Honouring the Dead in the Peloponnese - University of Nottingham
Honouring the Dead in the Peloponnese - University of Nottingham
Honouring the Dead in the Peloponnese - University of Nottingham
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Marioanna Louka<br />
which are not consistent with an austere <strong>in</strong>terpretation <strong>of</strong> burial customs.<br />
Therefore, one should face <strong>the</strong> eventuality <strong>of</strong> hav<strong>in</strong>g to date <strong>the</strong> legislation on<br />
<strong>the</strong> restrictions and prohibitions <strong>of</strong> luxury <strong>of</strong> burials at a later date than <strong>the</strong><br />
time <strong>of</strong> Lykourgos, possibly dur<strong>in</strong>g <strong>the</strong> ephorate <strong>of</strong> Chilon. 25<br />
Be that as it may, we could still strongly support <strong>the</strong> view that <strong>the</strong> sole<br />
fact <strong>of</strong> plac<strong>in</strong>g jewels as grave <strong>of</strong>fer<strong>in</strong>gs <strong>in</strong> Peloponnesian graves was a<br />
reaction to <strong>the</strong> frugality and <strong>the</strong> restrictions imposed by <strong>the</strong> Lacedaemonian<br />
state: it is also <strong>in</strong>terest<strong>in</strong>g to note that <strong>the</strong> objective value <strong>of</strong> jewels,<br />
particularly those <strong>in</strong> gold, did not persuade <strong>the</strong> relatives to keep <strong>the</strong>m with<strong>in</strong><br />
<strong>the</strong> family, ei<strong>the</strong>r <strong>in</strong> order to realise <strong>the</strong>ir value at a time <strong>of</strong> need, or as an<br />
heirloom. It appears that even <strong>in</strong> a world as precarious as that <strong>of</strong> <strong>the</strong> Archaic<br />
period, women who had stayed <strong>in</strong> <strong>the</strong> marg<strong>in</strong>s dur<strong>in</strong>g <strong>the</strong>ir whole life ga<strong>in</strong>ed<br />
respect and eternity, <strong>the</strong> honour and admiration <strong>of</strong> <strong>the</strong>ir family and peers,<br />
precisely through <strong>the</strong> imperishable materials <strong>of</strong> <strong>the</strong>se f<strong>in</strong>e works <strong>of</strong> art<br />
accompany<strong>in</strong>g <strong>the</strong>m to <strong>the</strong> o<strong>the</strong>r world, and through <strong>the</strong> love and attention <strong>of</strong><br />
<strong>the</strong>ir creators.<br />
25<br />
Chrestou 1964, 150–152.<br />
412