NESTA PROJECT: FINE ARTSITS AND INNOVATION
NESTA PROJECT: FINE ARTSITS AND INNOVATION
NESTA PROJECT: FINE ARTSITS AND INNOVATION
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Executive Summary<br />
This Working Paper is the first publication of a nine-month<br />
study into the working lives of fine arts graduates and the<br />
ways in which they contribute to innovation, both within the<br />
arts and in the wider economy.<br />
The study itself consists of a literature review, which is<br />
included in this paper, a questionnaire survey, and a number<br />
of face-to-face biographical interviews. The full report will be<br />
published later this year.<br />
The literature review is necessarily wide-ranging, covering<br />
detailed work on artists’ working lives, studies of the wider<br />
cultural and creative industries, and the literature on<br />
innovation.<br />
The starting point for the literature review is the broad and by<br />
now familiar argument that, in a knowledge-based economy,<br />
innovation is increasingly responsible for economic growth<br />
and moreover, that the type of innovation advanced<br />
economies require demands what are sometimes called<br />
‘creative’ skills.<br />
It can reasonably be argued that these creative skills are<br />
highly developed in fine arts graduates (though they are by<br />
no means exclusive to this group of people) and moreover<br />
there has been a large increase in the number of people<br />
studying fine arts in the UK in recent decades. By exploring<br />
their working lives we hope to shed some light on the ways<br />
that fine arts graduates are absorbed into the economy, the<br />
transferability of their skills and the mechanisms by which<br />
their creativity contributes to innovation.<br />
Aside from the general increase in numbers in higher<br />
education, there are three primary hypotheses that may<br />
account for why the economy is absorbing higher numbers<br />
of fine arts graduates:<br />
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