Pdf Catalogue - California Art Auction
Pdf Catalogue - California Art Auction
Pdf Catalogue - California Art Auction
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109 Mauritz F. De Haas (1832-1895<br />
New York, NY) figures and boats<br />
along a rocky coast at sunset,<br />
signed lower right: M.F.H. De Haas,<br />
oil on canvas laid to canvas, 11" x<br />
20.75", est:$3000/5000. Condition:<br />
Blacklight: A large scattered area,<br />
approximately 3" x 6", of touchup<br />
in the sky above the sun, and<br />
other scattered spots of touch-up<br />
throughout.<br />
110 William P. Phelps (1848-1923<br />
Chesham, NH) mischief in the<br />
barn - interior barn scene with<br />
calf and lambs, signed lower right:<br />
W.P. Phelps, oil on canvas, 24" x<br />
33", est:$5000/7000. Provenance:<br />
Residence, Los Angeles, CA.<br />
Condition: Visual: Generally good<br />
condition with concentrated<br />
areas of craquelure on the cow<br />
and the window. Canvas is loose<br />
on the stretcher bars. Blacklight:<br />
Evidence of older minor retouches<br />
to top edge of canvas and in the<br />
lower left quadrant.<br />
111 Harry Pember Smith (1854-1907<br />
New York, NY) "Apple Blossoms,<br />
Springtime" apple trees and a<br />
house along a river, signed lower<br />
left: Harry P. Smith, titled on a<br />
label affixed to the stretcher, oil on<br />
canvas, 20" x 28", est:$3000/5000.<br />
Provenance: Property from an<br />
Estate, San Marino, CA. Condition:<br />
Visual: Generally good condition<br />
with a few spots of minor, stable<br />
craquelure. Blacklight: Some<br />
minor spots of touch-up on<br />
the tree trunk in the left center<br />
quadrant, in the lower left<br />
quadrant and in the sky. Scattered,<br />
minor touch-up along the edges,<br />
particularly the upper edge, due to<br />
frame abrasion.<br />
112 William Joseph McCloskey<br />
(1859-1941 Orange, CA) "Florida<br />
Oranges" still life - oranges and<br />
paper wrappers, signed and dated<br />
lower right: W.J. McCloskey<br />
16<br />
1891, signed and dated again on<br />
an artist's label affixed to the<br />
stretcher, oil on canvas, 8" x 18",<br />
est:$100,000/150,000. Exhibited:<br />
"Annual", National Academy<br />
of Design, New York, NY, April<br />
6 - May 16, 1891, no. 435, ($100).<br />
Literature: N. Moure, "Partners<br />
in Illusion: Alberta Binford and<br />
William J. McCloskey", Santa<br />
Ana: Bowers Museum of Cultural<br />
<strong>Art</strong>, 1996, no. 91.6.W., p. 93.<br />
Provenance: John W. Greene;<br />
The <strong>Auction</strong> for British War Relief,<br />
The Society of the Four <strong>Art</strong>s,<br />
Palm Beach, FL, March 1941,<br />
donated from the above; Dr. and<br />
Mrs. M.T. Field, purchased from<br />
the above; Robert Burkhardt,<br />
Kutztown, PA, acquired from the<br />
above, by 1965; Private Collection,<br />
Saratoga Springs, NY, acquired<br />
from the above, 1970s (see<br />
attached provenance documents).<br />
Condition: Visual: Minor, stable<br />
craquelure throughout and some<br />
minor varnish bloom in the upper<br />
left quadrant and lower center<br />
quadrant. Blacklight: No evidence<br />
of restoration under blacklight.<br />
113 Carducius Plantagenet Ream<br />
(1837-1917 Chicago, IL) still<br />
life - grapes, pear and walnuts,<br />
signed lower right: C.P. Ream, oil<br />
on canvas laid to canvas, 12" x<br />
16", est:$3000/5000. Provenance:<br />
Private Collection, Long Beach,<br />
CA. Condition: Visual: A stabilized<br />
1" tear in the center on the<br />
pear. Scattered, fine unstable<br />
craquelure in the upper left<br />
quadrant with a few tiny spots of<br />
loss and a few small areas of fine<br />
craquelure in the lower center<br />
quadrant. An area of apparent<br />
overpaint in the lower left corner.<br />
Stable scattered craquelure<br />
throughout. Blacklight: Evidence<br />
under blacklight of a bottle and<br />
stopper in the left center and<br />
upper left quadrants that was