Catholic - Historic Brass Society
Catholic - Historic Brass Society
Catholic - Historic Brass Society
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UTLEY & KLAUS<br />
123<br />
handed people and right-handed ones by right-handed people. Since there are fewer lefthanded<br />
people than right-handed, one would expect more right-handed than left-handed<br />
instruments. This is actually confirmed in Chart 7 by the two more or less parallel curves<br />
of right- and left-handed trumpets, the former being generally more numerous than the<br />
latter.<br />
Chart 7<br />
Chronological distribution of left- and right-handed trumpets.<br />
One might also ask whether personal preference was the only criterion that determined<br />
which hand operated the valves, or if there were also certain traditions that influenced<br />
construction. The issue is closely related to Richard J. Martz’ discussion of left- vs. righthanded<br />
horns, in this issue. 43 Keyed trumpets, for example, were more often left-handed,<br />
according to Heyde, because they followed the natural-trumpet tradition of being held with<br />
the right hand; thus only the left hand was free to operate the keys. 44<br />
In Bavaria the reason for the free choice of right-handed or left-handed instruments<br />
until the early twentieth century seems to have its roots in early valve constructions, or<br />
perhaps the keyed bugle. It is astonishing that there seem to be no surviving Barth or Saurle<br />
keyed trumpets, although the latter’s price list from 1826/40, mentioned above, lists them. 45<br />
On the other hand, there are many surviving keyed bugles from both workshops, as already<br />
mentioned. The main difference between the Austrian-type keyed trumpet and the keyed<br />
bugle, invented in England and copied in Bavaria, is the way they were held. The former was<br />
played with one hand only, the latter with both hands. If one assumes that the surviving