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NESTA PROJECT: FINE ARTSITS AND INNOVATION

NESTA PROJECT: FINE ARTSITS AND INNOVATION

NESTA PROJECT: FINE ARTSITS AND INNOVATION

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Executive Summary<br />

This Working Paper is the first publication of a nine-month<br />

study into the working lives of fine arts graduates and the<br />

ways in which they contribute to innovation, both within the<br />

arts and in the wider economy.<br />

The study itself consists of a literature review, which is<br />

included in this paper, a questionnaire survey, and a number<br />

of face-to-face biographical interviews. The full report will be<br />

published later this year.<br />

The literature review is necessarily wide-ranging, covering<br />

detailed work on artists’ working lives, studies of the wider<br />

cultural and creative industries, and the literature on<br />

innovation.<br />

The starting point for the literature review is the broad and by<br />

now familiar argument that, in a knowledge-based economy,<br />

innovation is increasingly responsible for economic growth<br />

and moreover, that the type of innovation advanced<br />

economies require demands what are sometimes called<br />

‘creative’ skills.<br />

It can reasonably be argued that these creative skills are<br />

highly developed in fine arts graduates (though they are by<br />

no means exclusive to this group of people) and moreover<br />

there has been a large increase in the number of people<br />

studying fine arts in the UK in recent decades. By exploring<br />

their working lives we hope to shed some light on the ways<br />

that fine arts graduates are absorbed into the economy, the<br />

transferability of their skills and the mechanisms by which<br />

their creativity contributes to innovation.<br />

Aside from the general increase in numbers in higher<br />

education, there are three primary hypotheses that may<br />

account for why the economy is absorbing higher numbers<br />

of fine arts graduates:<br />

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