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528 THE GOSPTL }IAGIAZINE.<br />
it is so, Said one of old, " 0 Lord, thou lrast rcnrched me and known me (Ps.<br />
cxxxix. 1:6). e.[Ie knorveth our frarne," says the same rvriter, .. lre remembereth<br />
that we are (lust." Yes, srvee[ consideratiou for the sensibly r,veak, the<br />
faint, the burdened, the alflicted; the great Potter,.in whose hanris suchare,<br />
knorvs ihem better than they do themselves; and when he took them into his<br />
fingers, knew what was needful, what lhev rvould cost him, hence he " atternpers<br />
the rvind to the shorn lamb," and savs, I rvill correct thee i,nmeaatre, and not<br />
leave thee altogether unpunished." Yes, this " in rneasure," regulates all the<br />
tnovements of the pottelrs hands, he rnay seeln sometitoes to pull his materials<br />
about rather rouglrly, but rvait until the rvork is finished, and then it will be<br />
seen, tlrat he knerv the nature of his rnaterials too well to rnould tlre nr at<br />
random, to bend them too trastily, or'place two fingers upon them if onc.<br />
would do.<br />
Seconrlly, his materials. Hath not the potter pouer ouer the clay ? Whntever<br />
difference'ive may oltserve ailrong our fell'orv-cr6atures in mind, bidy, or estate,<br />
all nray lre compared to clay. l. In reference to their oliginal; from rvhence<br />
"o,o. ,i-,on I " fr'om the dusl bf tbe ground," Yes, artd hrirvever great he may<br />
lle in lris own estimation, and however exalted iris position in the rvorld, horror<br />
suulptuous his apparel, he,is still hut a piece of clay-curiously rvlought<br />
it is tiue-trut still a pi,rce of clay and destiued in a short time horv<br />
ever great his wealth, his parts, natural or'acqnired, hotvever great his fame<br />
to be -blended witb the clods af the vallev. Strip man therefore cf lltat<br />
rvhicb is adventltious and extrinsic, and in reference to orig'in, and what they<br />
are, and rvhat is to lle their nltimate position upon !he earth, they are all upon<br />
a level, sorne filled with tlre pride of origin, aneestry, wealth, position, and the<br />
like, treat their I'ellow-creatures as though there were notiring in common<br />
between them, rvhile Truth rvriting descriptively would rvrite cr,ev upon both,<br />
and farhet Time so blends all the pieces toEether, tliat the keenest eye looking<br />
upon the qround rvhere they lie mixed, cannot pelceive any difference' Oh, ye<br />
pioud pieces of clay, consider ye this, notrvitlrstauding your position, your<br />
honouri, your silver and your qold, vour beauty and your parts, your.house is<br />
built-of clay, and see on your esctncheon is rvritten, " dust thou art and to dust<br />
thou shalt return."<br />
9, Clav, to set forth man's unconteliness as defiled and polluted by sin.<br />
Tlrere is no form, no beauty in a piece of clay, nothing attractive, it is a mere<br />
chaos; and thtre is no rhoral fottn, no spirilual beauty in man now, sin has<br />
completelv sponged the irnage of God frorn the soul, reduced him to a completd<br />
rnoral chabs; he may be compared to a rude heap of clay covered with<br />
the weeds of lust and pride, emblematical of the curse rvhiclreste upon hirn<br />
for sin. Gorl cannot lo-ok upon him rvith p'leacure, and the larv declares there<br />
is notlrinE it