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The Gothic portico presents two<br />

arches, a central column and<br />

capital and lateral pillars.<br />

The decorations of brightlycoloured<br />

mock damask tapestry<br />

are double-levelled. On the<br />

column panels to the sides, three<br />

friezes act as a string-course with<br />

masks, dolphins, sirens, tritons<br />

and hippogriffs. Fastened to the<br />

nail is the Gregoris arm bearing<br />

Francesco’s initials.<br />

Palazzo Gregoris (17 th century)<br />

Remnants of frescoes and of a<br />

window testify to the 13 th century<br />

origins of this ancient edifice.<br />

The present-day palazzo is a<br />

splendid example of mainland<br />

Venetian architecture. The façade<br />

features balconies, spacious<br />

windows, arches and mascarons<br />

and is surmounted by the large<br />

stone family coat of arms and<br />

underlying dedicatory cartouche.<br />

City wall alley<br />

The narrow lane<br />

leading below the<br />

palazzo on the right<br />

takes you from the<br />

Corso to what<br />

remains of the<br />

ancient city walls,<br />

reduced to stumps<br />

by the French<br />

authorities under<br />

Napoleon. In 1499, these walls<br />

helped save the city from<br />

Turkish invasions. The lane<br />

leads to the present-day public<br />

gardens, near the site of the<br />

former Porta dei<br />

Cappuccini.<br />

15 th century<br />

Palazzo<br />

(dei Capitani)<br />

The palazzo rises<br />

up three storeys,<br />

plus the attic, and<br />

features a threearched<br />

portico.<br />

The left-hand arch is<br />

wider than the other<br />

two, hence the edifice is<br />

believed to be the unification<br />

of two dwellings.<br />

The composed architectural<br />

layout of the current façade was<br />

levelled off and treated with<br />

Marmorino, a special Italian wall<br />

plaster, during the 18 th century;<br />

this concealed underlying fresco<br />

decorations ascribable to the<br />

15 th century. It is hard to explain<br />

the presence of so many coats<br />

of arms on the façade of which<br />

there were at least seven<br />

originally, judging by the<br />

remnants and sizes.<br />

Casa Simoni<br />

This small building was formerly<br />

state property, as can be seen<br />

from the large civic coat of arms<br />

between the two Gothic<br />

windows on the small but<br />

well-proportioned façade.<br />

The original 13 th century<br />

structure was formed by two<br />

storeys, the first<br />

storey featuring<br />

two single lancet<br />

trilobal-arched<br />

windows.<br />

The façade has<br />

conserved its<br />

simple mockbrick<br />

decorations,<br />

bordered in the<br />

undereaves by two<br />

bands of flower and<br />

fruit motifs.<br />

CORSO GARIBALDI<br />

Palazzo Pera<br />

Restoration completed in 2004<br />

has verified that the building<br />

gradually incorporated a series<br />

of pre-existing constructions<br />

from the end of the 15 th century.<br />

The restoration of the façade<br />

brought to light some decorative<br />

fresco fragments, some in mock<br />

brick, coeval to the oldest wall<br />

in the building which rose up<br />

two storeys.<br />

Palazzo Sbrojavacca and Palazzo<br />

Pera house the Pordenone<br />

Provincial Administration offices.<br />

Here, too, restoration has brought<br />

to light remnants of ancient<br />

frescoes, by Gianfranco da<br />

Tolmezzo: cornices and floral<br />

decorations with faces and<br />

vestitures in the lower<br />

Renaissance edifice, dating back<br />

to the end of the 15 th century.<br />

The building’s present-day<br />

appearance is due to 18 th century<br />

remodelling, inside and out,<br />

following the changing tastes.<br />

CHURCHES<br />

The Duomo-cattedrale di S.Marco,<br />

whose construction began in the<br />

13 th century is well worth visiting.<br />

In the 15 th century it was<br />

extended to include the great<br />

polygonal apse with windows<br />

between the two minor apses<br />

and, in 1593 with six side<br />

chapels. The façade features an<br />

elegant portal, carved in 1511<br />

by Antonio Pilacorte, and four<br />

semicolumns built to a design<br />

by Francesco Lazzari, which was<br />

interrupted in 1840. Inside there<br />

are valuable handmade articles<br />

from its secular history, stone<br />

and wood sculptures, frescoes<br />

from the 14 th century onwards<br />

and 16 th century paintings by<br />

Pordenone, Amalteo, Calderai<br />

and Fagolino. The bell tower<br />

rises up almost 80 metres,<br />

and is in a decorative Gothic-<br />

Romanesque style, with elegant<br />

triple lancet windows and<br />

terracotta pensile arches.<br />

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