CANNES - The Hollywood Reporter

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8 Decades of The Hollywood Reporter The most glamorous and memorable moments from a storied history As an explanation for her behavior, a French friend said Adjani (here in May 1983) was in a “state of panic at the crowds and especially the camera lenses. Her fragility became tangible.” It was Isabelle Adjani vs. the shutterbugs at the 1983 fest THE 1983 PREMIERE of Merry Christmas, Mr. Lawrence, a POW drama starring David Bowie, “began under virtual siege,” wrote The Hollywood Reporter, “as armed riot police used dogs, billy clubs and tear gas” against a group of about 300 medical students protesting proposed changes in their school system. More subtle was the protest photographers made against Isabelle Adjani. The actress, who had been honored at Cannes in 1981 for her roles in Quartet and THE HOLLYWOOD REPORTER 84 Possession, declined to attend both the press conference and the photocall for competition entry L’Ete Meurtrier (One Deadly Summer), in which she starred as a woman seeking revenge for the rape of her mother. In response, Cannes’ photographers laid their cameras at their feet when Adjani, then 27, arrived for the film’s premiere. It wouldn’t be Adjani’s last run-in with the press. An absence from the public eye in the late 1980s led the French media to speculate the actress had AIDS; rumors that she had died began to circulate. In 1987 she appeared on television to prove she was alive and well. A tempestuous liaison with the equally reclusive Daniel Day-Lewis followed. Their sixyear relationship (which the Lincoln Oscar winner reportedly ended by fax) produced a son, Gabriel-Kane Day-Lewis, now 18. All the drama didn’t hamper her career, however. She was nominated twice for Academy Awards, returned to Cannes as jury president in 1997 and won five French Cesar awards, including most recently in 2010 for La Journee de la Jupe, about a teacher who takes her students hostage. — BILL HIGGINS FRANCOIS LOCHON/GAMMA-RAPHO VIA GETTY IMAGES
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© All Rights Entertainment Ltd CAN
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MAY 18, 2013 THR.COM/CANNES CANNES
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