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Catholic - Historic Brass Society

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UTLEY & KLAUS<br />

109<br />

While Blühmel’s early rotary-valve construction is rather large in size, as can be seen in<br />

the Markneukirchen horn, Joseph Riedl’s patent from 1835 in Vienna shows a much more<br />

delicate rotor made possible by the reduction of the number of passages from three to two.<br />

The motion of the rotor is limited by the shape of the push rods, as can be seen from a<br />

drawing by Heyde. 29 Fritz Herold in Aschaffenburg built a similar stopping mechanism on<br />

his fluegelhorn with reversed valve order as late as ca. 1850 (Figure 29). He used a flat spring<br />

for the touchpiece return mechanism instead of a clock-spring.<br />

Figure 29<br />

Fluegelhorn in C by Fritz Herold, Aschaffenburg, ca. 1850 (DM, 30808).<br />

Detail of stops and flat springs.<br />

Similar flat springs were built in Mainz by Carl August Müller for double-piston and<br />

rotary valves; they are called “New Mainz” valves (Figure 30). 30 The similarity of Herold’s<br />

and Müller’s valves is not surprising, since Aschaffenburg is not far from Mainz.<br />

As can be seen in Chart 4c, double-piston-valve instruments were dominant until the<br />

1840s in Bavaria, while rotary valves took over the field in the 1850s. All Bavarian rotaryvalve<br />

instruments on the list are equipped with a clock-spring return mechanism.

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