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Pdf Catalogue - California Art Auction

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198 Frank E. Brown (active 1920s-<br />

Pasadena, CA) "Bird's-Eye View,<br />

Northwest corner of Holly Street<br />

& Marengo, Pasadena, <strong>California</strong>"<br />

circa 1923-4, signed lower right:<br />

Frank E. Brown, oil on canvas,<br />

16.25" x 31.25", est:$2000/3000.<br />

Note: Two Pasadena Star-News<br />

newspaper articles (from 1918<br />

& 1927) reported that Pasadena<br />

artist Frank E. Brown was one of<br />

"four or five men in the world" who<br />

specialize in painting 'bird's eye'<br />

or panoramic views of scenes<br />

which could not be recorded by<br />

conventional means. Brown's<br />

unusual methods of working<br />

included climbing telephone<br />

poles and rooftops to make<br />

preliminary sketches. Condition:<br />

Visual: Generally good condition.<br />

Blacklight: Two 1" x 1/2" areas<br />

of touch-up with some other<br />

scattered lines of touch-up in the<br />

upper center in the sky.<br />

199 Francis De Erdely (1904-1959 Los<br />

Angeles, CA) "Roofs of New York"<br />

1940, signed, inscribed and dated<br />

lower right: de erdely MCMXXXX<br />

New York, tempera and pastel on<br />

paper under glass, sight size: 19"<br />

x 27", est:$4000/6000. Exhibited:<br />

M.H. de Young Memorial Museum,<br />

San Francisco, CA, n.d. (see label<br />

verso). Provenance: Sold John<br />

Moran <strong>Auction</strong>eers, 1 July 1997,<br />

lot 67; Property from a Laguna<br />

Niguel, CA Estate, acquired from<br />

the above. Condition: Visual:<br />

Generally good condition with<br />

no evidence of foxing, staining<br />

or tears. Not examined out of the<br />

frame.<br />

200 Eugene Gauss (1905-1988 New<br />

Jersey) "Fiori di Dolce" incised<br />

with signature and date on the<br />

base: 1962 Eugen Gauss, titled<br />

in graphite on the bottom, white<br />

marble , 15" x 7", est:$3000/5000.<br />

Provenance: Collection of Eileen<br />

and Marvin Reingold; Private<br />

29<br />

Collection, Los Angeles, CA.<br />

Condition: Visual: Generally good<br />

condition with minor surface dirt<br />

and one tiny surface pit on the<br />

figure's right arm.<br />

201 Nathan Oliveira (1928-* San<br />

Francisco, CA) abstract figure,<br />

signed and dated lower right:<br />

Oliveira 57, mixed media on<br />

paper, paper size: 32" x 21",<br />

est:$8000/12,000. Provenance:<br />

Private Collection, Arizona.<br />

Condition: Visual: Generally good<br />

condition with mild toning to the<br />

paper and mat burn along the<br />

extreme edges. Paper loose and<br />

held to the back mat with corner<br />

hinges.<br />

202 Robert Frame (1924-1999 Santa<br />

Barbara, CA) "Monuments"<br />

abstract buildings, signed lower<br />

right: R. Frame, oil on canvas, 22"<br />

x 30", est:$2000/3000. Condition:<br />

Visual: Generally good condition<br />

with a minor 1" diagonal stable<br />

tear that does not go entirely<br />

through canvas in the right center<br />

quadrant. Blacklight: No evidence<br />

of restoration under blacklight.<br />

203 Ralph Victor Murray (1897-1991<br />

Monterey, CA) "Oliver Street,<br />

Hidden Village, Monterey" signed<br />

lower right: Ralph V. Murray, titled<br />

on the stretcher, oil on canvas, 16"<br />

x 36", est:$2000/3000. Provenance:<br />

Private Collection, La Quinta, CA,<br />

acquired circa 1990. Condition:<br />

Visual: Generally good, original<br />

condition with minor, stable<br />

craquelure. Surface dirt and<br />

drips. Blacklight: No evidence of<br />

restoration under blacklight.

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