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REFERENCES:<br />

Arnheim, Rudolf (1974). Art and visual perception: a psychology of the creative eye. The new version,<br />

expanded and rev. ed. Berkeley: Univ. of California P.<br />

Brandt, E & Binder, T (2007). Experimental design research: genealogy – intervention – argument´<br />

Proceedings of the International Accociation of Societies and Design Research, Hong Kong<br />

Biggs, M (2002). `The Role of the Artifact in Art and Design Research´ International Journal of Design<br />

Sciences and Technology. 10(2)(2), 1´9-24.<br />

Cousins, M, Maak, N, Basar, S, Steele, B, Bloomer, Tapparelli, C, K, Domeisen, O (eds) (2008). S AM N° 05<br />

ORNAMENT NEU AUFGELEGT / RE-SAMPLING ORNAMENT, Basel: Christoph Merian Verlag<br />

Hazel, C (2012) Exhibition review: Japan Fashion Now, Fashion Theory: The journal of dress, body and<br />

culture, Vol. 16, no. 3 <br />

Halberstam, J (2013) Gaga feminism sex, gender and the end of normal. Boston: Beacon Press<br />

Hodge, B & Mears, P (2006). Skin + bones: parallel practices in fashion and architecture. Los Angeles:<br />

Museum of Contemporary Art<br />

Iris van Herpen (2013) http://www.irisvanherpen.com/ [2013-05-01]<br />

Jones, O (2001[1856]). The grammar of ornament: illustrated by examples from various styles of ornament.<br />

London: Dorling Kindersley<br />

Larsson, L O (2010). `Ornament och ornamentstick från renässans till nyklassicism´ Humanistportalen,<br />

<br />

[2013-04-27]<br />

Lindqvist, R (2013). On the logic of pattern cutting Borås: CTF<br />

Sankovitch, A-M (1998). `Structure/ornament and the modern figuration of architecture´, The Art Bulletin,<br />

vol. 80, no. 4, [2013-05-02]<br />

Stanford encyclopedia of philosophy (2013). Francis Bacon http://plato.stanford.edu/entries/francis-bacon/<br />

[2013-05-03]<br />

Thornquist, C (2012). Arranged abstraction definition by example in art research. Borås: CTF<br />

IMAGE REFERENCES:<br />

Fig. 1 http://unit607.com/The-Grammar-of-Ornament<br />

Fig. 2 http://www.parisperfect.com/blog/2011/03/art-nouveau-7th-arrondissement/<br />

Fig. 3 http://commons.wikimedia.org/wiki/File:Louis_Sullivan_-_Wainwright_Building,_Seventh_%2B_<br />

Chestnut_Streets,_Saint_Louis,_St._Louis_City_County,_MO.jpg<br />

Fig. 4 http://www.archdaily.com/87728/ad-classics-dessau-bauhaus-walter-gropius/<br />

Fig. 5 http://coolboom.net/products/40-bond-gate-by-herzog-and-de-meuron/<br />

Fig. 6 http://www.artnet.com/magazine/news/newthismonth/ntm12-3-2a.asp<br />

Fig. 7 http://www.uel.ac.uk/risingeast/archive05/essays/donald.htm<br />

Fig. 8 http://www.narcisorodriguez.com/inspiration<br />

Fig. 9, 10, 11 http://www.irisvanherpen.com/<br />

Fig. 12, 13, 14 http://thecuttingclass.com/post/10801851972/laser-cut-silver-leather-giles<br />

Loschek, I (2009). When clothes become fashion design and innovation systems. Oxford: Berg<br />

THANKS TO:<br />

McNicholas, M (2006). `The relevance and transcendence of ornament: a new public high school for<br />

the south side of Chicago’, Master thesis, Graduate School of the University of Notre Dame,<br />

My Family<br />

<br />

[2013-05-27]<br />

Clemens Thornqvist<br />

Ulrik Martin Larsen<br />

MD13<br />

Merriam–Webster (2013). Ornament, Structure. [2013-05-02]<br />

Daniel Larsson<br />

Erik Josefsson<br />

56 57

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