The 5 DE DICIEMBRE 2010 - La Prensa De San Antonio
The 5 DE DICIEMBRE 2010 - La Prensa De San Antonio
The 5 DE DICIEMBRE 2010 - La Prensa De San Antonio
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
6-E <strong>La</strong> <strong>Prensa</strong> de <strong>San</strong> <strong>Antonio</strong><br />
diciembre 5, <strong>2010</strong><br />
Story and photo<br />
By Ramón Hernández<br />
He may not be Carlos <strong>San</strong>tana,<br />
but Roberto Valderrama rivals his<br />
idol when his fingers fly over his<br />
guitar strings.<br />
“As a small child, my brother,<br />
Luis Carlos, stood guard at the<br />
door when I first snuck into my<br />
father’s room to tinker with his<br />
guitar,” Valderrama said during<br />
an interview at the Hispanic Entertainment<br />
Archives.<br />
“I was five when my mom<br />
caught me and I thought I was<br />
really going to get it. Instead<br />
she said, ‘Do you really want<br />
to learn?’ <strong>The</strong>n she made dad’s<br />
guitar accessible when my father,<br />
<strong>Antonio</strong>, who worked on a ranch,<br />
was gone from Monday to Friday.<br />
On weekends, I would see and<br />
hear him and my Uncles play.<br />
That’s how I learned.”<br />
“My parents knew I loved that<br />
guitar and when I misbehaved at<br />
school, they would punish me by<br />
taking the guitar away.”<br />
As soon as he was tall enough,<br />
his father took him to a compadre<br />
who handmade the string instruments<br />
and had Valderrama pick<br />
out his own guitar.<br />
“My mother then forced my<br />
brother and me to sing and learn<br />
lyrics to songs my dad performed<br />
at fiestas and wound up joining<br />
him on those gigs around Juarez,<br />
Chihuahua, Mexico.”<br />
By <strong>De</strong>nnis M. Ayotte Jr.<br />
dayotte@laprensasa.com<br />
Roberto Valderrama pays it forward by giving<br />
Monday, <strong>De</strong>cember 13 at 7<br />
p.m., <strong>The</strong> Guadalupe Cultural<br />
Arts Center presents “Cine En<br />
El Barrio,” a monthly film series<br />
showcasing classic and contemporary<br />
work by <strong>La</strong>tino filmmakers<br />
from across the globe will<br />
kick off.<br />
<strong>The</strong> event will feature “Where<br />
God Left His Shoes” and “On<br />
the Horizon: Stop Motion Animation.”<br />
<strong>The</strong> films will be<br />
shown at the Guadalupe <strong>The</strong>ater<br />
Next, Valderrama found out he<br />
had the innate gift of being able<br />
to duplicate any guitar sounds<br />
on his maternal grandmother’s<br />
on 1301 Guadalupe Street.<br />
“Where God Left His Shoes,”<br />
was directed by Salvatore Stabile<br />
and released in 2007. <strong>The</strong><br />
hour and half film stars John<br />
Leguizamo, who plays a father<br />
(Frank) of two. When he along<br />
with his wife and kids are evicted<br />
from their New York City<br />
apartment the family is forced<br />
to move into a homeless shelter.<br />
An opportunity arises for<br />
the family to move into an<br />
apartment in a nearby housing<br />
project, but Frank needs a job<br />
by the end of the day to become<br />
piano. Angela Terrazas, was so<br />
impressed, she sent him to the<br />
music conservatory in Mexico,<br />
D.F. to study for four years.<br />
<strong>The</strong> Guadalupe Cultural Arts<br />
presents “Cine En El Barrio”<br />
eligible. With his son at his side,<br />
Frank scours the street to find a<br />
job in the blistering cold winter<br />
of New York City.<br />
“On the Horizon: Stop Motion<br />
Animation,” will be a special<br />
program featuring compelling<br />
work by award-winning <strong>San</strong><br />
<strong>Antonio</strong> filmmaker Eric Fonseca<br />
and his 9-year-old protégé, Michael<br />
Wolf Sepulveda.<br />
For tickets call (210) 271-<br />
3151 or visit guadalupeculturalarts.org<br />
or more information.<br />
General admission is $4 and free<br />
to all GCAC members.<br />
Valderrama’s turning point<br />
came when he got hooked on rock<br />
n’ roll. However, he was unable<br />
to play it because he had been<br />
brought up on Mexican music.<br />
While in the conservatory and<br />
studying classical music, his heart<br />
still belonged to rock music. So<br />
he spent most of the allowance<br />
money his grandmother sent him<br />
on concerts.<br />
“In 1972, a few classmates<br />
and I went to see <strong>San</strong>tana when<br />
did three concerts in Puebla.<br />
However, on the third night, we<br />
hung around outside with about<br />
100 other people from the conservatory<br />
because we didn’t have<br />
the money for admission,” the<br />
59-year-old guitarist said.<br />
As luck would have it, movie<br />
soundtrack composer Sergio<br />
Gutiérrez plus actors Héctor<br />
Lechuga and Xavier López Rodríguez<br />
a.k.a. Chabelo saw the<br />
group of diehard dedicated fans<br />
and paid for all of them to go in.<br />
At one point in the show, <strong>San</strong>tana<br />
asked the audience if anyone<br />
wanted to come up on stage and<br />
play with him and all of Valderrama’s<br />
friends pointed to him,<br />
then they and his friend, Javier<br />
Batiz, dragged him all the way to<br />
the stage, but Valderrama refused<br />
to go up. However, he did stay<br />
there to watch his idol in action.<br />
After the show ended, Valderrama<br />
and a couple of his friends<br />
went between a bodyguard’s legs<br />
and ran to <strong>San</strong>tana, who bowed<br />
and hugged them. Before they<br />
were pulled away by security,<br />
they got an invite to join <strong>San</strong>tana<br />
at a private VIP party at the home<br />
of Manuel “El Loco” Valdés<br />
Castillo.<br />
“That party was the max for<br />
me,” Valderrama said with a joyful<br />
face.<br />
After hearing Valderrama play,<br />
<strong>San</strong>tana pulled him aside and said,<br />
see Roberto Valderrama pg 12-E