strong> <strong>the</strong> Stathatos Collection (Στ304) dates to <strong>the</strong><br />
third quarter <strong>of</strong> <strong>the</strong> 7 th century BC and was found at Argos. Its place <strong>in</strong> <strong>the</strong><br />
evolution <strong>of</strong> <strong>the</strong> jewellery <strong>of</strong> this category is sem<strong>in</strong>al: each earr<strong>in</strong>g is formed<br />
by a cone, whose upper part is covered by a circular metal sheet, on which<br />
stands a potnia <strong>the</strong>ron (FIG. 5). The cone is formed by six vertical rows <strong>of</strong><br />
globules, whose size decreases towards <strong>the</strong> bottom. The potnia <strong>the</strong>ron, this<br />
demonic, dom<strong>in</strong>at<strong>in</strong>g figure <strong>of</strong> nature with her protective attributes, is shown<br />
here dressed <strong>in</strong> a peplos whose belt has <strong>in</strong>cised decoration on <strong>the</strong> front and<br />
<strong>the</strong> back. She wears a wreath and her long hair follows <strong>the</strong> daedalic style. Upon<br />
her shoulders rest <strong>the</strong> front paws <strong>of</strong> two lions ris<strong>in</strong>g on a circular pedestal and<br />
turn<strong>in</strong>g <strong>the</strong>ir heads outwards. The features on <strong>the</strong> faces <strong>of</strong> <strong>the</strong> goddess and <strong>the</strong><br />
lions are summarily rendered. 9 This type <strong>of</strong> earr<strong>in</strong>g is <strong>of</strong>ten compared with <strong>the</strong><br />
object appear<strong>in</strong>g <strong>in</strong> <strong>the</strong> Homeric verses under <strong>the</strong> name «τρίίγληνα<br />
μορόόεντα», (Il. 15, 183) ma<strong>in</strong>ly because <strong>of</strong> <strong>the</strong> attachment to <strong>the</strong> number three<br />
and a visual comparison <strong>of</strong> <strong>the</strong> globules to <strong>the</strong> fruit <strong>of</strong> berries. However, <strong>the</strong><br />
8<br />
ArchaiologikonDeltion 47 (1992) Β1, 112–13 pl. 36<br />
9<br />
Amandry 1953, 29 s. n. 43/44, pl. 10; Higg<strong>in</strong>s 1980, 103, n. 4; Desp<strong>in</strong>i 1996, n. 69, 226, fig. 69. Cf.<br />
ArchaiologikonDeltion 24 (1969) Bl, 119 pl. 108 a; ArchaiologikonDeltion 24 (1969) Bl, 119 pl. 108 a.<br />
405