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Pdf Catalogue - California Art Auction

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133 Frank C. McCarthy (1924-2002<br />

Sedona, AZ)"Return From the<br />

Raid" returning war party at full<br />

gallop, signed and dated lower<br />

right: McCarthy 73, oil on board,<br />

22" x 36", est:$45,000/60,000.<br />

Provenance: The J.D. Trust,<br />

Paradise Valley, AZ. Condition:<br />

Visual: Generally good condition.<br />

Blacklight: No evidence of<br />

restoration under blacklight.<br />

134 Frank C. McCarthy (1924-2002<br />

Sedona, AZ) "A Shot Rang<br />

Out" group of mountain men<br />

on horseback in a landscape,<br />

signed and dated lower right:<br />

Frank McCarthy CA 76, signed<br />

again and titled verso, numbered<br />

verso: #312, oil on canvas laid<br />

to artist's masonite, 18" x 24",<br />

est:$30,000/40,000. Provenance:<br />

The J.D. Trust, Paradise Valley, AZ.<br />

Condition: Visual: Generally good<br />

condition. Blacklight: No evidence<br />

of restoration under blacklight.<br />

135 Harvey William Johnson<br />

(1921-2005 Santa Fe, NM)<br />

"Comancheria West" mounted<br />

Indian riders in a landscape,<br />

signed and dated lower right:<br />

H.W. Johnson 74 CA, oil on<br />

masonite, 20" x 32", est:$6000/8000.<br />

Provenance: The JD Trust,<br />

Paradise Valley, AZ. Condition:<br />

Visual: Generally good condition.<br />

Blacklight: No evidence of<br />

restoration under blacklight.<br />

136 Alice Coutts (1879-1973 Piedmont,<br />

CA) "The Fire Worshippers"<br />

inscribed with title verso, oil on<br />

board, 9" x 12", est:$1500/2500.<br />

Exhibited: Gump's, San Francisco,<br />

CA, 1910, prize winner (according<br />

to inscription verso). Provenance:<br />

Private Collection, Mentone, CA.<br />

Condition: Visual: Generally good<br />

condition. Blacklight: A few tiny<br />

dots of touch-up in the left center<br />

quadrant and two tiny dots of<br />

touch-up on the figures' faces.<br />

20<br />

137 Marjorie Reed (1915-1996<br />

Vallecito, CA) "Whipping Up the<br />

Lazy Mules in the Cross Timbers"<br />

signed lower left: Marjorie Reed,<br />

signed again and titled on an<br />

artist's label verso, inscribed<br />

verso: Sketch for New Mexico-<br />

Texas Butterfield Trail Series,<br />

oil on canvasboard, 8" x 10",<br />

est:$2000/3000. Literature: M.<br />

Reed, "The Butterfield Overland<br />

Stage through New Mexico and<br />

Texas: Reproductions in Color of<br />

25 Paintings From the Collection<br />

of Dave and Valona Crowell<br />

and H.D. and Lela Varnum",<br />

Old Adobe Gallery, 1980, p. 20,<br />

illustrated. Provenance: Kesler <strong>Art</strong><br />

Galleries, San Diego, CA; Private<br />

Collection, Dallas, TX. Condition:<br />

Visual: Generally good condition.<br />

Blacklight: No evidence of<br />

restoration under blacklight.<br />

138 Marjorie Reed (1915-1996<br />

Vallecito, CA) "On Guard" herd<br />

of horses in a landscape, circa<br />

1940s, signed lower right:<br />

Harvey Day, oil on canvas, 16"<br />

x 20", est:$3000/5000. Note:<br />

Marjorie Reed painted under the<br />

pseudonym "Harvey Day", the<br />

name of her second husband,<br />

during the 1940s. Provenance:<br />

Private Collection, Encinitas, CA.<br />

Condition: Visual: Generally good<br />

condition. Blacklight: Two spots of<br />

touch-up in the sky.<br />

139 Nicholas S. Firfires (1917-1990<br />

Montecito, CA) "Whoa, Damn You"<br />

mounted cowboys roping steer in<br />

a Southwest landscape, signed<br />

lower right: Nicholas S. Firfires,<br />

titled and numbered on an artist's<br />

label affixed to the stretcher:<br />

No. 388, oil on canvas, 30" x 44",<br />

est:$3000/5000. Provenance: The<br />

J.D. Trust, Paradise Valley, AZ.<br />

Condition: Visual: Generally good<br />

condition. Blacklight: No evidence<br />

of restoration under blacklight.

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