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A Body of Evidence: An Art Historical perspective on Eighteenth and ...

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models were closely modelled <strong>on</strong> actual dissecti<strong>on</strong>s <strong>and</strong> dem<strong>on</strong>strated anatomy<br />

without the problems <str<strong>on</strong>g>of</str<strong>on</strong>g> decompositi<strong>on</strong>.<br />

Decay was <str<strong>on</strong>g>of</str<strong>on</strong>g> particular c<strong>on</strong>cern as <str<strong>on</strong>g>of</str<strong>on</strong>g>ten the universities were <strong>on</strong>ly permitted to<br />

use a limited number <str<strong>on</strong>g>of</str<strong>on</strong>g> bodies each year for dissecti<strong>on</strong>. 29 The progressive<br />

relaxati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> laws governing dissecti<strong>on</strong> meant that it was no l<strong>on</strong>ger illegal to<br />

perform dissecti<strong>on</strong>s in many countries, but it was still closely regulated because<br />

<str<strong>on</strong>g>of</str<strong>on</strong>g> the c<strong>on</strong>tinuing fear that corpses would be stolen from graveyards for this<br />

purpose. 30 Added to this was the difficulty involved in both clearly viewing the<br />

parts <str<strong>on</strong>g>of</str<strong>on</strong>g> the body <strong>and</strong> preserving them over a number <str<strong>on</strong>g>of</str<strong>on</strong>g> dissecti<strong>on</strong>s. A soluti<strong>on</strong><br />

to this was to create realistic but bloodless models.<br />

Gaetano Zumbo<br />

In the late seventeenth century, the Syracusan artist Abate Gaetano Giulio<br />

Zumbo (1656–1701) was am<strong>on</strong>g the first artists to create anatomical models from<br />

coloured wax. 31 A younger s<strong>on</strong>, Zumbo at first entered the priesthood <strong>and</strong> then<br />

later set about teaching himself sculpture. He was particularly influenced by<br />

29 Sawday, 1995, p. 35.<br />

30 The activities <str<strong>on</strong>g>of</str<strong>on</strong>g> the ‘Resurrecti<strong>on</strong>ists’, or grave robbers, were <str<strong>on</strong>g>of</str<strong>on</strong>g> particular c<strong>on</strong>cern throughout the<br />

history <str<strong>on</strong>g>of</str<strong>on</strong>g> dissecti<strong>on</strong> in Europe. This came to note particularly in Britain with the case <str<strong>on</strong>g>of</str<strong>on</strong>g> Burke <strong>and</strong> Hare<br />

who were found to have murdered sixteen people <strong>and</strong> then robbed their graves to supply anatomists in the<br />

early nineteenth century. Thereafter body snatching was called ‘burking’ in Britain. Burmeister, 2000,<br />

p. 26.<br />

31 Lightbown, 1964, 486. Informati<strong>on</strong> relating to the life <str<strong>on</strong>g>of</str<strong>on</strong>g> Gaetano Giulio Zumbo is extensively drawn<br />

from R.W. Lightbown’s illuminating articles in The Burlingt<strong>on</strong> Magazine. There is a lack <str<strong>on</strong>g>of</str<strong>on</strong>g> other<br />

informati<strong>on</strong> regarding this artist; as such most other references have in turn used this article as their source.

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