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theREPORT<br />
<strong>CANNES</strong>DEALS<br />
Stephen Frears’<br />
Philomena Picked Up<br />
by Weinstein Co.<br />
<strong>The</strong> Weinstein Co. has inked a<br />
deal for Stephen Frears’ Philomena,<br />
paying $6.5 million for rights<br />
in the U.S., Canada and Spain.<br />
<strong>The</strong> film stars Judi Dench as<br />
Philomena Lee, an Irishwoman<br />
who searches for the son she was<br />
forced to give up for adoption as<br />
a teenager, and is based on BBC<br />
correspondent Martin Sixsmith’s<br />
2009 nonfiction book <strong>The</strong> Lost<br />
Child of Philomena Lee.<br />
British comedian Steve Coogan<br />
stars opposite Dench in the film,<br />
which he co-wrote with J e ff Pope.<br />
Coogan plays a journalist who<br />
helps Lee search for her son.<br />
<strong>The</strong> title is being shopped to<br />
distributors at the Cannes Film<br />
Market by Pathe International<br />
and BBC Films, the standalone<br />
movie making unit of the U.K.<br />
public broadcaster.<br />
<strong>The</strong> film is produced by Coogan,<br />
Gabrielle Tana and Tracey Seaward,<br />
and executive produced by<br />
Baby Cow’s Henry Normal, BBC<br />
Films chief Christine Langan<br />
and Pathe’s Francois Ivernel and<br />
Cameron McCracken.<br />
KA-CHING!<br />
WHO’S INKING<br />
ON THE DOTTED LINE<br />
AT THE FESTIVAL<br />
Peter Mullan Soccer Pic Stirs Early Buzz<br />
By Stuart Kemp<br />
Writer-director Peter<br />
Mullan’s Paradise, a movie<br />
about the founding of<br />
legendary Scottish soccer<br />
team Celtic Football Club by<br />
a priest in 1887, is creating a<br />
buzz among buyers.<br />
<strong>The</strong> movie, billed as Gangs<br />
of New York meets Field of<br />
Dreams in Victorian Glasgow,<br />
is being shopped in Cannes<br />
by movie director and producer<br />
Peter Broughan.<br />
Mullan<br />
Broughan, whose directing résumé includes Rob Roy,<br />
tells THR he is exceptionally busy because he has a “project<br />
that everyone wants.”<br />
<strong>The</strong> movie details the true story of an Irish priest, Brother<br />
Walfrid, who founded the soccer club at a Catholic church<br />
Natascha Wharton oversaw<br />
the film for the BFI’s Film Fund.<br />
It marks a return to the big<br />
screen for Frears after Lay<br />
the Favorite last year. <strong>The</strong> director’s<br />
Muhammad Ali’s Greatest<br />
Fight for HBO will unspool<br />
May 22 at a special screening<br />
at the festival.<br />
Image Entertainment<br />
Takes Last Love<br />
Starring Michael Caine<br />
Image Entertainment has<br />
picked up North American rights<br />
to Last Love, the drama from<br />
Mostly Martha director Sandra<br />
Nettlebeck starring Oscar winner<br />
Michael Caine.<br />
Image plans to bow the film,<br />
which Global Screen is selling in<br />
Cannes, theatrically this fall.<br />
Global Screen already has locked<br />
up multiple pre-sales on the title,<br />
with deals for Germany (Senator),<br />
Spain (A Contracorriente)<br />
and Benelux (A-Film) signed<br />
ahead of Cannes and new territories<br />
including Hong Kong (Edko<br />
Communications) and Turkey<br />
(MIR Productions) recently<br />
boarding the project. <strong>The</strong> German<br />
sales agent says it expects<br />
in Glasgow on Nov. 6, 1887.<br />
Buyers have been keen to<br />
talk, and market insiders<br />
are abuzz with reports that<br />
Daniel Day-Lewis has been<br />
linked to the role of Walfrid.<br />
While nothing is signed,<br />
Mullan reportedly is<br />
expected to reach out to<br />
Day-Lewis as the actor is<br />
perceived as the perfect<br />
Day-Lewis<br />
choice to portray the soccerloving<br />
priest.<br />
Celtic became the first British club to win the European<br />
Cup in 1967. It is one of the most popular sporting entities<br />
in the world and is estimated to have more than a million<br />
fans in the U.S. alone. Broughan is a lifelong fan of the team,<br />
nicknamed the Hoops.<br />
to sell out Last Love worldwide<br />
before the end of the market.<br />
Clemence Poesy, Jane Alexander<br />
and Anne Alvaro co-star<br />
in Last Love alongside Caine’s<br />
lonely American widower in Paris<br />
who learns to love life again after<br />
a chance encounter with a beautiful<br />
young woman.<br />
Women’s Audio<br />
Visual Network<br />
Launches in Cannes<br />
EWA, the newly established<br />
European Women’s Audio Visual<br />
Network opens for membership<br />
at Cannes with the launch of its<br />
website and a series of networking<br />
events and strategy meetings.<br />
<strong>The</strong> network will be overseen by<br />
Spanish director Isabel Coixet,<br />
who is Cannes’ Golden Camera<br />
jurist this year. New Zealand-born<br />
director Jane Campion is due to<br />
add her support with a Cannes<br />
meeting planned during the festival<br />
with EWA’s executive director,<br />
Francine Raveney.<br />
In a letter to the EWA, Campion,<br />
who won a Palme d’Or in<br />
1993 for <strong>The</strong> Piano, wrote: “Film<br />
is an extremely competitive<br />
industry for everybody. In my<br />
Jane Campion<br />
Judi Dench<br />
takes on the role<br />
of a real-life<br />
Irishwoman in<br />
Philomena<br />
Michael Caine<br />
experience it is always best to<br />
focus on the work. Just be your<br />
brilliant self.”<br />
Arab Film Power<br />
Players to Partner on<br />
Road Movie A to B<br />
Some of the hottest Arab filmmakers<br />
are ready to make an impact<br />
outside their region with a road<br />
movie unveiled here on Friday.<br />
Emirati filmmaker Ali Mostafa<br />
(City of Life), Saudi producer<br />
Mohammed Al Turki (Arbitrage,<br />
What Maisie Knew) and others<br />
announced plans for feature film<br />
A to B, which will mark the first<br />
time that several people considered<br />
to be the Arab movie industry’s<br />
top pioneers will collaborate<br />
on a major release.<br />
A to B is about three young<br />
Arab expats who go on a road<br />
trip from Abu Dhabi to Beirut.<br />
Mostafa will direct the film<br />
based on a script from up-andcoming<br />
Egyptian writer-producer<br />
Mohamed Hefzy (My Brother the<br />
Devil). <strong>The</strong> other producers are<br />
Al Turki and the Lebanese Paul<br />
Baboudjian, whose feature Here<br />
Comes the Rain won the Black<br />
Pearl award at the 2010 Abu<br />
Dhabi Film Festival.<br />
<strong>The</strong> team behind the project,<br />
which will begin production in<br />
the UAE in October, says the film<br />
will be designed to “entertain<br />
audiences in the Arab world and<br />
beyond.” <strong>The</strong> news comes at a<br />
time when Middle East filmmakers<br />
increasingly are looking to<br />
also make an impact overseas.<br />
Abu Dhabi’s TwoFour54, which<br />
supports local media and entertainment,<br />
is an investor in the<br />
project. Mostafa tells THR he<br />
would love to premiere the film at<br />
Cannes next year.<br />
THE HOLLYWOOD REPORTER 10