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A Body of Evidence: An Art Historical perspective on Eighteenth and ...

A Body of Evidence: An Art Historical perspective on Eighteenth and ...

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Abstract.<br />

<str<strong>on</strong>g>Art</str<strong>on</strong>g>ists <strong>and</strong> anatomists cooperated from the sixteenth century through to the nineteenth<br />

century to produce books <strong>and</strong> later models which illustrated the new encounter with<br />

human anatomy. The style <str<strong>on</strong>g>of</str<strong>on</strong>g> many <str<strong>on</strong>g>of</str<strong>on</strong>g> the illustrati<strong>on</strong>s reflected the art practices <str<strong>on</strong>g>of</str<strong>on</strong>g> the<br />

period in which they were produced. Wax anatomical models adopted some <str<strong>on</strong>g>of</str<strong>on</strong>g> the same<br />

artistic c<strong>on</strong>venti<strong>on</strong>s as illustrati<strong>on</strong> to familiarise the eighteenth century audience with<br />

anatomy. These models, which were initially closely linked to the practice <str<strong>on</strong>g>of</str<strong>on</strong>g> dissecti<strong>on</strong><br />

were adapted for different audiences before being overtaken by new technology at the<br />

end <str<strong>on</strong>g>of</str<strong>on</strong>g> the nineteenth century. This thesis uses as examples some <str<strong>on</strong>g>of</str<strong>on</strong>g> the models in the<br />

Harry Brookes Allen Museum in the medical department <str<strong>on</strong>g>of</str<strong>on</strong>g> the University <str<strong>on</strong>g>of</str<strong>on</strong>g> Melbourne<br />

to illustrate the historical progressi<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> wax anatomical models.

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